Embracing My Curves Quotes

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I close my eyes, thinking that there is nothing like an embrace after an absence, nothing like fitting my face into the curve of his shoulder and filling my lungs with the scent of him.
Jodi Picoult (Keeping Faith)
simply-quotes Follow I close my eyes, thinking that there is nothing like an embrace after an absence, nothing like fitting my face into the curve of his shoulder and filling my lungs with the scent of him.
Jodi Picoult (Keeping Faith)
May I hide you in the embrace of my fervent heart, may I be cradled beneath the shadow of your love may I explore every curve of your desires and leave an imprint on your affection, with the kiss of my love.
Suman Pokhrel
lips, taking in the sensual curves, wondering how they would feel pressed against mine. “Do I have a shot?” I don’t know what makes me say it. He gives me a wolfish, knowing smile. “I would love to fuck you, but we might never see each other again. I don’t make promises.” I picture us naked in a heated embrace, his powerful body sliding inside me, and my lower body clenches at the thought—even as I cringe. I’m supposed to still be in love with Bennett,
Ilsa Madden-Mills (Boyfriend Bargain (Hawthorne University, #1))
Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak. His hips came up, and he gasped and said, "My heart. My love. I'm coming." She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought.
Carolyn Jewel (The Spare)
When I talk to my friends I pretend I am standing on the wings of a flying plane. I cannot be trusted to tell them how I am. Or if I am falling to earth weighing less than a dozen roses. Sometimes I dream they have broken up with their lovers and are carrying food to my house. When I open the mailbox I hear their voices like the long upward-winding curve of a train whistle passing through the tall grasses and ferns after the train has passed. I never get ahead of their shadows. I embrace them in front of moving cars. I keep them away from my miseries because to say I am miserable is to say I am like them.
Jason Shinder
My poor Eunice looked so tired when she huffed off the bus with her many bags that I nearly tackled her in a rejuvenating embrace, but I was careful not to make a scene, waving my roses and champagne at the armed men to prove that I had enough Credit to afford Retail, and then kissed her passionately on one cheek (she smelled of flight and moisturizer), then on the straight, thin, oddly non-Asian nose, then the other cheek, then back to the nose, then once more the first cheek, following the curve of freckles backward and forward, marking her nose like a bridge to be crossed twice. The champagne bottle fell out of my hands, but, whatever futuristic garbage it was made of, it didn't break.
Gary Shteyngart (Super Sad True Love Story)
The movie Bull Durham was written by a man who grew up in the faith and was disillusioned by the church. It begins with the female lead saying, “I believe in the church of baseball. I've tried all the major religions and most of the minor ones … and the only church that truly feeds the soul is baseball.” Later in the movie the Kevin Costner character recites his creed: “I believe in the soul … the hanging curve ball, high fiber, good scotch … I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in long, slow, deep, soft kisses that last three days.”4 My wife liked that one. A little too much. My wife is a Kevin Costner fundamentalist. Kevin said it; she believes it; that settles it.
John Ortberg Jr. (Faith and Doubt: Embracing Uncertainty in Your Faith)
As she passed the door to Gray’s study, a familiar, muscled arm shot out into the corridor, catching her by the waist. Laughing, she stumbled into the room, quickly finding herself caught between cool walnut paneling at her back and the hot, solid wall of man before her. Ever since their wedding-or since the Kestrel storeroom, more likely-Gray seemed to find it an irresistible challenge, to catch her unawares in an unlikely location and pull her into a feverish embrace. Sophia had no wish to discourage the habit, but this wasn’t the ideal time for a tryst. “Gray,” she chided between kisses, “what are you about? The housekeeper said there was an urgent matter requiring my attention.” “And so there is. I require your attention. Most urgently.” His hand slid to her bottom, and he lifted her easily, pinning her to the wall with his hips. The beaded ridges of the wainscoting dug into her spine. “Don’t think we’ve used this room yet,” he murmured, nibbling at the curve of her neck. “I’m entertaining,” she protested. “Yes, you are,” he said, grinding against her. “Highly entertaining.” Sophia sighed with pleasurable frustration. “I mean, I have a guest. Lady Kendall’s in the salon, with Bel.” She levered her arm against his chest, carving out some space between them. “And I thought you were at your shipping office.” “Yes, well…” Mischief gleamed sharp in his eyes. “I decided to go riding instead.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
I love the commanding tone of your voice and how it falls in gentle rhythms. I love how you dance like the waves and pull me in with your tide. You're every ounce as beautiful as the sea and every bit as wild. You have no idea the extent how vibrantly you glow, but perhaps you're learning. And I love that. I love you." A flutter in my chest multiplies, blooming and blooming and blooming, like the kaleidoscope in my dream. Only this time, it doesn't shatter. It holds me there in that rose-gold glow. I burst, but in a way that's expansive, not destructive. I leap forward, pressing my lips to his, obliterated by the dew-damp softness. His eyes widen as he pulls away. I gape at him, flushed. "I---I'm sorry." He hesitates, but then he pounces, drawing me towards his embrace and crushing my open mouth. It happens so fast. He grabs me by the thighs, welling up my skirt as he carries me out of the water. My fingers curl through his hair, and novas explode as he slips his tongue onto mine. He holds me tighter, kissing me over and over again like repeating a melody. It's as natural as language, as wild as the roaring sea. We fall to the ground, and a bed of flowers blossoms beneath us, pale pink and soft. The velvet petals tangle in my hair as he presses into me--- skin on skin, blooming with wild heat. We fold into each other, our arms coiling like serpents, my fingers tracing his body. He pulls away for just a moment, but only to study me like the rarest opal, admiring my every color and curve before kissing my lips--- sweet and soft and slow. We repeat the motions in a ritual that's only our own. I try to catch my thoughts, but they're all tangled up . Though, there's one thing I know for sure. Through my unsteady breathing, I whisper, "I love you, too." Despite what the Devil thinks, I am capable of love, and I won't let him win, not now. Damien and I collapse into the damp petals, surrendering to the night.
Kiana Krystle (Dance of the Starlit Sea)
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))
So this dream seemed oddly familiar and yet completely alien to me at the same time. Once again I was tucked in a bed, being held and protected against anything and everything the world might have to throw at me. But instead of the soft embrace of parents I’d never known, my head lay on the chest of a man whose strong arms were wrapped around me like he never wanted to let me go. His heartbeat thumped beneath my ear. My arm and leg were coiled over him while he held me against him, his hand resting on the curve of my thigh. He was warm unlike anyone I’d ever known, his skin almost seeming to hold a fire within it which filled my soul with strength and peace. My eyes were closed so I couldn’t see him but I just felt oddly at home. Like this was where I was meant to be. My hand lay on the hard muscles of his abs and I slowly started tracing the lines the muscles created with my fingertips, not wanting to shatter the peace of the dream by opening my eyes. He inhaled deeply, his chest rising beneath me while the arm holding me pulled me a little closer still. I continued my sleepy exploration of his stomach, my fingers tracing the lines lower and lower until they suddenly skimmed against the edge of a rough waistband. I frowned to myself at the sensation of denim against my fingertips. Who would sleep in a pair of jeans? What kind of weird dream man had I conjured up? I ran my fingers along the top of the jeans, the rough material tickling at the edges of my memory but my head was too foggy to place it. “If you keep doing that I’m going to stop being a gentleman about this situation.” My hand fell still and I froze at the sound of that voice. There was no way even dream Tory would be deluded enough to feel safe in his arms. My heart pounded a panicked rhythm against my ribcage and I peeled my eyes open, blinking a few times against the darkness I found waiting for me. Pain thundered through my skull and my tongue was thick in my mouth. I cringed against the headache, trying to focus on something around me as I slowly realised that this wasn’t a dream at all. I spotted the fire burning low in the grate across the room first. There was a black fire guard standing before it and a plush cream chair beside it. I knew this room. I’d burned it down once. And somehow I’d ended up right in the centre of Darius Acrux’s goddamn golden bed. I was too horrified at myself to move, my brain hunting for answers in a foggy sea of alcohol infused memories. I’d been drinking in The Orb with Sofia and Diego while she shielded our presence with a spell to deflect attention so that no one would spot us and play any Hell Week pranks on us. Or notice the fact that we’d stayed out after curfew. I remembered playing a strange Fae version of truth or dare with them while we worked our way through too many shots and Diego came up with ideas to retrieve his hat from Orion. Then...nothing. Certainly nothing that could explain to me how I’d ended up in Darius Acrux’s arms. My gaze slid across the wide armchair where I spotted my academy skirt hanging over one arm. I swallowed a thick lump in my throat, turning my attention to what I was wearing...or wasn’t wearing. I plucked at the huge t-shirt which clearly wasn’t mine, pulling the neck wide so that I could look down inside it. A moment of relief found me as I spotted my bra still in place but he hadn’t released his hold on me so I couldn’t be sure my panties were still there too. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Dear Black Man (Poem) ***** I love you because you make me feel things that I have never felt before. You erase my pain and you bring me so much gain. You embrace me and hide me in your well built African and manly body. You make me want to never look at other bodies. I love how you cut your hair. I love to feel your love in the air. The texture of your hair, so beautiful, so artistic. Your beautiful smile, so amazing; it reminds me of hiding places. You walk like you own the world; at least, I assure you that you own mine and the rest of my words. Black Man, you are beautiful. Your skin tone is so dark, it makes me want to bark. Please allow me to run my hands on the hills of that skin. You are handsome, my amazing king. The way you speak your language. The way you speak your Xhosa. Your Hausa. Your Zulu. Your Kituba. Your Tswana. Your Lingala. Your Venda. Your Gadomba. Your Tsonga. Your Shona. Your Bateke. Your Ga. Your Sotho. Your Igbo. Your eyes. Black Man, your eyes tell me a story never heard before. You teach me; from your wisdom, I learn. From your strength, I know 'I can'. Black Man, they enslaved you because they found you intimidating. But today, they look for you to be their mate in dating. You look at my stretchmarks with an eye of an artist. You appreciate my big behind with no judgement. You kiss my big lips with love. And in my big thighs, you hide. You love me when I have no hair. You love me when I have fake hair. Black Man, I thought of you and I wrote to you. All hail the Black king! From your Black Woman, (with African curves) .
Mitta Xinindlu
I had learned long ago to embrace my curves. My southern mama always said if you can’t hide it paint it red. So red it was.
Rebecca Regnier (The Snow Wife (North of Forty-Nine, #1))
They say that sex is crude: the body fluids…! Crude…? The morning dew on your eyelashes met by my tongue, the tenderest force; my supple curves, the hills you climb, your fingers desperately lost. You want to learn my many gazes – unyielding shields… then pastel sweet… We’ll die one day, but your embraces, each one of them, I want to keep.
Dr. Jasmine (Love, Demystified)
Christopher came up behind her. As Beatrix turned to face him, he searched her face with a gently quizzical gaze. “If you like, we can spend our first night together here,” he said. “But if this doesn’t suit you, we’ll go to Phelan House.” Beatrix could hardly speak. “You did this for me?” He nodded. “I asked Lord Westcliff if we might stay the night here. And he had no objections to a little redecorating. Do you--” He was interrupted as Beatrix flung herself at him and wrapped her arms tightly around his neck. Christopher held her, his hands coursing slowly over her back and hips. His lips found the tender skin of her cheeks, her chin, the yielding softness of her mouth. Through the descending diaphanous layers of pleasure, Beatrix answered him blindly, taking a shivering breath as his long fingers curved beneath her jaw. He shaped her lips with his own, his tongue questing gently. The taste of him was smooth and subtle and masculine. Intoxicating. Needing more of him, she struggled to draw him deeper, to kiss him harder, and he resisted with a quiet laugh. “Wait. Easy…love, there’s another part of the surprise that I don’t want you to miss.” “Where?” Beatrix asked drowsily, her hand searching over his front. Christopher gave a muffled laugh, taking her by the shoulders and easing her away. He stared down at her, his gray eyes glowing. “Listen,” he whispered. As the thrumming of her own heart quieted, Beatrix heard music. Not instruments, but human voices joined in harmony. Bemused, she went to the window and looked out. A smile lit her face. A small group of officers from Christopher’s regiment, still in uniform, were standing in a row and singing a slow, haunting ballad. Were I laid on Greenland’s coast, And in my arms embrac’d my lass; Warm amidst eternal frost, Too soon the half year’s night would pass. And I would love you all the day. Ev’ry night would kiss and play, If with me you’d fondly stray. Over the hills and far away… “Our song,” Beatrix whispered, as the sweet strains floated up to them. “Yes.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Sit down and allow me to have a look at that cut.” Helping her to sit, he grabbed his stool and scooted it in front of her before reaching for his ample supply of ready-made bandages. “So,” he said, allowing a smirk to grow across his face. “You claim you weren’t snooping, and yet you were deliberately looking through articles on my desk. Very suspect, I must say.”  She refused to meet his gaze and he strangled the chuckle that wished for escape. He had to tease her a bit more. “I’m surprised at you, Kitty. I thought you were above such things.”  Kitty tried to tug her hand away and her tone tightened. “I really wasn’t, Nathaniel, I—” “Quiet now and stay still.” Keeping a stern look in his eyes he allowed a small quirk at the corner of his mouth. She pulled her bottom lip between her teeth and looked away, and suddenly the desire to scoot his stool closer swelled beyond the bounds of its levy. With a quick shake of his head, he ignored it. Nearly. Nathaniel pulled her injured hand closer. Lost in the feel of her skin against his, every sense of teasing faded. He took a long inhale of the scent of cinnamon that always seemed to follow her and regained focus on her injury. Fairly deep, and though the blood oozed steadily, ‘twas nothing serious. With a flick of his wrist he opened the bandage with one hand, applied pressure, and started wrapping. Wriggling, Kitty sat straighter. “I’m... I’m so sorry, Nathaniel. I feel simply terrible about the lamp, and soiling your books and papers with all that oil. I do hope you can forgive me.” Her silken voice draped around him like a fond embrace. Must she be so charming?  “Forgive you?” He pulled back, fighting the yearnings with a strong measure of humor. “I’m not sure I can.”  He almost regretted taking his jesting so far when her chin popped up and her dainty brows pinched low. “Nathaniel, I...” She started to protest, then humphed back in her seat with the most delightful twist on her lips. Nathaniel erupted in laughter while Kitty’s pert mouth curved sideways into a smile that stroked his masculine pride. He sighed, calming his jubilant nature. “Think nothing of it, Kitty. There is very little damage done.” He
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
And this is the exact fear that fuels neuroplastic pain. When we’re in pain, we naturally conclude that there’s a physical cause. Maybe we believe it’s inflammation or scar tissue or arthritis. Maybe we think it’s a disc problem, or a nerve issue, or a curved spine. Maybe we suspect it’s poor posture or muscle weakness or a vitamin deficiency. Regardless of the specifics, at a core level, all chronic pain patients have the same fear: “There has to be something going on in my body that’s causing this.” And when the brain believes that the body is damaged, it responds with pain. But when you can embrace a different belief—that the pain is due to your brain making a mistake and that your body is fine—then the fear goes away. And soon after, the pain fades.
Alan Gordon (The Way Out: A Revolutionary, Scientifically Proven Approach to Healing Chronic Pain)
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