β
If you go home with somebody, and they don't have books, don't fuck 'em!
β
β
John Waters
β
How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.
β
β
Shel Silverstein
β
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
β
β
E.M. Forster (A Room with a View)
β
Have you really read all those books in your room?β
Alaska laughing- βOh God no. Iβve maybe read a third of βem. But Iβm going to read them all. I call it my Lifeβs Library. Every summer since I was little, Iβve gone to garage sales and bought all the books that looked interesting. So I always have something to read.
β
β
John Green (Looking for Alaska)
β
You just hold your head high and keep those fists down. No matter what anybody says to you, don't you let 'em get your goat. Try fightin' with your head for a change.
-Atticus Finch
β
β
Harper Lee (To Kill a Mockingbird)
β
You are being self-pitying."
"I'm nearly done. You don't have much more of this to bear."
"I like you better this way."
"Crushed and broken," Gansey said. "Just the way women like 'em.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
When a child asks you something, answer him, for goodness sake. But don't make a production of it. Children are children, but they can spot an evasion faster than adults, and evasion simply muddles 'em.
β
β
Harper Lee (To Kill a Mockingbird)
β
Who was the guy who first looked at a cow and said 'I think Iβll drink whatever comes out of these when I squeeze βem?
β
β
Bill Watterson
β
Spoon feeding in the long run teaches us nothing but the shape of the spoon.
β
β
E.M. Forster
β
Atticus said to Jem one day, "Iβd rather you shot at tin cans in the backyard, but I know youβll go after birds. Shoot all the blue jays you want, if you can hit βem, but remember itβs a sin to kill a mockingbird." That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. "Your fatherβs right," she said. "Mockingbirds donβt do one thing except make music for us to enjoy. They donβt eat up peopleβs gardens, donβt nest in corn cribs, they donβt do one thing but sing their hearts out for us. Thatβs why itβs a sin to kill a mockingbird.
β
β
Harper Lee (To Kill a Mockingbird)
β
Albert grunted. "Do you know what happens to lads who ask too many questions?"
Mort thought for a moment.
"No," he said eventually, "what?"
There was silence.
Then Albert straightened up and said, "Damned if I know. Probably they get answers, and serve 'em right.
β
β
Terry Pratchett (Mort (Discworld, #4; Death, #1))
β
Bottom line is, even if you see 'em coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So what are we, helpless? Puppets? No. The big moments are gonna come. You can't help that. It's what you do afterwards that counts. That's when you find out who you are.
β
β
Joss Whedon
β
You can choose your friends but you sho' can't choose your family, an' they're still kin to you no matter whether you acknowledge 'em or not, and it makes you look right silly when you don't.
β
β
Harper Lee (To Kill a Mockingbird)
β
If they strain me up tight, why, let 'em look out! I can't bear it, and I won't.
β
β
Anna Sewell (Black Beauty)
β
NΓ£o sou nada.
Nunca serei nada.
NΓ£o posso querer ser nada.
Γ parte isso, tenho em mim todos os sonhos do mundo.
β
β
Fernando Pessoa (Tabacaria e Outros Poemas)
β
Whenever you are asked if you can do a job, tell 'em, 'Certainly I can!' Then get busy and find out how to do it.
β
β
Theodore Roosevelt
β
Give 'em hell, darlin
β
β
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
β
None. I think we should send a country some cupcakes. You think some cupcakes would cheer up North Korea? Kill 'em with deliciousness.
β
β
Gerard Way
β
Then he was stepping back, away, letting distance flood between us again. His voice was low, rough. "Give 'em hell, darlin'."
"And for the love of God, bitch, don't get stabbed this time!" Vida added.
β
β
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
β
Shoot all the blue jays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.
β
β
Harper Lee (To Kill a Mockingbird)
β
Stop the traffic...let 'em through...
β
β
Louis Tomlinson
β
Once the others were below, Hazel and Leo faced each other awkwardly. They were alone except for Coach Hedge, who was back on the quarterdeck singing the PokΓ©mon theme song. The coach had changed the words to: Gotta Kill βEm All, and Leo really didnβt want to know why.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
How do I know what I think until I see what I say?
β
β
E.M. Forster
β
Some are born mad, some achieve madness, and some have madness thrust upon 'em.
β
β
Emilie Autumn (The Asylum for Wayward Victorian Girls)
β
There's a lot of ugly things in this world, son. I wish I could keep 'em all away from you. That's never possible.
β
β
Harper Lee (To Kill a Mockingbird)
β
Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them.
β
β
E.M. Forster (A Room with a View)
β
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
β
β
Rudyard Kipling (If: A Father's Advice to His Son)
β
I suggest that the only books that influence us are those for which we are ready, and which have gone a little further down our particular path than we have yet gone ourselves.
β
β
E.M. Forster
β
People complain about the bad things that happen to em that they don't deserve but they seldom mention the good. About what they done to deserve them things
β
β
Cormac McCarthy (No Country for Old Men)
β
Books... are like lobster shells, we surround ourselves with 'em, then we grow out of 'em and leave 'em behind, as evidence of our earlier stages of development.
β
β
Dorothy L. Sayers (The Unpleasantness at the Bellona Club (Lord Peter Wimsey, #5))
β
Trouble with mice is you always kill 'em.
β
β
John Steinbeck (Of Mice and Men)
β
We must be willing to let go of the life we have planned, so as to have the life that is waiting for us.
β
β
E.M. Forster
β
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
β
β
E.M. Forster (A Room with a View)
β
You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.
β
β
Haruki Murakami (After Dark)
β
Look, that's why there's rules, understand? So that you think before you break 'em.
β
β
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
β
You know what I can't understand? You have all these people telling you all the time how great you are, smart and funny and talented and all that, I mean endlessly, I've been telling you for years. So why don't you believe it? why do you think people say that stuff, Em? Do you think it's a conspiracy, people secretly ganging up to be nice about you?
β
β
David Nicholls (One Day)
β
Life is easy to chronicle, but bewildering to practice.
β
β
E.M. Forster (A Room With A View)
β
Well, that explained it, then. Secret demon hunter and thief. Man, did I know how to pick 'em.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
They hurt you. You hurt 'em back. Or maybe it is the other way around. Whatever. Someday you might find a way to forgive each other. But it won't be like it used to 'cause that pain never really goes away.
β
β
Brian K. Vaughan (Buffy the Vampire Slayer: No Future for You)
β
I'm a girl of extremes. When I love something, I'm like a puppy dog (without all the licking). When I'm cranky, I'm a wasp (like a whole hive of 'em). And when I'm angry, I'm a Mother Bear with a predator after her cubs: Dangerous.
β
β
James Patterson (Fang (Maximum Ride, #6))
β
We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
β
β
E.M. Forster (A Room with a View)
β
People tend the take everything too seriously. Especially themselves. Yep. And that's probably what makes 'em scared and hurt so much of the time. Life is too serious to take that seriously.
β
β
Tom Robbins
β
If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
β
β
E.M. Forster (What I Believe and Other Essays)
β
There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly.
β
β
Woody Allen (Annie Hall: Screenplay)
β
I am an unspeakable of the Oscar Wilde sort.
β
β
E.M. Forster (Maurice)
β
one thing I donβt need
is any more apologies
i got sorry greetin me at my front door
you can keep yrs
i donβt know what to do wit em
they donβt open doors
or bring the sun back
they donβt make me happy
or get a mornin paper
didnβt nobody stop usin my tears to wash cars
cuz a sorry.
β
β
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
β
The Lower City is MINE, Its People are MINE.
If I Find Them That's Doing All This Kidnapping
And Murdering, They'd Best Pray For Mercy,
Because Once I Get My Teeth In 'Em
I Will NEVER Let Them Go.
β
β
Tamora Pierce (Terrier (Beka Cooper, #1))
β
So violent. You want to mug and tase everybody these days."
"I do," Zuzana agreed. "I swear I hate more poeple every day. Everyone annoys me. If I'm like this now, what am I going to be like when I'm old?"
"You'll be the mean old biddy who fires a BB gun at kids from her balcony."
"Nah. BBs just rile 'em up. More like a crossbow. Or a bazooka.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
Anxiety was born in the very same moment as mankind. And since we will never be able to master it, we will have to learn to live with itβjust as we have learned to live with storms.
β
β
Paulo Coelho (Manuscrito encontrado em Accra)
β
You confuse what's important with what's impressive.
β
β
E.M. Forster (Maurice)
β
A happy ending was imperative. I shouldn't have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense, Maurice and Alec still roam the greenwood.
β
β
E.M. Forster (Maurice)
β
Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do
β
β
Elvis Presley
β
I told you she was doing all four of 'em.
β
β
Kyle Keyes (Under the Bus)
β
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
β
β
Jodi Picoult (The Pact)
β
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
β
β
E.M. Forster (Aspects of the Novel)
β
What kind of half-assed apocalypse are they running down there?β Amos said. βGive βem a break. Itβs their first.
β
β
James S.A. Corey (Leviathan Wakes (Expanse, #1))
β
Adventures do occur, but not punctually.
β
β
E.M. Forster (A Passage to India)
β
Well, Anastasia, my new motto is, 'If you can't beat'em, join'em
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Mistrust all enterprises that require new clothes.
β
β
E.M. Forster (A Room with a View)
β
Don't exist.
Live.
Get out, explore.
Thrive.
Challenge authority. Challenge yourself.
Evolve.
Change forever.
Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter.
Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive?
Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all.
All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness.
I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap.
It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books.
THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT.
Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath.
Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
β
β
Brian Krans (A Constant Suicide)
β
If you go home with somebody, and they don't have books, don't fuck 'em! Donβt sleep with people who donβt read!
β
β
John Waters
β
There's naught as nice as th' smell o' good clean earth, except th' smell o' fresh growin' things when th' rain falls on 'em.
β
β
Frances Hodgson Burnett (The Secret Garden)
β
Damn it, there are so many idiots whose asses I have to kick! I'll have to start carrying a list just to keep track of 'em all!
β
β
Hiromu Arakawa
β
I like you better this way." For some reason, admitting this made her face go hot right away; she was very glad that he still had his face pressed into his pillow and the other boys were still in Noah's room. "Crushed and broken," Gansey said. "Just the way women like 'em.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
I wish Iβd a knowed more people. I would of loved βem all. If Iβd a knowed more, I would a loved more
β
β
Toni Morrison (Song of Solomon)
β
This desire to govern a womanβit lies very deep, and men and women must fight it together.... But I do love you surely in a better way than he does." He thought. "Yesβreally in a better way. I want you to have your own thoughts even when I hold you in my arms.
β
β
E.M. Forster (A Room with a View)
β
Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.
β
β
E.M. Forster (A Room with a View)
β
You take 5 white guys and you take 5 black guys and put em together for a week and what you won't have is 5 blacks guys talking like, 'Golly gee, we really won that big basketball game' but you will have 5 white guys talking like 'Yo slick, whuzzup...we be shootin hoops and mad playin, slammed those mofos
β
β
George Carlin
β
Iβm nobodyβs sidekick,β Annabeth growled. βAnd, Percy, his accent sounds familiar because he sounds like his mother. We killed her in New Jersey.β
Percy frowned. βIβm pretty sure that accent isnβt New Jersey. Whoβs hisβ? Oh.β
It all fell into place. Aunty Emβs Garden Gnome Emporiumβthe lair of Medusa. Sheβd talked with that same accent, at least until Percy had cut off her head.
βMedusa is your mom?β he asked. βDude, that sucks for you.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship.
β
β
E.M. Forster (A Room with a View)
β
After all, is not a real Hell better than a manufactured Heaven?
β
β
E.M. Forster (Maurice)
β
Then you must tell 'em dat love ain't somethin' lak uh grindstone dat's de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It's uh movin' thing, but still and all, it takes its shape from de shore it meets, and it's different with every shore.
β
β
Zora Neale Hurston (Their Eyes Were Watching God)
β
I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.
β
β
Ray Bradbury (Fahrenheit 451)
β
This is about all the bad days in the world. I used to have some little bad days, and I kept them in a little box. And one day, I threw them out into the yard. "Oh, it's just a couple little innocent bad days." Well, we had a big rain. I don't know what it was growing in but I think we used to put eggshells out there and coffee grounds, too. Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it you got yourself a bad year. Take it from me. Choke those little bad days. Choke 'em down to nothin'. They're your days. Choke 'em!
β
β
Tom Waits
β
You do care a little for me, I know... but nothing to speak of, and you don't love me. I was yours once till death if you'd cared to keep me, but I'm someone else's now... and he's mine in a way that shocks you, but why don't you stop being shocked, and attend to your own happiness.
β
β
E.M. Forster (Maurice)
β
Did you ever dream you had a friend, Alec? Someone to last your whole life and you his. I suppose such a thing canβt really happen outside sleep.
β
β
E.M. Forster (Maurice)
β
On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em.
β
β
David Sedaris (Me Talk Pretty One Day)
β
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
β
β
Queen Latifah (Put on Your Crown: Life-Changing Moments on the Path to Queendom)
β
Life never gives us what we want at the moment that we consider appropriate.
β
β
E.M. Forster (A Passage to India)
β
I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult.
β
β
E.M. Forster
β
I think youβre beautiful, the only beautiful person Iβve ever seen. I love your voice and everything to do with you, down to your clothes or the room you are sitting in. I adore you.
β
β
E.M. Forster (Maurice)
β
Only connect!
β
β
E.M. Forster (Howards End)
β
Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.
β
β
E.M. Forster (Howards End)
β
Death destroys a man: the idea of Death saves him.
β
β
E.M. Forster (Howards End)
β
Glory: I look around at this world you're so eager to be a part of and all I see is six billion lunatics looking for the fastest ride out. Who's not crazy? Look around, everyone's drinking, smoking, shooting up, shooting each other, or just plain screwing their brains out 'cause they don't want 'em anymore. I'm crazy? Honey, I'm the original one-eyed chicklet in the kingdom of the blind, 'cause at least I admit the world makes me nuts.
β
β
Doug Petrie
β
Heβs a love-βem-and-leave-βem kind of guy. And though heβs not a Lord, he does have a curse hanging over his head. I have the book to prove it.β
William growled low in his throat. βAnya! Must you share my secrets with everyone?β He flattened his palms on the arms of his chair. βFine. If you can spill, I can, too. Anyaβs the reason the Titanic sank. She was playing chicken with the icebergs.β
Scowling, Anya anchored her hands on her hips. βWilliam had a bronze made of his penis and placed it on his mantel.
β
β
Gena Showalter (The Darkest Whisper (Lords of the Underworld, #4))
β
- Falhamos a vida, menino!
- Creio que sim... Mas todo o mundo mais ou menos a falha. Isto Γ©, falha-se sempre na realidade aquela vida que se planeou com a imaginação. Diz-se: Β«vou ser assim, porque a beleza estΓ‘ em ser assimΒ». E nunca se Γ© assim, Γ©-se invariavelmente assado, como dizia o pobre marquΓͺs. Γs vezes melhor, mas sempre diferente.
β
β
Eça de Queirós (Os Maias)
β
Life never gives us what we want at the moment that we consider appropriate. Adventures do occur, but not punctually.
β
β
E.M. Forster (A Passage to India)
β
It comes to this then: there always have been people like me and always will be, and generally they have been persecuted.
β
β
E.M. Forster (Maurice)
β
But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.
β
β
Ocean Vuong (On Earth We're Briefly Gorgeous)
β
I don't hold with paddlin' with the occult," said Granny firmly. "Once you start paddlin' with the occult you start believing in spirits, and when you start believing in spirits you start believing in demons, and then before you know where you are you're believing in gods. And then you're in trouble."
"But all them things exist," said Nanny Ogg.
"That's no call to go around believing in them. It only encourages 'em.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
Well,' I said. 'I could strip off my clothes and reveal to you that under my jeans and sweatshirt I'm actually wearing a tank top and short-shorts, much like Lara Croft from Tomb Raider...only mine are flame-retardant and covered in glow-in-the-dark dinosaur stickers.'
No one stirred. Not even Christopher, who actually has a thing for Lara Croft.
'I know what you're thinking,' I went on. 'Glow-in-the-dark dinosaur stickers are so last year. But I think they add a certain je ne sais quoi to the whole ensemble. It's true, short-shorts are uncomfortable under jeans and hard to get off in the ladies' room, but they make the twin thigh-holsters in which I hold my high-caliber pistols so easy to get to....'
The oven timer dinged.
'Thank you, Em,' Mr. Greer said, yawning. 'That was very persuasive.
β
β
Meg Cabot (Airhead (Airhead, #1))
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Sevro." I lean forward. "Your eyes..."
He leans in close. "Do you like 'em?"
"Bloodydamn. Did you get Carved?"
"By the best in the business. Do you like 'em?"
"They're bloodydamn marvelous. Fit you like a glove."
He punches his hands together. "Glad you said that. Cuz they're yours."
I blanch. "What?"
"They're yours."
"My what?"
"Your eyes!"
"My eyes..."
"Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back."
"No!" I say. "It's just I forgot how crazy you are."
"Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?"
"Finders keepers," I say with a shrug.
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Pierce Brown (Morning Star (Red Rising Saga, #3))
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I tell her she's beautiful and perfect and she's going to be okay. I tell her she doesn't need to change herself to fit in with shallow girls or to matter to someone. I tell her everything I wish I had ever known. I tell her I love her, and I realize as I say it that I love me, too.
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Cristin Terrill (All Our Yesterdays)
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In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
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Toni Morrison (Beloved (Beloved Trilogy, #1))
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In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed.
In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were.
And with good reason.
In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want.
Piece of cake.
In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class.
Send 'em anywhere. Make 'em do anything.
Piece of cake.
The O'Reilly Factor.
So I am a man without a country, except for the librarians and a Chicago paper called "In These Times."
Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there.
Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun.
Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you?
Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine.
My last words? "Life is no way to treat an animal, not even a mouse."
Napalm came from Harvard. Veritas!
Our president is a Christian? So was Adolf Hitler.
What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?
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Kurt Vonnegut Jr. (A Man Without a Country)
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Ma and God
God gave us fingers--Ma says, "Use your fork."
God gave us voices--Ma says, "Don't scream."
Ma says eat broccoli, cereal and carrots.
But God gave us tasteys for maple ice cream.
God gave us fingers--Ma says, "Use your hanky."
God gave us puddles--Ma says, "Don't splash."
Ma says, "Be quiet, your father is sleeping."
But God gave us garbage can covers to crash.
God gave us fingers--Ma says, "Put your gloves on."
God gave us raindrops--Ma says, "Don't get wet."
Ma says be careful, and don't get too near to
Thoses strange lovely dogs that God gave us to pet.
God gave us fingers--Ma says, "Go wash 'em."
But God gave us coal bins and nice dirty bodies.
And I ain't too smart, but there's one thing for certain--
Either Ma's wrong or else God is.
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Shel Silverstein
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Iβve fought in three campaigns,β he began. βIn seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. Iβve fought in the driving snow, the blasting wind, the middle of the night. Iβve been fighting all my life, one enemy or another, one friend or another. Iβve known little else. Iβve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And thatβs far from the worst of it. Life used to be cheap as dirt to me. Cheaper.
βIβve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. Iβve been ruthless, and brutal, and a coward. Iβve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. Iβve run away myself more than once. Iβve pissed myself with fear. Iβve begged for my life. Iβve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. Iβve no doubt the world would be a better place if Iβd been killed years ago, but I havenβt been, and I donβt know why.β
He looked down at his hands, pink and clean on the stone. βThere are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and thereβs a lot of βem. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. Iβve earned it. Iβve deserved it. Iβve sought it out. Such is my punishment.
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Joe Abercrombie (The Blade Itself (The First Law, #1))
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Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time."
"Yeah, bu-"
"I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
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John Green (Paper Towns)
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Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit.
It? I ast.
Yeah, It. God ain't a he or a she, but a It.
But what do it look like? I ast.
Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It.
Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate
at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh.
Shug! I say.
Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like.
God don't think it dirty? I ast.
Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration.
You saying God vain? I ast.
Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.
What it do when it pissed off? I ast.
Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
Yeah? I say.
Yeah, she say. It always making little surprises and springing them on us when us least expect.
You mean it want to be loved, just like the bible say.
Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall.
Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere.
Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock.
But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it.
Amen
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Alice Walker (The Color Purple)