Eleven Years Of Togetherness Quotes

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I said the first thing that came into my head unfortunately. "Save the drama for your mama " I told her just like an eleven-year-old.
Charlaine Harris (All Together Dead (Sookie Stackhouse, #7))
standing on a stool on his wondrously functional pre-Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together.
Emily St. John Mandel (Station Eleven)
Amanda bit her lip. "You're not... trying to be funny or something, are you?" "I'm not trying to be anything!" I said. "All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward." I rotated my body as best I could. "All the way, please." I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens. Gail pressed her lips together. "Stop it!" she said. "Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?" "I can't," I whispered. "Can't what?" "Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back. "Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything.
Lauren Myracle (Eleven (The Winnie Years, #2))
Tired of his lack of understanding, she asked him for an unusual birthday gift: that for one day he would take care of the domestic chores. He accepted in amusement, and indeed took charge of the house at dawn. He served a splendid breakfast, but he forgot that fried eggs did not agree with her and that she did not drink café con leche. Then he ordered a birthday luncheon for eight guests and gave instructions for tidying the house, and he tried so hard to manage better than she did that before noon he had to capitulate without a trace of embarrassment. From the first moment he realized he did not have the slightest idea where anything was, above all in the kitchen, and the servants let him upset everything to find each item, for they were playing the game too. At ten o’clock no decisions had been made regarding lunch because the housecleaning was not finished yet, the bedroom was not straightened, the bathroom was not scrubbed; he forgot to replace the toilet paper, change the sheets, and send the coachmen for the children, and he confused the servants’ duties: he told the cook to make the beds and set the chambermaids to cooking. At eleven o’clock, when the guests were about to arrive, the chaos in the house was such that Fermina Daza resumed command, laughing out loud, not with the triumphant attitude she would have liked but shaken instead with compassion for the domestic helplessness of her husband. He was bitter and offered the argument he always used: “Things did not go as badly for me as they would for you if you tried to cure the sick.” But it was a useful lesson, and not for him alone. Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any way, or love in any other way, and nothing in this world was more difficult than love.
Gabriel García Márquez (Love in the Time of Cholera)
It just doesn’t make sense,” Elizabeth insisted. “Are we supposed to believe that civilization has just come to an end?” “Well,” Clark offered, “it was always a little fragile, wouldn’t you say?” They were sitting together in the Skymiles Lounge, where Elizabeth and Tyler had set up camp. “I don’t know.” Elizabeth spoke slowly, looking out at the tarmac. “I’ve been taking art history classes on and off for years, between projects. And of course art history is always pressed up close against non-art history, you see catastrophe after catastrophe, terrible things, all these moments when everyone must have thought the world was ending, but all those moments, they were all temporary. It always passes.” Clark was silent. He didn’t think this would pass.
Emily St. John Mandel (Station Eleven)
He placed a pinch of snow on his tongue and thought of making snow ice cream with Frank and their mother when they were small boys - 'First you stir in the vanilla' - Frank standing on a stool on his wondrously functional pre-Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together.
Emily St. John Mandel (Station Eleven)
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
There can be no question that Musk has mastered the art of getting the most out of his employees. Interview three dozen SpaceX engineers and each one of them will have picked up on a managerial nuance that Musk has used to get people to meet his deadlines. One example from Brogan: Where a typical manager may set the deadline for the employee, Musk guides his engineers into taking ownership of their own delivery dates. “He doesn’t say, ‘You have to do this by Friday at two P.M.,’” Brogan said. “He says, ‘I need the impossible done by Friday at two P.M. Can you do it?’ Then, when you say yes, you are not working hard because he told you to. You’re working hard for yourself. It’s a distinction you can feel. You have signed up to do your own work.” And by recruiting hundreds of bright, self-motivated people, SpaceX has maximized the power of the individual. One person putting in a sixteen-hour day ends up being much more effective than two people working eight-hour days together. The individual doesn’t have to hold meetings, reach a consensus, or bring other people up to speed on a project. He just keeps working and working and working. The ideal SpaceX employee is someone like Steve Davis, the director of advanced projects at SpaceX. “He’s been working sixteen hours a day every day for years,” Brogan said. “He gets more done than eleven people working together.
Ashlee Vance (Elon Musk: Inventing the Future)
There was the flu that exploded like a neutron bomb over the surface of the earth and the shock of the collapse that followed, the first unspeakable years when everyone was traveling, before everyone caught on that there was no place they could walk to where life continued as it had before and settled wherever they could, clustered close together for safety in truck stops and former restaurants and old motels.
Emily St. John Mandel (Station Eleven)
I do not want you to miss your sister’s wedding,” I told him. It was only days away. “Nor do I wish to prolong our goodbye. Let’s say farewell here in the place where we’ve spent these eleven years together.
Sue Monk Kidd (The Book of Longings)
Here, I have something for you." "It had better not be an engagement ring." He paused, his lips puckering as if the thought hadn't occurred to him and he was regretting it. "Or gloves," added Cinder. "That didn't work out too well last time." Grinning, Kai took a step closer to her and dropped to one knee. Her eyes widened. "Cinder ..." Her heart thumped. "Wait." "I've been waiting a long time to give this to you." "Kai -" With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease. Cinder released her breath, then started to laugh. "You - ugh." "Are you terribly disappointed, because I'm sure Luna has some great jewelry stores if you wanted me to -" "Shut up," she said, taking the foot. She turned it over in her palms, shaking her head. "I keep trying to get rid of this thing, but somehow it keeps finding its way back to me. What made you keep it?" "It occurred to me that if I could find the cyborg that fits this foot, it must be a sign we were meant to be together." He twisted his lips to one side. "But then I realized it would probably fit an eight-year-old." "Eleven, actually." "Close enough." He hesitated. "Honestly, I guess it was the only thing I had to connect me to you when I thought I'd never see you again." She slid her gaze off the foot. "Why are you still kneeling?" Kai reached for her prosthetic hand and brushed his lips against her newly polished knuckles. "You'll have to get used to people kneeling to you. It kind of comes with the territory." "I'm going to make it a law that the correct way to address your sovereign is by giving a high five." Kai's smile brightened. "That's genus. Me too.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
and this collection of petty jealousies, neuroses, undiagnosed PTSD cases, and simmering resentments lived together, traveled together, rehearsed together, performed together 365 days of the year, permanent company, permanent tour. But what made it bearable were the friendships, of course, the camaraderie and the music and the Shakespeare, the moments of transcendent beauty and joy when it didn’t matter who’d used the last of the rosin on their bow or who anyone had slept with,
Emily St. John Mandel (Station Eleven)
Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.
Vincent van Gogh (The Letters of Vincent van Gogh)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
I've walked a long trail, a long trail of years flushed with tears. Tears of remembrance. Years of driven labor have not driven the ancestral thoughts out of me. My memory of teaching— surrounded by children, singing songs of our people, the stories of our history— lives always with me... Song shields our hearts from abuse, draws us together, strengthens our lives.
Ashley Bryan (Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan)
People left the Symphony sometimes, but the ones who stayed understood something that was rarely spoken aloud. Civilization in Year Twenty was an archipelago of small towns. These towns had fought off ferals, buried their neighbors, lived and died and suffered together in the blood-drenched years just after the collapse, survived against unspeakable odds and then only by holding together into the calm, and these places didn’t go out of their way to welcome outsiders.
Emily St. John Mandel (Station Eleven)
Frank standing on a stool on his wondrously functional pre-Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together.
Emily St. John Mandel (Station Eleven)
He found himself grinning at her. His nervousness had disappeared, and suddenly he had a sense of his own size, his physical strength, his own brains and being. Four years, he had earned his own bread and keep, fended for himself, had not only remained alive and well but had put together a small fishing fleet of his own, and kept it alive and functioning and fought the wind and the weather and met a payroll of eleven men in his crews-and be damned with the lot of them if he'd go into a funk over which spoon or knife to use.
Howard Fast (The Immigrants (Lavette Family, #1))
He regarded his briefcase. It was full of student papers—114 essays entitled “What I Wish.” He had been putting off reading them for over a week. He opened the briefcase, then paused, reluctant to look inside. How many student papers had he read in these twelve years? How many strokes of his red pen had he made? How many times had he underlined it’s and written its. Was there ever a student who didn’t make a mischievous younger brother the subject of an essay? Was there ever a student who didn’t make four syllables out of “mischievous”? This was the twelfth in a series of senior classes that Miles was trying to raise to an acceptable level of English usage, and like the previous eleven, this class would graduate in the spring to make room for another class in the fall, and he would read the same errors over again. This annual renewal of ignorance, together with the sad fact that most of his students had been drilled in what he taught since they were in the fifth grade, left him with a vague sense of futility that made it hard for him to read student writing. But while he had lost his urge to read student papers, he had not lost his guilt about not reading them, so he carried around with him, like a conscience...
Jon Hassler (Staggerford)
No dragon was safe in the Sky Palace, but the ones in the most danger by far were the daughters of Queen Scarlet. Or was it now daughter, singular? Ruby hadn’t seen her sister, Tourmaline, in three days. Not since the night they went flying together and, high in the starlit sky, glowing in the light of two of the moons, Tourmaline had whispered that she was almost ready. “Don’t be an idiot. You’re only ten, and furthermore, you’ll never be ready,” Ruby had whispered back. “She killed her mother plus all three of her sisters and eleven of ours. There’s no way to defeat her.” “She can’t be queen forever,” Tourmaline said. “She has been queen forever,” Ruby argued. “Twenty-four years is a long time but not that long,” said Tourmaline. “Queen Oasis was queen longer than that, and look what happened to her.” “Are you planning to throw a scavenger at Mother?” Ruby asked. “Because I’m sure she’d appreciate a snack before she kills you.” “It’s always going to be like this,” Tourmaline hissed. She flicked clouds away with her dark orange wings. “Until one of us challenges her and wins. You and I are the only ones left now — the only hope the SkyWings have of a decent queen. Ruby, if I defeat her and become queen, we can get out of this war.” Ruby wasn’t so sure about that. She’d met Burn, and she suspected the SandWing wouldn’t let her allies go that easily. But it didn’t matter — there was no way Tourmaline could win a battle with their mother. “The prophecy will take care of the war,” she argued. “The brightest night is in four days … ” “Right.” Tourmaline rolled her eyes. “I’ll just wait for a bunch of eggs that haven’t even hatched yet to save us. Ruby, I don’t want to wait for things to happen to me. I want to make them happen.” “I don’t want to watch you die,” Ruby growled. Her sister hovered in front of her for a moment. Stars glittered in her eyes, searching Ruby’s. She’s wondering if I want the throne for myself, Ruby thought. She thinks I’m trying to talk her out of it because I’m planning something. Like I’m that stupid. “Well, don’t worry, I won’t do it yet,” Tourmaline promised. “Another few months of training, maybe. I’m feeling really strong, though. I beat Vermilion in a fight the other day. Want to hear about it?” Ruby
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.
Orson Scott Card
Egil asked Thord to let him go with him to the game; he was then in his seventh winter. Thord let him do so, and Egil mounted behind him. But when they came to the play-meeting, then the men made up sides for the play. Many small boys had come there too, and they made up a game for themselves. For this also sides were chosen. Egil was matched to play against a boy named Grim, son of Hegg, of Hegg-stead. Grim was ten or eleven years old, and strong for his age. But when they played together Egil got the worst of it. And Grim made all he could of his advantage. Then Egil got angry and lifted up the bat and struck Grim, whereupon Grim seized him and threw him down with a heavy fall, and handled him rather roughly, and said he would thrash him if he did not behave. But when Egil got to his feet, he went out of the game, and the boys hooted at him. Egil went to Thord and told him what had been done. Thord said: 'I will go with you, and we will be avenged on them.' He gave into his hands a halberd that he had been carrying. Such weapons were then customary. They went where the boys' game was. Grim had now got the ball and was running away with it, and the other boys after him. Then Egil bounded upon Grim, and drove the axe into his head, so that it at once pierced his brain. (...) when Egil came home, Skallagrim said little about it; but Bera said Egil had in him the makings of a freebooter, and that 'twould be well, so soon as he were old enough, to give him a long-ship.
Egill Skallagrímsson (Egil's Saga)
But he did not follow the explanation. In the management of his life he was foolish. In mathematics, moronic. His IQ must have halved, for here was another of those moments when he knew he had reached the summit of his understanding. A ceiling, a mountain fog through which he could not pass. His eleven-year-old son was on higher ground, in a clear space his father would never know. As he walked he thought that, apart from raising a child, all else in his life had been and remained formless and he could not see how to change it. Money could not save him. Nothing achieved. What happened to the tune he had started to write more than thirty years ago and was going to send to the Beatles? Nothing. What had he made since? Nothing, beyond a million tennis strokes, a thousand renditions of “Climb Every Mountain.” He blushed now to read his earnest poems. His father was cut down in an instant. His mother was beginning a decline into mindlessness. He knew that a scan would confirm it. Both fates spoke to his own. In theirs he saw the measure of his own existence. He remembered his parents well enough at his age now. From then onwards nothing changed for them apart from physical decline and illness. How easy it was to drift through an unchosen life, in a succession of reactions to events. He had never made an important decision. Except to leave school. No, that too was a reaction. He supposed he had put together a sort of education for himself, but that was messily done in a spirit of embarrassment or shame.
Ian McEwan (Lessons)
A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
Betsy didn’t want to be at the party any more than Cole did. She’d met the birthday girl in a spin class a couple of years earlier and had been declining her Evites ever since. In an effort to meet new people, however, this time Betsy replied “Yes.” She took a cab to the party, wondering why she was going at all. When Betsy met Cole there was a spark, but she was ambivalent. Cole was clearly smart and well educated, but he didn’t seem to be doing much about it. They had some nice dates, which seemed promising. Then, after sleeping over one night and watching Cole wake up at eleven a.m. and grab his skateboard, Betsy felt less bullish. She didn’t want to help another boyfriend grow up. What Betsy didn’t know was that, ever since he’d started spending time with her, Cole had regained some of his old drive. He saw the way she wanted to work on her sculptures even on the weekend, how she and her friends loved to get together to talk about their projects and their plans. As a result, Cole started to think more aspirationally. He eyed a posting for a good tech job at a high-profile start-up, but he felt his résumé was now too shabby to apply. As luck would have it—and it is often luck—Cole remembered that an old friend from high school, someone he bumped into about once every year or two, worked at the start-up. He got in touch, and this friend put in a good word to HR. After a handful of interviews with different people in the company, Cole was offered the position. The hiring manager told Cole he had been chosen for three reasons: His engineering degree suggested he knew how to work hard on technical projects, his personality seemed like a good fit for the team, and the twentysomething who vouched for him was well liked in the company. The rest, the manager said, Cole could learn on the job. This one break radically altered Cole’s career path. He learned software development at a dot-com on the leading edge. A few years later, he moved over and up as a director of development at another start-up because, by then, the identity capital he’d gained could speak for itself. Nearly ten years later, Cole and Betsy are married. She runs a gallery co-op. He’s a CIO. They have a happy life and gladly give much of the credit to Cole’s friend from high school and to the woman with the Evites.
Meg Jay (The Defining Decade: Why Your Twenties Matter—And How to Make the Most of Them Now)
The next morning, while everyone else sat in the waiting area, Mia and I met with the doctor. “Well, I have good news and bad news,” Dr. Genecov said. “The bad news is that she needs this surgery, and we need to get it on the books right now. The good news is that I’ve worked with a company to invent a new device. Instead of using the halo, I can now do everything internally.” What? Did I just hear what I think I heard? He continued talking, but I honestly didn’t hear anything for the next few seconds while I tried to process this new information. Seriously? I can’t believe this! I thought. Where did this come from? I knew he was working on a better bone graft procedure before we needed it, but this just came out of nowhere! I tried my best to hold myself together. All I wanted to do was call Jase and tell him this news. Actually, I wanted to climb the nearest mountain (if there were mountains in Dallas) and shout it from the top of my lungs! After thanking him profusely, Mia and I walked down the hall for our appointment with Dr. Sperry. “Do you know what you just avoided?” Dr. Sperry asked, grinning from ear to ear. “A shaved head, the intensive care unit for a week, and a much longer recovery period.” That was it. I couldn’t hold back any longer and let my tears flow. Mia looked at me in surprise. If I was embarrassing her, I didn’t care. It was for a good reason. “Dr. Genecov has been working hard to perfect this procedure, and he has done it one time so far.” She looked right at Mia and said, “And I’m convinced he did that one to get ready for you.” Mia smiled and said, “Cool.” Mia had enjoyed her honeymoon period. She felt no stress or anxiety about the future, which was a great blessing. I was thankful that I had not told her about the distraction surgery and glad that my eleven-year-old daughter didn’t understand all that she had been spared because of this development. When I filled in my mom, Bonny, and Tori on this unexpected and exhilarating news, they all gasped, then shouted and hugged me. All I could think of was how grateful I was to my Father in heaven. He had done this. Why? I don’t know. But I knew He had chosen this moment for Dr. Genecov to perfect a new invention that would spare my daughter, at this exact time in her life, the ordeal of a device that would have been surgically screwed into her skull. After getting to the parking lot, I immediately called Jase with this incredible news. Like me, he was having a hard time wrapping his head around it. “How many of these has he done?” I hesitated, then said, “One.” “One? He’s done one? I don’t know about this, Missy.” I quickly reminded him of Dr. Genecov’s success in the new bone graft surgery and said, “Babe, I think it’s worth the risk. He’s proven to us just how good he is.” Jase is not one to make a quick decision about anything, but before our phone call ended, he agreed that we should move forward with the surgery.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Like all Chinese youth, the first sentence he’d learned in school was “Long live Chairman Mao!” To be carrying out the chairman’s orders gave the precocious eleven-year-old a powerful sense of purpose and self-worth. “The more ruthless we are to enemies, the more we love the people,” the team would chant together.
John Pomfret (Chinese Lessons: Five Classmates and the Story of the New China)
My period began when I was eleven years old, three months after DeAnne thought it had. I woke up one morning to stickiness between my legs and the smell of raw meat in my bed. There was no one to tell. The news had preceded the occurrence. I practiced saying it anyway, "My periodblueberrymuffin starteduunsaltedbutter today oatmeal." This was a comforting sentence for me. I had just learned the trick of stringing together words to produce the tastes that I wanted. I was particularly fond of this thread: "walnut, elephant, candle, jogger." These words brought forth the following in this satisfying order: ham steak, sugar-cured and pan-fried; sweet potatoes baked with lots of butter; 7UP (though more of the lime than the lemon, like when it's icy cold); fresh strawberries, sweet and ripe.
Monique Truong (Bitter in the Mouth)
My period began when I was eleven years old, three months after DeAnne thought it had. I woke up one morning to stickiness between my legs and the smell of raw meat in my bed. There was no one to tell. The news had preceded the occurrence. I practiced saying it anyway, "My periodblueberrymuffin startedunsaltedbutter todayoatmeal." This was a comforting sentence for me. I had just learned the trick of stringing together words to produce the tastes that I wanted. I was particularly fond of this thread: "walnut, elephant, candle, jogger." These words brought forth the following in this satisfying order: ham steak, sugar-cured and pan-fried; sweet potatoes baked with lots of butter; 7UP (though more of the lime than the lemon, like when it's icy cold); fresh strawberries, sweet and ripe.
Monique Truong
The king of Norway back then was not very fond of him and did not like the fact that he was killing that much. However, instead of banishing Egil, the king gave him the chance to go pillaging and plundering. He did that together with eleven men. He used his teeth to tear apart throats and remove eyes from his enemies. He had a lifetime of fighting, and he never gave up poetry. He lived for 80 years.
Gunnar Hlynsson (Norse Mythology, Paganism, Magic, Vikings & Runes: 4 in 1: Learn All About Norse Gods & Viking Heroes - Explore the World of Pagan Religion Rituals, Magick Spells, Elder Futhark Runes & Asatru)
Every time I looked toward a horizon of wondered if I should just walk and walk and never look back, I'd hear the promise I made eleven years ago as she wasted away on her deathbed. Stay together, and look after them. I'd agreed, too young to ask why she hadn't begged my elder sisters, or my father.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Ocean acidification is one of the largest unique geological events that the Earth has undergone in the last fifty million years. And it introduces another concept to which we connect poorly: time itself. Although time is properly called linear, imagining that the ocean will change more in the next hundred years than it has in the last fifty million years is a challenge. The time since Iceland’s settlement is very short, not more than twelve times my Grandma’s life: eleven hundred years. The history of Iceland is, in a sense, a continuous story of twelve women like my Grandma. Twelve girls who were born and lived lives that each felt like a flash. Twelve women in their nineties stretching out their hands as if they’re doing water aerobics, touching flat palms together. Their eyes gleam because time passes so fast that their eyes don’t realise they’re nearly a hundred years old. Time runs so fast that Jesus was born around twenty-one grandmas ago. They’d all fit in a single city bus, even if you added all their husbands. The earliest written records of humans date back five thousand years, events that happened practically yesterday. Humanity first emerged the day before that, in comparison to the ocean’s fifty-millionyear history.
Andri Snær Magnason (On Time and Water)
It’s been eleven years. I can tell you when it all started. It was when I put Hannah in that private school. She was only there for second grade. Afterward, she went back to a public school. But he’s never forgiven me. It was like he saw me as a traitor, someone who no longer shared his values or dreams.” “You thought you were doing what was best for your daughter.” “Exactly. But after he saw me as a traitor, that was further validated when I stopped eating meat or if I asked him to read something and didn’t take his suggestions. It’s hard to live with someone who doesn’t like you. We both changed, but not together.
Dawn Turner (Three Girls from Bronzeville: A Uniquely American Memoir of Race, Fate, and Sisterhood)
Fuchs’s transfer of scientific secrets to the Soviet Union between 1941 and 1943 was one of the most concentrated spy hauls in history, some 570 pages of copied reports, calculations, drawings, formulae and diagrams, the designs for uranium enrichment, a step-by-step guide to the fast-moving development of the atomic weapon. Much of this material was too complex and technical to be coded and sent by radio, and so Ursula passed the documents to Sergei through a “brush contact,” a surreptitious handover imperceptible to a casual observer. If Ursula needed to pass on urgent information, or bulky files, she alerted Aptekar by means of an agreed “signal site”: “I had to travel to London and, at a certain time and in a certain place, drop a small piece of chalk and tread on it.” Two days later she would cycle to the rendezvous site, a side road six miles beyond the junction of the A40 and A34 on the road from Oxford to Cheltenham; Aptekar would drive from London in the military attaché’s car and arrive at the pickup site at an appointed time for a swift handover. At one of these meetings, the Soviet officer presented her with a new Minox camera for making microdots and copying documents, and a small but powerful transmitter measuring just six by eight inches, a sixth of the size of her homemade radio and easier to conceal. She dismantled her own equipment, but kept it in reserve “for emergency use.” Fuchs was privy to the innermost workings of the atomic project and he held nothing back. In the first year, he and Peierls wrote no fewer than eleven reports together, including seminal papers on isotope separation and calculating the destructive power of
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
I’m Jay Powers, the circulating nurse”; “I’m Zhi Xiong, the anesthesiologist”—that sort of thing. It felt kind of hokey to me, and I wondered how much difference this step could really make. But it turned out to have been carefully devised. There have been psychology studies in various fields backing up what should have been self-evident—people who don’t know one another’s names don’t work together nearly as well as those who do. And Brian Sexton, the Johns Hopkins psychologist, had done studies showing the same in operating rooms. In one, he and his research team buttonholed surgical staff members outside their operating rooms and asked them two questions: how would they rate the level of communications during the operation they had just finished and what were the names of the other staff members on the team? The researchers learned that about half the time the staff did not know one another’s names. When they did, however, the communications ratings jumped significantly. The investigators at Johns Hopkins and elsewhere had also observed that when nurses were given a chance to say their names and mention concerns at the beginning of a case, they were more likely to note problems and offer solutions. The researchers called it an “activation phenomenon.” Giving people a chance to say something at the start seemed to activate their sense of participation and responsibility and their willingness to speak up. These were limited studies and hardly definitive. But the initial results were enticing. Nothing had ever been shown to improve the ability of surgeons to broadly reduce harm to patients aside from experience and specialized training. Yet here, in three separate cities, teams had tried out these unusual checklists, and each had found a positive effect. At Johns Hopkins, researchers specifically measured their checklist’s effect on teamwork. Eleven surgeons had agreed to try it in their cases—seven general surgeons, two plastic surgeons, and two neurosurgeons. After three months, the number of team members in their operations reporting that they “functioned as a well-coordinated team” leapt from 68 percent to 92 percent. At the Kaiser hospitals in Southern California, researchers had tested their checklist for six months in thirty-five hundred operations. During that time, they found that their staff’s average rating of the teamwork climate improved from “good” to “outstanding.” Employee satisfaction rose 19 percent. The rate of OR nurse turnover—the proportion leaving their jobs each year—dropped from 23 percent to 7 percent. And the checklist appeared to have caught numerous near errors. In
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
I’d hear that promise I made eleven years ago as she wasted away on her deathbed. Stay together, and look after them.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
this victory, eleven hundred years later, was bringing them together as never before in their new identity as Christians.
Roderick Beaton (The Greeks: A Global History)
Every moment of the last eleven years closes between us, and I wish we’d have never let them pass us by. We wasted so much time we could have spent together.
Eva Simmons (Lies Like Love (Twisted Roses #1))
We had never consistently prayed together in the first eleven years of marriage. In the coming days, I would often find myself on my knees in prayer, but not on this night. In this moment, I was chasing the fleeting hope found in the ambulance that raced my son to the hospital. We reached out to the God I knew was there but hadn’t allowed as part of the inner circle of my life. I believed but never fully trusted enough to commit. Sometimes, we never fully commit until the circumstances demand it.
Tom Ryan (Chosen Suffering: Becoming Elite In Life And Leadership)
I saw Mr Atkinson and Chloe together once when I came to the house to speak to him for my article. He quickly sent her out of the room, but I saw the way she looked at him, and it was cold. Like she was dead inside. It gave me the shivers. Then I caught the look on Mr Atkinson’s face and believe me, Joanne, he was scared of her. That man was afraid of his eleven-year-old daughter.
Nicola Sanders (Don't Let Her Stay)
China has led the world in new tree planting; in fact, over the last several years, China has planted 40 percent as many tress as the rest of the world put together. Since 1981, all citizens of China older than age eleven (and younger than sixty) have been formally required to plant at least three trees per year. To date, China has planted approximately 100 million acres of new tress. Following China, the countries with the largest net gains in tress include the U.S., India, Vietnam, and Spain.
Al Gore
Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been bard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?
Suzanne Keene (Fragments of the World)
Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been hard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?
Suzanne Keene (Fragments of the World)
Chelsea and I have spent most of our lives together, and she set in stone for me what it means to feel loved and understood. In high school she learned to forgive me for our time at the same childhood judo camp, where I accidentally became her sworn enemy by repeatedly flipping her over my eleven-year-old hip and asking her, while she was flat on her back, if she had had her Wheaties today. Long ago we realized that everything that happens to one of us happens to both of us, so we treat our lives like a tandem bicycle. Where she goes, I go, but we both look a little ridiculous.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
As an only child, I considered the core members of the BSC—Kristy, Mary Anne, Claudia, Stacey, and Dawn my friends in my head. Eventually, they took on two junior members, eleven-year-olds Mallory and Jessi. Interestingly, Jessie was African American, but I was never too pressed to read about her. I already knew what it felt like to be the only one in a friend group of white girls, and Ann Martin never quite captured that experience. But what I loved about these girls was the authenticity of their friendship. They were young, smart, and enterprising. They didn’t all think alike but they did things together. They weren’t the mean girls or the cool kids, but they had their sacred friendship unit and they honored it. In the safety of that friendship unit, every girl was her full, best, awesome self. They fought sometimes, but always made up. And in the end, no matter what, they rode for each other.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
Standing out from the (New York City) map's delicate tracery of gridirons representing streets are heavy lines, lines girdling the city or slashing across its expanses. These lines denote the major roads on which automobiles and trucks move, roads whose very location, moreover, does as much as any single factor to determine where and how a city's people live and work. With a single exception, the East River Drive, Robert Moses built every one of those roads. (...) Only one borough of New York City—the Bronx—is on the mainland of the United States, and bridges link the island boroughs that form metropolis. Since 1931, seven such bridges were built, immense structures, some of them anchored by towers as tall as seventy-story buildings, supported by cables made up of enough wire to drop a noose around the earth. (...) Robert Moses built every one of those bridges. (He also built) Lincoln Center, the world's most famous, costly and imposing cultural complex. Alongside another stands the New York Coliseum, the glowering exhibition tower whose name reveals Moses' preoccupation with achieving an immortality like that conferred on the Caesars of Rome. The eastern edge of Manhattan Island, heart of metropolis, was completely altered between 1945 and 1958. (...) Robert Moses was never a member of the Housing Authority and his relationship with it was only hinted at in the press. But between 1945 and 1958 no site for public housing was selected and no brick of a public housing project laid without his approval. And still further north along the East River stand the buildings of the United Nations headquarters. Moses cleared aside the obstacles to bringing to New York the closest thing to a world capitol the planet possesses, and he supervised its construction. When Robert Moses began building playgrounds in New York City, there were 119. When he stopped, there were 777. Under his direction, an army of men that at times during the Depression included 84,000 laborers. (...) For the seven years between 1946 and 1953, no public improvement of any type—not school or sewer, library or pier, hospital or catch basin—was built by any city agency, even those which Robert Moses did not directly control, unless Moses approved its design and location. To clear the land for these improvements, he evicted the city's people, not thousands of them or tens of thousands but hundreds of thousands, from their homes and tore the homes down. Neighborhoods were obliterated by his edict to make room for new neighborhoods reared at his command. “Out from the heart of New York, reaching beyond the limits of the city into its vast suburbs and thereby shaping them as well as the city, stretch long ribbons of concrete, closed, unlike the expressways, to trucks and all commercial traffic, and, unlike the expressways, bordered by lawns and trees. These are the parkways. There are 416 miles of them. Robert Moses built every mile. (He also built the St. Lawrence Dam,) one of the most colossal single works of man, a structure of steel and concrete as tall as a ten-story apartment house, an apartment house as long as eleven football fields, a structure vaster by far than any of the pyramids, or, in terms of bulk, of any six pyramids together. And at Niagara, Robert Moses built a series of dams, parks and parkways that make the St. Lawrence development look small. His power was measured in decades. On April 18, 1924, ten years after he had entered government, it was formally handed to him. For forty-four years thereafter (until 1968), he held power, a power so substantial that in the field s in which he chose to exercise it, it was not challenged seriously by any (of 6) Governors of New York State or by any Mayor of New York City.
Robert Caro
At Dave’s funeral, I said that if on the day I walked down the aisle with him, someone had told me that we would have only eleven years together, I would still have walked down that aisle. Eleven years of being Dave’s wife and ten years of being a parent with him is perhaps more luck and more happiness than I could ever have imagined. I am grateful for every minute we had.
Sheryl Sandberg (Option B: Facing Adversity, Building Resilience, and Finding Joy)
I had been a magistrate for almost eleven years. I watched the whole of human life come through my court: the hopeless waifs who couldn’t get themselves together sufficiently even to make a court appointment on time; the repeat offenders; the angry, hard-faced young men and exhausted, debt-ridden mothers. It’s quite hard to stay calm and understanding when you see the same faces, the same mistakes made again and again. I could sometimes hear the impatience in my tone. It could be oddly dispiriting, the blank refusal of humankind to even attempt to function responsibly. And
Jojo Moyes (Me Before You (Me Before You, #1))
JOURNALIST— (3) TERRIFIED TO DISAPPOINT MISS HABER AND HER READERS, WE WILL TRY TO ACCOMMODATE HER “FASCINATING RUMORS, SO FAR UNCHECKED” BY BUSTING UP OUR MARRIAGE EVEN THOUGH WE STILL LIKE EACH OTHER. JOANNE & PAUL NEWMAN This was a stunner, and it got folks talking. The Newmans’ marriage, then eleven years along, was considered stable: all those kids, the famed Connecticut home, the films they’d worked on together, the collaborative success of Rachel, Rachel. It didn’t seem right. Gossipy movie fan magazines had often tried to goose a few sales out of articles speculating that the Newmans were at odds with each other (“Shout by Shout: Paul Newman’s Bitter Fights with His Wife”; “Strange Rumors About Hollywood’s ‘Happiest Marriage’”) or that forty-three-year-old Newman was feeling randy and seeking consolations outside the home (“Paul Newman’s Just at That Age”; “Is Paul Newman’s Joanne Too Possessive?”). Invariably, they all stopped short of actually announcing real trouble or accusing Newman of adultery. The Newmans were supposed to be examples. But this strange advertisement didn’t so much squelch rumors as give people reason to wonder about them. They didn’t have to wait long for a fuller story. Later that year a gossip magazine
Shawn Levy (Paul Newman: A Life)
God has made me into a tough, battle-hardened believer. I am very grateful to have those eleven years behind me. But I used them. I chose to survive with my faith intact. I chose to come out strong and together. I endured, and now I’m going to thrive. I don’t expect life to be easy. I do expect God to be there with me. He was during the last eleven years.
Dee Henderson (Taken)
It was good to see her. She filled me up. Even when she was giving me shit and bossing me around, it was like taking a deep breath just being near her. She charged my batteries, dragged me back to myself. She looked beautiful—but she didn’t look good. Pale. Thin. She’d lost weight—a lot of it. She wasn’t taking care of herself. I couldn’t do shit for myself at the moment, but I could do anything for her. I would take care of her if she let me. But this was the first time she’d even spoken to me in weeks. I hadn’t given up. I could never give up on her. But I’d gotten tired. She was so stubborn, so implacable, and my heart was worn. Without Kristen and Brandon, I couldn’t move anymore. I wanted to talk to him about her and talk to her about him. And both of them were gone. The enormity of it was too big to wrap my brain around. I was never going to see him again. Never sit with him in a duck blind and bullshit. Never talk to him again about Kristen, or Sloan, or anything. I wasn’t going to be his best man. He’d never be mine. Our kids wouldn’t play together. Eleven years. We’d been friends for eleven years. And he was just gone. His life was over. He’d gotten all he was going to get. And I didn’t know how to move on from that. So I didn’t move at all.
Abby Jimenez
Corinne La Mer’s heart beat like wild drums as she ran through the forest. Her bare feet stumbled over the dead leaves and protruding roots of the forest floor. She strained her eyes in the dappled sunlight to keep track of the small, furry agouti that scampered away from her. Occasionally, light glinted off the smooth rock tied to the animal’s hind leg. It called to Corinne like a beacon. When she got close enough, she pounced on the ’gouti and missed, grabbing only a handful of dirt. Corinne grunted and threw the dirt aside. The animal ran beneath a bush and Corinne squeezed down to the damp earth to crawl after it. Her skirt got caught on branches, but she ripped it away, determined to reach the animal. On the other side, the creature cowered against a rock and the roots of a large tree. In her eleven years of life, Corinne had learned that with nowhere to run, a wild animal might try to attack. She hung back. “I’m not going to hurt you,” she said in her calmest voice. She eased closer. “I just need that thing on your leg. You’ll be able to run much faster without it, and I won’t be chasing you . . . so . . .” She moved with care toward the ’gouti and gently untied the silk cord. The animal’s coarse fur shivered and its pulse beat as fast as her own. Corinne closed her fist firmly around the stone pendant and crawled back out of the bush. She rubbed the stone with her thumb. Over years of constant handling, she had worn a smooth groove that fit her finger perfectly. The pendant had been her mama’s, and when she put her thumb into the little hollow, she imagined her mama’s hand around her own. Corinne breathed a sigh of relief now that it was back in her possession, but her relief did not last long. She didn’t know this part of the forest. And it was darker here. The branches of the mahogany trees were so thick that barely any light came through. It even smelled different, of wood and wet earth, while Corinne was used to the smell of the sea. She had no idea which way was out. Somewhere between the leaves, Corinne thought she saw a pair of lights shining. They were close together, like eyes. Her skin prickled, but then the lights disappeared and Corinne tried to shake off her fear. The little bit of light must have been reflecting on something. Don’t be silly, she scolded herself.
Tracey Baptiste (The Jumbies (The Jumbies #1))
I’ve just been told that over 3,000 of our American boys died in the first eleven days of the invasion of France. Who died? I’ll tell you who died. Not so many years ago, there was a little boy sleeping in his crib. In the night, it thundered and lightninged. He woke and cried out in fear. His mother came and fixed his blankets better and said, “Don’t cry. Nothing will ever hurt you.” He died . . . There was another kid with a new bicycle. When he came past your house he rode no-hands while he folded the evening paper in a block and threw it against your door. You used to jump when you heard the bang. You said, “Some day, I’m going to give that kid a good talking-to.” He died. Then there were two kids. One said to the other, “I’ll do all the talking. I just want you to come along to give me nerve.” They came to your door. The one who had promised to do all the talking said, “Would you like your lawn mowed, Mister?” They died together. They gave each other nerve . . . They all died. And I don’t know how any one of us here at home can sleep peacefully tonight unless we are sure in our hearts that we have done our part all the way along the line. —BETTY SMITH, “WHO DIED?” JULY 9, 1944
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)