Elephant In The Room Quotes

Daemon was the pissy pink elephant in the room with a bad attitude.

When there’s an elephant in the room introduce him.

It was like there was an elephant in the room. An elephant that expected us to have sex.

There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.

As long as we keep the elephant in the room and we persist ignoring it, we won’t be capable of unlearning people from ‘phubbing’ their way through life. ("Even if the world goes down, my mobile will save me")

When there is an invisible elephant in the room, one is from time to time bound to trip over a trunk.

As I sat dumbfounded, seemingly paralyzed in my corner, resorting to my old, reliable strategy of scribbling when unsure of how to respond to Sanjit, Sanjit appended his counsel with a dose of silence – one reminiscent to that of a few days prior. The students looked upward and downward, fans to notes to pens to toes, outward and inward, peers to souls, and of course, toward the direction of the perceived elephant in the room, Sanjit’s books. Simultaneously, Sanjit confidently and patiently searched among the students before finding my eyes; once connected, the lesson moved forward.

The first thing the attendees saw when they walked in was a poster with the question “What are our mokitas?”—a Papua New Guinea word for that which everyone knows and no one will speak of: the elephant in the room.

A few seconds of silence lapse, and I knew Carter was waiting for me to mention the huge "I'm pregnant" elephant in the room. Fuck that elephant! he can just sit there in the corner eating peanuts and shitting on the tile while giving me looks of disgust.

when there's an elephant in the room, you can't pretend it isn't there and just discuss the ants.

Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.

Daemon was the pissy pink elephant in the room with the bad attitude.

I feel like I'm always the elephant in the room no one wants to talk about. Do you know what I mean? I make people uncomfortable just by existing [..].

I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross–roads still lives. She lives in you and in me, and in many other women who are not here to–night, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals—and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting–room and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Milton’s bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.

Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.

And that is how Goodwin problems were always fixed. Fix them on the surface but don't go to the root, always ignoring the elephant in the room. I think that morning was when I realized I'd grown up with an elephant in every room of my life. It was practically our family pet.

I'm an elephant today. I will need to have lots of room and also a bowl of water on the floor.

I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.

I cannot stand small talk, because I feel like there’s an elephant standing in the room shitting all over everything and nobody is saying anything. I’m just dying to say, 'Hey, do you ever feel like jumping off a bridge?' or 'Do you feel an emptiness inside your chest at night that is going to swallow you?' But you can’t say that at a cocktail party.

Their secrets inadvertently sidestepped each other, unaware, like blindfolded elephants crossing the tiny room.

Never ignore the elephant in the room. That’s rude; play with it and introduce it.

And that is how the problems were always fixed. Fix them on the surface but don't go to the root, always ignoring the elephant in the room. I think that morning was when I realized I'd grown up with an elephant in every room. It was practically our family pet.

Some Hindus have an elephant to show. No one here has ever seen an elephant. They bring it at night to a dark room. One by one, we go in the dark and come out saying how we experience the animal. One of us happens to touch the trunk. A water-pipe kind of creature. Another, the ear. A strong, always moving back and forth, fan-animal. Another, the leg. I find it still, like a column on a temple. Another touches the curve back. A leathery throne. Another, the cleverest, feels the tusk. A rounded sword made of porcelain. He is proud of his description. Each of us touches one place and understands the whole in that way. The palm and the fingers feeling in the dark are how the senses explore the reality of the elephant. If each of us held a candle there, and if we went in together, we could see it.

And there was another elephant in the room. There were so many elephants in the room that it was getting positively crowded.

I like to think of my people as mute optimists - leave the elephant alone and, eventually, perhaps with the help of a couple mimosas, he will disappear from the room on his own accord.

I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee's life of the poet. She died young--alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the crossroads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh.

That don't look good," Kramisha said. "Not good at all." She paused and then her eyes went from me to Heath, whose attention was so focused on me I swear he didn't look like he would notice if a giant white elephant in a tutu danced around the room. "Ain't that the human kid who was down here before?

He learned to live with the truth. Not to accept it, but to live with it. It was like living with an elephant. His room was tiny, and every morning he had to squeeze around the truth just to get to the bathroom. To reach the armoire to get a pair of underpants he had to crawl under the truth, praying it wouldn't choose that moment to sit on his face. At night, when he closed his eyes, he felt it looming above him.

Are we going to do this now, brother?” Kade asked, his voice deceptively smooth, though Blane could see a flicker of fear in his eyes. Kade’s hold tightened on Kathleen, as though he was afraid that Blane would take her from him. “You mean talk about the elephant in the room?” Blane said dryly, cocking an eyebrow. “She’d get pretty pissed off if she heard you call her an elephant.

There’s a phrase, the elephant in the living room, which purports to describe what it’s like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, ‘How could you let such a business go on for so many years? Didn’t you see the elephant in the living room?’ And it’s so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth: ‘I’m sorry, but it was there when I moved in. I didn’t know it was an elephant; I thought it was part of the furniture.

the elephant in the room.” That we won’t say, simply, that it is men who are violent. It is men who take their violence out on masses of others. School shootings are carried out by young men. Mass murders. Gang warfare, murder-suicides and familicides and matricides and even genocides: all men. Always men. “Every commonly available domestic violence and official general violence statistic, and every anecdotal account about domestic and all other kinds of violence throughout the United States and around the world, point clearly to the fact that men almost monopolize all sectors of violence perpetration,” Sinclair wrote.

Patrick leaned forward in his chair, a serious expression washing over his face. “So are we not going to talk about the white elephant in the room?” Emma cut her eyes over to him and grinned. “You mean the fact that one of the prizes is an enema bag?” Crossing his arms over his chest, Patrick huffed, “That is not what I’m talking about, and you know it.

The elephant in the room" is a phrase I enjoy, having at different times been either elephant or room. We can lose ourselves in situations or conversations and miss the obvious. We're looking for someone to save us or a solution to a problem, and they're right in front of us hiding in plain sight.

She nods and the elephant in the room throws back its head and trumpets so loud I think the roof might come off.

What’s that game called?’ he murmurs. ‘From last night?’ ‘Tell Me a Secret,’ I manage, my heart in my throat. His jaw ticks. ‘So, tell me one.’ I don’t want to admit it, but it’s the elephant in the room. His thumbs are inches from the spot throbbing worse than my knee. ‘I wouldn’t stop you if you kissed me right now.’ I say it quietly in case he changes his mind, but his eyes darken, pupils dilating. He doesn’t move, though his mouth parts like he can already taste it. ‘Now you.’ His breath dances over my lips. ‘If I kissed you right now, I wouldn’t stop.

The surest sign of an adult is the ability to accept delayed gratification.

The world rides through space on the back of a turtle. This is one of the great ancient world myths, found wherever men and turtles were gathered together; the four elephants were an Indo-European sophistication. The idea has been lying in the lumber rooms of legend for centuries. All I had to do was grab it and run away before the alarms went off. There are no maps. You can't map a sense of humour. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.

They say things are determined by genetics, by parenting, by heredity, by climate, by diet, by geography, by time spent in the womb, by nature, by nurture. They fail to hear the elephant in the room, trumpeting away: history.

..I want quiet nights, too, where we talk about nonsense while watching bad movies." I want us to have history, something longer than the small window of time we're actually sharing, with an even longer future, but the dying elephant in the room crushes me.

Bradley Chalkers Homework Book Report My Parents Didn’t Steal an Elephant By Uriah C. Lasso Mrs. Ebbel’s class Room 12 Red Hill School Last seat, last row Next to Jeff

Here are the two things I have come to believe about diets: 1. Almost any diet works in the short term. 2. Almost no diets work in the long term

The elephant in the room. It can't be talked about. It can't be ignored.

And now that Wells had heard him laugh, he wondered whether the so-called Elephant Man had not in fact been smiling at him from the moment he stepped into the room, a warm, friendly smile intended to sooth the discomfort his appearance produced in his guests, a smile no one would ever see. As he left the room, he felt a tear roll down his cheek.

Here's the rule: no one s expected to have all the answers. If you are asked a question, and do not know the answer, just say, "I don't know, but I'll find out." And when you do, never fail to pass along the correct information. You can never tell who the elephant in the room may be- because elephants just don't forget.

If you can't talk about it, you can't change it.

I consider it somewhat psychopathic to label someone from afar as a psychopath. We love nothing more than to declare other people insane, especially people we don’t like.

What can I say? I’m a straight shooter who’s never cared to dance around the pink elephant in a room, and had no intentions of doing that two-step now.

Sometimes the elephant is just too big for the room

Telling a fat person Eat less and exercise is like telling a boxer Don’t get hit. You act as if there’s not an opponent.

Knowing what you need doesn't always mean you know how to get it, though. I'd spent a long time hiding in my cave. No matter how much I might want to come out into the light, I knew it would hurt my eyes. I was a fool. A fool, but nevertheless too smart not to know I was the architect of my own demise, that it was time to put my past behind me. It was time to stop allowing the white elephants to stand unspoken of in my living room.

A pregnancy tore up our lives. It's going to tear up hers. There's no hiding from that. A pregnancy's one of those things that doesn't hide well. It's kind of like trying to ignore an elephant in the living room.

[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again

All this time I had never been able to consider my own situation, nor could I do so yet. I had not the power to attend to it. I was greatly dejected and distressed, but in an incoherent wholesale sort of way. As to forming any plan for the future, I could as soon have formed an elephant. When I opened the shutters and looked out at the wet wild morning, all of a leaden hue; when I walked from room to room; when I sat down again shivering, before the fire, waiting for my laundress to appear; I thought how miserable I was, but hardly knew why, or how long I had been so, or on what day of the week I made the reflection, or even who I was that made it.

I’m not sure you understand. That box might be taking you to a place where there are other elephants,” I say. “A place with more room, and humans who care about you.” But even as I say these words, I remember with a shudder the last box I was in. “I don’t want a zoo,” Ruby says. “I want you and Bob and Julia. This is my home.” “No, Ruby,” I say. “This is your prison.

Darkness. The door into the neighboring room is not quite shut. A strip of light stretches through the crack in the door across the ceiling. People are walking about by lamplight. Something has happened. The strip moves faster and faster and the dark walls move further and further apart, into infinity. This room is London and there are thousands of doors. The lamps dart about and the strips dart across the ceiling. And perhaps it is all delirium... Something had happened. The black sky above London burst into fragments: white triangles, squares and lines - the silent geometric delirium of searchlights. The blinded elephant buses rushed somewhere headlong with their lights extinguished. The distinct patter along the asphalt of belated couples, like a feverish pulse, died away. Everywhere doors slammed and lights were put out. And the city lay deserted, hollow, geometric, swept clean by a sudden plague: silent domes, pyramids, circles, arches, towers, battlements.

He shrugged. 'I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room--but eventually, you learn to live with it.' Somehow, I thought, elephants had taken it a step further. They didn't grimace every time they entered the room and saw that couch. They said, 'remember how many good memories we had here?' And they sat, for just a little while, before moving elsewhere.

St. Clair wanders around, picking up things and examining them like I did in Meredith's room. He inspects the collection of banana and elephant figurines lined up on my dresser. He holds up a glass elephant and raises his dark eyebrows in question.

The idea of Donald Trump and Alex Jones and Roger Stone and Stephen Bannon having power over us — that is terrifying.

I want us to have history, something longer than the small window of time we're actually sharing, with an even longer future, but the dying elephant in the room crushes me.

They could play an endless game of hide-and -seek in so many rooms and up and down the halls that intersected and turned into dead-end porches and rooms full of wax begonias and elephant's- ears, or rooms full of trunks. She remembered the nights--the moon vine, the everblooming Cape jessamines, the verbena smelling under running feet, the lateness of dancers.

Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.

Ermaline has entered the room noiselessly and is whispering to Nana. When she leaves, Nana and Papa start talking about friends of Mom's who are in the middle of a scandalous divorce. Mom and Dad keep glancing at Adam, and Nana keeps asking Mom and Dad questions, pulling their attention back to the conversation. I have seen this before. It's Nana's highly effective and very annoying way of not mentioning the elephant in the living room. But why does she have to think of Adam as an elephant? Why can't he just be their son? ~pgs 40-42; Hattie on adults

Admittedly, what he had seen only the day before in this very room was just as intellectually stupefying as these later events—but the emotional impact was something else. A mouse was as much a miracle of biology as was an elephant; nevertheless there was an important difference—an elephant was bigger.

I hadn't realized how supremely shit-housed I was until we stumbled into our room at the Embassy Suites. You ever been so drunk you forgot that you have to shit until the last minute? Well I was at that stage. I nearly had my pants completely off when SlingBlade snaked past me and got into the toilet first. Fine, I go get out of my bar clothes and change into a t-shirt and pink Gap boxers to sleep in. I wait patiently for about three minutes, then I start pounding on the door, screaming at him that I am going to shit on his bed if he doesn't get out of there. A short time later he opens the door laughing his ass off, and says, "That was perhaps the most prodigious shit ever. I just put that toilet into therapy." I take a gander into the bathroom. It looks like Revelations. The toilet is overflowing, brown shit water is spilling out all over the bathroom floor, and the tank is making demonic gurgling noises. THE MOTHERFUCKER CLOGGED UP A HOTEL TOILET! Hotel toilets are industrial size; they are designed to be able to accommodate repeated elephant-sized shits, and their ram-jet engine flushes generate enough force to suck down a human infant, yet skinny ass 170-pound SlingBlade completely killed ours.

I don’t pretend to know how love works. I can tell you a thousand things I love about Alix, but none of them are exactly why I love her. The why, I don’t have words for. It’s a code we decipher every time we hold hands, a secret song we hear when we look in each other’s eyes. It’s really true. You just know.

If I went to Ringling Bros. and Barnum & Bailey, I didn’t go for the horse or the elephant – I went for the freak show in the back: the one-breasted man; the half-bearded woman (in other words, the people who today have become politicians). In my day they were in the back room of Ringling Bros. and Barnum & Bailey,

I know I should have ignored her. I should have called. Many times I almost did. I got as far as picking up the phone. Sometimes I even dialed your parents' number but then I wondered what I'd say to you. We had left it too long. How would we ever get around the silence, which was like an elephant sitting in the room?

That is the way of management from time immemorial, in medieval feudal states, communist dictatorships, and capitalist conference rooms alike. It is the way the powerful treat those less so, and it is the human condition.

I always hoped I would find someone and we would fall in love. But I didn’t think I had much to offer, especially in those first few moments where you make an impression or you slink back across the room. I came to believe I was just a fat guy with bad teeth, and I pretty much quit trying. The only reason my heart didn’t get broken is because I rarely took it out of the box.

Scale is the elephant in the room. When Silicon Valley executives excuse themselves and say their platform’s scale is so big that it’s really hard to prevent mass shootings from being broadcast or ethnic cleansing from being incited on their platforms, this is not an excuse—they are implicitly acknowledging that what they have created is too big for them to manage on their own. And yet, they also implicitly believe that their right to profit from these systems outweighs the social costs others bear. So when companies like Facebook say, “We have heard feedback that we must do more,” as they did when their platform was used to live-broadcast mass shootings in New Zealand, we should ask them a question: If these problems are too big for you to solve on the fly, why should you be allowed to release untested products before you understand their potential consequences for society?

Now don’t tell anyone,” she says, bustling in and sliding my dinner-table-cum-vanity over my lap. She sets down a paper napkin, plastic fork, and a bowl of fruit that actually looks appetizing, with strawberries, melon, and apple. “I packed it for my break. I’m on a diet. Do you like fruit, Mr. Jankowski?” I would answer except that my hand is over my mouth and it’s trembling. Apple, for God’s sake. She pats my other hand and leaves the room, discreetly ignoring my tears.

When the clowns of British politics - arch-Brexiteer cartoon characters 'Boorish Johnson' and 'JackOff Grease-Smug' advocate ad infinitum that Britain should leave the EU in order to be free to sign her own trade deals; they seem to have overlooked the towering elephant in the room, namely the current occupant of the White House (another clown) - who appears hell-bent on destabilising world trade via crude protectionist policies. Both Tories, despite receiving the best British education money can buy, would do well to revisit their post war history books and be reminded of one of the key objectives of the European Project and in due course the European Union - specifically to promote peace and prosperity amongst previously warring neighbours by forming a unified trading bloc which in time, due to its effective size, also acted as a useful counterweight to US hegemony. Go find another circus for your buffoonery and leave the deadly serious business of politics to principled individuals with the true national interest at heart !

I’m almost never hungry in the physical sense. But I’m always craving an emotional high, the kind that comes from making love, or being in the crowd for great live music, or watching the sun come up over the ocean. And I’m always wanting something to counter the low, when I’m anxious about work or arguing with family or depressed for reasons I can’t understand.

In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.

Our society has tried to make death invisible, thinking that if we ignore it long enough it will go away. Often we as family and loved ones are so afraid of death that even mentioning the word to terminal patients is taboo. We think the dying are oblivious to what is happening to them. Sadly, a dying person frequently feels afraid to bring it up him or herself. When I enter a hospital room I often hear a sigh of relief. At last, someone is here to help the family come to terms with what is playing out before them. Death has too long been the elephant in the living room, while everyone awkwardly discusses the weather.

Few had much room to cast stones, but hypocrisy has never failed the English middle class in any latitude, and they flung them in plenty with delighted, shocked abandon – rocks, boulders, limited in size only by fear for their husband’s advancement. Conciliating discretion had never been among Mrs Villiers’s qualities, and if subjects for malignant gossip had been wanting she would have provided them by the elephant-load.

Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)

propose to get hold of a suitable house, one of those big, left-over country mansions with lots of huge rooms, that are white elephants to everybody, and fit up the different rooms as temples to the different gods of the old pantheons. Make a really artistic job of it, you know. Have some first-class frescoes done, and all the rest of it; and I'm inclined to think that if we make the temple ready, the god will indwell it, and we shall begin to learn something about him—or her.

There’s a phrase, the elephant in the living room, which purports to describe what it’s like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, “How could you let such a business go on for so many years? Didn’t you see the elephant in the living room?” And it’s so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth: “I’m sorry, but it was there when I moved in. I didn’t know it was an elephant; I thought it was part of the furniture.

Ford hired the quality management guru Edward Deming to train his people on quality principles. In the kick-off meeting, he introduced Deming, spoke briefly about the critical need for quality management and then, leaving Deming to do the rest, left the room. As he was walking out, he realized Deming was following him. Surprised, he asked what had happened. In answer, Deming famously quipped that he was simply following the leader. Ford immediately realized his mistake and turned back to sit down with his team to learn about Total Quality Management (TQM).

Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!

Those who are unwilling to face the flinch are obvious, too. Their eyes are dead. Their voices sound defeated. They have defensive body language. They’re all talk. They see obstacles as assailants instead of adversaries. Their flinch is the elephant in the room, and they don’t want to hear about it. Any fight you want to win, a habit of pushing past the flinch can make it happen. Once you have adjusted to the pressure, once you learn to flinch forward, you have the resolve to pass through the impassible. In fact, it becomes certain that you will—it’s only a matter of time.

So now let’s address the elephant in the room: No real physical, chemical, or therapeutic mechanisms made these changes happen. None of these people had actual surgery, took active medication, or received any real treatment to create these significant alterations in health. The power of their minds so influenced their bodies’ physiology that they became healed. It’s safe to say that their real transformation happened independent of their conscious minds. Their conscious minds may have initiated the course of action, but the real work happened subconsciously, with the subjects remaining totally unaware of how it happened.

EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.

Putting It into Practice: Neutralizing Negativity Use the techniques below anytime you’d like to lessen the effects of persistent negative thoughts. As you try each technique, pay attention to which ones work best for you and keep practicing them until they become instinctive. You may also discover some of your own that work just as well. ♦ Don’t assume your thoughts are accurate. Just because your mind comes up with something doesn’t necessarily mean it has any validity. Assume you’re missing a lot of elements, many of which could be positive. ♦ See your thoughts as graffiti on a wall or as little electrical impulses flickering around your brain. ♦ Assign a label to your negative experience: self-criticism, anger, anxiety, etc. Just naming what you are thinking and feeling can help you neutralize it. ♦ Depersonalize the experience. Rather than saying “I’m feeling ashamed,” try “There is shame being felt.” Imagine that you’re a scientist observing a phenomenon: “How interesting, there are self-critical thoughts arising.” ♦ Imagine seeing yourself from afar. Zoom out so far, you can see planet Earth hanging in space. Then zoom in to see your continent, then your country, your city, and finally the room you’re in. See your little self, electrical impulses whizzing across your brain. One little being having a particular experience at this particular moment. ♦ Imagine your mental chatter as coming from a radio; see if you can turn down the volume, or even just put the radio to the side and let it chatter away. ♦ Consider the worst-case outcome for your situation. Realize that whatever it is, you’ll survive. ♦ Think of all the previous times when you felt just like this—that you wouldn’t make it through—and yet clearly you did. We’re learning here to neutralize unhelpful thoughts. We want to avoid falling into the trap of arguing with them or trying to suppress them. This would only make matters worse. Consider this: if I ask you not to think of a white elephant—don’t picture a white elephant at all, please!—what’s the first thing your brain serves up? Right. Saying “No white elephants” leads to troops of white pachyderms marching through your mind. Steven Hayes and his colleagues studied our tendency to dwell on the forbidden by asking participants in controlled research studies to spend just a few minutes not thinking of a yellow jeep. For many people, the forbidden thought arose immediately, and with increasing frequency. For others, even if they were able to suppress the thought for a short period of time, at some point they broke down and yellow-jeep thoughts rose dramatically. Participants reported thinking about yellow jeeps with some frequency for days and sometimes weeks afterward. Because trying to suppress a self-critical thought only makes it more central to your thinking, it’s a far better strategy to simply aim to neutralize it. You’ve taken the first two steps in handling internal negativity: destigmatizing discomfort and neutralizing negativity. The third and final step will help you not just to lessen internal negativity but to actually replace it with a different internal reality.

And against whom is this censorship directed? By way of answer, think back to the big subcultural debates of 2011 – debates about how gritty fantasy isn’t really fantasy; how epic fantasy written from the female gaze isn’t really fantasy; how women should stop complaining about sexism in comics because clearly, they just hate comics; how trying to incorporate non-Eurocentric settings into fantasy is just political correctness gone wrong and a betrayal of the genre’s origins; how anyone who finds the portrayal of women and relationships in YA novels problematic really just wants to hate on the choices of female authors and readers; how aspiring authors and bloggers shouldn’t post negative reviews online, because it could hurt their careers; how there’s no homophobia in publishing houses, so the lack of gay YA protagonists can only be because the manuscripts that feature them are bad; how there’s nothing problematic about lots of pretty dead girls on YA covers; how there’s nothing wrong with SF getting called ‘dystopia’ when it’s marketed to teenage girls, because girls don’t read SF. Most these issues relate to fear of change in the genre, and to deeper social problems like sexism and racism; but they are also about criticism, and the freedom of readers, bloggers and authors alike to critique SFF and YA novels without a backlash that declares them heretical for doing so. It’s not enough any more to tiptoe around the issues that matter, refusing to name the works we think are problematic for fear of being ostracized. We need to get over this crushing obsession with niceness – that all fans must act nicely, that all authors must be nice to each other, that everyone must be nice about everything even when it goes against our principles – because it’s not helping us grow, or be taken seriously, or do anything other than throw a series of floral bedspreads over each new room-hogging elephant. We, all of us, need to get critical. Blog post: Criticism in SFF and YA

Every place I looked had yet another crazy surprise, and it was equally horrifying and fascinating. Like the literal white elephant statue in the room we passed that had been hidden by the couch, but that stood proud, with his trunk raised, and honest-to-Goddess anal beads wrapped around the trunk like some kind of mental decoration.

It’s funny but true: you can much more easily bottle up an emotion when it’s hi-grade nuclear. You give away the little things, but with some small ingenuity, you can conceal some really fucked-up shit, especially in plain sight. If you can’t extract the elephant from the room, paint the walls grey. Just be mindful not to step on either end of it after.

I’ve always wanted to take a swim wherever it is they snap those screensaver photos—Fiji? Bora Bora? The Maldives?—and sleep in a hotel room that’s more of a hut built on a dock over the water. After reading The No. 1 Ladies’ Detective Agency, I’m dying to see the sun set in Botswana. I want to visit Indian temples and volunteer at an elephant sanctuary.

Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the diner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.

Some of you from outside the South may be wondering why we’re emphasizing this irrefutable historical fact that everyone should know so strongly already. Well, it’s because there has been an unfortunate tendency down here to deflect as much attention as possible away from the atrocities that the South was responsible for before, during, and after the war, and to focus on the glory, the courage, and all that kind of shit instead. We name roads, schools, and parks after Confederate leaders. We erect statues in their honor. We revere them and honor them, all while ignoring the gigantic racist elephant in the room. 4 Look, it ain’t nothin’ wrong with glory and courage, and it’s completely legitimate to acknowledge the military greatness of some of the Confederacy’s leaders, but what’s not okay is to do so without also acknowledging their complicity in and tacit acceptance of one of the single most reprehensible and inhumane practices in human history. 5 It’s disingenuous. It’s cheap. It’s cowardly. We gotta cut that shit out. So, yes, we fought a war for slavery, and because sometimes the universe gets some shit right (waterfalls, potatoes, Scarlett Johansson), we lost. Which is another thing we apparently need to remind some of our fellow Southerners of. Not only did we fight a war for slavery, but we got our asses whupped. Until we can all agree to accept this and act accordingly, we’re never going to be able to move on. It’s nothing to be proud of, y’all—it really ain’t. We fought and we lost. But our defeat was a great victory for morality and for the country as a whole. Southerners tend to act as if the Civil War isn’t history but a scientific theory whose results can be disproven if discussed enough. It’s not. We lost. Get over it.

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving

She walked through the underpass at the Elephant and Castle, enjoying the sense that nothing really mattered, not the truth about the past, nor whether they believed her, not Winnie’s drinking or Vik’s ultimatum. It was the perfect place to escape from a painful past. She could waste years at home trying to make sense of a random series of events. There was no meaning, no lessons to be learned, no moral—none of it meant anything. She could spend her entire life trying to weave meaning into it, like compulsive gamblers and their secret schema. Nothing mattered, really, because an anonymous city is the moral equivalent of a darkened room. She understood why Ann had come here and stayed here and died here. It wouldn’t be hard. All she had to do was let go of home. She would phone Leslie and Liam sometimes, say she was fine, fine, let the calls get farther apart, make up a life for herself and they’d finally forget.

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving elsewhere.

This was what he stood for: a world where there would be room enough even for such a mass of clumsy and cumbersome freedom. A margin of humanity, of tolerance, where some of life’s beauty could take refuge. His eyes narrowed a little, and an ironic, bitter smile came to his lips. I know you all, he thought. Today you say that elephants are archaic and cumbersome, that they interfere with roads and telegraph poles, and tomorrow you’ll begin to say that human rights too are obsolete and cumbersome, that they interfere with progress, and the temptation will be so great to let them fall by the road and not to burden ourselves with that extra load. And in the end man himself will become in your eyes a clumsy luxury, an archaic survival from the past, and you’ll dispense with him too, and the only thing left will be total efficiency and universal slavery and man himself will disappear under the weight of his material achievement. He had learned that much behind the barbed wire of the forced labor camp: it was our education, a lesson be was not prepared to forget.

That is the bizarre thing about the good news: who knows how you will really hear it one day, but once you have heard it, I mean really HEARD it, you can never UNHEAR it. Once you have read it, or spoken it, or thought it, even if it irritates you, even if you hate hearing it or cannot find it feasible, or try to dismiss it, you cannot UNREAD it, or UNSPEAK it, or UNTHINK it. It is like a great big elephant in a tiny room. Its obvious presence begins to squeeze out everything else, including your own little measly self. Some accept it easily, some accept it quickly, and some are struck with the mystical reality of it right away. These people have no trouble bringing the unseen into the realm of the seen. But others of us fight the elephant; we push back on it, we try to ignore it, get it to leave the room, or attempt to leave the room ourselves. But it does not help. The trunk keeps curling around the doorknob. The hook is there. It may snooze or loom or rise and recede, but regardless of the time passed or the vanity endured, the idea keeps coming back, like a cosmic boomerang you just cannot throw away. I did not realize this was part of the grace of it all-such relentless truthfulness.

Mom, what about the story you were going to tell Katie?” “Oh, yes. Queen Elizabeth. When she came to Kenya for a visit in 1952, she and Prince Philip stayed at Treetops. It’s a hotel not far from here. The rooms are at treetop height. She sipped tea on the open veranda while the elephants and other wild animals came to the watering hole below. Her father, King George IV, had been ill but seemed to have recovered, so the trip to Africa didn’t pose a conflict.” “Was he the one who stuttered? I remember seeing a movie about him,” Katie said. “Yes, that was the same king,” Eli answered for his mom. “What happened is that he took a turn for the worse and passed away while Princess Elizabeth was at Treetops. Since communication between England and Africa was so slow, she didn’t know her father had died until after they had left Treetops, and they stopped for lunch at the Aberdare Country Club, where we just ate.” “Really? The queen of England ate at that same restaurant?” “Yes. Only she didn’t yet know she was the queen of England. Word hadn’t reached her. The great statement about Treetops is that Elizabeth went up the stairs to her room that night as a princess, and when she descended those same stairs the next morning, she was the queen of England.” “I love stories like that,” Katie said. “I mean, it’s sad that her father died while she was in Africa, but what a rite of passage that moment was. She was doing what was on the schedule for that day, and by the time she put her head on her pillow that night, everything had changed.” As

Have no fear!” Silver shouted, leaping onto a convenient table, bestriding a centerpiece of oysters. “The powers of my kind shall scourge these creatures back into the slime from which they crawled—” Amazing grammar in a crisis, Irene couldn’t help noticing. “Behold!” Silver raised his hand. Fire flared round his fingers dramatically, then leapt to strike the alligators in burning orange whips. It fizzled. There was no other word for it. The flames drooped and went out as if they’d been doused with cold water, leaving the alligators to rumble forward undeterred. “Damnation!” Silver swore. “They have been armored in cold iron! Johnson! My elephant gun!” Much as Irene would have enjoyed watching whatever happened next, fleeing the room before she was trampled by the crowd or eaten by alligators seemed a better idea.

You may not recognize the name Steven Schussler, CEO of Schussler Creative Inc., but you are probably familiar with his very popular theme restaurant Rainforest Café. Steve is one of the scrappiest people I know, with countless scrappy stories. He is open and honest about his wins and losses. This story about how he launched Rainforest Café is one of my favorites: Steve first envisioned a tropical-themed family restaurant back in the 1980s, but unfortunately, he couldn’t persuade anyone else to buy into the idea at the time. Not willing to give up easily, he decided to get scrappy and be “all in.” To sell his vision, he transformed his own split-level suburban home into a living, mist-enshrouded rain forest to convince potential investors that the concept was viable. Yes, you read that correctly—he converted his own house into a jungle dwelling complete with rock outcroppings, waterfalls, rivers, and layers of fog and mist that rose from the ground. The jungle included a life-size replica of an elephant near the front door, forty tropical birds in cages, and a live baby baboon named Charlie. Steve shared the following details: Every room, every closet, every hallway of my house was set up as a three-dimensional vignette: an attempt to present my idea of what a rain forest restaurant would look like in actual operation. . . . [I]t took me three years and almost $400,000 to get the house developed to the point where I felt comfortable showing it to potential investors. . . . [S]everal of my neighbors weren’t exactly thrilled to be living near a jungle habitat. . . . On one occasion, Steve received a visit from the Drug Enforcement Administration. They wanted to search the premises for drugs, presuming he may have had an illegal drug lab in his home because of his huge residential electric bill. I imagine they were astonished when they discovered the tropical rain forest filled with jungle creatures. Steve’s plan was beautiful, creative, fun, and scrappy, but the results weren’t coming as quickly as he would have liked. It took all of his resources, and he was running out of time and money to make something happen. (It’s important to note that your scrappy efforts may not generate results immediately.) I asked Steve if he ever thought about quitting, how tight was the money really, and if there was a time factor, and he said, “Yes to all three! Of course I thought about quitting. I was running out of money and time.” Ultimately, Steve’s plan succeeded. After many visits and more than two years later, gaming executive and venture capitalist Lyle Berman bought into the concept and raised the funds necessary to get the Rainforest Café up and running. The Rainforest Café chain became one of the most successful themed restaurants ever created, and continues that way under Landry’s Restaurants and Tilman Fertitta’s leadership. Today, Steve creates restaurant concepts in fantastic warehouses far from his residential neighborhood!

Once a little boy went to school. One morning, when the little boy had been in school a while, his teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make pictures. He could make all kinds. Lions and tigers, Chickens and cows, trains and boats, and he took out his box of crayons and began to draw. But the teacher said: “Wait! It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, he liked to make flowers, and he began to make beautiful ones with his pink and orange and blue crayons. But the teacher said “Wait! And I will show you how.” And it was red with a green stem. “There,” said the teacher, “Now you may begin.” The little boy looked at the teacher’s. Then he looked at this own flower. He liked his flower better than the teacher’s. But he did not say this. He just turned his paper over. And made a flower like the teacher’s. It was red with a green stem. On another day, when the little boy had opened the door from the outside all by himself, the teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy. Snakes and snowmen, elephants and mice, cars, and trucks, and he began to pull and pinch his ball of clay. But the teacher said: “Wait!” It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” He liked to make dishes. And he began to make some that were all shapes and sizes. But the teacher said, “Wait! And I will show you how.” And she showed everyone how to make a deep dish. “There,” said the teacher. “Now you may begin.” The little boy looked at the teacher’s dish, then he looked at his own. He liked his dish better than the teacher’s. But he did not say this. He just rolled his clay into a big ball again. And made a dish like the teacher’s. It was a deep dish. And pretty soon the little boy learned to wait, and to watch and to make things just like the teacher. And pretty soon he didn’t make things of his own anymore. Then it happened that the little boy and his family moved to another house, in another city, and the little boy had to go to another school. And the very first day he was there the teacher said: “Today we are going to make a picture.” “Good!” Thought the little boy and he waited for the teacher to tell him what to do. But the teacher didn’t say anything. She just walked around the room. When she came to the little boy she said, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, any way you like,” said the teacher. “Any color?” asked the little boy. “Any color,” said the teacher. “If everyone made the same picture, and the used the same colors, how would I know who made what?” “I don’t know,” said the little boy. And he began to make a red flower with a green stem.