Cool Illuminated Quotes

I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war,

I had become wiser, I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of “Ironia, which we call the drye mock.” And I cannot think of a better term for it: The drye mock. Not sarcasm, which is like vinegar, or cynicism, which is so often the voice of disappointed idealism, but a delicate casting of cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit’s desire is to be funny; the ironist is only funny as a secondary achievement.

I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war, who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,

The trap of reputation, for example. In this scenario, having garnered a considerable reputation or level of acclaim, one becomes paralyzed by the dreadful thought of losing it all by doing something... undignified. Uncool. This is a trap. Reputation is a trap that will turn you into a lifeless marble bust of yourself before you're even dead. And then of courses there is reputation's immortal big brother, Posterity, worrying about which has driven better women and men than you into the asylum. All these things... reputation, posterity, cool... should be tested to destruction by a course of deliberate sabotage. As the often-illuminating Escape and New Musical Express cartoonist Shaky Kane once remarked, "Don't be cool. Like everything." If you find yourself in danger of being taken seriously, then try to do something which undermines or sabotages that perception in some way. If your talent is of any genuine worth, it should be able to weather squalls of unpopularity and audience incomprehensio. The only thing that might seriously endanger either your talent or your relationship with your talent is if you suddenly found yourself fashionable.

I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.

That's delusion. Exactly the same. This is the dream. The question is, who is doing the dreaming and how do we wake up? How do we get real? That's what all this enlightenment stuff boils down to. It's about waking up and seeing what's really true, and to do what we have to become progressively less asleep. We have to fight and scratch and claw our way to wakefulness. In the same sense, if you want to be more true, then the way to do that is by becoming less false, less full of shit. If you want to be less full of shit, the the way to do it is to go inside yourself with the spotlight of discrimination, find the shit, and illuminate it. Illumination destroys it. lies disappear when you really look at them because they never had real substance, they were only imagined. That's what you were doing just now-- bravely shining a light inward, digging deeper-- and that's cool. It's not easy and it's not fun, but that's the process. That's how the good stuff happens. That's how icebergs get melted back into the ocean.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

It seems a simple task. We all know what water looks like, feels like in our mouth. Water is ubiquitous. Describing a cup of water feels a little like doing a still life painting. As a child I used to wonder: Why do people spend so much time painting bowls of fruit, when they could be painting dragons? Why learn to describe a cup of water, when the story is about cool magic and (well) dragons? It’s a thing I had trouble with as a teenage writer—I’d try to rush through the “boring” parts to get to the interesting parts, instead of learning how to make the boring parts into the interesting parts. And a cup of water is vital to this. Robert Jordan showed me that a cup of water can be a cultural dividing line–the difference between someone who grew up between two rivers, and someone who’d never seen a river before a few weeks ago. A cup of water can be an offhand show of wealth, in the shape of an ornamented cup. It can be a mark of traveling hard, with nothing better to drink. It can be a symbol of better times, when you had something clean and pure. A cup of water isn’t just a cup of water, it’s a means of expressing character. Because stories aren’t about cups of water, or even magic and dragons. They’re about the people painted, illuminated, and changed by magic and dragons.

Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

We are in shifting circumstances in which nothing is hidden and everything is mobile - a world of a quite new kind of innocence, but a world no longer illuminated by the utopian constellation of secrecy. The individual is less alienated by the fact that everything is known about him than by the fact that he is called upon to know everything about himself. In this demand lies the principle of a new and irreversible servitude. There is much more to be hoped for in an excess of information or of weapons than in the restriction of information or arms control. Da, wo die Gefahr wiichst, wiichst das Rettende auch.[But where there is danger, there grows! Also what saves.' (HoIderlin)].

With certain women, we do not love them as we would wish or as they would wish. We prefer to violate them and lose them. The surprises of thought are like those of love: they wear out. But here too you can carry on for a long time doing your conjugal duty. Rome, Berlin, Sydney, New York, Rio. My secretarial staff is expanding. My rainbow too. The night which would fall simultaneously on all the cities of the world has not yet occurred. The sun which would illuminate all the cities of the world at once has not yet risen. Every woman is like a timezone. She is a nocturnal fragment of your journey. She brings you unflaggingly closer to the next night. Some women have disguised themselves as Congolese dugouts or Aleutian pearls. Why shouldn't they disguise themselves as a timezone, or even as the ecstasy of the journey? Everywhere there is pleasure you will find a woman in disguise, her features lost or metamorphosed into the ecstacy of things. Everywhere there is a woman dying.

NAOMI, THE GODDESS OF OASIS It was a cool evening when destiny called, Naomi. The call that will revive the hearts of the children of men. Destiny presented herself like a Rose. With thorns that makes the crown. Destiny is beautiful. An enigma of peace that ponder the hearts of men. She adores herself with the blood of motherhood. Smiling in tears and with care she nurtures every soul. She's nature's friend, the waters that pushes with the wind and moves in path with her lings. Her nature is beauty and her songs nourishes the soul of men. Her light illuminates their Hope's and tears are wiped with her smiles. Oh daughter of the great land of Ozoro, the pride of her mother land. The rainbow rose that illuminates the garden of doubts. May your voice sends peace to the wailing hearts. May your day never grow dark on the mornings and may your evening be the time your waistline is with tiring and your love round about you. Great daughter of the forest kingdom. Enigma of royalty. Pride of her love. Queen of the Desert Kingdom. Goddess of Oasis Poem by Victor Vote to Atabeh Rezi. ©️2021 by VVF

Hurry up, he'll be coming back pretty soon!" Lynda spelled with a "y" Corgill, who was two years behind Dara, Mackenzie, and Jennifer, and had just completed her sophomore year, squeezed the hot glue gun into the door lock of the headmaster's office. Shelby Andrews, her accomplice and the newest resident to be accepted at Wood Rose, stood watch. "I see the lights of the truck. Hurry! He's coming back! Are you finished?" Lynda gave the metal apparatus one last squeeze, filling the lock with the quick-drying cement glue guaranteed to harden on contact. "Finished." In the soft illumination of the crescent moon high overhead, the two girls, barefooted and wearing dark blue pajamas, ran across the lawn crisscrossed by dark, elongated shadows and dampened by night-cooled air to the maintenance shed where they placed the glue gun on the top shelf where it was normally kept. With their task completed, they quickly returned to the dormitory, to the far end from where Ms. Larkins slept, and crawled through the open window. Within minutes they were back in their rooms, in their individual beds, and sound asleep. The sleep of innocent angels. It would soon be light; and Wood Rose Orphanage and Academy for Young Women would start another day.

Herzog nodded. Once more he was being lectured. And he didn’t really mind it. That he needed straightening out was only too obvious. And who had more right than a woman who gave him asylum, shrimp, wine, music, flowers, sympathy, gave him room, so to speak, in her soul, and finally the embrace of her body? We must help one another. In this irrational world, where mercy, compassion, heart (even if a little fringed with self-interest), all rare things—hard-won in many human battles fought by rare minorities, victories whose results should never be taken for granted, for they were seldom reliable in anyone—rare things, were often debunked, renounced, repudiated by every generation of skeptics. Reason itself, logic, urged you to kneel and give thanks for every small sign of true kindness. The music played. Surrounded by summer flowers and articles of beauty, even luxury, under the soft green lamp, Ramona spoke to him earnestly—he looked affectionately at her warm face, its ripe color. Beyond, hot New York; an illuminated night which did not need the power of the moon. The Oriental rug and its flowing designs held out the hope that great perplexities might be resolved. He held Ramona’s soft cool arm in his fingers. His shirt was open on his chest. He was smiling, nodding a little as he listened to her. Much of what she said was perfectly right. She was a clever woman and, even better, a dear woman. She had a good heart. And she had on black lace underpants. He knew she did.

Stay there,’ said Mathis. He kicked back his chair and hurtled through the empty window-frame on to the pavement. 6 ....... TWO MEN IN STRAW HATS WHEN BOND left the bar he walked purposefully along the pavement flanking the tree-lined boulevard towards his hotel a few hundred yards away. He was hungry. The day was still beautiful, but by now the sun was very hot and the plane-trees, spaced about twenty feet apart on the grass verge between the pavement and the broad tarmac, gave a cool shade. There were few people abroad and the two men standing quietly under a tree on the opposite side of the boulevard looked out of place. Bond noticed them when he was still a hundred yards away and when the same distance separated them from the ornamental ‘porte cochère’ of the Splendide. There was something rather disquieting about their appearance. They were both small and they were dressed alike in dark and, Bond reflected, rather hot-looking suits. They had the appearance of a variety turn waiting for a bus on the way to the theatre. Each wore a straw hat with a thick black ribbon as a concession, perhaps, to the holiday atmosphere of the resort, and the brims of these and the shadow from the tree under which they stood obscured their faces. Incongruously, each dark, squat little figure was illuminated by a touch of bright colour. They were both carrying square camera-cases slung from the shoulder. And one case was bright red and the other case bright blue. By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted.

Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.

Here is a summary based on the speculations of the well-known scholar of religion, Mircea Eliade:2 Once upon a time, when the economic level of human beings could only be described in terms of mere subsistence, people were highly aware of their natural environment. Among the many things that intrigued them was the splendor of the sky. They realized the sky with its brilliant light, which illuminated every part of the world, was different from anything else they encountered. They were aware of the many items that populated the universe such as trees, mountains, and rivers, as well as people and their implements. But those were all different from the sky. When the people saw a rock, they simply saw a rock; when they beheld the sky, they saw something so vast and so beyond anything that they could touch or understand that they were simultaneously fascinated and intimidated by it. In many ways they feared the sky, but they also saw the sky as friendly to them, at least most of the time. The sky brought sunshine, it brought rain, and it was their constant companion, whether they were hunting or fishing or collecting edible vegetation. The sky was always present. Sometimes the sky would be angry, and it might send thunder and lightning and possibly even downpours so harsh they resulted in harmful floods. But after the sky had worked off its temper, the rain and the cool its tantrum had produced contributed to making further life possible and bearable. The sky, people said, is great. We cannot conceive of anything greater than the sky; and, what’s more, if we pray to it, it often fulfills our desires. It knows and understands us. Because it is so great, nothing is beyond its capability. Understanding these amazing qualities of the sky, it seemed that it was more than just an object: it was a great being, who was not just a thing up there, but who in some ways resembled a human person, except that its powers exceeded anything we humans are capable of. The people began to think of the sky as the home of a super person and considered him to be “god.” They thought they could call him by his name and approach him if they were careful. Having come to think of him as a supreme god now, they recognized that he was still the Great Shining One, who is beyond our understanding, and they continued to be in total awe of him. Thus, according to Eliade, the sky had become one of the important manifestations of what is sacred in the world. He called such disclosures “hierophanies,” which means literally, “manifestations of the Holy.” The little narration above is based on his exposition of the sacredness of the sky, which he says “symbolizes transcendence, power and changelessness simply by being there. It exists because it is high, infinite, immovable, powerful.”3

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted

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The fire covered the field, the flames worked fast. I glanced over at Preston who was watching the destruction with a dark grin. The fire reflected in his eyes; shadows moved across his face illuminating the deep creases as he gazed ahead with great conviction. He looked evil. Was he evil? Lord knows he’s done evil. Or was he a man who thought he was doing the right thing, just reacting to situations and conditions that were thrust upon him? Each man is the protagonist of his own life. Always right in their own mind, altruistic and correct no matter what society deems acceptable. Nobody thinks they're evil. Nobody thinks they’re a bad person. All deeds, no matter how harmful or offensive to others can be rationalized in the perpetrators mind; perhaps that is the definition of evil? I looked away, who am I to judge? I thought. I don’t have the theological qualifications or the clean track record to deem anyone evil, he’s just a man. I focused back on the inferno. Watching the fire spark and dance forming grinning malevolent shapes, I thought of the ancient Celtics when they’d set their world on fire with their Samhain bonfires; their unholy pagan ritual for summer’s end. That sacred night when the veil between the living and the dead was at its thinnest. The night of the great sacrifice. Blue-red flames licked the sky crackling and hissing their macabre cleansing cacophony that drew our unblinking stares and didn’t let go, it had us, it made us watch. Corynne clutched me close, her breathing was soft and warm; the air was beginning to cool. October was coming.

The stuff of life, in other words, arose in places and times somewhat more accessible to our telescopic investigations. Since most of us spend our lives confined to a narrow strip near Earth’s surface, we tend to think of the cosmos as a lofty, empyrean realm far beyond our reach and relevance. We forget that only a thin sliver of atmosphere separates us from the rest of the universe. But science continues to show just how intimately connected life on Earth is to extraterrestrial processes. In particular, several recent findings have further illuminated the cosmic origins of life’s key ingredients. Take the element phosphorus, for example. It is a critical constituent of DNA, as well as of our cells, teeth and bones. Astronomers have long struggled to trace its buildup through cosmic history, because the imprint of phosphorus is difficult to discern in old, cool stars in the outskirts of our galaxy. (Some of these stellar “time capsules” contain the ashes of their forebears, the very first generation of stars that formed near the dawn of time.) But in a paper published in December in The Astrophysical Journal Letters, a research team reported that it had measured the abundance of phosphorus in 13 such stars, using data taken with the Hubble Space Telescope. Their findings highlight the dominant role of so-called hypernovae, explosions even more energetic than supernovae that spell the demise of massive stars, in making the elements

I was now able to logically decipher my behavior and analyze my actions. I understood all the conditioning that the exploitation and disgrace had in creating the different personality parts and behavioral traits that dwelt in my depths. I started to understand how criticism and insults painfully intensified my ignominious impression of myself, causing me to take everything personally. The numb, confused, and skeptic defender parts now made sense to me. I could see how they contributed to the various problems I incurred throughout my life. I comprehended why I mistrusted and did pernicious things to loved ones—for fear they would do them to me first. The need to self-medicate made sense. I began to recognize the urge for porn. The need to commit acts of perversion was a result of my adolescent mind being manipulated and programmed to believe it was acceptable. I perceived that the reason why I wanted to be humiliated sexually was because the shameful part from the humiliation of the maltreatment wanted to be reinforced. The logic of it all—how all the parts fit together, their roles and reasons for being—became apparent to me. I opened my eyes for a brief moment. Keith was leaning forward with his right elbow resting on his leg, his hand supporting his chin, staring at me as if he was trying to analyze my thoughts. I gazed off in a distance, remembering my numerous misbehaviors. I could trace the main contributing factor for why I acted the way I did to the resulting ignominy from the desecration. But the most significant understanding I had was, that even though it wasn’t my fault, I was still responsible for my behavior. My lengthy musings came to a halt when Keith said, “Marco? Where are you now ... tell me what you’re seeing, thinking.” I proceeded to explain to him my current revelation. “Excellent work, Marco,” Keith said, cracking a smile. “Now think about your next step.” My next step was to cleanse and reprogram the inadequate part. I closed my eyes again and began to concentrate. The only way to accomplish this was to create a tangible picture in my mind of the inadequate part being exorcised of all its imperfect characteristics. Once I was able to concentrate on this step, I looked up into his gaze. “I see myself overlooking a canyon during a sunset. As the sun descends, I envision its rays reflecting off the sparse layers of cloud cover, creating a beautiful multi-layer spectrum of blazing colors. I imagine a cool breeze flowing across my body, as a warm illuminating light from above shines on me and creates a white-out effect that is the cleanest, brightest white I can imagine. I picture the whiteness as a soothing cleansing treatment for the blackness within. I’m feeling as pure and clean as the brilliant color itself.” "And now how do you want to orchestrate the inadequate part?" I stood up and puffed out my chest. "I want it to be the exact opposite—confident, strong, and stable. It should be at peace with itself and not paranoid about what other people think.” Sitting back down, I folded my hands over my crossed knees. “I don't want to feel as if I have to worry about working to exhaustion in my personal life. On the job, or in the gym, I shouldn’t feel I have to be perfect in order to be accepted in society. I want to move past that. I want to feel good and proud of myself. But most of all, I want to feel morally acceptable." I now had a better understanding of the inadequate part, its defender parts, and what they wanted. I was able to see the un-blending taking place within me. The unburdening and bearing witness process got me to the point of reprogramming the misconception that the inadequate part thought about itself. I could go straight to the visualization technique of cleansing and reprogramming the part whenever I felt its symptoms coming on. CHAPTER

We are merely epigones. The events, the discoveries, the visions are those from the period between 1910 and 1940. We live on like weary commentators on that frenzied period in which the whole invention of modernity (and the lucid presentiment of its end) occurred in a language which still bore the brilliance of style. The highest level of intensity lies behind us. The lowest level of passion and intellectual illumination lies ahead of us. There is something like a general entropic movement in the century, the initial energy dissipating slowly in the sophisticated ramifications of the structural, pictural, ideological, linguistic and psychoanalytic revolutions - the final configuration, that of 'postmodernity' marking the most degraded, most factitious and most eclectic phase, the shattered fetishism of all the idols and the purer signs that have preceded it. Even the great burst of light in the years 1960-80, seen with some critical distance, will merely have been an episode in the involutive course of the century, in terms of powerful new ideas. But a portent all the same. Might a new event produce some surprise? We can say nothing of this, since archives and analysis are twilight tools.

The indifference of trees to the historical moment. The indifference of dreams to interpretation. The indifference of the people to its own triumph. The indiffer ence of the body to the revolution. The dazzling metaphysical spectacle of the sameness of faces the morning after the revolution. Their features haven't changed. You expect a violent illumination and yet it's just like sleeping with your sister. It doesn't change your life. There is an equal violence in taking the defence of the victims of violence, for commiseration is obscene. Physical violence does not wound its victim in his sovereignty. Pity or solidarity strike him precisely there, in his pride, in what is inhuman in man, what is cruel and haughty in him towards himself. Cruelty has as its target man capable of being more than he is; pity has as its target man guilty of being just as he is. If solidarity merely means sharing a wretched fate, as it does most of the time these days, then it is itself nothing but a form of abjection.

It was a beautiful night, moonless, still. The staff trudged to the water's edge but Thatcher plunged right in until he was up past his knees. He let Fiona go and she splashed into the water and the water lit up around her like a force field. "Whoa-ho," said Paco. (Adrienne knew he and Louis had been smoking dope back in pastry.) "That's cool." Delilah was the next one in because she was young and unabashed about swimming in her clothes. She dove under, and again, the water illuminated around her. Soon the whole staff, including Adrienne, was in the ocean, marveling at the way the water sparkled and glowed around their arms and legs. "Phosphorescence," Adrienne heard Thatcher say. In the dark, she couldn't tell which body was his. "I didn't want any of you to miss it." Thatcher had called this a morale booster, but Adrienne's heart was aching, for reasons unknown. She put her head under and opened her eyes as she waved her hands to light up the water around her. But now, this minute, that notion seemed silly and wrong. You're not like the other people who work here. You're not like them at all. The Parrishes were right, though Adrienne didn't know how she was different or why that bothered her. Her eyes stung from the salt water. She wanted to be swimming next to Thatcher, and what she really wanted was for it to be her and Thatcher out here alone. Just the two of them, floating in the sea of light.

He illuminates the landscape of society with an intense, ultra sensitive light and brings out a strange, hyperreal relief - a coherent reading, precisely like the light of a laser. The local is a shabby thing. There's nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal. Exile always offers a marvellous - pathetic or dramatic - distance, a distance which aids judgement, a serenity orphaned by its own world. Deterritorialization, on the other hand, is a demented deprivation. It is like a lobotomy. It has in it something of agony, of the inconstancy and disconnection of circuits. You need an infinite stretch of time ahead of you to start to think, infinite energy to make the smallest decision. The world is getting denser. The immense number of useless projects is bewildering. Too many things have to be put in to balance up an uncertain scale. You can't disappear any more. You die in a state of total indecision. A frenzy of indifference in these times of 'speed'. In the same way as you can counter the acceleration of your molecules with an iced drink, you have to head off artificial euphoria by pulling on the brake of melancholy. Science and technologies could have become extensions of our human faculties, as MacLuhan wanted. Instead, they have devoured them. They have become sarcastic, like the laugh of the same name which devours flesh or like the creatures on the banks of the Styx which destroy the substance of the mental faculties.

Theory does not derive its legitimacy from established facts, but from future events. Its value is not in the past events it can illuminate, but in the shockwave of the events it prefigures. It does not act upon consciousness, but directly on the course of things from which it draws its energy. It therefore has to be dis tinguished from the academic practice of philosophy and from all that is written with an eye to the history of ideas.

The chamber was a cool, chill black- as if we'd stepped inside the mind of some sleeping beast. And within its round space gleamed glittering islands of light. Of jewels. Ten thousand years' worth of treasure. It was neatly organised, in podiums and open drawers and busts and racks. 'The family jewels,' Rhys said with a devious grin. ... ...carved into the rock was an entire wall of crowns. They each had their own resting place, lined with black velvet, each illuminated by- 'Glowworms,' Rhys told me as the tiny, bluish globs crusted in the arches of each nook seemed to glitter like the entire night sky. In fact... What I'd taken for small faelights in the ceiling high above... It was all glowworms. Pale blue and turquoise, their light as silken as moonlight, illumining the jewels with ancient, silent fire. 'Pick one,' Rhys whispered in my ear. 'A glowworm?' He nipped at my earlobe. 'Smartass.' He steered me back toward the wall of crowns, each wholly different- as individual as skulls. 'Pick whichever crown you like.' 'I can't just- take one.' 'You must certainly can. They belong to you.

Yet I obscurely missed something during all those years. When one has once had the good luck to love intensely, life is spent in trying to recapture that ardor and that illumination. Forsaking beauty and the sensual happiness attached to it, exclusively serving misfortune, calls for a nobility I lack. But, after all, nothing is true that forces one to exclude. Isolated beauty ends up simpering; solitary justice ends up oppressing. Whoever aims to serve one exclusive of the other serves no one, not even himself, and eventually serves injustice twice. A day comes when, thanks to rigidity, nothing causes wonder any more, everything is known, and life is spent in beginning over again. These are the days of exile, of desiccated life, of dead souls. To come alive again, one needs a special grace, self-forgetfulness, or a homeland. Certain mornings, on turning a corner, a delightful dew falls on the heart and then evaporates. But its coolness remains, and this is what the heart requires always.

Oh, human certainty, knowing that nothing has happened in vain, that nothing was happening in vain, although disappointment seems to be all, and no way leads out of the thicket; oh, certainty, knowing that even when the way turns to evil the knowledge gained by experience has grown, remaining as an increment of knowledge in the world, remaining as the cool-bright reflection of the estate beyond chance to which the earthly action of man can penetrate whenever it conforms to the necessity determined by perception and attains in this way a first illumination of earthbound life and its herdlike sleep. Oh, certainty full of trust, not streaming hither from heaven but arising as on it—, then must not fulfillment of certain trust, if fulfillment be at all possible, be realized here on earth? the necessary is always consummated in the simple way of earth, the streaming round of questions will always find its closure only upon earth, even through the perceptive task may concern itself with uniting the separate spheres of the universe, still there is no genuine task without earthly roots, none possible of solution without an earthly starting point.

His handsome face was illuminated by the moon and her cool light, the light of lovers, showcased his beauty.

Oh, human certainty, knowing that nothing has happened in vain, that nothing was happening in vain, although disappointment seems to be all, and no way leads out of the thicket; oh, certainty, knowing that even when the way turns to evil the knowledge gained by experience has grown, remaining as an increment of knowledge in the world, remaining as the cool-bright reflection of that estate beyond chance to which the earthly action of man can penetrate whenever it conforms to the necessity determined by perception and attains in this way a first illumination of earthbound life and its herdlike sleep.