Elegance And Class Quotes

Never use the word “cheap”. Today everybody can look chic in inexpensive clothes (the rich buy them too). There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans — it’s up to you.

Braininess is not attractive unless combined with some signs of elegance; class.

If there are to be rules, they must be articulable and defensible, like etiquette. I do not do anything simply because my family did it. I do things because they make sense, and because they are elegant.

When a woman is really in touch with her sensuality, she naturally draws beautiful things, people, and deeply nourishing relationships into her life.

You must remember, Madame Harris, elegance is in the details.

How reprehensible it is when those blessed with commodities insist on ignoring the poor. Better to torment them, force them into indentured servitude, inflict compulsion and blows—this at least produces a connection, fury and a pounding heart, and these too constitute a form of relationship. But to cower in elegant homes behind golden garden gates, fearful lest the breath of warm humankind touch you, unable to indulge in extravagances for fear they might be glimpsed by the embittered oppressed, to oppress and yet lack the courage to show yourself as an oppressor, even to fear the ones you are oppressing, feeling ill at ease in your own wealth and begrudging others their ease, to resort to disagreeable weapons that require neither true audacity nor manly courage, to have money, but only money, without splendor: That’s what things look like in our cities at present

When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.

You need to keep investing in your sensuality if you're to retain your desirability and vitality.

She was simple, not being able to adorn herself, but she was unhappy, as one out of her class; for women belong to no caste, no race, their grace, their beauty and their charm serving them in place of birth and family. Their inborn finesse, their instinctive elegance, their suppleness of wit, are their only aristocracy, making some daughters of the people the equal of great ladies.

But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.

There is little you can do about the annoying speech mannerisms of others, but there is a lot you can do about your own.

True sensuality is classy, not trashy.

Sensuality is the spirit of excellence.

I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.

Seduction involves elements of grace, class and elegance. It is an art and a gift, for both seducer and the seduced.” – André Chevalier

The intelligent woman adapts herself to fashion, but never to fad. She knows what is best for her, and her way of life, and sticks to it. She raises and lowers her hemline — with discretion — but she goes on with her timeless dresses made with the basic lines and fabrics that flatter HER, define HER life style. She’s secure, and so she can be an elegant individual.

Because, you know, a colored woman with class is still an exceptional creature; and a colored woman with class, style, poetry, taste, elegance, repartee, and haute cuisine is an almost nonexistent species.

They have the same relationship that all progressive middle-class women have with their cleaning ladies, although Maman really thinks she is the exception: a good old rose-colored paternalistic relationship (we offer her coffee, give her decent pay, never scold, pass on old clothes and broken furniture, and show an interest in her children, and in return she brings us roses and brown and beige crocheted bedspreads).

We are faced with famine in 1974 and people are dying of hunger. When people are dying of hunger, and you are a young economic teacher, teaching an elegant economic theory in the class room, it doesn't make you feel good. Because all your brilliant theories don't seem to, come into use of the people who dying. And it 's death you cannot explain because it's not cause of disease. ..it's just of not having food to eat... So in the situation like that you have nothing but frustration and agony. So one way, I try to kind of enlightened my frustration and agony by coming to the conclusion that I may not be useful as an economist, but I'm still a basic human being. I can juts go out and stand next to human being. And see if there's anything I can do to another person. Even for a day if it is help, pay for more a day, I feel more a little bit better. So that's why I started going outside the campus.. I thought if you can become an angel for 27 dollars, it would be fun to do more of it

But the fact that the middle classes are working themselves to the bone, using their sweat and taxes to finance such pointless and pretentious research leaves me speechless. Every gray morning, day after gloomy day, secretaries, craftsmen, employees, petty civil servants, taxi drivers and concierges shoulder their burdens so that the flower of French youth, duly housed and subsidized, can squander the fruit of all that dreariness upon the altar of ridiculous endeavors.

What I liked most was that George had class, the way he walked and talked, reading Shakespeare and all those books. He knew about van Gogh and Picasso, he gave me a book about Dali. And just the way he conducted himself, you could see it. He was very elegant in his manners.

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird. I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in.

Defining words properly is a fine and peculiar craft. There are rules—a word (to take a noun as an example) must first be defined according to the class of things to which it belongs (mammal, quadruped), and then differentiated from other members of that class (bovine, female). There must be no words in the definition that are more complicated or less likely to be known that the word being defined. The definition must say what something is, and not what it is not. If there is a range of meanings of any one word—cow having a broad range of meanings, cower having essentially only one—then they must be stated. And all the words in the definition must be found elsewhere in the dictionary—a reader must never happen upon a word in the dictionary that he or she cannot discover elsewhere in it. If the definer contrives to follow all these rules, stirs into the mix an ever-pressing need for concision and elegance—and if he or she is true to the task, a proper definition will probably result.

She took his verbal punches and she felt silenced under the mental prison that he had held her in. She looked perfect on the outside, but her body expressed her pain. Her soul was crystallized, permanently on survival-mode. He thought he was smart, but he had no idea that he was married to a lotus. She rose every time because she knew he could not take away her worth. She knew she was meant to have more. She loved herself through the horror, and regained her ability to keep walking, to keep breathing, to keep living. She rose peacefully like the lotus, elegant and full of class, untouched by his filthy, meaningless existence... and that had always left him powerless.

Math is poetry, kid,” she growled. “Math is sex in the head. All that work of making your mind stroke the numbers? It’s a natural series of touches you already know by instinct. Once you get over your inhibitions, you can sit in class or lie in bed and practice formulae and sums, caress the equation till you find the climax of an elegant solution.

The mirrors were supposed to be “wall art” and lend an air of class to the joint, but the results were more tacky than elegant

In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.

Benul Jackson is at least three years younger than me, and pulls out of me some of the best chess I’ve ever played. There is an elegance to his moves, a beauty to his attacks, a class to his defense, that have me nearly forgetting that I’m in the most public moment of my life. Dad once told me, There are two types of players: the warriors and the artists. Jackson is the latter.

You know what I believe? I remember in college I was taking this math class, this really great math class taught by this tiny old woman. She was talking about fast Fourier transforms and she stopped midsentence and said, ‘Sometimes it seems the universe wants to be noticed.’ “That’s what I believe. I believe the universe wants to be noticed. I think the universe is improbably biased toward consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it—or my observation of it—is temporary?

I'd seen the older children in class look into books for invisible traces, as if they were driven by the same force and, sinking deeper into silence, they were able to draw from the dead paper something that seemed alive.

In historical terms women, black people in general, were very attracted to very bright-colored clothing. Most people are frightened by color anyway...They just are. In this culture quiet colors are considered elegant. Civilized Western people wouldn’t buy bloodred sheets or dishes. There may be something more to it than what I am suggesting. But the slave population had no access even to what color there was, because they wore slave clothes, hand-me-downs, work clothes made out of burlap and sacking. For them a colored dress would be luxurious; it wouldn’t matter whether it was rich or poor cloth . . . just to have a red or a yellow dress. I stripped Beloved of color so that there are only the small moments when Sethe runs amok buying ribbons and bows, enjoying herself the way children enjoy that kind of color. The whole business of color was why slavery was able to last such a long time. It wasn’t as though you had a class of convicts who could dress themselves up and pass themselves off. No, these were people marked because of their skin color, as well as other features. So color is a signifying mark. Baby Suggs dreams of color and says, “Bring me a little lavender.” It is a kind of luxury. We are so inundated with color and visuals. I just wanted to pull it back so that one could feel that hunger and that delight.

After this Daisy was never at home, and Winterbourne ceased to meet her at the houses of their common acquaintances, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her, and they intimated that they desired to express observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behaviour was not representative - was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned towards her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence or from her being, essentially, a young person of the reckless class. It must be admitted that holding oneself to a belief in Daisy's "innocence" came to see Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late.

Oleg Bard: I understand, but by virtue of that power of imagination which, according to [Georgi] Plekhanov, is granted to Marxists, I can already see as through a prism, so to speak, the triumph of your class as symbolized by your sublime, ravishing, elegant, and class-conscious wedding!

Curiously enough, it seems that at times the spiritual side prevails, and then the materialistic side—in wave-like motions following each other. ...At one time the full flood of materialistic ideas prevails, and everything in this life—prosperity, the education which procures more pleasures, more food—will become glorious at first and then that will degrade and degenerate. Along with the prosperity will rise to white heat all the inborn jealousies and hatreds of the human race. Competition and merciless cruelty will be the watchword of the day. To quote a very commonplace and not very elegant English proverb, "Everyone for himself, and the devil take the hindmost", becomes the motto of the day. Then people think that the whole scheme of life is a failure. And the world would be destroyed had not spirituality come to the rescue and lent a helping hand to the sinking world. Then the world gets new hope and finds a new basis for a new building, and another wave of spirituality comes, which in time again declines. As a rule, spirituality brings a class of men who lay exclusive claim to the special powers of the world. The immediate effect of this is a reaction towards materialism, which opens the door to scores of exclusive claims, until the time comes when not only all the spiritual powers of the race, but all its material powers and privileges are centered in the hands of a very few; and these few, standing on the necks of the masses of the people, want to rule them. Then society has to help itself, and materialism comes to the rescue.

For the fashionable gentlemen of the aristocracy, elegant eating and gambling clubs, such as White’s and later Brookes’s and Boodle’s, were starting to spring up in St. James’s. For the burgeoning new class of writers, journalists, professionals, and intellectuals whose company Franklin preferred, there were the coffeehouses.

Truth loves nothing better than simplicity of truth: that is the lesson Columbe Josse ought to have learned from her medieval readings. But all she seems to have gleaned from her studies is how to make a conceptual fuss in the service of nothing. It is a sort of endless loop, and also a shameless waste of resources, including the courier and my own self. . . . Granted, the young woman has a fairly efficient way with words, despite her youth. But the fact that the middle classes are working themselves to the bone, using their sweat and taxes to finance such pointless and pretentious research leaves me speechless. Every gray morning, day after gloomy day, secretaries, craftsmen, employees, petty civil servants, taxi drivers and concierges shoulder their burdens so that the flower of French youth, duly housed and subsidized, can squander the fruit of all that dreariness upon the altar of ridiculous endeavors . . . Should you devote your time to teaching, to producing a body of work, to research, to culture? It makes no difference. The only thing that matters is your intention: are you elevating thought and contributing to the common good, or rather joining the ranks in the field of study whose only purpose is its own perpetuation, and only function the self-reproduction of the elite - for this turns the University into a sect.

Golden haze, puffy bedquilt. Another awakening, but perhaps not yet the final one. This occurs not infrequently: You come to, and see yourself, say, sitting in an elegant second-class compartment with a couple of elegant strangers; actually, though, this is a false awakening, being merely the next layer of your dream, as if you were rising up from stratum to stratum but never reaching the surface, never emerging into reality. Your spellbound thought, however, mistakes every new layer of the dream for the door of reality. You believe in it, and holding your breath leave the railway station you have been brought to in immemorial fantasies and cross the station square. You discern next to nothing, for the night is blurred by rain, your spectacles are foggy, and you want as quickly as possible to reach the ghostly hotel across the square so as to wash your face, change your shirt cuffs and then go wandering along dazzling streets. Something happens, however—an absurd mishap—and what seemed reality abruptly loses the tingle and tang of reality. Your consciousness was deceived: you are still fast asleep. Incoherent slumber dulls your mind. Then comes a new moment of specious awareness: this golden haze and your room in the hotel, whose name is “The Montevideo.” A shopkeeper you knew at home, a nostalgic Berliner, had jotted it down on a slip of paper for you. Yet who knows? Is this reality, the final reality, or just a new deceptive dream?

true gentleman leaves the bottom button unfastened, Mummy always said—it was one of the signs to look out for, signifying as it did a sophisticate, an elegant man of the appropriate class and social standing. His handsome face, his voice . . . here, at long last, was a man who could be described with some degree of certainty as “husband material.” Mummy was going to be thrilled.

To cover all the bases, I also signed up for a class on psycholinguistics, which had a prerequisite in neural networking. In addition to not having taken it, I also didn’t know what neural networking was. For some reason, this didn’t really bother me, or seem like a problem. The handsome Italian professor wore the most elegant suits I had ever seen, in the most subtle colors—gray with a hint of smoky blue so elusive that you had to keep looking to be sure you hadn’t imagined it. The class met on the tenth floor of the psychology building, most of which was devoted to an institute for bat study and smelled accordingly. It was total sensory discord to see the handsome professor in his elegant suits stepping out of the elevator into the hall of stinky bats.

Stupidity is using a rule where adding more data doesn’t improve your chances of getting [a problem] right. In fact, it makes it more likely you’ll get it wrong. Intelligence, on the other hand, is using a rule that allows you to solve complex problems with simple, elegant solutions. “Stupidity is a very interesting class of phenomena in human history, and it has to do with rule systems that have made it harder for us to arrive at the truth. It’s an interesting fact that, whilst there are numerous individuals who study intelligence—there are whole departments that are interested in it—if you were to ask yourself what’s the greatest problem facing the world today, I would say it would be stupidity. So we should have professors of stupidity—it would just be embarrassing to be called the stupid professor.” - David Krakauer

Truth loves nothing better than simplicity of truth: that is the lesson Columbe Josse ought to have learned from her medieval readings. But all she seems to have gleaned from her studies is how to make a conceptual fuss in the service of nothing. It is a sort of endless loop, and also a shameless waste of resources, including the courier and my own self. . . . Granted, the young woman has a fairly efficient way with words, despite her youth. But the fact that the middle classes are working themselves to the bone, using their sweat and taxes to finance such pointless and pretentious research leaves me speechless. Every gray morning, day after gloomy day, secretaries, craftsmen, employees, petty civil servants, taxi drivers and concierges shoulder their burdens so that the flower of French youth, duly housed and subsidized, can squander the fruit of all that dreariness upon the altar of ridiculous endeavors . . . Should you devote your time to teaching, to producing a body of work, to research, to culture? It makes no difference. The only thing that matters is your intention: are you elevating thought and contributing to the common good, or rather joining the ranks in the field of study whose only purpose is its own perpetuation, and only function the self-reproduction of the elite - for this turns the University into a sect.

Keep innovation and maintenance together. A frequent practice is to spin up a new team to innovate while existing teams are bogged down in maintenance. I’ve historically done this myself, but I’ve moved toward innovating within existing teams.5 This requires very deliberate decision-making and some bravery, but in exchange you’ll get higher morale and a culture of learning, and will avoid creating a two-tiered class system of innovators and maintainers.

I started out studying literature, but soon discovered that science was where I actually belonged. The contrast made it all the clearer: in science classes we did things instead of just sitting around talking about things. We worked with our hands and there were concrete and almost daily payoffs. Our laboratory experiments were predesigned to work perfectly and elegantly every time, and the more of them that you did, the bigger the machines and the more exotic were the chemicals that they let you use.

The Weimar Republic gave nectar to the artists, social reformers and progressive people of all classes. They drank it, unaware that they were sitting close to a dungheap. The Nazi time had already begun in the first years of the Republic. Many, perhaps most, of those favoured by the new regime did not notice or did not want to see what was blatantly obvious. Pleasure had never been so sweet, the arts and architecture so advanced, the theatre so rich in new ideas and techniques. And the cabaret held up a mirror to the new times. Freedom from stereotyped convention produced original talents. In the “intimate theatres” and cabarets, elegant diseuses sang risque songs in a spirit of “anything goes”, titillating the senses of “normal” and homosexual people.

Stupidity is using a rule where adding more data doesn’t improve your chances of getting [a problem] right. In fact, it makes it more likely you’ll get it wrong. Intelligence, on the other hand, is using a rule that allows you to solve complex problems with simple, elegant solutions. Stupidity is a very interesting class of phenomena in human history, and it has to do with rule systems that have made it harder for us to arrive at the truth. It’s an interesting fact that, whilst there are numerous individuals who study intelligence—there are whole departments that are interested in it—if you were to ask yourself what’s the greatest problem facing the world today, I would say it would be stupidity. So we should have professors of stupidity—it would just be embarrassing to be called the stupid professor.

I have always taken great pride in managing my life alone. I’m a sole survivor—I’m Eleanor Oliphant. I don’t need anyone else—there’s no big hole in my life, no missing part of my own particular puzzle. I am a selfcontained entity. That’s what I’ve always told myself, at any rate. But last night, I’d found the love of my life. When I saw him walk onstage, I just knew. He was wearing a very stylish hat, but that wasn’t what drew me in. No —I’m not that shallow. He was wearing a three-piece suit, with the bottom button of his waistcoat unfastened. A true gentleman leaves the bottom button unfastened, Mummy always said—it was one of the signs to look out for, signifying as it did a sophisticate, an elegant man of the appropriate class and social standing. His handsome face, his voice . . . here, at long last, was a man who could be described with some degree of certainty as “husband material.

I have always taken great pride in managing my life alone. I’m a sole survivor—I’m Eleanor Oliphant. I don’t need anyone else—there’s no big hole in my life, no missing part of my own particular puzzle. I am a selfcontained entity. That’s what I’ve always told myself, at any rate. But last night, I’d found the love of my life. When I saw him walk onstage, I just knew. He was wearing a very stylish hat, but that wasn’t what drew me in. No —I’m not that shallow. He was wearing a three-piece suit, with the bottom button of his waistcoat unfastened. A true gentleman leaves the bottom button unfastened, Mummy always said—it was one of the signs to look out for, signifying as it did a sophisticate, an elegant man of the appropriate class and social standing. His handsome face, his voice . . . here, at long last, was a man who could be described with some degree of certainty as “husband material.” Mummy was going to be thrilled

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

We could call Christianity, in particular, a huge treasure house of the most elegant forms of consolation — there are so many pleasant, soothing, narcotizing things piled up in it, and for this purpose it takes so many of the most dangerous and most audacious chances. It shows such sophistication, such southern refinement, especially when it guesses what kind of emotional stimulant can overcome, at least for a while, the deep depression, leaden exhaustion, and black sorrow of the physiologically impaired. For, generally speaking, with all great religions, the main issue concerns the fight against a certain endemic exhaustion and heaviness. We can from the outset assume as probable that from time to time, in particular places on the earth, a feeling of physiological inhibition must necessarily become master over wide masses of people, but, because of a lack of knowledge about physiology, it does not enter people’s consciousness as something physiological, so they look for and attempt to find its “cause” and remedy only in psychology and morality (—this, in fact, is my most general formula for whatever is commonly called a “religion”). Such a feeling of inhibition can have a varied ancestry; for instance, it can be the result of cross-breeding between different races (or between classes — for classes also always express differences in origin and race: European “Weltschmerz” [pain at the state of the world] and nineteenth-century “pessimism” are essentially the consequence of an irrational, sudden mixing of the classes), or it can be caused by incorrect emigration — a race caught in a climate for which its powers of adaptation are not sufficient (the case of the Indians in India); or by the influence of the age and exhaustion of the race (Parisian pessimism from 1850 on); or by an incorrect diet (the alcoholism of the Middle Ages, the inanity of vegetarians, who, of course, have on their side the authority of Squire Christopher in Shakespeare); or by degeneration in the blood, malaria, syphilis and things like that (German depression after the Thirty Years’ War, which spread bad diseases in an epidemic through half of Germany and thus prepared the ground for German servility, German timidity).

a country with a well-educated middle class and a statuesque, catwalk-ready Facebook generation that embraces African and American fashions to create an elegant and athletic style of bling and beauty.

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Stupidity is using a rule where adding more data doesn’t improve your chances of getting [a problem] right. In fact, it makes it more likely you’ll get it wrong. Intelligence, on the other hand, is using a rule that allows you to solve complex problems with simple, elegant solutions. Stupidity is a very interesting class of phenomena in human history, and it has to do with rule systems that have made it harder for us to arrive at the truth. It’s an interesting fact that, whilst there are numerous individuals who study intelligence—there are whole departments that are interested in it—if you were to ask yourself what’s the greatest problem facing the world today, I would say it would be stupidity. So we should have professors of stupidity—it would just be embarrassing to be called the stupid professor.” - David Krakauer, President of the Santa Fe Institute

She sighed hard and shook her head, realized she was still staring at the same recipe card in her hand. She propped it against the monitor and read again, Elegant French Pork and Beans, by Carmine Grosz of Huron, South Dakota. She scanned the recipe, which called for haricot beans- a not inelegant bean, Olivia thought. Two kinds of sausage, two cuts of pork. Leeks. Well. This looked like a midwesternized cassoulet- definitely better than the usual "Casserole Corner" fare, which was largely made up of recipes containing endless and minute variations on the same hot dishes, issue after issue. For a couple of years there, chicken and broccoli had been all the rage: Chicken Broccoli Divan, Chicken Broccoli 'Divine', Chicken Broccoli Supreme ("Them's fightin' words," Ruby had told Vivian). Chicken Broccoli Surprise, Chicken Broccoli 'Rice' Surprise (David: "Where's the surprise? You've just listed all the ingredients in the title"). Elegant Company Chicken-Broccoli Casserole. "Which is the inelegant part," Olivia had asked over the phone from college, because she was studying ambiguous reference in her Linguistic Description of Modern English class, "the company or the casserole?

Sitting in Atlantic St. grill downing early morning cup of prison-like coffee stale rolls of cinnamon while up above freeways headed for suburban slums Gold Coast dwellers/ruling class sass Goodwill truckdrivers for talkin’ simple talk. No comment on the front page news. Through painful hurt sought desperately the obit page in rage to see if was really true, ‘bout you. Winter come-togethers fill my every thought Billie sings the blues communication complete, Cable (spool) table replete w/french bread apples cheese rhineskeller wine imported elegant tabacco, discussion of ideas politculture peoples lit & art, marxist aesthetics, how best to serve. Now, savoring on Neruda’s notes i think of you & Jimmie/son savoring favorite chocolate M & M’s. Them’s the thoughts i had of you today. No lavish praise no mournful elegy, just one last Vashon Island ferry ride to pray and cast an orchid into Puget Sound to see you safely on your journey to the other side.

In massive contrast to the negative and pejorative—at best ambivalent—notions that the word “American” conjures up in Europe, “European” invariably invokes positive tropes among Americans (elites and mass alike), such as “quality,” “class,” “taste,” and “elegance,” be it in food, comfort, tradition, romance, or eroticism (as in European massage, European decor, European looks . . . and the list can go on and on). Every Madison Avenue ad agency knows full well that the best way to sell quality and rare curiosities to American elites is to conjure up European associations.

The point is … you. You’re the point. I thought I knew you. I thought I knew who you were. That golden girl in the pharmacy. That girl with the lustre, the class, the elegance. The girl who’d been waiting for her prince.

It wasn't a group of hard drinkers, bootleggers, smugglers or cocktail enthusiasts that had suddenly become Prohibition's most powerful opponents, it was a legion of mothers. Alcohol's greatest ally was a now formidable and elegantly coiffed host of mostly middle- and upper-class housewives.

It is hard to imagine a more elegant table at which to share a meal. Yet here it sits-never used, never disturbed-accompanied by a single chair. This table harks back to a different era, a better time in the life of Susan's family, when owning this house in this part of Chicago signaled the achievement of middle-class African American respectability. Before the economic anchors of this far South Side neighborhood closed down-the steel yards in the 1960's, the historic Pullman railway car company in the early 1980's, and the mammoth Sherwin-Williams paint factory in 1995-Roseland was a community with decent-paying, stable jobs. It was a good place to raise your kids. As the jobs left, the drugs arrived. 'It got worse, it changed.' Susan says, 'There's too much violence...unnecessary violence at that.' Given what her family has been through, this is more than a bit of an understatement. Susan's brother was shot in broad daylight just one block away. Her great-grandmother has fled to a meager retirement out west. Susan's family would like nothing more than to find a better place to live, safer streets and a home that isn't crumbling around them. Yet despite all its ills, this house is the only thing keeping Susan, Devin, and Lauren off the streets. They have spent the past few months surviving on cash income so low that it adds up to less than $2 per person, per day. With hardly a cent to their names, they have nowhere else to go.

to the major leagues. As Jim became more interested in sports, his parents tried to gently direct him to soccer, a sport famous for not needing the use of your hands. Yet everyone in the neighborhood was playing baseball, so that is what Jim Abbott wanted to play. As any good parent would, Mike would spend hours with Jim working on hand-eye coordination drills to help him accomplish the same motions other kids were doing with two hands. After hours of throwing rubber balls against brick walls and catching the rebounds, Jim eventually began practicing the glove technique that would make him famous. He would elegantly remove his left hand from his glove and then take the ball out of his glove to throw to the

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When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.

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A lady knows whether she has the figure to wear tight clothing. She knows that just because an item of clothing comes in her size does not mean she should wear it.

Her smile was brittle. "Well, I know Kieran's achieving something if someone like you is willing to be in a relationship with him." "Someone like me?" She gestured to me from head to toe. "Respectable. Elegantly dressed, if a little flamboyant with color. Beautiful manners, well-spoken. Clearly you listened to your parents when they told you how to behave." I choked back a snort at the thought of my biological father being Mr. Manners. The sheer audacity of it. "Kieran probably hasn't told you about all the times we had to get him out of trouble," she continued. I blinked, confused. "No." She ticked off on her fingers as she spoke. "He skipped classes, he stole money out of my wallet, he crashed our cars more than once. Not to mention the drinking, my God. He couldn't hold his liquor at all. We were so ashamed." I held back my eye roll. It was like having a conversation with a steamroller. As she continued to list Kieran's crimes, I realized that she relished this monologue, all the ways he'd done them wrong. Like she never wanted him to grow up because then she'd have to stop being a martyr. "But anyway, that's all in the past. Finally, he's become who we always wanted him to be, and we can hold our heads up." The thought of being a source of pride to these snobby, plastic people made me want to drink ten flutes of prosecco, climb onto their dining room table, and do Amy Winehouse karaoke, Diane's advice about polish and presentation be damned. But all I needed to shock them was the truth. "I haven't seen my father in over twenty years," I began. "As far as I know he's still the lead singer of the second-best hair metal band in Spokane. My mother's salary was for keeping herself in clothes and boyfriends. Sometimes I had to break into my piggy bank so that I could by Cup O' Noodles at 7-Eleven for my brother and me. I've made a good life in spite of my parents, not because of them. It's one of the reasons I fell in love with your son. I knew he was a survivor, too. But thank you for the compliments. Now, if you'll excuse me.

Certainly none of the interventions had quite the impact of the Treasury Secretary, William Windom at the end of the nineteenth century, as he spoke on a subject dear to this president’s heart, trade: ‘As a poison in the blood permeates arteries, veins, nerves, brain and heart, and speedily brings paralysis or death, so does a debased or fluctuating currency permeate all arteries of trade, paralyze all kinds of business and brings disaster to all classes of people.’ After that elegantly crafted peroration Windom sat down, lit a cigar, took a sip of water – and suffered a fatal heart attack.

Summary of Design Heuristics Here's a summary of major design heuristics: More alarming, the same programmer is quite capable of doing the same task himself in two or three ways, sometimes unconsciously, but quite often simply for a change, or to provide elegant variation. — A. R. Brown W. A. Sampson Find Real-World Objects Form Consistent Abstractions Encapsulate Implementation Details Inherit When Possible Hide Secrets (Information Hiding) Identify Areas Likely to Change Keep Coupling Loose Look for Common Design Patterns The following heuristics are sometimes useful too: Aim for Strong Cohesion Build Hierarchies Formalize Class Contracts Assign Responsibilities Design for Test Avoid Failure Choose Binding Time Consciously Make Central Points of Control Consider Using Brute Force Draw a Diagram Keep Your Design Modular

Lady Jenny, your turn.” She passed her sketch pad over to him, feeling a pang of sympathy for accused criminals as they stood in the dock. And yet, she’d asked for this. Gotten together all of her courage to ask for this one moment of artistic communion. “Well,” Mr. Harrison said, “isn’t he a handsome fellow? What do you think, ladies?” “You look like a papa,” Fleur observed. “Though our papa doesn’t sketch. He reads stories.” “And hates his ledgers,” Amanda added. “Is my hair that long in back?” “Yes,” Jenny said, because she’d drawn not only Elijah Harrison’s hands, but all of him, looking relaxed, elegant, and handsome, with Amanda crouched at his side, fascinated with what he created on the page. “I look…” He regarded the sketch in silence, while Jenny heard a coach-and-four rumbling toward her vulnerable heart. “I look… a bit tired, slightly rumpled, but quite at home. You are very quick, Lady Genevieve, and quite good.” Quite good. Like saying a baby was adorable, a young gentleman well-mannered. “The pose was simple,” Jenny said, “the lighting uncomplicated, and the subject…” “Yes?” He was one of those men built in perfect proportion. Antoine had spent an entire class wielding a tailor’s measure on Mr. Harrison’s body, comparing his proportions to the Apollo Belvedere, and scoffing at the “mistakes” inherent in Michelangelo’s David. Jenny wanted to snatch her drawing from his hand. “The subject is conducive to a pleasing image.” He passed the sketch pad back, but Jenny had the sense that in some way, some not entirely artistic way, she’d displeased him. The disappointment was survivable. Her art had been displeasing men since she’d first neglected her Bible verses to sketch her brothers. “You

Poised Positioning • Be mindful of how you use your body to communicate. • Be fully present in the moment. • Be thoughtful and gracious in your actions. • Be fluid and elegant in your movements. • Express flow—walk in freedom and spontaneity. • Develop an unshakeable sense of authentic inner confidence and certainty. • Develop a deep respect for others. • Move slower and more deliberately. • Walk in integrity, class, and modesty. • Smile kindly and laugh softly. • Become a student of manners and etiquette.

In years gone by, particularly in the East and the South, ladies would attend charm school to learn how to elegantly stand, sit, dance, and walk. Even today, there are "Cotillion" classes for young people to learn how to carry themselves with dignity and use proper social graces. I don't mind sounding old-fashioned because these culturally rich rituals lay a firm foundation for the appropriate behaviors and excellent manners necessary for a positive impression. Embracing a tried and true tradition can sometimes be beneficial. Let's avoid the awkward, embarrassing, and unsophisticated ways we see all too often.

The elegance of etiquette is a timeless expression of class which transcends social status, demographics, educational level, and ethnicity. Good manners say more about you than the person who is on the receiving end.

The 5 Elements of Effective Thinking (Edward B. Burger;Michael Starbird) - Your Highlight on page 17 | location 251-270 | Added on Monday, 6 April 2015 03:03:56 Understand simple things deeply The most fundamental ideas in any subject can be understood with ever-increasing depth. Professional tennis players watch the ball; mathematicians understand a nuanced notion of number; successful students continue to improve their mastery of the concepts from previous chapters and courses as they move toward the more advanced material on the horizon; successful people regularly focus on the core purpose of their profession or life. True experts continually deepen their mastery of the basics. Trumpeting understanding through a note-worthy lesson. Tony Plog is an internationally acclaimed trumpet virtuoso, composer, and teacher. A few years ago we had the opportunity to observe him conducting a master class for accomplished soloists. During the class, each student played a portion of his or her selected virtuosic piece. They played wonderfully. Tony listened politely and always started his comments, “Very good, very good. That is a challenging piece, isn’t it?” As expected, he proceeded to give the students advice about how the piece could be played more beautifully, offering suggestions about physical technique and musicality. No surprise. But then he shifted gears. He asked the students to play a very easy warm-up exercise that any beginning trumpet player might be given. They played the handful of simple notes, which sounded childish compared to the dramatically fast, high notes from the earlier, more sophisticated pieces. After they played the simple phrase, Tony, for the first time during the lesson, picked up the trumpet. He played that same phrase, but when he played it, it was not childish. It was exquisite. Each note was a rich, delightful sound. He gave the small phrase a delicate shape, revealing a flowing sense of dynamics that enabled us to hear meaning in those simple notes. The students’ attempts did not come close—the contrast was astounding. The fundamental difference between the true master and the talented students clearly occurred at a far more basic level than in the intricacies of complex pieces. Tony explained that mastering an efficient, nuanced performance of simple pieces allows one to play spectacularly difficult pieces with greater control and artistry. The lesson was simple. The master teacher suggested that the advanced students focus more of their time on practicing simple pieces intensely—learning to perform them with technical efficiency and beautiful elegance. Deep work on simple, basic ideas helps to build true virtuosity—not just in music but in everything. ==========

Something About Cooking Cooking is sometimes a pleasure, sometimes a duty, sometimes a burden and sometimes a martyrdom, all according to the point of view. The extremes are rarities, and sometimes duty and burden are synonymous. In ordinary understanding we have American cooking and Foreign cooking, and to one accustomed to plain American cooking, all variants, and all additions of spices, herbs, or unusual condiments is classed under the head of Foreign. In the average American family cooking is a duty usually considered as one of the necessary evils of existence, and food is prepared as it is usually eaten—hastily—something to fill the stomach. The excuse most frequently heard in San Francisco for the restaurant habit, and for living in cooped-up apartments, is that the wife wants to get away from the burden of the kitchen and drudgery of housework. And like many other effects this eventually becomes a cause, for both husband and wife become accustomed to better cooking than they could get at home and there is a continuance of the custom, for both get a distaste for plainly cooked food, and the wife does not know how to cook any other way.

In his 1899 critique of upper-class values, The Theory of the Leisure Class, economist and philosopher Thorstein Veblen wrote, 'The dress of women goes even farther than that of men in the way of demonstrating the wearer's abstinence from productive employment. It needs no argument to enforce the generalization that the more elegant styles of feminine bonnets go even farther towards making work impossible than does the man's high hat. The woman's shoe add the so-called French heel to the evidence of enforced leisure afforded by its polish; because this high heel obviously makes any, even the simplest and most necessary manual work extremely difficult.' Women may no longer wear bonnets, and high-heeled shoes may no longer be seen as hindrances to employment, but the fact remains that 'the more elegant styles' are outside the reach of most working women. They require more money, more attention, and more leisure than the average working woman can afford. This is their point.

Whoever this other woman was she couldn't have been classy. You wouldn't catch me dead living in a place like this.

Pyotr Petrovitch belonged to that class of persons, on the surface very polite in society, who make a great point of punctiliousness, but who, directly they are crossed in anything, are completely disconcerted, and become more like sacks of flour than elegant and lively men of society.

One of these photos stuck in my mind—that of elegant upper-class Parisians returning to the French capital after their armies had crushed the Paris Commune during Bloody Week (May 21–28, 1871). They applauded the terror organized by the French state, which had crushed Parisians aspiring to freedom.

Yet the brassiere would not find wide acceptance till after World War I, by which time the corset had finally had its day. On this spring evening in 1912, therefore, only a few of the younger, more fashion-forward women on board, such as Edith Rosenbaum or Madeleine Astor, would have dared to shed their corsets for a brassiere and chemise. Most of the first-class women were helped into their corsets by their lady’s maids, after which they stepped into the various layers of knickers and petticoats that followed. The elegant rustle of undergarments was part of the allure of a well-dressed lady in 1912, and each evening this sound was heard on the Titanic’s grand staircase during the procession down to dinner.

the newspapers of France featured monasteries being burned, and peasant laborers proceeding to divide up the land, plow and plant it. Great Spanish landlords packed up their families and shipped them to France; here they were, camped in the hotels and villas of Cannes, in a mood receptive to tea-parties, dinner-dances, and other forms of elegant entertainment. So it came about that Lanny Budd, without any effort on his part, was in a position to learn about the Spanish governing classes, what they were saying, doing, and planning. They told him they hadn’t the slightest idea of adopting permanent residence abroad or of submitting to the loss of their estates and other privileges. They were going to fight for what they had been brought up to consider their rights.

For all that she had a natural elegance and class, she was every bit the stubborn little shit her brother was. I should have seen it from the beginning.

Despite being raised in a working-class family, she has always had an innate elegance and an eye for quality.

Her onyx hair creates a shiny curtain, hiding part of her face, the ends cut blunt. She’s stunning in a serious, intelligent, upper-class New York kind of way, oozing elegance and grace from every angle.

Your soul is a sexy black dress, with the perfect red lips, heels for a posture and your hair is the right kind of mess. A constant in all cultures and to all tastes, forever breathtaking and you can never be a waste. Elegance is your style so remember that every time you are aching inside; a woman with class is a woman of pride. Sometimes you can be a bit higher, but you don't take your heels off, you pass him by and maybe even cut him off. You loved with all your heart, performed perfectly though it was very hard, tears shed and lessons learned, sorry i had to be the one to tell you that it's time to part. Stay in place if you want to fall behind, time stops for no one even for queens and one day your excuses will run out and your tears will burn you down. A pretty dress is a pretty dress even for the millionth time, and if he is the one, he is the one, even on the longest of nights, so wake up, grow up and stop being the back up plan; a black dress is always the first choice, and you deserve to be the only plan.

In fin-de-siècle Vienna, the middle classes, denied opportunities for serious political engagement by the Dual Monarchy’s ossified political structure, steeped themselves in art, music, opera, and literature. In turn, the feuilleton’s aesthetic dimension and its capacity for internal reflection were particularly valued. Herzl was a master of polished, elegant prose, and his tone, which was both worldly and a tad world-weary, struck just the right balance between irony and sentimentality.

It was too dark for them to see each other's faces, but the man's large form was silhouetted by the shimmer of moonlight. He was wearing evening clothes—he must be a guest at the ball. But he did not have the slender, elegant build of a gentleman with abundant leisure time. He had the tremendous, iron-hard muscles of a day laborer. His shoulders and chest were too deep, his thighs too developed. Aristocratic gentlemen did not usually possess such obvious muscles. They preferred to distinguish themselves from those who had to earn a living through physical labor. When he spoke, the gravelly undertone of his voice seemed to set off pleasurable vibrations along her spine. His accent lacked the clicking precision that a nobleman would have possessed. He was from the lower classes, she realized.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.

Brock毕业证咨询办理《Q微2026614433》购买Brock毕业证修改Brock成绩单加拿大购买布鲁克大学毕业证办理高仿学位布鲁克大学毕业证成绩单认证出国留学无法毕业买毕业证留学被劝退买毕业证（无法毕业教育部认证咨询） Brock University nmmnSMNSSVBSVSBNSVBN "The mind-frying hilarity of Anthony Veasna So's first book of fiction settles him as the genius of social satire our age needs now more than ever. Few writers can handle firm plot action and wrenching pathos in such elegant prose. This unforgettable new voice is at once poetic and laugh-out-loud funny. These characters kept talking to me long after I closed the book I'm destined to read again and cannot wait to teach. Anthony Veasna So is a shiny new star in literature's firmament and Afterparties his first classic."--Mary Karr, author of Lit: A Memoir Afterparties weaves through a Cambodian-American community in the shadow of genocide, following the children of refugees as they grapple with the complexities of masculinity, class, and family. Anthony Veasna So explores the lives of these unforgettable characters with bracing humor and startling tenderness. A stunning collection from an exciting new voice.--Brit Bennett, author of The Vanishing Half

Utiliser son sac avec grace, c'est comme manger avec elegance, marcher avec prestance ou saisir un verre de champagne avec classe. La beaute se definit en general par la sobriete et l'economie des moyens, par l'adaptation des formes a leur fin, des formes simples, pures et primaires. Investir dans un sac de qualite, c'est non seulement se faire plaisir mais aussi se revolter contre la mediocrite et la consommation de masse grandissante qui peu a peu detruisent notre culture, notre civilisation et nos sens. Acheter de la qualite, c'est encourager une autre forme de commerce, respecter ce que nous possedons, vivre avec la lenteur d'un cuir qui se patine et pratiquer la simplicite: ne pas toujours chercher a acquerir plus tout en se contentant de ce que l'on a. Mon conseil est donc celui-ci: ne regardez pas les sacs exposes dans les magasins pour choisir un modele mais ceux portes par les femmes, dans la rue. C'est la meilleure facon de voir comment le cuir se drappe, la forme se bombe, la matiere se patine et s'ils ont, visuellement, une belle architecture une fois portes. L'argent devrait etre utilise pour vivre dans la qualite, y compris la qualite esthetique. Les belles choses apportent une joie durable. Le choix d'un sac pour longtemps ne serait-il pas le besoin d'une certaine forme de stabilite, d'harmonie et de confort dans ses besoins materiels? Affirmer son style, c'est exprimer par ses choix ses gouts et ses valeurs. Les exterioriser ensuite par le bon choix de vetements et de sacs est l'etape suivante. Etre chic, c'est savoir resister a la tentation. Faire des economies ce n'est pas acheter au meilleur prix l'objet convoite, c'est apprendre sereinement a s'en passer. Le voyage est sans doute la meilleure des situations pour apprecier les bienfaits du minimalisme et s'en inspirer pour l'appliquer au quotidien. Le voyage est l'occasion ideale de "refaire son bagage", c'est-a-dire de repenser la facon dont on vit sa vie et de l'ameliorer. On a tout son temps, en voyage, pour penser, reflechir a ce qui fait le "sel de la vie". C'est sur la route qu'on apprend a se passer du superflu: pas de television, de distractions, de consommation et de shopping. La vie est simplifiee au profit de la mobilite. On a egalement plus de temps pour soi-meme et/ou les rencontres. En voyage, on devient, comme le prescrit le zen, prepare a toutes les eventualites de la vie. le voyage est un retour vers l'essentiel. Proverbe tibetain Vivre avec peu est comme une invitation au voyage, a un vol interieur qui libere du reel et du poids de l'existence.

The structure of de Prony’s computing office cannot be easily seen in Smith’s example. His computing staff had two distinct classes of workers. The larger of these was a staff of nearly ninety computers. These workers were quite different from Smith’s pin makers or even from the computers at the British Nautical Almanac and the Connaissance des Temps. Many of de Prony’s computers were former servants or wig dressers, who had lost their jobs when the Revolution rendered the elegant styles of Louis XVI unfashionable or even treasonous.35 They were not trained in mathematics and held no special interest in science. De Prony reported that most of them “had no knowledge of arithmetic beyond the two first rules [of addition and subtraction].”36 They were little different from manual workers and could not discern whether they were computing trigonometric functions, logarithms, or the orbit of Halley’s comet. One labor historian has described them as intellectual machines, “grasping and releasing a single piece of ‘data’ over and over again.”37 The second class of workers prepared instructions for the computation and oversaw the actual calculations. De Prony had no special title for this group of workers, but subsequent computing organizations came to use the term “planning committee” or merely “planners,” as they were the ones who actually planned the calculations. There were eight planners in de Prony’s organization. Most of them were experienced computers who had worked for either the Bureau du Cadastre or the Paris Observatory. A few had made interesting contributions to mathematical theory, but the majority had dealt only with the problems of practical mathematics.38 They took the basic equations for the trigonometric functions and reduced them to the fundamental operations of addition and subtraction. From this reduction, they prepared worksheets for the computers. Unlike Nevil Maskelyne’s worksheets, which gave general equations to the computers, these sheets identified every operation of the calculation and left nothing for the workers to interpret. Each step of the calculation was followed by a blank space for the computers to fill with a number. Each table required hundreds of these sheets, all identical except for a single unique starting value at the top of the page. Once the computers had completed their sheets, they returned their results to the planners. The planners assembled the tables and checked the final values. The task of checking the results was a substantial burden in itself. The group did not double-compute, as that would have obviously doubled the workload. Instead the planners checked the final values by taking differences between adjacent values in order to identify miscalculated numbers. This procedure, known as “differencing,” was an important innovation for human computers. As one observer noted, differencing removed the “necessity of repeating, or even of examining, the whole of the work done by the [computing] section.”39 The entire operation was overseen by a handful of accomplished scientists, who “had little or nothing to do with the actual numerical work.” This group included some of France’s most accomplished mathematicians, such as Adrien-Marie Legendre (1752–1833) and Lazare-Nicolas-Marguerite Carnot (1753–1823).40 These scientists researched the appropriate formulas for the calculations and identified potential problems. Each formula was an approximation, as no trigonometric function can be written as an exact combination of additions and subtractions. The mathematicians analyzed the quality of the approximations and verified that all the formulas produced values adequately close to the true values of the trigonometric functions.

Yet by the early years of the new century the New York/Newport social set was growing tired of Mrs. Astor’s stiffly elegant gatherings. When a stroke diminished her faculties in 1905, Caroline Astor became a recluse, inspiring a depiction in the Edith Wharton story “After Holbein” in which “the poor old lady who was gently dying of softening of the brain … still came down every evening to her great shrouded drawing-rooms with her tiara askew on her purple wig, to receive a stream of imaginary guests.” The death of the Mrs. Astor in 1908 marked the end of an era in New York society, but it also provided an opportunity for her son and his wife to end their moribund union.