Electrical Wiring Quotes

If you're just starting out as a writer, you could do worse than strip your television's electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea.

How to be a Poet (to remind myself) i Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill—more of each than you have—inspiration work, growing older, patience, for patience joins time to eternity… ii Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. iii Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

Battle with unconditioned breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens.

On the single strand of wire strung to bring our house electricity, grackles and starlings neatly punctuated an invisible sentence.

Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.

Tyranny is like the electric wiring in an old house. A tyrant dies, the new tyrant takes possession, and all he has to do is drop the switch.

What’s that for?” A flash of hurt crossed his face. “What? I can’t buy you a gift?” he asked, in a tone that nearly stopped the electric pulses in her wiring. “No. Not after I’ve ignored six of your comms in the last week. Are you dense?” “So you did get them!” She propped her elbows on the table, sinking her chin into both palms. “Of course I got them.” “So why are you ignoring me? Did I do something?” “No. Yes.

It wasn't this soldier's uniform that affected her, and it wasn't his looks. It was the way he had stared at her from across the street, separated from her by ten meters of concrete, a bus, and the electric wires of the tram line.

For this wire is as a part of our body, as a vein torn from us, glowing with our blood. Are we proud of this thread of metal, or of our hands which made it, or is there a line to divide these two?

Mother Teresa used the analogy of electricity: “The wire is you and me; the current is God,” she said. “We have the power to let the current pass through us, use us, and produce the light of the world—Jesus.

This is a love story about astronomy, he thought. Twin souls collide and love each other forever. And no one ever goes crazy. And no one ever dies. And the universe folds back on itself and clicks into place, and the pylons holding up the electrical wires are really trees. And the trees are really gods.

It's a poem about moths. But it's also a poem about psychopaths. I get it copied. And stick it in a frame. And now it glowers redoubtably above my desk:an entomological keepsake of the horizons of existence. And the brutal, star-crossed wisdom of those who seek them out. i was talking to a moth the other evening he was trying to break into an electric bulb and fry himself on the wires why do you fellows pull this stunt i asked him because it is the conventional thing for moths or why if that had been an uncovered candle instead of an electric light bulb you would now be a small unsightly cinder have you no sense plenty of it he answered but at times we get tired of using it we get bored with routine and crave beauty and excitement fire is beautiful and we know that if we get too close it will kill us but what does that matter it is better to be happy for a moment and be burned up with beauty than to live a long time and be bored all the while so we wad all our life up into one little roll and then we shoot the roll that is what life is for it is better to be part of beauty our attitude toward life is come easy go easy we are like human beings used to be before they became too civilized to enjoy themselves and before i could argue him out of his philosophy he went and immolated himself on a patent cigar lighter i do not agree with him myself i would rather have half the happiness and twice the longevity but at the same time i wish there was something i wanted as badly as he wanted to fry himself

It was a sombre snowy afternoon, and the gas-lamps were lit in the big reverberating station. As he paced the platform, waiting for the Washington express, he remembered that there were people who thought there would one day be a tunnel under the Hudson through which the trains of the Pennsylvania railway would run straight into New York. They were of the brotherhood of visionaries who likewise predicted the building of ships that would cross the Atlantic in five days, the invention of a flying machine, lighting by electricity, telephonic communication without wires, and other Arabian Nights marvels.

It is lucky that it is not windy today. Strange, how in some way one always has the impression of being fortunate, how some chance happening, perhaps infinitesimal, stops us crossing the threshold of despair and allows us to live. It is raining, but it is not windy. Or else, it is raining and it is also windy: but you know that this evening it is your turn for the supplement of soup, so that even today you find the strength to reach the evening. Or it is raining, windy and you have the usual hunger, and then you think that if you really had to, if you really felt nothing in your heart but suffering and tedium - as sometimes happens, when you really seem to lie on the bottom - well, even in that case, at any moment you want you could always go and touch the electric wire-fence, or throw yourself under the shunting trains, and then it would stop raining.

The wired feeling that started when I left my house has grown into a thrumming, crackling, electrical field. I want to kiss Lukas. I want to dance down the street. There's a reason people get drunk after funerals, and I suddenly know what it is: the flip side of sadness is a dark, devouring joy, a life that demands to be fed.

I was the apprentice of Robert James Bakker. I'm sure you've heard of him. I am a sorcerer. I was there when Bakker died. We... made it happen. I too have met death, and did not have to peel the bones away from my chest to survive the encounter. I am also, and incidentally, the Midnight Mayor, the blue electric angels, the fire in the wire, the song in the telephones, and we are having a bad week. Be smart; fear us.

Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giving life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts -- if he did that, would there be a reply, a shock?

I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.

Several of the houses have been mildly disfigured by the careless addition of electrical wires to their façades (something that other less intellectually distracted nations would put inside) but never mind.

We wind a simple ring of iron with coils; we establish the connections to the generator, and with wonder and delight we note the effects of strange forces which we bring into play, which allow us to transform, to transmit and direct energy at will. We arrange the circuits properly, and we see the mass of iron and wires behave as though it were endowed with life,

My name is Matthew Swift. I’m a sorcerer, the only one in the city who survived Robert Bakker’s purge. I was killed by my teacher’s shadow and my body dissolved into telephone static and all they had left to bury was a bit of blood. Then we came back, and I am we and we are me, and we are the blue electric angels, creatures of the phones and the wires, the gods made from the surplus life you miserable excuse for mortals pour into all things electric. I am the Midnight Mayor, the protector of the city, the guardian of the night, the keeper of the gates, the watcher on the walls. We turned back the death of cities, we were there when Lady Neon died, we drove the creature called Blackout into the shadows at the end of the alleys, we are light, we are life, we are fire and, would you believe it, the word that best describes our condition right now is cranky. Would you like to see what happens when you make us mad?

Between Friday evening and Sunday afternoon, I broke into a total of six offices, one penthouse suite and a small bank, and cursed them all. I cursed the stones they were built on, the bricks in their walls, the paint on their ceilings, the carpets on their floors. I cursed the nylon chairs to give their owners little electric shocks, I cursed the markers to squeak on the whiteboard, the hinges to rust, the glass to run, the windows to stick, the fans to whir, the chairs to break, the computers to crash, the papers to crease, the pens to smear; I cursed the pipes to leak, the coolers to drip, the pictures to sag, the phones to crackle and the wires to spark. And we enjoyed it.

When they lay in bed together it was—as it had to be, as the nature of the act demanded—an act of violence. It was surrender, made the more complete by the force of their resistance. It was an act of tension, as the great things on earth are things of tension. It was tense as electricity, the force fed on resistance, rushing through wires of metal stretched tight; it was tense as water made into power by the restraining violence of a dam. The touch of his skin against hers was not a caress, but a wave of pain, it became pain by being wanted too much, by releasing in fulfillment all the past hours of desire and denial.

Though Cinder had intended for it to be a short kiss, she found herself lingering. Hot tingles coursed through her body, surprising and scary but not unpleasant, surging like electricity through her wires. This

TV came relatively late to the King household, and I’m glad. I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit. This might not be important. On the other hand, if you’re just starting out as a writer, you could do worse than strip your television’s electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea.

In that memorable year, 1822: Oersted, a Danish physicist, held in his hands a piece of copper wire, joined by its extremities to the two poles of a Volta pile. On his table was a magnetized needle on its pivot, and he suddenly saw (by chance you will say, but chance only favours the mind which is prepared) the needle move and take up a position quite different from the one assigned to it by terrestrial magnetism. A wire carrying an electric current deviates a magnetized needle from its position. That, gentlemen, was the birth of the modern telegraph.

The landed classes neglected technical education, taking refuge in classical studies; as late as 1930, for example, long after Ernest Rutherford at Cambridge had discovered the atomic nucleus and begun transmuting elements, the physics laboratory at Oxford had not been wired for electricity. Intellectual neglect technical education to this day. [Describing C.P. Snow's observations on the neglect of technical education.]

For happiness is only a bye-product of function, as light is a bye-product of the electric current running through the wires. If the current cannot run efficiently, the light does not come. That is why nobody finds happiness, who seeks it on its own account.

I'd say we're all just ghosts on a wire seeking the prick of an electric thought.

emotional intelligence is carried through an organization like electricity through wires. To

The toxicity of an electrical wiring error is a function of the dirty electricity and the electrical items plugged into the faulty electrical circuit.

Scientists revealed in 2016 that bees find pollen by picking up electrical signals transmitted by flowers, while a British team has lowered extremely high blood pressure by inserting an electrical wire in the brain to change what is being communicated. Understanding electrical communication is vital to understanding our reality (and health) and it is so simple.

It's like we're strands of wire intertwined in a great cable that runs through a slot . . . Most people lead two-dimensional lives. All they can see is the face of the slot, a cross section, so that the wires look like a mass of separate little circles looking bigger or smaller according to how close you are. They don't--they can't see that these 'circles' are just cross sections of wires that run backward and forward infinitely and that there is a great surge through the whole cable and that anybody who is truly into the full bare essence of the thing...

When outsiders stare into the void that is today’s North Korea, they think of remote villages of Africa or Southeast Asia where the civilizing hand of electricity has not yet reached. But North Korea is not an undeveloped country; it is a country that has fallen out of the developed world. You can see the evidence of what once was and what has been lost dangling overhead alongside any major North Korean road — the skeletal wires of the rusted electrical grid that once covered the entire country.

The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.

It appears, according to the reported facts, that the electric conflict is not restricted to the conducting wire, but that it has a rather extended sphere of activity around it .. the nature of the circular action is such that movements that it produces take place in directions precisely contrary to the two extremities of a given diameter. Furthermore, it seems that the circular movement, combined with the progressive movement in the direction of the length of the conjunctive wire, should form a mode of action which is exerted as a helix around this wire as an axis.

Ah, well! then the young woman was only in advance of the age," said Miss Archer; "and what with that and the telephone, and that dreadful phonograph that bottles up all one says and disgorges at inconvenient times, we will soon be able to do everything by electricity; who knows but some genius will invent something for the especial use of lovers? something, for instance, to carry in their pockets, so when they are far away from each other, and pine for a sound of 'that beloved voice,' they will have only to take up this electrical apparatus, put it to their ears, and be happy. Ah! blissful lovers of the future!

Never miss an opportunity to learn another life skill. Just because you are an author or a doctor does not mean that you cannot learn carpentry, auto mechanics,electrical wiring, farming, or any other discipline. Each of these skills will give you the opportunity to help someone and to make a friend. Your new friend probably has a skill that you do not. If you will just ask every skilled person you see to show you how he does what he does, you will have the tools to succeed in life, to make new friends, and to save a boatload of money.

It's like she was metal and I was a magnet, Roc. But at the same time it felt like someone had shoved an electric wire into my skin and was frying me from the inside. It hurt like hell. No, worse than hell, Roc. And yet, somehow across the distance, through the fence, over the mob of people, I felt a pull to her, even though I knew it would hurt me to be closer to her. I probably would have just let it go, chalked it up to male hormones, but then when she acted so strong, pushed that guy... I don't know, since then I can't get her out of my mind.

Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars

For her sex had always been about a borrowed connection. Wires patched together to make a unit long enough to transmit a message. That shared goal, those stolen moments when nothing else mattered but pleasure. When they ended, so did the link. The electricity faded. That wouldn't be the case here.

I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit. This might not be important. On the other hand, if you’re just starting out as a writer, you could do worse than strip your television’s electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea.

The white neighborhoods of Johannesburg were built on white fear—fear of black crime, fear of black uprisings and reprisals—and as a result virtually every house sits behind a six-foot wall, and on top of that wall is electric wire. Everyone lives in a plush, fancy maximum-security prison. There is no sitting on the front porch, no saying hi to the neighbors, no kids running back and forth between houses. I’d ride my bike around the neighborhood for hours without seeing a single kid. I’d hear them, though. They were all meeting up behind brick walls for playdates I wasn’t invited to. I’d hear people laughing and playing and I’d get off my bike and creep up and peek over the wall and see a bunch of white kids splashing around in someone’s swimming pool. I was like a Peeping Tom, but for friendship. It was only after a year or so that I figured out the key to making black friends in the suburbs: the children of domestics." (from "Born A Crime: Stories from a South African Childhood" by Trevor Noah)

Men just generated wires and cords and electrical tape everywhere they went, somehow. They might not even be aware of it.

Now I was pretty good at playing Rodeo. I'd been doing it for years. But he was a tricky bird to play. You could say that learning to play Rodeo was like learning to play a guitar, if the guitar had thirteen strings instead of six and three of them were out of tune and two of them were yarn and one of them was wired to an electric fence. He's a handful, is what I'm saying.

Half a dozen workmen, with an equal number of superchimp assistants, were busily laying the partly completed dance floor, while others were installing electric wiring and fixing furniture.

On the other hand, if you’re just starting out as a writer, you could do worse than strip your television’s electric plug-wire, wrap a spike around it, and then stick it back into the wall.

The first thing she noticed were the lightbulbs in the ceiling. She wondered where the spindlers had gotten them, and where the wires for the electricity ran to, and pictured some poor family Above whose bills were always too high at the end of the month, and the father who would yell at the children about where all that power went - when really, of course, it was the spindlers that were the whole problem.

On the other hand, if you’re just starting out as a writer, you could do worse than strip your television’s electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just

The difference between the Platonic theory and the morphic-resonance hypothesis can be illustrated by analogy with a television set. The pictures on the screen depend on the material components of the set and the energy that powers it, and also on the invisible transmissions it receives through the electromagnetic field. A sceptic who rejected the idea of invisible influences might try to explain everything about the pictures and sounds in terms of the components of the set – the wires, transistors, and so on – and the electrical interactions between them. Through careful research he would find that damaging or removing some of these components affected the pictures or sounds the set produced, and did so in a repeatable, predictable way. This discovery would reinforce his materialist belief. He would be unable to explain exactly how the set produced the pictures and sounds, but he would hope that a more detailed analysis of the components and more complex mathematical models of their interactions would eventually provide the answer. Some mutations in the components – for example, by a defect in some of the transistors – affect the pictures by changing their colours or distorting their shapes; while mutations of components in the tuning circuit cause the set to jump from one channel to another, leading to a completely different set of sounds and pictures. But this does not prove that the evening news report is produced by interactions among the TV set’s components. Likewise, genetic mutations may affect an animal’s form and behaviour, but this does not prove that form and behaviour are programmed in the genes. They are inherited by morphic resonance, an invisible influence on the organism coming from outside it, just as TV sets are resonantly tuned to transmissions that originate elsewhere.

Mister Geoffrey, my experiment shows that the dynamo and the bulb are both working properly," I said. "So why won't the radio play?" "I don't know," he said. "Try connecting them here." He was pointing toward a socket on the radio labeled "AC," and when I shoved the wires inside, the radio came to life. We shouted with excitement. As I pedaled the bicycle, I could hear the great Billy Kaunda playing his happy music on Radio Two, and that made Geoffrey start to dance. "Keep pedaling," he said. "That's it, just keep pedaling." "Hey, I want to dance, too." "You'll have to wait your turn." Without realizing it, I'd just discovered the difference between alternating and direct current. Of course, I wouldn't know what this meant until much later. After a few minutes of pedaling this upside-down bike by hand, my arm grew tired and the radio slowly died. So I began thinking, "What can do the pedaling for us so Geoffrey and I can dance?

The problem of an ideal kitchen grows more complex as I ponder on it. There are many small things I am sure about: no shelf-papers; no sharp edges or protruding hooks or wires; no ruffled curtains; and no cheap-coloured stove, mauve or green or opalescent like a modern toilet seat. Instead of these things I would have smooth shelves of some material like ebony or structural glass, shelves open or protected by sliding transparent doors. I would have curved and rounded edges, even to the floor, for the sake of cleanliness, and because I hate the decayed colours of a bruise. Instead of curtains I would have Venetian blinds, of four different colours for the seasons of the year. They would be, somehow, on the outside of the glass. And the stove would be black, with copper and earthenware utensils to put on it. It would be a wood stove, or perhaps (of this I am doubtful, unless I am the charwoman and janitor as well as the cook) electrical with place for a charcoal grill.

electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby

I am inundated with feeling. I feel like a pinball machine on tilt. All the buzzers are ringing, lights are flashing, and I am about to fry my circuits. Nothing is coming in,and nothing is going out. I feel electrified. The wires ignited, sparked, and fizzled. I want it all to slow down. I go right to the water to douse my flame. I immerse myself in the hot water. I want to wash the smells off my body. I can smell Isabella's hair, her breath, and her child vaginal scent. My hair smells of smoke,and I want to wash Francis off me.

Oh, Haifa. City of glistering grime, smog hovering over foamy sea. Of blocky apartment buildings facing the coast, topped with white water tanks crowded together like flocks of squat storks. Of palm trees and pine trees and electric wires, twisting green and black toward the chalky beachfront and rows of factory smokestacks. The way you put it once, Laith, your voice warped to mimic a radio announcer: 'Welcome to Haifa: you may die an early and also agonizing carcinogenic death, but at least you'll have a killer view from your hospital room.

He held his crotch, his knees bent and his kilt showing he wore nothing beneath it. She shuffled from one foot to the other as she stared at his Scottish bagpipe. Bet he could hit a lot of high notes with that thing. "You...you startled me when you grabbed me like that." "Well, ye needna be afraid now. I couldna molest ya, even if I wanted to, which I dinna.I'm betting foreplay with ye would be like grabbing hold of an electrical wire while sitting in a tub of water." He groaned and cussed some more. "Hell, I bet yer vagina is lined with shark's teeth.

Working simultaneously, though seemingly without a conscience, was Dr. Ewen Cameron, whose base was a laboratory in Canada's McGill University, in Montreal. Since his death in 1967, the history of his work for both himself and the CIA has become known. He was interested in 'terminal' experiments and regularly received relatively small stipends (never more than $20,000) from the American CIA order to conduct his work. He explored electroshock in ways that offered such high risk of permanent brain damage that other researchers would not try them. He immersed subjects in sensory deprivation tanks for weeks at a time, though often claiming that they were immersed for only a matter of hours. He seemed to fancy himself a pure scientist, a man who would do anything to learn the outcome. The fact that some people died as a result of his research, while others went insane and still others, including the wife of a member of Canada's Parliament, had psychological problems for many years afterwards, was not a concern to the doctor or those who employed him. What mattered was that by the time Cheryl and Lynn Hersha were placed in the programme, the intelligence community had learned how to use electroshock techniques to control the mind. And so, like her sister, Lynn was strapped to a chair and wired for electric shock. The experience was different for Lynn, though the sexual component remained present to lesser degree...

I got kicked out of my first home for poking a wire hanger into an electrical outlet. My foster mom caught me, shrieked, and called the DCFS to come cart me away, because I was clearly suicidal and no one had told her that I was a child with ‘special needs.’” “Were you? Suicidal?” “I was five.” “Still.” “No, I wasn’t trying to off myself. I was curious. Little kids spend half their waking hours being warned not to do things. Don’t run with scissors. Don’t lick a flagpole in winter. Don’t stick anything into electrical outlets. Those three little holes looked so mysterious. I had to know if they were as dangerous as everyone said.” “What happened?” A smile curled the corner of Conn’s mouth, indicating he’d already guessed the answer—which wasn’t exactly hard, given that I was standing right there in front of him, and not buried in an early grave with the tombstone Here Lies Darcy Jones, electrocuted orphan.

Julius didn’t want to use the freezer unnecessarily because it used a hell of a lot of electricity. Julius had of course hot-wired it, and it was Gösta at Forest Cottage farm who unknowingly paid, but it was important to steal electricity in moderation if you wanted to keep taking advantage of the perk for a long time.

The castle’s chapel has been remade. The glass-and-gold chandelier still floats in the center of the room, the wires holding it up too thin to be seen by candlelight. All these electric miracles. The windows depicting the angels praising Our Lady have remained intact, as have the panels to Saint Theresa and Saint Jerome. The others—and the enameled paintings in the cupola—have been replaced and reimagined according to the New Scripture. There is the Almighty speaking to the Matriarch Rebecca in the form of a dove. There is the Prophet Deborah proclaiming the Holy Word to the disbelieving people. There—although she protested—is Mother Eve, the symbolic tree behind her, receiving the message from the Heavens and extending her hand filled with lightning. In the center of the cupola is the hand with the all-seeing eye at its heart. That is the symbol of God, Who watches over each of us, and Whose mighty hand is outstretched to both the powerful and the enslaved.

There were plenty of wires and batteries around to make a spark. But you can’t just ignite wood with a small electric spark. So I collected ribbons of bark from local palm trees, then got a couple of sticks and rubbed them together to create enough friction to … No not really. I vented pure oxygen at the stick and gave it a spark. It lit up like a match.

The thought of suicide was entertained by nearly everyone, if only for a brief time. It was born of the hopelessness of the situation, the constant danger of death looming over us daily and hourly, and the closeness of the deaths suffered by many of the others. From personal convictions which will be mentioned later, I made myself a firm promise, on my first evening in camp, that I would not “run into the wire.” This was a phrase used in camp to describe the most popular method of suicide—touching the electrically charged barbed-wire fence. It was not entirely difficult for me to make this decision. There was little point in committing suicide, since, for the average inmate, life expectation, calculating objectively and counting all likely chances, was very poor. He could not with any assurance expect to be among the small percentage of men who survived all the selections. The prisoner of Auschwitz, in the first phase of shock, did not fear death. Even the gas chambers lost their horrors for him after the first few days—after all, they spared him the act of committing suicide.

The wires noted how all four Beatles attended Bob Dylan’s Royal Festival Hall appearance, captured by D. A. Pennebaker’s Don’t Look Back documentary. Dylan’s recent Bringing It All Back Home featured a side of electric rock, and this would be his last acoustic-only tour. Convulsed over Dylan’s identity, his British audience parsed every lyric, mistrusting his flirtation with rock ’n’ roll more for its flight from literary pretense than inexplicable lack of explicit social protest. The Beatles’ attendance conferred royal approval of Dylan’s vexing persona, whichever guise it took. With the publication of Lennon’s second book, A Spaniard in the Works, the Dylan rivalry intensified. Spaniard was both hastier than its predecessor and more ambitious, with more wordplay by the pound.

They tested every electrical system. They rebuilt instruments, checked circuits, wiggled wires, dusted plugs. They climbed into the dish and placed duct tape over every seam and rivet. They climbed back into the dish with brooms and scrubbing brushes and carefully swept it clean5 of what they referred to in a later paper as ‘white dielectric material’, or what is known more commonly as bird shit.

Under Coolidge, the federal debt fell. Under Coolidge, the top income tax rate came down by half, to 25 percent. Under Coolidge, the federal budget was always in surplus. Under Coolidge, unemployment was 5 percent or even 3 percent. Under Coolidge, Americans wired their homes for electricity and bought their first cars or household appliances on credit. Under Coolidge, the economy grew strongly, even as the federal government shrank. Under Coolidge, the rates of patent applications and patents granted increased dramatically. Under Coolidge, there came no federal antilynching law, but lynchings themselves became less frequent and Ku Klux Klan membership dropped by millions. Under Coolidge, a man from a town without a railroad station, Americans moved from the road into the air. Under Coolidge, religious faith found its modern context: the first great White House Christmas tree was lit, an ingenious use for the new technology, electricity. Under Coolidge, the number of local telephone calls went up by a quarter. In Silent Cal’s time, Americans learned to chatter. Under Coolidge, wages rose and interest rates came down so that the poor might borrow more easily. Under Coolidge, the rich came to pay a greater share of the income tax.

Einstein had been fascinated by Bernstein’s People’s Book of Natural Science, a popularization of science that described on its very first page the astonishing speed of electricity through wires and light through space. He wondered what the world would look like if you could travel on a wave of light. To travel at the speed of light? What an engaging and magical thought for a boy on the road in a countryside dappled and rippling in sunlight.

Instead, somehow they’re going to try it right down the main highway, eight lanes wide, heron-neck arc lamps rising up as far as the eye can see, and they will broadcast on all frequencies, waving American flags, turning up the Day-Glo and the neon of 1960s electro-pastel America, wired up and amplified, 327,000 horsepower, a fantasy bus in a science-fiction movie, welcoming all on board, no matter how unbelievably Truck Stop Low Rent or raunchy—

He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.

In the mid-1800s, Newtonian mechanics was joined by another great advance. The English experimenter Michael Faraday (1791–1867), the self-taught son of a blacksmith, discovered the properties of electrical and magnetic fields. He showed that an electric current produced magnetism, and then he showed that a changing magnetic field could produce an electric current. When a magnet is moved near a wire loop, or vice versa, an electric current is produced.

our safest bet is that the era of high-technology communication, in the beginning of which we are now immersed, will continue to develop and amplify. We may look forward to more numerous and more versatile communications satellites, laser beams replacing microwaves in space and providing millions of times as many audio and video channels, optical fibers carrying light replacing copper wires carrying electricity, and elaborate computerization making the world more responsive to our needs.

Curran smiled. “What’s so funny?” “Your panties have a bow,” he said. I looked down. I was wearing a short tank top—not mine—and my blue panties with a narrow white strip of lace at the top and a tiny white bow. Would it have killed me to check what I was wearing before I pulled the blanket down? “What’s wrong with bows?” “Nothing.” He was grinning now. “I expected barbed wire. Or one of those steel chains.” Wiseass. “I’m secure enough in myself to wear panties with bows on them. Besides, they are comfy and soft.” “I bet.” He almost purred. I gulped. Okay, I needed to either crawl back into bed and cover myself with the blanket or get the hell to the bathroom and back. Since I didn’t fancy peeing on myself, the bathroom was my only option. “I don’t suppose you’d mind giving me a bit of privacy for my trip?” “Not a chance,” he said. I tried to get off the bed. Everything was under control until my weight actually hit my legs and then the room decided to crawl sideways. Curran caught me. His arm hugged my back, his touch sending an electric shiver along my skin. Oh no. “Need some help, ass kicker?” “I’m fine, thanks.” I pushed away from him. He held on to me for a second, letting me know that he could restrain me against my will with laughable ease, and let go. I clenched my teeth. Enjoy it while it lasts. I’ll be back on my feet soon. I walked away from him, successfully maintaining vertical position, and zeroed in on the nearest door. “That’s the closet.

Zet and Lottie swam into New York City from the skies—that was how it felt in the Pacemaker, rushing along the Hudson at sunrise. First many blue twigs overhanging the water, than a rosy color, and then the heavy flashing of the river under the morning sun. They were in the dining car, their eyes were heavy. They were drained by a night of broken sleep in the day coach, and they were dazzled. They drank coffee from cups as heavy as soapstone, and poured from New York Central pewter. They were in the East, where everything was better, where objects were different. Here there was deeper meaning in the air. After changing at Harmon to an electric locomotive, they began a more quick and eager ride. Trees, water, sky, and the sky raced off, floating, and there came bridges, structures, and at last the tunnel, where the air breaks gasped and the streamliner was checked. There were yellow bulbs in wire mesh, and subterranean air came through the vents. The doors opened, the passengers, pulling their clothing straight, flowed out and got their luggage, and Zet and Lottie, reaching Forty-second Street, refugees from arid and inhibited Chicago, from Emptyland, embraced at the curb and kissed each other repeatedly on the mouth. They had come to the World City, where all behavior was deeper and more resonant, where they could freely be themselves, as demonstrative as they liked. Intellect, art, the transcendent, needed no excuses here. Any cabdriver understood, Zet believed.

The areas of the cortex responsible for attention and self-regulation develop in response to the emotional interaction with the person whom we may call the mothering figure. Usually this is the birth mother, but it may be another person, male or female, depending on circumstances. The right hemisphere of the mother’s brain, the side where our unconscious emotions reside, programs the infant’s right hemisphere. In the early months, the most important communications between mother and infant are unconscious ones. Incapable of deciphering the meaning of words, the infant receives messages that are purely emotional. They are conveyed by the mother’s gaze, her tone of voice and her body language, all of which reflect her unconscious internal emotional environment. Anything that threatens the mother’s emotional security may disrupt the developing electrical wiring and chemical supplies of the infant brain’s emotion-regulating and attention-allocating systems. Within minutes following birth, the mother’s odors stimulate the branching of millions of nerve cells in the newborn’s brain. A six-day-old infant can already distinguish the scent of his mother from that of other women. Later on, visual inputs associated with emotions gradually take over as the major influences. By two to seven weeks, the infant will orient toward the mother’s face in preference to a stranger‘s — and also in preference to the father’s, unless the father is the mothering adult. At seventeen weeks, the infant’s gaze follows the mother’s eyes more closely than her mouth movements, thus fixating on what has been called “the visible portion of the mother’s central nervous system.” The infant’s right brain reads the mother’s right brain during intense eye-to-eye mutual gaze interactions. As an article in Scientific American expressed it, “Embryologically and anatomically the eye is an extension of the brain; it is almost as if a portion of the brain were in plain sight.” The eyes communicate eloquently the mother’s unconscious emotional states.

Obedience is freedom. Better to follow the Master’s plan than to do what you weren’t wired to do—master yourself. It is true that the thing that you and I most need to be rescued from is us! The greatest danger that we face is the danger that we are to ourselves. Who we think we are is a delusion and what we all tend to want is a disaster. Put together, they lead to only one place—death. If you’re a parent, you see it in your children. It didn’t take long for you to realize that you are parenting a little self-sovereign, who thinks at the deepest level that he needs no authority in his life but himself. Even if he cannot yet walk or speak, he rejects your wisdom and rebels against your authority. He has no idea what is good or bad to eat, but he fights your every effort to put into his mouth something that he has decided he doesn’t want. As he grows, he has little ability to comprehend the danger of the electric wall outlet, but he tries to stick his fingers in it precisely because you have instructed him not to. He wants to exercise complete control over his sleep, diet, and activities. He believes it is his right to rule his life, so he fights your attempts to bring him under submission to your loving authority. Not only does your little one resist your attempts to bring him under your authority, he tries to exercise authority over you. He is quick to tell you what to do and does not fail to let you know when you have done something that he does not like. He celebrates you when you submit to his desires and finds ways to punish you when you fail to submit to his demands. Now, here’s what you have to understand: when you’re at the end of a very long parenting day, when your children seemed to conspire together to be particularly rebellious, and you’re sitting on your bed exhausted and frustrated, you need to remember that you are more like your children than unlike them. We all want to rule our worlds. Each of us has times when we see authority as something that ends freedom rather than gives it. Each of us wants God to sign the bottom of our personal wish list, and if he does, we celebrate his goodness. But if he doesn’t, we begin to wonder if it’s worth following him at all. Like our children, each of us is on a quest to be and to do what we were not designed by our Creator to be or to do. So grace comes to decimate our delusions of self-sufficiency. Grace works to destroy our dangerous hope for autonomy. Grace helps to make us reach out for what we really need and submit to the wisdom of the Giver. Yes, it’s true, grace rescues us from us.

All the proper bands from then, when we were kids, yeah? The Rubettes and Mud and Chicory Tip. Yeah. Not like the bands they have now, stupid, modern bands all made out of wire and electricity. The proper old bands. You'd buy the singles, wouldn't you? The old singles they used to have in the old days. The proper ones. Very nostalgic feelings towards Woolworths. The pick 'n' mix. Remember the pick 'n' mix in Woolworths? All the sweets individually wrapped. Proper, old-fashioned sweets, yeah? Not like the sweets they have now, all with knives in them and AIDS.

She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action. She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt. “You expecting someone?” she asked quietly as she got up from her stool. God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . . The knock sounded again, followed by a deep voice that went through her like a bolt of electricity. “Tess? Are you there?” Dante. Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company. “Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?” “Yeah. Can I come in?” “Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas. Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.

Then, so suddenly she almost missed it, space opened up before her. Black and expansive and endless and filled with more stars than she could ever drink in. More stars than she could ever compute. It was so much better than a holograph. Her wires quivered as the last dregs of power sizzled through them. Her fingers jolted and twitched and then lay still. She was smiling as she imagined herself as one more star in the sea of millions, and her body decide it had had enough, and she felt the exact moment when her power source gave up and the hum of electricity extinguished. But she was already vast and bright and endless.

He wrote up the mathematics and everything fitted together. James had shown how the electrical and magnetic forces which we experience could have their seat not in physical objects like magnets and wires but in energy stored in the space between and around the bodies. Electrostatic energy was potential energy, like that of a spring; magnetic energy was rotational, like that in a flywheel, and both could exist in empty space. And these two forms of energy were immutably linked: a change in one was always accompanied by a change in the other. The model demonstrated how they acted together to produce all known electromagnetic phenomena.

Then I had to invent fire. NASA put a lot of effort into making sure nothing here can burn. Everything is made of metal or flame-retardant plastic and the uniforms are synthetic. I needed something that could hold a flame, some kind of pilot light. I don’t have the skills to keep enough H2 flowing to feed a flame without killing myself. Too narrow a margin there. After a search of everyone’s personal items (hey, if they wanted privacy, they shouldn’t have abandoned me on Mars with their stuff) I found my answer. Martinez is a devout Catholic. I knew that. What I didn’t know was he brought along a small wooden cross. I’m sure NASA gave him shit about it, but I also know Martinez is one stubborn son of a bitch. I chipped his sacred religious item into long splinters using a pair of pliers and a screwdriver. I figure if there’s a God, He won’t mind, considering the situation I’m in. If ruining the only religious icon I have leaves me vulnerable to Martian vampires, I’ll have to risk it. There were plenty of wires and batteries around to make a spark. But you can’t just ignite wood with a small electric spark. So I collected ribbons of bark from local palm trees, then got a couple of sticks and rubbed them together to create enough friction to… No not really. I vented pure oxygen at the stick and gave it a spark. It lit up like a match.

The beauty parlor is where everything interesting in life, everything alluring, is experienced firsthand, physically, rather than through the spectrum of some screen or another. It's so emotional in there! And all these people are stroking your hair. The atmosphere is centuries old, yet very now too. Elba is not bound to our technological era. Were armageddon to befall us tomorrow and wipe our electricity and organized delivery systems, elba would still have a job. Her gossip would take the place of associated press wire services. Instead of using bleach in a bottle, she'd squeeze the juice out of an unfortunate iguana directly onto her customer's hair. A woman like elba finds a way.

His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.

But Hans Beimler survived Dachau, escaping certain death just hours before the SS ultimatum expired. With the help of two rogue SS men, apparently, he squeezed through the small window high up in his cell, passed the barbed wire and electric fence around the camp, and disappeared into the night.7 After Private Steinbrenner unlocked Beimler’s cell early the next morning, on May 9, 1933, and found it empty, the SS went wild. Sirens sounded across the grounds as all available SS men turned the camp upside down. Steinbrenner battered two Communist inmates who had spent the night in the cells adjacent to Beimler, shouting: “Just you wait, you wretched dogs, you’ll tell me [where Beimler is].” One of them was executed soon after.8 Outside, a huge manhunt got under way. Planes circled near the camp, “Wanted” posters went up at railway stations, police raids hit Munich, and the newspapers, which had earlier crowed about Beimler’s arrest, announced a reward for recapturing the “famous Communist leader,” who was described as clean-shaven, with short-cropped hair and unusually large jug ears.9 Despite all their efforts, Beimler evaded his hunters. After recuperating in a safe house in Munich, he was spirited away in June 1933 by the Communist underground to Berlin and then, in the following month, escaped over the border to Czechoslovakia, from where he sent a postcard to Dachau telling the SS men to “kiss my ass.

You just don't know,' she said. 'You hide in this little fortress, behind wire and sandbags, and you don't know... Sometimes I want to eat this place. The whole country - the dirt, the death - I just want to swallow it and have it there inside me. That's how I feel. It's like this appetite. I get scared sometimes - lots of times - but it's not bad. You know? I feel close to myself. When I'm out there at night, I feel close to my own body, I can feel my blood moving, my skin and my fingernails, everything, it's like I'm full of electricity and I'm glowing in the dark - I'm on fire almost - I'm burning away into nothing - but it doesn't matter because I know exactly who I am. You can't feel like that anywhere else.

Let him get out on the front lines. Let him bring one slow freight through a snowstorm in the Rockies; let him drive one rivet to hold his apartment roof over his head. Let him keep his own electric light burning through one quiet, cosy winter evening when mist is freezing to the wires. Let him make, from seed to table, just one slice of bread, and we will hear no more from him about the human right to security. No man’s security is any greater than his own self-reliance. If every man and woman worth living did not stand up to the job of living, did not take risk and danger and exhaustion beyond exhaustion and go on fighting for one thin hope of victory in the certainty of death, there would not be a human being alive today.

Still, it is possible to outlaw entire technologies. In 2006 Kevin Kelly, the former editor of Wired magazine, did a study of the effectiveness of technology prohibitions across the last thousand years, beginning in the year 1000. During this period governments had banned numerous technologies and inventions, including crossbows, guns, mines, nuclear bombs, electricity, automobiles, large sailing ships, bathtubs, blood transfusions, vaccines, television, computers, and the Internet. Kelly found that few technology prohibitions had any staying power and that in general, the more recent the prohibition, the shorter its duration. Figure Epilogue Kevin Kelly’s chart of the duration of a technology prohibition plotted against the year in which it was imposed.

If we were going to determine what was broken in the radios, we needed a power source. With no electricity, this meant batteries. [...] we'd walk to the trading center and look for used cells that had been tossed in the waste bins. [...] First we'd test the battery to see if any juice was left in it. We'd attach two wires to the positive and negative ends and connect them to a torch bulb. The brighter the bulb, the stronger the battery. Next we'd flatten the Shake Shake carton and roll it into a tube, then stack the batteries inside, making sure the positives and negatives faced in the same direction. Then we'd run wires from each end of the stack to the positive and negative heads inside the radio, where the batteries normally go. Together, this stack of dead batteries usually contained enough juice to power a radio.

Suppose you had said to my hypothetical family of 1800, eating their gristly stew in front of a log fire, that in two centuries their descendants would need to fetch no logs or water, and carry out no sewage, because water, gas, and a magic form of invisible power called electricity would come into their home through pipes and wires. They would jump at the chance to have such a home, but they would warily ask ho they could possibly afford it. Suppose that you then told them that to earn such a home, they need only ensure that father and mother both have to go to work for eight hours in an office, travelling roughly forty minutes each way in a horseless carriage, and that the children need not work at all, but should go to school to be sure of getting such jobs when they start to work at twenty. They would be more than dumbfounded; they would be delirious with excitement.

You’ve seen the footage.” “She didn’t know what she was doing. None of us could follow Beetee’s plan. You can see her trying to figure out what to do with that wire,” Peeta snaps back. “All right. It just looks suspicious,” says Caesar. “As if she was part of the rebels’ plan all along.” Peeta’s on his feet, leaning in to Caesar’s face, hands locked on the arms of his interviewer’s chair. “Really? And was it part of her plan for Johanna to nearly kill her? For that electric shock to paralyze her? To trigger the bombing?” He’s yelling now. “She didn’t know, Caesar! Neither of us knew anything except that we were trying to keep each other alive!” Caesar places his hand on Peeta’s chest in a gesture that’s both self-protective and conciliatory. “Okay, Peeta, I believe you.” “Okay.” Peeta withdraws from Caesar, pulling back his hands, running them through his hair, mussing his carefully styled blond curls.

The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.

three tiers to the heart: physical, ethereal, Eternal with each one being more spiritual and subtle the physical heart a little brain with over 40,000 neurons it sends and receives by electromagnetic field operations it's got its own nervous system that senses and remembers making decisions and giving directions to other centers emitting enfolded energetic organizational patterns information, that is—communicative interactions detected outside the body by magnetometers and other people for heart coherence listen to Pärt's “Spiegel im Spiegel” valid are chakras and acupuncture meridians meditate on the heart chakra to see what this means energy meridians are strings of polarized crystalline water bioelectric signals transmitted in connective tissue matter information is sent along these lengths of collagen proteins molecules of structured water allowing the transfer of protons crystal water wires inside protein pathways with acupuncture points being junctures in the maze the protons, then, are what have been referred to as “chi” a current flowing, much like electrical circuitry

GRAHAM CRACKER CAKE Preheat oven to 350 degrees F., rack in the middle position. ½ cup salted butter, softened (1 stick, 4 ounces, ¼ pound) ¾ cup white (granulated) sugar 1 teaspoon vanilla extract 2 large eggs 2 teaspoons baking powder ¼ teaspoon salt 2 and ¼ cups graham cracker crumbs 1 cup whole milk 1 cup chopped nuts (measure after chopping—I used walnuts)   8 and ¾ ounce can crushed pineapple WITH juice ¼ cup white (granulated) sugar Hannah’s Note: You can either crush your own graham cracker crumbs by placing graham crackers in a bag and rolling the bag with a rolling pin, crushing them in the food processor by using the steel blade, or you can buy ready-made graham cracker crumbs at the store. Spray a 9-inch square baking pan with Pam or another nonstick cooking spray and sprinkle the inside with flour. Shake out excess flour. You may also use Pam spray for baking, which contains a coating of flour. Both will work well. In an electric mixer, cream the butter and the sugar, adding the sugar gradually with the mixer on MEDIUM speed. Add the vanilla extract and mix it in thoroughly. Beat in the eggs, one at a time, incorporating the first egg before you add the second. Add the baking powder and the salt, beating until they’re thoroughly mixed. Mix in half of the graham cracker crumbs with half of the milk. Beat well. Mix in the other half of the graham cracker crumbs with the remaining half of the milk. Remove the bowl from the mixer and fold in the chopped nuts by hand. Pour the Graham Cracker Cake batter into the prepared pan and smooth the top with a rubber spatula. Bake your cake at 350 degrees F. for 30 minutes. Take your cake out of the oven, turn off the oven, and place the cake on a wire rack to await its topping. In a saucepan on the stovetop, combine the contents of the can of crushed pineapple and juice with the white sugar. Cook the pineapple mixture over MEDIUM HIGH heat, stirring constantly until it boils. Turn the burner down to LOW and cook the pineapple mixture for an additional 10 minutes, stirring frequently. Pour the hot pineapple sauce over the hot cake. Cool in the pan. Serve the Graham Cracker Cake with sweetened whipped cream or vanilla ice cream.

Jack Sanford looks back fondly on childhood visits to the old family farmhouse in New Hampshire. In particular, he’s never forgotten the old well that stood outside the front door. The water from the well was surprisingly pure and cold, and no matter how hot the summer or how severe the drought, the well was always dependable, a source of refreshment and joy. The faithful old well was a big part of his memories of summer vacations at the family farmhouse. Time passed and eventually the farmhouse was modernized. Wiring brought electric lights, and indoor plumbing brought hot and cold running water. The old well was no longer needed, so it was sealed shut. Years later while vacationing at the farmhouse, Sanford hankered for the cold, pure water of his youth. So he unsealed the well and lowered the bucket for a nostalgic taste of the delightful refreshment he once knew. But he was shocked to discover that the well that had once survived the worst droughts was bone dry. Perplexed, he began to ask questions of the locals who knew about these kinds of things. He learned that wells of that sort were fed by hundreds of tiny underground rivulets, which seep a steady flow of water. As long as water is drawn out of the well, new water will flow in through the rivulets, keeping them open for more to flow. But when the water stops flowing, the rivulets clog with mud and close up. The well dried up not because it was used too much but because it wasn’t used enough. Our souls are like that well. If we do not draw regularly and frequently on the living water that Jesus promised would well up in us like a spring,66 our hearts will close and dry up. The consequence of not drinking deeply of God is to eventually lose the ability to drink at all. Prayerlessness is its own worst punishment, both its disease and cause. David’s description of his prayer life is a picture of a man who knew the importance of frequent, regular prayer—disciplined prayer, each morning. Each morning I bring my requests to you and wait expectantly. He knew how important it was to keep the water flowing—that from the human side of prayer, the most important thing to do is just to keep showing up. Steady, disciplined routine may be the most underrated necessity of the prayerful life.

TICKLED PINK LEMONADE COOKIES   Preheat oven to 350 degrees F., rack in the middle position. Hannah’s 1st Note: This recipe is from Lisa’s Aunt Nancy. It’s a real favorite down at The Cookie Jar because the cookies are different, delicious, and very pretty. ½ cup salted, softened butter (1 stick, 4 ounces, ¼ pound) (do not substitute) ½ cup white (granulated) sugar ½ teaspoon baking powder ¼ teaspoon baking soda 1 large egg, beaten cup frozen pink or regular lemonade concentrate, thawed 3 drops of liquid red food coloring (I used ½ teaspoon of Betty Crocker food color gel) 1 and ¾ cups all-purpose flour (pack it down in the cup when you measure it) In the bowl of an electric mixer, beat the softened butter with the sugar until the resulting mixture is light and fluffy. Mix in the baking powder and baking soda. Beat until they’re well-combined. Mix in the beaten egg and the lemonade concentrate. Add 3 drops of red food coloring (or ½ teaspoon of the food color gel, if you used that). Add the flour, a half-cup or so at a time, beating after each addition. (You don’t have to be exact—just don’t put in all the flour at once.) If the resulting cookie dough is too sticky to work with, refrigerate it for an hour or so. (Don’t forget to turn off your oven if you do this. You’ll have to preheat it again once you’re ready to bake.) Drop the cookies by teaspoonful, 2 inches apart, on an UNGREASED cookie sheet. Bake the Tickled Pink Lemonade Cookies at 350 degrees F. for 10 to 12 minutes or until the edges are golden brown. (Mine took 11 minutes.) Let the cookies cool on the cookie sheet for 2 minutes. Then use a metal spatula to remove them to a wire rack to cool completely. FROSTING FOR PINK LEMONADE COOKIES   2 Tablespoons salted butter, softened 2 cups powdered sugar (no need to sift unless it’s got big lumps) 2 teaspoons frozen pink or regular lemonade concentrate, thawed 3 to 4 teaspoons milk (water will also work for a less creamy frosting) 2 drops red food coloring (or enough red food color gel to turn the frosting pink) Beat the butter and the powdered sugar together. Mix in the lemonade concentrate. Beat in the milk, a bit at a time, until the frosting is almost thin enough to spread, but not quite. Mix in the 2 drops of red food coloring. Stir until the color is uniform. If your frosting is too thin, add a bit more powdered sugar. If your frosting is too thick, add a bit more milk or water.

I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.

Metal atoms are bound together by metallic bonding. That is not just a tautology. The clue to its nature is the fact that all the metals lie towards the left-hand side of the Periodic Table where, as we have seen, the atoms of the elements have only a few electrons in their outermost cloud layers and which are readily lost. To envisage metallic bonding, think of all these outermost electrons as slipping off the parent atom and congregating in a sea that pervades the whole slab of atoms. The cations that are left behind lie in this sea and interact favourably with it. As a result, all the cations are bound together in a solid mass. That mass is malleable because, like an actual sea, it can respond readily to a shift in the positions of the cations in the mass when they are struck by a hammer. The electrons also allow the metal to be drawn out into a wire, by responding immediately to the relocation of the cations. As the electrons in the sea are not pinned down to particular atoms, they are mobile and can migrate through the solid in response to an electric field. Metals are lustrous because the electrons of the sea can respond to the shaking caused by the electric field of an incident ray of light, and that oscillation of the sea in turn generates light that we perceive as reflection. When we gaze into the metal coating of a mirror, we are watching the waves in the metal’s electron sea.

Now it is true that I could have learned without a teacher, but it would have been risky for me, because of my natural clumsiness. The self-taught man seldom knows anything accurately, and he does not know a tenth as much as he could have known if he had worked under teachers; and, besides, he brags, and is the means of fooling other thoughtless people into going and doing as he himself had done. There are those who imagine that the unlucky accidents of life - life's "experiences" - are in some way useful to us. I wish I could find out how. I never knew one of them to happen twice. They always change off and swap around and catch you on your inexperienced side. If personal experience can be worth anything as an education, it wouldn't seem likely that you could trip Methuselah; and yet if that old person could come back here it is more than likely that one of the first things he would do would be to take hold of one of these electric wires and tie himself all up in a knot. Now the surer thing and the wiser thing would be for him to ask somebody whether it was a good thing to take hold of. But that would not suit him; he would be one of the self-taught kind that go by experience; he would want to examine for himself. And he would find, for his instruction, that the coiled patriarch shuns the electric wire; and it would be useful to him, too, and would leave his education in quite a complete and rounded-out condition, till he should come again, some day, and go to bouncing a dynamite-can around to find out what was in it.

I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.

Modern electrical power distribution technology is largely the fruit of the labors of two men—Thomas Edison and Nikola Tesla. Compared with Edison, Tesla is relatively unknown, yet he invented the alternating electric current generation and distribution system that supplanted Edison's direct current technology and that is the system currently in use today. Tesla also had a vision of delivering electricity to the world that was revolutionary and unique. If his research had come to fruition, the technological landscape would be entirely different than it is today. Power lines and the insulated towers that carry them over thousands of country and city miles would not distract our view. Tesla believed that by using the electrical potential of the Earth, it would be possible to transmit electricity through the Earth and the atmosphere without using wires. With suitable receiving devices, the electricity could be used in remote parts of the planet. Along with the transmission of electricity, Tesla proposed a system of global communication, following an inspired realization that, to electricity, the Earth was nothing more than a small, round metal ball. [...] With $150,000 in financial support from J. Pierpont Morgan and other backers, Tesla built a radio transmission tower at Wardenclyffe, Long Island, that promised—along with other less widely popular benefits—to provide communication to people in the far corners of the world who needed no more than a handheld receiver to utilize it. In 1900, Italian scientist Guglielmo Marconi successfully transmitted the letter "S" from Cornwall, England, to Newfoundland and precluded Tesla's dream of commercial success for transatlantic communication. Because Marconi's equipment was less costly than Tesla's Wardenclyffe tower facility, J. P. Morgan withdrew his support. Moreover, Morgan was not impressed with Tesla's pleas for continuing the research on the wireless transmission of electrical power. Perhaps he and other investors withdrew their support because they were already reaping financial returns from those power systems both in place and under development. After all, it would not have been possible to put a meter on Tesla's technology—so any investor could not charge for the electricity!

Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.