Sally Quotes

We've searched our database for all the quotes and captions related to Sally. Here they are! All 100 of them:

Pain is temporary. Quitting lasts forever.
Lance Armstrong (Every Second Counts)
I'm not a religious person but I do sometimes think God made you for me.
Sally Rooney (Normal People)
And she's got brains enough for two, which is the exact quantity the girl who marries you will need.
P.G. Wodehouse (Mostly Sally)
Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.
Sally Rooney (Normal People)
There are some things, after all, that Sally Owens knows for certain: Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Killing oneself is, anyway, a misnomer. We don't kill ourselves. We are simply defeated by the long, hard struggle to stay alive. When somebody dies after a long illness, people are apt to say, with a note of approval, "He fought so hard." And they are inclined to think, about a suicide, that no fight was involved, that somebody simply gave up. This is quite wrong.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
Marianne, he said, I'm not a religious person but I do sometimes think God made you for me.
Sally Rooney (Normal People)
It's funny the decisions you make because you like someone, he says, and then your whole life is different. I think we're at that weird age where life can change a lot from small decisions.
Sally Rooney (Normal People)
Life offers up these moments of joy despite everything,
Sally Rooney (Normal People)
It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.
Sally Rooney (Normal People)
No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not.
Sally Rooney (Normal People)
Generally I find men are a lot more concerned with limiting the freedoms of women than exercising personal freedom for themselves.
Sally Rooney (Normal People)
Most people go through their whole lives, without ever really feeling that close with anyone.
Sally Rooney (Normal People)
All these years, they’ve been like two little plants sharing the same plot of soil, growing around one another, contorting to make room, taking certain unlikely positions.
Sally Rooney (Normal People)
Books were, and always would be, something a little magic and something to respect.
Sally Thorne (The Hating Game)
And we hate people for making mistakes so much more than we love them for doing good that the easiest way to live is to do nothing, say nothing, and love no one.
Sally Rooney (Beautiful World, Where Are You)
I don't know what's wrong with me, says Marianne. I don't know why I can't be like normal people.
Sally Rooney (Normal People)
She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another. You should go, she says. I’ll always be here. You know that.
Sally Rooney (Normal People)
Gradually the waiting began to feel less like waiting and more like this was simply what life was: the distracting tasks undertaken while the thing you are waiting for continues not to happen.
Sally Rooney (Conversations with Friends)
Life is the thing you bring with you inside your own head.
Sally Rooney (Normal People)
I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
Nora Ephron (When Harry Met Sally)
She believes Marianne lacks ‘warmth’, by which she means the ability to beg for love from people who hate her.
Sally Rooney (Normal People)
I know you'll do what's best for Annabeth." "How can you be sure?" "Because she'd do the same for you.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
The trick is to find that one person who can give it back as good as they can take it.
Sally Thorne (The Hating Game)
I hope it's not too forward of me to say, but your eyes are incredible, Lucy. I die when you blink.
Sally Thorne (The Hating Game)
It's a corporate truth universally acknowledged that workers would rather eat rat skeletons than participate in group activities.
Sally Thorne (The Hating Game)
I think I only appear smart by staying quiet as often as possible.
Sally Rooney (Conversations with Friends)
Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently.
Sally Rooney (Normal People)
If people appeared to behave pointlessly in grief, it was only because human life was pointless, and this was the truth that grief revealed.
Sally Rooney (Normal People)
Watching you pretend to hate the nickname is the best part of my day.
Sally Thorne (The Hating Game)
When I buy a new book, I always read the last page first, that way in case I die before I finish, I know how it ends. That, my friend, is a dark side.
Nora Ephron (When Harry Met Sally)
It suggests to Connell that the same imagination he used as a reader is necessary to understand real people also, and to be intimate with them.
Sally Rooney (Normal People)
You underestimate your own power so you don't have to blame yourself for treating other people badly.
Sally Rooney (Conversations with Friends)
Everyone’s always going through something, aren’t they? That’s life, basically. It’s just more and more things to go through.
Sally Rooney (Conversations with Friends)
At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape.
Sally Rooney (Beautiful World, Where Are You)
If God wanted me to give you up, he wouldn't have made me who I am.
Sally Rooney (Beautiful World, Where Are You)
Her eyes fill up with tears again and she closes them. Even in memory she will find this moment unbearably intense, and she's aware of this now, while it's happening. She has never believed herself fit to be loved by any person. But now she has a new life, of which this is the first moment, and even after many years have passed she will still think: Yes, that was it, the beginning of my life.
Sally Rooney (Normal People)
It feels powerful to him to put an experience down in words, like he's trapping it in a jar and it can never fully leave him.
Sally Rooney (Normal People)
I was tired, it was late, I was sitting half-asleep in the back of a taxi, remembering strangely that wherever I go, you are with me, and so is he, and that as long as you both live the world will be beautiful to me.
Sally Rooney (Beautiful World, Where Are You)
I realised my life would be full of mundane physical suffering, and that there was nothing special about it. Suffering wouldn't make me special, and pretending not to suffer wouldn't make me special. Talking about it, or even writing about it, would not transform the suffering into something useful.
Sally Rooney (Conversations with Friends)
Sometimes," says a fellow depressive, "I wish I was in a full body cast, with every bone in my body broken. That's how I feel anyway. Then, maybe, people would stop minimising my illness because they can actually see what's wrong with me. They seem to need physical evidence.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
Being alone with her is like opening a door away from normal life and then closing it behind him.
Sally Rooney (Normal People)
I want to know what’s going on in your brain. I want to juice your head like a lemon.
Sally Thorne (The Hating Game)
Do all of you think we have fleas?" Decebel asked as he looked at Jen and Sally. "I think we just make an assumption because of the hair and what not, that you, ya know, might have a problem with the little buggers when you in your wolf form.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
The fascination of shooting as a sport depends almost wholly on whether you are at the right or wrong end of the gun.
P.G. Wodehouse (The Adventures of Sally)
But if you think there’s any chance that I could make you happy, I wish you would let me try. Because it’s the only thing I really want to do with my life.
Sally Rooney (Beautiful World, Where Are You)
What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.
Sally Rooney (Conversations with Friends)
People are a lot more knowable than they think they are.
Sally Rooney (Normal People)
Kathy Nightingale: What's good about sad? Sally Sparrow: It's happy for deep people.
Steven Moffat
And isn’t death just the apocalypse in the first person?
Sally Rooney (Beautiful World, Where Are You)
Things matter to me more than they do to normal people, I thought. I need to relax and let things go. I should experiment with drugs.
Sally Rooney (Conversations with Friends)
Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.
Sally Rooney (Beautiful World, Where Are You)
Bodies’, she said. ‘Lots of them’. She glanced over her shoulder to where Sally was hidden, then back to Nathan, and whispered. ‘Small ones’.
Barry Kirwan (When the children come (Children of the Eye, #1))
There’s always been something inside her that men have wanted to dominate, and their desire for domination can look so much like attraction, even love.
Sally Rooney (Normal People)
You think everyone you like is special, she said. I'm just a normal person. When you get to like someone, you make them feel like they're different from everyone else. You're doing it with Nick, you did it with me once.
Sally Rooney (Conversations with Friends)
Jennifer," Decebel growled. "Decebel," Jen growled back, mimicking his tone. "Sally," Sally added comically, mimicking them both. She slapped a hand over her mouth when Decebel turned and glared at her.
Quinn Loftis
When you get so little of someone, you take what you can get.
Sally Thorne (The Hating Game)
You live through certain things before you understand them. You can’t always take the analytical position.
Sally Rooney (Conversations with Friends)
All I want to do is kiss you until I fall asleep. I want to slide in between your sheets, and find out what goes on inside your head, and underneath your clothes. I want to make a fool of myself over you.
Sally Thorne (The Hating Game)
I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations. Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you. Both love and hate are mirror versions of the same game - and you háve to win. Why? Your heart and your ego. Trust me, I should know.
Sally Thorne (The Hating Game)
Connell wished he knew how other people conducted their private lives, so that he could copy from example.
Sally Rooney (Normal People)
What are you imagining? Your expression is filthy.” “Strangling you. Bare hands.” I can barely get the words out. I’m huskier than a phone-sex operator after a double shift. “So that’s your kink.” His eyes are going dark. “Only where you’re concerned.” Both his eyebrows ratchet up, and he opens his mouth as his eyes go completely black, but he does not seem to be able to say a word. It is wonderful.
Sally Thorne (The Hating Game)
Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently. You learn nothing very profound about yourself simply by being bullied; but by bullying someone else you learn something you can never forget.
Sally Rooney (Normal People)
When I try to picture for myself what a happy life might look like, the picture hasn't changed very much since I was a child - a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that's all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.
Sally Rooney (Beautiful World, Where Are You)
I thought about all the things I had never told Nick about myself, and I started to feel better then, as if my privacy extended all around me like a barrier protecting my body.
Sally Rooney (Conversations with Friends)
He has sincerely wanted to die, but he has never sincerely wanted Marianne to forget about him. That’s the only part of himself he wants to protect, the part that exists inside her. 
Sally Rooney (Normal People)
Presumably, remembered suffering never feels as bad as present suffering, even if it was really a lot worse - we can't remember how much worse it was, because remembering is weaker than experiencing.
Sally Rooney (Beautiful World, Where Are You)
I love you, Lucy Hutton. So much, you have no idea. Please be my best friend.
Sally Thorne
I love him so much it's like a thread piercing me. Punching holes. Dragging through. Stitching love into me. I'll never be able to untangle myself from this feeling. The color of love is surely this robin's-egg blue.
Sally Thorne (The Hating Game)
Did you say ‘yes’ to going out on a date with him?” Sally asked Jacque. “All I got to say is if she said no, she might not want to go to sleep tonight ‘cause I’m going to dye her hair blonde to compliment her being a dumb ass,” Jen told them. “Uh, Jen, you’re a blonde,” Jacque pointed out. “No, not really, God just got it wrong and it was too late to change it once He noticed.
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
He often makes blithe remarks about things he 'wishes'. I wish you didn't have to go, he says when she's leaving, or: I wish you could stay the night. If he really wished any of those things, Marianne knows, then they would happen. Connell always gets what he wants, and then feels sorry for himself when what he wants doesn't make him happy.
Sally Rooney (Normal People)
There's no point having wishes if you don't at least try to do them
Sally Nicholls (Ways to Live Forever)
[W]hen you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
Nora Ephron (When Harry Met Sally)
I always thought you’d live underground somewhere, near the earth’s core,
Sally Thorne (The Hating Game)
Shyness takes so many different forms. Some people are shy and soft. Some, shy and hard. Or in Josh’s case, shy, and wrapped in military-grade armor. “Josh,
Sally Thorne (The Hating Game)
feeling a strange sense of nostalgia for a moment that was already in the process of happening.
Sally Rooney (Normal People)
I pull back. "I'm going to have to change my computer password." "Oh yeah? To what?" "I-love-Josh." "4 eva, he replies." "You cracked my password?
Sally Thorne (The Hating Game)
How somebody can’t recognize their own eyes, I’ll never know.
Sally Thorne (The Hating Game)
The trick is not to mind. Not to mind about it hurting. Not to mind about anything.
Sally Green (Half Bad (The Half Bad Trilogy, #1))
I will probably continue to make poor life decisions and suffer recurrent depressive episodes
Sally Rooney (Beautiful World, Where Are You)
My ego had always been an issue. I knew that intellectual attainment was morally neutral at best, but when bad things happened to me I made myself feel better by thinking about how smart I was.
Sally Rooney (Conversations with Friends)
I tug him down to lie on me properly. “I’m pretty heavy. I’ll flatten you.” “I’ve had a good life.
Sally Thorne (The Hating Game)
If he silently decides not to say something when they’re talking, Marianne will ask ‘what?’ within one or two seconds. This ‘what?’ question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them.
Sally Rooney (Normal People)
the pleasure of being touched by great art’.
Sally Rooney (Normal People)
He did not smile back, and somehow I feel like he’s been carrying my smile around in his breast pocket ever since. He’s one up.
Sally Thorne (The Hating Game)
You're so hypno-something, could you be the devil, could you be an angel, your touch is something good, feels like going floating, leave my body glowing." "Katy Perry? She's singing Katy Perry in the hospital bathroom. Just when you think you've seen it all," Sally mumbled. She knocked on the door again. Still no answer, so she started banging. Then she was banging and hollering, "JEN! OPEN THE FREAKING DOOR!" Wouldn't you know, she just sang louder. Why am I not surprised, she thought.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
I feel very embarrassed by all that now, but I was lonely and unhappy, and I didn’t understand that these feelings were ordinary, that there was nothing singular about my loneliness, my unhappiness.
Sally Rooney (Beautiful World, Where Are You)
There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold. I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.
Jess Rothenberg (The Catastrophic History of You and Me)
Jen rolled her eyes and let out a huff of air. "You got the knocking part right, fluffy, but you forgot the part where you are asked to come in. You don't just knock and then walk-in." Jen turned to Sally, shaking her head. "You should think they at least have some sort of puppy training class or something." "If you aren't careful, he's going to be picking Jen-kibble out of his teeth after his next meal," Sally whispered under her breath as Decebel continued to stare Jen down. Jen's gaze never wavered as she responded to Sally, "And what makes you think I object to being dinner?
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
Was I kind to others? It was hard to nail down an answer. I worried that if I did turn out to have a personality, it would be one of the unkind ones. Did I only worry about this question because as a woman I felt required to put the needs of others before my own? Was “kindness” just another term for submission in the face of conflict? These were the kind of things I wrote about in my diary as a teenager: as a feminist I have the right not to love anyone.
Sally Rooney (Conversations with Friends)
Still, Connell went home that night and read over some notes he had been making for a new story, and he felt the old beat of pleasure in his body, like watching a perfect goal, like the rustling movement of light through leaves, a phrase of music from the window of a passing car. Life offers up these moments of joy despite everything.
Sally Rooney (Normal People)
Multiple times he has tried writing his thoughts about Marianne down on paper in an effort to make sense of them. He's moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann's Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-coloured spine. Her long fingers turning the pages. She's not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works... He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to recreate a precise copy of Marianne in print, as if he can preserve her completely for future review.
Sally Rooney (Normal People)
He knows that a lot of the literary people in college see books primarily as a way of appearing cultured, It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing.
Sally Rooney (Normal People)
Marianne wanted her life to mean something then, she wanted to stop all violence committed by the strong against the weak, and she remembered a time several years ago when she had felt so intelligent and young and powerful that she almost could have achieved such a thing, and now she knew she wasn’t at all powerful, and she would live and die in a world of extreme violence against the innocent, and at most she could only help a few people. It was so much harder to reconcile herself to the idea of helping a few, like she would rather help no one than do something so small and feeble
Sally Rooney (Normal People)
Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.
Sally Rooney (Normal People)
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me. After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.
Sally Rooney (Beautiful World, Where Are You)
My “Best Woman” speech Good evening everyone, my name is Rosie and as you can see Alex has decided to go down the non-traditional route of asking me to be his best woman for the day. Except we all know that today that title does not belong to me. It belongs to Sally, for she is clearly his best woman. I could call myself the “best friend” but I think we all know that today that title no longer refers to me either. That title too belongs to Sally. But what doesn’t belong to Sally is a lifetime of memories of Alex the child, Alex the teenager, and Alex the almost-a-man that I’m sure he would rather forget but that I will now fill you all in on. (Hopefully they all will laugh.) I have known Alex since he was five years old. I arrived on my first day of school teary-eyed and red-nosed and a half an hour late. (I am almost sure Alex will shout out “What’s new?”) I was ordered to sit down at the back of the class beside a smelly, snotty-nosed, messy-haired little boy who had the biggest sulk on his face and who refused to look at me or talk to me. I hated this little boy. I know that he hated me too, him kicking me in the shins under the table and telling the teacher that I was copying his schoolwork was a telltale sign. We sat beside each other every day for twelve years moaning about school, moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths on a Monday morning. Now Alex has that life and I’m so proud of him. I’m so happy that he’s found his best woman and his best friend in perfect little brainy and annoying Sally. I ask you all to raise your glasses and toast my best friend Alex and his new best friend, best woman, and wife, Sally, and to wish them luck and happiness and divorce in the future. To Alex and Sally!
Cecelia Ahern (Love, Rosie)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)