Electrical Fuse Quotes

In the era of electronic products, all electrical fuse boards should have a surge protector and a filter installed into them as standard.

It really should be a criminal offense for an electrician to mount a breaker box on a bedroom wall. Unfortunately, I see the solar industry mounting inverters on bedroom walls also!

She'd always had a short fuse but lately she was positively electric and could burst into flame anywhere, anytime. ... When she was out of the shower, dry and cool, she had one of those reprieves that came regularly - she felt perfectly normal, sane and in control. Then came the inevitable guilt . . .

Yes, I thought it was wonderful,” he lied and looked away; the sight of her transfigured face was at once an accusation and an ironical reminder of his own separateness. He was as miserably isolated now as he had been when the service began ― more isolated by reason of his unreplenished emptiness, his dead satiety. Separate and unatoned, while the others were being fused into the Greater Being; alone even in Morgana’s embrace ― much more alone, indeed, more hopelessly himself than he had ever been in his life before. He had emerged from that crimson twilight into the common electric glare with a self-consciousness intensified to the pitch of agony. He was utterly miserable, and perhaps (her shining eyes accused him), perhaps it was his own fault. “Quite wonderful,” he repeated; but the only thing he could think of was Morgana’s eyebrow.

Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference." Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out. Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head. For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.

His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.

Three Moonie 65-megaton hydrogen bombs exploded nearly simultaneously at very high altitude. With no air around the bombs to absorb the initial blast of the explosions, and convert the energy into mechanical shock waves——all the nuclear energy blasted out in its electromagnetic form. It was a brutally intense pulse of Compton recoil electrons and photoelectrons that created huge electric and magnetic fields that were MURDER on sensitive electronic equipment at tremendous distances. The electro-magnetic fields, coupled with electric and computer systems, producing huge voltage spikes in the circuits and damaging current surges along all signal paths, fusing precision engineered memory and micro-boards and virtual drives and CPUs into fried silicon laced junk! Nanobots to Nanoscrap in Nanoseconds!

Buster Friendly said, “We may never know. Nor can we fathom the peculiar purpose behind this swindle. Yes, folks, swindle. Mercerism is a swindle!” “I think we know,” Roy Baty said. “It’s obvious. Mercerism came into existence—” “But ponder this,” Buster Friendly continued. “Ask yourselves what is it that Mercerism does. Well, if we’re to believe its many practitioners, the experience fuses—” “It’s that empathy that humans have,” Irmgard said. “—men and women throughout the Sol System into a single entity. But an entity which is manageable by the so-called telepathic voice of ‘Mercer.’ Mark that. An ambitious politically minded would-be Hitler could—” “No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder. With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.” Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider. “It won’t try to walk,” Irmgard said. “I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away. “I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously. “He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore. Roy Baty said, “Of course he uses it. They all do—or did. Maybe now they’ll start wondering.” “I don’t think this will end the cult of Mercer,” Pris said. “But right this minute there’re a lot of unhappy human beings.” To Isidore she said, “We’ve waited for months; we all knew it was coming, this pitch of Buster’s.” She hesitated and then said, “Well, why not. Buster is one of us.” “An android,” Irmgard explained. “And nobody knows. No humans, I mean.” Pris, with the scissors, cut yet another leg from the spider. All at once John Isidore pushed her away and lifted up the mutilated creature. He carried it to the sink and there he drowned it. In him, his mind, his hopes, drowned, too. As swiftly as the spider.

I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

Hold still, you little bitch,” he croaked and she saw him for the first time—huge, rough, flushed, fleshy—lips curled back to reveal crooked yellow doglike teeth, fresh blood from his forehead or scalp coursing down—and got a glimpse of the electrical device he had poised over her face and plunged into her neck. The sensation was sudden and massive and debilitating. She no longer had control of her body, which stiffened, and she had an image of lightninglike electricity firing out from the tips of her fingers and toes. Every muscle and sinew seemed fused together with steel and she felt welded into a single mass of flesh.

That’s the secret no one tells you when you’re a kid. That it feels fucking great. They tell you that you feel loopy and disoriented, but no one tells you that it crawls through your skin, filling in every place of deficit, every gaping crack where your humanity didn’t fuse. The thick warm lava of euphoria fills in the crevices of your psyche, and you realize your soul was an electric blanket that hadn’t been plugged in until just then. Parents and shrinks never tell you that you will forget all the reasons you had to hate yourself. They don’t tell you that shit because then everybody will want to get high.

The indoor rules were simple: don’t touch anything that wasn’t in your book bag. Did you come home from school, grab a glass, pour yourself some juice, and camp out in front of the TV watching cartoons? Congratulations, Anne of Green Gables, your childhood was fucking rad. We weren’t allowed to touch the glasses anymore after I broke the Hamburglar tumbler from our set of McDonald’s fine china. We didn’t have juice boxes because we were on welfare, and I would rather have chewed tinfoil than recreationally drink powdered milk. We tried to watch TV once, turning it off as soon as we heard Mom’s footsteps on the landing, but technology in the eighties was intent on destroying our flimsy excuses. “Were you watching TV?” Cory and I would give each other the knowing glance of liars everywhere and say, “No.” Mom would then go over, touch the TV, and, feeling the warmth emanating from the screen, rip our story apart in three seconds flat. Disobeying her wasn’t the worst offense—we were wasting electricity, and no parent in the country could abide using electricity for the intended purpose if they were not the ones flipping the switch. When Mom was home, you could fire up every light in the house, leave an empty blender running full speed, and overload every outlet until the fuses popped like fireworks. But children alone were unworthy of electricity, so I guess the expectation was we could spend our time weaving brooms out of hay and banging out candle holders on a tin press. We had to make our own fun, so we invented Spiderweb City.

Fusion relies on the same basic process that powers the sun. You start with a gas—most research focuses on certain types of hydrogen—and get it extraordinarily hot, well over 50 million degrees Celsius, while it’s in an electrically charged state known as plasma. At these temperatures, the particles are moving so fast that they hit each other and fuse together, just as the hydrogen atoms in the sun do. When the hydrogen particles fuse, they turn into helium, and in the process they release a great deal of energy, which can be used to generate electricity. (Scientists have various ways of containing the plasma; the most common methods use either powerful magnets or lasers.)

Once there was a single consciousness that unified everything. Within this consciousness were two beings: Shiva, the infinite supreme consciousness, and Shakti, the eternal supreme consciousness. Shiva represents time, and Shakti, space. Here is the yang of Oriental medicine, cloaked in the Shiva figure, and the yin shown within the Shakti. These two beings separated, creating a distinction between matter and consciousness within the universe—and within the children of the universe, including people. Shakti lies within us all, coiled within our root chakra in the guise of a serpent. In this form, she is the Kundalini Shakti, the “power at rest.”15 She only becomes manifest, however, when she moves—and that is her ultimate goal, to rise through the denseness of the body until she can rejoin her great love, Shiva, who resides in the seventh chakra. When unified, the two create through supreme consciousness. Shakti is not just an ethereal being. She is seen as the cause of prana, or life force. She has sound and form; she is composed of alphabet characters, or mantras. When Shiva and Shakti join, they create nada (pure cosmic sound) and maha bindu (the supreme truth that underlies all manifestation). What does this mean for the initiate who fuses these two beings—these two parts of him- or herself? The graduate is freed from the confines of the physical body. Innate powers—mystical, magical abilities—awaken. Moreover, the soul is freed from the wheel of life that forces reincarnation. Science tells a similar story, using different words. According to recent studies, the entire world can be reduced to frequency and vibration. As we saw in Part III, we are all composed of the L-fields and T-fields that form unified frequencies. We are all made of the “male” and the “female,” the electrical and the magnetic. If we can achieve the balance and blending of each, then there is harmony, and within that harmony, healing. To follow the path of kundalini is not “only” to achieve an enlightened state of mind. It is to heal the mind, soul, spirit—and body.

A handful of times as I wandered around the cabin, a hummingbird thrummed right up to my heart or my forehead and, for a microsecond, I experienced the sensation of life fusing with life. The hummingbird is as much as an expression of life as I am. The claims animals have on the land are as compelling as our own. Yet there are precious few places left where we can be "in place," as Thoreau writes, where we can see not just the path but what lies beyond, where the electric mystery of a bobcat can thrill us rather than manufactured entertainments that often pale on second viewing.

Himalayan Sonneteer Sonnet 3 What is the role of an electrical fuse? Amateurs will say, conducting electricity. But the actual task of a fuse is, To blow itself when the load is too heavy. Thus the fuse protects the appliance, Against any electrical irregularity. Likewise, we gotta blow our fuse, Whenever inhumanity hangs heavy. If we stay silent in indifference, What's the point of all this electricity! Nerves that carry not vigor but ice water, Ain't no human nerves but sewers of society. Human nerves are the life-circuit of society. If they carry ice water, it is a catastrophe.

What is the role of an electrical fuse? Amateurs will say, conducting electricity. But the actual task of a fuse is, To blow itself when the load is too heavy. Thus the fuse protects the appliance, Against any electrical irregularity. Likewise, we gotta blow our fuse, Whenever inhumanity hangs heavy.

TOOLBOX   B - Bulbs, Batteries. D - Duct tape, Drills. E - Electrical tester. F - Fuses, Fan belt (spare). G - Glues (super, fabric, threadlock, multipurpose) H - Hammers. J - Jacks, Jumper leads. K - Knives (box and pocket). L - Level (spirit). M - Marker pen, Mallet. O - Oils (Engine and lubricating) P

Imagine that you are in your house—no—you are locked in your house, cannot get out. It is the dead of winter. The drifted snow is higher than your windows, blocking the light of both moon and sun. Around the house, the wind moans, night and day. Now imagine that even though you have plenty of electric lights, and perfectly good central heating, you are almost always in the dark and quite cold, because something is wrong with the old-fashioned fuse box in the basement. Inside this cobwebbed, innocuous-looking box, the fuses keep burning out, and on account of this small malfunction, all the power in the house repeatedly fails. You have replaced so many melted fuses that now your little bag of new ones is empty; there are no more. You sigh in frustration, and regard your frozen breath in the light of the flashlight. Your house, which could be so cozy, is tomblike instead. In all probability, there is something quirky in the antiquated fuse box; it has developed some kind of needless hair trigger, and is not really reacting to any dangerous electrical overload at all. Should you get some pennies out of your pocket, and use them to replace the burned-out fuses? That would solve the power-outage problem. No more shorts, not with copper coins in there. Using coins would scuttle the safeguard function of the fuse box, but the need for a safeguard right now is questionable, and the box is keeping you cold and in the dark for no good reason. Well, probably for no good reason. On the other hand, what if the wiring in the house really is overloaded somehow? A fire could result, probably will result eventually. If you do not find the fire soon enough, if you cannot manage to put the fire out, the whole house could go up, with you trapped inside. You know that death by burning is hideous. You know also that your mind is playing tricks, but thinking about fire, you almost imagine there is smoke in your nostrils right now. So, do you go back upstairs and sit endlessly in a dark living room, defeated, numb from the cold, though you have buried yourself under every blanket in the house? No light to read by, no music, just the wail and rattle of the icy wind outside? Or, in an attempt to feel more human, do you make things warm and comfortable? Is it wise to gamble with calamity and howling pain? If you turn the power back on, will you not smell nonexistent smoke every moment you are awake? And will you not have far too many of these waking moments, for how will you ever risk going to sleep? Do you sabotage the fuse box? I

[...] all the electricity has escaped, seeping out the ends of frayed wires or bolting free from fuse boxes in dazzling sudden starbursts. Though this is the one realm unthreatened by dragons, we have allowed it to decay.

Human Cloning: The Least Interesting Application of Cloning Technology One of the most powerful methods of applying life’s machinery involves harnessing biology’s own reproductive mechanisms in the form of cloning. Cloning will be a key technology—not for cloning actual humans but for life-extension purposes, in the form of “therapeutic cloning.” This process creates new tissues with “young” telomere-extended and DNA-corrected cells to replace without surgery defective tissues or organs. All responsible ethicists, including myself, consider human cloning at the present time to be unethical. The reasons, however, for me have little to do with the slippery-slope issues of manipulating human life. Rather, the technology today simply does not yet work reliably. The current technique of fusing a cell nucleus from a donor to an egg cell using an electric spark simply causes a high level of genetic errors.57 This is the primary reason that most of the fetuses created by this method do not make it to term. Even those that do make it have genetic defects. Dolly the Sheep developed an obesity problem in adulthood, and the majority of cloned animals produced thus far have had unpredictable health problems.58

They only have bows. It’s been months since they’ve used swords. Ours aren’t sharp or fused with electricity, but cold durosteel is nasty to take in any form. The dogs are the hardest to manage. I kick one in the head. Throw another one off the battlements. Milia is down. She bites a dog in the neck and punches it in the balls till it whimpers off. Mustang

The fact that space and time are intimately connected, as in figure 3.2, implies a subtle restructuring of Newton's mechanics, which Einstein rapidly completes in 1905 and 1906. A first result of this restructuring is that as space and time fuse together in a single concept of spacetime, so the electric field and the magnetic fields fuse together in the same way, merging into a single entity that today we call the "electromagnetic field." The complicated equations written by Maxwell for the two fields become simple when written in this new language.

It may be possible that Leukemia in children is linked to the location of the fuse board and the electrical meter on the home.

Stupid cheap bracket. Nothing was going right today. Or the day before. Jake had been so preoccupied earlier he’d forgotten to shut off the electric and had gotten zapped good. Then when he’d shut off the electric, he’d whacked his head on the corner of the fuse box door. All

The Desoto Solar Farm had exploding electrical fuse problems by the time President Obama opened it.

I had never seen exploding electrical fuses in my career until I became the manager of the Desoto Solar Farm.

I never saw the Desoto Solar Farm produce 25 megawatts into the electrical grid during my time there. At the time, I thought the contractor was tampering with the electrical meter and I reported it to the company management team. I was later to discover many blown fuses at the power plant and lots of solar modules out of service.

After discovering the DeSoto Solar Farm had been on fire, troubleshooting revealed exploding fuses, many blown fuses and loose electrical connections.

The Desoto Solar Farm is the only place I have found unmarked hollow metal tubes in fuse holders! The electrical diagrams showed them as 100 amp fuses.

When I queried the unmarked hollow metal tubes I had found inside the fuse holders with the team at the Desoto Solar Farm, no one could produce an electrical data sheet for them.

I never could find an electrical data sheet for the unmarked hollow metal tubes I found in the 100 amp fuse holders at the Desoto Solar Farm. They were a mystery!

Most electrical engineers have never seen an exploded fuse, as they are very rare!

Most electrical engineers know an exploded fuse is a sign of a dangerous interrupt current issue.

An exploding electrical fuse is an injury and fire risk!

It wasn't that I was fat and retarded or crazy, angry, Jewish, or anything else. I just needed to get high. That's the secret no one tells you when you're a kid. That it feels fucking great. They tell you that you feel loopy and disoriented, but no one tells you that it crawls through your skin, filling in every place of deficit, every gaping crack where your humanity didn't fuse. The thick warm lava of euphoria fills in the crevices of your psyche, and you realize your soul was an electric blanket that hadn't been plugged in until just then. Parents and shrinks never tell you that you will forget all the reasons you had to hate yourself. They don't tell you that shit because then everybody will want to get high.

Nuclear fusion. There’s another, entirely different approach to nuclear power that’s quite promising but still at least a decade away from supplying electricity to consumers. Instead of getting energy by splitting atoms apart, as fission does, it involves pushing them together, or fusing them.

It is Dangerous to Read Newspapers While I was building neat castles in the sandbox, the hasty pits were filling with bulldozed corpses and as I walked to the school washed and combed, my feet stepping on the cracks in the cement detonated red bombs. Now I am grownup and literate, and I sit in my chair as quietly as a fuse and the jungles are flaming, the underbrush is charged with soldiers, the names on the difficult maps go up in smoke. I am the cause, I am a stockpile of chemical toys, my body is a deadly gadget, I reach out in love, my hands are guns, my good intentions are completely lethal. Even my passive eyes transmute everything I look at to the pocked black and white of a war photo, how can I stop myself It is dangerous to read newspapers. Each time I hit a key on my electric typewriter, speaking of peaceful trees another village explodes.

The Kaiser’s friend, the Jewish intellectual Walter Rathenau, who had inherited his father’s great electrical industry, the Allgemeine Electrizitäts Gesellschaft, watched the darkening scene with desperation. The cult of nationalism was to blame; the only solution was a European Common Market. There is one possibility left [he wrote on Christmas Day 1913]: an industrial customs union, of which sooner or later, for better or for worse, the states of Western Europe would become members… Fuse the industries of Europe into one… and political interests will fuse too. This is not world peace or disarmament, nor is it general debility; but it is an alleviation of conflicts, an economy of power and the solidarity of civilization.

an idiot. Dull-witted. A fuse loose. Whacked with the glocky stick.

When I was commissioning a brand new solar photovoltaic utility site, I came across metal tubes installed into the fuseholders that were marked up as 100 amp fuses on the diagram. Needless to say, it had already gone on fire.

The Ballad of John Axon was the first of a series created by MacColl, Seeger and BBC producer Charles Parker that shone the microphone like a searchlight into obscure or overlooked sectors of British society: fishermen, teenagers, motorway builders, miners, polio sufferers, even the nomadic travelling community. Gathered on the spot, their oral histories were reworked as intelligent and dynamic folk anthropology, attuned to their era’s nuanced tug-of-war between conservatism and progress. The eight programmes, broadcast by the BBC between 1958–64, were experiments conducted on the wireless, splicing spoken word, field recordings, sound effects, traditional folk song and newly composed material into audio essays that verged on the hypnotic. They were given a name that elegantly fused tradition and modernity: radio

The Ballad of John Axon was the first of a series created by MacColl, Seeger and BBC producer Charles Parker that shone the microphone like a searchlight into obscure or overlooked sectors of British society: fishermen, teenagers, motorway builders, miners, polio sufferers, even the nomadic travelling community. Gathered on the spot, their oral histories were reworked as intelligent and dynamic folk anthropology, attuned to their era’s nuanced tug-of-war between conservatism and progress. The eight programmes, broadcast by the BBC between 1958–64, were experiments conducted on the wireless, splicing spoken word, field recordings, sound effects, traditional folk song and newly composed material into audio essays that verged on the hypnotic. They were given a name that elegantly fused tradition and modernity: radio ballads. Until the mid-1950s standard BBC practice in making radio documentaries involved researchers visiting members of the public – ‘actuality characters’ – and talking to them, perhaps even recording them, then returning to headquarters and working out a script based on their testimonies. The original subjects would then be revisited and presented with the scripted version of their own words. That’s the reason such programmes sound so stilted to modern ears: members of the public are almost always speaking a scriptwriter’s distillation of their spontaneous thoughts. When MacColl and Charles Parker drove up to Stockport in the autumn of 1957 with an EMI Midget tape recorder in their weekend bags, they planned to interview Axon’s widow and his colleagues for information, then turn their findings into a dramatic reconstruction featuring actors and musicians. In fact, they stayed in the area for around a fortnight and ended up with more than forty hours of voices and location recordings. The material, they agreed, was too good to tamper with.

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