Dressing Baby Boy As Girl Quotes

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We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love. Jung would say that this is because, even culturally, our anima is repressed, hated, derided. We hate our female selves. A boyish girl is perfectly acceptable. A girlish boy? Not so much. In certain places, you’d get your ass kicked, find yourself "gay-bashed." You might even get yourself killed. That's how much we hate our anima.
Lisa Unger (In the Blood)
There were babies, and toddlers, and five-year-old boys in Batman shirts. There was even a little girl dressed as Elsa. For no reason. It's not Halloween. But go ahead, cutie pie, you dress up as Elsa all you want. You do you.
Andrea Portes (Liberty: The Spy Who (Kind of) Liked Me)
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
It’s important to marry someone, she said. Not because you need them to complete you or because you ought to be someone’s wife by hook or by crook. It’s just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it’s easy to swallow. That’s why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp.
Catherynne M. Valente (The Bread We Eat in Dreams)
The Men’s Wearhouse where the boys were measured for their suits was holy; the T.J. Maxx where the girls texted each other pictures from their respective dressing rooms was holy; the Shoe Carnival where they staggered up and down the aisles almost laughing; the Michael’s where they chose posterboards for collages; the florist where they pointed at baby’s breath; the bakery where they deliberated over tea cookies; the Clinique counter where they bought waterproof mascara; the Cheesecake Factory where they ate bang-bang shrimp after it all and were very very kind to each other was holy, and the light fixtures she always made fun of seemed to bloom the whole time on their stems.
Patricia Lockwood (No One Is Talking About This)
I think Hannah had two brothers. Yes, I’m sure she did. Theo and, and--this boy.” I shook my head. “If he’s Hannah’s brother, why isn’t he in any of the other pictures?” Aunt Blythe didn’t answer right away. In the silence, rain pattered against the windows and dripped through holes in the roof. The wind crept in through cracks and stirred the folds of a long white dress hanging from the rafters. Finally, my aunt raised her eyes from the photograph. “I think his name was Andrew. Isn’t that strange? You share a face and a name with a boy who died years before you were born.” My throat tightened. “He died? Andrew died?” Aunt Blythe looked at me. “Oh, dear,” she said, “I didn’t mean to frighten you.” “I’m not scared!” My voice came out as high and squeaky as a girl’s. Furious at myself for being such a baby, I leapt to my feet and headed for the stairs. “Slow down, Drew,” my aunt called. “You’ll go through the floor!” Before the words were out of her mouth, a board split under my weight, and I fell flat on my face. In seconds my aunt was beside me. “Are you all right?” she asked. “Did you hurt yourself?” “I’m fine.” Too embarrassed to meet her eyes, I peered into the hole I’d made.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
He did take her to the movies. They saw Father of the Bride. Grace hated it. She hated girls like Elizabeth Taylor in that movie, she hated spoiled rich girls of whom nothing was ever asked but that they wheedle and demand. Maury said that it was only supposed to be a comedy, but she said that was not the point. She could not make clear what the point was. Anybody would think that it was because she worked as a waitress and was too poor to go to college, and that if she wanted anything like that kind of wedding she would have to spend years saving up to pay for it herself. (Maury did think this, and was stricken with respect for her, almost with reverence.) She could not explain or quite understand that it wasn’t altogether jealousy she felt, it was rage. And not because she couldn’t shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men— people, everybody—thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she’d be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever. She was fuming about this while sitting beside a boy who had fallen in love with her because he had believed—instantly—in the integrity and uniqueness of her mind and soul, and had seen her poverty as a romantic gloss on that.
Alice Munro (Runaway)
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity. (That
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
We had to convince these guys to perform, but they were easy to win over.” She points to the curtain, and it opens slowly. “I give you the Reeds, performing to Taylor Swift’s ‘You Belong with Me.’” The curtain opens, and Paul, Matt, Logan, Sam, and Pete are all standing in a line. They’re all dressed in jeans and sleeveless T-shirts, and you can see all their tattoos and they’re so fucking handsome that I can’t even believe they’re mine. I see Hayley, Joey, and Mellie standing on the side of the stage, all waiting anxiously to watch their daddies and uncles. Seth starts the music, and he’s underlaid some kind of hip-hop track beneath the beat, but you can still pick out the music. It’s a song about unrequited love and realizing that what you wanted was right there in front of you the whole time, but you were being too stupid to see it. It’s told from a girl’s point of view, so some of the words don’t exactly fit the boys, but it makes it all the funnier. The Reeds have moves. Serious moves. I think everyone woman in the auditorium sits forward in her seat so she doesn’t miss seeing the shaking hips and flexing muscles. Paul even picks Matt up and spins him around one time, and Sam does the same to Pete. I can’t stop laughing. Even Logan dances, and I can imagine the kind of work it took for him to learn this routine when he can’t even hear the music the same way everyone else can. He can appreciate music, just in a different way. As the song starts to close, Matt, Pete, Logan, and Paul all point out at the audience when the words, “You belong with me,” play. Matt points to Sky. Pete points to Reagan, and Logan points to Emily, who is holding the baby in her lap. And Paul points in my direction. Those four men jump off the stage and come toward us. They sing and dance all the way down the aisle. Out of the corner of my eye, I see Kelly get up to intercept Paul, but he doesn’t even notice her. He points past her, and sings out the last line, “You belong with me,” in my ear. He picks me up and spins me around, and I have never felt more happiness in my whole life. The music stops, and everyone looks to the stage. Sam has sat down on the side of it, and he looks pretty dejected. He’s holding a sign above his head that says, Available. After this, he won’t be available for long, because every woman there now has a crush on all the Reeds, and he’s the only one who isn’t taken. I love that they can be so silly, and so loving, and so…them. They don’t hide it. They don’t make a game of it. They just love. They love hard. “I love you so hard,” I say to Paul. His eyes jerk to meet mine, and he almost looks surprised. “You do?” he asks. I nod. “I do.” “Will you come home tonight?” he asks quietly. I nod. “Good. That’s where you belong.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love.
Lisa Unger (In the Blood)
I don’t want anything to do with boys—I just want a tiny little girl, to dress up in soft, chic beige and pink and gray dresses and bounce in my lap. I wouldn’t get one of those top-heavy strollers but a sturdy one with a big basket on the bottom for when I’d go grocery shopping with her to make her baby food. All-organic porridge with a little bit of meat and mushrooms and beans and carrots. No salt or sugar until she’s at least two. Definitely no cookies or juice or television.
Frances Cha (If I Had Your Face)
When you fall in every way- to me, it’s not about love… I have a hard time believing in something that I don’t find too real for me or can trust… like papa said- I should. Times have changed. To me, it’s trying to keep it, after the fact. That's the color of Jenny, her skin is never that natural looking. What was the look on her face all about? Maddie begins giggling hysterically until she doubles over and has to cover her mouth with both hands. I don’t know what she could find funny. Then I see Ray and Justen are love drinks doing it on the pole table, with my little sis just eyeing it all up. She knows- Ray is my guy, and Justen is her new bestie. ‘God save me if you can hear me!’ I am ready to rip someone’s head off and the skin that goes with it. ‘I can’t believe it,’ she- my sis says. ‘I can’t believe it.’ She looks back at me- like I know your heart has broken. Justen looked at her and said- ‘OH MY GOD’ get her out of here. She was her to dance not see this. I grab her by the back of her short dress and take her into the next room and said. ‘It’s okay, everything is going to be fine no damn it go home!’ She said- ‘Know it’s not… Kar-ley I did a No-no!’ (She still baby talks.) You’re never going to forgive me. I said- ‘I know you had sex, for the first time tonight.’ She said- ‘Yes, but…’ I said- ‘But… what… go on.’ She starts subbing. She said- ‘It was Ray that did it to me, up in the master bedroom. He said- ‘That you would think it would be okay because I knew him.’ ‘So, I believed him.’ She added- During sex I bleed a lot out of there (and the point) and it hurt so much Karly, I cried the whole time. But I felt close to him… How was it I ask? And then she dropped the shocker of a lifetime. She said- ‘I think I am in love with your boyfriend, yet Justen just ripped him away. She asks me the most complex question ever coming from the mind of a ten-year-old. ‘So, which of us girls do you think he loves the most? Is it me, you or her?’ I said- ‘I don’t know… she looks puzzled by that… just like I could not believe that I didn’t say- me.’ Kellie said- I feel a little sore but other than that I am a hundred percent perfectly fine emotion Madilyn and physically, up till this point at least.’ I whispered in her ear- ‘Aww sis, boys will say anything to get you to do what they want. She has her head on my chest. No, I am not mad at you. I’ll take care of this, ‘I am not mad’- I said once more. On the other hand, inside I was pissed, she had the night that I have been planning for a long time.
Marcel Ray Duriez
The children hadn't any Mamma. She had died when Phil was a baby, four years before my story began. Katy could remember her pretty well; to the rest she was but a sad, sweet name, spoken on Sunday, and at prayer-times, or when Papa was especially gentle and solemn. In place of this Mamma, whom they recollected so dimly, there was Aunt Izzie, Papa's sister, who came to take care of them when Mamma went away on that long journey, from which, for so many months, the little ones kept hoping she might return. Aunt Izzie was a small woman, sharp-faced and thin, rather old-looking, and very neat and particular about everything. She meant to be kind to the children, but they puzzled her much, because they were not a bit like herself when she was a child. Aunt Izzie had been a gentle, tidy little thing, who loved to sit as Curly Locks did, sewing long seams in the parlor, and to have her head patted by older people, and be told that she was a good girl; whereas Katy tore her dress every day, hated sewing, and didn't care a button about being called "good," while Clover and Elsie shied off like restless ponies when any one tried to pat their heads. It was very perplexing to Aunt Izzie, and she found it hard to quite forgive the children for being so "unaccountable," and so little like the good boys and girls in Sunday-school memoirs, who were the young people she liked best, and understood most about.
Susan Coolidge (What Katy Did)
I was very aware that you were a girl, Ash. I was just scared, because the one person in the world who knew every secret I’d ever had also happened to be the most beautiful girl I’d ever known. My feelings for you were scary as hell.” I leaned down and kissed the frown between his brows. “Right now. Right here. I’m yours. Not Sawyer’s. He isn’t who I want. Right now all I want is you.” I chose my words carefully so we’d both understand my meaning. He took my waist and shifted his body so I was completely on top of him. I lowered my mouth to his and sighed as his hands found the hem of my dress and the warm pressure of his palms ran up my thighs. Tonight I would give myself to Beau because I wanted to. He was the town’s bad boy and I was the preacher’s daughter. It wasn’t supposed to happen this way. “Ash, I want you. Bad, very, very bad. But you deserve better than this.” I bent back down over him and kissed him again before pulling back enough to whisper, “It doesn’t get any better than this, Beau.” His hands cupped my bottom and shifted me so I could feel the pressure of his obvious arousal against the warmth between my thighs. “Please, Beau,” I cried out, not sure what I was begging for but knowing I needed more. His hands gripped my waist. “Hold on to me, baby. I’m going to take care of you.” The raspy need in his voice only made me more desperate.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
The front door flew open.   His gaze went there and he saw Margot swan in, Dave at her back carrying a pie.   She stopped, did a sweep of the place with her eyes, it halted on Izzy in his kitchen and her expression shifted straight to sheer bliss.   “Eliza!” she cried. “My darling girl! Could you be more adorable in that dress?”   As Johnny rolled up to his feet holding Brooks to him, Margot swept in, latched onto Izzy and hugged her like she was her favorite daughter who’d married a Russian who’d whisked her off to the cold of Siberia and she hadn’t seen her in a decade.   “Totally . . . dig . . . this chick,” Addie murmured.   Johnny moved their way as Margot let go of Izzy, assessed Addie, and Dave moved into Iz and gave her a hug, muttering, “Great to see you again, child.”   “You too, Dave,” she said back.   “You must be the sister,” Margot decreed.   “That I am,” Addie replied. “And you must be the awesome Margot.”   Margot arched a brow. “Awesome?”   “Izzy thinks your da bomb.”   “Did she use that vernacular?”   “No, she said, ‘I can’t wait for you to meet Margot. She’s class on a stick.’”   Margot’s face grew smug and she aimed a look Izzy’s way, murmuring demurely, “Darlin’.”   Izzy was blushing.   Johnny waded in.   “Let’s finish this up. Dave, this is Addie, Izzy’s sister. And guys, this is Brooks.” He lifted the baby a couple of inches. “Addie’s boy.”   “Oh . . . my . . . word! Look at that handsome child!” Margot lifted both hands his way. “Give him to me immediately, Johnathon.
Kristen Ashley (The Hookup (Moonlight and Motor Oil, #1))
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if u give a barbie doll to a baby girl, she would dress her up..... if u give a barbie doll to a baby boy, he would strip offf her clothes, get her naked and play with it as if it were a gun.....
Sneha Mehta