Eight Mountains Quotes

We've searched our database for all the quotes and captions related to Eight Mountains. Here they are! All 100 of them:

I don’t put up with the shit you’ve handed me the last week because you’re some fuckin’ piece I want to conquer. I put up with it because I’ve liked you since you were eight years old. You made me laugh. You understood me. You looked out for me when no one else fuckin’ bothered and you acted like you thought I could move mountains and I needed someone who thought that about me because my Dad sure as fuck didn’t.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
I'll be at your place tonight, seven thirty." "Does seven thirty mean our reservation is at eight?" "Eight fifteen, in case we hit traffic or weather." "Will this mean you'll turn into a pumpkin on the way back, considering we'll probably get home past your bedtime?" Silence then, "Now she gives me smartass and it's still fuckin' cute."
Kristen Ashley (Breathe (Colorado Mountain, #4))
And the Shadow fell upon the land, and the world was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon. And it came to pass in those days, as it had come before and would come again, that the Dark lay heavy on the land and weighed down the hearts of men, and the green things failed, and hope died. And men cried out to the Creator, saying, O Light of the Heavens, Light of the World, let the Promised One be born of the mountain, according to the prophecies, as he was in ages past and will be in ages to come. Let the Prince of the Morning sing to the land that green things will grow and the valleys give forth lambs. Let the arm of the Lord of the Dawn shelter us from the Dark, and the great sword of justice defend us. Let the Dragon ride again on the winds of time.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.
Tom Ryan (Following Atticus: Forty-Eight High Peaks, One Little Dog, and an Extraordinary Friendship)
I’m sixty-eight” he said, “I first bucked hay when I was seventeen. I thought, that day I started, I sure would hate to do this all my life. And dammit, that’s just what I’ve gone and done.
Gary Snyder (Riprap and Cold Mountain Poems)
(a) Are the skies you sleep under likely to open up for weeks on end? (b) Is the ground you walk on likely to tremble and split? (c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason? Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.
Zadie Smith
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
From my father I had learned, long after I had stopped following him along the paths, that in certain lives there are mountains to which we may never return. That in lives like his and mine, you cannot go back to the mountain that is in the center of all the rest, and at the beginning of your own story. And that wandering around the eight mountains is all that remains for those who, like us, on the first and highest, have lost a friend
Paolo Cognetti (Le otto montagne)
On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.
Kim Edwards (The Memory Keeper's Daughter)
We can spend sixty-eight thousand dollars per TB patient in New York City, but if you start giving watches or radios to patients here, suddenly the international health community jumps on you for creating nonsustainable projects.
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World)
As they say: sometimes you have to take a step backwards in order to move forwards. That is, if you have the humility to admit it to yourself.
Paolo Cognetti (Le otto montagne)
If the point at which you immerse yourself in the river is the present, I thought, then the past is the water that has flowed past you, that which has gone downstream and where there is nothing left for you; whereas the future is the water that comes down from above, bringing dangers and surprises. The past is in the valley, the future is in the mountains.
Paolo Cognetti (Le otto montagne)
Because the universe was full of ignorance all around and the scientist panned through it like a prospector crouched over a mountain stream, looking for the gold of knowledge among the gravel of unreason, the sand of uncertainty and the little whiskery eight-legged swimming things of superstition.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
A number of years ago I had some experience with being alone. For two succeeding years I was alone each winter for eight months at a stretch in the Sierra Nevada mountains on Lake Tahoe. I was the caretaker on a summer estate during the winter months when it was snowed in. And I made some observations then. As time went on I found that my reactions thickened. Ordinarily I am a whistler. I stopped whistling. I stopped conversing with my dogs, and I believe that the subtleties of feeling began to disappear until finally I was on a pleasure-pain basis. Then it occurred to me that the delicate shades of feeling, of reaction, are the result of communication, and without such communication they tend to disappear. A man with nothing to say has no words. Can its reverse be true- a man who has no one to say anything to has no words as he has no need for words? ... Only through imitation do we develop toward originality.
John Steinbeck (Travels with Charley: In Search of America)
You find your place in the world much less predictably than you'd imagine.
Paolo Cognetti (Le otto montagne)
I will change the mountains because Jesus changed the eight mountains and I will at the mounatain.
JOEL NYARANGI AKOYA
…imagine that the earth—four thousand six hundred million years old—[were] a forty-six-year-old woman…. It had taken the whole of the Earth Woman’s life for the earth to become what it was. For the oceans to part. For the mountains to rise. The Earth Woman was eleven years old…when the first single-celled organisms appeared. The first animals, creatures like worms and jellyfish, appeared only when she was forty. She was over forty-five—just eight months ago—when dinosaurs roamed the earth. The whole of human civilization as we know it began only two hours ago in the Earth Woman’s life…. It was an awe-inspiring and humbling thought…that the whole of contemporary history, the World Wars, the War of Dreams, the Man on the Moon, science, literature, philosophy, the pursuit of knowledge—was no more than a blink of the Earth Woman’s eye.
Arundhati Roy (The God of Small Things)
By then Ser Gregor Clegane was in position at the head of the lists. He was huge, the biggest man that Eddard Stark had ever seen. Robert Baratheon and his brothers were all big men, as was the Hound, and back at Winterfell there was a simpleminded stableboy named Hodor who dwarfed them all, but the knight they called the Mountain That Rides would have towered over Hodor. He was well over seven feet tall, closer to eight, with massive shoulders and arms thick as the trunks of small trees. His destrier seemed a pony in between his armored legs, and the lance he carried looked as small as a broom handl
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
And the Shadow fell upon the Land, and the World was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
And the Shdaow fell upon the Land, and the World was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon. - from Aleth nin Taerin alta Camora, The Breaking of the World. Authoer unknown, the Fourth Age.
Brandon Sanderson (A Memory of Light (The Wheel of Time, #14))
I’ve done peyote in Real de Catorce, Mexico, in a cage with a mountain lion. I’ve had seventy-eight stitches sewn into my forehead, by a veterinarian. I’ve had four concussions from falling out of four trees, three of them on a full moon. I’ve bongoed naked until the cops arrested me.
Matthew McConaughey (Greenlights)
harsh winters. If this calf was born in May or June of last year, it might have been eight months old now. The cow, its mother, was
Charles Martin (The Mountain Between Us)
We should measure our children not by the mountains they conquer but by their efforts to climb. Oh - and let them pick which hills to scale.
Ron Fournier (Love That Boy: What Two Presidents, Eight Road Trips, and My Son Taught Me About a Parent's Expectations)
They knew where they were headed but they didn’t know where they were going. Retina shrugged the thought. Roma complained about the possibility they were walking into a trap. After all, he was one of the scientists that decided Solstice’s fate. Retina was adamant no one knew him. Lorenzo didn’t care about anything much but reaching Zharfar after Retina surgically removed his Unicell Groper. They were headed to Africa in what seemed a semi commercial private plane. Eight people including the pilots travelled. They weren’t supposed to know any more particulars. But Lorenzo’s watch placed the coordinates in both numbers and words. They were in West Africa, country Nigeria, state Osun, and township Isura. None of them had ever heard of it, the town, but they were there. And they had travelled for miles, over highly forested nonresidential areas and mountain peaks before they stopped. Wherever they were going was greatly isolated, Roma thought.
Dew Platt
Like Michelangelo spending eight months in the mountains of Carrara, selecting the most perfect blocks of marble for the tomb of Pope Julius II, Françoise, who attached extreme importance to the inherent quality of the materials out of which her masterpieces were to be wrought, had been down to Les Halles in person more than once to choose the finest slabs of rump steak, the best shin of beef and calf’s foot. She threw herself so strenuously into this pursuit that my mother, seeing our old servant turn red in the face, feared that, as the sculptor of the Medici tombs had sickened in the quarries at Pietrasanta, she might make herself ill from overwork. (p. In the Shadow of Young Girls in Flower, 17)
Marcel Proust (In the Shadow of Young Girls in Flower)
Moscow,” he said, “was built to make people feel small against the magnificence of the revolution. The streets are eight lanes wide, the statues are five stories high, the buildings are as big as mountains. But this—look at it, Shemenkov
Stuart M. Kaminsky (Hard Currency (Porfiry Rostnikov #9))
I feel like it's a very indiscriminate 'hey.' I feel like these guys go through and 'hey' at eight hundred women, and they see who will 'hey' back. like they're blowing a horn at the top of a mountain and waiting for goats to come running.
Linda Holmes (Flying Solo)
You were contemplating the mountain, Mr. Conway?" Came the inquiry. "Yes, it's a fine sight. It has a name, I suppose?" "It is called Karakal" "I don't think I've ever heard of it. Is is very high?" "Over twenty-eight thousand feet." "Indeed? I didn't realize there would be anything on that scale outside the Himalayas. Has it been properly surveyed? Whose are the measurements?" "Whose would you expect, my dear sir? Is there anything incompatible between monasticism and trigonometry?
James Hilton (Lost Horizon)
The boy Weneluke wove hand patterns with a string, working skillfully into abstract designs on all eight fingers: one of these represented a man and woman facing each other, and, by manipulating each sex, he arrived at a nice parody of copulation.
Peter Matthiessen (Under the Mountain Wall: A Chronicle of Two Seasons in Stone Age New Guinea)
After the mountains, I found that when my blood sugar levels were between 140 and 180, I was strong during my pulls--and felt refreshed and ready to go for the next ones. Same with Joe. This was a vital piece of information for all eight of us and we immediately spread the word among our teammates. Working out the diabetes strategy was as important as our race strategy. Bike-racing teams ahve to worry about a lot of things; Team Type 1 has to worry about all those same things plus a potentially life-threatening disease.
Phil Southerland (Not Dead Yet: My Race Against Disease: From Diagnosis to Dominance)
There seemed no answer. He wasn't resigned to anything, he hadn't accepted or adjusted to the life he'd been forced into. Yet here he was, eight months after the plague's last victim, nine since he's spoken to another human being, ten since Virginia had died. Here he was with no future and a virtually hopeless present. Still plodding on. Instinct? Or was he just stupid? Too unimaginative to destroy himself? Why hadn't he done it in the beginning when he was in the very depths? What had impelled him to enclose the house, install a freezer, a generator, an electric stove, a water tank, build a hothouse, a workbench, burn down the houses on each side of his, collect records and books and mountains of canned supplies, even - it was fantastic when you thought about it - even put a fancy mural on the wall? Was the life force something more than words, a tangible, mind-controlling potency? Was nature somehow, in him, maintaining its spark against its own encroachments? He closed his eyes. Why think, why reason? There was no answer. His continuance was an accident and an attendant bovinity. He was just too dumb to end it all, and that was about the size of it.
Richard Matheson (I Am Legend)
March 1996, Outside magazine sent me to Nepal to participate in, and write about, a guided ascent of Mount Everest. I went as one of eight clients on an expedition led by a well-known guide from New Zealand named Rob Hall. On May 10 I arrived on top of the mountain, but the summit came at a terrible cost.
Jon Krakauer (Into Thin Air)
And ever since the day before, Françoise, rejoicing in the opportunity to devote herself to that art of cooking at which she was so gifted, stimulated, moreover, by the prospect of a new guest, and knowing that she would have to compose, by methods known to her alone, a dish of boeuf à la gelée, had been living in the effervescence of creation; since she attached the utmost importance to the intrinsic quality of the materials which were to enter into the fabric of her work, she had gone herself to the Halles to procure the best cuts of rump-steak, shin of beef, calves’-feet, just as Michelangelo spent eight months in the mountains of Carrara choosing the most perfect blocks of marble for the monument of Julius II.
Marcel Proust (In Search of Lost Time, Volume II: Within a Budding Grove (A Modern Library E-Book))
The God who made the stars, the seas, the mountains and its peaks, the universe and its galaxies felt this world would be incomplete without you and without me. Do you see how you are a puzzle piece in the whole—how without you here, there would be a hole? Your body is not just a clay tent that you live in, it’s a piece of the universe you have been given. You are not a small star, you are a reflection of the entire cosmos. Can you hear the big bang in your heart? Eighty times a minute God knocks on the doors of your chest, to remind you that He has never left, and that He is closer to you than the jugular vein in your neck (50:16). Every moment is divinely blessed, for this very moment God is blowing the breath of life through eight billion different human chests. You are not just star dust and dirt, you are a reflection of God’s beauty on Earth. You are not this mortal body that death will one day take. You are an everlasting spirit held in the mortal embrace of clay. You are not a human being meant to be spiritual, you are a spiritual being living this human being miracle.” ARU BARZAK, POET
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Inspirational Islamic Books Book 2))
The Himalayas grew against the force of Earth’s gravity because of the resilience of crustal rock. But before you get excited about Earth’s mighty mountains, you should know that the spread in height from the deepest undersea trenches to the tallest mountains is about a dozen miles, yet Earth’s diameter is nearly eight thousand miles. So, contrary to what it looks like to teeny humans crawling on its surface, Earth, as a cosmic object, is remarkably smooth. If you had a super-duper, jumbo-gigantic finger, and you dragged it across Earth’s surface (oceans and all), Earth would feel as smooth as a cue ball. Expensive globes that portray raised portions of Earth’s landmasses to indicate mountain ranges are gross exaggerations of reality.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
One of the greatest accusations against us by the cult was that we were “broad brushing” all the IFB churches, but with an estimated eight to ten thousand survivors speaking out on the Internet, telling the same stories from their experiences within IFB churches from all over the country, we finally put that accusation to rest. Dozens of public and private Facebook groups and blogs are now highlighting their abuses. That was precisely what the mob bosses feared: We could prove the entire cult was rife with sexual abuse cover-ups and we had a mountain of evidence to back up our assertions. To my knowledge there is no religious cult anywhere with more people speaking out through social media about their physical, emotional, sexual, and spiritual abuse than the former members of the IFB.
Jocelyn R. Zichterman (I Fired God: My Life Inside---and Escape from---the Secret World of the Independent Fundamental Baptist Cult)
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
THE EIGHT PRINCIPLES OF UNCIVILISATION 1. We live in a time of social, economic and ecological unravelling. All around us are signs that our whole way of living is already passing into history. We will face this reality honestly and learn how to live with it. 2. We reject the faith which holds that the converging crises of our times can be reduced to a set of ‘problems’ in need of technological or political ‘solutions’. 3. We believe that the roots of these crises lie in the stories we have been telling ourselves. We intend to challenge the stories which underpin our civilisation: the myth of progress, the myth of human centrality, and the myth of our separation from ‘nature’. These myths are more dangerous for the fact that we have forgotten they are myths. 4. We will reassert the role of storytelling as more than mere entertainment. It is through stories that we weave reality. 5. Humans are not the point and purpose of the planet. Our art will begin with the attempt to step outside the human bubble. By careful attention, we will reengage with the non-human world. 6. We will celebrate writing and art which is grounded in a sense of place and of time. Our literature has been dominated for too long by those who inhabit the cosmopolitan citadels. 7. We will not lose ourselves in the elaboration of theories or ideologies. Our words will be elemental. We write with dirt under our fingernails. 8. The end of the world as we know it is not the end of the world full stop. Together, we will find the hope beyond hope, the paths which lead to the unknown world ahead of us.
Paul Kingsnorth (Uncivilisation: The Dark Mountain Manifesto)
A recent study of common frogs living near Ithaca, New York, for example, found that four out of six species were calling—which is to say, mating—at least ten days earlier than they used to, while at the Arnold Arboretum, in Boston, the date of peak blooming for spring-flowering shrubs has advanced, on average, by eight days. In Costa Rica, birds like the keel-billed toucan (Ramphastos sulfuratus), once confined to the lowlands, have started to nest on mountain slopes; in the Alps, plants like purple saxifrage (Saxifraga oppositifolia) and Austrian draba (Draba fladnizensis) have been creeping up toward the summits; and in the Sierra Nevada of California, the average Edith’s Checkerspot butterfly (Euphydryas editha) can now be found at an elevation three hundred feet higher than it was a hundred years ago. Any one of these changes could, potentially, be a response to purely local conditions—shifts, say, in regional weather patterns or in patterns of land use. The only explanation that anyone has proposed that makes sense of them all, though, is global warming.
Elizabeth Kolbert (Field Notes from a Catastrophe)
The town of North Falls consisted of twenty-eight square miles positioned on a high plateau in the southern region of the Green Mountain range. It had the highest altitude of any village in the state, which meant the snow came early and it came often. It also meant that the first thing anybody noticed about the town was the church steeple. The rotting whitewashed wood and the slatted oval window and the copper spire all connected to the simple wood framing. It was the highest point in the state, and people liked to say that it was closer to God than anywhere else in Vermont. Not that it did the town much good.
Ian Pisarcik (Before Familiar Woods)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In An Instant)
Religious folk worldwide agree that something has gone awry. They part company, however, when it comes to stating just what has gone wrong, and they diverge sharply when they move from diagnosing the human problem to prescribing how to solve it. Christians see sin as the problem, and salvation from sin as the religious goal. Buddhists see suffering (which, in their tradition, is not ennobling) as the problem, and liberation from suffering as the religious goal. If practitioners of the world's religions are all mountain climbers, then they are on very different mountains, climbing very different peaks, and using very different tools and techniques in their ascents.
Stephen Prothero (God Is Not One: The Eight Rival Religions That Run the World--and Why Their Differences Matter)
Timing is something that none of us can seem to get quite right with relationships. We meet the person of our dreams the month before they leave to go study abroad. We form an incredibly close friendship with an attractive person who is already taken. One relationship ends because our partner isn’t ready to get serious and another ends because they’re getting serious too soon. “It would be perfect,” We moan to our friends, “If only this were five years from now/eight years sooner/some indistinct time in the future where all our problems would take care of themselves.” Timing seems to be the invariable third party in all of our relationships. And yet we never stop to consider why we let timing play such a drastic role in our lives. Timing is a bitch, yes. But it’s only a bitch if we let it be. Here’s a simple truth that I think we all need to face up to: the people we meet at the wrong time are actually just the wrong people. You never meet the right people at the wrong time because the right people are timeless. The right people make you want to throw away the plans you originally had for one and follow them into the hazy, unknown future without a glance backwards. The right people don’t make you hmm and haw about whether or not you want to be with them; you just know. You know that any adventure you had originally planned out for your future isn’t going to be half as incredible as the adventures you could have by their side. That no matter what you thought you wanted before, this is better. Everything is better since they came along. When you are with the right person, time falls away. You don’t worry about fitting them into your complicated schedule, because they become a part of that schedule. They become the backbone of it. Your happiness becomes your priority and so long as they are contributing to it, you can work around the rest. The right people don’t stand in the way of the things you once wanted and make you choose them over them. The right people encourage you: To try harder, dream bigger, do better. They bring out the most incredible parts of yourself and make you want to fight harder than ever before. The right people don’t impose limits on your time or your dreams or your abilities. They want to tackle those mountains with you, and they don’t care how much time it takes. With the right person, you have all of the time in the world. The truth is, when we pass someone up because the timing is wrong, what we are really saying is that we don’t care to spend our time on that person. There will never be a magical time when everything falls into place and fixes all our broken relationships. But there may someday be a person who makes the issue of timing irrelevant. Because when someone is right for us, we make the time to let them into our lives. And that kind of timing is always right.
Heidi Priebe (This Is Me Letting You Go)
With her mind, Arya tells Eragon that she has been ferrying Saphira’s egg between the elves and the Varden, in the hopes that it might hatch for one of their children. However, during her last trip, she was ambushed by Durza and forced to send the egg elsewhere with magic, which is how it came to Eragon. Now Arya is seriously wounded and requires the Varden’s medical help. Using mental images, she shows Eragon how to find the rebels. An epic chase ensues. Eragon and his friends traverse almost four hundred miles in eight days. They are pursued by a contingent of Urgals, who trap them in the towering Beor Mountains. Murtagh, who had not wanted to go to the Varden, is forced to tell Eragon that he is the son of Morzan.
Christopher Paolini (Eldest (Inheritance, #2))
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King
My friends, I have been asked to show you my heart. I am glad to have a chance to do so. I want the white people to understand my people. Some of you think an Indian is like a wild animal. This is a great mistake. I will tell you all about our people, and then you can judge whether an Indian is a man or not. I believe much trouble would be saved if we opened our hearts more. I will tell you in my way how the Indian sees things. The white man has more words to tell you how they look to him, but it does not require many words to speak the truth. What I have to say will come straight from my heart, and I will speak with a straight tongue. The Great Spirit is looking at me, and will hear me. My name is In-mut-too-yah-lat-lat [Thunder Traveling over Mountains]. I am chief of the Wal-lamwat- kin band of the Chute-pa-lu, or Nez Perce. I was born in eastern Oregon, thirty-eight winters ago. My father was chief before me. When a young man, he was called Joseph by Mr. Spaulding, a missionary. He died a few years ago. He left a good name on earth. He advised me well for my people. Our fathers gave us many laws, which they had learned from their fathers. These laws were good. They told us to treat all men as they treated us, that we should never be the first to break a bargain, that it was a disgrace to tell a lie, that we should speak only the truth, that it was a shame for one man to take from another his wife or his property without paying for it. We were taught to believe that the Great Spirit sees and hears everything, and that He never forgets; that hereafter
Kent Nerburn (The Wisdom of the Native Americans: Including The Soul of an Indian and Other Writings of Ohiyesa and the Great Speeches of Red Jacket, Chief Joseph, and Chief Seattle)
Why don't they read him more? I have him in eight volumes; none of your little books of selections, which somehow take away all his true flavour, but every bit of him from beginning to end. Nobody ever made so many couplets that fit in to so many occasions of one's life. I believe I could describe my daily life with Mrs. Barnes and Dolly entirely in couplets from Crabbe. It is the odd fate of his writings to have turned by the action of time from serious to droll. He decomposes, as it were, hilariously. I lay for hours this afternoon enjoying his neat couplets. He enchants me. I forget time when I am with him. It was Crabbe who made me late for supper. But he is the last person one takes out for a walk with one if one isn't happy. Crabbe is a barometer of serenity. You have to be in a cloudless mood to enjoy him. I was in that mood to-day. I had escaped.
Mary Annette Von Arnim (In the Mountains)
The eight-man expedition was pinned down in a ferocious blizzard high on K2, waiting to make an assault on the summit, when a team member named Art Gilkey developed thrombophlebitis, a life-threatening altitude-induced blood clot. Realising that they would have to get Gilkey down immediately to have any hope of saving him, Schoening and the others started lowering him down the mountain's steep Abruzzi Ridge as the storm raged. At 25,000 feet, a climber named George Bell slipped and pulled four others off with him. Reflexively wrapping the rope around his shoulders and ice ax, Schoening somehow managed to single-handedly hold on to Gilkey and simultaneously arrest the slide of the five falling climbers without being pulled off the mountain himself. One of the more incredible feats in the annals of mountaineering, it was known forever after simply as The Belay.
Jon Krakauer (Into Thin Air: A Personal Account of the Mount Everest Disaster)
I come here sometimes just to be in the presence of such ancient beings. The sides of the boulder are festooned with Umbilicaria americana in raggedy ruffles of brown and green, the most magnificent of northeastern lichens. Unlike those of its tiny crustose forebearers, the Umbilicaria’s thallus—its body—can span an outstretched hand. The largest one recorded was measured at just over two feet. Light streams through holes over the heads of young trees while their grandmothers loom in shadows, great buttressed trunks eight feet in diameter. You want to be quiet in instinctive deference to the cathedral hush and because nothing you could possibly say would add a thing. Here is where the fog drips. Here is where the moisture laden air from the Pacific rises against the mountains to produce upward of one hundred inches of rain a year, watering an ecosystem rivaled nowhere else on earth. The biggest trees in the world. Trees that were born before Columbus sailed.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
- Then tell me of your long journey home, Ada said. Inman thought about it, but then he let himself imagine he had at last come out on the far side of trouble and had no wish to revisit it, so he told only how along the way he watched the nights of the moon and counted them out to twenty-eight and then started over, how he watched Orion climb higher up the slope of sky night by night, and how he had tried to walk with no hope and no fear but had failed miserably, for he had done both. But how on the best days of walking he achieved some success in matching his thoughts to the weather, dark or bright, so as to attune with what freak of God's mind sent cloud or shine. Then he added, I met a number of folks on the way. There was a goatwoman that fed me, and she claimed it's a sign of God's mercy that He won't let us remember the reddest details of pain. He knows the parts we can't bear and won't let our minds render them again. In time, from disuse, they pale away. At least such was her thinking. God lays the unbearable on you and then takes some back.
Charles Frazier (Cold Mountain)
game hunting was flourishing; and, dining at Muthaiga Club, I was offered trout freshly caught in the mountains, together with some last bottles of a particularly fragrant Rhine wine. Not since that last bright summer in Paris in 1939, when the wealthy of the world came flocking to spend their money lest they should not visit Paris again, had I seen women so well groomed, wearing so many lush furs. Baboon pelts and leopard skins were particularly popular. Great log fires burned in the grates of the club chimney places, though the nights were scarcely sharp. The men wore dinner-jackets or dress uniform. The conversation tended to hunting. In the day one had golf at Brackenridge, or swimming or riding or fooling round the game reserves where giraffe still roam haphazardly. Normally one looked in at a roadhouse for an apéritif around eight in the evening, and after dinner perhaps went down to Torr’s to dance. They say the altitude at Nairobi makes people slightly crazy, but after the desert I found it all delightful, as though the world were enjoying one long holiday. As
Alan Moorehead (Desert War: The North African Campaign 1940-43)
During forced exercise one day, Louie fell into step with William Harris, a twenty-five-year-old marine officer, the son of marine general Field Harris. Tall and dignified, with a face cut in hard lines, Harris had been captured in the surrender of Corregidor in May 1942. With another American,* he had escaped and embarked on an eight-and-a-half-hour swim across Manila Bay, kicking through a downpour in darkness as fish bit him. Dragging himself ashore on the Japanese-occupied Bataan Peninsula, he had begun a run for China, hiking through jungles and over mountains, navigating the coast in boats donated by sympathetic Filipinos, hitching rides on burros, and surviving in part by eating ants. He had joined a Filipino guerrilla band, but when he had heard of the American landing at Guadalcanal, the marine in him had called. Making a dash by boat toward Australia in hopes of rejoining his unit, he had gotten as far as the Indonesian island of Morotai before his journey ended. Civilians had turned him in to the Japanese, who had discovered that he was a general’s son and sent him to Ofuna. Even here, he was itching to escape.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.
Tana French (The Likeness (Dublin Murder Squad, #2))
No, I didn't. But I was aware that I was embarked on an epic. In the case of the Bradstreet poem, I didn't know. The situation with that poem was this. I invented the stanza in '48 and wrote the first stanza and the first three lines of the second stanza, and then I stuck. I had in mind a poem roughly the same length as another of mine, “The Statue”—about seven or eight stanzas of eight lines each. Then I stuck. I read and read and read and thought and collected notes and sketched for five years until, although I was still in the second stanza, I had a mountain of notes and draftings—no whole stanzas, but passages as long as five lines. The whole poem was written in about two months, after which I was a ruin for two years. When I finally got going, I had this incredible mass of stuff and a very good idea of the shape of the poem, with the exception of one crucial point, which was this. I'll tell you in a minute why and how I got going. The great exception was this: It did not occur to me to have a dialogue between them—to insert bodily Henry into the poem . . . Me, to insert me, in my own person, John Berryman, I, into the poem . . .
John Berryman
How much are you asking for it?" "It is a durable and dependable storage device. Many of my customers appreciate items that are incognito. With the size and craftsmanship involved, the price should be eighty platinum, but I am only asking for sixty," Vuitton said. Hugo winced. He didn’t have that much. He said, "That might be reasonable for a ring with ten cubic feet of easily accessible space, but this is eight separate storage spaces. That really limits its usefulness. I was thinking twenty-five would be much more reasonable." "I am afraid reason has left you then. I couldn’t part with it for anything less than fifty," the impundulu said haughtily as sparks of lightning danced across his hair. "Ah, I understand. It must have some sentimental value to you. I couldn’t pay more than thirty for it, since I am not a sentimental man," Hugo said. "Storage items never lose value. You can buy this today and your grandson will thank you for it a hundred years from now. Why not pay the forty-five platinum now and invest in your future?" he replied. "My grandson will need to eat. Let me keep five plat for him and I will give you the forty," Hugo said with a smile. "You drive a hard bargain, honored customer. Forty will suffice
Adam Sampson (Final Prestige (The Mage of Shimmer Mountain, #3))
The Lama of the Crystal Monastery appears to be a very happy man, and yet I wonder how he feels about his isolation in the silences of Tsakang, which he has not left in eight years now and, because of his legs, may never leave again. Since Jang-bu seems uncomfortable with the Lama or with himself or perhaps with us, I tell him not to inquire on this point if it seems to him impertinent, but after a moment Jang-bu does so. And this holy man of great directness and simplicity, big white teeth shining, laughs out loud in an infectious way at Jang-bu’s question. Indicating his twisted legs without a trace of self-pity or bitterness, as if they belonged to all of us, he casts his arms wide to the sky and the snow mountains, the high sun and dancing sheep, and cries, 'Of course I am happy here! It’s wonderful! Especially when I have no choice!' In its wholehearted acceptance of what is, this is just what Soen Roshi might have said: I Feel as if he had struck me in the chest. I thank him, bow, go softly down the mountain: under my parka, the folded prayer flag glows. Butter tea and wind pictures, the Crystal Mountain, and blue sheep dancing on the snow - it's quite enough! Have you seen the snow leopard? No! Isn't that wonderful?
Peter Matthiessen (The Snow Leopard)
Gánga fram to go forward, blöthr to stop, hlaupa if needs you must run, and gánga aptr to go back. You can give more precise instructions if you know more of the ancient language.” He led Eragon to a horse and said, “This is Folkvír. Hold out your hand.” Eragon did, and the stallion snorted, flaring his nostrils. Folkvír sniffed Eragon’s palm, then touched it with his muzzle and allowed Eragon to stroke his thick neck. “Good,” said Narí, appearing satisfied. The elf had Orik do the same with the next horse. As Eragon mounted Folkvír, Saphira drew closer. He looked up at her, noting how troubled she still seemed from the night. One more day, he said. Eragon … She paused. I thought of something while I was under the influence of the elves’ spell, something that I have always considered of little consequence, but now looms within me like a mountain of black dread: Every creature, no matter how pure or monstrous, has a mate of their own kind. Yet I have none. She shuddered and closed her eyes. In this regard, I am alone. Her statements reminded Eragon that she was barely more than eight months old. On most occasions, her youth did not show—due to the influence of her hereditary instincts and memories—but, in this arena, she was even more inexperienced than he was with his feeble stabs at romance in Carvahall and Tronjheim. Pity
Christopher Paolini (Eldest (Inheritance, #2))
Rip ran a hand through his dusty brown hair and tried to imagine what Larsen had found. Larsen’s words “a Cosega find” had been playing over in his mind almost constantly since he’d heard them. Cosega was the reason that Rip became an archaeologist. The Jeep’s motor whined as it pushed over the unmaintained road. Rip’s thoughts drifted to the past. They always did when he was in the mountains. Fifteen years earlier he had graduated from the University of Pennsylvania with honors after publishing a series of papers on the prehistory of man. His first break came when billionaire Booker Lipton, a Penn alumnus who had amassed a fortune through brutal corporate takeovers and a variety of other business dealings, immediately offered him funding. Rip had skipped the “cap and gown nonsense,” as he called it, and was already in Africa when his degree caught up with him. His first human origins digs were featured in an eight-page layout for National Geographic. Within a few years Archaeology Magazine had twice detailed his findings for cover stories. He taught courses at three different universities, and often shared his expertise on news and talk shows. Then, four years ago, he published a paper on the creation stories of all known Native American tribes entitled: Cosega. The controversy that erupted after had almost ended his career. Not yet forty, Ripley had already achieved more than the greats
Brandt Legg (Cosega Search (The Cosega Sequence, #1))
She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
It is no surprise, then, that the earth deities of the Old Religion were demonized or co-opted. A typical task for Greek heroes was to rid the civilized world of those “earth-born bogeys.” The Gorgon Medusa, whose gaze turned men to stone, became an obvious target. Nevertheless, on the periphery of the Greek world, there is evidence that She was venerated in her ancient powers. During the 6th century BCE on the island of Corfu, an eight-foot-high full-bodied sculpture of Medusa was placed at the highest point on the pediment of the temple of Artemis. This Medusa is not raging, but is radiant in her full potency. Snakes with open jaws extend from each side of her head and two copulating serpents encircle her waist, carrying the potential for both death and new life. She wears winged sandals, her great wings are fully extended, sheltering her two children, and her bent-knee posture suggests that she is flying. All shamanic dimensions are Hers—the Great Above, the Great Below, the Primordial Waters, and the entire expanse of the Earth. She is flanked by great felines, just as the Phrygian Mountain Goddess Cybele and the seated Ancestral Mother from Çatalhöyük before her.'' ''The establishment of the Greek patriarchal world shifted the previous cultural valence from the egalitarian continuity of the Old Religion to the extreme imposition of male dominance and the cult of the hero. Under this new world order, all challenges to male hegemonic systems were to be crushed. As the classicist Eva Keuls emphasizes, “the suppression of women, the military expansionism and the harshness in the conduct of civic affairs all sprang from a common aggressive impulse.” That impulse was the expression of “male supremacy and the cult of power and violence.
Joan Marler (Re-visioning Medusa: from Monster to Divine Wisdom)
Fuel your body. Think about your environment as an ecosystem. If there’s pollution, you’ll feel the toxic side effects; if you’re in the fresh air of the mountains, you’ll feel alive. You’d be surprised at how many of the foods that we eat actually sap our body of fuel. Just look at three quick examples: soda, potato chips, and hamburgers. I’m not a hard-liner who says that you should never consume these things, but this kind of steady diet will make it harder for your body to help you. Instead, look at the foods that are going to give you energy. Choose food that’s water soluble and easier for your body to break down, which gives you maximum nutrition with minimal effort. Look at a cucumber: it’s practically water and it takes no energy to consume, but it’s packed with nutrients. Green for me is the key. We overeat and undernourish ourselves way too much. When you eat bad food, your body will feel bad and then you will feel bad. It’s all connected. I drink green juice every day and eat huge salads. I am also a big believer in lean protein to feed and fuel the muscles--I might even have a chicken breast for breakfast. Growing up, because I danced every single day, I would basically eat anything I wanted and I wouldn’t gain any weight. I would eat anything and everything trying to put on a few pounds, but it never worked--and my skin was terrible as a result of it. We’d blame it on the sweat from the dancing, but I never connected it to what I ate. As I got older, I started to educate myself more about food. I learned that I need to alkalize my body. It’s never about how I look. Instead, I go by how I feel. I notice immediately how good, clean food boosts my energy while junk makes me feel lethargic. I’m also a huge believer in hydrating. Forget about eight glasses of water a day; I drink eight glasses before noon!
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The river’s isolation and secrecy, however, were only part of what made it superlative. There was also its vertical drop. The Colorado’s watershed encompasses a series of high-desert plateaus that stretch across the most austere and hostile quarter of the West, an area encompassing one-twelfth the landmass of the continental United States, whose breadth and average height are surpassed only by the highlands of Tibet. Each winter, storms lumbering across the Great Basin build up a thick snowpack along the crest of the mountains that line the perimeter of this plateau—an immense, sickle-shaped curve of peaks whose summits exceed fourteen thousand feet. As the snowmelt cascades off those summits during the spring and spills toward the Sea of Cortés, the water drops more than two and a half miles. That amounts to eight vertical feet per horizontal mile, an angle that is thirty-two times steeper than that of the Mississippi. The grade is unequaled by any major waterway in the contiguous United States and very few long stretches of river beyond the Himalayas. (The Nile, in contrast, falls only six thousand feet in its entire four-thousand-mile trek to the Mediterranean.) Also unlike the Nile, whose discharge is generated primarily by rain, the engine that drives almost all of this activity is snow. This means that the bulk of the Colorado’s discharge tends to come down in one headlong rush. Throughout the autumn and the winter, the river might trickle through the canyonlands of southern Utah at a mere three thousand cubic feet per second. With the melt-out in late May and early June, however, the river’s flow can undergo spectacular bursts of change. In the space of a week, the level can easily surge to 30,000 cfs, and a few days after that it can once again rocket up, surpassing 100,000 cfs. Few rivers on earth can match such manic swings from benign trickle to insane torrent. But the story doesn’t end there, because these savage transitions are exacerbated by yet another unusual phenomenon, one that is a direct outgrowth of the region’s unusual climate and terrain. On
Kevin Fedarko
Eventually, two Swedish climbers and a Sherpa called Babu Chiri found Mick. By chance--by God’s grace--Babu was carrying a spare canister of oxygen. Neil and Pasang had also now descended, and met up with Mick and the others. Neil then located an emergency cache of oxygen half-buried in the snow nearby. He gave one to Alan and forced both him and Mick to their feet. Slow and tired, his mind wandering in and out of consciousness, Mick remembers little about the next few hours. It was just a haze of delirium, fatigue, and cold. Descending blue sheet ice can be lethal. Much more so than ascending it. Mick staggered on down, the debilitating effects of thin air threatening to overwhelm him. Somewhere beneath the Balcony Mick suddenly felt the ground surge beneath him. There was a rush of acceleration as the loose topping of snow--covering the blue ice--slid away under him. He began to hurtle down the sheer face on his back, and then made the all-too-easy error of trying to dig in his crampons to slow the fall. The force catapulted him into a somersault, hurtling him ever faster down the steep ice and snow face. He resigned himself to the fact that he would die. He bounced and twisted, over and over, and then slid to a halt on a small ledge. Then he heard voices. They were muffled and strange. Mick tried to shout to them but nothing came out. The climbers who were now at the col then surrounded him, clipped him in, and held him. He was shaking uncontrollably. When Mick and Neil reached us at camp two, forty-eight hours later, they were utterly shattered. Different men. Mick just sat and held his head in his hands. That said it all. That evening, as we prepared to sleep, he prodded me. I sat up and saw a smile spread across his face. “Bear, next time, let me choose where we go on holiday--all right?” I began to laugh and cry at the same time. I needed to. So much had been kept inside. The next morning, Mick, Neil, and Geoffrey left for base camp. Their attempt was over. Mick just wanted to be off this forsaken mountain--to be safe. I watched them head out into the glacier and hoped I had made the right decision to stay up at camp two without them all.
Bear Grylls (Mud, Sweat and Tears)
I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.
Bear Grylls (Mud, Sweat and Tears)
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
Bear Grylls (Mud, Sweat and Tears)
David Breashears is probably best known for his high-altitude cinematography—a world-class climber, he took the IMAX images for the classic film Everest. But one of his most important projects consists of still images like these. He took old pictures of the roof of the world—many from the 1921 Mallory expedition to Everest—and painstakingly found the same vantage points so he could recreate the shots eight decades later. Side by side, what the images showed was an almost unbelievable loss of ice—the scale of these mountains is so huge that it takes a moment to realize that, in the pictures of the Ronbuk Glacier, 400 vertical feet of ice (that’s taller than the Statue of Liberty) has disappeared.
Bill McKibben (The Global Warming Reader: A Century of Writing About Climate Change)
Foreword Reviews Magazine. Foreword Reviews. Summer 2014 issue. "By way of introduction to Vivienne Kruger’s Balinese Food, bear in mind that eight degrees south of the equator, this modest-sized lava rich, emerald green island rests among the 17,508 remote, culturally distinct constellation of Indonesian islands. It is home to three million mortals who believe they are protected by an unfathomable number of Bali-Hindu goddesses and gods that inhabit the island’s sacred mountain peaks. The Balinese are unlike almost any other island people in that they are suspicious, even distrustful of the sea, believing mischievous spirits and negative powers dwell there—the underworld, as it were. Yes, they eat seafood, they just mostly let other Indonesians do the fetching. Fittingly, Kruger’s masterful use of language; dogged, on the ground conversations with thousands of Balinese cooks and farmers; and disarming humanity leads to a culinary-minded compendium unlike almost any other. Bali, you got the scribe you deserved. What made Kruger’s work even more impressive is the fact that almost nothing about Balinese food history has been written down over the years. She writes: “Like so many other traditions in Bali, cooking techniques and eating habits are passed down verbally by elders to their children and grandchildren who help in the kitchen. However, Indonesia has an old orally transmitted food culture because the pleasure of storytelling is entwined with the pleasure and effort of cooking and eating.” Balinese Food is framed around twenty-one chapters, including the all-important Sacred Ceremonial Cuisine, Traditional Village Foods, the Cult of Rice, Balinese Pig, Balinese Duck, and specialized cooking techniques like saté, banana leaf wrappers, and the use of bumbu, a sacred, powerful dry spice paste mixture. In the chapter Seafood in Bali, she lists a popular, fragrant accompaniment called Sambal Matah—chopped shallots, red chilies, coconut oil, and kaffir lime juice—that is always served raw and fresh, in this case, alongside a simple recipe for grilled tuna. An outstanding achievement in the realm of island cooking and Indonesian history, Balinese Food showcases the Balinese people in the most flattering of ways.
Foreword Reviews Magazine
I’ll hike it!” Katrina said, weighing in on the conversation. “I’ll hike the entire trail by myself on crutches if I have to. I want to see the apple tree!” Determined. Or stubborn. Or both. I had been carrying Katrina around Europe for the last eight weeks only to find now that sufficiently motivated, she could hike three hours down a mountain.
John Higham
was nothing compared to the danger of falling from the wagon on the steep mountain roads. Papà was in a foul mood again. Mamma said Papà had been angry since before I was born, and that was eight years ago. “Why is Papà so angry?” I asked Mamma. “Papà used
Giacomo Giammatteo (Finding Family (Blood Flows South #1.5))
May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. —EDWARD ABBEY
Tom Ryan (Following Atticus: Forty-Eight High Peaks, One Little Dog, and an Extraordinary Friendship)
Not strictly one of mine, but worth repeating! A very forceful old lady in these parts, when referring to the eight novels of the Angel Mountain Saga,was heard to say: "You know them books by that fellow Brian John? If I was you I wouldn't believe a single word. Take it from me. It's lies -- all lies!
Brian John (On Angel Mountain (Angel Mountain Saga, #1))
He stood there a minute. It had taken him about five seconds to conclude someone—ninety-eight-percent chance a boyfriend or husband—had belted her in the face and she was on the run with her kid. It wasn’t like he didn’t know that stuff happened. It happened all the time. He just never understood what satisfaction a man could get out of hitting a woman. It made no sense to him. If you have a pretty young woman like that, you treat her right. Hold her safe against you and protect her. He
Robyn Carr (Shelter Mountain (Virgin River, #2))
swung his long legs out of bed, and plunged his feet into a basin of cold water—a lifelong habit he believed good for his health.2,3,4 At Monticello, his plantation in the Southwest Mountains near the Blue Ridge of Virginia, the metal bucket brought to Jefferson every morning wore a groove on the floor next to the alcove where he slept.5 Six foot two and a half, Jefferson was nearly fifty-eight years old in the Washington winter of 1800–1801.6 His sandy hair, reddish in his youth, was graying; his freckled skin—always susceptible to the sun—was wrinkling a bit.7,8,9 His eyes were penetrating but elusive, alternately described as blue, hazel, or brown.10 He had great teeth.11 It was early February 1801. The capital, with its muddy avenues and scattered buildings, was in chaos, and had been for weeks.12 The future of the presidency was
Jon Meacham (Thomas Jefferson: The Art of Power)
Who's that?" Playing an old game, Roy pointed at Juanita. Serena grinned and raced to plant a kiss on Juanita's cheek. "'Nita!" she cried triumphantly. Juanita pointed her toward Lily. "Quien es?" "Mama and baby!" Serena climbed into Lily's lap for a hug. As Cade bent his large form beneath the flap to join them, Lily pointed in his direction. "What's his name?" "Papa-padre-daddy," she crowed, laughing as Cade lifted her and sat down with her in his lap. She liked having several names for everything and everyone, and could chatter incessantly in two languages. Cade pointed at an unshaven Travis who glared blearily at their laughter as he untangled himself from his damp bedroll. "Que esta?" Unaware of the Spanish niceties as to being addressed as a "what" instead of "who," Travis glared at their cheerfulness until Serena flung herself at him and hugged his neck. "Snake-oil man!" she cried. Laughter erupted all around—despite the dreary rain, despite their fear and weariness. Welcome waves of amusement relieved some of the tension. Travis growled and tickled Serena until she ran to Roy for help, then grinning, he met Cade's eyes. "Can't you teach her something else to call me?" "Tio Travis?" Cade suggested. "Tio, tio!" Serena cried, sticking her tongue out at Travis and hiding behind Roy's back. "Why do I get the feeling that means 'snake oil' in Spanish?" Travis muttered, reaching for the tin cup of coffee Juanita offered him. "It means 'uncle.' Whether you know it or not, you've just adopted a niece. That means you get to carry her today." Cade took his cup and settled back cross-legged beside Lily. "I don't think I'm ready for the responsibilities of a family man. I'm not even certain how I got into this." Travis threw Lily a wry look. "You're more trouble than you're worth, you know." "Look who's talking." Undisturbed, Lily called Serena to come eat her breakfast. She had spent eight years raising Travis's son. It was time he took on a little responsibility. Travis shrugged his shoulders, unabashed. "You could have had a smart, good-looking man like myself and you chose that man-mountain over there. You lost your chance, Lily." Lily didn't need to reply to that. She merely looked at his rumpled curls and beard-stubbled face and grinned. Relieved that she could still find humor in the midst of her grief, Cade finished his food and leaned over to kiss her before rising to finish packing the horses. Lily watched him go with astonishment. Cade never made public displays of affection. Their
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
It had been a delightful vacation, eight long turns in the foothills at Swift’s Climb mountain resort.
Robert L. Forward (Dragon's Egg)
It’s called Two Ocean Pass because the water on the east side of the mountains begins its flow to the Atlantic, and on the west side it’s headed for the Pacific. It’s high mountain country, and the most remote location in the lower forty-eight in terms of its distance from any road or structure. It is true primitive wilderness, but that’s what you signed up for, isn’t it? “Keep this in mind, folks: only two percent of Yellowstone’s 3,468 square miles is developed in any way. It’s the largest remaining nearly intact ecosystem in the Earth’s northern temperate zone. What you see around you right now—a road, cars, a parking lot—are the last items of modern civilization you’ll see for the next week.
C.J. Box (Back Of Beyond (Highway Quartet #1))
With hearts strangely lightened they now rested again, but not for long. They were not going quick enough for Gollum. By his reckoning it was nearly thirty leagues from the Morannon to the Cross-roads above Osgiliath, and he hoped to cover that distance in four journeys. So soon they struggled on once more, until the dawn began to spread slowly in the wide grey solitude. They had then walked almost eight leagues, and the hobbits could not have gone any further, even if they had dared. The growing light revealed to them a land already less barren and ruinous. The mountains still loomed up ominously on their left, but near at hand they could see the southward road, now bearing away from the black roots of the hills and slanting westwards. Beyond it were slopes covered with sombre trees like dark clouds, but all about them lay a tumbled heathland, grown with ling and broom and cornel, and other shrubs that they did not know. Here and there they saw knots of tall pine-trees. The hearts of the hobbits rose again a little in spite of weariness: the air was fresh and fragrant, and it reminded them of
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
The first day they spied the Blue Ridge Mountains from their wagon train, Mr. Davis had bid them stop and set up camp. What a glorious feast for the eyes.
Shannon McNear (The Backcountry Brides Collection: Eight 18th Century Women Seek Love on Colonial America's Frontier)
Monte Melkonian, a third-generation Central Californian, was a trained archaeologist who spoke eight languages. He left the country of his birth at an early age, to participate in the Iranian revolution, the defense of the Armenian community in Lebanon, the guerrilla resistance in mountainous Kurdistan and the combined Lebanese-Palestinian anti-Zionist resistance.
Monte Melkonian (The Right to Struggle: Selected Writings of Monte Melkonian on the Armenian National Question)
THE DREAM OF back-to-nature surfing solitude had a predictable by-product: rank nostalgia. A high percentage of the stories I wrote in my journals involved time travel, most often back to an earlier California. Imagine going back to the days of the Chumash Indians, or the Spanish missions, if you could just take a modern surfboard with you. Malibu had been breaking exactly like this, unridden, for centuries, eons. You would probably be worshipped as a god by the locals once they saw you surf, and they would feed you, and you could ride great waves with perfect concentration—uncontested ownership, accumulating mastery—for the rest of your days. There were a couple of photos in Surfing Guide to Southern California that illustrated, to my mind, just how narrow a margin in time we had all missed paradise by. One was of Rincon, taken in 1947 from the mountain behind the point on a sheet-glass, ten-foot day. The caption, unnecessarily, invited the reader to note “a tantalizing absence of people.” The other was of Malibu in 1950. It showed a lone surfer streaking across an eight-foot wall, with members of the public playing obliviously on the sand in the foreground. The surfer was Bob Simmons, a brilliant recluse who essentially invented the modern finned surfboard. He drowned while surfing alone in 1954.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
smiled a real smile, then looked from Daegan back to him and nodded. Not sure why she wanted Daegan to explain—or how he even knew all the information that suddenly flashed in his mind—he nevertheless answered for her. “She is from a lost race that is from deep within the mountains. There are not many left of her kind... the Ehsmia. They have gifts beyond those of other Faeries, but I’m not sure all of what they can do. They keep to themselves, but she knew we were coming so she came out to meet us.” He frowned. Turning to Ella, he asked, “Why us? I do not understand how you know what we are looking for, let alone that we are looking at all.” “In due time, all will be revealed to you,” she said, looking deeply into his eyes, boring into his soul. It was personal and invasive, but before he could look away, she released him, leaving him with a sensation of warmth spreading throughout his body. “You are ready, Daegan of the Ferrishyn. Do not fear your destiny.” She inclined her head slightly, but Daegan could only frown, feeling a sense of foreboding, as though everything was about to change. What is she talking about? “The Ehsmia? I have heard stories... legends of your people. You are also called the Hidden People, are you not?” Hal asked in awe. When Ella only nodded, he continued. “I thought your people were no more, if they even had existed at all.” He did not mean to be rude. “That is how we prefer to be known... or not known at all. Otherwise, what purpose would our hiding be if we were known?” she said with a smirk on her face but said no more. Ella turned to face the rock wall, which looked like a crumbling ruin of what was at one time a part of a great wall. It was built into the side of the Kandrian Mountains. Hal’s look of confusion mirrored Daegan’s own. Hal finally shrugged his shoulders, figuring they would understand “in due time.” Oddly, his typical nonchalant response gave Daegan a sense of calm. Staring at the rocks that made up the wall for what seemed several minutes but in reality was probably much shorter, Ella laid her hand flat onto a rock that suddenly appeared smoother and duller than all the other old, jagged stones. There was a rumbling of the ground that stopped as suddenly as it started. She gave them a sneaky smile. Daegan still wasn’t sure he trusted her, but at this point it seemed she might be the only one with answers of any kind. “Are you ready to follow where not many have been before, a land within a land?” she asked. Without waiting for their answer, she turned around and walked straight into the rock wall, which had magically become an illusion. Daegan and Hal both knew there was magic in Alandria and that every species had their own type of magic. They had their own magic as well, but they had only heard of this kind of magic in their own legends. Halister and Daegan quickly followed Ella, not wanting to get shut out of what could be their only opportunity to see where the Hidden People were, well, hidden. CHAPTER FIVE It was dark, yet they had no trouble following Ella through the murky tunnel of rock and stone that looked worn from centuries of use and natural erosion. Other than the thin layer of water trickling over some of the stones, it was silent and peaceful. They had been following a star, literally, for the past several minutes, but it wasn’t above them. Ella’s short, jagged snow-white hair allowed them to see the back of her neck, upon which was a horizontally stretched eight-point star from which a soft blue light emanated, marking her as other. Assuming she could see in the dark, they kept following and soon the tunnel began to lighten. Green leafy vines began crawling up the sides of the
Morgan Wylie (Silent Orchids (The Age of Alandria, #1))
Like Miles Davis, Graham often used to turn his back on his audiences. This was primarily between songs, while he was retuning his guitars. For Graham, in the early 1960s, was privy to a secret alternative tuning system known as DADGAD, which he was reluctant to share with any rival guitarists in the crowd. He began using it around 1962–3, on a trip to the bohemian Beat capital Tangier, where he spent six months and earned his keep by working in a snack booth selling hash cakes to locals. The raw Gnaoua trance music preserved in Morocco’s town squares and remote Rif mountain villages stretched back thousands of years, and Graham was hypnotised by the oud, a large Arabic lute which resembles a bisected pear (the word ‘lute’ itself derives from the Arabic ‘al-ud’) and has been identified in Mesopotamian wall paintings 5,000 years old. The paradigm of Eastern music, defining its difference from the West, is the maqam, which uses a microtonal system that blasts open the Western eight-note octave into fifty-three separate intervals. DADGAD is not one of the tunings commonly used on the eleven-string oud, but Graham found that tuning a Western guitar that way made it easier to slip into jam sessions with Moroccan players. The configuration allows scales and chords to be created without too much complicated fingering; its doubled Ds and As and open strings often lead to more of a harp-like, droning sonority than the conventional EADGBE.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
We are least ourselves when those bodies are stuck in the concrete of a city sidewalk. We are most ourselves when walking through the mountains.
Stephen Prothero (God Is Not One: The Eight Rival Religions That Run the World--and Why Their Differences Matter)
I shall never try to represent the ascent of Gasherbrum II as a victory over the mountain! If one may use the word victory at all when climbing an eight-thousander, then surely only in the sense that it is a victory of comradeship.49
Mark Horrell (Seven Steps from Snowdon to Everest: A hill walker's journey to the top of the world)
Then we left it behind and entered another world. Steep, densely forested slopes closed in around us, plunging us into shadow as the road wound through them. Part of the huge Appalachian Mountains chain, the Smokies covered eight hundred square miles and spanned the border between Tennessee and North Carolina. They'd been declared a National Park, although looking out of the car window I thought that nature was blithely unaware of such distinctions. This was a wilderness that man had even now barely scratched. Coming from a crowded island like the UK, it was impossible not to be humbled by their sheer scale. There
Simon Beckett (Whispers of the Dead (David Hunter #3))
On the wooded hillsides below, an owl hooted, heralding the first liquid trills of a nightingale, while in the air above, tiny bats dashed to and fro like fleeting splashes of shadow. Then, somewhere on a distant mountain farm, a dog barked a warning to imagined marauders skulking by his master's gate. Mallorca was preparing to sleep.
Peter Kerr (Song of the Eight Winds: Reconquista)
You’ve heard of the famous Exxon Valdez tanker spill, where a tanker ran into the rocks in Alaska. Thirty million gallons of crude oil dumped into pristine waters. Front-page news for weeks and the entire country was pissed. Remember all those otters covered with black muck? But I’ll bet you haven’t heard of the Martin County spill, the largest environmental disaster east of the Mississippi. It happened eight years ago in Kentucky when a slurry impoundment broke and 300 million gallons of sludge rolled down the valley. Ten times more than the Valdez, and it was a nonevent
John Grisham (Gray Mountain)
Lady finally broke and said, “I gotta smoke. Gimme five minutes.” Her hands were trembling. “Sure,” Mattie said. “Just step outside.” “Thanks.” “How many packs a day?” “Just two.” “What’s your brand?” “Charlie’s. I know I ought to quit, and I’ve tried, but it’s the only thing that settles my nerves.” She grabbed her purse and left the room. Mattie said, “Charlie’s is a favorite in Appalachia, a cheaper brand, though it’s still $4 a pack. That’s eight bucks a day, two-fifty a month, and I’ll bet Stocky smokes just as much. They’re probably spending $500 a month on cigarettes and who knows how much on beer. If there’s ever a spare dollar, they probably buy lottery tickets.” “That’s ridiculous,” Samantha said, relieved to finally say something. “Why? They could pay off his fines in one month and he’s out of jail.” “They don’t think that way. Smoking is an addiction, something they can’t simply walk away from.
John Grisham (Gray Mountain)
No one noticed them step off the train, no one saw them arrive in Desolation Road . . . . Then something very much like a sustained explosion of light filled the hotel and there, at the epicenter of the glare, was the most beautiful woman anyone had ever seen. Every man in the room had to swallow hard. Every woman fought an inexpressible need to sigh. A dozen hearts cracked down the middle and all the love flew out like larks and circled round the incredible being. It was as if God Himself had walked into the room. Then the God-light went out and there was a blinking, eye-rubbing darkness. When vision was restored, everyone saw before them a small, very ordinary man and a young girl of about eight who was quite the plainest, drabbest creature anyone had ever seen. For it was the nature of Ruthie Blue Mountain, a girl of stunning ordinariness, to absorb like sunlight the beauty of everything around her and store it until she chose to release it, all at once, like a flashbulb of intense beauty. Then she would return again to dowdy anonymity, leaving behind her an afterimage in the heart of unutterable loss.
Ian McDonald (Desolation Road (Desolation Road Universe, #1))
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
Well, I went into the mountains and stayed two years. I was snowed in eight months of the year and saw no one except my two Airedales. There were millions of fir trees and the snow was deep and it was very quiet. And there was no one to pose for any more. You can’t have a show with no audience. Gradually all the poses slipped off and when I came out of the hills I didn’t have any poses any more. It was rather sad, but it was far less trouble. I am happier than I have ever been in my life.
John Steinbeck (Steinbeck: A Life in Letters)
At six, time is a slow climb up a roadless mountain. At thirty-eight, it is the psychedelic wash of green from a tree-lined highway through the lens of a camera that can’t keep up.
Andrew McMahon (Three Pianos: A Memoir)
Sometimes, love exhausts itself gradually, and sometimes it comes to an end suddenly.
Paolo Cognetti (Le otto montagne)
Of the eight clients and three guides in my group, five of us, including myself, never made it to the top. Of the six who summited, four were later killed in the storm. They included our thirty-five-year-old expedition leader, Rob Hall, a gentle and humorous New Zealander of mythic mountaineering prowess. Before he froze to death in a snow hole near the top of Everest, Rob would radio a heartbreaking farewell to his pregnant wife, Jan Arnold, at their home in Christchurch. Another sad fatality was diminutive Yasuko Namba, forty-seven, whose final human contact was with me, the two of us huddled together through that awful night, lost and freezing in the blizzard on the South Col, just a quarter mile from the warmth and safety of camp. Four other climbers also perished in the storm, making May 10, 1996, the deadliest day on Everest in the seventy-five years since the intrepid British schoolmaster, George Leigh Mallory, first attempted to climb the mountain.
Beck Weathers (Left for Dead: My Journey Home from Everest)
They were, as mentioned, women of total faith who trusted wholly in the saving grace of Jesus, but from a practical standpoint it never hurt to back up His good efforts with a little mountain witchcraft.
Juliet Grames (The Seven or Eight Deaths of Stella Fortuna)
Trial began on Friday, July 23, 1875... the jury which was finally selected consisted of eight Mormons, three Gentiles, and one Jack Mormon... When finally the case was closed and the case given to the jury, they could not agree upon a verdict, the eight Mormons all being for acquittal and the other four, all for conviction. The court was obliged to begin all over again and try the case before another jury. Even the most cursory examinations of the court records will show that between the first and second trials of Lee, something happened. When court opened again on September 14, 1876, the whole tone was changed... R.N. Baskin and other non-Mormons insisted that the leaders of the Mormon church had entered into an agreement with District Attorney Howard that Lee might be convicted and pay the death penalty, if the charges against all other suspected persons would be withdrawn. This was to be done by a jury composed only of Mormons, who would bring a verdict of "guilty", if names of other participants were left out of the discussion... This time the trial proceeded with dispatch. Men who had participated, and for almost twenty years had sealed their lips, now came forward to testify... On September 20, the case was given to the all-Mormon jury, who deliberated three and one-half hours and brought in a verdict of "guilty." [Lee was] convicted of murder in the first degree...
Juanita Brooks (The Mountain Meadows Massacre)
General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
And then you ended up in Chechnya, I understand" Sergei continued. "And what, exactly, did you do there?" Jack inquired. "Exactly? We would surround the villages, call out the village elders and give them our ultimatum: if you don't give up your arms, we'll raze your village to the ground. At night, all men, including boys, would go away in to the mountains on the request of the village elders. By the time we rolled in, there were no more weapons or rebels. Only the elderly, women and children. And nobody could leave." "Why not?" "Because we blocked off the main road, that's why," Fedor said as if he was losing patience with Jack. "On approaching any house, I'd fire inside. If anyone jumped out, woman or child, I mowed them down. The guys behind me would torch the bodies with the flamethrowers to get rid of the evidence. We moved through the village, house by house, firing, throwing grenades into the basements, burning. At one train station we hung ten high school kids, and then six more students that were hiding inside a school. On the outskirts we found about a hundred and thirty people, women, children, old men, anyone who didn't run away. We locked them in a grain elevator, chained the door and then torched it. What we left behind were not ruins, just flat ground." "Are you saying that the Russian soldiers killed everyone in some village and nobody has heard of it?" Jack asked him incredulously. It was inconceivable that such a barbaric event could take place in today's world without CNN and BBC dissecting it under a microscope. "Not everyone was killed. Some of the villagers, the ones who survived, were transported to a filtration camp." "What's a filtration camp?" "You really don't' know anything, do you? Or are you pretending?" "Try me," Jack said. "There is this filtration camp in Osinovka. Each room houses twenty to twenty five prisoners, who sleep on the concrete floor. The guards line them up against the wall and practice karate kicks in the head or in the groin. One of our guys liked to put electricity to the bodies, to see them fry. It takes a long time to get used to that smell. If a prisoner tried to untie their hands, the sergeant would cut them off at the wrists. If a prisoner tried to take off the black blindfold, the sergeant would put out his eyes with his thumbs. He was a piece of work from Archangelsk, our sergeant. During one helicopter ride, he dropped three prisoners because he was bored." "But how is it possible that the world news did not report any of this?" Jack persisted in knowing. Fedor raised his eyebrows in a manner that made Jack feel foolish for asking such a question. "Simple. For the next forty-eight hours we didn't allow anyone to enter Samashki, not even the Red Cross. That gave us plenty of time. Our armored vehicles flattened their bones so that the relatives could not identify them later. Exactly what news are you talking about? Are you from this world or not?" Fedor's wolf-like stare made Jack very nervous.
Alex Frishberg (The Steel Barons)