Eiffel Quotes

We've searched our database for all the quotes and captions related to Eiffel. Here they are! All 100 of them:

You'll start talking, and pretty soon we'll all start nodding, and then the next thing you know, I'm hang gliding off the Eiffel Tower at night, being chased by ninja vampires
Kathy Reichs (Seizure (Virals, #2))
I like The Eiffel Tower because it looks like steel and lace.
Natalie Lloyd
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
Woody Allen
I should go to Paris and jump off of the Eiffel Tower. If I took the Concorde, I could be dead three hours earlier.
Woody Allen
Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Jess Rothenberg (The Catastrophic History of You and Me)
Don’t just stand there with your Eiffel Tower smile. Tell me you love me, and tell me in French.

Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
I refer of course to the soaring wonder of the age known as the Eiffel Tower. Never in history has a structure been more technologically advanced, materially obsolescent, and gloriously pointless all at the same time.
Bill Bryson (At Home: A Short History of Private Life)
Diversity is an aspect of human existence that cannot be eradicated by terrorism or war or self-consuming hatred. It can only be conquered by recognizing and claiming the wealth of values it represents for all.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
We took the elevator back down from the first observation level of the Eiffel Tower and started walking in he direction of the Taj Mahal
D.J. MacHale (The Soldiers of Halla (Pendragon #10))
You can’t divorce Margo the person from Margo the body. You can’t see one without seeing the other. You looked at Margo’s eyes and you saw both their blueness and their Margo-ness. In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo’s beauty was a kind of sealed vessel of perfection – uncracked and uncrackable.
John Green (Paper Towns)
you know this means that what we did-what we almost did in Paris-" "Going to the Eiffel Tower?
Cassandra Clare
You deserve more of their attention than their phone does. You deserve quality time, not just time. You deserve effort, not just routines. You deserve to be treated as if you are a priority, not the last thing on their checklist. You are special and you deserve to be the only option. If that is too much to ask, you are asking it from the wrong person. If begging ever becomes your last approach to receive those things which ought to be freely given, it’s safe to say, you are out of your dang mind. Begging to be loved is suicide. It’s like going sky diving from the Eiffel Tower naked of proper equipment, and expecting gravity to overturn the outcome.
Pierre Alex Jeanty (To the Women I Once Loved)
News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear. Believe me, I should know.
Jess Rothenberg (The Catastrophic History of You and Me)
Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a great baroque dream which quite naturally touches on the borders of the irrational ... architecture is always dream and function, expression of a utopia and instrument of a convenience.
Roland Barthes (The Eiffel Tower and Other Mythologies)
But do I need to say anything?" Sophie asked. "Do I need to learn any words?" "Like what?" Saint-Germain said. "Well, when you lit up the Eiffel tower, you said something that sounded like eggness." "Ignis," the count said. "Latin for fire. No, you don't need to say anything." "Then why did you do it, then?" Sophie asked. Saint-Germain grinned. "I just thought it sounded cool.
Michael Scott (The Magician (The Secrets of the Immortal Nicholas Flamel, #2))
Paris. Rome. London. I have no desire to sit on a hot beach somewhere. I want to see all the romantic places in Europe and make love in every city and take pictures kissing in front of the Eiffel Tower. I want to eat croissants and hold hands on trains.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
He cleared his throat. “You know this means that what we did what we almost did in Paris...” “Going to the Eiffel Tower?” He tucked a lock of hair behind her ear. “You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.” “No kissing?” “Well, kissing, probably. But as for the rest of it…” She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.” “Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
What uniform can I wear to hide my heavy heart? It is too heavy. It will always show.
Jean Cocteau (Les Mariés de la Tour Eiffel)
Ronan . . . did Moscow get an Eiffel Tower of its own recently?” “I would never allow that kind of romantic tourism in my city.
Danielle Lori (The Darkest Temptation (Made, #3))
Every exploration is an appropriation.
Roland Barthes (The Eiffel Tower and Other Mythologies)
...It looked very different from the Statue of Liberty, but what did that matter? What was the good of having the statue without the liberty, the freedom to go where one chose if one was held back by one's color? No, I preferred the Eiffel Tower, which made no promises." ~ Josephine Baker, once she had seen the Eiffel Tower
Josephine Baker
There is something wonderful about being in love in a city where you know no one. Public opinion of your behavior isn't worth a trifle. So, if you want to kiss your girl at the esplanade of the Eiffel Tower, you do.
Julie Berry (Lovely War)
Because whipping an atlas at Jackson's head while he was flirt-touching that Frankie girl in geography would have been very satisfying. And beating him with the Eiffel Tower snowglobe while he kissed Cleo in French would have been tres cathartic. But she hadn't. Instead she'd been egg-like: a hard shell on the outside, and a runny mess on the inside.
Lisi Harrison (Monster High (Monster High, #1))
Here is everything I know about France: Madeline and Amelie and Moulin Rouge. The Eiffel Tower and the Arc de Triomphe, although I have no idea what the function of either actually is. Napoleon, Marie Antoinette, and a lot of kings named Louis. I'm not sure what they did either, but I think it has something to do with the French Revolution, which has something to do with Bastille Day. The art museum is called the Louvre and it's shaped like a pyramid and the Mona Lisa lives there along with that statue of the women missing her arms. And there are cafes and bistros or whatever they call them on every street corner. And mimes. The food is supposed to be good, and the people drink a lot of wine and smoke a lot of cigarettes. I've heard they don't like Americans, and they don't like white sneakers.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The acknowledgement of a single possibility can change everything.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
We talk about the shiny little nothings we see – people and cars and cathedrals, even la Tour Eiffel – but it’s not that we don’t have anything meaningful to say. The feeling is that we have everything to say. And where do you begin with everything?
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
She was a committed romantic and an anarcha-feminist. This was hard for her because it meant she couldn't blow up beautiful buildings. She knew the Eiffel Tower was a hideous symbol of phallic oppression but when ordered by her commander to detonate the lift so that no-one should unthinkingly scale an erection, her mind filled with young romantics gazing over Paris and opening aerograms that said Je t'aime.
Jeanette Winterson
The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.
Francesca Lia Block (Echo)
When Hitler marched across the Rhine To take the land of France, La dame de fer decided, ‘Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower. The French cut the cables, The elevators stood still, ‘If he wants to reach the top, Let him walk it, if he will.’ The invaders hung a swastika The largest ever seen. But a fresh breeze blew And away it flew, Never more to be seen. They hung up a second mark, Smaller than the first, But a patriot climbed With a thought in mind: ‘Never your duty shirk.’ Up the iron lady He stealthily made his way, Hanging the bright tricolour, He heroically saved the day. Then, for some strange reason, A mystery to this day, Hitler never climbed the tower, On the ground he had to stay. At last he ordered she be razed Down to a twisted pile. A futile attack, for still she stands Beaming her metallic smile.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
But Paris, all in all, isn't what it used o be, ever since that pencil sharpener, the Eiffel Tower, has been sticking up in the distance, visible from every angle.
Umberto Eco (The Prague Cemetery)
Men flocked to see it and ascended it as it was a novelty and of unique dimensions. It was the toy of the exhibition. So long as we are children we are attracted by toys, and the tower was a good demonstration of the fact that we are all children attracted by trinkets. That may be claimed to be the purpose served by the Eiffel Tower.
Mahatma Gandhi (All Men are Brothers: Autobiographical Reflections)
In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo's beauty was a kind of sealed vessel of perfection-uncracked and uncrackable.
John Green (Paper Towns)
Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is. I dunno. If the Eiffel tower were now representing the world's age, the skin of paint on the pinnacle-knob at its summit would represent man's share of that age; and anybody would perceive that that skin what what the tower was built for. I reckon they would, I dunno.
Mark Twain
A delicate scent hung in the air as we strolled down the long boulevard toward the Opera House holding hands. Paris had come to life in a very special way, the lights of the Eiffel Tower a gentle reminder that nothing mattered once that starry blanket covered the great city, except love. Love was the reason Paris existed. For those lonely in their soul, their heart a barren wasteland starving for nourishment, she offered hope. For those like Caroline and I, lucky enough to have found each other and begin the healing process to repair our brokenness, Paris was a bastion to love's transforming power. A year ago I could not have pictured myself holding hands with someone as nice as Caroline, as lovely and unpretentious. She was pretty, but her soul made her beautiful. I loved everything about her, including her damage.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
Lonely. My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.
Ashley Earley (Alone in Paris)
My waiter friend, Laurent, working at the Brasserie Champs du Mars near the Eiffel Tower, one night while serving me Une Grande Beer, explained his life. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing, dancing until four or five in the morning and go to bed and sleep until ten and then up, up and to work by eleven and another ten or twelve or sometimes fifteen hours of work.” “How can you do that?” I ask. “Easily,” he says. “To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.” “How old are you?” I ask, at last. “Twenty-three,” he says. “Ah,” I say and take his elbow gently. “Ah. Twenty-three, is it?” “Twenty-three,” he says, smiling. “And you?” “Seventy-six,” I say. “And I do not want to be dead, either. But I am not twenty-three. How can I answer? What do I do?” “Yes,” says Laurent, still smiling and innocent, “what do you do at three in the morning?” “Write,” I say, at last. “Write!” Laurent says, astonished. “Write?” “So as not to be dead,” I say. “Like you.” “Me?” “Yes,” I say, smiling now, myself. “At three in the morning, I write, I write, I write!
Ray Bradbury (The Illustrated Man)
I ought to be jealous of the tower. She is more famous than I am.
Gustave Eiffel
In 1912, a man named Franz Reichelt jumped off the Eiffel Tower wearing a parachute suit he designed himself. He jumped to test his invention--he expected to fly--but instead he fell straight down, hitting the ground like a meteor and leaving a 5.9-inch-deep crater from the impact. Did he mean to kill himself? Doubtful. I think he was just cocky, and also stupid.
Jennifer Niven (All the Bright Places)
Morning" SUN That awakens Paris The highest poplar on the bank On The Eiffel Tower A tricolored cock Sings to the flapping of his wings and several feathers fall As it resumes its course The Seine looks between the bridges For her old route And the Obelisk That has forgotten the Egyptian words Has not blossomed this year SUN
Vicente Huidobro (The Cubist Poets in Paris: An Anthology (French Modernist Library))
I look to the right as I cross the bridge and smile to see the tip of the Eiffel Tower soaring over rooftops in the distance on the other side of the river. I've seen it in photographs a thousand times, but seeing it in person for the first time that reminds me that I'm really, truly here, thousands of miles away, across an ocean from home.
Kristin Harmel (The Sweetness of Forgetting)
... ma cos’è l’aura se non l’apparizione irripetibile di una lontananza? Cosa, se non il lato onirico delle cose, come un loro angelo nascosto?
Michele Mari (Tutto il ferro della Torre Eiffel)
984; 85; 3; 63;, 1,000,000 The Eiffel Tower is nine hundred eighty-four feet high. On a clear day, you can see eighty-five miles from the top. It has three elevators. Each elevator can carry sixty-three people. It cost about one million dollars to build Eiffel Tower.
Suzy Kline
There are friends with whom we share neither interests nor any particular experiences, friends with whom we never correspond, whom we seldom meet and then only by chance, but whose existence nonetheless has for us a special if uncanny meaning. For me the Eiffel Tower is just such a friend, and not merely because it happens to be the symbol of a city, for Paris leaves me neither hot nor cold. I first became aware of this attachment of mine when reading in the paper about plans for its demolition, the mere thought of which filled me with alarm.
Stanisław Lem
If I had the true colours to describe what I feel for you, I wouldn't waste time stringing beads of words... Instead I would run to kiss you and leave monuments on you:- pyramids on your lips, the Taj Mahal on your skin, and the Eiffel tower in your heart. NOTESEUM | A storm I chased
Daniel Derrick Mwesigye
- Votre mari n'est pas là madame Eiffel - Non il est allé faire une tour.
San-Antonio
So this book is my phone call--not from the top of a mountain, or even the top of the Eiffel Tower: the "here" is negotiable. It's so beautiful here. You must come visit before you die.
Eloisa James (Paris in Love)
Like man himself, who is the only one not to know his own glance, the [Eiffel] Tower is the only blind point f the total optical system of which it is the center and Paris the circumference.
Roland Barthes (The Eiffel Tower and Other Mythologies)
On arrival at Orly Airport, Fritz and Magda hired a taxi which drove them to the city. They saw before them a metropolis crowned with triumphal architecture and magnificent monuments. The first Parisian landmark that caught their eye was the majestic Eiffel Tower and, in the background, on a distant hill, the white church of Montmartre. They immediately opted that their hotel could wait and asked the driver to take them around the city, though they knew that this would cost them a whole day's budget. What they began to see was simply spectacular: wide areas edified with splendid monuments, fantastic fountains, enchanting gardens and bronze statues representing the best exponents who flourished in the city, amongst whom artists, philosophers, musicians and great writers. The River Seine fascinated them, with boatloads of tourists all eager to see as much as they could of the city. They also admired a number of bridges, amongst which the flamboyant Pont Alexandre III. The driver, a friendly, balding man of about fifty, with moustaches à la Clemenceau, informed them that quite nearby there was the famous Pont Neuf which, ironically, was the first to be built way back in 1607. They continued their tour...
Anton Sammut (Memories of Recurrent Echoes)
The hours tick by as I lie in bed. Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.
Ashley Earley (Alone in Paris)
All the rest of [Shakespeare's] vast history, as furnished by the biographers, is built up, course upon course, of guesses, inferences, theories, conjectures — an Eiffel Tower of artificialities rising sky-high from a very flat and very thin foundation of inconsequential facts.
Mark Twain
In order to satisfy this great oneiric function, which makes it not a kind of total monument, the [Eiffel] Tower must escape reason. The first condition of this victorious flight is that the Tower be an utterly useless monument.
Roland Barthes (The Eiffel Tower and Other Mythologies)
Une lutte qui semble perdue, est la plus excitante.
Jacques Tardi (The Extraordinary Adventures of Adèle Blanc-Sec 1: Pterror Over Paris/The Eiffel Tower Demon)
One never knows when inspiration will strike. Inspiration happens in a flash so pay attention. And then Go with it. Immediately.
Ruth Yunker (Me, Myself and Paris: One Toe Under the Eiffel Tower, The Other In the Grocery Store)
I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me
Ashley Earley (Alone in Paris)
I’ve never seen her laugh like this before. It’s a sight to behold, a wonder, like the Eiffel Tower or the World’s Largest Prairie Dog.
Tim Tharp (The Spectacular Now)
Shaped like an enormous horseshoe, the Louvre was the longest building in Europe, stretching farther than three Eiffel Towers laid end to end.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
Okay... I feel like total and utter shit. They could do a full-scale model of the Eiffel Tower with the amount of shit I feel like right now.
Jennifer Harlow (Justice (Galilee Falls Trilogy, #1))
I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.
Ashley Earley (Alone in Paris)
Le plus important est ce en quoi vous croyez. Que ce soit la vérité ou pas. La croyance est parfois plus forte que la réalité. Et puis il faut prendre la vie telle qu'elle est. [...]
Romain Puértolas (La petite fille qui avait avalé un nuage grand comme la tour Eiffel)
You deserve quality time, not just time. You deserve effort, not just routines. You deserve to be treated as if you are a priority, not the last thing on their checklist. You are special and you deserve to be the only option. If that is too much to ask, you are asking it from the wrong person. If begging ever becomes your last approach to receive those things which ought to be freely given, it’s safe to say, you are out of your dang mind. Begging to be loved is suicide. It’s like going sky diving from the Eiffel Tower naked of proper equipment, and expecting gravity to overturn the outcome.
Pierre Alex Jeanty (To the Women I Once Loved)
Other times I just lie on my bed and stare at the ceiling, imagining the kind of life I want to have when I get older. I picture myself at the top of the Eiffel Tower, climbing pyramids in Egypt, dancing in the streets in Spain, riding in a boat in Venice, and walking on the Great Wall of China. In these dreams, I’m a famous writer who wears flamboyant scarves and travels all around the world, meeting fascinating people. No one tells me what to do. I go wherever I want and do whatever I please.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
France is beautiful. I stood at the bottom of the Eiffel Tower today and looked up at it. There are very few times in my life I've felt so small. The day I left you was one of them. I miss you. Ethan.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
Mi corazón al calorcillo, tras su verjita de costillas, conejo agitado, acurrucado, estúpido. Al tirarte de un salto desde lo alto de la Torre Eiffel, debes de sentir cosas así. Querrías agarrarte al espacio.
Louis-Ferdinand Céline (Journey to the End of the Night)
It feels like someone is gripping my heart and twisting it. It feels like I can't breathe. I shut my eyes tightly against the memory that is threatening to surface. I can't breathe. Can't breathe. Can't breathe!
Ashley Earley (Alone in Paris)
I have traveled around the world. I’ve walked the Great Wall of China, eaten dinner at the top of the Eiffel Tower, and ridden the bullet train from Tokyo to Osaka. That’s not all. I’ve led an army into battle on dragonback, seduced a vicious mafia boss, and journeyed back in time to fall in love with everyone from Vikings to the Knights of the Round Table. I’ve lived a thousand lives. Too bad the only real one fucking sucks.
Elizabeth Helen (Bonded by Thorns (Beasts of the Briar, #1))
Ed è la vendetta del mondo, perché la letteratura che non si difenda dal mondo cos’è, se non mondo? E il mondo è qui polimero fuso: ma fuso a forma di letteratura, così, volessimo uscire, sappiamo che non si può, nemmeno ogni tanto.
Michele Mari (Tutto il ferro della Torre Eiffel)
I could stare at the books ... until my were as dry & fuzzy as the text, but I still didn’t know what to do with my feelings.
Elizabeth Hein (How to Climb the Eiffel Tower)
Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.
Ashley Earley (Alone in Paris)
To visit the Tower, then, is to enter into contact not with a historical Sacred, as is the case for the majority of monuments, but rather with a new nature, that of human space: the Tower is not a trace, a souvenir, in short culture; but an immediate consumption of a humanity made natural by that glance which transforms it into space.
Roland Barthes (The Eiffel Tower and Other Mythologies)
Gridavamo siamo angeli, possiamo lanciarci senza distruggerci, abbiamo le ali nei muscoli, siamo spaziali. Noi andremo a vivere sulla Tour Eiffel, e ogni notte raggiungeremo la luna, con le cuffie, e Venus degli Air a tutto volume. Il nostro letto sarà un cratere, e al risveglio lanceremo sulla terra le fragole, una pioggia di fragole con il nostro nome dipinto, e un bigliettino legato a ciascuna, con sopra scritto: noi siamo sulla luna, abbiamo le stelle nel cuore, e il nostro amore è una supernova, che illumina tutti i baci del mondo
Isabella Santacroce (Supernova (Italian Edition))
Whatever happens in the world - whatever is discovered or created or bitterly fought over - eventually ends up, in one way or another, in your house. Wars, famine, the Industrial Revolution, the Enlightenment - they are all there in your sofas and chests of drawers, tucked into the folds of your curtains, in the downy softness of your pillows, in the paint on your walls and the water in your pipes. So the history of household life isn't just a history of beds and sofas and kitchen stoves ... but of scurvy and guano and the Eiffel Tower and bedbugs and body-snatching and just about everything else that has ever happened. Houses aren't refuges from history. They are where history ends up.
Bill Bryson (At Home: A Short History of Private Life)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home.
Erik Larson (The Devil in the White City)
As if that was how they built the Colosseum and the pyramids of Giza. Christ, they’d managed to build the Eiffel Tower in 1889, but nowadays one couldn’t come up with the bloody drawings for a one-story house without taking a break for someone to run off and recharge their cell phone.
Fredrik Backman (A Man Called Ove)
Less than a decade after the Great Exhibition, iron as a structural material was finished—which makes it slightly odd that the most iconic structure of the entire century, about to rise over Paris, was made of that doomed material. I refer of course to the soaring wonder of the age known as the Eiffel Tower. Never in history has a structure been more technologically advanced, materially obsolescent, and gloriously pointless all at the same time.
Bill Bryson (At Home: A Short History of Private Life)
Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars
Vicente Huidobro (The Cubist Poets in Paris: An Anthology (French Modernist Library))
Night has settled over Paris. The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.
Ashley Earley (Alone in Paris)
Left to their own devices, human bodies rot, decompose, come apart, and sink gloriously back into the earth from whence they came. Using embalming and heavy protective caskets to stop this process is a desperate attempt to stave off the inevitable, and demonstrates our clear terror of decomposition. The death industry markets caskets and embalming under the rubric of helping bodies look “natural,” but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Oh no…!” Swanilde gasped, a dance of emotions going across her face. I could see sadness, anger, fear, and compassion-as well as so many more emotions that I couldn’t grasp. “My father-he’s dead!
Bethany Huang (The Eiffel Tower's Daughter: The Truth Behind the Lies)
He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.
Ashley Earley (Alone in Paris)
Cherishables,” I agreed. “Lovely little finds that have tiny value but lots of heart. Tea tins, picture frames, old perfume bottles. Half the fun is finding them, and the other half imagining where they came from.
Rebecca Raisin (The Little Antique Shop under the Eiffel Tower (The Little Paris Collection, #2))
I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free. Help! I can't break free! I open my mouth to scream.
Ashley Earley (Alone in Paris)
Parce que la vie, c'était un peu comme la mayonnaise. Faite de choses simples, comme des jaunes d'oeuf et de l'huile, et qu'il ne fallait surtout pas brusquer mais qu'un effort régulier transformait en le plus savoureux des mélanges.
Romain Puértolas (La petite fille qui avait avalé un nuage grand comme la tour Eiffel)
He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask. I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.
Ashley Earley (Alone in Paris)
Brighton Beach does not look, smell, or sound like Russia. It's a parody of Russia at best, something as different from the real thing as a picture of the Eiffel Tower. Yes, they sell Russian food on Brighton Beach, and Russian books and videos, and Russian clothes, and there are Russian restaurants and Russian nightclubs, and everybody speaks Russian, but the Russianness of the place is so concentrated that it feels ridiculously exaggerated. Everything Russian on Brighton Beach is too Russian, far more Russian than in real Russia. This is what happens all over Brooklyn. From the Scandinavians of Bay Ridge to the Chinese of Sunset Park, Brooklyn's immigrants go to ridiculous extremes to re-create their homelands only to end up with a vulgar pastiche.
Lara Vapnyar
The Tower is not a sacred monument, and no taboo can forbid a commonplace life to develop there, but there can be no question, nonetheless, of a trivial phenomenon here; the installation of a restaurant on the Tower, for instance ... The Eiffel Tower is a comfortable object, and moreover, it is in this that it its an object wither very old (analogous, for instance, to the Circus) or very modern (analogous to certain American institutions such as the drive-in movie, in which one can simultaneously enjoy the film, the car, the food, and the freshness of the night air). Further, by affording its visitor a whole polyphony of pleasures, from technological wonder to haute cuisine, including the panorama, the Tower ultimately reunites with the essential function of all major human sites: autarchy; the Tower can live on itself: one can dream there, eat there, observe there, understand there, marvel there, shop there, as on an ocean liner (another mythic object that sets children dreaming), one can feel oneself cut off from the world and yet the owner of a world.
Roland Barthes (The Eiffel Tower and Other Mythologies)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower; a London black cab; a helicopter—Charlie Tango; a glider—the soaring, a catamaran—The Grace; a bed; and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically(...)
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Some days, my life flashes before me in the blink of an eye, until I get to the scenes I wish I could change, and they play over again and again, until I can't see straight. Promise me though, you'll stop pouring every ounce of yourself into work. Save a part of your life for something else.
Rebecca Raisin (The Little Antique Shop under the Eiffel Tower (The Little Paris Collection, #2))
The absolute worst thing to do when you come to Paris is plan too much. Eiffel Tower, Notre-Dame, Arc de Triomphe, stand in line for hours to experience what everybody says you have to. Me? I like to take it easy in Paris, especially if I’m only in town for a few days. “Most of us are lucky to see Paris once in a lifetime. Make the most of it by doing as little as possible. Walk a little, get lost a bit, eat, catch a breakfast buzz, have a nap, try and have sex if you can, just not with a mime. Eat again. Lounge around drinking coffee. Maybe read a book. Drink some wine, walk around a bit more, eat, repeat.
Anthony Bourdain (World Travel: An Irreverent Guide)
By such subtle signs, like an orchestra tuning up, the daily event that is central to life on the Coromandel Coast announces itself: the evening breeze. The Madras evening breeze has a body to it, its atomic constituents knitted together to create a thing of substance that strokes and cools the skin in the manner of a long, icy drink or a plunge into a mountain spring. It pushes through on a broad front, up and down the coast; unhurried, reliable, with no slack until after midnight, by which time it will have lulled them into beautiful sleep. It doesn’t know caste or privilege as it soothes the expatriates in their pocket mansions, the shirtless clerk sitting with his wife on the rooftop of his one-room house, and the pavement dwellers in their roadside squats. Digby has seen the cheery Muthu become distracted, his conversation clipped and morose, as he waits for the relief that comes from the direction of Sumatra and Malaya, gathering itself over the Bay of Bengal, carrying scents of orchids and salt, an airborne opiate that unclenches, unknots, and finally lets one forget the brutal heat of the day. “Yes, yes, you are having your Taj Mahal, your Golden Temple, your Eiffel Tower,” an educated Madrasi will say, “but can anything match our Madras evening breeze?
Abraham Verghese (The Covenant of Water)
The Tower is not a usual spectacle; to enter the Tower, to scale it, to run around its courses, is, in a manner both more elementary and more profound, to accede to a view and to explore the interior of an object (though an openwork one), to transform the touristic rite into and adventure of sight and of the intelligence.
Roland Barthes (The Eiffel Tower and Other Mythologies)
‎...minun mielestäni nykyinen teatteri vain pelkkää rutiinia, ennakkoluuloa. Kun esirippu nousee ja nuo suuret kyvyt, pyhän taiteen papit ja papittaret, esittävät kolmiseinäisessä huoneessa iltavalaistuksessa miten ihmiset syövät, juovat, rakastavat, kävelevät, miten kantavat pukuaan, kun he halpahintaisista kuvaelmista ja korulauseista koettavat onkia esiin moraalia — pientä, helppotajuista, kotioloissa tarvittavaa moraalia, kun minulle tuhansien eri muunnosten muodossa tarjotaan aina vain yhtä ja samaa, yhtä ja samaa, yhtä ja samaa — niin minä juoksen pakoon, juoksen pakoon kuin Maupassant Eiffel-tornia, joka pusersi hänen aivojaan lattaudellaan.
Anton Chekhov (Neljä Näytelmää)
Make sure you live the whole experience, not just the hard stuff.
Elizabeth Hein (How to Climb the Eiffel Tower)
What have you loved? What stands out in your mind as can’t miss Life Attractions?” “I’m not sure. When people make those bucket lists online, they focus on big, flashy things, like going to the top of the Eiffel Tower or swimming with dolphins or whatever. They’re doing those for Instagram, though, or because they think it’s what they’re supposed to want. I guess they do sound impressive when you say them out loud to other people. But everything I remember as being the best moments of my life has been so…small. Like…running through the sprinklers with my best friend on summer break, getting grass stuck all over my wet feet. The first time my baby sister smiled at a silly face I made. My first real Eureka moment in the biochem lab.
Brianna Bourne (The Half-Life of Love)
One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore. Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.
Ashley Earley (Alone in Paris)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
Erik Larson (The Devil in the White City)
Any girl faced with daily attention from a gorgeous boy with a cute accent and perfect hair would be hard-pressed not to develop a big,stinking, painful,all-the-time,all consuming crush. Not that that's what's happening to me. Like I said.It's a relief to know it won't happen. It makes things easier. Most girls laugh too hard at his jokes and find excuses to gently press his arm. To touch him.Instead,I argue and roll my eyes and act indifferent. And when I touch his arm,I shove it.Because that's what friends do. Besides,I have more important things on my mind: movies. I've been in France for a month, and though I have ridden the elevators to the top of La Tour Eiffel (Mer took me while St. Clair and Rashmi waited below on the lawn-St. Clair because he's afraid of falling and Rashmi because she refuses to do anything touristy), and though I have walked the viewing platform of L'Arc de Triomphe (Mer took me again,of course, while St. Clair stayed below and threatened to push Josh and Rashmi into the insane traffic circle),I still haven't been to the movies. Actually,I have yet to leave campus alone. Kind of embarrassing. But I have a plan.First,I'll convince someone to go to a theater with me. Shouldn't be too difficult; everyone likes the movies.And then I'll take notes on everything they say and do, and then I'll be comfortable going back to that theater alone.A
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
Ashley Earley (Alone in Paris)
I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them. When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.
J.M.G. Le Clézio (The Book of Flights)