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Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun.
When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey.
Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year.
Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them.
But they have company in oblivion: the Hell of dead gods is as crowded
as the Presbyterian Hell for babies. Damona is there, and Esus, and
Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and
Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons.
The business of interpreting their whims occupied thousands of priests,
bishops, archbishops. To doubt them was to die, usually at the stake.
Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence.
What has become of Sutekh, once the high god of the whole Nile Valley? What has become of:
Resheph
Anath
Ashtoreth
El
Nergal
Nebo
Ninib
Melek
Ahijah
Isis
Ptah
Anubis
Baal
Astarte
Hadad
Addu
Shalem
Dagon
Sharaab
Yau
Amon-Re
Osiris
Sebek
Molech?
All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following:
Bilé
Ler
Arianrhod
Morrigu
Govannon
Gunfled
Sokk-mimi
Nemetona
Dagda
Robigus
Pluto
Ops
Meditrina
Vesta
You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal.
And all are dead.
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H.L. Mencken (A Mencken Chrestomathy)
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These fourteen phases from full moon to new also have their result, and for the Egyptian consciousness this result was achieved through Isis. These fourteen phases are ruled by Isis.
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Rudolf Steiner (Egyptian Myths And Mysteries)
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What she read was a series of short connected lyrics, “Isis in Darkness.” The Egyptian Queen of Heaven and Earth was wandering in the Underworld, gathering up pieces of the murdered and dismembered body of her lover Osiris. At the same time, it was her own body she was putting back together; and it was also the physical universe. She was creating the universe by an act of love.
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Margaret Atwood (Wilderness Tips)
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She [Isis] invented a form of shorthand which she taught to the Egyptians and provided them a way to abridge their excessively involved script.
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Christine de Pizan (The Book of the City of Ladies)
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The Egyptians of 4000 B.C. believed that the goddess Isis, wife of Osiris, taught them how to grow olives. The Greeks have a similar legend. But the Hebrew word for olive, zait, is probably older than the Greek word, elaia, and is thought to refer to Said in the Nile Delta.
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Mark Kurlansky (Salt: A World History)
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Transmogrification,” Langdon said. “The vestiges of pagan religion in Christian symbology are undeniable. Egyptian sun disks became the halos of Catholic saints. Pictograms of Isis nursing her miraculously conceived son Horus became the blueprint for our modern images of the Virgin Mary nursing Baby Jesus. And virtually all the elements of the Catholic ritual—the miter, the altar, the doxology, and communion, the act of “God-eating”—were taken directly from earlier pagan mystery religions.
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Dan Brown (The da Vinci Code (Robert Langdon, #2))
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So Isis shows up in Byblos like "Hey queen my husband is embedded in your palace may I please extract him?"
And the queen is like "sure, go ahead. It's not like he's a major structural support or anything, right?" and Isis is like "haha, sucker".
And she goes and removes the pillar WITHOUT DAMAGING THE PALACE AT ALL
Thus inventing Jenga.
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Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
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ISIS stands for Islamic State In Syria. It's an acronym. ISIS is also the name of a bad ass Egyptian goddess. So for a group that is so anti woman I find it interesting and ironic that they named themselves after one
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Johnny Corn
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The Egyptians rated music highly, and Plato considered their music superior to the Greek, both for melody and energy. But harmony and rhythm were always subordinated to the words, and the subject-matter was paramount.
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James Teackle Dennis (The Burden Of Isis: Being The Laments Of Isis And Nephthys)
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Diodorus wrote at great length of the worship of the Goddess Isis (the Greek translation for Au Set), who had incorporated the aspects of both Ua Zit and Hathor. Isis was also closely associated with the Goddess as Nut, who was mythologically recorded as Her mother; in paintings Isis wore the wings of Nekhebt. Diodorus explained that, according to Egyptian religion, Isis was revered as the inventor of agriculture, as a great healer and physician and as the one who first established the laws of justice in the land. He then recorded what we today may find a most startling description of the laws of Egypt, explaining that they were the result of the reverence paid to this mighty Goddess. He wrote, “It is for these reasons, in fact, that it was ordained that the queen should have greater power and honour than the king and that among private persons the wife should enjoy authority over the husband, husbands agreeing in the marriage contract that they will be obedient in all things to their wives.
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Merlin Stone (When God Was a Woman)
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In the black-earth / red-earth binary of early Egyptian theology, it may be surprising to realize that the ancient Egyptians did not worship gods per se. They instead spoke of names, the netjeru, the word being depicted by an upright axe. Osiris, Isis, Horus (as the Greeks called them millennia later) were names of something, the same something, and not necessarily things unto themselves.
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Scott R. Jones (When The Stars Are Right: Towards An Authentic R'lyehian Spirituality)
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The now pregnant Isis returns to her home in the underworld and gives birth, in due time, to Horus, rightful son of the long-lost king, alienated as he matures from his now corrupted kingdom (something we all experience during our maturation). His primary attribute is the eye—the famous Egyptian single eye—while his avatar is the falcon, a bird that takes precise aim at its prey, strikes the target with deadly accuracy, and possesses an acuity of vision unparalleled in the kingdom of living things.
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Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
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Thus, when a jihadist gunned down killed down fourteen people at Fort Hood, Texas, the administration called it “workplace violence.” When Islamists murdered Jews in a kosher deli in Paris, Obama described their anti-Semitic rampage as simply “random” violence. When ISIS beheaded twenty-one Coptic Christians, the White House suggested it was merely because they were “Egyptian citizens.” To the contrary, they were murdered because of their faith, and, as Pope Francis powerfully observed, “their blood confesses Christ.
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Ted Cruz (A Time for Truth: Reigniting the Promise of America)
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The Egyptians believed in sacred words, and there’s a story about Isis tricking the great god Ra to reveal his secret magic word. The Hebrews believed there was great power in God’s name. I find it sometimes ironic that the Christian prayer Our Father or Pater Noster finishes with the word Amen. Amen means ‘hidden one.’ It used to be the name of Ra who was called Amen Ra or Amen Osiris. The Our Father has aspects similar to what is written in the Egyptian Book of the Dead and Maxim of Ani. The Freemasons use the golden triangle, as do Christian churches. It is an expensive and rare gift.
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Carolyn Schield (Keys of Life (Uriel's Justice, #1))
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The Egyptians were by no means the only people of the ancient world to envisage an Afterlife. Indeed, there is an almost universal reluctance to accept that death might be the absolute end of all things. However, they were the only people to believe that the survival of the physical remains of the deceased was a virtual prerequisite for the survival of the spirits or life-force. Two spirits, the Ka and the Ba, would be released from the body at death; the Ka stayed close to the corpse in the tomb while the Ba was free to leave the tomb in the form of a human-headed bird. At the same time a third and entirely different aspect of the soul embarked upon the lengthy journey to the Afterlife. Both the Ka and the Ba, however, needed to be able to return to the body. If the corpse was destroyed these spirits were also destroyed and there could be no further hope of continuing life, although in an emergency they could take up residence in a substitute body such as a statue or even an illustration on the tomb wall. It was this deeply held belief which led to the development of elaborate mortuary rituals, including mummification, which were all designed as a practical means of preserving the body for all eternity.
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Joyce A. Tyldesley (Daughters of Isis: Women of Ancient Egypt (Penguin History))
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The problem is that we who are badly wounded in our relation to the feminine usually have a fairly successful persona, a good public image. We have grown up as docile, often intellectual, daughters of the patriarchy, with what I call ‘animus-egos.’ We strive to keep up the virtues and aesthetic ideals which the patriarchal superego has presented to us. But we are filled with self-loathing and a deep sense of personal ugliness and failure when we can neither meet nor mitigate the superego’s standards of perfection.
But we also feel unseen because there are no images alive to reflect our wholeness and variety. But where shall we look for symbols to suggest the full mystery and potency of the feminine and to provide images as models for personal life. The later Greek goddesses and Mary, Virgin Mother, and Mediator, have not struck me to the core as have Innana-Ereshkigal, Kali, and Isis. An image for the goddess as Self needs to have a full-bodied coherence. So I have had to see the female Greek deities as partial aspects of one wholeness pattern and to look always for the darker powers hidden i their stories—the gorgon aspect of Athena, the underworld Aphrodite-Urania, the Black Demeter, etc.
Even in the tales of Inanna and other early Sumerian, Semitic, and Egyptian writings there is evidence that the original potencies of the feminine have been ‘demoted.' As Kramer tells us, the goddesses ‘that held top rank in the Sumerian pantheon were gradually forced down the ladder by male theologians’ and ‘their powers turned over to male deities. This permitted cerebral-intellectual-Apollonian, left brain consciousness, with its ethical and conceptual discriminations, to be born and to grow.
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Sylvia Brinton Perera (Descent to the Goddess: A Way of Initiation for Women (Studies in Jungian Psychology by Jungian Analysts, 6))
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unto me. Never have I felt such pain, neither can sickness cause more woe than this. I am a prince, the son of a prince, the sacred essence which hath proceeded from God. I am the great one, the son of the great one, and my father planned my name; I have multitudes of names and multitudes of forms, and my being is in every god. I have been proclaimed by the heralds Temu and Horus, and my father and my mother uttered my name; but it hath been hidden within me by him that begat me, who would not that the words of power of any seer should have dominion over me. I came forth to look upon that which I had made, I was passing through the world which I had created, when lo! something stung me, but what I know not. Is it fire? Is it water? My heart is on fire, my flesh quaketh, and trembling hath seized all my limbs. Let there be brought unto me my children, the gods, who possess the words of power and magical speech, and mouths which know how to utter them, and also powers which reach even unto the heavens.’ Then the children of every god came unto him uttering cries of grief. And Isis also came, bringing with her her words of magical power, and her mouth was full of the breath of life; for her talismans vanquish the pains of
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E.A. Wallis Budge (Egyptian Magic)
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Isis is the Egyptian mother goddess of magick, whose worship prevailed in the Greco-Roman world. Her name means “Throne”, reflected in her headdress which is shaped like a throne. Her spouse was originally Osiris, but became Serapis in the Greco-Roman myths, and her son became transformed from Horus to Harpocrates. Evidence of her worship in Britain has been found in an inscription on a jug found in Southwark (London).[369] The inscription on the jug indicates an Iseum (Isis temple) in London, but the location of this temple has yet to be determined. An altar found in Blackfriars records the restoration of a temple to Isis in the third century CE, further reinforcing evidence of her worship.[370] It has been suggested by some modern writers that the river Isis in Oxfordshire was named after this goddess, though this may in fact be a coincidence. The name of the river Isis is most probably a contraction of the name Thamesis. It is likely that "Thamesis" is a Latinisation of the Celtic river names "Taom"(Thames) and"Uis"(is), giving "Taom-Uis"meaning "The pouring out of water". An engraved onyx intaglio found at Wroxeter (Shropshire) dating to the third century CE shows Isis bearing a sistrum in her right hand.[371] Another gem from Lockleys (Hertfordshire) dating to the fourth century CE shows Isis standing between Bes and a lioness, all surrounded by a serpent ouroboros.[372]
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David Rankine (The Isles of the Many Gods: An A-Z of the Pagan Gods & Goddesses of Ancient Britain Worshipped During the First Millenium Through to the Middle Ages)
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Since 'Panther' is an ambiguous word that can refer to different leopards, jaguars, or mountain lions, it can also refer to a melanistic or black cat; hence, the name 'black panther'. It can also be crossed with a lioness for example which gives us an indication of the role which the lion had in ancient Egyptian symbolism in relation with the black panther on feminine figures. Panther/Lioness feminine emblems for Sekhmet, Bastet and Maftet were portaying that aggressive and wild nature of the big cats; they served as guardians and the latter was called as 'slayer of serpents' and protected against snakes. That was also a role which Atem played, therefore, they represent the perpendicular authority in contrast to that of the Sun (i.e., parallel authority). What proves my assertion that the Sun cult showed up later on in opposition to the upper heavens' authority is to be witnessed on the figurine which shows Tutankhamun subjugating a black panther using a sceptre which looks different than that of Thoth (stripped off from its fork and top ends); avenging thereby his cult. The Egyptian Museum guide does state that he is [assimilated to the Sun by the golden tan of his skin] and the [panther represented the night sky]. So it is evident that the warriors of the upper heavens on Earth were feminine who tried to resurrect their legacy in contrast to Isis who restores her husband's body to allow for his resurrection (referring to Sirius and Orion); intending probably thereby to give him back his role as a lion hunter. The task on the lionesses is therefore reduced to protection and guardianship against this scheme but there were no resurrection of some entity for them to take part into since the authority on whose behalf they fight were already present even though no complete submission to it were delivered.
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Ibrahim Ibrahim (Quotable: My Worldview)
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The Chapter of the divine god, the self-created being, who made the heavens and the earth, and the winds [which give] life, and the fire, and the gods, and men, and beasts, and cattle, and reptiles, and the fowl of the air and the fish of the sea; he is the king of men and of gods, he hath one period of life (?) and with him periods of one hundred and twenty years each are but as years; his names are manifold and unknown, the gods even know them not. “Now Isis was a woman who possessed words of power; her heart was wearied with the millions of men, therefore she chose the millions of the gods, but she esteemed more highly the millions of the spirits "(khu). And she meditated in her heart, saying, ‘ Cannot I by means of the sacred name of God make myself mistress of the earth and become a goddess like unto R in heaven and upon earth ? ’ Now behold, each day R entered at the head of his holy mariners and established himself upon the throne of the two horizons. Now the divine one (i.e., R) had grown old, he dribbled at the mouth, his spittle fell upon the earth, and his slobbering dropped upon the ground. And Isis kneaded it with
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E.A. Wallis Budge (Egyptian Magic)
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We want to know how we can recognize his signs when we meet 'em. What animal does he live in? Is he a bull like Apis, a cow like Isis, a cat like—"
"This god never shows himself through any animal. He has no representations on earth in any form. He speaks in fire and smoke, but the fire and smoke are not god. He has no images and wants none made in his name."
"What is the name of this god, Moses? Maybe he is a god of Egypt who has left Egypt and sends to us from some place away off."
"No, he is no Egyptian god. He has not uttered his name as yet."
"You must not know a whole heap about this god your own self, Moses, if you don't even know his name. Didn't you even find out that much about him?
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Zora Neale Hurston (Moses, Man of the Mountain)
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Even Margaret’s beloved Wordsworth fell short on the issue; for him, she quoted ruefully, the ideal woman should not be “Too bright and good / For Human nature’s daily food.” Margaret drew on examples from ancient myth, wherein “the idea of female perfection is as fully presented as that of male,” to show that women had been accorded greater respect in earlier times. In Egyptian mythology, “Isis is even more powerful than Osiris,” and “the Hindoo goddesses reign on the highest peaks of sanctification.” In Greek myth, “not only Beauty, Health and the Soul are represented under feminine attributes, but the Muses, the inspirers of all genius,” and “Wisdom itself . . . are feminine.” Margaret’s dream was to bring the dispirited “individual man” together with the disempowered woman—unite the two sides of the Great Hall’s classroom—and create, by merging the best attributes of each, “fully” perfected souls. Then, a nation of men and women will for the first time exist, she might have said, amending Waldo Emerson’s visionary claim.
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Megan Marshall (Margaret Fuller: A New American Life)
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Isis’s Egyptian name is Aset, or Ast.
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Storm Constantine (Bast and Sekhmet: Eyes of Ra)
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The letter M is the 13th letter of English, Greek and Hebrew alphabets. M is also the astrological symbol for Virgo. In Ptolemaic Egyptian Hieroglyphs, the letter M was represented by an owl—a creature that can see in darkness. The owl was also the companion of Athena, the Greek goddess of wisdom, an incarnation of Isis. In Egyptian hieroglyphs of the Owl, the letter M is clearly depicted on the top of its head.
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David Flynn (The David Flynn Collection)
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pentagram, the Egyptian symbol of Isis.
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David Flynn (The David Flynn Collection)
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The reason assigned by the Christian priests for the images being black, is that they are made so by smoke and incense, but, we may ask, if they became black by smoke, why is it that the white drapery, white teeth, and the white of the eyes have not changed in color? Why are the lips of a bright red color? Why, we may also ask, are the black images crowned and adorned with jewels, just as the images of the Hindoo and Egyptian virgins are represented? When we find that the Virgin Devaki, and the Virgin Isis were represented just as these so-called ancient Christian idols represent Mary, we are led to the conclusion that they are Pagan idols adopted by the Christians.
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Thomas William Doane (Bible Myths and their Parallels in other Religions Being a Comparison of the Old and New Testament Myths and Miracles with those of the Heathen Nations ... Considering also their Origin and Meaning)
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Faith in an afterlife was important to Egyptians: they deliberately made their tombs the most permanent part of their built environment, and we find them in their literature very much concerned with what they could know about life after death, judgement and individual survival. Certainly they preserved their religion for most of the lifespan of their language, and they no more actively preached it abroad than they attempted to spread their language when they enlarged the boundaries of their power. But aspects of their faith did spread without the language none the less: their mother-goddess Isis became one of the most widely revered deities in the Roman empire, and has been seen as a root of the Christian cult of Mary as Mother of God.
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Nicholas Ostler
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As we’ve examined, the anti-American insurgency in Iraq drew its strength from Sunni revanchism. One way to view Baathism historically is as one among many exponents of Sunni political power. It competed in its heyday with pan-Arab nationalism, as expounded by Egyptian President Gamal Abdel Nasser, the Islamism of Sayyed Qutb’s Brotherhood, and the Salafist-Jihadism of bin Laden. Indeed, the Islamic Faith Campaign was meant to preempt Salafism’s usurpation of Baathism. Today, the secular socialist ideology is in a tenuous state of coexistence and competition with the caliphate-building takfirism of ISIS.
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Michael Weiss (ISIS: Inside the Army of Terror)
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And where the devil did you find this one?' Louis asked. 'Was the Valley of the Kings having a rummage sale?'
Stead regarded him. 'You've heard of Daressy?'
'The French Egyptologist?'
'Yes, that's the one. He uncovered the ruins of an enormous palace complex back in eighteen eighty-eight--a site he called Malkata. One of his workers . . . ' Stead made a vague gesture. ' . . . liberated the artifact from what he thought was a temple devoted to Isis, one of the chief goddesses of the ancient Egyptian pantheon. When a friend of mine traveled to Egypt some time later, he became awar eof this find and brought it back home with him to England, where he offered it to me as a gift.'
'Ah,' Louis said. 'So it was a rummage sale.
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Lana Hart (The Bejeweled Bottle (The Curious Collectibles Series #3))
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And where the devil did you find this one?' Louis asked. 'Was the Valley of the Kings having a rummage sale?'
Stead regarded him. 'You've heard of Daressy?'
'The French Egyptologist?'
'Yes, that's the one. He uncovered the ruins of an enormous palace complex back in eighteen eighty-eight--a site he called Malkata. One of his workers . . . ' Stead made a vague gesture. ' . . . liberated the artifact from what he thought was a temple devoted to Isis, one of the chief goddesses of the ancient Egyptian pantheon. When a friend of mine traveled to Egypt some time later, he became aware of this find and brought it back home with him to England, where he offered it to me as a gift.'
'Ah,' Louis said. 'So it was a rummage sale.
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Lana Hart (The Bejeweled Bottle (The Curious Collectibles Series #3))
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All this is quite dangerous. ISIS is no more absurd a movement than was National Socialism in 1932. How many Germans, versed in their Goethe and Schiller, ever believed that a paint-by-numbers artist like Hitler, a former chicken farmer such as Himmler, or a failed academic like Goebbels would soon be turning Weimar Germany into a rogue state that would murder its own sick, disabled, and non-Aryan? Radical Islamists of all stripes support ISIS, if occasionally uneasy about its methodologies. Soon, if ISIS consolidates a caliphate of sorts, it will win over more adherents, who appreciate that it has flummoxed the West and restored pride to millions who either hated the West or were forced to move to the West in humiliation. ISIS is nursed by Western diffidence at best and at worst by the sort of contextualization and rationalization embraced by Obama. Every time he fails to note that Coptic Egyptians are beheaded precisely because they are Christians, or that Jews are killed by reason of being Jews, ISIS takes note. Each time he remonstrates with Christians for their moral high horses, or cites poverty as the root cause of “violent extremism,” or retreats into the distant past in desperate efforts to remind Westerners of their own comparable sins, ISIS takes note. Each time Obama hesitates, issues and then forgets about threats, or slashes defense, ISIS takes note. And if Obama continues, soon a 400-million-person Middle East will take note as well. Millions may not like ISIS, just as millions once were somewhat bothered by Hitler. They may prefer that its beheadings remain untelevised, or may frown on burning someone alive when the firing squad would do. But they most certainly will like the power, territory, and fear that ISIS commands — and the utter helplessness that follows in the once haughty West.
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Anonymous
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If Beirut was the supermarket of the left in the 1970s, where Marxists, communists, Egyptians, Iraqis, and all the Palestinian factions debated and theorized, published and drank in bars arguing over ideas and the fought in the streets, Peshawar was the supermarket of the Islamists in the 1980s without drinking: there the discussions were about Islamic law, fatwas, the war of the believers, the unity of the Muslim nation, and the humanitarian needs of Afghan refugees.
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Kim Ghattas (Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East)
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from Dynasty V (2498-2345 BCE) is a fairly complete list starting from the last Predynastic kings, but it sadly ends in the middle of Dynasty V. The Royal List of Karnak goes all the way to Tuthmosis III (1504-1450 BCE) and is especially useful in that it records many of the minor rulers of the Second Intermediate Period, when Egypt was divided into two or more states. The Royal List of Abydos skips these kings but runs all the way to the reign of Seti I (1291-1278 BCE). The Royal Canon of Turin is a badly damaged papyrus dating to around 1200 BCE that gives the precise length of reign of each ruler, often down to the day. Many portions of the list are missing, however. Discoveries of other texts and radiocarbon dating have helped refine the dates, but there are still competing theories regarding the chronology, and all have both merits and problems. For the sake of consistency, this work uses the chronology set forth by Egyptologist Peter A. Clayton in his various works. The reader should note that while Clayton’s chronology is a popular one, it is by no means universally accepted.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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One such concept is that of the creation of the universe. Generally speaking, there was a limitless dark ocean of “chaos” called Nun, out of which a god was born who instigated creation.[6] The different cult centers felt at liberty to amend or augment that concept to incorporate local tastes and allegiances to deities. Later on, during the period of the New Kingdom, the cult center of Thebes gained prominence and the priests there tried to unify the earlier traditions of Egypt. In this attempt, Amun was the creator god but the Thebans also incorporated the traditions of the major cult centers like Hermopolis, Memphis and Heliopolis, which often seem quite disparate accounts to the modern reader but were quite ingeniously brought together at Thebes around 1200 BCE.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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charm or magical formula against snake bites, and it was thought that the written letters, which represented the words of Isis, would save the life of any one who was snake-bitten, just as they saved the life of R. If the full directions as to the use of the figures of Temu, Isis, and the two Horus gods, were known unto us we should probably find that they were to be made to act in dumb show the scenes which took place between R and Isis when the goddess succeeded in taking from him his name. Thus we have ample evidence that Isis possessed marvellous magical powers, and this being so, the issues of life and death, as far as the deceased was concerned, we know from the texts to have been in her hands. Her words of power, too, were a priceless possession, for she obtained them from Thoth, who was the personification of the mind and intelligence of the Creator, and thus their origin was divine, and from this point of view were inspired.
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E.A. Wallis Budge (Egyptian Magic)
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made the heavens, I have stretched out the two horizons like a curtain, and I have placed the soul of the gods within them. I am he who, if he openeth his eyes, doth make the light, and, if he closeth them, darkness cometh into being. At his command the Nile riseth, and the gods know not his name. I have made the hours, I have created the days, I bring forward the festivals of the year, I create the Nile-flood. I make the fire of life, and I provide food in the houses. I am Khepera in the morning, I am R at noon, and I am Temu at even.’ Meanwhile the poison was not taken away from his body, but it pierced deeper, and the great god could no longer walk. “Then said Isis unto R, ‘What thou hast said is not thy name. O tell it unto me, and the poison shall depart; for he shall live whose name shall be revealed.’ Now the poison burned like fire, and it was fiercer than the flame and the furnace, and the majesty of the great god said, ‘I consent that Isis shall search into me, and that my name shall pass from me into her.’ Then the god hid himself from the gods, and his place in the Boat of Millions of Years was empty. And when the time had
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E.A. Wallis Budge (Egyptian Magic)
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arrived for the heart of R to come forth, Isis spake unto by oath to deliver up his two eyes (i.e., the sun and moon).’ Thus was the name of the great god taken from him, and Isis, the lady of words of magical power, said, ‘Depart, poison, go forth from R. O Eye of Horus, go forth from the god, and shine outside his mouth. It is I who work, it is I who make to fall down upon the earth the vanquished poison, for the name of the great god hath been taken away from him. Let R live, and let the poison die! Let the poison die, and let R live!’ These are the words of Isis, the mighty lady, the mistress of the gods, who knew R by his own name.” Now from a few words of text which follow the above narrative we learn that the object of writing it was not so much to instruct the reader as to make a magic formula, for we are told that it was to be recited over figures of Temu and Horus, and Isis and Horus, that is to say, over figures of Temu the evening sun, Horus the Elder, Horus the son of Isis, and Isis herself. Temu apparently takes the place of R, for he represents the sun as an old man, i.e., R at the close of his daily life when he has lost his strength and power. The text is
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E.A. Wallis Budge (Egyptian Magic)
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Augustus connected his villa on the Palatine hill to the temple of Apollo with a portico representing the mythological Danaids, Egyptian-born Greeks. The Greeks had integrated Egypt into their ideological landscape through the gadfly-tormented Io, thought to be Isis, who shed her bovine shape in Egypt when she married the pharaoh. Hellenized Egypt, through Alexandria, found its way to Rome, where it was integrated into the fabric of Rome’s founding location.
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Sarolta A. Takács (Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion)
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Muslims, whom he regarded as a people “alien to God.” The Christian soldiers, who would one day be known as Crusaders, breached the city’s defenses on the night of July 13, 1099, and slaughtered its inhabitants, including three thousand men, women, and children who had taken shelter inside the great al-Aqsa Mosque on the Temple Mount. It was Saladin, the son of a Kurdish soldier of fortune from Tikrit, who would return the favor. After humiliating the thirst-crazed Crusader force at the Battle of Hattin near Tiberias—Saladin personally sliced off the arm of Raynald of Châtillon—the Muslims reclaimed Jerusalem after a negotiated surrender. Saladin tore down the large cross that had been erected atop the Dome of the Rock, scrubbed its courts with Damascene rosewater to remove the last foul traces of the infidel, and sold thousands of Christians into slavery or the harem. Jerusalem would remain under Islamic control until 1917, when the British seized it from the Ottoman Turks. And when the Ottoman Empire collapsed in 1924, so, too, did the last Muslim caliphate. But now ISIS had declared a new caliphate. At present, it included only portions of western Iraq and eastern Syria, with Raqqa as its capital. Saladin, the new Saladin, was ISIS’s chief of external operations—or so believed Fareed Barakat and the Jordanian General Intelligence Department. Unfortunately, the GID knew almost nothing else about Saladin, including his real name. “Is he Iraqi?” “He might be. Or he might be a Tunisian or a Saudi or an Egyptian or an Englishman or one of the other lunatics who’ve rushed to Syria to live in this new Islamic paradise of theirs.” “Surely, the GID doesn’t believe that.” “We don’t,” Fareed conceded. “We think he’s probably a former Iraqi military officer. Who knows? Maybe he’s from Tikrit, just like Saladin.” “And Saddam.” “Ah, yes, let’s not forget Saddam.” Fareed exhaled a lungful of smoke toward the high ceiling of his office. “We had our problems with Saddam, but we warned the Americans they would rue the day they toppled him. They didn’t listen, of course. Nor did they listen when we asked them to do something about Syria. Not our problem, they said. We’re putting the Middle East in our rearview mirror. No more American wars in Muslim lands. And now look at the situation. A quarter of a million dead, hundreds of thousands more streaming into Europe, Russia and Iran working together to dominate the Middle East.” He shook his head slowly. “Have I left anything out?” “You forgot Saladin,” said Gabriel. “What do you want to do about him?” “I suppose we could do nothing and hope he goes away.” “Hope is how we ended up with him in the first place,” said Fareed. “Hope and hubris.” “So let’s put him out of business, sooner rather than later.
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Daniel Silva (The Black Widow (Gabriel Allon, #16))
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In the Aeneid, Vergil depicts Cleopatra as a frenzied queen (regina) holding a rattle (sistrum).62 The rattle is a trademark attribute of the goddess Isis, and so, without saying it, Vergil linked the Egyptian queen with the goddess. Since the expulsion of the last king (rex) from Rome and the formation of the Republic in 509 BCE, rex, the sources tell us, was a loathed term as monarchy was a reviled form of government. The feminine form of rex is regina. Using regina in this passage, Vergil, without any need for elaboration, suggests deep aversion. This new Isis opposed the Roman gods, especially Apollo, whom Augustus chose as his guardian deity. In Vergil’s passage, Dionysian fury opposes Apollonian rationality; or Marc Antony’s excesses and un-Roman behavior stood in opposition to Augustus’ temperance and behavior grounded in the mos maiorum.
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Sarolta A. Takács (Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion)
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Like Dionysus, the Egyptian gods reached Rome by way of Campania. In the second century BC, traders on Delos made the acquaintance of Isis and Serapis, whom a priest from Memphis had imported at the beginning of the preceding century. Many of these negotiatores were originally from southern Italy where, with Alexandrian sailors, they spread Nilotic representations. Very soon Pompeii had its Iseum and Pozzuoli its Serapeum.
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Robert Turcan (The Gods of Ancient Rome: Religion in Everyday Life from Archaic to Imperial Times)
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The most profound religious symbols rely for their power in large part on this underlying fundamentally bipartisan conceptual subdivision. The Star of David is, for example, the downward pointing triangle of femininity and the upward pointing triangle of the male.*1 It’s the same for the yoni and lingam of Hinduism (which come covered with snakes, our ancient adversaries and provocateurs: the Shiva Linga is depicted with snake deities called the Nagas). The ancient Egyptians represented Osiris, god of the state, and Isis, goddess of the underworld, as twin cobras with their tails knotted together. The same symbol was used in China to portray Fuxi and Nuwa, creators of humanity and of writing. The representations in Christianity are less abstract, more like personalities, but the familiar Western images of the Virgin Mary with the Christ Child and the Pietà both express the female/male dual unity, as does the traditional insistence on the androgyny of Christ.43
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Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
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Two people may look at an image of a beautiful woman dressed in blue and disagree: one sees the Christian Mary, while the other recognizes the same image as the Vodou lwa Ezili Freda Dahomey. If they bring over a third person to look at the same image and decide between them, that person may see the Yoruba orisha Yemaya. Similarly, someone viewing a statue of a mother with babe in arms carved from black wood will recognize the Egyptian goddess Isis and her son, baby Horus. Someone else sees that same statue and recognizes Mary and baby Jesus. Yet another person will recognize the Vodou matriarch, Ezili Dantor, with her daughter, Anaïs.
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Judika Illes (Encyclopedia of Spirits: The Ultimate Guide to the Magic of Fairies, Genies, Demons, Ghosts, Gods & Goddesses (Witchcraft & Spells))
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The most learned explorers of Egyptian antiquities, including Sir Gardiner Wilkinson, admit that the story of Noah was mixed up with the story of Osiris. The ship of Isis, and the coffin of Osiris, floating on the waters, point distinctly to that remarkable event. There were different periods, in different places in Egypt, when the fate of Osiris was lamented; and at one time there was more special reference to the personal history of "the mighty hunter before the Lord," and at another to the awful catastrophe through which Noah passed. In the great and solemn festival called "The Disappearance of Osiris," it is evident that it is Noah himself who was then supposed to have been lost. The time when Osiris was "shut up in his coffin," and when that coffin was set afloat on the waters, as stated by Plutarch, agrees exactly with the period when Noah entered the ark.
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Alexander Hislop (The Two Babylons)
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Greek was her first language, and in Greek literature and culture she was educated. Although representing on Egyptian temples and some statuary in the traditional headgear and robes of the pharaohs’ wives, it was unlikely she actually dressed this way save perhaps occasionally to perform certain rites. Instead she wore the headband and robes of a Greek monarch. Cleopatra proclaimed herself the ‘New Isis’, and yet her worship of the goddess betrayed a strongly Hellenised version of the cult. She was no more Egyptian culturally or ethnically than most residents of modern day Airzona are Apaches.
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Adrian Goldsworthy (Antony and Cleopatra)
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Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals.
Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread).
Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through)
Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun).
Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding.
He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology.
Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun).
Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).
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Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
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On any one street people could pray to a variety of deities, Zeus and Jupiter, Isis and Osiris, the Jewish god Yahweh, the Persian god Mithra, or Serapis, a god the Ptolemies introduced to bind themselves to the Egyptians and their mysticism.
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Gwendolyn Womack (The Fortune Teller)
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The general creation story contains within it two aspects that are crucial to understanding all of the myths of ancient Egypt: maat and isfet. Isfet represents chaos or disorder, generally speaking, and it was seen as a fundamental element of everything in existence. There was no notion of trying to eradicate isfet from their general lives in ancient Egypt; after all, it was said to be one of the elements that was present in the limitless ocean at the dawn of creation. The only desire for ancient Egyptians was that isfet never became more prevalent than maat, its opposite: justice. Maat was often depicted as a goddess wearing a feather on her head, which was also the hieroglyph that represented her.[8] She, or simply the concept of justice, was believed to be present in all aspects of life and if it was broken by anyone, there would be a punishment. According to the Middle Kingdom “Coffin Text” it was believed that Atum, the “Great Finisher” of creation,[9] inhaled maat in order to gain his consciousness: “Inhale your daughter Maat [said Nun to Atum] and raise her to your nostril so that your consciousness may live. May they not be far from you, your daughter Maat and your son Shu, whose name is “life” … it is your son Shu who will lift you up.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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After that, Atum was capable of making the waters of Nun recede away from him, making him rise above them and become “what remained” or the “mound of creation.” It’s important to take note of the fact that there was no creation until Atum inhaled life and justice. Therefore without maat and her dualistic counterpart, there would have been no world, and that is the reason for maat and isfet’s ubiquity, as well as the acceptance of chaos in the world as seen by the ancient Egyptians. After Atum had separated himself from Nun, the children he kept inside, notably Shu and maat/isfet, often represented as a form of the goddess Tefnut, were now separated from their father, and Tefnut would go on to become the mother of all the gods.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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inscriptions on pyramid walls (such as the Old Kingdom’s “Pyramid Texts”), painted on the inside of coffins (such as the Middle Kingdom’s “Coffin Texts”), or texts written on papyri (such as the famous “Book of the Dead,” which dates back to the Second Intermediate Period).
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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myths assumed their readers were knowledgeable about the stories’ details, they opted to refer to myths obliquely out of a sense of decorum.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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In terms of the oldest description of death, modern scholars have the Pyramid Texts. These were initially inscribed on the walls of the 5th Dynasty pyramid of Unas at Saqqara,[13] and they documented and gave advice to the king on his journey into the afterlife. These inscriptions were later copied onto other pyramids from the Old Kingdom and have therefore survived in good condition
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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Unas Pyramid Text Possibly the next most influential source came from the Roman era. Plutarch was a Greek historian and priest who lived in the late 1st and early 2nd century CE. He traveled to Egypt, it seems, but once he arrived there he was incapable of reading any hieroglyphs, so he largely depended on conversations with the locals and also a smattering of earlier literature that speculated on the identity of Egyptian gods and compared them with the Greeks’ own pantheon. For instance, to the ancient Greeks the god Amun was Zeus, and the same applied to Hermes and Thoth, Apollo and Horus, and Dionysus and Osiris. The connection between Greece and Egypt was an ancient one and continues to have an influence on modern readers since many of the cult centers of ancient Egypt are referred to by their ancient Greek names, such as Hermopolis the City of Hermes, rather than their ancient Egyptian names, most likely because of the troublesome nature of transliterating Egyptian words.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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Plutarch’s account is late in terms of the wider history of Egyptian mythology, it is a surprisingly accurate take on the formation of the myth of Isis and Osiris, dating back to around 600 years before his arrival.[15] Of course, this does not make it an accurate account of the much earlier story of Osiris, but since describing his death and dismemberment was not a taboo for a Greek, his later account did not suffer from the obliqueness of the early sources. Moreover, although Plutarch was not an Egyptian, he was an excellent scholar of foreign mythology. For him, the reason for writing down the myth of Isis and Osiris was to try and find a “fundamental truth” to the myths of both his own culture (of which he was a priest at Delphi for the remaining 30 years of his life) and that of his neighboring culture,
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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which all Greeks considered to be much more ancient than their own. It was his scholarly approach and earnest desire to record the “truth” that makes his already interesting story worthy of study as a genuine account of the myth of Isis and Osiris.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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The Gods as Concepts Like in many polytheistic religious beliefs, the gods of ancient Egypt were neither omnipotent nor omnipresent, despite appearing in many locations simultaneously in some of the myths.[16] In fact, the ancient Egyptians used to worship the deity of the location they found themselves in, since each deity was more or less “present” in each part of the country. They were decidedly human in their relationships with each other. Just like the ancient Greek gods, they fought and argued, made love and married, and were ultimately capable of death, even if this meant that they would simply be reborn later on. Each god and goddess was “responsible” for an aspect of reality the ancient Egyptians encountered every day but, when they needed to, they could share their powers with another deity, which resulted in a kind of merging of the two. This was the case for the “dying sun god” who merged with Osiris so as to borrow his regenerative power and be “reborn” the following day.[17]
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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the universe is created by the god Ptah, who “conceived the elements of creation in his heart and pronounced them into existence with the divine words as he pronounced their names.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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some scholars believe that Ptah was only capable of such creation after he borrowed the heart and tongue from Amun, the ultimate creator; as such it was Ptah’s being the personification of “creative process” that directed and guided Amun’s creative abilities.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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In ancient Egyptian culture the duality of deities – most often manifested in their male/female relationships – was an integral aspect of the belief system. This duality appeared in Nun, the limitless ocean of potentiality out of which the universe was born. Within those waters, the male and female aspects appeared as frogs (males) and snakes (females). There were four couples, according to the beliefs at Hermopolis, making up the eight most important gods of “pre-creation” referred to at this cult center as the “Ogdoad”. Each of these gods and goddesses acquired names and, as a unit, they represented the earliest aspects of reality.
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Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
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Isis was worshipped throughout the Greco-Roman world. During the fourth century, when Christianity was gaining a foothold in the Roman Empire, her worshippers founded the first Madonna cults so as to keep her influence alive. Some early Christians even called themselves pastophori, meaning the shepherds or servants of Isis, which may be where the word pastor originated. Author Ean Begg found in his research that the city of Paris was indeed built as a center for Isis, explaining that it is the original meaning of its name, Par-Is. Paris is also another place with great devotion to the Black Madonna. The original name was “Lutetia of the Parisii.” It was named after a tribe of Celts known as the Parisii during the Roman era of the first to the fourth century. The Pariasians were the followers of Isis, who was known as the chief goddess of the Greco-Egyptian empire.
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Alessandra Belloni (Healing Journeys with the Black Madonna: Chants, Music, and Sacred Practices of the Great Goddess)
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Ayman al-Zawahiri, a scholarly Egyptian eye surgeon who had served as bin Laden’s personal physician.
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Robert Spencer (The Complete Infidel's Guide to ISIS (Complete Infidel's Guides))
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HYMN OF PRAISE. ‘o osiris, lord of eternity, Un-nefer, Horus of the two horizons, whose forms are manifold, whose creations are without number, Ptah-Seker-Tem in Annu, the lord of the tomb, and the creator of Memphis and of the gods, the guide of the underworld, whom [the gods] glorify when thou settest in Nut. Isis embraceth thee in peace, and she driveth away the fiends from the mouth of thy paths.
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E.A. Wallis Budge (The Egyptian Book of the Dead)
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Each of the Gods at the center of these diverse cosmogonies is not just a creator, but the creator, and in a unique way. It is not a question of these different Gods being responsible for different parts of the cosmos, or having different discrete functions in an integrated system. Rather, each such Creator is responsible for the cosmos as a whole, but through a different concept, in each case, of what creation is. Each cosmogony is thus its own science of being, or ontology. Note also that it is no obstacle that Isis, for example, occurs in the fourth ‘generation’, so to speak, of the Gods, according to the most common accounts; She can still be understood as the Creator, eternally arranging the conditions for Her own cosmic emergence. Nothing about the generational or familial relations among the Gods has much effect upon Their ability to operate in this fashion as ultimate Creator. Some Egyptian theological texts deploy specific terminology to explicitly render a God self-creating, such as the epithet kamutef, literally ‘bull of his mother’, that is, having conceived themselves, or in a feminine version, ‘mother who became a daughter’, but even in the absence of such terminology it is simply a pragmatic expectation in Egyptian theological texts that insofar as a God occupies the center of attention even momentarily, that God is rendered supreme.
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Edward P. Butler (The Way of the Gods : Polytheism(s) Around the World)
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The ancient Egyptian religion lasted from somewhere around 3100 BCE until the suppression of ‘pagan’ religion in the country was apparently accomplished during the 6th century CE, meaning that there was only about a century of unquestioned Christian dominion over Egypt before the Muslim conquest in 639-46 CE. Damascius, the Platonist philosopher and pagan activist who died in 538 CE, in his memoirs recounting his time studying in Alexandria, indicates that the native religion, though embattled, was still vibrant and resistance to Christian hegemony was militant. We have evidence of pagan worship continuing at and around certain Egyptian temples as late as 567 CE, in the face of enforcement action. The last known hieroglyphic inscription, the graffito of Esmet-Akhom, is dated to 394 CE, and is a moving testament of devotion to the God Mandulis by a priest of Isis. Inscriptions from the temple of Isis at Philae indicate that it was staffed by a Nubian priesthood well into the fifth century CE, when Proclus, another Platonic philosopher, wrote a hymn, no longer extant, to Isis of Philae, likely because the cult was an outstanding example of polytheist resistance. Procopius tells us of an agreement with the Blemmyes, a tribe in the region, permitting them to host the sacred icon of Isis from this temple for annual rites; this tribe is the ancestors of today’s Beja people, who still speak a language closely related to ancient Egyptian
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Edward P. Butler (The Way of the Gods : Polytheism(s) Around the World)