Egyptian Goddess Quotes

Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.

Truth came home one day, naked and wounded, having been beaten and cursed by the people who did not wish to hear, while his brother Falsehood went dressed in the brightest garments and feasted with every household. “What shall I do?” cried Truth to the gods. “No man wishes to hear me and all beat me and throw things at me; look, I am covered with dung.” “You are naked” said the goddess Maat, sympathetically. “No naked one can command respect. Therefore take these robes and you will walk without fear and all men will sit at your feet to hear your stories.” And she dressed Truth in Fable’s garments, and he was welcome at every house.

Carter wagged the Yankees cap at me. ‘Nekhbet wants Percy to be her host. That’s one way the Egyptian gods maintain a presence in the mortal world. They can inhabit mortals’ bodies.’ My stomach jackknifed. ‘You want her –’ I pointed at the frazzled old vulture goddess – ‘to inhabit me? That sounds …’ I tried to think of a word that would convey my complete disgust without offending the goddess. I failed.

In the Beginning there was Nothing, which can be thought of as 'dazzling darkness' or Absolute Mystery. This is the singularity before all thought and all things, which is called Temu. Temu came even before the shapeless void which the Greeks name Chaos and the Egyptians call Nun. Temu cannot be Consciousness because Consciousness needs something to be conscious of. It cannot even be said to exist because what exists does so within Consciousness. Temu is unknowable. Temu is unthinkable. Temu is beyond being. But by some way not even the most sublime of philosophers can yet say, came from Temu the First Idea, named by some Logos, the unknowable knew itself by becoming both known and knower. And thus was created duality, as in, the witness and the experience, the God and the Goddess, Consciousness as the witnessing God and experience as the Goddess Sophia. The First Idea is that Temu is conscious of itself, being the One Soul of the Universe that is conscious through all beings.

A green so pure that beside it emeralds were dirty and grass dull. The green of Egypt’s fields, the fierce green of her crops under the sun, glowing under the eye of Re. Green seemed the most Egyptian of all colors: her Nile, her crocodiles, her papyrus. And Wadjyt, the cobra goddess of Lower Egypt, whose very name means “the green one.

The Egyptians of 4000 B.C. believed that the goddess Isis, wife of Osiris, taught them how to grow olives. The Greeks have a similar legend. But the Hebrew word for olive, zait, is probably older than the Greek word, elaia, and is thought to refer to Said in the Nile Delta.

ISIS stands for Islamic State In Syria. It's an acronym. ISIS is also the name of a bad ass Egyptian goddess. So for a group that is so anti woman I find it interesting and ironic that they named themselves after one

Well done. Amon is indeed represented as a man with a ram’s head, and his promiscuity and curved horns are related to our modern sexual slang “horny”.’ ‘No shit!’ ‘No shit,’ Langdon said. ‘And do you know who Amon’s counterpart was? The Egyptian goddess of fertility?

Worry,” he whispered to himself, “is a wasted effort about something that might not happen. Better to enjoy the moments we have and to make the best of them.

Brigit, the Exalted One. Also known as Bridgit, Brigindo, Bride, and Mistress of the Mantle, she is a goddess of fire, the forge, light and the sun, wells and springs, healing, childbirth, poetry, smithcraft, and martial arts.

THE INFERNAL NAMES Abaddon - (Hebrew) the destroyer ... Asmodeus - Hebrew devil of sensuality and luxury, originally "creature of judgement" ... Azazel - (Hebrew) taught men to make weapons of war, introduced cosmetics ... Bast - Egyptian goddess of pleasure represented by the cat Beelzebub - (Hebrew) Lord of the Flies, taken from symbolism of the scarab Behemoth - Hebrew personification of Satan in the form of an elephant ... Coyote - American Indian Devil Dagon - Philistine avenging devil of the sea ... Dracula - Romanian name for devil ... Fenriz - Son of Loki, depicted as a wolf ... Hecate - Greek goddess of underworld and witchcraft ... Kali - (Hindu) daughter of Shiva, high priestess of Thuggees ... Lilith - Hebrew female devil, Adam's first wife who taught him the ropes Loki - Teutonic devil ... Mania - Etruscan goddess of Hell ... Midgard - son of Loki, depicted as a serpent ... Pluto - Greek god of the underworld Proserpine - Greek queen of the underworld ... Sammael - (Hebrew) "venom of God" ... Shiva - (Hindu) the destroyer ...

It is suggested that Ra will “eat of his daughter.” Here, as elsewhere, it is indicated that Ra actually feeds on her substance.7 Maat, then, is a goddess whose existence would appear to consist of a perpetual giving of her substance in order that the divine powers can continue to function in an orderly and harmonious way. She is literally the bread by which Ra lives,8 and so by implication she is the food of all the gods, who are but the limbs of Ra. What better substance than truth could there be for the gods to feed on?

The central concern of Egyptian art, literature, and architecture was the divine world order -- the pharaoh and the gods, who were essentially one and the same. To the Egyptians, that divine order was eternal and unchanging, but it did not rest on a coherent and defined system of belief. The same god might be seen one time as the sky, another time as a bird; he might have a mythical mother, yet it might be said that he gave birth to himself; the sky could be both a cow and a goddess. The Egyptians did not think in chronological or logical terms but pictured the same phenomenon in a number of different ways.

So memory was a crucial skill for a poet like Hesiod or Homer, who would perform his work rather than publish it. The ability to remember was recognized as crucial in the fourth century BCE by no less a writer than Plato, in his dialogue Phaedrus. 7 Socrates attributes the invention of writing to an Egyptian god, named Theuth

So memory was a crucial skill for a poet like Hesiod or Homer, who would perform his work rather than publish it. The ability to remember was recognized as crucial in the fourth century BCE by no less a writer than Plato, in his dialogue Phaedrus. 7 Socrates attributes the invention of writing to an Egyptian god, named Theuth (his

Diodorus wrote at great length of the worship of the Goddess Isis (the Greek translation for Au Set), who had incorporated the aspects of both Ua Zit and Hathor. Isis was also closely associated with the Goddess as Nut, who was mythologically recorded as Her mother; in paintings Isis wore the wings of Nekhebt. Diodorus explained that, according to Egyptian religion, Isis was revered as the inventor of agriculture, as a great healer and physician and as the one who first established the laws of justice in the land. He then recorded what we today may find a most startling description of the laws of Egypt, explaining that they were the result of the reverence paid to this mighty Goddess. He wrote, “It is for these reasons, in fact, that it was ordained that the queen should have greater power and honour than the king and that among private persons the wife should enjoy authority over the husband, husbands agreeing in the marriage contract that they will be obedient in all things to their wives.

Hmmm,” hummed Rick. “Now isn’t this pleasant?” With a sigh, he softly said, “’Silently, one by one, in the infinite meadows of heaven, blossomed the lovely stars, the forget-me-nots of the angels.’” “That’s beautiful,” whispered Amelia as if not wanting to ruin the pleasant mood he had just created. “Henry Wadsworth Longfellow… “Have you ever heard of the constellation: Berenice’s Hair?”… “It’s named after an Egyptian queen. Berenice and Ptolemy were newlyweds when he went off to war. She was worried about him so she made a deal with the goddess of love to protect her husband. In order to save his life, Berenice was supposed to cut off her long golden hair, which she was very proud of. She felt it was her crowning glory, but she was willing to sacrifice anything for the man she loved. The goddess was so pleased with her newly acquired treasure that she took it up to heaven.

To mark its global centrality, the French sculptor Frédéric-Auguste Bartholdi asked the Egyptian government to let him build a ninety-foot statue of an Arab peasant woman wearing robes and holding a torch above her head to welcome Eastern travelers to the Mediterranean. When Egypt declined on account of the project’s high cost, he took the idea to France, which financed the sculpture. Once the Muslim woman was refashioned into a Roman goddess, France gifted the statue to the United States, where the woman became a symbol of liberty for immigrants entering New York Harbor.

The sacred rivers of Mesopotamia were supposed to have their source in the generative organ of the Great Goddess. The source of rivers was indeed considered as the vagina of the earth. In Babylonian the term pu signifies both 'source of a river' and 'vagina'. The Sumerian buru means both 'vagina' and 'river'. The Babylonian nagbu, 'stream', is related to the Hebrew neqeba, 'female'. In Hebrew the word 'well' is also used with the meaning of 'woman', 'spouse'. In Egyptian the word bi means 'uterus' and 'gallery' of a mine'. It is worth remembering, too, that the caves and caverns were compared to the matrix of the Earth-mother.

The problem is that we who are badly wounded in our relation to the feminine usually have a fairly successful persona, a good public image. We have grown up as docile, often intellectual, daughters of the patriarchy, with what I call ‘animus-egos.’ We strive to keep up the virtues and aesthetic ideals which the patriarchal superego has presented to us. But we are filled with self-loathing and a deep sense of personal ugliness and failure when we can neither meet nor mitigate the superego’s standards of perfection. But we also feel unseen because there are no images alive to reflect our wholeness and variety. But where shall we look for symbols to suggest the full mystery and potency of the feminine and to provide images as models for personal life. The later Greek goddesses and Mary, Virgin Mother, and Mediator, have not struck me to the core as have Innana-Ereshkigal, Kali, and Isis. An image for the goddess as Self needs to have a full-bodied coherence. So I have had to see the female Greek deities as partial aspects of one wholeness pattern and to look always for the darker powers hidden i their stories—the gorgon aspect of Athena, the underworld Aphrodite-Urania, the Black Demeter, etc. Even in the tales of Inanna and other early Sumerian, Semitic, and Egyptian writings there is evidence that the original potencies of the feminine have been ‘demoted.' As Kramer tells us, the goddesses ‘that held top rank in the Sumerian pantheon were gradually forced down the ladder by male theologians’ and ‘their powers turned over to male deities. This permitted cerebral-intellectual-Apollonian, left brain consciousness, with its ethical and conceptual discriminations, to be born and to grow.

Lady Harris's Fool is a cornucopia of sacred images, many of which reveal themselves only after long meditation (and the aid of a magnifying glass). He bursts into midair of existence from behind three swirling rings that issue from and return to his heart. These are the three veils of negativity (Ain, Ain Soph, and Ain Soph Aur)23 that Qabalists teach gave birth to the singularity of creation. His satchel is filled with the entire universe in the form of planetary and zodiacal coins. The Fool is the Holy Spirit itself. The dove, symbol of the Holy Spirit; the butterfly, symbol of transformation; winged globe, symbol of Mercurial air; and the Egyptian vulture-goddess Mauf24 pour from the Holy Grail in the Fool's right hand. Like the Virgin Mary, Maut became impregnated by the spirit (breath) of the wind. “The whole picture,” Crowley tells us, “is a glyph of the creative light.

Isis is the Egyptian mother goddess of magick, whose worship prevailed in the Greco-Roman world.  Her name means “Throne”, reflected in her headdress which is shaped like a throne.  Her spouse was originally Osiris, but became Serapis in the Greco-Roman myths, and her son became transformed from Horus to Harpocrates. Evidence of her worship in Britain has been found in an inscription on a jug  found in Southwark (London).[369]  The inscription on the jug indicates an Iseum (Isis temple) in London, but the location of this temple has yet to be determined.  An altar found in Blackfriars records the restoration of a temple to Isis in the third century CE, further reinforcing evidence of her worship.[370]  It has been suggested by some modern writers that the river Isis in Oxfordshire was named after this goddess, though this may in fact be a coincidence. The name of the river Isis is most probably a contraction of the name Thamesis. It is likely that "Thamesis" is a Latinisation of the Celtic river names "Taom"(Thames) and"Uis"(is), giving "Taom-Uis"meaning "The pouring out of water". An engraved onyx intaglio found at Wroxeter (Shropshire) dating to the third century CE shows Isis bearing a sistrum in her right hand.[371]  Another gem from Lockleys (Hertfordshire) dating to the fourth century CE shows Isis standing between Bes and a lioness, all surrounded by a serpent ouroboros.[372]

The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.

Even as the feminine principle was venerated for its fertile, life-giving properties, there are also many examples of Goddesses who embodied the entire life process: birth, life, death, and regeneration. This is important because it can be tempting to romanticise the Goddess as a sort of angelic Fairy Godmother or abundant Good Mother. The feminine principle is more complex and more powerful than that. There are many stories from mythology that tell of the different faces of the Goddess. One such myth tells of the ancient Sumerian goddess who “outweighed, overshadowed, and outlasted them all . . .Inanna, Queen of Heaven.”[xxvi] This story originated in ancient Mesopotamia, five or six thousand years ago. In the myth, Inanna, who rules as queen over the upper world (birth and life), decides to visit Ereshkigal, queen of the Underworld (death and transformation). As Inanna descends into her sister’s realm, she is stripped of all the symbols of her upper world sovereignty, so that she comes before Ereshkigal naked and bowed low. Her enforced stay in the Underworld and the return after three days predates the Christian story by thousands of years. It is one of the first stories of ritual descent from the realm of life to the realm of death and the return to life after a time of incubation in the Underworld. This is also the theme of most ancient initiation rituals like the Orphic mysteries, the Eleusinian mysteries, and of much of the Egyptian sacred teachings. At the time when the story of Inanna’s journey first appeared, the increasingly male dominated Sumerian culture was separating from earlier matrilineal forms. Before the descent myth, another story tells how Inanna, in order to rule, had to take power from the God, Enki, assuming his symbols of sovereignty as her own. Ereshkigal, queen of the Underworld, represents the archaic feminine, the dark mysteries of the older religion which had been sent underground. The descent story can, therefore, be understood as Inanna balancing her heroic victories in the upper (masculine) world by reconnecting with the rhythms and cycles of the under (feminine) world. Based on clinical experience, one analyst called this a “pattern of a woman’s passage from cultural adaptation to an encounter with her essential nature”.

According to Egyptian texts, to eat of this fruit was to eat of the flesh and the fluid of the Goddess, the patroness of sexual pleasure and reproduction. According to the Bible story, the forbidden fruit caused the couple's conscious comprehension of sexuality. Upon eating the fruit, Adam and Eve became aware of the sexual nature of their own bodies, "And they knew that they were naked." So it was that when the male deity found them, they had modestly covered their genitals with aprons of fig leaves. But it was vitally important to the construction of the Levite myth that they did not both decide to eat the forbidden fruit together, which would have been a more logical turn for the tale to take since the fruit symbolised sexual consciousness. No, the priestly scribes make it exceedingly clear that the woman Eve ate of the fruit first - upon the advice and counsel of the serpent. It can hardly have been chance or coincidence that it was a serpent who offerred Eve the advice. For people at that time knew that the serpent was the symbol, perhaps even the instrument, of divine counsel in the religion of the Goddess. It was surely intended in the Paradise myth, as in the Indo-European serpent and dragon myths, that the serpent, as the familiar counsellor of women, be seen as a source of evil and be placed in such a menacing and villainous role that to listen to the prophetesses of the female deity would be to violate the religion of the male deity in the most dangerous manner. {...} We are told that, by eating the fruit first, women possessed sexual consciousness before man and in turn tempted man to partake the forbidden fruit, that is, to join her sinfully in sexual pleasures. This image of Eve as a sexually tempting but god-defying seductress was surely intended as a warning to all Hebrew men to stay away from the sacred women of the temples, for if they succumb to the temptations of these women, they simultaneously accepted the female deity - Her fruit - Her sexuality and, perhaps most important, the resulting matrilineal identity for any children who might be conceived in this manner. It must also, perhaps even more pointedly, have been directed at Hebrew women, cautioning them not to take part in the ancient religion and its sexual customs, as they appear to have continued to do so, despite the warnings and punishments meted out by the Levite priests.

(3) Theology of Exodus: A Covenant People “I will take you as my own people, and I will be your God” (Exod 6:7). When God first demanded that the Egyptian Pharaoh let Israel leave Egypt, he referred to Israel as “my … people.” Again and again he said those famous words to Pharaoh, Let my people go.56 Pharaoh may not have known who Yahweh was,57 but Yahweh certainly knew Israel. He knew them not just as a nation needing rescue but as his own people needing to be closely bound to him by the beneficent covenant he had in store for them once they reached the place he was taking them to himself, out of harm's way, and into his sacred space.58 To be in the image of God is to have a job assignment. God's “image”59 is supposed to represent him on earth and accomplish his purposes here. Reasoning from a degenerate form of this truth, pagan religions thought that an image (idol) in the form of something they fashioned would convey to its worshipers the presence of a god or goddess. But the real purpose of the heavenly decision described in 1:26 was not to have a humanlike statue as a representative of God on earth but to have humans do his work here, as the Lord's Prayer asks (“your will be done on earth as it is in heaven,” Matt 6:10). Although the fall of humanity as described in Genesis 3 corrupted the ability of humans to function properly in the image of God, the divine plan of redemption was hardly thwarted. It took the form of the calling of Abraham and the promises to him of a special people. In both Exod 6:6–8 and 19:4–6 God reiterates his plan to develop a people that will be his very own, a special people that, in distinction from all other peoples of the earth, will belong to him and accomplish his purposes, being as Exod 19:6 says “a kingdom of priests and a holy nation.” Since the essence of holiness is belonging to God, by belonging to God this people became holy, reflecting the character of their Lord as well as being obedient to his purposes. No other nation in the ancient world ever claimed Yahweh as its God, and Yahweh never claimed any other nation as his people. This is not to say that he did not love and care for other nations60 but only to say that he chose Israel as the focus of his plan of redemption for the world. In the New Testament, Israel becomes all who will place faith in Jesus Christ—not an ethnic or political entity at all but now a spiritual entity, a family of God. Thus the New Testament speaks of the true Israel as defined by conversion to Christ in rebirth and not by physical birth at all. But in the Old Covenant, the true Israel was the people group that, from the various ethnic groups that gathered at Sinai, agreed to accept God's covenant and therefore to benefit from this abiding presence among them (see comments on Exod 33:12–24:28). Exodus is the place in the Bible where God's full covenant with a nation—as opposed to a person or small group—emerges, and the language of Exod 6:7, “I will take you as my own people, and I will be your God,” is language predicting that covenant establishment.61

He writes: The pacification of the untamed forces in the beast of prey, as we see it in the magical taming of the injurious powers of “poisonous” nature deities, and above all in the conquest of the Uraeus serpent as the royal diadem of Buto, is a very characteristic contribution of human thought in the historical epoch. Actually the taming of terrible deities goes back to the prehistoric age of mythology, as when the Egyptian Hathor is mollified and her “wrath” averted with the help of dancing, music, and intoxicating liquor; or when Bast, the friendly form of the lion goddess Sekhmet, becomes the goddess of healing, and her priests become physicians.

The Egyptian goddess Seshat, credited with the invention of writing, astronomy, architecture and mathematics, is portrayed in hieroglyphics with a cannabis leaf above her head.

The letter M is the 13th letter of English, Greek and Hebrew alphabets. M is also the astrological symbol for Virgo. In Ptolemaic Egyptian Hieroglyphs, the letter M was represented by an owl—a creature that can see in darkness. The owl was also the companion of Athena, the Greek goddess of wisdom, an incarnation of Isis. In Egyptian hieroglyphs of the Owl, the letter M is clearly depicted on the top of its head.

Homage to thee, 0 Sekhmet-Bast-Ra, thou mistress of the gods, thou bearer of wings, lady of the Anes bandlet, queen of the crowns of the South and of the North, only One, sovereign of her father, superior to whom the gods cannot be, thou mighty one of enchantments in the Boat of Millions of Years, thou who art pre-eminent, who risest in the seat of silence ... mistress and lady of the tomb, mother in the horizon of heaven, gracious one, beloved, destroyer of rebellion, offerings are in thy grasp, and thou art standing in the bows of the boat of thy divine father to overthrow the Fiend. Thou hast placed Maat in the bows of his boat.

Typhon is the Greek name for the multi-faceted god who perpetually brings about change in the universe. He appears in mythology under many names, including: Hadit, Set, Bes, or “the Beast”. One of his symbols is the Egyptian Sphinx. He is the son who manifests his mother, the primal goddess who, through him, takes on any number of forms and aspects.

Thoth is the Egyptian ibis-headed god of magick and writing, whose name means “Leader”.  His worship has been suggested by bronze ibis heads at Chiddingfold (Surrey) and Caerwent (Monmouthshire), indicating his worship found its way to Britain, if only in private villas.

The letter “L” which appears in the title of the book, Liber AL vel Legis, corresponds qabalistically to the Hebrew letter Lamed. In the Tarot this letter corresponds to Atu VIII, Adjustment, attributed to the astrological sign of Libra, the Scales of the Egyptian goddess Maat. Maat is the ruler and preserver of universal equilibrium; she is the goddess of justice, that is, justification.

Faith in an afterlife was important to Egyptians: they deliberately made their tombs the most permanent part of their built environment, and we find them in their literature very much concerned with what they could know about life after death, judgement and individual survival. Certainly they preserved their religion for most of the lifespan of their language, and they no more actively preached it abroad than they attempted to spread their language when they enlarged the boundaries of their power. But aspects of their faith did spread without the language none the less: their mother-goddess Isis became one of the most widely revered deities in the Roman empire, and has been seen as a root of the Christian cult of Mary as Mother of God.

The most profound religious symbols rely for their power in large part on this underlying fundamentally bipartisan conceptual subdivision. The Star of David is, for example, the downward pointing triangle of femininity and the upward pointing triangle of the male.*1 It’s the same for the yoni and lingam of Hinduism (which come covered with snakes, our ancient adversaries and provocateurs: the Shiva Linga is depicted with snake deities called the Nagas). The ancient Egyptians represented Osiris, god of the state, and Isis, goddess of the underworld, as twin cobras with their tails knotted together. The same symbol was used in China to portray Fuxi and Nuwa, creators of humanity and of writing. The representations in Christianity are less abstract, more like personalities, but the familiar Western images of the Virgin Mary with the Christ Child and the Pietà both express the female/male dual unity, as does the traditional insistence on the androgyny of Christ.43

In ancient Egyptian culture the duality of deities – most often manifested in their male/female relationships – was an integral aspect of the belief system. This duality appeared in Nun, the limitless ocean of potentiality out of which the universe was born. Within those waters, the male and female aspects appeared as frogs (males) and snakes (females). There were four couples, according to the beliefs at Hermopolis, making up the eight most important gods of “pre-creation” referred to at this cult center as the “Ogdoad”. Each of these gods and goddesses acquired names and, as a unit, they represented the earliest aspects of reality.

The general creation story contains within it two aspects that are crucial to understanding all of the myths of ancient Egypt: maat and isfet. Isfet represents chaos or disorder, generally speaking, and it was seen as a fundamental element of everything in existence. There was no notion of trying to eradicate isfet from their general lives in ancient Egypt; after all, it was said to be one of the elements that was present in the limitless ocean at the dawn of creation. The only desire for ancient Egyptians was that isfet never became more prevalent than maat, its opposite: justice. Maat was often depicted as a goddess wearing a feather on her head, which was also the hieroglyph that represented her.[8] She, or simply the concept of justice, was believed to be present in all aspects of life and if it was broken by anyone, there would be a punishment. According to the Middle Kingdom “Coffin Text” it was believed that Atum, the “Great Finisher” of creation,[9] inhaled maat in order to gain his consciousness: “Inhale your daughter Maat [said Nun to Atum] and raise her to your nostril so that your consciousness may live. May they not be far from you, your daughter Maat and your son Shu, whose name is “life” … it is your son Shu who will lift you up.

After that, Atum was capable of making the waters of Nun recede away from him, making him rise above them and become “what remained” or the “mound of creation.” It’s important to take note of the fact that there was no creation until Atum inhaled life and justice. Therefore without maat and her dualistic counterpart, there would have been no world, and that is the reason for maat and isfet’s ubiquity, as well as the acceptance of chaos in the world as seen by the ancient Egyptians. After Atum had separated himself from Nun, the children he kept inside, notably Shu and maat/isfet, often represented as a form of the goddess Tefnut, were now separated from their father, and Tefnut would go on to become the mother of all the gods.

The Gods as Concepts Like in many polytheistic religious beliefs, the gods of ancient Egypt were neither omnipotent nor omnipresent, despite appearing in many locations simultaneously in some of the myths.[16] In fact, the ancient Egyptians used to worship the deity of the location they found themselves in, since each deity was more or less “present” in each part of the country. They were decidedly human in their relationships with each other. Just like the ancient Greek gods, they fought and argued, made love and married, and were ultimately capable of death, even if this meant that they would simply be reborn later on. Each god and goddess was “responsible” for an aspect of reality the ancient Egyptians encountered every day but, when they needed to, they could share their powers with another deity, which resulted in a kind of merging of the two. This was the case for the “dying sun god” who merged with Osiris so as to borrow his regenerative power and be “reborn” the following day.[17]

The general creation story contains within it two aspects that are crucial to understanding all of the myths of ancient Egypt: maat and isfet. Isfet represents chaos or disorder, generally speaking, and it was seen as a fundamental element of everything in existence. There was no notion of trying to eradicate isfet from their general lives in ancient Egypt; after all, it was said to be one of the elements that was present in the limitless ocean at the dawn of creation. The only desire for ancient Egyptians was that isfet never became more prevalent than maat, its opposite: justice. Maat was often depicted as a goddess wearing a feather on her head, which was also the hieroglyph that represented her.[10] She, or simply the concept of justice, was believed to be present in all aspects of life and if it was broken by anyone, there would be a punishment. According to the Middle Kingdom “Coffin Text” it was believed that Atum, the “Great Finisher” of creation,[11] inhaled maat in order to gain his consciousness: “Inhale your daughter Maat [said Nun to Atum] and raise her to your nostril so that your consciousness may live.

Felines were venerated and worshiped in ancient Egypt as the embodiment of goddess Bastet’s spirit. In fact, the Egyptians respected cats so much that the invading Persians adorned their shields with them in 525 BC in the hope that the Egyptians would refuse to throw spears at them. They were right, and the Persians won the battle.

Sorry about the whole not-showingup-at-school-for-a-few-weeks thing, Chloe pictured herself saying to the principal. You see, I'm a cat person and had to hide with others of my kind in a gigantic mainson called Firebird that also houses a real estate firm while this ancient Masonic-like cult tried to hunt me down because they think I killed one of their assassins. Oh, also, I have nine lives and am apparently the spiritual leader of my people, who belive they were created by ancient Egyptian goddesses.

The Chapter of the divine god, the self-created being, who made the heavens and the earth, and the winds [which give] life, and the fire, and the gods, and men, and beasts, and cattle, and reptiles, and the fowl of the air and the fish of the sea; he is the king of men and of gods, he hath one period of life (?) and with him periods of one hundred and twenty years each are but as years; his names are manifold and unknown, the gods even know them not. “Now Isis was a woman who possessed words of power; her heart was wearied with the millions of men, therefore she chose the millions of the gods, but she esteemed more highly the millions of the spirits "(khu). And she meditated in her heart, saying, ‘ Cannot I by means of the sacred name of God make myself mistress of the earth and become a goddess like unto R in heaven and upon earth ? ’ Now behold, each day R entered at the head of his holy mariners and established himself upon the throne of the two horizons. Now the divine one (i.e., R) had grown old, he dribbled at the mouth, his spittle fell upon the earth, and his slobbering dropped upon the ground. And Isis kneaded it with

With this much background, the reader should now be able to grasp that the "extravagant metaphors" in love poets like Vidal, Sordello, Chaucer, Shakespeare, Donne, etc., are often not a matter of flattering the lady but serious statements of a philosophy which runs directly counter to the basic assumptions of our anal-patriarchal culture. Specifically, the repeated, perfectly clear identifications of the poet's mistress with a goddess are part of the mental set, or ritual, connected with this cult. Tibetan teachers train disciples of Tantra to think of the female partner as being literally, not metaphorically, the goddess Shakti, divine partner of Shiva. The Sufis, working within the monotheistic patriarchy of Islam, could not emulate this, but made her an angel communicating between Allah and man. The witch covens made her the great mother goddess. Aleister Crowley's secret teachings, in our own century, instructed his pupils to envision her as the Egyptian star-goddess, Nuit.

But soon he stopped short: a giant, three-headed dog was blocking his path, growling and gnashing its huge white teeth, long and sharp as a warrior’s dagger. This was Cerberus, the guardian of the gates of Hades, offspring of the Titans Echidna and Typhon. But Orpheus did not fear the great dog: again, he took up his lyre and he sang, this time a soothing lullaby, and soon the great beast’s eyes began to close, and it swayed, and then fell to the floor, fast asleep.

That deliverance entailed not just leaving behind the land of Egypt, but leaving behind the ways of Egypt. Each of the ten plagues was more than just a dramatic sign to Pharaoh that he must release the Hebrews. Each was a symbolic defeat of an Egyptian deity. Osiris, whose bloodstream was believed to be the Nile, bleeds out before his worshipers when Yahweh turns the Nile to blood. In reverence to Heqet, the frog-goddess of birth, Egyptians regarded frogs as sacred and not to be killed. Yahweh slays them by the thousands. Egyptian gods governing fertility, crops, livestock, and health are all shown to be impotent before the mighty outstretched arm of Israel’s God. In the ninth plague of darkness, Yahweh demonstrates his rule over the sun god Ra, whom Pharaoh was believed to embody. And in the final plague, the death of the firstborn, God shows himself supreme over the entire Egyptian pantheon by demonstrating his power over life and death.

In the Aeneid, Vergil depicts Cleopatra as a frenzied queen (regina) holding a rattle (sistrum).62 The rattle is a trademark attribute of the goddess Isis, and so, without saying it, Vergil linked the Egyptian queen with the goddess. Since the expulsion of the last king (rex) from Rome and the formation of the Republic in 509 BCE, rex, the sources tell us, was a loathed term as monarchy was a reviled form of government. The feminine form of rex is regina. Using regina in this passage, Vergil, without any need for elaboration, suggests deep aversion. This new Isis opposed the Roman gods, especially Apollo, whom Augustus chose as his guardian deity. In Vergil’s passage, Dionysian fury opposes Apollonian rationality; or Marc Antony’s excesses and un-Roman behavior stood in opposition to Augustus’ temperance and behavior grounded in the mos maiorum.

Despite worries about idolatry, images have been important in multiple traditions. For Hindus, worship includes darśan (pronounced dar-shan), which means seeing and being seen by a deity at a temple, and followers of other traditions have venerated many gods. To glimpse the astonishing variety of supernatural beings imaged in material form you might tour a museum near you, or search a museum's online collection for keywords like "religion" "god," or "goddess." At the British Museum, for example, you can find images from Hindu, Buddhist, Jain, and Christian traditions, as well as everything from a bronze Egyptian cat representing the goddess Bastet made about 30 BCE to a fifteenth-century Aztec eagle from Central America carved in volcanic rock and associated with the solar god Tonatiuh.

Like many of the myths in other cultures, the gods are frequently described as if they have human-like form. For instance, Atum either masturbates or sneezes his first two children into existence.

I’m beginning to appreciate the notion that diplomats are very much like salesmen in the bazaars. We need to check our valuables when we leave—to make certain we possess all our fingers.

But if history teaches us anything, we need to remain aware of the patterns of history itself, lest we repeat past mistakes.

For example, the frog was honored as the special representative of an Egyptian goddess, flies were associated with several of their gods, and the sun, which would be completely eclipsed during the ninth plague, was associated with their greatest god, Ra.

Well, that is an interesting question and therefore deserves an interesting answer,” Nana said. “The ancient Egyptians thought that the human heart epitomized life, the Greeks believed that it controlled our thoughts and emotions, and the Romans declared that Venus, the goddess of love, set hearts on fire with Cupid’s help. The Romans also believed that there was a vein connecting the fourth finger on the left hand directly to the heart. There isn’t, but that’s why people traditionally wear wedding rings on that finger, even today. In the Middle Ages, Christians agreed that the human heart had something to do with love, and hundreds of years later, the familiar red shape still appears on greetings cards, playing cards, even T-shirts. The heart symbol became a verb in the 1970s, with I heart New York. Does that answer your question?

In general, the chakra system branched into two sections: the Vedic and the Tantric (now alive within Ayurvedic medicine and Tantric yoga, for example). The term tantra comes from two words: tanoti, or to expand; and trayati, or to liberate. Tantra therefore means “to extend knowledge that liberates.” Tantra is a life practice based on teachings about the chakras, kundalini, hatha yoga, astronomy, astrology, and the worship of many Hindu gods and goddesses. Tantric yoga originates in pre-Aryan India, around 3000 to 2500 BC. Many other varieties of Tantric yoga or spirituality have arisen from it, including Tantric Buddhism. Each system derived from Tantric yoga has a unique view on the chakras and their related gods, cosmology, and symbols. The history of chakras, as complex as it sounds so far, is even more complicated. The chakra system is intertwined with—and maybe even created by—several different cultures. Although usually associated with India, Tantric yoga was also practiced by the Dravidians, who originated from Ethiopia, as is revealed in the many similarities between predynastic Egyptian and African practices and ancient Indian Tantric beliefs.6 For example, numerous Hindu deities are rooted in “India’s black civilizations, which is why they are often depicted as black.”7 Some historians point out that early Egyptians were greatly affected by African beliefs,8 and in turn influenced Greek, Jewish, and, later, Islamic and Christian thought, in addition to the Indian Hindu.9 Other cultures also exchanged chakra ideas. Many practices of the early Essenes, a religio-spiritual community dwelling in Palestine in the second century BC through the second century AD, mirrored those of early India.10 The Sufis—Islamic mystics—also employed a system of energy centers, although it involved four centers.11 The Sufis also borrowed the kundalini process from Tantric yoga, as did certain Asian Indian and American Indian groups.12 As we shall see, the Maya Indians of Mexico, the Inca Indians of Peru, and the Cherokee Indians of North America each have their own chakra method. The Maya believe that they actually taught the Hindu the chakra system. The chakra system was brought to the West in yet another roundabout way. It was first thoroughly outlined in the text Sat-Chakra-Nirupana, written by an Indian yogi in the sixteenth century. Arthur Avalon then delivered chakra knowledge to Western culture in his book The Serpent Power, first published in 1919. Avalon drew heavily upon the Sat-Chakra-Nirupana as well as another text, Pakaka-Pancaka. His presentation was preceded by Theosophic Practica, a book written in 1696 by Johann Georg Gichtel, a student of Jakob Bohme, who refers to inner force centers that align with Eastern chakra doctrines.13 Today, many esoteric professionals rely on Anodea Judith's interpretation of Avalon’s work, to which she has added additional information about the psychological aspects of the chakras.

While it is quite true that the alchemical retort symbolizes the creation, it also has a far more significant meaning concealed under the allegory of the second birth. As regeneration is the key to spiritual existence, they therefore founded their symbolism upon the rose and the cross, which typify the redemption and transmutation of man through the union of his lower temporal nature with his higher eternal nature. The rosy cross is also a hieroglyphic figure representing the formula of the Universal Medicine. [i] The rose is also an Egyptian symbol of rebirth; an attribute of the Hindu Prosperity goddess Lakshmi; and a part of the Rosalia festivals associated with Dionysus who was an important patron of the mysteries of Eleusis.[ii]

Even Margaret’s beloved Wordsworth fell short on the issue; for him, she quoted ruefully, the ideal woman should not be “Too bright and good / For Human nature’s daily food.” Margaret drew on examples from ancient myth, wherein “the idea of female perfection is as fully presented as that of male,” to show that women had been accorded greater respect in earlier times. In Egyptian mythology, “Isis is even more powerful than Osiris,” and “the Hindoo goddesses reign on the highest peaks of sanctification.” In Greek myth, “not only Beauty, Health and the Soul are represented under feminine attributes, but the Muses, the inspirers of all genius,” and “Wisdom itself . . . are feminine.” Margaret’s dream was to bring the dispirited “individual man” together with the disempowered woman—unite the two sides of the Great Hall’s classroom—and create, by merging the best attributes of each, “fully” perfected souls. Then, a nation of men and women will for the first time exist, she might have said, amending Waldo Emerson’s visionary claim.

The God of Exodus and the prophets is a warrior God. My rejection of this God as a liberating image for feminist theology is based on my understanding of the symbolic function of a warrior God in cultures where warfare is glorified as a symbol of manhood and power. My primary concern here is with the function of symbolism, not with the historical truth of the Exodus stories, with questions of how many slaves may or may not have been freed, nor by what means, nor with questions of the different traditions that may have been woven together to shape the biblical stories. Since liberation theology is fundamentally concerned with the use of biblical symbolism in shaping contemporary reality and the understanding of the divine ground, this method is appropriate here. In a world threatened by total nuclear annihilation, we cannot afford a warlike image of God. The image of Yahweh as liberator of the oppressed in the exodus and as concerned for social justice in the prophets cannot be extricated from the image of Yahweh as warrior. In Exodus Yahweh is imaged as concerned for the oppressed Israelites. Exodus 3:7-8 is a good example. ‘Then Yahweh said, ‘I have seen the affliction of my people who are in Egypt and have heard their cry because of their taskmasters: I know their sufferings, and I have come down to deliver them out of the hand of the Egyptians.’ People in oppressed circumstances and liberation theologians find passages like this inspiring. I too have been profoundly moved by the image of a God who takes compassion on suffering, but this passage has a conclusion I cannot accept. The passage continues ‘and to bring them up out of the land to a good and broad land, a land flowing with milk and honey, to the place of the Canaanites, the Hittites, the Amorites, the Perizzites, the Hivites, and the Jebusites.’ Here Yahweh promises ‘his people’ a land that is inhabited by other peoples. In order to justify this action by Yahweh, the inhabitants of the land are portrayed in other parts of the Bible as evil or idolators (a term that itself bears further examination). More recently liberation theologians have portrayed these other peoples as ruling-class opponents of the poor peasant and working-class Hebrews. However that may be, the clear implication of the passage is that Yahweh intends to dispose the peoples from the lands they inhabit.

feather. Apophis (Apep)—

The Aryan/Hurrian mother-of-all-living goddess Heba is another evidence of the Aryans adopting the ancient Egyptian god Hathor (i.e. Yahweh) as we also witness in Genesis 3:20. This explains the alliance of Abdi-Heba whose name means, the servant of Yahweh, with Egypt; he pitifully appealed to Pharaoh for help after being attacked by the Semites

Another indication -which we have in the tampered Scripture- of the Jew's plagiarization is in Exodus 15:20 where the Egyptian women started using Hathor's Sistrum in glorification of Yahweh the cow god. The sistrum was a sacred instrument in ancient Egypt used in dances in the worship of the goddess Hathor. The ceremonial instrument shows up in two forms, either with Hathor's head or with Hathor's name (i.e. hwt hor: House of Horus) on it. Therefore, it is very obvious that Exodus 15:20 is portraying an Egyptian scenery and religion instead of a Semitic one which the Jew is trying to attribute to the Israelites. The goddess Bast is often depicted holding a sistrum, symbolizing her role as a goddess of festivity. However, we also know that this musical instrument was used from the New Kingdom on to pacify and appease the gods who turn into rebellious deities; this proves that in the New Kingdom an inverted role started taking place for the symbolism of the Lion and a process of reclaiming that deity from the Osirians (i.e. the progenitors of the Jews) was unfolding.

One can even find the trident (as big as, El Candelabro, which is a well-known prehistoric geoglyph found on the northern face of the Paracas Peninsula) as a pre-Incan ritual object which were created by the Sun-worshipping priests of Paracas. In India, it is linked to the Hindu "trident-bearer" Shiva, spouse of the skull-bearing (skull-topped staff, khatvanga) goddess Kali. The Egyptians (according to Plutarch) even offered incense to the Sun three times every day marking thereby the perpetuity of the Sun worship religion among them. All this points to a major unified Sun religion across the globe which were physically expressed on royalty through elongated skulls. This is a rebel-religion that breaks loose from the mandate imposed on it from the higher authority. Even the [form of the Buddhist khatvanga was derived from the emblematic staff of the early Indian Shaivite yogins, known as kapalikas or 'skull-bearers'. The kapalikas were originally miscreants who had been sentenced to a twelve-year term of penance for the crime of inadvertently killing a Brahmin].

Spiritual aspirants must diligently follow the teaching. Practicing devotion to God has the effect of turning the mind towards the Divine and this leads to purity of feeling and thinking. Essentially, spiritual practice is a worship of the Divinity within oneself.

Spiritual preceptors and the gods and goddesses lead willing souls to understand and practice the disciplines that lead to spiritual enlightenment but they cannot do the disciplines for spiritual aspirants. Spiritual aspirants must diligently follow the teaching.

What's my name again?' she muttered as they closed the distance. 'Nefersekhmet,' he answered. 'Princess Nefersekhmet. Of Nubia.' She snorted. 'Jesus. How the hell do you expect me to remember all that? I don't even know what it means!' 'Sekhmet is the name of an Egyptian goddess,' Sef explained, lowering his voice to a whisper. 'Her purview was wrath and war.She was known as the Mistress of Dread. The Lady of Slaughter. She Who Mauls. Given your temper, I thought it was fitting.' Nikki sucked her teeth and rolled her eyes. 'What about the other part?' 'Nefer?' he asked. 'Well, that one's simple. It means beautiful.' He offered her his arm. 'And you are.

And where the devil did you find this one?' Louis asked. 'Was the Valley of the Kings having a rummage sale?' Stead regarded him. 'You've heard of Daressy?' 'The French Egyptologist?' 'Yes, that's the one. He uncovered the ruins of an enormous palace complex back in eighteen eighty-eight--a site he called Malkata. One of his workers . . . ' Stead made a vague gesture. ' . . . liberated the artifact from what he thought was a temple devoted to Isis, one of the chief goddesses of the ancient Egyptian pantheon. When a friend of mine traveled to Egypt some time later, he became awar eof this find and brought it back home with him to England, where he offered it to me as a gift.' 'Ah,' Louis said. 'So it was a rummage sale.

And where the devil did you find this one?' Louis asked. 'Was the Valley of the Kings having a rummage sale?' Stead regarded him. 'You've heard of Daressy?' 'The French Egyptologist?' 'Yes, that's the one. He uncovered the ruins of an enormous palace complex back in eighteen eighty-eight--a site he called Malkata. One of his workers . . . ' Stead made a vague gesture. ' . . . liberated the artifact from what he thought was a temple devoted to Isis, one of the chief goddesses of the ancient Egyptian pantheon. When a friend of mine traveled to Egypt some time later, he became aware of this find and brought it back home with him to England, where he offered it to me as a gift.' 'Ah,' Louis said. 'So it was a rummage sale.

Ammit was the personification of chaos and disorder; a representation of all that the Ancient Egyptians feared and hated.

Babi (alt. spelling Baba) is a bloodthirsty Baboon God.

Both Bast and Sekhmet were often combined with the names and forms of other gods and goddesses to produce composite deities. This might have been to do with regional preferences, when the major local deity was desired to have the qualities of a number of other deities.

Greek was her first language, and in Greek literature and culture she was educated. Although representing on Egyptian temples and some statuary in the traditional headgear and robes of the pharaohs’ wives, it was unlikely she actually dressed this way save perhaps occasionally to perform certain rites. Instead she wore the headband and robes of a Greek monarch. Cleopatra proclaimed herself the ‘New Isis’, and yet her worship of the goddess betrayed a strongly Hellenised version of the cult. She was no more Egyptian culturally or ethnically than most residents of modern day Airzona are Apaches.

In ancient times only women could do math; men were thought too stupid. That’s why the root for the word math is the same as for mother—they both come from the name of the Egyptian goddess, Maat. Mathematics literally means ‘mother wisdom.

Isis was worshipped throughout the Greco-Roman world. During the fourth century, when Christianity was gaining a foothold in the Roman Empire, her worshippers founded the first Madonna cults so as to keep her influence alive. Some early Christians even called themselves pastophori, meaning the shepherds or servants of Isis, which may be where the word pastor originated. Author Ean Begg found in his research that the city of Paris was indeed built as a center for Isis, explaining that it is the original meaning of its name, Par-Is. Paris is also another place with great devotion to the Black Madonna. The original name was “Lutetia of the Parisii.” It was named after a tribe of Celts known as the Parisii during the Roman era of the first to the fourth century. The Pariasians were the followers of Isis, who was known as the chief goddess of the Greco-Egyptian empire.

These "bugs” or “orgones” seem to be relatives of the geometric light displays witnessed by people on peyote or its derivative, mescaline. They also appear in sensory withdrawal experiments, in which the subject is submerged in a tank of water and isolated from all outside stimuli; indeed, one stage of sensory withdrawal is called ‘mescaline” by the researchers because of this similarity. Alan W. Watts has suggested that what is happening in these cases is that the electrical patterns in the brain itself are being projected outward. Perhaps; but see, also, the lady in the last chapter, who found herself amid “the stars” while having an orgasm under the influence of marijuana. The vision of Nuit, the Egyptian goddess of the night sky and the stars, is the goal of Aleister Crowley’s sex magic, and he recorded in his most emotionally satisfying vision that the universe was “Nothing, with twinkles – but what twinkles!” Through such odd reports we might eventually trace an understanding of how bioelectricity converts into thought and mind.

charm or magical formula against snake bites, and it was thought that the written letters, which represented the words of Isis, would save the life of any one who was snake-bitten, just as they saved the life of R. If the full directions as to the use of the figures of Temu, Isis, and the two Horus gods, were known unto us we should probably find that they were to be made to act in dumb show the scenes which took place between R and Isis when the goddess succeeded in taking from him his name. Thus we have ample evidence that Isis possessed marvellous magical powers, and this being so, the issues of life and death, as far as the deceased was concerned, we know from the texts to have been in her hands. Her words of power, too, were a priceless possession, for she obtained them from Thoth, who was the personification of the mind and intelligence of the Creator, and thus their origin was divine, and from this point of view were inspired.

Heimdallr, from Norse Mythology, is present on the ancient Egyptian circular zodiac and is represented by the Ram; as the watcher and the guardian of the bridge between heaven and earth. His head measures the crossroads of the ecliptic and the vernal equinox as also expressed on the zodiac. Heimdallr was born and raised by the blood of a sacrificial boar which is portrayed on the zodiac at the exact position and right before the bridge (i.e., entrance to Asgard). The Marsian stride starts at the front leg of Capricon marking the nine realms of Asgard thereby - which are unified by the world tree: Yggdrasil. He was born by nine goddesses who turn the mill and was identified as Mars, the hopping one. He is Vindler, the turner, who is the personification of fire who twists and turns the mill.

The most important aspect of the role of cities is to be found in their relationship to the temples and the gods. The patron deity of a city was typically considered the one who founded, built, and sustained the city. So the prominence and prosperity of the city and its god were inextricably intertwined. “Each Mesopotamian city was the home of a god or goddess, and each prominent god or goddess was the patron deity of a city.”[9] In Mesopotamia the gods were attached to cities, and temples were only in cities.[10] Worship as we know it therefore took place in cities. The archaeological record shows no evidence of sanctuaries in the mountains or plains, and no rivers or trees with cultic significance.[11] Likewise in Egypt there was an integral relationship between cities and gods. “The sum of landowning temples and deities embodied the state. . . . Just as the totality of deities embodied the political concept of ‘Egypt,’ the individual landowning local deity embodied the concept of ‘city.’ An Egyptian city was always the city of a deity.”[12]

It seems [...] that the Native American 'brain smasher' and the ancient Egyptian goddess in the vignette from the Fifth Hour of the Duat both serve exactly the same function, namely, the annihilation and permanent destruction of unworthy souls on the afterlife journey. There are differences in the traditions, to be sure, as one would expect if they descended from a remote common ancestor many millennia ago and then evolved separately, but the fundamental similarities of the role are unmissable. A further point arising from this material has to do with the more general issue of the trials and tribulations faced by the soul on its postmortem journey. That the precise character of these obstacles should vary between ancient Egypt and ancient Native America is only to be expected. Even so, the striking similarities in the core structure of the 'story'--physical death, a journey of the soul on land, a leap to the sky involving Orion followed by a further journey with perils and challenges to be faced, through the valley of the Milky Way--all argue for some as yet unexplained connection.

Prayer, when done right, comes from feeling or ‘the heart.’ It never comes from thought or the words on someone’s lips. A fearful heart, asking for salvation, will receive more to fear. A confident, but humble heart, asking for anything, will receive that thing instantly. And most people are not too confident about instantly, so time (delay) becomes part of the delivery.

One ritual recorded in the Magical Papyri simultaneously invokes Adonis, Anubis, Ereshkigal, and Hermes. Each of those spirits derives from a different pantheon: Canaanite, Egyptian, Sumerian, and Greek, respectively.

Two people may look at an image of a beautiful woman dressed in blue and disagree: one sees the Christian Mary, while the other recognizes the same image as the Vodou lwa Ezili Freda Dahomey. If they bring over a third person to look at the same image and decide between them, that person may see the Yoruba orisha Yemaya. Similarly, someone viewing a statue of a mother with babe in arms carved from black wood will recognize the Egyptian goddess Isis and her son, baby Horus. Someone else sees that same statue and recognizes Mary and baby Jesus. Yet another person will recognize the Vodou matriarch, Ezili Dantor, with her daughter, Anaïs.

Bastet is easily one of the most loved goddesses in Egyptian history, and boasts of many temples and shrines to her name.

In the stories of the founding of Mecca, the patriarch Abraham was guided on his journey by the Shekinah, who directed him where to build.  Significantly the Shekinah was said to have marked the spot for Abraham by curling up like a serpent.[191]  The serpent imagery here is reminiscent of the Egyptian Goddess Qudshu, the Gnostic Edem as well as the serpent of wisdom or temptation in the Garden of Eden.

Every statuette is a shape imagined in the point of convergence of the capable pro. The specialist has been pondering it for quite a while, the way by which a parent expects a child, or a brave life adornment envisions that her life partner will return home. Carved Wooden Figures By then they put their hands into the earth and make a remarkable pearl or emerge artful culminations if they are painters. Stone carvers are as regularly as conceivable energized by out of date Gods, unbelievable creatures, and marvellous holy people. They breathe life into the legend. Statues are dumbfounding, dynamic, survive and imaginative. They converse with you in a thousand of calm ways. They look perfect and inaccessible, comparatively as from a serene, pixie heaven. No doubt the Gods are to an amazing degree living in them, sitting tight for individuals to take in life in their signs from earth and marble. Carved Wooden Figures They advancement to us, they boggle, they whisper. Statues are tirelessly related to time everlasting. We scan for noteworthiness, we research, and we respect great statues of Egyptian cats. Carved Wooden Figures A bit of the statuettes looks so legitimate, it takes after they are living. There once carried on a stone expert named Pygmalion, who made a figure of a female shape so grand, that he started to look all starry looked toward at it. He respected Venus, the Goddess, and she offered life to his regarded statue. Her skin was pale, her carriage was to some degree firm, her eyes had a vacant look, regardless she had trademark tints on her lips, eyes, hair and chests. The grandness of an uncommon statue can enamour her creator, and despite breath life into stone.

Danu (Anu and Ana) is one of the very oldest earth goddesses and is the matriarch of the Tuatha dé Danann.

According to the great and decisive discoveries of Bachofen and Morgan in the middle of the nineteenth century, and in spite of the rejection their findings have found in most academic circles, there can be little doubt that there was a matriarchal phase of religion preceding the patriarchal one, at least in many cultures. In the matriarchal phase, the highest being is the mother. She is the goddess, she is also the authority in family and society. In order to understand the essence of matriarchal religion, we have only to remember what has been said about the essence of motherly love. Mother's love is unconditional, it is all-protective, all-enveloping; because it is unconditional it can also not be controlled or acquired. Its presence gives the loved person a sense of bliss; its absence produces a sense of lostness and utter despair. Since mother loves her children because they are her children, and not because they are 'good,' obedient, or fulfill her wishes and commands, mother's love is based on equality. All men are equal, because they all are children of a mother, because they all are children of Mother Earth. The next stage of human evolution, the only one of which we have thorough knowledge and do not need to rely on inferences and reconstruction, is the patriarchal phase. In this phase the mother is dethroned from her supreme position, and the father becomes the Supreme Being, in religion as well as in society. The nature of fatherly love is that he makes demands, establishes principles and laws, and that his love for the son depends on the obedience of the latter to these demands. He likes best the son who is most like him, who is most obedient and who is best fitted to become his successor, as the inheritor of his possessions. (The development of patriarchal society goes together with the development of private property.) As a consequence, patriarchal society is hierarchical; the equality of the brothers gives way to competition and mutual strife. Whether we think of the Indian, Egyptian or Greek cultures, or of the Jewish-Christian, or Islamic religions, we are in the middle of a patriarchal world, with its male gods, over whom one chief god reigns, or where all gods have been eliminated with the exception of the One, the God. However, since the wish for mother's love cannot be eradicated from the hearts of man, it is not surprising that the figure of the loving mother could never be fully driven out from the pantheon. In the Jewish religion, the mother aspects of God are reintroduced especially in the various currents of mysticism. In the Catholic religion, Mother is symbolized by the Church, and by the Virgin. Even in Protestantism, the figure of Mother has not been entirely eradicated, although she remains hidden.

The archaic pantheons—Norse, Egyptian, Greek—all have a god dedicated to the dark art of gossip. The book of Proverbs treats the topic thoroughly; one verse from many cautions that “a man who lacks judgment derides his neighbor, but a man of understanding holds his tongue.” “Judge not lest you be judged” is one of the most famous phrases in the whole Bible. Several sources maintain that the Romans enshrined a goddess named “Rumor”—a winged demon with a hundred eyes and a hundred mouths who spoke only the most hurtful side of the truth. Appropriately enough, I can’t seem to confirm this.