Egress Quotes

We've searched our database for all the quotes and captions related to Egress. Here they are! All 44 of them:

I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
David Lynch (Lynch on Lynch)
YOU ARE NOT AFRAID? 'Not yet. But, er...which way to the egress, please?' There was a pause. Then Death said, in a puzzled voice: ISN'T THAT A FEMALE EAGLE?
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
Had he known that he was about to enter a tunnel whose only egress was his own annihilation, would he have turned away?
Arundhati Roy (The God of Small Things)
Our ingress into the world was naked and bare; our progress through the world is trouble and care; our egress from the world will be nobody knows where; but if we do well here we shall do well there.
Henry Wadsworth Longfellow
Some things dwell in our minds that should never be afforded egress. You have to learn such, your mind is naïve and insipid. (Fifth Shadowlord)
Adam Mannan
The lesson you receive from The Chronicles of Narnia is that reality is not where it’s at, my friend, so get out by any point of egress you can find and get into somewhere better.
John Joseph Adams (Other Worlds Than These)
Would he ever, he wondered, escape from people who banged on the doors he locked to demand his egress?
William Trevor (The Boarding-House)
egress
Dan Simmons (Hyperion (Hyperion Cantos, #1))
he knew not how furiously the sea of the human passions ferments and boils when all egress is denied to it, how it accumulates, how it swells, how it overflows, how it hollows out the heart, how it breaks forth in repressed sobs and stifled convulsions, until it has rent its dykes and burst its bed.
Victor Hugo (The Hunchback of Notre-Dame)
No trains went there—Maycomb Junction, a courtesy title, was located in Abbott County, twenty miles away. Bus service was erratic and seemed to go nowhere, but the Federal Government had forced a highway or two through the swamps, thus giving the citizens an opportunity for free egress. But few people took advantage of the roads, and why should they? If you did not want much, there was plenty.
Harper Lee
At one point Jo excused herself to go powder her nose, a euphemism since she never wore makeup. Erik bowed as she left the table, then sat back down, not noticing his necktie had draped across his plate. His eyes continued to follow Josie's egress as, taking up knife and fork he went about cutting his necktie into tiny bite-sized slices. "How's yer steak?" asked J. "It's a bit stringy," Erik confessed.
James Hold (Out of Texas 12 : The Iron Claw of Destiny, Part One)
It had only two points of egress, the door to the hallway from which I’d just entered, and against which I’d been pinned-and now leaned against for support-and the other to the stable yard where a man dressed all in black leather had shoved John’s dog, and where I was assuming John kept his horse, Alastor, another creature from the Underworld who hated my guts. He was going to have to get in line, though. The boy who’d pulled Typhon off me was standing a few feet away, next to the wooden plank table that ran down the center of the room, staring at me with a look that suggested he disliked me even more than the dog had. It was difficult not to notice the size of his bare biceps-not as large as John’s, but still impressive-since he’d folded his arms across his chest, and this had caused the muscles to bulge. The fact that they were circled in vicious-looking rings of black tattooed thorns did even more to draw attention to them. It was hard to figure out if that was why he was so much more noticeable than anyone else in the room, or if it was because he was what my friend Kayla would have called smokin’ hot, despite a jagged scar that ran down one side of his forehead, through a dark brow, and halfway to the center of his left jaw. Whoever had wielded that knife had thankfully-for him-spared his dark eye. Not so thankfully for me, however, since he was able to use both eyes to give me a deathlike stare. “Um,” I said, finally feeling the blood flow returning to my limbs. “You might want to think about getting that dog neutered.” The boy with the thorn tattoos sneered. “I’m guessing she’ll be wanting to get us all neutered,” he said.
Meg Cabot (Underworld (Abandon, #2))
At the beginning, a few people managed to get out. Some crossed the border into Canada; others left on boats for Cuba, Mexico, the islands. It didn’t take long for the authorities to set up checkpoints, and the wall separating Southern California, Arizona, New Mexico, and Texas from Mexico itself had already been built, so the egress stopped fairly quickly. “We can’t have our citizens, our families, our mothers and fathers, fleeing,” the president said in one of his early addresses
Christina Dalcher (Vox)
In China, from time immemorial, they have possessed a certain refinement of industry and art. It is the art of moulding a living man. They take a child, two or three years old, put him in a porcelain vase, more or less grotesque, which is made without top or bottom, to allow egress for the head and feet. During the day the vase is set upright, and at night is laid down to allow the child to sleep. Thus the child thickens without growing taller, filling up with his compressed flesh and distorted bones the reliefs in the vase. This development in a bottle continues many years. After a certain time it becomes irreparable. When they consider that this is accomplished, and the monster made, they break the vase. The child comes out--and, behold, there is a man in the shape of a mug!
Victor Hugo (The Complete Works of Victor Hugo (Major Works Including Les Misérables, The Hunchback of Notre Dame, The Man Who Laughs, Toilers of the Sea, The Memoirs of Victor Hugo, And More))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
In respect to the employment of troops, ground may be classified as dispersive, frontier, key, communicating, focal, serious, difficult, encircled, and death. When a feudal lord fights in his own territory, he is in dispersive ground. Here officers and men long to return to their nearby homes. When he makes but a shallow penetration into enemy territory he is in frontier ground. Ground equally advantageous for the enemy or me to occupy is key ground. Ground equally accessible to both the enemy and me is communicating. This is level and extensive ground in which one may come and go, sufficient in extent for battle and to erect opposing fortifications. When a state is enclosed by three other states its territory is focal. He who first gets control of it will gain the support of All-under-Heaven. When the army has penetrated deep into hostile territory, leaving far behind many enemy cities and towns, it is in serious ground. When the army traverses mountains, forests, precipitous country, or marches through defiles, marshlands, or swamps, or any place where the going is hard, it is in difficult ground. Ground to which access is constricted, where the way out is tortuous, and where a small enemy force can strike my larger one is called 'encircled.' Ground in which the army survives only if it fights with the courage of desperation is called 'death.' Therefore, do not fight in dispersive ground; do not stop in the frontier borderlands. Do not attack an enemy who occupies key ground; in communicating ground do not allow your formations to become separated. In focal ground, ally with neighboring states; in deep ground, plunder. In difficult ground, press on; in encircled ground, devise stratagems; in death ground, fight. In dispersive ground I would unify the determination of the army. In frontier ground I would keep my forces closely linked. In key ground I would hasten up my rear elements. In communicating ground I would pay strict attention to my defenses. In focal ground I would strengthen my alliances. I reward my prospective allies with valuables and silks and bind them with solemn covenants. I abide firmly by the treaties and then my allies will certainly aid me. In serious ground I would ensure a continuous flow of provisions. In difficult ground I would press on over the roads. In encircled ground I would block the points of access and egress. It is military doctrine that an encircling force must leave a gap to show the surrounded troops there is a way out, so that they will not be determined to fight to the death. Then, taking advantage of this, strike. Now, if I am in encircled ground, and the enemy opens a road in order to tempt my troops to take it, I close this means of escape so that my officers and men will have a mind to fight to the death. In death ground I could make it evident that there is no chance of survival. For it is the nature of soldiers to resist when surrounded; to fight to the death when there is no alternative, and when desperate to follow commands implicitly.
Sun Tzu (The Art of War)
Hey stop that! Don't access my egress.
Shawn Stern
The dead, lacking workable stomach muscles and sphincters and bedmates to annoy, do not. Cannot. So the gas builds up and the belly bloats. I ask Arpad why the gas wouldn't just get forced out eventually. He explains that the small intestine has pretty much collapsed and sealed itself off. Or that there might be "something" blocking its egress. Though he allows, with some prodding, that a little bad air often does, in fact, slip out, and so, as a matter of record, it can be said that dead people fart. It needn't be, but it can.
Anonymous
Jon sat in the Range Rover cocoon, listened to Amy sleep, and knew people were beyond the edge of the darkness. Talking and planning, positioning cars at egress points to cover the house, and setting up at the storage facility. No one knew how Amy would react, or which way this would go, so they had to be flexible. Jon resented their intrusion. The
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
No matter how far they traveled, they always had this house to welcome them home.” “True. Did you ever wonder why they altered it so often?” “Miss Everleigh says they were innovators. Visionaries.” He glanced at her, the firelight shadowing his face. “They kept knocking down the walls. Expanding them, making new routes for egress. Not much innovation in that. As visions go, it’s the dream of claustrophobics.” The notion unsettled her. “What do you mean to say?” “I mean, they traveled to escape this place.” He reached for the bottle, splashed more liquor into his glass. Set down the bottle and stared at it. “Came back very reluctantly, already itching to leave again.” She did not like that idea. “It was their home. They were a famously loving family—” “It’s a house,” he said. “That doesn’t make it a home. And family—yes, family is important. But it can trap you more neatly than four walls and a locked door.” Her
Meredith Duran (Lady Be Good (Rules for the Reckless, #3))
The people in the terminal ebbed and flowed with the early morning flight schedule of the big cross-country flights to New York or Miami or Chicago, then grew steadily as the number of flights increased. At eight-thirty we separated and positioned ourselves with a view to all points of egress in case Clark showed. He didn’t. A family of Hare Krishnas came through snapping finger chimes and offering pamphlets for money, moving from person to person until they reached Pike, and then they hurried past. Strong survival instinct.
Robert Crais (Indigo Slam (Elvis Cole, #7))
But the soldiers and such as were joined with them, presented us with a jolly hot volley of shot, beating full upon the full egress of that street, in which we marched; and levelling very low, so as their bullets ofttimes grazed on the sand.   We stood not to answer them in like terms: but having discharged our first volley of shot, and feathered them with our arrows (which our Captain had caused to be made of purpose in England; not great sheaf arrows, but fine roving shafts, very carefully reserved for the service) we
Charles Eliot (The Harvard Classics in a Year: A Liberal Education in 365 Days)
Why does the world not rebel against a capitalistic society that places the right to pursue greed ahead of the collective good of a community? Why do so many people who live next door or across a hallway from one another never speak to their neighbors? Why do so many people go to great lengths to avoid interacting with their neighbors by installing tall privacy fences and timing their ingress and egress to avoid unscripted encounters with one another? In an age where electronic advances makes communicating with people a rapid convenience, why is it that we live as a species more isolated than ever before from people outside our immediate enclave?
Kilroy J. Oldster
We discussed how Laurel Canyon has only one way in and one way out—single ingress and egress, is what they call it—which means that not only would the road be swarmed with cars trying to evacuate, it would also be impossible for emergency vehicles to get in.
Stephanie Danler (Stray: A Memoir)
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
There is no egress from madness, no order, and thus no path, sometimes you must lose yourself before you can find your way out.
Cody Edward Lee Miller
At incredible velocity and accelerating exponentially, the concentrated volume of quintessence escaped, transforming as it did so into a state known as phantom energy and following the artificial line of egress that had been provided.
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
If I were ever asked by some young, sensitive writer just starting out, what key lesson I've learned in life (which I'll never be), I'd probably say that there is no aperture of egress, however tiny and exquisitely sensitive, that can't be turned into an aperture of ingress.
Mark Leyner (Gone with the Mind)
egress,
Patricia Cornwell (Autopsy (Dr Kay Scarpetta #25))
Surmounting this plateau there had been a walled settlement, small and modest, a chaotic array of attached residences that would have housed perhaps twenty families at the height of its occupation. The defensive walls were solid, with no gates, and for the dwellers within, ingress and egress came via the rooftops and single-pole ladders. Yadeth Garath, the first human city, was now little more than salt-rotted rubble swallowed in silts, buried deep and unseen beneath the marsh. No history beyond the countless derivations from its ancient name remained, and of the lives and deaths and tales of all who had once lived there, not even bones survived.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
In the brief respite, James tore up part of the flooring and leaped down into an underground vault or drain. Unluckily for him, he had recently caused the egress from this chamber to be walled up because his tennis balls had sometimes been lost there.
Gordon Donaldson (Scottish Kings)
Our sole egress is to just fade away
Davi Mendes
But few gain sufficient experience in Wall Street to command sucess until they reach that period of life in which they have one foot in the grave. When this time comes these old veterans of the Street usually spend long intervals of repose at their comfortable homes, and in times of panic, which recur sometimes oftener than once a year, these old fellows will be seen in Wall Street, hobbling down on their canes to their brokers' office. Then they always buy good stocks to the extent of their bank balances, which have been permitted to accumulate for just such an emergency. The panic usually rages until enough of these cash purchases of stock is made to afford a big "rake in." When the panic has spent its force, these old fellows, who have been resting judiciously on their oars in expectation of the inevitable event, which usually returns with the regularity of the seasons, quickly realize, deposit their profits with their bankers, or the overplus thereof, after purchasing more real estate that is on the upgrade, for permanent investment, and retire for another season to the quietude of their splendid homes and the bosoms of their happy families. If young men had only the patience to watch the speculative signs of the times, as manifested in the periodical egress of these old prophetic speculators from their shells of security, they would make more money at these intervals than by following up the slippery "tips" of the professional "pointers" of the Stock Exchange all the year round, and they would feel no necessity for hanging at the coat tails, around the hotels, of those specious frauds, who pretend to be deep in the councils of the big operations and of all the new "pools" in process of formation. I say to the young speculators, therefore, watch the ominous visits to the Street of these old men. They are as certain to be seen on the eve of a panic as spiders creeping stealthily and noiselessly from their cobwebs just before rain.
Henry Clews (Fifty Years in Wall Street (Wiley Investment Classics))
ورغم أنه لم يَخلع بعد ملابس العمل، إلا أنه رافقهم بكل ثقة حامِلًا معه أوراق التعريف، وهوية نقابة الأطباء، وقبل مغادرته التفت إليها وأخبرها بأنه سيُحقق لها وعوده، والتي منها: الرحلات الترفيهية، وهدايا الألعاب، وطمأنها هي وبقية عائلته، ورافق أولئك الرجال الذين كانوا يرتدون الأقنعة السوداء! وتحدثوا معه في الغرفة الأخرى بصوت مُنخَفِض! ثم مضوا به إلى مكان مجهول! Although he had not yet removed his work clothes, he confidently accompanied them, holding his ID and the Medical Syndicate ID. Before egressing, he turned to her and told her that he would fulfil his promises to her, including recreational trips and gifts of toys. And then he reassured her and the rest of his family. Afterwards, he accompanied the police officers who were wearing black masks. They spoke to him lowly in the other room; then they took him to an unknown place!
سندس الشاوي (هجرة النسور - Immigration of Eagles)
ورغم أنه لم يَخلع بعد ملابس العمل، إلا أنه رافقهم بكل ثقة حامِلًا معه أوراق التعريف، وهوية نقابة الأطباء، وقبل مغادرته التفت إليها وأخبرها بأنه سيُحقق لها وعوده، والتي منها: الرحلات الترفيهية، وهدايا الألعاب، وطمأنها هي وبقية عائلته، ورافق أولئك الرجال الذين كانوا يرتدون الأقنعة السوداء! وتحدثوا معه في الغرفة الأخرى بصوت مُنخَفِض! ثم مضوا به إلى مكان مجهول! Although he had not yet removed his work clothes, he confidently accompanied them, holding his ID and the Medical Syndicate ID. Before egressing, he turned to her and told her that he would fulfil his promises to her, including recreational trips and gifts of toys. And then he reassured her and the rest of his family. Afterwards, he accompanied the police officers who were wearing black masks. They spoke to him lowly in the other room; then they took him to an unknown place!
محمد مصطفى الساكت (هجرة النسور - Immigration of Eagles)
The journalist Stewart Alsop was confined to one such ward at the NIH in 1973 for the treatment of a rare and unidentifiable blood cancer. Crossing its threshold, he encountered a sanitized version of hell. "Wandering about the NIH clinical center, in the corridors or in the elevator, one comes occasionally on a human monster, on a living nightmare, on a face or body hideously deformed," he wrote. Patients, even disguised in "civilian" clothes, could still be identified by the orange tinge that chemotherapy left on their skin, underneath which lurked the unique pallor of cancer-related anemia. The space was limbolike, with no simple means of egress-no exit. In the glass-paneled sanatorium where patients walked for leisure, Alsop recalled, the windows were covered in heavy wire mesh to prevent the men and women confined in the wards from jumping off the banisters and committing suicide.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
I must express in the strongest possible terms my profound opposition to the newly instituted practice which imposes severe and intolerable restrictions on the ingress and egress of senior members of the hierarchy and will, in all probability, should the current deplorable innovation be perpetuated, precipitate a progressive constriction of the channels of communication, culminating in a condition of organizational atrophy and administrative paralysis which will render effectively impossible the coherent and co-ordinated discharge of the function of government within Her Majesty's United Kingdom of Great Britain and Northern Ireland." ..... "You mean you've lost your key?" I asked.
Jonathan Lynn & Anthony Jay
My lover and I had unconsciously entered the kingdom. Neither of us realized we had attained ‘moksha’ (emancipation, liberation or release) from Saṃsāra - the repeating cycle of birth, life and death. We dwelt in this sensually spirited realm, unaware of time, allowing our unhindered consciousness to guide us towards euphoric provenance, where all things are possible. A distant voice called us to reality. Neither my lover nor I desired to return. With our sacred gyrations suspended, we had not the need for release, but we wanted to sustain the momentum our divinity beckoned us uninterrupted. This was my first and certainly not the last of such subliminal providence.               When we finally egressed from our cogitation, we found the Zentologist dumbfounded and in awe, overwhelmed by what he later described as witnessing the Sahasrāra (“thousand-petaled” – White Lotus) above our heads. The glowing rainbow halo of Kundalini Shanti illuminated my lover and me, encircling our sacred union with asama-prajnata-samadhi – a state in which there is no activity of the mind, no knower, no knowledge, nothing to be known: knowledge, knower and known become unified and liberated.               His virility was deeply buried within my core. My lover and I remained in our Garden of Love. Our guiltlessness deterred us from separation. We abided in this state until our rapturous Samadhi subsided. Only then did we dress and follow my teacher back towards the madding crowd.               That day at the poppy field, Andy and I regained our spiritual eroticism, which the Zentologist canalized as “Divine Providence.
Young (Turpitude (A Harem Boy's Saga Book 4))
The imposter's long, sturdy traveling cloak covered plain, dark, modest traveling clothes. Like the duchess, she was tall and well-rounded, and she spoke with the duchess's aristocratic accent. Also like the duchess, she wore her black hair smoothed back from her face. Yet for the discerning eye, the differences were obvious. The imposter had a sweeter, rounder face, dominated by large blue eyes striking in their serenity. Her voice was husky, warm, rich. Her hands rested calmly at her waist, and she moved with serene grace, not at all with the brisk certainty of the duchess. She was slow to smile, slow to frown, and never laughed with glorious freedom. Indeed, she seemed to weigh each emotion before allowing it egress, as if sometime in the past every drop of impulsiveness had been choked from her. It wasn't that she was morose, but she was observant, composed, and far too quiet.
Christina Dodd (One Kiss From You (Switching Places, #2))
It’s her high school—I’m sure of it, as I found this document as well.” Roarke called up a blueprint of Hillary Clinton High School. “Certain classrooms, certain areas were highlighted, egresses marked.
J.D. Robb (Apprentice in Death (In Death, #43))
Reason was love’s egress, but love didn’t have the sense to leave when logic opened the door.
C.D. Reiss
Go into the cottage, go out of my mind. Those had been my ritual words when I fortified the Wee Cottage and banished her from my garden. Might I have inadvertently created yet another inside-out house? What if that door led out of my self-constructed fortress and into the world? The egress might have been right in front of me all along.
Rachel Hartman (Shadow Scale (Seraphina, #2))
The Minotaur comes and goes. He has for centuries. And there have been many bridges. The Minotaur pauses, as he walks, midway through the covered bridge that serves, in more ways than one, as the entrance to Old Scald Village. He rests his heavy snout against one of the wooden trusses. The Minotaur likes this portal, both ingress and egress, a breach in the terribly human construct of time.
Steven Sherrill (The Minotaur Takes His Own Sweet Time)