Eerie But Beautiful Quotes

Grace: Outside, deep in the woods, I heard a long keening wail, and then another, as the wolves began to howl. More voices pitched in, some low and mournful, others high and short, an eerie and beautiful chorus. I knew my wolf's howl; his rich tone sang out above others as if begging me to hear it. My heart ached inside me, torn between wanting them to stop and wishing they would go on for ever. I imagined myself there among them in the golden woods, watching them tilt their heads back and howl underneath a sky of endless stars. I blinked a tear away, feeling foolish and miserable, but I didn't go to sleep until every wolf had fallen silent.

In the distance, they begin shutting down the rides and turning off lights. There’s something beautiful and eerie about a darkened, unmoving Ferris wheel.

In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.

Your ears are lovely, he said, but there's a kind of eerie beauty to your profile.

I cleared my throat and began my presentation. As I moved through the different aspects of the proposal, he stayed silent, staring directly at his copy. Why was he so calm? His temper tantrums I could handle. But the eerie silence? It was unnerving. I was leaning over the table, gesturing toward a set of graphs, when it happened. "Their timeline for the first milestone is a little ambi-" I stopped midsentence, my breath caught in my throat. His hand pressed gently into my lower back before sliding down, settling on the curve of my ass. In the nine months I had worked for him, he had never intentionally touched me. This was most definitely intentional.

Beautiful,” I croak past the lump in my throat. “You’re beautiful.” I know with an eerie calm that I’ll never see anything or anyone more stunning in my life. Everything has changed. Everything.

I was struck by the ancient, pagan feel of the place. New Orleans doesn't feel like any other American city I've been to. It has an atmosphere like Rome or Istanbul, a sense of the veil being very thin between this world and the world of the fictional and the dead. It is an eerie, haunted, and beautiful place - as any port should be.

I have always enjoyed this part of the journey the most - the passing through of places where one would never wish to stay but that hold a strange, eerie beauty all of their own. There, with the heavens open wide above, streaked with silent stars and constellations, so vast and beautiful, then I would feel that our journey was not purposeless after all.

We passed the great arid deserts of the West, driving through canyons and beneath rocky outcroppings and over great crevasses. We drove through the Mojave Desert, Owens Valley and Death Valley, and the dust entered our bloodstream and flowed through to every part of our body. The West was both eerie and breathtakingly beautiful, and we wanted to live there forever.

She herself, as she had said, was oddly enjoying the snowy night. She had seldom had reason to be abroad in such weather at night, and she had forgotten, or never noticed, how clear the sky was or how brightly the stars twinkled down. They might have been the only ones alive in the whole world, for it was deadly still, the eerie light giving the night almost a magical quality. Everyday items were rendered mysterious and beautiful by their layer of white, and the only sounds were those they made, of creaking leather and the crisp squeak of snow underfoot.

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It’s an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It’s a sound that relaxes and submerges you into the tranquility of nature. I don’t think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon.

My fear of the dark caused my pulse to race, but a sudden eerie sense of calm took over and I concentrated on the beautiful face of the angry man hovering above me. “I don’t even know your name,” I whispered. I managed to stay conscious long enough to hear his answer. “They call me King.” Then the blackness surrounded me and swallowed me whole.

I adore these words, worship them actually, and yet I do not buy that part about ‘the last time in history.’ Because the narrator himself is having such a wondrous moment; because every American who comes to love this lovable, hateful place knows this wonder, too. Because screeching the brakes on my rental bike and watching a turtle that is who knows how old creep across the wilderness of palm fronds that juts against such a painfully cute subset of civilization, I know exactly why the painfully cute civilization wants to be here, build here, make their homes and babies at such a place. So what if they got it wrong? Is there anything more American than constructing some squeaky-clean city on a hill looking out across the terrible beauty of this land? While most of the rest of us have internalized these impulses, turned them into metaphors, at Celebration, Disney is attempting the real deal; like the Puritans and the pioneers, they’re carving out a new community. An eerie, xenophobic, nostalgic community I can’t wait to leave, but still.

Deadwood sure isn’t thriving, but it’s still standing. And the landscape is breathtaking. It’s sitting right on the edge of the Black Hills National Forest, with its eerie rock formations, beautiful pine forests, barren rock, canyons, and creeks. I can’t think of a more beautiful place on Earth. I can understand why someone would want to build something there.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

Her first impression had been that he was ugly— huge and gangly with eerie transparent eyes. But when he’d smiled at her, lights danced across those blue eyes like sparkles on a river, and she’d seen beauty in his unfamiliar features. How could anyone with a smile that warm be evil or untrustworthy? After she got over her initial fear, she even found the man’s size appealing and powerfully masculine. Fireflies flitted and glowed in her stomach whenever their eyes met.

In December the first frosts came with the full moon, and then my nights of vigil held a quality harder to bear. There was a sort of beauty to them, cold and clear, that caught at the heart and made me stare in wonder. From my windows the long lawns dipped to the meadows, and the meadows to the sea, and all of them were white with frost, and white too under the moon. The trees that fringed the lawns were black and still. Rabbits came out and pricked about the grass, then scattered to their burrows; and suddenly, from the hush and stillness, I heard that high sharp bark of a vixen, with the little sob that follows it, eerie, unmistakable, unlike any other call that comes by night, and out of the woods I saw the lean low body creep and run out upon the lawn, and hide again where the trees would cover it. Later I heard the call again, away in the distance, in the open park, and now the full moon topped the trees and held the sky, and nothing stirred on the lawns beneath my window. I wondered if Rachel slept, in the blue bedroom; or if, like me, she left her curtains wide. The clock that had driven me to bed at ten struck one, struck two, and I thought that here about me was a wealth of beauty that we might have shared.

Occasionally we glimpse the South Rim, four or five thousand feet above. From the rims the canyon seems oceanic; at the surface of the river the feeling is intimate. To someone up there with binoculars we seem utterly remote down here. It is this know dimension if distance and time and the perplexing question posed by the canyon itself- What is consequential? (in one’s life, in the life of human beings, in the life of a planet)- that reverberate constantly, and make the human inclination to judge (another person, another kind of thought) seem so eerie… Two kinds of time pass here: sitting at the edge of a sun-warmed pool watching blue dragonflies and black tadpoles. And the rapids: down the glassy-smooth tongue into a yawing trench, climb a ten-foot wall of standing water and fall into boiling, ferocious hydraulics…

I was visiting Marcus and his wife when a friend asked if she could talk to me alone. Teresa was the spouse of a Team member who’d served with Chris. We hadn’t spent a lot of time together, but we’d always had a connection. “I have something I want to give you,” she said. “I don’t know if it’s going to seem corny to you or what, but I kind of want to do it for me.” She pressed a medal into my hand. I looked at it--it was the medal she’d received for completing the Boston Marathon. “You and Chris kept me going,” she explained. “It was almost eerie how, when my legs were tired and I wanted to quit, Randy Travis’s song came on the iPod. It was the one he played at the memorial. My iPod was on random shuffle but it was always at just the right moment. I would hear that song and it would spur me on.” Maybe Chris was somehow behind that. People have told me of other inspirational incidents; each one, from simple to grand, has touched me with its beauty.

They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

And whatever you do, do not break the mirror.” Without looking away from Mari, Bowe asked, “Why no’?” This seemed an ideal solution to him. Jillian murmured, “The shock could . . . it could kill her.” No’ ideal. “I want to be alone with her,” Bowe said. She nodded. “We’re going to the binding ceremony. Good luck, Bowen.” After they closed the door, Bowe could still hear Mari’s father say, “Jill, why are you so confident in MacRieve?” “Because he won’t ever rest until he has her back with him,” she replied before they descended the stairs. Alone with Mari, Bowe said, “Lass, we’re about to take a break from the mirror for a bit. How am I to marry you in front of all those witches in an eerie, embarrassing ceremony if you will no’ look away?” No reaction. He put his arms around her waist and leaned down to kiss her neck, closing his eyes with pleasure just to be close to her once more. “Doona wish to turn from your glass? Verra well. Then ask it some questions while you’re here. Ask it how much your Lykae’s missed you.” Had she blinked? At her other ear, he murmured, “Ask it who Bowe loves.” Her lips parted. Her body seemed to begin thrumming, as if she was struggling with everything she had in her to be free. “Aye, that’s right. Ask it who’s the only one Bowe’s ever been in love with.” He brushed the back of his fingers down her cheek, willing her to meet his gaze in the mirror. “And the last question we’re goin’ tae have before you come away with me . . . ask it how damned good our lives are goin’ tae be together, just as soon as you turn tae kiss me.” Her brows drew together, and her stiff posture tightened, then relaxed. Her eyelids slid closed. “There now, that’s it, beautiful girl,” he asked, easing her face toward him. Behind her, he pressed the mirror until it flipped over, revealing the back of the frame. “Now, kiss me, witch.

A distant, eerie howl had risen out of the floor, from far beneath. Silent, absolutely still, she waited, and at last it came again, indefinably closer, but muffled, as if layers of stone-rooms, dungeons, cellars-were between her and it. Not human. She crouched down with her ear to the stone slabs. Somewhere down there, unguessable levels below,something prowled.

When the plane exploded fire went streaking down the wall of night like trails of phosphorous from a firework of unreckonable magnitude and cascaded away in a shower of falling stars, touching the velvet balsams with a profound and eerie beauty.

It was beautiful, and it was terrible, and it was almost indescribably eerie.

She turned absently from her contemplative study of the lily pads. "Your garden is beautiful." He shrugged and glanced around at it. "It is overgrown." "Yes, but it has a lost, eerie beauty that quite pleases me. I wish I had my watercolor set." Lucien lifted his eyebrows. "Ah, are you an artistic young lady, Miss Montague?" She smiled reluctantly. "I have been known to dabble." He laughed softly, tickled by the revelation. 'An artist. Of course.' Those beautiful hands. That penetrating gaze. The seething passion under her cool, demure surface. "What sort of work do you most enjoy?" he asked as they sauntered past rows of one-conical yews that had grown into huge, dark green lumps. "Sketching faces." "Really?" "Portraits in charcoal are my forte, but I love watercolors and all sorts of crafts. Japanning, fancy embroidery.

As they strode through the meadow, she had the eerie sensation of walking atop waves. Except this was a sea of petals, not saltwater. Her toe caught on a fallen branch, and she stumbled a bit. "Are you all right?" Colin asked. She nodded. "I was just distracted. Wondering how much loam is in this soil." "What?" He set down his side of the trunk. Minerva did the same. "You know," she said. "Loam. A mix of clay and sand. In order for he soil to support this many bluebells, it would-" "You're standing in the middle of this," -he spread his arms wide to indicate Nature's splendor- " and you're thinking about loam in the soil? You spend far too much time staring at the ground." Rounding the trunk, Colin plucked her off her feet. With gentle strength, he tumbled her into the bluebells. She lay flat on her back, breathless and dizzy from the sudden inversion. From the sudden nearness of him. He lay down next to her. "There. Have a rest. Look up at the sky for a change." Minerva stared up from the uneven ground. Her heartbeat drummed in her ears, and a crushed green scent engulfed her senses. The grasses and bluebells towered over her, swaying in the gentle breeze and dripping loveliness. Above everything, the sky hovered brilliantly and blue. Nearly cloudless, save for a few wispy, changing puffs of white that were apparently too proud to mimic rabbits or dragons or sailing ships.

Religious structures represent just one facet of the precious art and architectural heritage of the Greek Isles, where splendid built sites vie with natural wonders for spectacular beauty and interest. Kárpathos and Kíthnos boast rows of picturesque windmills along a rugged coastline. On Santorini, whitewashed villas cling to precipitous cliffs, rising above a turquoise sea. Classical and earlier ruins are eerie reminders of the past on the now-uninhabited island of Delos, which, along with Athens, Olympia, and Delphi, was one of the most important sanctuaries of the ancient world.

A man must follow his true nature, although a man I am not. My true being is something rougher, something deep and damp and dark as an unlit root cellar, a hole in the ground, a grave. I am a ferocious killing machine, barely held together by the deceptive skin of civilization which I show the world by day. As the Fiend below takes mad glee from imitating Heaven above, I walk the earth in the guise of a Holy man...by sunlight, anyhow. Ah, but when the moon takes me, the skin tears away--and I am golden and beautiful, my mouth deep with teeth, my throat filled with eerie song. I cry to the night sky in my hunger and my rage as I follow the call of the hunt, first on two legs, then four. My claws are as razors, churning the ground below me...and I strike...

Oh! how good to be your age,’ Anna went on. ‘I remember and know that blue mist, the same as in the mountains in Switzerland. The mist that envelops everything during the blissful time when childhood is just coming to an end, and the path away from that vast, cheerful and happy circle grows narrower and narrower, and you feel cheerful and eerie entering that suite of rooms, though it seems bright and beautiful ... Who hasn’t gone through that?

That peculiar light just before sunset, before gloaming: it is then that Essa sees for the first time the famous dunes at Avanue, which roll like fat people in their sleep, and shift restlessly forever. “They cast long shadows, these sleeping giants, and Essa shivers. She has walked too far—after the trip north she was so grateful to be out of hospital—her hands and feet are cold, and she is dizzy with exhaustion. She sits down on the ragged grass at the edge of the bluff which overlooks the dunes, and tries not to hate them. “Her mother’s words, remembered in a dream, sound like water flowing in her thoughts. There is no water here. The grasses under her are dry and stiff, and they grow in sand so fine it grits through her clothing against the skin of her ass. The sea is too far away to see or smell. But at least she is alone. “Though she is shivering, it is still a hot day, and the sun has warmed the sand. The ground radiates heat into her body. She lies down flat on her belly, her head to one side so that she can still see the dunes, and puts her hands beneath her; gradually they warm. “Gradually her body comes back into balance and she starts to see an eerie beauty before her. The sun is fully down when she sits up, brushes the sand away as well as she can, and hugs her knees to her chest. She puts her chin on her knees and watches darkness descend over the low rolling landscape. “This is unlike any cliff on which she has rested yet. It is low and gives no perspective. The dunes come up almost to her feet. Yet the demarcation is quite abrupt: there is no grass growing anywhere after this brief crumbling drop-off, and she can see as the land-breeze begins to quicken that ahead of her the sand is moving. In fact, she realizes, she can hear it, a low sweeping sound which has mounted from inaudibility until it inexorably backs every other sound: sounds of grasses moving, insects scraping, birds calling from the invisible sea far beyond her viewpoint are all subsumed in one great sand-song. “It is a sound so relentlessly sad that Essa can hardly bear to listen, but so persistent that she cannot ignore it now that she has become aware of its susurration. She pulls her sweater—the one her mother made by her knitting—around her and waits. “When it is fully dark and the wind has died again, she rises and begins the long walk back to town in the dim light of stars and crescent moon.

Infinity of your thoughts Time does not seem to pass, As moments appear to be frozen in an unknown thought, I try hard to bypass, This eerie feeling and the war always lost yet often fought, And I wonder what is this feeling, This enigmatic state of endless time, With which I have now been for very long dealing, A state where time no longer remembers it is time, Then in this moment, Where infinity is cast in a battle with finity, Time remains suspended in an uncertain moment, Where every virtue exists except for certainty, As the war rages and both lose, Infinity retreats to its zone while finity retains its domain, And time that had been held trapped in this noose, Now attains its lost state and claims its lost domain, That spreads across infinity in the subsets of finity, Then my darling Irma, I love you infinitely, Because now there is certainty, And I want you to know, you are my only joy, my moment in time, my eternity, As time resumes its pace, I think of you in the lanes of my mind, And within it I discover our space, Where time still lies trapped, and it does not mind, This existence in a moment where infinity lies everywhere, The infinity of your feelings, your memories and your beauty, And there I lie thinking of you always somewhere, To feed the appetite of our love and its eternity, So if you ever talk to me my love, Maybe I am thinking in this corner feeding the infinity, Of your beauty and our love, To steal from time, from fate, from the Universe, our destiny, Where you lie within me, And we lie in this space of infinity, You loving me and I loving thee, Discovering the charms of your beauty, That is where my love I shall be, If you ever talk to me and you still need to find me, Walk into my mind, but tread softly for you shall be treading over infinity, Where I have spread my feelings just for thee, only thee, And as you behold me, Do not hesitate to wake me up, There in the corner of my mind where I shall always be, Kiss me and wake me up, Then let me cast you into the infinity of my mind and its thoughts, And reveal your own beauty to you, And as you wake up in the infinity of my thoughts, Allow me to cast the veil of infinity bearing your beauty and you, Then let time stop forever, Because now there shall be no need of new thoughts or new feelings, And we shall now exist forever, and forever, In infinities impenetrable ceilings, Where everything is just you and me, Nothing else, and where nothing exists, You and I lying in an eternally amorous state and what a wonder it shall be, Because now there is no identity, I am you and you are me, And both of us surrounded by eternity, In the universe where we have created our own space beyond every scalable limit, And we have become the masters of our own destiny, With nothing to include and nothing to omit, Because there is only one need, Your love for me and my love for you, And there is nothing to worry about or heed, Just your beauty and you, only you, in an endless existence where it is only you, Everywhere, here and there and even that space that time refers to as somewhere, There we lie wound on every loop of infinity, To spread with it everywhere, And believe in the beauty of our singular destiny!

The hollow voice, with its hints of eternity and long night, raised chills on her arms, though now it was from fascination instead of fear. She lifted her veil to better see him and bit back a gasp. Pale as the dead he guarded, his features held a peculiar beauty highlighted by sharp cheekbones spaced wide and high, a long haughty nose and solemn mouth. He was a combination of sinister and fragile, unearthly and eerie…and familiar.

First impression: The Tijuana dump is beautiful. Second impression: It is like a military operation. It is at the top of a small mountain. A convoy of trucks comes to the top of the mountain and dumps the refuse of a developing city. [...] Other equipment moves mountains of dirt to cover the wastes. At intervals, standpipes are inserted into the filled spaces to allow the biogas of the rotting materials below to escape. The wind blows across these vents, creating an eerie music. When the biogas envelops you, you sense that sinking feeling of doom.

I stare into the ruggedly handsome face, the eyes alight with a vast intelligence and that eerie, unearthly power. He's beautiful, so haunted with power it takes me a second to realize exactly what position Nolan Storm has put me in, and by extension, my family.

Zuckerman turned his attention back to Myron. “So tell me, you trying to sign Crispin?” “I haven’t even met him yet,” Myron said. Zuckerman put his hand to his chest, feigning surprise. “Well then, Myron, this is some eerie coincidence. You being here when we’re about to break bread with him—what are the odds? Wait.” Norm stopped, put his hand to his ear. “I think I hear Twilight Zone music.” “Ha-ha,” Myron said. “Oh, relax, Myron. I’m teasing you. Lighten up, for crying out loud. But let me be honest for a second, okay? I don’t think Cripsin needs you, Myron. Nothing personal, but the kid signed the deal with me himself. No agent. No lawyer. Handled it all on his own.” “And got robbed,” Win added. Zuckerman put a hand to his chest. “You wound me, Win.” “Crispin told me the numbers,” Win said. “Myron would have gotten him a far better deal.” “With all due respect to your centuries of upper-crust inbreeding, you don’t know what the hell you’re talking about. The kid left a little money in the till for me, that’s all. Is that a crime nowadays—for a man to make a profit? Myron’s a shark, for crying out loud. He rips off my clothes when we talk. He leaves my office, I don’t even have undies left. I don’t even have furniture. I don’t even have an office. I start out with this beautiful office and Myron comes in and I end up naked in some soup kitchen someplace.” Myron

know,” Maris sighed. “I’m disgusting.” “No. You’re very beautiful like this.” Stunned, Maris looked up, unsure of what to expect. But he saw truth in Ture’s eyes, not horror. Ture cupped Maris’s cheek as he stared in awe of the man’s current appearance. He’d never seen anything like this. Mari’s skin reminded him of a sleek, silvery fish’s. Only it wasn’t scaled and it was as soft was warm velvet. Even his eyes were now an eerie glowing silver color. Not their normal dark chocolate. The neatest part was the beautiful design that was now visible around his eyes. Like someone had used dark gray and black eye shadow and liner to draw an intricate flowing scroll pattern. He

A Paradise for you and me Trust, true love to guide us free Loneliness shall not fill the day I will forever be with you Our Love is beautiful like the sunshine lighting the way Your gentle feel Your caring hands There is no doubt in your soul No eerie place in your heart to express this feeling Our compassion flows in the waves just to save and brighten my day My heart has no hoes Awaiting your pace to touch this place Our love, withstanding all odds Diminishing hate, in our thoughts There is no place I rather be til eternity... Than in your soul, life and in your dreams... I am here to stay with you forever.

Is she mad?” Lan asked, thinking of the woman she’d seen alone at her table in the dining hall, her eerie stillness and piercing stare. “Oh, we’re all mad here.” Batuuli smiled, glancing over at her, then sighed and shook her head. “Wasted. You can’t even read, can you?” She said it like it was an accusation, like that was something just anyone should be able to do. “What does that matter?” Lan asked defensively. “Not a bit, to me. It’s Father who will become bored with you.

The Composition of Death Upon Your Breath" About the Song: The Composition of Death Upon Your Breath delves into the dark and haunting theme of a lover poisoned by a sinister concoction found in the medieval Grand Grimoire. The song narrates the tragic tale of love tainted by the cruel hand of death, where a forbidden potion is meticulously prepared with arcane ingredients. The song's lyrics evoke a gothic atmosphere, intertwining elements of medieval alchemy and romantic tragedy. The potion's ingredients—Red Copper, Nitric Acid, Verdigris, Arsenic, Oak Bark, Rose Water, and Black Soot—are transformed into metaphors for the slow, inevitable demise of the lover. This deadly recipe becomes a symbol of both the destructive power and the twisted beauty of forbidden love. The music captures the essence of gothic black metal with its somber melodies, eerie harmonies, and intense, brooding instrumentals. Each note and lyric serve to illustrate the dark journey of love poisoned by betrayal and malice. The song's atmosphere is thick with melancholy and dread, inviting listeners into a world where passion and death intertwine in a tragic dance. Copyright Notice: The Composition of Death Upon Your Breath © 2024 Umbrae Sortilegium. All rights reserved. Unauthorized copying, reproduction, or distribution of this song or its lyrics is prohibited. The Composition of Death Upon Your Breath. (Verse 1) In an ancient tome of shadowed lore, A secret poison to settle the score, A lover’s whisper, a deadly art, The composition to tear us apart. (Pre-Chorus) Red copper gleaming, nitric acid's burn, Verdigris and arsenic, from which there’s no return, Oak bark and rose water, a fatal serenade, Black soot to bind it, in darkness, it’s made. (Chorus) The composition of death upon your breath, A kiss that leads to the silent depths, In your arms, I fall to eternal rest, Poisoned by the love that you professed. (Verse 2) A new, glazed pot, the spell's design, A potion brewed, in shadows confined, Your lips, a chalice of cold despair, In each embrace, a whispered prayer. (Pre-Chorus) Red copper gleaming, nitric acid's burn, Verdigris and arsenic, from which there’s no return, Oak bark and rose water, a fatal serenade, Black soot to bind it, in darkness, it’s made. (Chorus) The composition of death upon your breath, A kiss that leads to the silent depths, In your arms, I fall to eternal rest, Poisoned by the love that you professed. (Bridge) In your gaze, the twilight's fall, A lover's kiss, the end of all, The Grand Grimoire, its secrets told, In every kiss, the poison’s cold. (Breakdown) A potion brewed from darkest sin, Your breath the gateway, let death begin, A recipe of doom, our fates entwined, In your arms, I lose my mind. (Chorus) The composition of death upon your breath, A kiss that leads to the silent depths, In your arms, I fall to eternal rest, Poisoned by the love that you professed. (Outro) The final breath, a lover's sigh, In your arms, I’m doomed to die, The composition, a lover’s theft, Death upon your breath, my final bequest. Lyrics and ALL Vocals yours truly. Lead Guitar & Symphonics Raz Wolfgang Drums Alexander Novichkov Bass Auron Nightshade Guitarist Kael Thornfield

I could have loved many Masters or Mistresses perhaps. But you have an eerie beauty that debiliitates me and absorbs me. You illuminate the punishments. I don’t…I don’t understand it.

Hers was a beauty that alienated-she was not cold exactly, but she did not offer warmth or ease-she possessed a kind of eerie solitude.

Beautiful.” Gasping, I whirled around. Ash stood only a few feet from me. He wore all black, the tunic devoid of any embellishments. His hair was down, softening the sharpness of his cheekbones and the hardness of his jaw. Startled by his sudden appearance, I bumped into one of the winged-back chairs. “It is,” I whispered. There was no way I could deny the eerie beauty of the cavernous chamber. “This room is very beautiful.” A tight-lipped smile appeared as his gaze, so much like the starlight, swept over me. “I hadn’t even noticed the room.

Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim. An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm. What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.

Bryhtsige had been beautiful before, an eerie mix of fineness and strength, but now in the moonlight he looked unearthly: a drop of cold water fallen from another world.

She carried him down into a lush cavern. It was a sprawling acre and a half, the floor a beautiful rolling meadow of wildflowers split by a zigzag freshwater stream which was fed by five cascade waterfalls streaming down in roaring torrents from towering one hundred fifty foot sheer walls. There were mineral-rich hot springs and abundant vegetation. Giant ferns, mushrooms, heather, blueberry, alpine strawberry, huckleberry. All thriving in the warm, wet air generated by the nearly constant emission of steam hissing out of geothermal vents. Eerie lava rock formations sprouted up throughout the grotto floor. Curving, organic shapes forming alcoves and niches and cozy recesses offering solitude to whomever, or whatever, required it.

Jenny worries me. I know she grieves Ian with all her heart, but she does not weep much, only sits for long periods, looking at something that only she sees. There is a calmness about her that is almost eerie, as though her soul has flown with Ian, leaving only the shell of her body behind. Though since I mention shells, it occurs to me that perhaps she is like a chambered nautilus...A large beautiful shell, made of many chambers, but all empty, save for the innermost one, in which the small animal hides itself in safety.

The door in a nook of a stone bridge led me to grandly decorated passages, candlelit. Eerie and beautiful all at once. I became increasingly anxious as I breathed in, out, my air out into the air of the passageway, and the passageway’s air entering me. A cycle of life in stone. Salty, bitter air. Like a night-sweat. Like insomnia. You wake, sweating and you are paralysed and sweat. You lick your upper lip (not such a stiff upper lip now), and that is what you taste. The sweat of stone, the sickly-sweet decorum of history on the palette.

While we were finishing our coffee, one of these men stood up and called out the name of a song. Everyone joined in, loud, lusty and wonderful, as I'd heard it before among Pentecostals. By the middle of the second song a woman at the next table was weeping. There was nothing especially emotional about the song itself; it was one of the standard old Gospel hymns, "When I Survey the Wondrous Cross." But crying seems to be as infectious as laughter. Soon some of the men on the platform were unabashedly bringing out their handkerchiefs. What was it that swept a room this way? I felt it too; so did Tib sitting next to me. Both of us were studiously avoiding looking the other one in the eye. As the music continued, several people at the tables began to sing "in the Spirit." Soon the whole room was singing a complicated harmony-without-score, created spontaneously. It was eerie but extraordinarily beautiful. The song leader was no longer trying to direct the music but let the melodies create themselves: Without prompting, one quarter of the room would suddenly start to sing very loudly while other subsided. Harmonies and counter-harmonies wove in and out of each other.

The forest was eerie at night. The verdant beauty that drew me to it during the day was absent, cloaked in shadows. Leaving only the promise of danger.

I remembered reading that if you have a cat in heat you have to lock it up and make sure it can't escape otherwise it will be gone for days, returning only after it has mated and conceived. I hoped Gabriel had read the same thing. I hoped that he would lock me up and hide the key. The cats outside were telling me what I couldn't tell myself. Stay inside, they said in their eerie growl, stay inside. I'd always had a great affinity for cats. I believed in them, in their intelligence and their sheer beauty, and I considered them enviable creatures to be reckoned with.

I’m not moving in with you, Mikhail.” The idea was scary. She was a very private person, needing large amounts of time alone. He was the most overwhelming being she had ever encountered. How would she ever be able to sort things out with him so near all the time? His eyebrows shot up. “No? You accepted our ways. We went through the required ritual. In my eyes, the eyes of my people, you are my lifemate, my woman. My wife. Is it the way of the American women to live apart from their husbands?” There was that infuriating trace of mocking male amusement in his voice, the note that always made her want to throw something at him. She had an idea he was laughing at her secretly, amused by her caution. “We aren’t married,” she said decisively. It was difficult to ignore the way her heart leapt with joy at his words. Tendrils of fog drifted into the forest, winding around thick tree trunks, spreading out to hover a few feet from the ground. The effect was eerie, but beautiful. “In the eyes of my people, in the eyes of God, we are.” There was an implacable resolve, a my-word-is-law, in his voice that set her teeth on edge. “What about in my eyes, Mikhail?

The bioluminescence—the wispfire—washes the face with an eerie, soft light. Unsettling, but beautiful too. When I tilt my head back, my vision is flooded with blue-green stars, filling me with a strange, sweeping vertigo. It’s been so long since I’ve seen the stars that these seem brighter, more real. But at least I remember stars. At least I’ve seen the sky.

Don’t be fooled by the melodious music you hear at reception And the beautiful views of manicured gardens For I hear screams and see eerie hallways. You see a clean room with crisp white sheets I see the ghastly history behind I see people who were strangers once... ...But now they never leave. They are… But still aren’t here. They don’t breathe. They don’t laugh. They just are... I see sadness, resentment and unfinished business And I wait for some cheer and laughter. I am VILLAGIO HOTEL and THIS IS MY STORY!

The twanging of life Eleventh part : The ash of the past Every thought of going back to my previous life and myself faded away from my mind as I drove some beautiful girls on that an ugly street near Alwaha mall .. what is left there to go back to anyway with beauty, if ugliness covers all my life ?! .. so I made that decision to go through the ugliness of life to the beauty of girls eyes because at least here inside the pupil I can forget myself in the roars of love wind and eerie silence that covers the surroundings like a dark blanket .. at a distance between closing the eye and opening the same eye again I saw a flickering streetlamp. Sometimes I feel guilty when I think about all those people in this world who are fighting for their lives or those people who are smoking in the streets and holding the fingers of love and then I look at myself wasting my time in the screen of my phone and wasting my breaths in their cigarettes by indirect way and letting them fade away with the grey smoke "useless as my friend Mawada calls me always" .. but yesterday the sun was setting, leaving behind only darkness which meant, now I can see stars in the afternoon, I stood there in EDC looking up at the sky changing colors from blue to orange to purple to black and the sky never failed to amaze me with all its wonders, with the colors spreading in all their glory and soon the stars started to twinkle and my phone started to ring .. I wished that it was a call from my past but when I looked at the phone screen it was an unknown number .. I received the call and put the phone near my left ear .. no one spoke from the other side and I didn’t have even the energy to utter a word .. so at last I cut the call without even asking who was on the other side and put back the phone in my pocket because I remembered that the past never calls us again. I stared at the sky and the stars and I looked at the currently half burnt cigarette in a hand of student .. the smoke he exhaled out of his mouth and the ashes of the last breath lying on the ground soon to be carried away with the wind .. somewhere in the back of his mind .. I wished to be a part of them .. the sky, the stars, the smoke, the ashes and everything I am not and everything that destroys me but somehow keeps me alive.

I don't understand," she said. "I have no clue what you were trying to say this morning." "Yeah. I'm sorry. I'm not firing on all eight cylinders right now." He self-consciously attempted to rub away the purpling sags beneath his eyes. After the white spots dissipated she had impossibly grown even more beautiful. She was magical like that; even if he only looked away for a moment, when he returned his gaze upon her, those cheeks, those eyes, those lips were somehow even more enticing. Somehow even more irresistible. Jesus, could she make him thump. "I didn't really sleep last night. After reading your comments and seeing your handwriting again after such a long time...my head shot into a kind of hyperdrive." "What do you mean?" Her eyes fluttered as she looked up at him. Not flirtatiously, but with inquisitiveness. Oh, the way she fluttered those lids. His chest expanded; he was beyond enamored of her intellect and the way she always needed to get the clearest picture possible. "I just couldn't stop thinking how great everything was between us, and how fantastic everything is going to be once we work out the personal shit we're both dealing with," he said. "I had goosebumps trilling up my arms and the back of my neck because I have already done three or four rewrites, and like eighty percent of the changes I made mirrored your suggestions." He took a deep breath. He would inhale her entirety if he could, make her a permanent part of himself- absorb her being. "It was kind of eerie." He placed a clumsy hand on her cheek and caressed her eyebrow with his thumb, wishing to god it were his bottom lip. "And so not surprising.