Eels Best Quotes

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IN the sea, once upon a time, O my Best Beloved, there was a Whale, and he ate fishes. He ate the starfish and the garfish, and the crab and the dab, and the plaice and the dace, and the skate and his mate, and the mackereel and the pickereel, and the really truly twirly-whirly eel. All the fishes he could find in all the sea he ate with his mouth—so! Till at last there was only one small fish left in all the sea, and he was a small 'Stute Fish, and he swam a little behind the Whale's right ear, so as to be out of harm's way. Then the Whale stood up on his tail and said, 'I'm hungry.' And the small 'Stute Fish said in a small 'stute voice, 'Noble and generous Cetacean, have you ever tasted Man?
Rudyard Kipling (Just So Stories)
A glowing green traced the movements of our limbs below the gentle surf. I imagined a scaly, bug-eyed eel with razor-sharp teeth had come from the deep to hunt for a late-night meal before realizing it was a luminescent algae emitting a subtle glow with each tread of the water. At one point, we returned to the beach to rest and came across a nest of hatching turtles making their first voyage into the water. We watched the sun gradually peek over the horizon, and I realized in this moment that I had your mother's deepest trust. Miles away from her comfort zone, she was willing to walk with me and explore the depth of a world I had grown to love. I, in turn, would need to trust her to the utmost as I stepped deeper into her world of stand-up comedy.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
With each new course, he offers up little bites of the ethos that drives his cooking, the tastes and the words playing off each other like a kaiseki echo chamber. Ark shell, a bulging, bright orange clam peeking out of its dark shell, barely cooked, dusted with seaweed salt. "To add things is easy; to take them away is the challenge." Bamboo, cut into wedges, boiled in mountain water and served in a wide, shallow bowl with nothing but the cooking liquid. "How can we make the ingredient taste more like itself?With heat, with water, with knifework." Tempura: a single large clam, cloaked in a pale, soft batter with more chew than crunch. The clam snaps under gentle pressure, releasing a warm ocean of umami. "I want to make a message to the guest: this is the best possible way to cook this ingredient." A meaty fillet of eel wrapped around a thumb of burdock root, glazed with soy and mirin, grilled until crispy: a three-bite explosion that leaves you desperate for more. "The meal must go up and down, following strong flavors with subtle flavors, setting the right tone for the diner." And it does, rising and falling, ebbing and flowing, until the last frothy drop of matcha is gone, signaling the end of the meal.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Fish are unable, of course, to speak for themselves about how we treat them. They have ways of communicating with each other and, in some cases, even with other species of fish, as the groupers and eels do. As with most animals, their inability to communicate directly with us puts them at a disadvantage. They cannot argue for their rights or how they might best be treated or farmed or managed in the wild. Most animals have no voice that we can hear, unless we speak up for them. And even if an animal could talk, would we listen?
Virginia Morell (Animal Wise: The Thoughts and Emotions of Our Fellow Creatures)
KATH PHARAOH'S WAY WITH EEL'S The young ones are the best, before the turn yellow. Put them in a pillowcase with a handful of salt and swish that around in a tub of water till the sliminess is gone. Fry them in bacon fat. They're soon done. If you can't get elvers, then get an old boy, eight or nine years old. After you've skinned him, cut him into two-inch pieces and bake him on a grid. That needs a good hot flame. Nice with piccalilli.
Laurie Graham (The Future Homemakers of America)
People were asleep in the surrounding houses. Old Bariteau, somewhere in the rustling darkness, was looking for holes in the seabed to place his eel nets. ‘Maybe it’s for the best.’ It was the judge speaking again. ‘Would you like to come inside?’ He took a few steps, as if forgetting his package. There was such an oppressive calm around them that they had the impression they were living in slow motion. ‘Perhaps it would be more convenient to take the body back indoors?’ the judge suggested, reluctantly.
Georges Simenon (The Judge's House (Inspector Maigret Book 22))
Ocean by Maisie Aletha Smikle Lovely beautiful blue ocean From whence did you come? The earth you have graced Creatures you have embraced A home you have been to many The great black whale Fishes and eels Corals and reefs Oh from whence did you come? Oh great vast wide ocean Enough raindrops could not fill the ocean’s basin Neither melted snow or hail From whence did all the salt come? To season water so vast Just in the right portion Neither tasteless or too salty Water that never depletes Dissipate or evaporate Since the world began Water that is always tasty No matter the amount Of tasteless crystal raindrops That is added to the ocean’s wide basin It’s always seasoned just right Not too salty Not too tasteless Indeed our Creator is the best Always working...Keeping the ocean at it's best
Maisie Aletha Smikle
Maybe there’s something out there. Giant eels or whatever.” “Giant eels?” Corey let out a whoop of a laugh, too loud and too long. Desperate to cast off the fear and unease and find his old self again. “Hey, I’m not the moron who was worried about great white sharks,” said Sam. “Um, that was Nic.” “It doesn’t matter what happened,” Daniel said, “only that no one was hurt.” He looked at me, then Nicole. “You’re both okay, right? Well, I mean…I know you’re not okay, but--” “I’m fine,” I said. Nicole nodded. “Me, too.” Hayley straightened, as if not to be outdone. Getting her footing, like me searching for my forest and Corey for a joke. We were all stressed out. We’d deal with it our own way. At least we were dealing with it, not curled up on the beach in fetal positions. Right now, that was the best we could hope for.
Kelley Armstrong (The Calling (Darkness Rising, #2))
There are some additional unmeasurable and unstated requirements to be a lexicographer. First and foremost, you must be possessed of something called "sprachgefühl," a German word we've stolen into English that means "a feeling for language." Sprachgefühl is a slippery eel, the odd buzzing in your brain that tells you that "planting the lettuce" and "planting misinformation" are different uses of "plant," the eye twitch that tells you that "plans to demo the store" refers not to a friendly instructional stroll on how to shop but to a little exuberance with the sledgehammer. Not everyone has sprachgefühl, and you don't know if you are possessed of it until you are knee-deep in the English language, trying your best to navigate the mucky swamp of it. I use "possessed of" advisedly: YOU will never HAVE sprachgefühl, but rather sprachgefühl will have YOU, like a Teutonic imp that settles itself at the base of your skull and hammers at your head every time you read something like "crispy-fried rice" on a menu. The imp will dig its nails into your brain, and instead of ordering take-out Chinese, you will be frozen at the take-out counter, wondering if "crispy-fried rice" refers to plain rice that has been flash fried or to the dish known as "fried rice" but perhaps prepared in a new and exciting way. 'That hyphen,' you think, 'could just be slapdash misuse or...' And your Teutonic imp giggles and squeezes its claws a little harder.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
I'd have no problem describing the ceviche in words. Raw sea bass, firm and gleaming and presenting just a little resistance to my teeth, marinated in an explosion of sour citrus and ripe garlic and crunchy onion, chile peppers sparking heat on my tongue. The fierce citrus cooked the fish in a way that allowed the essence of the fish to shine through along with the marinade, untouched by fire. To soothe the intense flavors of the ceviche, it was served alongside a simple mashed sweet potato and crunchy pieces of giant corn that tasted like a purer corn chip. We also noshed on maki rolls filled with eel and cream cheese, a strange combo of fat and fat that somehow worked, a salad of pickled sunchokes, some charred octopus with yucca root.
Amanda Elliot (Best Served Hot)
In Belinda's dark Craftsman, we drank Riley's cocktails, then ate Belinda's impeccable entrées: roast vegetable lasagna, chicken piccata, shrimp and grits, roast pork with prunes. "This pork is amazing," said Jennie, present for the first time in weeks. "But I move that from now on, we don't have red meat or pork---not because I'm vegetarian but because those farming practices are so bad for the environment." In fact, I didn't cook pork or red meat at home (except for brisket at Passover) for precisely Jennie's reason. As a restaurant critic, I ate---or at least tasted---everything. And as a guest, I'd taken the no-asshole pledge and ate whatever my hosts put on the table, though I drew the line at eel. (Some things are too ugly to eat.) Murmured protests came from the meat-and-potato contingent (Charlotte, Belinda, Sam, and Adrian), but even they agreed that we could stick with chicken and fish. "And only fish on the safe lists---low-mercury, sustainably farmed," said Jennie. Adrian said, "Best quit while you're ahead, Jen.
Michelle Huneven (Search)