Daisy Quotes

We've searched our database for all the quotes and captions related to Daisy. Here they are! All 100 of them:

Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when it's morning again, they'll wash away Here it's safe, here it's warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I had absolutely no interest in being somebody else's muse. I am not a muse. I am the somebody. End of fucking story.
Taylor Jenkins Reid (Daisy Jones & The Six)
Men often think they deserve a sticker for treating women like people.
Taylor Jenkins Reid (Daisy Jones & The Six)
I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
Do you ever wait for the longest day of the year and then miss it? I always wait for the longest day of the year and then miss it!
F. Scott Fitzgerald (The Great Gatsby)
All I will say is that you show up for your friends on their hardest days. And you hold their hand through the roughest parts. Life is about who is holding your hand and, I think, whose hand you commit to holding.
Taylor Jenkins Reid (Daisy Jones & The Six)
I think you have to have faith in people before they earn it. Otherwise it's not faith, right?
Taylor Jenkins Reid (Daisy Jones & The Six)
There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive.
Taylor Jenkins Reid (Daisy Jones & The Six)
It’s like some of us are chasing after our nightmares the way other people chase dreams.
Taylor Jenkins Reid (Daisy Jones & The Six)
They were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end. You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.
Taylor Jenkins Reid (Daisy Jones & The Six)
Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, "Do it again"; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, "Do it again" to the sun; and every evening, "Do it again" to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
G.K. Chesterton (Orthodoxy)
We love broken, beautiful people. And it doesn't get much more obviously broken and more classically beautiful than Daisy Jones.
Taylor Jenkins Reid (Daisy Jones & The Six)
What'll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?
F. Scott Fitzgerald (The Great Gatsby)
I used to think soul mates were two of the same. I used to think I was supposed to look for somebody that was like me. I don't believe in soul mates anymore and I'm not looking for anything. But if I did believe in them, I'd believe your soul mate was somebody who had all the things you didn't, that needed all the things you had. Not somebody who's suffering from the same stuff you are.
Taylor Jenkins Reid (Daisy Jones & The Six)
If she knew how often I was thinking about her, she wouldn't feel lonely.
Taylor Jenkins Reid (Daisy Jones & The Six)
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
Where’s my uncle?” she asked. “I don’t know who your uncle is, but if it as the guy who owned this place before I bought it, then he’s pushing up daisies.” “But it can’t be, he’s still young.
Max Nowaz (The Three Witches and the Master)
The splendor of the rose and the whiteness of the lily do not rob the little violet of its scent nor the daisy of its simple charm. If every tiny flower wanted to be a rose, spring would lose its loveliness.
Thérèse of Lisieux
I am not going to sit around sweating my ass off just so men can feel more comfortable. It’s not my responsibility to not turn them on. It’s their responsibility to not be an asshole.
Taylor Jenkins Reid (Daisy Jones & The Six)
But loving somebody isn't perfection and good times and laughing and making love. Love is forgiveness and patience and faith and every once in a while, it's a gut punch. That's why it's a dangerous thing, when you go loving the wrong person. When you love somebody who doesn't deserve it. You have to be with someone that deserves your faith and you have to be deserving of someone else's. It's sacred.
Taylor Jenkins Reid (Daisy Jones & The Six)
No matter who you choose to go down the road with, you're gonna get hurt. That's just the nature of caring about someone. No matter who you love, they will break your heart along the way.
Taylor Jenkins Reid (Daisy Jones & The Six)
When you think of me, I hope it ruins rock 'n' roll
Taylor Jenkins Reid (Daisy Jones & The Six)
You have to have one person in your life that you know would never do anything to steer you wrong. They may disagree with you. They could even break your heart, from time to time. But you have to have one person, at least, who you know will always tell you the truth.
Taylor Jenkins Reid (Daisy Jones & The Six)
Deep in the meadow, under the willow a bed of grass, a soft green pillow lay down your head, and close your sleepy eyes and when again they open, the sun will rise. Hear it's safe, here it's warm hear the daisies guard you from every harm hear your dreams are sweet and tomorrow brings them true hear is the place where i love you. Deep in the meadow, hidden far away a clock of leaves, a moonbeam ray forget your woes and let your troubles lay and when again it's morning, they'll wash away. Hear it's safe, hears its' warm hear the daises guard you from every harm Hear your dreams are sweet and tomorrow bring them true hear is the place where i love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I wish someone had told me that love isn’t torture. Because I thought love was this thing that was supposed to tear you in two and leave you heartbroken and make your heart race in the worst way. I thought love was bombs and tears and blood. I did not know that it was supposed to make you lighter, not heavier. I didn’t know it was supposed to take only the kind of work that makes you softer. I thought love was war. I didn’t know it was supposed to… I didn’t know it was supposed to be peace.
Taylor Jenkins Reid (Daisy Jones & The Six)
It scared me that the only thing between this moment of calm and the biggest tragedy of my life was me choosing not to do it.
Taylor Jenkins Reid (Daisy Jones & The Six)
Confidence is being okay being bad, not being okay being good.
Taylor Jenkins Reid (Daisy Jones & The Six)
You're all sorts of things you don't even know yet.
Taylor Jenkins Reid (Daisy Jones & The Six)
You’re my favorite four-letter word.” -Daisy to Ryke
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
That’s the glory of being a man. An ugly face isn’t the end of you.
Taylor Jenkins Reid (Daisy Jones & The Six)
It hurts to care about someone more than they care about themselves.
Taylor Jenkins Reid (Daisy Jones & The Six)
All her knowledge is gone now. Everything she ever learned, or heard, or saw. Her particular way of looking at Hamlet or daisies or thinking about love, all her private intricate thoughts, her inconsequential secret musings – they’re gone too. I heard this expression once: Each time someone dies, a library burns. I’m watching it burn right to the ground.
Jandy Nelson (The Sky Is Everywhere)
She had written something that felt like I could have written it, except I knew I couldn't have. I wouldn't have come up with something like that. Which is what we all want from art, isn’t it? When someone pins down something that feels like it lives inside us? Takes a piece of your heart out and shows it to you? It’s like they are introducing you to a part of yourself.
Taylor Jenkins Reid (Daisy Jones & The Six)
DAISY: I used to care when men called me difficult. I really did. Then I stopped. This way is better.
Taylor Jenkins Reid (Daisy Jones & The Six)
He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was ....
F. Scott Fitzgerald (The Great Gatsby)
Music is never about music. If it was, we'd be writing songs about guitars. But we don't. We write songs about women. Women will crush you, you know? I suppose everybody hurts everybody, but women always seem to get back up, you ever notice that? Women are always still standing.
Taylor Jenkins Reid (Daisy Jones & The Six)
I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him. [- Nick Carroway]
F. Scott Fitzgerald (The Great Gatsby)
I love you as much as I'm willing to love anybody.
Taylor Jenkins Reid (Daisy Jones & The Six)
If it wasn’t for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns at the end of your dock." Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to him, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted things had diminished by one.
F. Scott Fitzgerald (The Great Gatsby)
Everything that made Daisy burn, made me burn. Everything I loved about the world, Daisy loved about the world. Everything I struggled with, Daisy struggled with. We were two halves. We were the same.
Taylor Jenkins Reid (Daisy Jones & The Six)
I believe you can break me But I'm saved for the one who saved me We only look like young stars Because you can't see old scars
Taylor Jenkins Reid (Daisy Jones & The Six)
I had such plans for this evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower selling child who asked me for twopence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.” “A little girl robbed you?” Tessa said. “Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name of Six-Fingered Nigel.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
But knowing you’re good can only take you so far. At some point, you need someone else to see it, too. Appreciation from people you admire changes how you see yourself.
Taylor Jenkins Reid (Daisy Jones & The Six)
You can't control another person. It doesn't matter how much you love them. You can't love someone back to health and you can't hate someone back to health and no matter how right you are about something, it doesn't mean they will change their mind.
Taylor Jenkins Reid (Daisy Jones & The Six)
Oh, are you doing magic? Let’s see it, then.” She sat down. Ron looked taken aback. “Er — all right.” He cleared his throat. “Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.” He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep. “Are you sure that’s a real spell?” said the girl. “Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. I’ve learned all our course books by heart, of course.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
She liked being reminded of butterflies. She remembered being six or seven and crying over the fates of the butterflies in her yard after learning that they lived for only a few days. Her mother had comforted her and told her not to be sad for the butterflies, that just because their lives were short didn't mean they were tragic. Watching them flying in the warm sun among the daisies in their garden, her mother had said to her, see, they have a beautiful life. Alice liked remembering that.
Lisa Genova (Still Alice)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
You can justify anything. If you’re narcissistic enough to believe that the universe conspires for and against you—which we all are, deep down—then you can convince yourself you're getting signs about anything and everything.
Taylor Jenkins Reid (Daisy Jones & The Six)
Don't count yourself out this early, Daisy. You're all sorts of things you don't even know yet.
Taylor Jenkins Reid (Daisy Jones & The Six)
When people asked me for my autograph, I used to write, "Stay Solid, Daisy J." But when it was a young girl - which wasn't often but it did happen from time to time - I used to write, "Dream big, little bird. Love, Daisy
Taylor Jenkins Reid (Daisy Jones & The Six)
Dear Diary, Today I tried not to think about Mr. Knightly. I tried not to think about him when I discussed the menu with Cook... I tried not to think about him in the garden where I thrice plucked the petals off a daisy to acertain his feelings for Harriet. I don't think we should keep daisies in the garden, they really are a drab little flower. And I tried not to think about him when I went to bed, but something had to be done.
Jane Austen
Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive. My family was my water. I picked water. I'll pick water every time.
Taylor Jenkins Reid (Daisy Jones & The Six)
[Referring to rape] It already is bigger than everything else. It lives in front of me, behind me, next to me, inside me every single day. My schedule is dictated by it, my habits by it, my music by it.
Daisy Whitney (The Mockingbirds (The Mockingbirds, #1))
She (Daisy) dug her nails into her palms and told herself she had no choice. "I, Theodosia..." She gulped for air. "...take thee Alexander..." She gulped again. "...to be my awful wedded husband...
Susan Elizabeth Phillips (Kiss an Angel)
History is what you did, not what you almost did, not what you thought about doing. And I was proud of what I did
Taylor Jenkins Reid (Daisy Jones & The Six)
The truth often lies, unclaimed, in the middle.
Taylor Jenkins Reid (Daisy Jones & The Six)
It's the ones who never loved you enough that come to you when you can't sleep. You always wonder what the future might have held for you and you'll never know. Maybe you almost don't want to know.
Taylor Jenkins Reid (Daisy Jones & The Six)
I'm not saying that I didn’t care. I cared a lot. I’m saying that when you really love someone, sometimes the things they need may hurt you, and some people are worth hurting for.
Taylor Jenkins Reid (Daisy Jones & The Six)
Nothing I wouldn’t do/to go back to the past and wait for you.
Taylor Jenkins Reid (Daisy Jones & The Six)
People say it's hard to be away from the people you love but it was so hard to be right next to him.
Taylor Jenkins Reid (Daisy Jones & The Six)
[Leafpool] waved her tail in greeting as she padded past Cloudtail and Daisy; as she left the clearing she heard Cloudtail meowing, "This time try to pretend I'm a badger and I'm going to eat your kits." "But my kits really like you," Daisy protested.
Erin Hunter (Twilight (Warriors: The New Prophecy, #5))
Love and pride don't mix.
Taylor Jenkins Reid (Daisy Jones & The Six)
When you find that rare person who really knows who you are and they still don't love you... I was burning.
Taylor Jenkins Reid (Daisy Jones & The Six)
Some things a heart won't listen to, I'm still holding out for you
SHeDAISY
I don't like putting it that way - you're never not yourself. You're always you. It's just, sometimes, who you are . . . who you are is a shitty person.
Taylor Jenkins Reid (Daisy Jones & The Six)
Daisy said to me that I was trying to find ways to protect my heart but I was doing it wrong. She told me the best way to protect my heart was to trust it to someone who will protect it for me. More silence but his body went completely still. “That’s you. It’s always been you.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
But at some point, you have to recognize that you have no control over anybody and you have to step back and be ready to catch them when they fall and that's all you can do. It feels like throwing yourself to sea. Or, maybe not that. Maybe it's more like throwing someone you love out to sea and then praying they float on their own, knowing they might well drown and you'll have to watch.
Taylor Jenkins Reid (Daisy Jones & The Six)
Here’s a lesson for everybody, take it from me: Handsome men that tell you what you want to hear are almost always liars.
Taylor Jenkins Reid (Daisy Jones & The Six)
Life is about who is holding your hand and, I think, whose hand you commit to holding.
Taylor Jenkins Reid (Daisy Jones & The Six)
People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.
Hilary T. Smith (Wild Awake)
Jem grinned. “Where have you been? The Blue Dragon? The Mermaid?” “The Devil Tavern if you must know.” Will sighed and leaned against one of the posts of the bed. “I had such plans for the evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower-selling child who asked me for two-pence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.” “A little girl robbed you?” Tessa said. “Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress who goes by the name of Six-Fingered Nigel.” “Easy mistake to make,” Jem said.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
It is what I have always loved about music. Not the sounds or the crowds or the good times as much as the words -- the emotions, the stories, the truth -- that you can let flow right out of your mouth. Music can dig, you know? It can take a shovel to your chest and just start digging until you hit something.
Taylor Jenkins Reid (Daisy Jones & The Six)
I'd believe your soul mate was somebody who had all the things you didn't, that needed all the things you had. Not somebody who's suffering from the same stuff you are.
Taylor Jenkins Reid (Daisy Jones & The Six)
Denial is like an old blanket. I loved to get on under that thing and curl up and sleep.
Taylor Jenkins Reid (Daisy Jones & The Six)
When you have everything, someone else getting a little something feels like they're stealing from you.
Taylor Jenkins Reid (Daisy Jones & The Six)
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
Ian McEwan (Atonement)
You can't put it in your heart if it's not there. And you can't pull it out of your heart if it is.
Taylor Jenkins Reid (Daisy Jones & The Six)
I thought of you,” he said again, “and it was as if you were there, with me. I saw your face. Your hair …” He wound a finger through a dangling curl beside her face. She could feel the warmth from his hand against her cheek. “And I was no longer afraid. I knew I would be able to come home, because of you. That you would lead me back. You are my constant star, Daisy.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
Because this is what I believe - that second chances are stronger than secrets. You can let secrets go. But a second chance? You don't let that pass you by.
Daisy Whitney (When You Were Here)
Appreciation from people you admire changes how you see yourself.
Taylor Jenkins Reid (Daisy Jones & The Six)
In another life I reckon I could have loved you,' I tell her. She gives me a little smile back. 'In another life I would have let you-' Never you mind that I already love her in this one.
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
I understood that every flower created by Him is beautiful, that the brilliance of the rose and the whiteness of the lily do not lessen the perfume of the violet or the sweet simplicity of the daisy. I understood that if all the lowly flowers wished to be roses, nature would no longer be enameled with lovely hues. And so it is in the world of souls, Our Lord's living garden.
Thérèse of Lisieux
He has an armload of irises and daisies and tulips and he presents them to me. "I didn't know what kind of flowers you like." "I like them all." "Yeah?" "Yeah." He tries to hand them to me, but then remembers the cast. "I'll put them in water." Betty swoops in the room ridiculously fast and she grabs the flowers out of Nick's hands. "I'll take care of them. You lovebirds just sit on the couch and think swooning things at each other.
Carrie Jones (Need (Need, #1))
Art doesn't owe anything to anyone. Songs are about how it felt, not the facts. Self-expression is about what it feels to live, no whether you had the right to claim any emotion at any time. Did I have a right to be mad at him? Did he do anything wrong? Who cares! Who cares? I hurt. So I wrote about it
Taylor Jenkins Reid (Daisy Jones & The Six)
I don't need to be any place else, because the music takes me to the only place I want to be right now. To the place where I am and have always been wholly me, the only church I've ever belonged to, the only place I've ever prayed.
Daisy Whitney (The Mockingbirds (The Mockingbirds, #1))
Words Be careful of words, even the miraculous ones. For the miraculous we do our best, sometimes they swarm like insects and leave not a sting but a kiss. They can be as good as fingers. They can be as trusty as the rock you stick your bottom on. But they can be both daisies and bruises. Yet I am in love with words. They are doves falling out of the ceiling. They are six holy oranges sitting in my lap. They are the trees, the legs of summer, and the sun, its passionate face. Yet often they fail me. I have so much I want to say, so many stories, images, proverbs, etc. But the words aren't good enough, the wrong ones kiss me. Sometimes I fly like an eagle but with the wings of a wren. But I try to take care and be gentle to them. Words and eggs must be handled with care. Once broken they are impossible things to repair.
Anne Sexton (The Complete Poems)
When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you.
Matthew Quick (The Silver Linings Playbook)
Simone said, "Do me a favor. Picture a map of the world." I was not in the mood. She said, "Just picture it." So I did. And she said, "And you're in L.A. You're a blinking light, you with me so far?" And I said, "Sure." "And you know you blink brighter than anybody. You get that, don't you?" And I said, "Sure." Just humoring her. And then she said, "And then in New York today, and London on Thursday and Barcelona next week, there's another blinking light." "And that's you?" I said. She said, "That's me. And no matter where we are, no matter what time of day it is, the world is dark and we are two blinking lights. Flashing at the same time. Neither one of us flashing alone.
Taylor Jenkins Reid (Daisy Jones & The Six)
There’s rosemary, that’s for remembrance; pray, love, remember; and there is pansies, that’s for thoughts... There’s fennel for you, and columbines; there’s rue for you, and here’s some for me; we may call it herb of grace o’ Sundays. O, you must wear your rue with a difference. There’s a daisy. I would give you some violets, but they wither’d all when my father died. They say he made a good end,— [Sings.] “For bonny sweet Robin is all my joy. Thought and afflictions, passion, hell itself, She turns to favor and to prettiness. Song. And will a not come again? And will a not come again? No, no, he is dead; Go to thy deathbed; He never will come again. His beard was as white as snow, Flaxen was his poll. He is gone, he is gone, And we cast away moan. God ’a’ mercy on his soul.
William Shakespeare
When, as happened recently in France, an attempt is made to coerce women out of the burqa rather than creating a situation in which a woman can choose what she wishes to do, it’s not about liberating her, but about unclothing her. It becomes an act of humiliation and cultural imperialism. It’s not about the burqa. It’s about the coercion. Coercing a woman out of a burqa is as bad as coercing her into one. Viewing gender in this way, shorn of social, political and economic context, makes it an issue of identity, a battle of props and costumes. It is what allowed the US government to use western feminist groups as moral cover when it invaded Afghanistan in 2001. Afghan women were (and are) in terrible trouble under the Taliban. But dropping daisy-cutters on them was not going to solve their problems.
Arundhati Roy
Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world
Mary Oliver (New and Selected Poems, Volume One)
Everything that made Daisy burn, made me burn. Everything I loved about the world, Daisy loved about the world. Everything I struggled with, Daisy struggled with. We were two halves. We were the same. In that way you're only the same with a few other people. In that way that you don't even feel like you have to say your own thoughts because you know the other person is already thinking them. How could I be around Daisy Jones and not be mesmerized by her? Not fall in love with her? I couldn't. I just couldn't. But Camila meant more. That's just the deepest truth. My family meant more to me. Camila meant more to me. Maybe, for a little while there, Camila wasn't the person I was the most drawn to. Or... ... ... Maybe Camila wasn't the person I was the most in love with. At that time, I don't know. You can't...maybe she wasn't. But she was always the person I loved the most. She was always the person I would choose. It is Camila, for me. Always. Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive. My family was my water. I picked water. I'll pick water every time. And I wanted Daisy to find her water. Because I couldn't be it (288-289).
Taylor Jenkins Reid (Daisy Jones & The Six)
It’s funny. At first, I think you start getting high to dull your emotions, to escape from them. But after a while you realize that the drugs are what are making your life untenable, they are actually what are heightening every emotion you have. It’s making your heartbreak harder, your good times higher. So coming down really does start to feel like rediscovering sanity. And when you rediscover your sanity, it’s only a matter of time before you start to get an inkling of why you wanted to escape it in the first place.
Taylor Jenkins Reid (Daisy Jones & The Six)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
G.K. Chesterton (Orthodoxy)