Ed Sullivan Quotes

If you do a good job for others, you heal yourself at the same time, because a dose of joy is a spiritual cure. It transcends all barriers.

In the face of adversity, we have a choice. We can be bitter, or we can be better. Those words are my North Star.

I was like Elvis "The Pelvis" Presley on Ed Sullivan, I tells ya, punished for the crime of being sexy. (him on the telly , me in a dingy alley... any analogy will break down under scrutiny.)

Similarly, I did not like to dance or do sports. I did not listen to the Beatles or watch Ed Sullivan on TV. I wasn't interested in fun or popularity back then. I preferred to read about ancient times, distant lands. Knowledge of anything current or faddish made me feel I was just a victim of isolation. If I avoided all that on purpose, I could believe I was in control.

A short, older man stepped up to me, sticking out his hand and saying something I couldn't hear. Thinking, "Now who's this?" I took out one of my ear monitors and said, "Sorry, I couldn't hear you." He spoke again, smiling, "Hello, I'm Charlie Watts." "Oh!" I said, taken aback, "Hello." And I shook his hand. He asked if we were going on soon, and I said yes, any minute, and he said, with a twinkle, "I'm going to watch you!" I suppose if I could have felt more pressured, that might have done it, but I was already at maximum intensity — there was no time to think of Charlie Watts and the Rolling Stones, watching them on The T.A.M.I. Show or "Ed Sullivan" when I was twelve-and-a-half, hearing "Satisfaction" snarling down the midway at Lakeside Park, Gimme Shelter at the cinema in London, listening to Charlie's beautiful solo album, Warm and Tender, so many times late at night in Quebec, or any of the other million times Charlie Watts and his band had been part of my life.

Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their “hands”; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you’ve got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford … and Foghat. You get what I’m saying. It didn’t happen in a vacuum, but it did happen, and now here we are in the aftermath.

Take just one well-known event: The Beatles' 1964 appearance on The Ed Sullivan Show. This has been depicted with astonishing regularity as a pivotal cultural moment; in fact an entire movie -- I Wanna Hold Your Hand -- was built around it. And that Sullivan episode was indeed a major event in popular culture. But did you know that in 1961, 26 million people watched a CBS live broadcast of the first performance of a new symphony by classical composer Aaron Copland? Moreover, with all the attention that sixties rock groups receive, it may come as a surprise to learn that My Fair Lady was Columbia Records' biggest-selling album before the 1970s, beating out those of sixties icons Bob Dylan, Janis Joplin and The Byrds.

[...] I saw the Beatles on The Ed Sullivan Show. As I watched them singing, it hit me: This is my ticket out. Here was the vehicle I could use to rise out of misery, to become famous, to be looked up to, to be liked, to be admired, to be envied.

My life, like that of many an adult with ADD, resembled a juggling act from the old Ed Sullivan show: a man spins plates, each balanced on a stick. He keeps adding more and more sticks and plates, running back and forth frantically between them as each stick, increasingly unsteady, threatens to topple over. He could keep this up only for so long before the sticks tottered and the plates began to shatter, or he himself collapsed. Something has to give, but the ADD personality has trouble letting go of anything. Unlike the juggler, he cannot stop the performance.

On May 15 (local time), 2019, BTS appeared on The Late Show with Stephen Colbert on CBS.i, j In introducing BTS, the television audience was informed that precisely fifty-five years, three months, and six days since the Beatles debuted in America, a new star from overseas had made landing on the same stage. There at the Ed Sullivan Theater where the Beatles had made their American television debut, The Late Show with Stephen Colbert broadcast BTS’s performance of “Boy With Luv” in black-and-white, just like the Beatles’ had been fifty-five years ago. American mainstream media was now directly connecting BTS and ARMY with the Beatles and Beatlemania.

banjo. A plucked, fretted lute where a thin skin diaphragm is stretched over a circular metal frame amplifying the sound of the strings. The instrument is believed to have evolved from various African and African-American prototypes. Four- and 5-stringed versions of the banjo are popular, each associated with specific music genres; the 5-stringed banjo, plucked and strummed with the fingers, is associated with Appalachian, old-time and bluegrass music, while the four-stringed versions (both the “plectrum” banjo, which is an identical 22-fret banjo, just like the 5-string instrument but without the fifth string and played with a plectrum, and the tenor banjo which has fewer frets [17 or 19], a shorter neck, is tuned in fifths and is played with a plectrum) is associated with vaudeville, Dixieland jazz, ragtime and swing, as well as Irish folk and traditional music. The first Irish banjo player to record commercially was James Wheeler, in the U.S. in 1916, for the Columbia label; as part of The Flanagan Brothers duo, Mick Flanagan recorded during the 1920s and 1930s as did others in the various dance bands popular in the U.S. at the time. Neil Nolan, a Boston-based banjo player originally from Prince Edward Island, recorded with Dan Sullivan’s Shamrock Band; the collaboration with Sullivan led to him also being included in the line-up for the Caledonia and Columbia Scotch Bands, alongside Cape Breton fiddlers; these were recorded for 78s in 1928. In the 1930s The Inverness Serenaders also included a banjo player (Paul Aucoin). While the instrument was not widely used in Cape Breton, a few notable players were Packie Haley and Nellie Coakley, who were involved in the Northside Irish tradition of the 1920s and 1930s; Ed MacGillivray played banjo with Tena Campbell; and the Iona area had some banjo players, such as the “Lighthouse” MacLeans. The banjo was well known in Cape Breton’s old-time tradition, especially in the 1960s, but was not really introduced to the Cape Breton fiddle scene until the 1970s when Paul Cranford, a 6-string banjo player, arrived from Toronto. He has since replaced the banjo with fiddle. A few fiddlers have dabbled with the instrument but it has had no major presence within the tradition.

This was the low point of Presley’s career: the bulky jumpsuit and isosceles sideburns era. His colon had expanded so dramatically that it crowded his diaphragm and had begun to compromise his breathing and singing. Beneath the polyester and girth, it was hard to see the man who had performed on the stage of the Ed Sullivan Theater, his moves so loose and frankly sexual that the producers had ordered him filmed from the waist up. Now there was a different reason to do so. “Sometimes right in the middle of the performance, he’d think, ‘I’m passing a little gas,’ and it wouldn’t be gas,” Nichopoulos says quietly. “And he’d have to get off stage and change clothes.

Well, the other candidates are starting to realize what they should have realized, I don’t know, 40, 50 years ago when Ed Sullivan got on the air, is that media is everything, and that these guys don’t understand that a Donald Trump can go out there, know how to play the media and rise through the ranks when two years ago he was supporting Nancy Pelosi.

By March 1965, the core Rolling Stones image was such that they’d been described as ‘crude’ by Ed Sullivan and ‘scum’ by the News of the World.

By 1932 he was a vaudeville headliner. He was on Broadway as part of Earl Carroll’s Vanities when newspaper columnist Ed Sullivan invited him to appear on a radio interview and gossip show. At the time he had no great interest in the new medium, but he went on Sullivan’s quarter-hour show March 19, 1932, as a favor. His first words on the air were these: “Ladies and gentlemen, this is Jack Benny talking. There will be a slight pause while you say, ‘Who cares?’ I am here tonight as a scenario writer. There is quite a lot of money in writing scenarios for the pictures. Well, there would be if I could sell one. That seems to be my only trouble right now, but I’m going back to pictures in about ten weeks. I’m going to be in a new film with Greta Garbo. They sent me the story last week. When the picture opens, I’m found dead in the bathroom.…