Ecstatic Motion Quotes

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Stop acting so small. You are the universe in ecstatic motion.
Jalal ad-Din Muhammad ar-Rumi
You are the universe in ecstatic motion.
Jalal ad-Din Muhammad ar-Rumi
Do not feel lonely, the entire universe is inside you. Stop acting so small. You are the universe in ecstatic motion. Set your life on fire. Seek those who fan your flames.
Jalal ad-Din Muhammad ar-Rumi
We watch a sunlight dust dance, and we try to be that lively, but nobody knows what music those particles hear. Each of us has a secret companion musician to dance to. Unique rhythmic play, a motion in the street we alone know and hear.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Stop acting so small. You are the universe in ecstatic motion.” Rumi
Rhonda Byrne (The Greatest Secret)
You are the Universe in Ecstatic Motion
Jalal ad-Din Muhammad ar-Rumi
Every time you come to the limit of what is demanded of you, you are faced with the same problem - to be yourself! And with the first step you make in this direction you realize that there is neither plus nor minus; you throw the skates away and swim. There is no suffering any more because there is nothing which can threaten your security. And there is no desire to be of help to others even, because why rob them of a privilege which must be earned? Life stretches out from moment to moment in stupendous infinitude. Nothing can be more real than what you suppose it to be. Whatever you think the cosmos to be it is and it could not possibly be anything else as long as you are you and I am I. You live in the fruits of your action and your action is the harvest of your thought. Thought and action are one, because swimming you are in it and of it, and it is everything you desire it to be, no more, no less. Every stroke counts for eternity. The heating and cooling system is one system, and Cancer is separated from Capricorn only by an imaginary line. You don't become ecstatic and you are not plunged into violent grief; you don't pray for rain, neither do you dance a jig. You live like a happy rock in the midst of the ocean: you are fixed while everything about you is in turbulent motion. You are fixed in a reality which permits the thought that nothing is fixed, that even the happiest and mightiest rock will one day be utterly dissolved and fluid as the ocean from which it was born.
Henry Miller (Tropic of Capricorn (Tropic, #2))
He was everyone and every living creature in one ecstatic motion.
Soroosh Shahrivar (The Rise of Shams)
Stop acting so small. You are the universe in ecstatic motion.”  ― Rumi
Alayna Miller (A Collection of Rumi: Quotes and Poetry)
Beginning my studies the first step pleas'd me so much, The mere fact consciousness, these forms, the power of motion, The least insect or animal, the senses, eyesight, love, The first step I say awed me and pleas'd me so much, I have hardly gone and hardly wish'd to go any farther, But stop and loiter all the time to sing it in ecstatic songs.
Walt Whitman (Leaves of Grass)
the shock of the water—there is nothing like it on land. The cool clear liquid flowing over every inch of your skin. The temporary reprieve from gravity. The miracle of your own buoyancy as you glide, unhindered, across the glossy blue surface of the pool. It’s just like flying. The pure pleasure of being in motion. The dissipation of all want. I’m free. You are suddenly aloft. Adrift. Ecstatic. Euphoric. In a rapturous and trancelike state of bliss. And if you swim for long enough you no longer know where your own body ends and the water begins and there is no boundary between you and the world. It’s nirvana.
Julie Otsuka (The Swimmers)
In one swift motion she’s out of his arms twirling about. Startled and then ecstatic, she feels lighter than air, laughing in spite of herself. Light hearted, she keeps spinning feeling the stress and pain strip away from her. She was surprised by how confident she felt. How alive.
Solange nicole (My Beloved Tourniquet (Beloved Series, #1))
2:130 WHAT TO BEGIN NEXT I can't decide what work, what study, to being next, among the several possible. If there is no spirit, no soul, no divine dimension or value, then whatever we do is just killing time, meaningless and idle. On the other hand, if God and the mystery of spirit overlap with this time and place in simultaneous layering, then anything we work on performs eternity and is the very motion of mystery. Each gesture and word and idea appears in this moment's presence and in the other as well. This is a great truth of being. Whether a particular actions leads toward a future heaven or hell is not worth considering. Even when you will die is not important. Eternity creates itself at this point. This moment is where you grow nearer and nearer God. Time and the infinite curl together in every nick, touch, taw, tine, and root fiber. Here and now is where you can be shown the miracle of what continuously occurs.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
The massage session ended with both of us soaked, covered in glittery dripping oil. I felt like a Greek salad sloppily drenched in extra virgin. But James was not going to stop. The kisses came thick and fast. And extra massages. “Lie back, wench,” he said. I lay back and stared up at him and above his head at the striped white and blue awning, which was rippling under the pounding impact of the rain. I’d almost forgotten about the rain, though it was coming down heavier than ever, a glittering silver wall, just a few feet away from us. James had decided that the most intimate p[art of my delicate self needed a delicate multi-facetted many-sided feathery back and forth up and down and sideways type of ecstatic slow-and-fast motion massage and which involved his index finger and his little finger and the palm of his hand and then his tongue, so and it began to build, and build … “You are being quite intimate, Master,” I gulped, trying to put on a dignified face and control my panting, the deepening huski¬ness of my voice, and the flood of saliva that had filled my mouth and was dribbling out of one corner. I think, given the circum¬stances, that I did quite a good job. “Really?” he glanced up at me, and then disappeared between my legs, back to work, his tongue darting, hither and thither, truly a busy little bee, harvesting honey here, there, and everywhere. “Really …” I sobbed, in a choked desperate voice, “Very ex¬tremely intimate, oh, oh, oh ... Master, Master, Pity, Master …
Gwendoline Clermont (Gwendoline Goes To School)
Keep in mind the rewards ahead. Workouts provide awesome internal rewards; after a long dance practice or gym workout I always have more energy and a clearer mind, and I’m able to focus on things I need to get done. But we all know it’s hard to remember that great feeling when you’re headed off to the gym, dreading the work ahead. Conjuring that ecstatic state of mind you know you’ll find later can be a tremendous motivator. If you prefer external rewards, motivate yourself with baby steps every day to hit a bigger long-term goal--one with a luxurious reward as your prize. Once you’ve reached it, allow yourself to follow through with whatever reward it was that motivated you, whether it’s a great glass of wine or a Sunday movie marathon.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Then, on a left-hand curve 2.8 kilometres from the finish line, Marco delivers another cutting acceleration. Tonkov is immediately out of the saddle. The gap reaches two lengths. Tonkov fights his way back and is on Marco’s wheel when Marco, who is still standing on the pedals, accelerates again. Suddenly Tonkov is no longer there. Afterwards Tonkov would say he could no longer feel his hands and feet. ‘I had to stop. I lost his slipstream. I couldn’t go on.’ Marco told Romano Cenni he could taste blood. His performance on Montecampione was close to self-mutilation. Seven hundred metres from the finish line, the TV camera on the inside of the final right-hand bend, looking down the hill, picks Marco up over two hundred metres from the line and follows him for fifty metres, a fifteen-second close-up, grainy, pallid in the late-afternoon light. A car and motorbike, diffused and ghostlike, pass between the camera and Marco, emerging out of the gloom. The image cuts to another camera, tight on him as he swings round into the finishing straight, a five-second flash before the live, wide shot of the stage finish: Marco, framed between ecstatic fans on either side, and the finish-line scaffolding adorned with race sponsors‘ logos; largest, and centrally, the Gazzetta dello Sport, surrounded by branding for iced tea, shower gel, telephone services. Then we see it again in the super-slow-motion replay; the five seconds between the moment Marco appeared in the closing straight and the moment he crossed the finish line are extruded to fifteen strung-out seconds. The image frames his head and little else, revealing details invisible in real time and at standard resolution: a drop of sweat that falls from his chin as he makes the bend, the gaping jaw and crumpled forehead and lines beneath the eyes that deepen as Marco wrings still more speed from the mountain. As he rides towards victory in the Giro d‘Italia, Marco pushes himself so deeply into the pain of physical exertion that the gaucheness he has always shown before the camera dissolves, and — this must be the instant he crosses the line — he begins to rise out of his agony. The torso lifts to vertical, the arms spread out into a crucifix position, the eyelids descend, and Marco‘s face, altered by the darkness he has seen in his apnoea, lifts towards the light.
Matt Rendell
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
Beginning my studies the first step pleas'd me so much, The mere fact consciousness, these forms, the power of motion, The least insect or animal, the senses, eyesight, love, The first step I say awed me and pleas'd me so much, I have hardly gone and hardly wish'd to go any farther, But stop and loiter all the time to sing it in ecstatic songs.
Edward Hirsch (How To Read A Poem: And Fall in Love with Poetry (Harvest Book))
If we have been baptized into the Catholic faith as infants and have spent our Sundays attending Mass, perhaps we have missed what many converts are so ecstatic about. We are prone to a certain “house-blindness,” going through the motions of the Faith without bothering to scratch the surface. But for those who are brave enough to venture farther than surface-skimming, an entirely new chapter of their lives begins to unfold when the true reality before us is realized: The same Jesus we read about in the Bible, hear about in the readings of Mass, and watch movies about (if they are trendy enough) is the very same Jesus we receive and adore in the Most Blessed Sacrament. Body,
Paul Thigpen (Manual for Eucharistic Adoration)
Stop acting so small. You are the universe in ecstatic motion.
Rumi (Rumi, the Persian poet: The greatest of mediaeval poets who speaks to us through the centuries (Poets of the Middle East))
A pattern of melody faintly traced itself upon the silence...Pongileoni's blowing and the scraping of the anonymous fiddlers had shaken the air in the great hall, had set the glass of the windows looking on to it vibrating; and this in turn had shaken the air in Lord Edward's apartment on the further side. The shaking air rattled Lord Edward's membrana tympani; the interlocked malleus, incus and stirrup bones were set in motion so as to agitate the membrane of the oval window and raise an infinitesimal storm in the fluid of the labyrinth. The hairy endings of the auditory nerve shuddered like weeds in a rough sea; a vast number of obscure miracles were performed in the brain, and Lord Edward ecstatically whispered, Bach!
Aldous Huxley (Point Counter Point)
All nature is a series of orderly tonal periodicities of the One force, assembled into the complex idea of thinking Mind, and registered in light, or matter, or energy in interchanging potentials, all of which are variable, yet comprehensible and measurable states of motion of the One substance. All dimension is an illusion, an appearance, due to rising potential, which must disappear into its inevitable sequence of lowering potential, and again appear in endless cycles of appearance, disappearance and reappearance. Ecstatic man is he who can think in those high octaves of the inner Mind which has been termed “spirit.” Ecstatic man is inspired man of universal genius, of inner thinking. Inspired man is he to come whose thinking will be from within, in light, and it will be an ecstasy of thinking which will produce enduring things. That work which is created in ecstasy of inner thinking can alone endure. To think in light is not a new power being developed by evolving man. It is a power which is now within him awaiting only his knowledge of the use of that power. It is merely the recognition by man of his absolute control of the many dimensions of the universal constant of energy which constitutes the thinking process of Mind exactly as he can control the changing speeds of his motor car.
Walter Russell (The Universal One)
Stop acting so small. You are the universe in ecstatic motion
Rumi