Ecstasy Best Quotes

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It's freezing up here. What did you use to keep warm?" "Indignation," said Michelangelo. "Best fuel I know. Never burns out.
Irving Stone (The Agony and the Ecstasy)
I remember a period in late adolescence when my mind would make itself drunk with images of adventurousness. This is how it will be when I grow up. I shall go there, do this, discover that, love her, and then her and her and her. I shall live as people in novels live and have lived. Which ones I was not sure, only that passion and danger, ecstasy and despair (but then more ecstasy) would be in attendance. However...who said that thing about "the littleness of life that art exaggerates"? There was a moment in my late twenties when I admitted that my adventurousness had long since petered out. I would never do those things adolescence had dreamt about. Instead, I mowed my lawn, I took holidays, I had my life. But time...how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but we were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.
Julian Barnes (The Sense of an Ending)
Don't make the body do what the spirit does best, and don't put a big load on the spirit that the body could easily carry.
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
Dude!” Percy stuffed a cookie in his mouth. His eyes rolled up in ecstasy. “Apollo, you’re the best. I take back almost everything I’ve said about you.” “It’s quite all right,” I assured him. “Wait…what do you mean almost?
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
The best measure of a spiritual life is not its ecstasies but its obedience.
Oswald Chambers
I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
Sacrifice is the ecstasy of giving the best we have to the One we love most.
J. Oswald Sanders
Love? Love is about an unquenchable hunger, a passion so powerful it cannot be ignored. In the face of love,” he spoke softly, “all resistance is futile. Sex is momentary, ephemeral ecstasy at best without love. No one with a good opinion of themselves would trade sex by itself if they could have the true geld .. love with a worthy lover. It alters lives, and even the barest slice of true love … a moment, an evening, a day’s worth, can become a treasure to be pulled from the memory and ignite those feelings again many years after it has passed. It is the most powerful of all compulsions." Das
William C. Samples (Fe Fi FOE Comes)
The best gift you can bring into any romantic relationship is your ability to create a shared path to ecstasy.
Lebo Grand
Indignation. Best fuel I know. Never burns out.
Irving Stone (The Agony and the Ecstasy)
At lilac evening I walked with every muscle aching among the lights of 27th and Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ecstasy for me, not enough life, joy, kicks, darkness, music, not enough night... I wished I were a Denver Mexican, or even a poor overworked Jap, anything but what I was so drearily, a "white man" disillusioned. All my life I'd had white ambitions; that was why I'd abandoned a good woman like Terry in the San Joaquin Valley I passed the dark porches of Mexican and Negro homes.
Jack Kerouac (On the Road)
In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a phantasmagoria of macabre shadow-studies; now glittering and leering with concealed rottenness as in Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Dore. He would often regard it as merciful that most persons of high Intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humour ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.
H.P. Lovecraft (The Call of Cthulhu & Other Weird Stories (20th-Century Classics))
Life was not a valuable gift, but death was. Life was a fever-dream made up of joys embittered by sorrows, pleasure poisoned by pain; a dream that was a nightmare-confusion of spasmodic and fleeting delights, ecstasies, exultations, happinesses, interspersed with long-drawn miseries, griefs, perils, horrors, disappointments, defeats,humiliations, and despairs--the heaviest curse devisable by divine ingenuity; but death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man's best friend; when man could endure life no longer, death came and set him free.
Mark Twain (Letters from the Earth: Uncensored Writings)
At lilac evening I walked with every muscle aching among the lights of 27th and Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ecstasy for me, not enough life, joy, kicks, darkness, music, not enough night.
Jack Kerouac
The Hill Breathless, we flung us on the windy hill, Laughed in the sun, and kissed the lovely grass. You said, "Through glory and ecstasy we pass; Wind, sun, and earth remain, the birds sing still, When we are old, are old..." "And when we die All's over that is ours; and life burns on Through other lovers, other lips," said I, —"Heart of my heart, our heaven is now, is won!" "We are Earth's best, that learnt her lesson here. Life is our cry. We have kept the faith!" we said; "We shall go down with unreluctant tread Rose-crowned into the darkness!"... Proud we were, And laughed, that had such brave true things to say. —And then you suddenly cried, and turned away.
Rupert Brooke (The Complete Poems)
I do nothing, with as little shame as satisfaction. It is the state that suits me best. I write the odd poem when it is there, that is the only thing worth doing. There is an ecstasy of accidia — will-less in a grey tumult of idées obscures. There is an end to the temptation of light, its polite scorchings & consolations. It is good for children & insects. There is an end of making up one's mind, like a pound of tea, an end of patting the butter of consciousness into opinions. The real consciousness is the chaos, a grey commotion of mind, with no premises or conclusions or problems or solutions or cases or judgments.
Samuel Beckett (The Letters of Samuel Beckett: Volume 1, 1929-1940)
I want to give you the best hgh, Zara. Better than those little pills you've been doing." He places the needle over my vein. "This is the real thing, Za.
K.V. Rose (Ecstasy (Ecstasy, #1))
The best gift you can bring into any romantic relationship is your ability to find, or better yet, create a shared path to ecstasy.
Lebo Grand
Security. Was it just a word? If not, then was it only by the sacrifice of other things, happiness, love, or some wild ecstasy that she had never known, that it could be obtained? And did too much driving, too much faith in safety and permanence, unfit one for these other things? Irene didn't know, couldn't decide, though for a long time she sat questioning and trying to understand. Yet all the while, in spite of her searchings and feelings of frustration, she was aware that, to her, security was the most important and desired thing in life. Not for any of the others, or for all of them, would she exchange it. She wanted only to be tranquil. Only, unmolested, to be allowed to direct for their own best good the lives of her sons and her husband.
Nella Larsen (Passing)
We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too. Because we’re afraid of being fragile. Of being damaged. That’s what makes us kindred spirits, Rory—our bruises.
Barbara Davis (The Keeper of Happy Endings)
Love is best when mixed with anguish. In our town, we won't call you a Lover if you escape the pain. Look for Love in this way, welcome it to your soul, and watch your spirit fly away in ecstasy.
Jalal ad-Din Muhammad ar-Rumi
Feeling your body beneath me was the closest to heaven that I shall ever come.” He spoke not in a whisper but on an intimate level, his voice rolling like the caress of dark velvet. “Your skin, your mouth, your body, your sweet, sweet moans, and your blood… I want them all. I want quite a bit more, actually. So you best prepare yourself, my lady. Since I’m already damned, I aim to have all of you. I want to see that look of ecstasy on your face over and over again when I’m buried deep inside you and you’re screaming my name.
Juliette Cross (The Red Lily (Vampire Blood, #2))
When I had no books and had to learn everything I needed off by heart, and when I had to hide what books I had, I promised myself a library filled with the best editions I could afford. I have it now. Books bought out of books. A red room with deep chairs and a fireplace lit. Books of every kind, but no paperbacks, and certain shelves where First Editions are. This is not my study, where there are plenty of paperbacks, it is a contemplative island cut off from busyness, set outside of time.
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
Hap If but some vengeful god would call to me From up the sky, and laugh: “Thou suffering thing, Know that thy sorrow is my ecstasy, That thy love's loss is my hate's profiting!” Then would I bear it, clench myself, and die, Steeled by the sense of ire unmerited; Half-eased in that a Powerfuller than I Had willed and meted me the tears I shed. But not so. How arrives it joy lies slain, And why unblooms the best hope ever sown? —Crass Casualty obstructs the sun and rain, And dicing Time for gladness casts a moan. . . . These purblind Doomsters had as readily strown Blisses about my pilgrimage as pain.
Thomas Hardy (Wessex Poems)
As the arrangements of life no longer allow time for pleasure conscious of itself, replacing it by the performance of physiological functions, de-inhibited sex is itself de-sexualized. Really, they no longer want ecstasy at all, but merely compensation for an outlay that, best of all, they would like to save as superfluous.
Theodor W. Adorno
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it... ...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
Andrea Dworkin (Mercy)
I strongly believe that the best partnerships aren't necessarily dependent on a mere common goal or religious belief but on a shared path to ecstasy.
Lebo Grand
A beautiful life is not a place at which you arrive, but the experience you create moment by moment.
Lebo Grand
What you went through and what you may still be going through is nothing compared to the dreams of ecstasy that are about to be fulfilled in your life as you learn how to get more and more in touch with your sensuality.
Lebo Grand
What you went through and what you may still be going through right now is nothing compared to the dreams of ecstasy that are about to be fulfilled in your life as you learn how to get more and more in touch with your sensuality.
Lebo Grand
...his consuming interest remains in the world of men, their institutions, their history, their passions. And because he is interested in men, nothing that men do can be altogether tedious...He will naturally be interested in the events that engage men’s ultimate beliefs, their moments of tragedy and grandeur and ecstasy. But he will also be fascinated by the commonplace, the everyday. He will know reverence, but this reverence will not prevent him from wanting to see and to understand. He may sometimes feel revulsion or contempt , but this will also not deter him from wanting to have his questions answered. ...in his quest for understanding, moves through the world of men without respect for the usual lines of demarcation. Nobility ad degradation, power and obscurity, intelligence and folly -- these are equally interesting to him, however unequal they may be in his personal values or tastes. This his questions may lead him to all possible levels of society, the best and least known places, the most respected and the most despised. ...he will find himself in all these places because his own questions have so taken possession of him that he has little choice but to seek for answers.
Peter L. Berger
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
Finally, gentlemen, there are people with an hereditary animus against private property. You may call this phenomenon degeneracy. But I tell you that you cannot entice a true thief, and thief by vocation, into the prose of honest vegetation by any gingerbread reward, or by the offer of a secure position, or by the gift of money, or by a woman's love: because there is here a permanent beauty of risk, a fascinating abyss of danger, the delightful sinking of the heart, the impetuous pulsation of life, the ecstasy!
Thomas Seltzer (Best Russian Short Stories)
At lilac evening I walked with every muscle aching among the lights of 27th and Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ecstasy for me, not enough life, joy, kicks, darkness, music, not enough night.
Kerouac, Jack (On the Road)
tumbled into love, into ecstasy and trust, joy and peace without horizon, without time, beyond words. We turned our backs on the world to invent and build our own. We thrilled each other with pretended violence, and we cosseted and babied each other too, gave each other nicknames, had a private language. We were beyond embarrassment. We gave and received and permitted everything. We were heroic. We believed we stood on a summit no one else, not in life, not in all poetry, had ever climbed. Our love was so fine and grand, it seemed to us a universal principle. It was a system of ethics, a means of relating to others that was so fundamental that the world had overlooked it somehow. When we lay on the narrow bed face to face, looked deep into each other’s eyes and talked, we brought our selves into being. She took my hands and kissed them and for the first time in my life I wasn’t ashamed of them. Our families, which we described to each other in detail, at last made sense to us. We loved them urgently, despite all the difficulties of the past. Same with our best, most important friends. We could redeem everyone we knew. Our love was for the good of the world. Trudy and I had never talked or listened with such attention. Our lovemaking was an extension of our talking, our talking of our lovemaking.
Ian McEwan (Nutshell)
He did not come floating off the mountain as though walking on air. He did not run down shouting “Hallelujah” and “Bless the Lord.” He did not radiate light and joy. There were no choirs of angels, no music of the heavens. No elation, no ecstasy, no golden aura surrounding him. No sense of his absolute, foreordained, unquestionable role as the messenger of God. Not even the whole of the Quran fully revealed, but only a few brief verses. In short, Muhammad did none of the things that might seem essential to the legend of a man who had just done the impossible and crossed the border between this world and another—none of the things that might make it easy to cry foul, to denigrate the whole story as an invention, a cover for something as mundane as delusion or personal ambition. On the contrary: he was convinced that what he had encountered could not be real. At best it must be a hallucination: a trick of the eye or the ear, or his own mind working against him. At worst, possession, and he had been seized by an evil jinn, a spirit out to deceive him, even to crush the life out of him. In fact he was so sure that he could only be majnun, literally possessed by a jinn, that when he found himself still alive, his first instinct had been to finish the job himself, to leap off the highest cliff and escape the terror of what he had experienced by putting an end to all experience.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
Anyone who could have seen her in front of the mirror, in ecstasy over her own regal gestures, would have had reason to think that she was mad. But she was not. She had simply turned the royal regalia into a device for her memory. The first time she put it on she could not help a knot from forming in her heart and her eyes filling with tears because at that moment she smelled once more the odor of shoe polish on the boots of the officer who came to get her at her house to make her a queen, and her soul brightened with the nostalgia of her lost dreams. She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst, and only then did she discover how much she missed the whiff of oregano on the porch and the smell of roses at dusk, and even the bestial nature of the parvenus. Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia.
Gabriel García Márquez (The Adventures of Tom Sawyer)
…she made a poem on it at once, the lines singing themselves through her consciousness without effort. With one side of her nature she liked writing prose best– with the other she liked writing poetry. This side was uppermost tonight and her very thoughts ran into rhyme. A great, pulsating star hung low in the sky over Indian Head. Emily gazed on it and recalled Teddy’s old fancy of his previous existence on a star. The idea seized on her imagination and she spun a dream life, lived on some happy planet circling around that mighty, far-off sun. Then came the northern lights–drifts of pale fire over the sky– spears of light, as of empyrean armies– pale, elusive hosts retreating and advancing. Emily lay and watched them in rapture. Her soul was washed pure in that great bath of splendour…Such moments come rarely into any life, but when they do come they are inexpressibly wonderful– as if the finite were for a second infinity– as if humanity were for a space uplifted into divinity– as if all ugliness had vanished, leaving only flawless beauty. Oh–beauty–Emily shivered with the pure ecstasy of it. She loved it– it filled her being tonight as never before. She was afraid to move or breathe lest she break the current of beauty that was flowing through her…”Oh, God, make me worthy of it– oh, make me worthy of it,” she prayed. Could she ever be worthy of such a message– could she dare try to carry some of the loveliness of that “dialogue divine” back to the everyday world of sordid market-place and clamorous street? She must give it– she could not keep it to herself. Would the world listen– understand– feel?…
L.M. Montgomery
I think it’s only fair to tell you that I might also be possessive.” She looked down at the soft black comforter and rubbed it between her fingers. Dreading the main part of the confession, she figured it best just to get it over with. She blew out a breath. He waited, watching her with narrowed eyes. “Okay, I’m afraid if we do this and you ever get bored… and you tried to seek other lovers, I would most likely… level something. Probably you.” She hated how insecure that made her sound, but she had agreed to be honest. To her surprise, he barked out a laugh,
Setta Jay (Ecstasy Unbound (Guardians of the Realms, #1))
Pleasure Principles What you pay attention to grows. This will be familiar to those who have read Emergent Strategy. Actually, all the emergent strategy principles also apply here! (Insert eggplant emoji). Tune into happiness, what satisfies you, what brings you joy. We become what we practice. I learned this through studying somatics! In his book The Leadership Dojo, Richard Strozzi-Heckler shares that “300 repetitions produce body memory … [and] 3,000 repetitions creates embodiment.”12 Yes is the way. When it was time to move to Detroit, when it was time to leave my last job, when it was time to pick up a meditation practice, time to swim, time to eat healthier, I knew because it gave me pleasure when I made and lived into the decision. Now I am letting that guide my choices for how I organize and for what I am aiming toward with my work—pleasure in the processes of my existence and states of my being. Yes is a future. When I feel pleasure, I know I am on the right track. Puerto Rican pleasure elder Idelisse Malave shared with me that her pleasure principle is “If it pleases me, I will.” When I am happy, it is good for the world.13 The deepest pleasure comes from riding the line between commitment and detachment.14 Commit yourself fully to the process, the journey, to bringing the best you can bring. Detach yourself from ego and outcomes. Make justice and liberation feel good. Your no makes the way for your yes. Boundaries create the container within which your yes is authentic. Being able to say no makes yes a choice. Moderation is key.15 The idea is not to be in a heady state of ecstasy at all times, but rather to learn how to sense when something is good for you, to be able to feel what enough is. Related: pleasure is not money. Pleasure is not even related to money, at least not in a positive way. Having resources to buy unlimited amounts of pleasure leads to excess, and excess totally destroys the spiritual experience of pleasure.
Adrienne Maree Brown (Pleasure Activism: The Politics of Feeling Good (Emergent Strategy))
THE SIMPLE UNION Listen to me, O friend. Be thou a yogi, a monk, a priest, A devout lover of God, A pilgrim searching for Happiness, Bathing in holy rivers, Visiting sacred shrines, The occasional worshipper of a day, A great reader of books, Or a builder of many temples - My love aches for thee. I know the way to the heart of the Beloved. This vain struggle, This long toil, This ceaseless sorrow, This changing pleasure, This burning doubt, This burden of life, All these will cease, O friend - My love aches for thee. I know the way to the heart of the Beloved. Have I pilgrimage the earth, Have I loved the reflections, Have I chanted, singing in ecstasy, Have I donned the robe, Have I put on ashes, Have I listened to the temple bells, Have I grown old with study, Have I searched, Was I lost? Yea, much have I known - My love aches for thee. I know the way to the heart of the Beloved, O friend, Wouldst thou love the reflection, If I can give thee the reality? Throw away thy bells, thine incense, Thy fears and thy gods, Set aside thy systems, thy philosophies. Come, Put aside all these. I know the way to the heart of the Beloved. O friend, The simple union is the best. This is the way to the heart of the Beloved.
Anonymous
Life was not a valuable gift, but death was. Life was a fever-dream made up of joys embittered by sorrows, pleasure poisoned by pain; a dream that was a nightmare-confusion of spasmodic and fleeting delights, ecstasies, exultations, happinesses, interspersed with long-drawn miseries, griefs, perils, horrors, disappointments, defeats, humiliations, and despairs--the heaviest curse devisable by divine ingenuity; but death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man's best friend; when man could endure life no longer, death came and set him free. In time, the Deity perceived that death was a mistake; a mistake, in that it was insufficient; insufficient, for the reason that while it was an admirable agent for the inflicting of misery upon the survivor, it allowed the dead person himself to escape from all further persecution in the blessed refuge of the grave. This was not satisfactory. A way must be conceived to pursue the dead beyond the tomb. The Deity pondered this matter during four thousand years unsuccessfully, but as soon as he came down to earth and became a Christian his mind cleared and he knew what to do. He invented hell, and proclaimed it.
Mark Twain (Letters from the Earth)
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out—My God, why dost thou shame me? Hopelessly ascendant in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Steady, firm hands glide up my legs, resting just under my ass cheeks. Then he kisses me where I want it---where I need it most. My jaw plummets to the floor. It happens completely involuntarily, like a reflex triggered by ecstasy. His tongue works slowly, steadily, in the most divinely torturous rhythm. I tug his hair tighter as the ache of pleasure flashes all along my thighs, up my stomach and my chest, all the way to my neck. "Max, holy..." I trail off as his tongue swirls faster. Even in my limited dating experience and the few serious relationships I've had, I've always appreciated a guy who knows what to do with his mouth. But Max is head and shoulders above what I've experienced. He's clearly done this before. A LOT. He hums against me and my knees buckle. I tug him by the hair to look at me. "This feels incredible, but I'm not gonna be able to stand like this for much longer." The smug smile he flashes up at me makes my heart flutter right in my chest. Whoa. I didn't think that sort of thing actually happened. I was wrong. "Let's try this," he says. With his hands on my hips, he helps me onto his bed, then slides me up so my head is nestled against his pillows. He settles on his knees, between my legs. "Better?" I grin and nod, and then he picks up where he left off until I'm panting and my legs are shaking once more. The pleasure builds higher until my chest feels like it's going to explode. When I finally burst, I shake and shudder, I pant and moan. I attempt to count the seconds as a way to keep the time, but it's too much for my pleasure-riddled brain. I'm shattered in the best way, utterly annihilated by ecstasy.
Sarah Echavarre Smith (The Boy With the Bookstore)
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The best partnerships aren't dependent on a mere common goal but on a shared path to ecstasy. Hence sensual love is the best partnership two people can ever have.
Lebo Grand
flooding in, the main.   And not by eastern windows only, When daylight comes, comes in the light; In front the sun climbs slow, how slowly! But westward, look, the land is bright! Barter By Sara Teasdale (1884-1933)   Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder like a cup.   Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night.   Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.
Rudolph Amsel (The Best of Poetry: Thoughts that Breathe and Words that Burn: In Two Hundred Poems)
Do in after life the freshness and light-heartedness, the craving for love and for strength of faith, ever return which we experience in our childhood’s years? What better time is there in our lives than when the two best of virtues — innocent gaiety and a boundless yearning for affection — are our sole objects of pursuit? Where now are our ardent prayers? Where now are our best gifts — the pure tears of emotion which a guardian angel dries with a smile as he sheds upon us lovely dreams of ineffable childish joy? Can it be that life has left such heavy traces upon one’s heart that those tears and ecstasies are for ever vanished? Can it be that there remains to us only the recollection of them?
Leo Tolstoy (Delphi Complete Works of Leo Tolstoy)
We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too. Because we’re afraid of being fragile. Of being damaged. That’s what makes us kindred spirits, Rory—our bruises.” A chill crept up the back of Rory’s neck. Coming from anyone else, the words might have seemed ridiculous, the kind of woo-woo stuff one might hear from a palm reader at the fair. But she’d felt it too, hadn’t she? The eerie overlap of Soline’s story with her own. “It’s
Barbara Davis (The Keeper of Happy Endings)
. . . You and Jules are like the best couple ever. You make single people want to kill themselves.” Max perked up a bit. “We do?” “Fuck yeah. I’ve never seen you happier, and I once saw you pat a dolphin while you were on ecstasy.
Eve Dangerfield (Open Hearts (Bennett Sisters #2))
In the photograph, something of the dead remains, even as in taking the photograph, the subject’s death is foreshadowed. Photography, according to these accounts, is a relic, a remnant of the subject through which it is present to the world even after destruction (in the case of inanimate physical objects) or death (in the case of living creatures); the photograph is the best of all possible fetishes.
Amy Hollywood (Sensible Ecstasy: Mysticism, Sexual Difference, and the Demands of History)
We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too.
Barbara Davis (The Keeper of Happy Endings)
There is in Dutch birth participants a deep-seated conviction that the woman’s body knows best and that, given enough time, nature knows best and that, given enough time, nature will take its course.”2 When I visited Japan, I found similar attitudes among the women and midwives with whom I spoke. “Birth is natural,” several said. “I would be afraid of an earthquake, but not of having a baby without anesthesia. That’s just the work that women do. Besides, if you take anesthesia, you miss the ecstasy. You miss the euphoria.
Ina May Gaskin (Ina May's Guide to Childbirth: Updated With New Material)
The right to sing is an absolute, regardless of how it sounds to the outside world. We sing because we must. We sing because it fills our lungs with nourishing air, and lets our hearts soar with the notes we let out. We sing because it allows us to speak of love and loss, delight and desire, all encoded in lyrics that let us pretend that those feelings are not quite ours. In song, we have permission to rehearse all our heartbreaks, all our lusts. In song, we can console our children while they are still too young to judge our rusty voices, and we can find shortcuts to ecstasy while performing the mundane duty of a daily shower or scrubbing down the kitchen after yet another meal. Best of all, we can sing together, whole families knowing the same songs and giving them the same meaning.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
I imagined nothing more than having my hard dick pounding in and out of her, listening to her moans as my cock filled her. My hands on her hips as I forced her to take my full length to the point where she screamed out in ecstasy and had the best orgasm of her life. I’d massage her tits, caressing them, tweaking her nipples, giving her all I could to make her climax repeatedly.
Holly J. Gill (Solace)
Men need to have dreams that are worth women's life force otherwise they are robbing women of their full sensual expression.
Lebo Grand
A woman's sensuality has little to no value without a man's dreams.
Lebo Grand
Different Dissatisfactions. — The feeble and as it were feminine dissatisfied people have ingenuity for beautifying and deepening life; the strong dissatisfied people — the masculine persons among them, to continue the metaphor — have the ingenuity for improving and safeguarding life. The former show their weakness and feminine character by willingly letting themselves be temporarily deceived, and perhaps even by putting up with a little ecstasy and enthusiasm on a time, but on the whole they are never to be satisfied, and suffer from the incurability of their dissatisfaction; moreover they are the patrons of all those who manage to concoct opiate and narcotic comforts, and just on that account averse to those who value the physician higher than the priest, — they thereby encourage the continuance of actual distress! If there had not been a surplus of dissatisfied persons of this kind in Europe since the time of the Middle Ages, the remarkable capacity of Europeans for constant transformation would perhaps not have originated at all; for the claims of the strong dissatisfied persons are too gross, and really too modest to resist being finally quieted down. China is an instance of a country in which dissatisfaction on a grand scale and the capacity for transformation have died out for many centuries; and the Socialists and state-idolaters of Europe could easily bring things to Chinese conditions and to a Chinese 'happiness,' with their measures for the amelioration and security of life, provided that they could first of all root out the sicklier, tenderer, more feminine dissatisfaction and Romanticism which are still very abundant among us. Europe is an invalid who owes her best thanks to her incurability and the eternal transformations of her sufferings; these constant new situations, these equally constant new dangers, pains, and make-shifts, have at last generated an intellectual sensitiveness which is almost equal to genius, and is in any case the mother of all genius.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
Different Dissatisfactions. — The feeble and as it were feminine dissatisfied people have ingenuity for beautifying and deepening life; the strong dissatisfied people — the masculine persons among them, to continue the metaphor—have the ingenuity for improving and safeguarding life. The former show their weakness and feminine character by willingly letting themselves be temporarily deceived, and perhaps even by putting up with a little ecstasy and enthusiasm on a time, but on the whole they are never to be satisfied, and suffer from the incurability of their dissatisfaction; moreover they are the patrons of all those who manage to concoct opiate and narcotic comforts, and just on that account averse to those who value the physician higher than the priest, — they thereby encourage the continuance of actual distress! If there had not been a surplus of dissatisfied persons of this kind in Europe since the time of the Middle Ages, the remarkable capacity of Europeans for constant transformation would perhaps not have originated at all; for the claims of the strong dissatisfied persons are too gross, and really too modest to resist being finally quieted down. China is an instance of a country in which dissatisfaction on a grand scale and the capacity for transformation have died out for many centuries; and the Socialists and state-idolaters of Europe could easily bring things to Chinese conditions and to a Chinese 'happiness,' with their measures for the amelioration and security of life, provided that they could first of all root out the sicklier, tenderer, more feminine dissatisfaction and Romanticism which are still very abundant among us. Europe is an invalid who owes her best thanks to her incurability and the eternal transformations of her sufferings; these constant new situations, these equally constant new dangers, pains, and make-shifts, have at last generated an intellectual sensitiveness which is almost equal to genius, and is in any case the mother of all genius.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
will care for you,” that silken, deep voice promised. “I will see you through this.” Isn’t real, isn’t real, isn’t real, Kira continued to chant in her mind. Nothing this intense could be real. And through the exploding sounds of the engines, the vibrations from the floor, that rush of pain and bliss ebbing and cresting within her, the liquid ecstasy streaming down her throat, and the shocks she felt each time Mencheres touched her, she heard his voice again. “Forgive me.” Mencheres watched Kira’s face as he lay next to her in bed. She hadn’t stirred since dawn. The first rays of sunlight had caused her to fall deeply asleep, as it did to all new vampires. Her sleeping made it easier during their time in the human-laden areas, such as the private airport his plane landed in and the cars alongside him on the drive to his house in Jackson Hole, Wyoming. Mencheres had chosen this location with care. His nearest neighbors were at least a mile away in every direction, and Gorgon had attended to the immediate relocation of the humans staying there once they arrived. Fewer sounds, temptations, and restrictions near Kira was best as she dealt with her new condition.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too. Because we’re afraid of being fragile. Of being damaged. That’s what makes us kindred spirits, Rory—our bruises.” A
Barbara Davis (The Keeper of Happy Endings)
Hades had always done his best thinking while buried in wet female.
Setta Jay (Searing Ecstasy (Guardians of the Realms #7))
As a transmuted energy, anger is mirror-wisdom – undistracted, undistorted clarity. But in order for us to find this clarity, to polish this mirror, we need to cut through the insidious process of justification. Justification is the authority we invoke to license our anger. Because of this it is important not to allow space for the distorted indulgence of justification. This can be very difficult because the process of justification is a strong part of our education and a salient feature of the world’s cultural heritage. The nuclear balance of terror was part of that process. Totalitarian political movements (either extreme left or extreme right) are a manifestation of that process; and, unfortunately, it has also become part of the very ideologies that have arisen to benefit humanity. How often have we heard people saying: “Of course I’m angry! Wouldn’t anyone be angry?” And, of course, this is a purely rhetorical question. The concept that we have every right to feel anything that we feel needs to be called seriously into question. At best we can say that we simply feel what we feel. It is a delicate balance: to acknowledge emotional needs, on the one hand, and to have a sense of these needs being conceptually generated on the other. This balancing act requires the experience of emptiness, because without it, we either indulge ourselves or brutalise ourselves. The experience of emptiness, in this sense, helps us to view our emotions with a degree of humour – with more sanity and true perspective. With this sense of space we can find ourselves adopting a very powerful stance – the stance of a practitioner. Then it is no longer possible to say: “You have made me angry!” All we can say is: “I have made myself angry in reaction to what I have perceived you to have done to me”. In this way we make ourselves completely responsible for what we feel. That is really wonderful, because from this perspective we stop laying this responsibility on other people. Taking responsibility for whatever we may happen to be feeling is what enables us to kill justification. Dechen, Khandro; Chogyam, Ngakpa (2014-01-14). Spectrum of Ecstasy: Embracing the Five Wisdom Emotions of Vajrayana Buddhism (p. 143). Shambhala Publications. Kindle Edition.
Dechen, Khandro; Chogyam, Ngakpa
Four A.M. “I love driving in the middle of the night! No traffic, the rhythm of the dotted fluorescent centerline, occasional diner with a guy alone in a corner booth, all the traffic lights set to flashing yellow, my heart charged with spiritual ecstasy from the approaching dawn! But the best part is the silence,
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
She wasn't easy to be around at the best of times, and during the worst, well, she sucked flaming balls of mean...Still she wanted his eternal admiration.
Gena Showalter (Ecstasy in Darkness (Alien Huntress, #5))
Even a best fountain-pen cannot make a writer be a fount of eloquence, but fountains teach to sob with ecstasy.
Lara Biyuts (Through The Baltic Looking-Glass. Part 2)
The ideal of whiteness makes a strong appeal. It flatters white people by associating them with (what they define as) the best in human beauty and virtue. The very idea of a best and of striving towards it accords with the aspirational structure of whiteness. There is an ecstasy to be felt in the luminescent representation discussed in the next chapter, a luminescence that makes sense in the context of the idea of whiteness as transcendence, dissolution into pure spirit and no-thing-ness. Equally, the ideal of white as absence may be confounded with the wider representational mode discussed above: being nothing at all may readily be felt as being nothing in particular, the representative human, the subject without properties.
Richard Dyer (White: Essays on Race and Culture)
She was young, not so much older than me A career girl in a little soignée suit and hosiery Just recently engaged She'd leapt from the 86th-floor observation deck of the Empire State Building and crash-bam-slammed into the roof of a shiny black Cadillac Which now gathered her into its folds It looked like somebody popped open a ring box An expression of pure bliss gleaming on her face A nun's ecstasy, her first and final orgasm A perfect ending, handed to the world in white gloves.
Phoebe Eaton (Best Women's Monologues of 2019 (Best Women's Stage Monologues))
my experience, the emotionally charged content always lies there, hidden, waiting to be tapped, and although musicians tailor and mold their work to how and where it will be best heard or seen, the agony and the ecstasy can be relied on to fill whatever shape is available.
David Byrne (How Music Works)
Life was not a valuable gift, but death was. Life was a fever-dream made up of joys embittered by sorrows, pleasure poisoned by pain; a dream that was a nightmare-confusion of spasmodic and fleeting delights, ecstasies, exultations, happinesses, interspersed with long-drawn miseries, griefs, perils, horrors, disappointments, defeats, humiliations, and despairs – the heaviest curse devisable by divine ingenuity; but death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man's best friend; when man could endure life no longer, death came and set him free.
Mark Twain
and loving community. All of our emotions were heightened and intense, frustrating and beautiful at the same time. It was a bubble filled with demonstrations, endless meetings, nights of ecstasy and dancing, nights of wheat-pasting, hospitals and memorials, boyfriends, new friends, breakups, phone zaps, phone trees, shame-free sex, sex between proud sluts, sex that was political, that said fuck-you to the haters, more endless meetings, kiss-ins, kissing hello on the lips, kissing lesbians, selling T-shirts and buttons, covering an entire city in SILENCE = DEATH stickers, heckling presidents, getting arrested with your best friends, chanting,
Peter Staley (Never Silent: ACT UP and My Life in Activism)
For a man to be able to dream, he needs a sensual woman. Because a sensual woman is the best DREAMKETER (Dream Marketer).
Lebo Grand
I went to see the house. (...) The place was a squat—thirty-five heroin addicts were living there. The chaos was palpable. It smelled like dog shit, cat shit, piss. (...) One floor was literally burned—it was nothing but charred floorboards with a toilet sitting in the middle. This place looked terrible. “How much?” I asked. Forty thousand guilder, they told me. They clearly just wanted to dump this house. But if you bought it, you were also getting the heroin addicts who were squatting in it, and under Dutch law, it was all but impossible to get them out. For any normal human being to buy this place would be like throwing money out the window. So I said, “Okay, I’m interested.” I talked about it with my friends. “You’re nuts,” they said. “It’s not money you have—what the hell are you going to do?” ...A drug dealer [had] bought the place. But he didn’t pay the mortgage. And he didn’t pay and he didn’t pay, and finally he was in such financial trouble that he decided to burn the place down for the insurance. Except that the fire was stopped in time and only the one floor was damaged. And then the insurance investigator found that the drug dealer had done it intentionally, and the bank took the house away from him. And this was how it turned into a squat for heroin addicts. “But where is this guy?” I asked. “He’s still living in the house,” the neighbor told me. This house had two entrances. One went to the first floor and the other to the second. The door with the board across it was the entrance to the first floor, where I’d already been; the drug dealer was living on the second floor. So I went around and knocked on the door, and he answered. “I want to talk to you,” I said. He let me in. There was a table in the middle of the floor, covered with ecstasy, cocaine, hashish, all ready to go into bags. There was a pistol on the table. This guy was bloated—he looked like hell. And suddenly I poured my heart out to him. I told him everything... I said that this house was what I wanted—all I wanted—the only home I could afford with the little money I had. I was weeping. This guy was standing there with his mouth open. He stood there looking at me. Then he said, “Okay. But I have a condition.” “This is my deal. I’ll get everybody out; you’ll get your mortgage. But the moment you sign the contract and get the house, you’re going to sign a contract that I can stay on this floor for the rest of my life. That’s the deal. If you cross me...” He showed me the pistol. It was in a good neighborhood, where a comparable place would sell for forty to fifty times the price. And [now] it was empty—not a heroin addict in sight. I got a mortgage in less than a week. But now, since my bank knew the house was empty, Dutch law gave them the right to buy the house for themselves. So I went back to the drug dealer and said, “Can we get some addicts back into the place? Because it’s too good now.” “How many you want?” he asked. “About twelve,” I said. “No problem,” he said. He got twelve addicts back. I took curtains I found in a dumpster and put them on the windows. Then I scattered some more debris around the place. Now all I had to do was wait. My contract signing was two weeks away—it was the longest two weeks in my life. Finally the day came... and I walked into the bank. The atmosphere was very serious. One of the bankers looked at me and said, “I heard that the unwanted tenants have left the house.” I just looked at him very coolly and said, “Yeah, some left.” He cleared his throat and said, “Sign here.” I signed. “Congratulations,” the banker said. “You’re the owner of the house.” I looked at him and said, “You know what? Actually everybody left the house.” He looked back at me and said, “My dear girl, if this is true, you have just made the best real-estate deal I’ve heard of in my twenty-five-year career.
Marina Abramović
Spirit and Body Don't feed both sides of yourself equally. The spirit and the body carry different loads and require different attention. Don't make the body do what the spirit does best, and don't put a big load on the spirit that the body could easily carry.
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
She spears the first piece of squid and stuffs it into her mouth. Her eyes flutter shut in momentary ecstasy. You always did find good places to eat, she says, reopening her eyes.
Charlie Jane Anders (Some of the Best from Tor.com, 2020 edition)
But Pocock’s influence didn’t end with his command of the technical side of the sport. It really only began there. Over the years, as he saw successive classes of oarsmen come and go, as he watched immensely powerful and proud boys strive to master the vexing subtleties of their sport, as he studied them and worked with them and counseled them and heard them declare their dreams and confess their shortcomings, George Pocock learned much about the hearts and souls of young men. He learned to see hope where a boy thought there was no hope, to see skill where skill was obscured by ego or by anxiety. He observed the fragility of confidence and the redemptive power of trust. He detected the strength of the gossamer threads of affection that sometimes grew between a pair of young men or among a boatload of them striving honestly to do their best. And he came to understand how those almost mystical bonds of trust and affection, if nurtured correctly, might lift a crew above the ordinary sphere, transport it to a place where nine boys somehow became one thing—a thing that could not quite be defined, a thing that was so in tune with the water and the earth and the sky above that, as they rowed, effort was replaced by ecstasy. It was a rare thing, a sacred thing, a thing devoutly to be hoped for. And in the years since coming to Washington, George Pocock had quietly become its high priest.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
We’re all a collection of our stories, chérie. Our joys and sorrows. Our loves and losses. That is who we are, a tally of all our agonies and ecstasies. Sometimes the agonies leave a mark, like a bruise on the soul. We do our best to hide them from the world, and from ourselves too. Because we’re afraid of being fragile. Of being damaged.
Barbara Davis (The Keeper of Happy Endings)
Sitting in your favorite position and closing your eyes, you tiptoe over the threshold of experience and into the mystery. You drop into the heart of the universe. You’re there. The cascade of SONDANoBe floods your brain. You’re hooked, drawn up into the light. When you emerge from meditation, you’re more compassionate, emotionally balanced, mentally coherent, effective, kind, creative, healthy, and productive. The effects ripple through the whole community around you. At the center of that circle is a great-feeling you. The Gregs of this world go for heroin, weed, or alcohol to make themselves feel good. That’s simply because they don’t realize that a far better drug is available. SONDANoBe is what addicts are really craving. They want to feel good, but they’re looking for exogenous chemicals to meet their needs. They don’t understand that what they’re searching for is right inside their own brains. The only reason those drugs feel good to the Gregs of this world is that they’re facsimiles of the substances that their own brains produce. Bliss Brain is a formula, just like the World’s Best Cocktail. It’s the World’s Best High, and it’s just as addictive. The brain that experiences SONDANoBe once can never go back to its old state. By remodeling neural tissue, SONDANoBe consolidates learning and hardwires bliss. While street drugs shrink and damage vital brain regions, SONDANoBe does the opposite. It grows your brain. It expands the brain regions that regulate your emotions, synthesize great ideas, stimulate your creativity, acquire new skills, heal your body, extend your longevity, improve your memory, and boost your happiness. The next chapter shows how a brain bathed in the chemicals of ecstasy starts to change its fundamental structure, as the software of mind becomes the hardware of brain.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Stendahl syndrome” was the name for this, he would eventually learn. Dizziness, confusion, even fainting, usually by foreign visitors in the act of viewing great art. It was called that because the French writer had given its first and best description: I was in a sort of ecstasy … Absorbed in the contemplation of sublime beauty … I reached the point where one encounters celestial sensations … Everything spoke so vividly to my soul … Life was drained from me … He thanked them, of course, but mostly he hoped they would go away, so he could look at it in peace, and eventually they did.
Jean Hanff Korelitz (The Latecomer)
According to an esoteric explanation, the Sanskrit term mantra signifies “that which protects (trāna) the mind (manas). Specifically, mantra is a sound (letter, syllable, word, or phrase) that is charged with transformative power, such as the letter a, the sacred syllable om, the word hamsa, or the phrase om mani padme hūm. Thus a mantra could be explained as a potentized sound by which specific effects in consciousness can be produced. Most high-minded practitioners are reluctant to use mantras for anything other than the greatest human goal (purusha-artha, written purushārtha), which is liberation. In Tantric rituals, mantras are used to purify the altar, one’s seat, implements such as vessels and offering spoons, or the offerings themselves (e.g., flowers, water, food), or to invoke deities, protectors, and so on. Yet, the science of sacred sound (mantra-shāstra) has since ancient times been widely put to secular use as well. In this case, mantras assume the character of magical spells rather than sacred vibrations in the service of self-transformation and self-transcendence. The serpent energy hidden in the body is associated with the Sanskrit alphabet constituted of fifty basic letters, or sound vibrations, which go into the making of mantras. In contrast to ordinary words, however, mantras most often do not have a particular meaning, and their potency is tapped into through frequent repetition, whether mentally, whispered, or aloud. It is not commonly understood that for a sound to be a mantra, it must have been given in the context of initiation (dīkshā), whether formally or informally. Only then does the mantra have truly transformative power. For a mantra to become “active” or “awakened,” it must be recited at least 100,000 times. A mantra lacking in “consciousness” is just like any other sound. As the Kula-Arnava-Tantra (15.61–64) states: Mantras without consciousness are said to be mere letters. They yield no result even after a trillion recitations. The state that manifests promptly when the mantra is recited [with “consciousness”], that result is not [to be gained] from a hundred, a thousand, a hundred thousand, or ten million recitations. O Kuleshvarī, the knots at the heart and throat are pierced, all the limbs are invigorated, tears of joy, gooseflesh, bodily ecstasy, and tremulous speech suddenly occur for sure . . . . . . when a mantra endowed with consciousness is uttered even once. Where such signs are seen, that [mantra] is said to be according to tradition. Mantras of concentrated potency are known as “seed syllables” (bīja). Om is the original seed syllable, the source of all others. The Mantra-Yoga-Samhitā (71) calls it the “best of all mantras,” adding that all other mantras receive their power from it. Thus om is prefixed or sometimes also suffixed to numerous mantras, such as om namah shivāya
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
Even sublimated ecstasy is unruly, however. Synesus, a Christian Neoplatonist studied by Ficino and known to Pico, therefore argued for a modified rapture that could sustain community, culture, and politics. To jump past human frailty straight to contemplation would be impulsive and ineffective. A rush to ecstasy would be barbarian, a 'Bacchic frenzy, a manic, enthusiastic leap to win the race without running it.' Synesius conceded that the mysteries aim 'not to learn anything but to have an experience and be put in a certain state.' Yet the Greek way of taking small steps, like going up a ladder, seemed better to him than a direct assault on the deity. Since humans are not pure contemplators, their best path to the visionary state would start with educated experience. To rise above all experience, both Greeks and barbarians cultivated cathartic virtues, but only Greeks like himself, according to Synesius, practiced them in a measured and effective way.
Brian P. Copenhaver (Magic and the Dignity of Man: Pico della Mirandola and His Oration in Modern Memory)
Going back to Devon, Sisco, then I promise to check in with Ma. Have some amazing recordings from South Dartmoor and Brickburgh. Going back for more. A website, GaiaCries, are going to post my collection. The best bits. I’m getting an album on there! An album! This stuff is so freaky they thought I’d faked it. It’s better than anything I’ve heard on their site, recorded in all those train tunnels, nuclear bunkers and disused mines. Think I’m only happy inside a tent too, Sisco. I have been in a state of ecstasy and awe in Brickburgh all summer. And no, it’s not only down to the weed ;-) Have uploaded some stuff for you to play to the baby – seals in a cove [here]. Promise I’ll call mum. Lin xxxxxxx
Adam L.G. Nevill (The Reddening)
like to make practices stimulating, fun, and, most of all, efficient. Coach Al McGuire once told me that his secret was not wasting anybody’s time. “If you can’t it get done in eight hours a day,” he said, “it’s not worth doing.” That’s been my philosophy ever since. Much of my thinking on this subject was influenced by the work of Abraham Maslow, one of the founders of humanistic psychology who is best known for his theory of the hierarchy of needs. Maslow believed that the highest human need is to achieve “self-actualization,” which he defined as “the full use and exploitation of one’s talents, capacities and potentialities.” The basic characteristics of self-actualizers, he discovered in his research, are spontaneity and naturalness, a greater acceptance of themselves and others, high levels of creativity, and a strong focus on problem solving rather than ego gratification. To achieve self-actualization, he concluded, you first need to satisfy a series of more basic needs, each building upon the other to form what is commonly referred to as Maslow’s pyramid. The bottom layer is made up of physiological urges (hunger, sleep, sex); followed by safety concerns (stability, order); love (belonging); self-esteem (self-respect, recognition); and finally self-actualization. Maslow concluded that most people fail to reach self-actualization because they get stuck somewhere lower on the pyramid. In his book The Farther Reaches of Human Nature, Maslow describes the key steps to attaining self-actualization: experiencing life “vividly, selflessly, with full concentration and total absorption”; making choices from moment to moment that foster growth rather than fear; becoming more attuned to your inner nature and acting in concert with who you are; being honest with yourself and taking responsibility for what you say and do instead of playing games or posing; identifying your ego defenses and finding the courage to give them up; developing the ability to determine your own destiny and daring to be different and non-conformist; creating an ongoing process for reaching your potential and doing the work needed to realize your vision. fostering the conditions for having peak experiences, or what Maslow calls “moments of ecstasy” in which we think, act, and feel more clearly and are more loving and accepting of others.
Phil Jackson (Eleven Rings: The Soul of Success)
While Lavender wasn't keen on listening to a sermon (if this Whitman was, in fact, a clergy), she longed to study the book of Robert's face further, a book pulled, half burnt, from a fire. So much was written there, from the depths of suffering, Lavender didn't doubt, to ecstasy's heights, and the deep, innate sensibility required to worship---his word---at her floral cart, to see it for what it was, a little cathedral on wheels. She'd never met anyone who grasped flowers' import and beauty---profound, fleeting---to that extent; it was like meeting a kindred soul. Kindred, yet at the same time he seemed to her like someone who'd tumbled, in his best clothes, from some faraway constellation. She'd never met anyone like him.
Jeanette Lynes (The Apothecary's Garden)
Life is islands of ecstasy in an ocean of ennui, and after the age of thirty land is seldom seen. At best we wander from one much-worn sandbar to the next, soon familiar with each grain of sand we see
Luke Rhinehart (The Dice Man)