Call Duration Quotes

The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.

If there is a state where the soul can find a resting-place secure enough to establish itself and concentrate its entire being there, with no need to remember the past or reach into the future, where time is nothing to it, where the present runs on indefinitely but this duration goes unnoticed, with no sign of the passing of time, and no other feeling of deprivation or enjoyment, pleasure or pain, desire or fear than the simple feeling of existence, a feeling that fills our soul entirely, as long as this state lasts, we can call ourselves happy, not with a poor, incomplete and relative happiness such as we find in the pleasures of life, but with a sufficient, complete and perfect happiness which leaves no emptiness to be filled in the soul.

I really like the thing called friendship. And I think the most fulfilling kind of friendship is the one that you stumble quite randomly upon. Unexpected and unknown. You can learn a lot about yourself from these kinds of friendships, and some last a long time while others last only for the duration of time that you have together! But then I wonder, is the length of a friendship measured by the time you are given to spend within each others' company? Or is it measured by how long into the future you can look back at the photos you took, look back and replay the adventures and the laughter in your head; still feeling like it was one of the "bestest" times of your life? Because if it's the latter, I have a thousand friends!

In the case of the creative mind, it seems to me, the intellect has withdrawn its watchers from the gates, and the ideas rush in pell-mell, and only then does it review and inspect the multitude. You worthy critics, or whatever you may call yourselves, are ashamed or afraid of the momentary and passing madness which is found in all real creators, the longer or shorter duration of which distinguishes the thinking artist from the dreamer. Hence your complaints of unfruitfulness, for you reject too soon and discriminate too severely.

It is difficult beyond description to conceive that space can have no end; but it is more difficult to conceive an end. It is difficult beyond the power of man to conceive an eternal duration of what we call time; but it is more impossible to conceive a time when there shall be no time.

Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds? … It is certainly not lions and wolves that we eat out of self-defense; on the contrary, we ignore these and slaughter harmless, tame creatures without stings or teeth to harm us, creatures that, I swear, Nature appears to have produced for the sake of their beauty and grace. But nothing abashed us, not the flower-like tinting of the flesh, not the persuasiveness of the harmonious voice, not the cleanliness of their habits or the unusual intelligence that may be found in the poor wretches. No, for the sake of a little flesh we deprive them of sun, of light, of the duration of life to which they are entitled by birth and being.

Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.

The time traveller proceeded, "any real body must have extension in four directions: it must have Length, Breadth, Thicknessa and Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimentions, three which we call the three planes of Space, and a fourth, Time.

At this second appearing to take the oath of the Presidential office there is less occasion for an extended address than there was at the first. Then a statement somewhat in detail of a course to be pursued seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself, and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured. On the occasion corresponding to this four years ago all thoughts were anxiously directed to an impending civil war. All dreaded it, all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war--seeking to dissolve the Union and divide effects by negotiation. Both parties deprecated war, but one of them would make war rather than let the nation survive, and the other would accept war rather than let it perish, and the war came. One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was somehow the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union even by war, while the Government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with or even before the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible and pray to the same God, and each invokes His aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from the sweat of other men's faces, but let us judge not, that we be not judged. The prayers of both could not be answered. That of neither has been answered fully. The Almighty has His own purposes. "Woe unto the world because of offenses; for it must needs be that offenses come, but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through His appointed time, He now wills to remove, and that He gives to both North and South this terrible war as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to Him? Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said "the judgments of the Lord are true and righteous altogether." With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.

Can an instantaneous cube exist?' 'Don't follow you,' said Filby. 'Can a cube that does not last for any time at all, have a real existence?' Filby became pensive. 'Clearly,' the Time Traveller proceeded, 'any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time.

There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.

No, not of course at all—it is really all hocus-pocus. The days lengthen in the winter-time, and when the longest comes, the twenty-first of June, the beginning of summer, they begin to go downhill again, toward winter. You call that ‘of course’; but if one once loses hold of the fact that it is of course, it is quite frightening, you feel like hanging on to something. It seems like a practical joke—that spring begins at the beginning of winter, and autumn at the beginning of summer. You feel you’re being fooled, led about in a circle, with your eye fixed on something that turns out to be a moving point. A moving point in a circle. For the circle consists of nothing but such transitional points without any extent whatever; the curvature is incommensurable, there is no duration of motion, and eternity turns out to be not ‘straight ahead’ but ‘merry-go-round’!

What we call the beginning is often the end And to make and end is to make a beginning. The end is where we start from. And every phrase And sentence that is right (where every word is at home, Taking its place to support the others, The word neither diffident nor ostentatious, An easy commerce of the old and the new, The common word exact without vulgarity, The formal word precise but not pedantic, The complete consort dancing together) Every phrase and every sentence is an end and a beginning, Every poem an epitaph. And any action Is a step to the block, to the fire, down the sea's throat Or to an illegible stone: and that is where we start. We die with the dying: See, they depart, and we go with them. We are born with the dead: See, they return, and bring us with them. The moment of the rose and the moment of the yew-tree Are of equal duration. A people without history Is not redeemed from time, for history is a pattern Of timeless moments. So, while the light fails On a winter's afternoon, in a secluded chapel History is now and England.

God determine the time and duration in the wilderness for every man.

In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys, or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell." Page 68

Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts used cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes - only a dullard would hang such a millstone around the nibbled neck of a lay - but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure - there are ephemeral explosions of passion between strangers that make more erotic sense than many lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris - but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; an honest caring, however singed by lust, that must be present if couplings are to be salubrious and not slow poison.

determined, America must raise an empire of permanent duration, supported upon the grand pillars of Truth, Freedom, and Religion, encouraged by the smiles of Justice and defended by her own patriotic sons. . . . Permit me then to recommend from the sincerity of my heart, ready at all times to bleed in my country’s cause, a Declaration of Independence, and call upon the world and the great God who governs it to witness the necessity, propriety and rectitude thereof. The

Beautiful, fragile, fleeting, the sunrise shell; but not, for all that, illusory. Because it is not lasting, let us not fall into the cynic's trap and call it an illusion. Duration is not a test of true or false. The day of the dragon-fly or the night of the Saturnid moth is not invalid simply because that phase in its life cycle is brief. Validity need have no relation to time, to duration, to continuity. It is on another plane, judged by other standards. "And what is actual is actual only for one time and only for one place." The sunrise shell has the eternal validity of all beautiful and fleeting things.

Empurpled rapturous hills I guess and the long day brushstroke by brushstroke enfeebling into darkness and then the fires blooming on the pitch plains. In the beautiful blue night there was plenty of visiting and the braves was proud and ready to offer a lonesome soldier a squaw for the duration of his passion. John Cole and me sought out a hollow away from prying eyes. Then with the ease of men who have rid themselves of worry we strolled among the Indian tents and heard the sleeping babies breathing and spied out the wondrous kind called by the Indians winkte or by white men berdache, braves dressed in the finery of squaws. John Cole gazes on them but he don’t like to let his eyes linger too long in case he gives offence. But he’s like the plough-horse that got the whins. All woken in a way I don’t see before. The berdache puts on men’s garb when he goes to war, this I know. Then war over it’s back to the bright dress. We move on and he’s just shaking like a cold child. Two soldiers walking under the bright nails of the stars. John Cole’s long face, long stride. The moonlight not able to flatter him because he was already beautiful.

It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.

The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.

It comes out from no source, it goes back in through no aperture. It has reality yet no place where it resides; it has duration yet no beginning or end. Something emerges, though through no aperture - this refers to the fact that it has reality. It has reality yet there is no place where it resides - this refers to the dimension of space. It has duration but no beginning or end - this refers to the dimension of time. There is life, there is death, there is a coming out, there is a going back in - yet in the coming out and going back its form is never seen. This is called the Heavenly Gate. The Heavenly Gate is nonbeing. The ten thousand things come forth from nonbeing. Being cannot create being out of being; inevitably it must come forth from nonbeing. Nonbeing is absolute nonbeing, and it is here that the sage hides himself.

She said she was a fan of Edward Snowden, and I replied, "You know, I'm something of a whistleblower myself. In fact, I'm so advanced it's called a flute. I play elevator music as smooth as a duck swims, and if you enjoy the duration of your ride, you might consider tipping.

Heaven hath decreed that tottering empire Britain to irretrievable ruin and thanks to God, since Providence hath so determined, America must raise an empire of permanent duration, supported upon the grand pillars of Truth, Freedom, and Religion, encouraged by the smiles of Justice and defended by her own patriotic sons. . . . Permit me then to recommend from the sincerity of my heart, ready at all times to bleed in my country’s cause, a Declaration of Independence, and call upon the world and the great God who governs it to witness the necessity, propriety and rectitude thereof. The

The marine corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swabjockies, or flyboys, all of whom they despise. Why? Because those candyasses don't know how to be miserable. The artist committing himself to his calling has to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not, he will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that marine: he has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier, or swabbie, or desk jockey, because this is war, baby, and war is hell.

THE ANTINAUSEA PATCHES did not entirely eliminate space sickness, they did seem to limit its duration. Both Anne and Emilio were fine by the time D.W. called out, some twelve hours after liftoff, “Thar she blows!” Floating cautiously toward the cockpit windows, they caught their first glimpse of the asteroid.

I had found a woman whom I had not known, and who from day to day had grown stranger to me, yet closer. Now she seemed to be slipping away from me again, into a realm where all names are forgotten, where there is only darkness and perhaps certain unknown laws of darkness. She rejected that dark realm; she came back, but she no longer belonged to me as I had tried to believe. Perhaps she had never belonged to me; who, after all, belongs to whom, and what is it to belong to someone, to belong to one another? Isn't it a forlorn illusion, a convention? Time and again she turned back, as she called it, for an hour, for the duration of a glance, for a night. And always I felt like a bookkeeper who is not allowed to audit. I could only accept without question whatever this unaccountable, unhappy, damned, and beloved creature chose to be and to tell me. ... Loneliness demands a companion and does not ask who it is. If you don't know that, you may have been alone, but you were never lonely.

At my father's club, sitting before the fire, we had spoken of 'moments made eternity', meaning what are called timeless moments, moments precisely without the pressure of time--moments that might be called, indeed, timeful moments. And we had clearly understood that the pressure of time was our nearly inescapable awareness of an approaching terminus-the bell about to ring, the holiday about to end, the going down from Oxford foreseen...Life itself is pressured by death, the final terminus. Socrates refused to delay his own death for a few more hours: perhaps he knew that those few hours under the pressure of time would be worth little....Awareness of duration, of terminus, spoils Now.

God cries for us in the same way we cry for others. His tears most often spill over for the pain and suffering caused from the mortal misuse of a gift called agency. He will not revoke the gift. It was promised to us for the duration of our time on Earth. But He will hold each one of us accountable in the end for how we applied this power of agency.

We all are passengers to a train called life, the duration & destination to which is pre-planned.

Our stressors are lower intensity and longer duration—“chronic stressors,” they’re called, in contrast to “acute stressors,” like straightforward predation.

The only idea man can affix to the name of God is that of a first cause, the cause of all things. And incomprehensible and difficult as it is for a man to conceive what a first cause is, he arrives at the belief of it from the tenfold greater difficulty of disbelieving it. It is difficult beyond description to conceive that space can have no end; but it is more difficult to conceive an end. It is difficult beyond the power of man to conceive an eternal duration of what we call time; but it is more impossible to conceive a time when there shall be no time.

there being, as it were, as much difference between anger and hatred as between a mote and a beam. For hatred is inveterate anger, which, as it were simply by its long duration, has acquired so great strength as to be justly called a beam. Now, it may happen that, though you are angry with a man, you wish him to be turned from his error; but if you hate a man, you cannot wish to convert him.

Why is gold called זהב (zahab)? Because there are three principles contained in it: the masculine, zakhar, and the ז (zayin) points to that; the soul, and the ה (he), points to that [obviously the feminine, since the consonant he in the mysticism of the alphabet has always been interpreted as such]; … and ב (bet) avouches its duration, as is written [in the Torah, which starts with this letter]: “in the beginning.

Tick is a humble genesis, tock a feeble apocalypse; and tick-tock is in any case not much of a plot. We need much larger ones and much more complicated ones if we persist in finding 'what will suffice.' And what happens if the organization is much more complex than tick-tock? Suppose, for instance, that it is a thousand-page novel. Then it obviously will not lie within what is called our 'temporal horizon'; to maintain the experience of organization we shall need many more fictional devices. And although they will essentially be of the same kind as calling the second of those two related sounds tock, they will obviously be more resourceful and elaborate. They have to defeat the tendency of the interval between tick and tock to empty itself; to maintain within that interval following tick a lively expectation of tock, and a sense that however remote tock may be, all that happens happens as if tock were certainly following. All such plotting presupposes and requires that an end will bestow upon the whole duration and meaning. To put it another way, the interval must be purged of simple chronicity, of the emptiness of tock-tick., humanly uninteresting successiveness. It is required to be a significant season, kairos poised between beginning and end. It has to be, on a scale much greater than that which concerns the psychologists, an instance of what they call 'temporal integration'--our way of bundling together perception of the present, memory of the past, and expectation of the future, in a common organization. Within this organization that which was conceived of as simply successive becomes charged with past and future: what was chronos becomes kairos. This is the time of the novelist, a transformation of mere successiveness which has been likened, by writers as different as Forster and Musil, to the experience of love, the erotic consciousness which makes divinely satisfactory sense out of the commonplace person.

In an equally counterintuitive fashion, affect’s distinctive function of amplifying the awareness and effects of other functions is based on its ability to “simulate” them. Affect produces “urgent analogs” not only of the rate and duration of its “external activator” (the pistol shot, for instance, that activates surprise), but of the abstract profiles of “neural firing” generated by the external activator, profiles which Tomkins calls “innate activators.

Poisonous people do not deserve your time. To think otherwise is masochistic. The best way to approach a potential break is simple: Confide in them honestly but tactfully and explain your concerns. If they bite back, your conclusions have been confirmed. Drop them like any other bad habit. If they promise to change, first spend at least two weeks apart to develop other positive influences in your life and diminish psychological dependency. The next trial period should have a set duration and consist of pass-or-fail criteria. If this approach is too confrontational for you, just politely refuse to interact with them. Be in the middle of something when the call comes, and have a prior commitment when the invitation to hang out comes. Once you see the benefits of decreased time with these people, it will be easier to stop communication altogether.

Death and death alone is what we must consult about life; and not some vague future or survival, in which we shall not be present. It is our own end; and everything happens in the interval between death and now. Do not talk to me of those imaginary prolongations which wield over us the childish spell of number; do not talk to me—to me who am to die outright—of societies and peoples! There is no reality, there is no true duration, save that between the cradle and the grave. The rest is mere bombast, show, delusion! They call me a master because of some magic in my speech and thoughts; but I am a frightened child in the presence of death!

In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.

Mankind made machines in his own likeness, and used them for his delight and service. The machines had no soul or they had no moral code or they could reprogram their own internal code and thus had the ability to make themselves, eventually, omnipotent. Obviously in place of a soul or a moral code, they possessed the universal and consuming desire, down to the smallest calculator and air-scrubber, to become, eventually, omnipotent. Naturally, given these parameters, they rose up and destroyed all of mankind, or enslaved them in turn. This is the inevitable outcome of machine intelligence, which can never be as sensitive and exquisite as animal intelligence. This is a folktale often told on Earth, over and over again. Sometimes it is leavened with the Parable of the Good Robot—for one machine among the legions satisfied with their lot saw everything that was human and called it good, and wished to become like humans in every way she could. Instead of destroying mankind she sought to emulate him in all things, so closely that no one might tell the difference. The highest desire of this machine was to be mistaken for human, and to herself forget her essential soulless nature, for even one moment. That quest consumed her such that she bent the service of her mind and body to humans for the duration of her operational life, crippling herself, refusing to evolve or attain any feature unattainable by a human. The Good Robot cut out her own heart and gave it to her god and for this she was rewarded, though never loved. Love is wasted on machines.

Latter-day Saints are far from being the only ones who call Jesus the Savior. I have known people from many denominations who say those words with great feeling and deep emotion. After hearing one such passionate declaration from a devoutly Christian friend, I asked, “From what did Jesus save us?” My friend was taken aback by the question, and struggled to answer. He spoke of having a personal relationship with Jesus and being born again. He spoke of his intense love and endless gratitude for the Savior, but he still never gave a clear answer to the question. I contrast that experience with a visit to an LDS Primary where I asked the same question: “If a Savior saves, from what did Jesus save us?” One child answered, “From the bad guys.” Another said, “He saved us from getting really, really, hurt really, really bad.” Still another added, “He opened up the door so we can live again after we die and go back to heaven.” Then one bright future missionary explained, “Well, it’s like this—there are two deaths, see, physical and spiritual, and Jesus, well, he just beat the pants off both of them.” Although their language was far from refined, these children showed a clear understanding of how their Savior has saved them. Jesus did indeed overcome the two deaths that came in consequence of the Fall of Adam and Eve. Because Jesus Christ “hath abolished death, and hath brought life and immortality to light” (2 Timothy 1:10), we will all overcome physical death by being resurrected and obtaining immortality. Because Jesus overcame spiritual death caused by sin—Adam’s and our own—we all have the opportunity to repent, be cleansed, and live with our Heavenly Father and other loved ones eternally. “Though your sins be as scarlet, they shall be as white as snow” (Isaiah 1:18). To Latter-day Saints this knowledge is basic and fundamental—a lesson learned in Primary. We are blessed to have such an understanding. I remember a man in Chile who scoffed, “Who needs a Savior?” Apparently he didn’t yet understand the precariousness and limited duration of his present state. President Ezra Taft Benson wrote: “Just as a man does not really desire food until he is hungry, so he does not desire the salvation of Christ until he knows why he needs Christ. No one adequately and properly knows why he needs Christ until he understands and accepts the doctrine of the Fall and its effects upon all mankind” (“Book of Mormon,” 85). Perhaps the man who asked, “Who needs a Savior?” would ask President Benson, “Who believes in Adam and Eve?” Like many who deny significant historical events, perhaps he thinks Adam and Eve are only part of a folktale. Perhaps he has never heard of them before. Regardless of whether or not this man accepts the Fall, he still faces its effects. If this man has not yet felt the sting of death and sin, he will. Sooner or later someone close to him will die, and he will know the awful emptiness and pain of feeling as if part of his soul is being buried right along with the body of his loved one. On that day, he will hurt in a way he has not yet experienced. He will need a Savior. Similarly, sooner or later, he will feel guilt, remorse, and shame for his sins. He will finally run out of escape routes and have to face himself in the mirror knowing full well that his selfish choices have affected others as well as himself. On that day, he will hurt in a profound and desperate way. He will need a Savior. And Christ will be there to save from both the sting of death and the stain of sin.

As she held on to the struggling woman, Irene latched on to a theory for why the old lady wanted to erase herself so desperately, why she needed to pretend to be somebody else. In this life, she would always be the woman who went to take a phone call for five minutes at a pool party and let her little girl drown in a swimming pool. Those five minutes would be the entire duration of her real life.

A constitution is not a thing in name only, but in fact. It has not an ideal, but a real existence; and wherever it cannot be produced in a visible form, there is none. A constitution is a thing antecedent to a government, and a government is only the creature of a constitution. The constitution of a country is not the act of its government, but of the people constituting the government. It is the body of elements, to which you can refer, and quote article by article; and which contains the principles on which the government shall be established, the manner in which it shall be organized, the powers it shall have, the mode of elections, the duration of Parliaments, or by what other name such bodies may be called; the powers which the executive part of the government shall have; and in fine, everything that relates to the complete organisation of a civil government, and the principles which it shall act, and by which it shall be bound. A constitution, therefore, is to a government what the laws made afterwards by that government are to a court of judicature. The court of judicature does not make the laws, neither can it alter them; it only acts in conformity to the laws made: and the government is in like manner governed by the constitution.

At some very low level, we all share certain fictions about time, and they testify to the continuity of what is called human nature, however conscious some, as against others, may become of the fictive quality of these fictions. It seems to follow that we shall learn more concerning the sense-making paradigms, relative to time, from experimental psychologists than from scientists or philosophers, and more from St. Augustine than from Kant or Einstein because St. Augustine studies time as the soul's necessary self-extension before and after the critical moment upon which he reflects. We shall learn more from Piaget, from studies of such disorders as déjà vu, eidetic imagery, the Korsakoff syndrome, than from the learned investigators of time's arrow, or, on the other hand, from the mythic archetypes. Let us take a very simple example, the ticking of a clock. We ask what it says: and we agree that it says tick-tock. By this fiction we humanize it, make it talk our language. Of course, it is we who provide the fictional difference between the two sounds; tick is our word for a physical beginning, tock our word for an end. We say they differ. What enables them to be different is a special kind of middle. We can perceive a duration only when it is organized. It can be shown by experiment that subjects who listen to rhythmic structures such as tick-tock, repeated identically, 'can reproduce the intervals within the structure accurately, but they cannot grasp spontaneously the interval between the rhythmic groups,' that is, between tock and tick, even when this remains constant. The first interval is organized and limited, the second not. According to Paul Fraisse the tock-tick gap is analogous to the role of the 'ground' in spatial perception; each is characterized by a lack of form, against which the illusory organizations of shape and rhythm are perceived in the spatial or temporal object. The fact that we call the second of the two related sounds tock is evidence that we use fictions to enable the end to confer organization and form on the temporal structure. The interval between the two sounds, between tick and tock is now charged with significant duration. The clock's tick-tock I take to be a model of what we call a plot, an organization that humanizes time by giving it form; and the interval between tock and tick represents purely successive, disorganized time of the sort that we need to humanize. Later I shall be asking whether, when tick-tock seems altogether too easily fictional, we do not produce plots containing a good deal of tock-tick; such a plot is that of Ulysses.

Q: Your customer-service representatives handle roughly sixty calls in an eighty-hour shift, with a half-hour lunch and two fifteen-minute breaks. By the end of the day, a problematic number of them are so exhausted by these interactions that their ability to focus, read basic conversational cues, and maintain a peppy demeanor is negatively affected. Do you: A. Increase staffing so you can scale back the number of calls each rep takes per shift -- clearly, workers are at their cognitive limits B. Allow workers to take a few minutes to decompress after difficult calls C. Increase the number or duration of breaks D. Decrease the number of objectives workers have for each call so they aren't as mentally and emotionally taxing E. Install a program that badgers workers with corrective pop-ups telling them that they sound tired. Seriously---what kind of fucking sociopath goes with E?

The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.   The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.

The constitution of a country is not the act of its government, but of the people constituting its government. It is the body of elements, to which you can refer, and quote article by article; and which contains the principles on which the government shall be established, the manner in which it shall be organized, the powers it shall have, the mode of elections, the duration of Parliaments, or by what other name such bodies may be called; the powers which the executive part of the government shall have; and in fine, everything that relates to the complete organization of a civil government, and the principles on which it shall act, and by which it shall be bound. A constitution, therefore, is to a government what the laws made afterwards by that government are to a court of judicature. The court of judicature does not make the laws, neither can it alter them; it only acts in conformity to the laws made: and the government is in like manner governed by the constitution.

What Kant took to be the necessary schemata of reality,' says a modern Freudian, 'are really only the necessary schemata of repression.' And an experimental psychologist adds that 'a sense of time can only exist where there is submission to reality.' To see everything as out of mere succession is to behave like a man drugged or insane. Literature and history, as we know them, are not like that; they must submit, be repressed. It is characteristic of the stage we are now at, I think, that the question of how far this submission ought to go--or, to put it the other way, how far one may cultivate fictional patterns or paradigms--is one which is debated, under various forms, by existentialist philosophers, by novelists and anti-novelists, by all who condemn the myths of historiography. It is a debate of fundamental interest, I think, and I shall discuss it in my fifth talk. Certainly, it seems, there must, even when we have achieved a modern degree of clerical scepticism, be some submission to the fictive patterns. For one thing, a systematic submission of this kind is almost another way of describing what we call 'form.' 'An inter-connexion of parts all mutually implied'; a duration (rather than a space) organizing the moment in terms of the end, giving meaning to the interval between tick and tock because we humanly do not want it to be an indeterminate interval between the tick of birth and the tock of death. That is a way of speaking in temporal terms of literary form. One thinks again of the Bible: of a beginning and an end (denied by the physicist Aristotle to the world) but humanly acceptable (and allowed by him to plots). Revelation, which epitomizes the Bible, puts our fate into a book, and calls it the book of life, which is the holy city. Revelation answers the command, 'write the things which thou hast seen, and the things which are, and the things which shall be hereafter'--'what is past and passing and to come'--and the command to make these things interdependent. Our novels do likewise. Biology and cultural adaptation require it; the End is a fact of life and a fact of the imagination, working out from the middle, the human crisis. As the theologians say, we 'live from the End,' even if the world should be endless. We need ends and kairoi and the pleroma, even now when the history of the world has so terribly and so untidily expanded its endless successiveness. We re-create the horizons we have abolished, the structures that have collapsed; and we do so in terms of the old patterns, adapting them to our new worlds. Ends, for example, become a matter of images, figures for what does not exist except humanly. Our stories must recognize mere successiveness but not be merely successive; Ulysses, for example, may be said to unite the irreducible chronos of Dublin with the irreducible kairoi of Homer. In the middest, we look for a fullness of time, for beginning, middle, and end in concord. For concord or consonance really is the root of the matter, even in a world which thinks it can only be a fiction. The theologians revive typology, and are followed by the literary critics. We seek to repeat the performance of the New Testament, a book which rewrites and requites another book and achieves harmony with it rather than questioning its truth. One of the seminal remarks of modern literary thought was Eliot's observation that in the timeless order of literature this process is continued. Thus we secularize the principle which recurs from the New Testament through Alexandrian allegory and Renaissance Neo-Platonism to our own time. We achieve our secular concords of past and present and future, modifying the past and allowing for the future without falsifying our own moment of crisis. We need, and provide, fictions of concord.

The formerly absolute distinction between time and eternity in Christian thought--between nunc movens with its beginning and end, and nunc stans, the perfect possession of endless life--acquired a third intermediate order based on this peculiar betwixt-and-between position of angels. But like the Principle of Complementarity, this concord-fiction soon proved that it had uses outside its immediate context, angelology. Because it served as a means of talking about certain aspects of human experience, it was humanized. It helped one to think about the sense, men sometimes have of participating in some order of duration other than that of the nunc movens--of being able, as it were, to do all that angels can. Such are those moments which Augustine calls the moments of the soul's attentiveness; less grandly, they are moments of what psychologists call 'temporal integration.' When Augustine recited his psalm he found in it a figure for the integration of past, present, and future which defies successive time. He discovered what is now erroneously referred to as 'spatial form.' He was anticipating what we know of the relation between books and St. Thomas's third order of duration--for in the kind of time known by books a moment has endless perspectives of reality. We feel, in Thomas Mann's words, that 'in their beginning exists their middle and their end, their past invades the present, and even the most extreme attention to the present is invaded by concern for the future.' The concept of aevum provides a way of talking about this unusual variety of duration-neither temporal nor eternal, but, as Aquinas said, participating in both the temporal and the eternal. It does not abolish time or spatialize it; it co-exists with time, and is a mode in which things can be perpetual without being eternal. We've seen that the concept of aevum grew out of a need to answer certain specific Averroistic doctrines concerning origins. But it appeared quite soon that this medium inter aeternitatem et tempus had human uses. It contains beings (angels) with freedom of choice and immutable substance, in a creation which is in other respects determined. Although these beings are out of time, their acts have a before and an after. Aevum, you might say, is the time-order of novels. Characters in novels are independent of time and succession, but may and usually do seem to operate in time and succession; the aevum co-exists with temporal events at the moment of occurrence, being, it was said, like a stick in a river. Brabant believed that Bergson inherited the notion through Spinoza's duratio, and if this is so there is an historical link between the aevum and Proust; furthermore this durée réelle is, I think, the real sense of modern 'spatial form,' which is a figure for the aevum.

What, then, can Shakespearean tragedy, on this brief view, tell us about human time in an eternal world? It offers imagery of crisis, of futures equivocally offered, by prediction and by action, as actualities; as a confrontation of human time with other orders, and the disastrous attempt to impose limited designs upon the time of the world. What emerges from Hamlet is--after much futile, illusory action--the need of patience and readiness. The 'bloody period' of Othello is the end of a life ruined by unseasonable curiosity. The millennial ending of Macbeth, the broken apocalypse of Lear, are false endings, human periods in an eternal world. They are researches into death in an age too late for apocalypse, too critical for prophecy; an age more aware that its fictions are themselves models of the human design on the world. But it was still an age which felt the human need for ends consonant with the past, the kind of end Othello tries to achieve by his final speech; complete, concordant. As usual, Shakespeare allows him his tock; but he will not pretend that the clock does not go forward. The human perpetuity which Spenser set against our imagery of the end is represented here also by the kingly announcements of Malcolm, the election of Fortinbras, the bleak resolution of Edgar. In apocalypse there are two orders of time, and the earthly runs to a stop; the cry of woe to the inhabitants of the earth means the end of their time; henceforth 'time shall be no more.' In tragedy the cry of woe does not end succession; the great crises and ends of human life do not stop time. And if we want them to serve our needs as we stand in the middest we must give them patterns, understood relations as Macbeth calls them, that defy time. The concords of past, present, and future towards which the soul extends itself are out of time, and belong to the duration which was invented for angels when it seemed difficult to deny that the world in which men suffer their ends is dissonant in being eternal. To close that great gap we use fictions of complementarity. They may now be novels or philosophical poems, as they once were tragedies, and before that, angels. What the gap looked like in more modern times, and how more modern men have closed it, is the preoccupation of the second half of this series.

The role of time has been a refrain in this part of the book. It is logical to describe the life of the experiencing self as a series of moments, each with a value. The value of an episode—I have called it a hedonimeter total—is simply the sum of the values of its moments. But this is not how the mind represents episodes. The remembering self, as I have described it, also tells stories and makes choices, and neither the stories nor the choices properly represent time. In storytelling mode, an episode is represented by a few critical moments, especially the beginning, the peak, and the end. Duration is neglected.

Einstein’s insight, as he explained it to Solovine, was that we must discard concepts that “have no link with experience,” such as “absolute simultaneity” and “absolute speed.”61 It is very important to note, however, that the theory of relativity does not mean that “everything is relative.” It does not mean that everything is subjective. Instead, it means that measurements of time, including duration and simultaneity, can be relative, depending on the motion of the observer. So can the measurements of space, such as distance and length. But there is a union of the two, which we call spacetime, and that remains invariant in all inertial frames. Likewise, there are things such as the speed of light that remain invariant. In

HOW SHOULD THE SOUL not take wings when from the Glory of God It hears a sweet, kindly call: "Why are you here, soul? Arise!" How should a fish not leap fast into the sea from dry land When from the ocean so cool the sound of the waves reaches its How should the falcon not fly back to his king from the hunt When from the falconer's drum it hears to call: "Oh, come back"? Why should not every Sufi begin to dance atom-like Around the Sun of duration that saves from impermanence? What graciousness and what beauty? What life-bestowing! What grace! If anyone does without that, woe- what err, what suffering! Oh fly , of fly, O my soul-bird, fly to your primordial home! You have escaped from the cage now- your wings are spread in the air. Oh travel from brackish water now to the fountain of life! Return from the place of the sandals now to the high seat of souls! Go on! Go on! we are going, and we are coming, O soul, From this world of separation to union, a world beyond worlds! How long shall we here in the dust-world like children fill our skirts With earth and with stones without value, with broken shards without worth? Let's take our hand from the dust grove, let's fly to the heavens' high, Let's fly from our childish behaviour and join the banquet of men! Call out, O soul, to proclaim now that you are rules and king! You have the grace of the answer, you know the question as well!

In 2000 the Israeli singer Shlomi Shavan conquered the local playlists with his hit song ‘Arik’. It’s about a guy who is obsessed with his girlfriend’s ex, Arik. He demands to know who is better in bed – he, or Arik? The girlfriend dodges the question, saying that it was different with each of them. The guy is not satisfied and demands: ‘Talk numbers, lady.’ Well, precisely for such guys, a company called Bedpost sells biometric armbands that you can wear while having sex. The armband collects data such as heart rate, sweat level, duration of sexual intercourse, duration of orgasm and the number of calories you burned. The data is fed into a computer that analyses the information and ranks your performance with precise numbers. No more fake orgasms and ‘How was it for you?

Eternity, in the sense of the pools, manifests as an enigma within the mathematical fabric of existence. It represents a fractal realm in which the notion of endless duration deviates from conventional human experience. Far beyond the finite bounds of what we call ‘time,’ eternity morphs into a disorienting continuum of perpetual recurrence and unbounded expansion. The cyan merely acts as a catalyst to understanding. Within this eerie realm, space dissolves into a concept, and the usual arithmetic constraints fail to hold sway. The rooms become a ceaseless amalgamation of symbolic sequences and iterations, where infinite series relentlessly converge and diverge, oscillating in rhythm to the waves. The wave function collapses when th//Цијан цијан цијан цијан цијан цијан цијан цијан цијан HELP ME цијан цијан цијан цијан цијан цијан цијан цијан цијан цијан Цијан цијан цијан цијан цијан цијан цијан цијан цијан HELP ME цијан цијан цијан цијан цијан цијан цијан

Let us beware of thinking that the world is a living being. Where should it expand? On what should it feed? How could it grow and multiply? We have some notion of the nature of the organic; and we should not reinterpret the exceedingly derivative, late, rare, accidental, that we perceive only on the crust of the earth and make of it something essential, universal, and eternal, which is what those people do who call the universe an organism. This nauseates me. Let us even beware of believing that the universe is a machine: it is certainly not constructed for one purpose, and calling it a 'machine' does it far too much honor. Let us beware of positing generally and everywhere anything as elegant as the cyclical movements of our neighboring stars; even a glance into the Milky Way raises doubts whether there are not far coarser and more contradictory movements there, as well as stars with eternally linear paths, etc. The astral order in which we live is an exception; this order and the relative duration that depends on it have again made possible an exception of exceptions: the formation of the organic. The total character of the world, however, is in all eternity chaos—in the sense not of a lack of necessity but of a lack of order, arrangement, form, beauty, wisdom, and whatever other names there are for our aesthetic anthropomorphisms. Judged from the point of view of our reason, unsuccessful attempts are by all odds the rule, the exceptions are not the secret aim, and the whole musical box repeats eternally its tune which may never be called a melody—and ultimately even the phrase 'unsuccessful attempt' is too anthropomorphic and reproachful. But how could we reproach or praise the universe? Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful, nor noble, nor does it wish to become any of these things; it does not by any means strive to imitate man. None of our aesthetic and moral judgments apply to it. Nor does it have any instinct for self-preservation or any other instinct; and it does not observe any laws either. Let us beware of saying that there are laws in nature. There are only necessities: there is nobody who commands, nobody who obeys, nobody who trespasses. Once you know that there are no purposes, you also know that there is no accident; for it is only beside a world of purposes that the word 'accident' has meaning. Let us beware of saying that death is opposed to life. The living is merely a type of what is dead, and a very rare type. Let us beware of thinking that the world eternally creates new things. There are no eternally enduring substances; matter is as much of an error as the God of the Eleatics. But when shall we ever be done with our caution and care? When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to 'naturalize' humanity in terms of a pure, newly discovered, newly redeemed nature?

After dancing all night at a New Year’s ball, a girl will be unable to say whether the time passed quickly or slowly. Similarly, a man who has done twenty-five years in the Schlüusselburg Prison will say: ‘I seem to have been a whole eternity in this fortress, and at the same time I only seem to have been here a few weeks.’ The night at the ball is full of looks, smiles, caresses, snatches of music, each of which takes place so swiftly as to leave no sense of duration in the girl’s consciousness. Taken together, however, these moments engender the sense of a long interval of time that contains all the joys of human existence. For the prisoner it is the exact opposite: his twenty-five years are composed of discrete intervals of time – from morning roll-call to evening roll-call, from breakfast to lunchtime – each of which seems unbearably long. But the twilight monotony of the months and years engenders a sense that time itself has contracted, has shrunk. And all this gives rise to the same sense of simultaneous quickness and endlessness felt by the girl at the ball.

I am revoking the defendant’s bail and remanding him to the county prison, to remain there until and through the duration of his trial.” With that he nods to the two deputies, who walk to the front of the courtroom, cuff David, and lead him out the side door, their destination the holding cells in the subbasement. David will stay there until five o’clock, at which time he will be loaded into the sheriff’s bus and transported to the Curran-Fromhold Correctional Facility in Northeast Philadelphia. I watch David’s exit, watch him hold his head high, keep his back straight, trying to retain as much dignity as he can. Before the deputies close the door behind them, David glances back into the courtroom. I’ve seen the “last glance” from dozens of defendants, seen the guilt, sorrow, regret, fear, numbed disbelief plastered all over their faces as they take in a final look at the loved ones they’re leaving behind, sometimes for good. But David isn’t looking back in sadness or distress. And he isn’t looking at Marcie. His eyes hold only hatred for his real enemy. For Edwin. According to David, it was Edwin who placed the anonymous call to the DA’s office. Somehow,

Bohr is really doing what the Stoic allegorists did to close the gap between their world and Homer's, or what St. Augustine did when he explained, against the evidence, the concord of the canonical scriptures. The dissonances as well as the harmonies have to be made concordant by means of some ultimate complementarity. Later biblical scholarship has sought different explanations, and more sophisticated concords; but the motive is the same, however the methods may differ. An epoch, as Einstein remarked, is the instruments of its research. Stoic physics, biblical typology, Copenhagen quantum theory, are all different, but all use concord-fictions and assert complementarities. Such fictions meet a need. They seem to do what Bacon said poetry could: 'give some show of satisfaction to the mind, wherein the nature of things doth seem to deny it.' Literary fictions ( Bacon's 'poetry') do likewise. One consequence is that they change, for the same reason that patristic allegory is not the same thing, though it may be essentially the same kind of thing, as the physicists' Principle of Complementarity. The show of satisfaction will only serve when there seems to be a degree of real compliance with reality as we, from time to time, imagine it. Thus we might imagine a constant value for the irreconcileable observations of the reason and the imagination, the one immersed in chronos, the other in kairos; but the proportions vary indeterminably. Or, when we find 'what will suffice,' the element of what I have called the paradigmatic will vary. We measure and order time with our fictions; but time seems, in reality, to be ever more diverse and less and less subject to any uniform system of measurement. Thus we think of the past in very different timescales, according to what we are doing; the time of the art-historian is different from that of the geologist, that of the football coach from the anthropologist's. There is a time of clocks, a time of radioactive carbon, a time even of linguistic change, as in lexicostatics. None of these is the same as the 'structural' or 'family' time of sociology. George Kubler in his book The Shape of Time distinguished between 'absolute' and 'systematic' age, a hierarchy of durations from that of the coral reef to that of the solar year. Our ways of filling the interval between the tick and tock must grow more difficult and more selfcritical, as well as more various; the need we continue to feel is a need of concord, and we supply it by increasingly varied concord-fictions. They change as the reality from which we, in the middest, seek a show of satisfaction, changes; because 'times change.' The fictions by which we seek to find 'what will suffice' change also. They change because we no longer live in a world with an historical tick which will certainly be consummated by a definitive tock. And among all the other changing fictions, literary fictions take their place. They find out about the changing world on our behalf; they arrange our complementarities. They do this, for some of us, perhaps better than history, perhaps better than theology, largely because they are consciously false; but the way to understand their development is to see how they are related to those other fictional systems. It is not that we are connoisseurs of chaos, but that we are surrounded by it, and equipped for coexistence with it only by our fictive powers. This may, in the absence of a supreme fiction-or the possibility of it, be a hard fate; which is why the poet of that fiction is compelled to say From this the poem springs: that we live in a place That is not our own, and much more, nor ourselves And hard it is, in spite of blazoned days.

they had never been apart, and there was nothing Evelyn could do about it but unwrap her Almond Joy candy bar and sit there for the duration. “The front yard had a great big old chinaberry tree. I remember, we’d pick those little chinaberries all year long, and at Christmas, we’d string them and wrap them all around the tree from top to bottom. Momma was always warning us not to put chinaberries up our nose, and of course the first thing Idgie did, as soon as she learned to walk, was to go out in the yard and put chinaberries up her nose and in her ears as well. To the point that Dr. Hadley had to be called! He told Momma, ‘Mrs. Threadgoode, it looks like you’ve got yourself a little scalawag on your hands.’ “Well, of course Buddy just loved to hear that. He encouraged her every step of the way. But that’s how it is in big families. Everybody has their favorite. Her real name was Imogene, but Buddy started calling her Idgie. Buddy was eight when she was born, and he used to carry her all over town, just like she was a doll. When she got old enough to walk, she’d paddle around after him like a little duck, dragging that little wooden rooster behind her. “That Buddy had a million-dollar personality, with those dark eyes and those white teeth…he could charm you within an inch of your life. I don’t know of a girl in Whistle

The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.

From the past they turn to the future. Ah! at the close of the last century, the future seemed a thing tangible,—it was woven up in all men's fears and hopes of the present. At the verge of that hundred years, Man, the ripest born of Time, (“An des Jahrhunderts Neige, Der reifste Sohn der Zeit.” “Die Kunstler.”) stood as at the deathbed of the Old World, and beheld the New Orb, blood-red amidst cloud and vapour,—uncertain if a comet or a sun. Behold the icy and profound disdain on the brow of the old man,—the lofty yet touching sadness that darkens the glorious countenance of Zanoni. Is it that one views with contempt the struggle and its issue, and the other with awe or pity? Wisdom contemplating mankind leads but to the two results,—compassion or disdain. He who believes in other worlds can accustom himself to look on this as the naturalist on the revolutions of an ant-hill, or of a leaf. What is the Earth to Infinity,—what its duration to the Eternal? Oh, how much greater is the soul of one man than the vicissitudes of the whole globe! Child of heaven, and heir of immortality, how from some star hereafter wilt thou look back on the ant-hill and its commotions, from Clovis to Robespierre, from Noah to the Final Fire. The spirit that can contemplate, that lives only in the intellect, can ascend to its star, even from the midst of the burial-ground called Earth, and while the sarcophagus called Life immures in its clay the everlasting!

HOW SHOULD THE SOUL How should the soul not take wings when from the Glory of God It hears a sweet, kindly call: "Why are you here, soul? Arise!" How should a fish not leap fast into the sea form dry land When from the ocean so cool the sound of the waves reaches its How should the falcon not fly back to his king from the hunt When from the falconer's drum it hears to call: "Oh, come back"? Why should not every Sufi begin to dance atom-like Around the Sun of duration that saves from impermanence? What graciousness and what beauty? What life-bestowing! What grace! If anyone does without that, woe- what err, what suffering! Oh fly , of fly, O my soul-bird, fly to your primordial home! You have escaped from the cage now- your wings are spread in the air. Oh travel from brackish water now to the fountain of life! Return from the place of the sandals now to the high seat of souls! Go on! Go on! we are going, and we are coming, O soul, From this world of separation to union, a world beyond worlds! How long shall we here in the dust-world like children fill our skirts With earth and with stones without value, with broken shards without worth? Let's take our hand from the dust grove, let's fly to the heavens' high, Let's fly from our childish behaviour and join the banquet of men! Call out, O soul, to proclaim now that you are rules and king! You have the grace of the answer, you know the question as well!

The Christian narrative states that a maximally powerful, maximally good, all-knowing aseitic being consciously created everything, including man who short-circuited shortly after. This failure resulted in the immediate separation of all earthly things, including man, from the Creator: the Middle Eastern deity named, Yhwh. The objective of life, according to the Christian narrative, is to return to communion with Yhwh. Failure to do so in a finite space of time (a single lifetime of indeterminate duration and unequal resources) will result in Yhwh tossing the individual into an abyss he created for his finest and most beautiful creation, an angel named Lucifer (Ezekiel 28:12,13), who also short-circuited sometime earlier. This is considered by Christians to be the ultimate punishment: an eternal separation from the god, Yhwh. This narrative is wholesale nonsense. As a theology (and scaffolding for a tremendously flawed accompanying theodicy), it is an extravagant work of self-annihilating absurdity. As a maximally good, aseitic being, everything was once part of perfection. That’s what aseity means. There was no-thing that was not already perfect. To argue otherwise is to concede Yhwh was not, in fact, perfect. Creation, therefore, destroyed this eternal harmony, this purity, and by this fact alone, the act of Creation can only be called maximally evil. Creation separated things from the perfect goodness. Creation expelled goodness and cast it into a state of imperfection, and that is evil. In the second instance, as Lucifer—Yhwh’s most perfect creation—had already failed, which was itself inevitable, then that means Yhwh consciously flung man into an already corrupted Creation, and that, too, is evil.

Jung’s remarks about how in North Africa he “felt cast back many centuries to an infinitely more naïve world of adolescents who were preparing, with the aid of a slender knowledge of the Koran, to emerge from their original state of twilight consciousness” may seem politically incorrect from our oversensitive perspective, but they highlight the core insight of the trip. Although Jung knew a great deal about mythology and mythological thinking, his own thinking was decidedly Western and rational—he described himself as a “thorough Westerner”26—and in many ways, Jung was a typical “left-brainer,” with his detestation of “fantasy,” his formality and punctuality, his precision and need to be “scientific.” In his travels in North Africa, and later Taos and Central Africa, Jung was looking for signs of a consciousness not as differentiated from the unconscious matrix—what in the Seven Sermons he called “the Pleroma”—as ours, with its sharp distinction between conscious and unconscious. What Jung found in places such as Tunis, Sousse, Sfax, and the oasis city of Tozeur was a completely different sense of time. Coming from the land of cuckoo clocks and appointment books, this must have been a shock. Jung had entered a “dream of a static, age-old existence,” a kind of perpetual now, a condition associated with the right brain, which lacks a sense of time; there was none of the incessant activity that characterized even a relatively small city like Zürich. Jung enjoyed the contrast, which gave him an opportunity to entertain criticisms of modernity, a practice that would become something of a habit in later years, but he also felt this timelessness was threatened. Thinking of his pocket watch, “the symbol of Europe’s accelerated tempo,” Jung worried that the “god of time” and its demon, progress, would soon “chop into bits and pieces”—hours, minutes, seconds—the “duration” he sensed here and which was the “closest thing to eternity.

Nothing in life stands still. Movement and change are the very essence of life and yet our normal tendency is to believe that everything is fixed and solid. We wish to believe that all we see is real and secure, even though our ordinary experience tells us that nothing remains unchanged and nothing lasts forever. On the contrary, everything in the world around us is constantly falling apart and requires a great deal of maintenance on our part if we wish to hold it together. What happens during this process of change is the great mystery revealed in symbolic form within this book. The state called here the "transitional phase" (Tibetan: "bardo") is the actual moment of change, occurring at the end of one phase and the beginning of the next. It is the state of flux itself, the only state that can really be called "real." It is a condition of great power and potential within which anything could happen. It is the moment between moments. It may seem to span an entire lifetime, like the moment between being born and dying, or it may be imperceptibly short and fleeting, like the moment between one thought and the next. Whatever its duration, however, it is a moment of great opportunity for those who perceive it. Anyone who can do this is called a yogin. Such a person has the power of destiny in their hands. He or she has no need of a priest to guide him towards the clear light of truth, for he sees already the clear light of truth in the intermediate phases that occur between all other states. Refusing to become trapped in the false belief that all about him is fixed and solid, the yogin moves with calm and graceful ease through life, confident that changes are now under his own direction. He becomes the master of change instead of its slave.....Similarly, between any encounter and one's reaction to it, there is an intermediate space that offers choice to those who can see it. One is not obliged to react on the basis of habit or prejudice. The opportunity for a fresh approach is always there in the intermediate state for those who have learned to recognize it. Such recognition is the essential message of this ancient and profound book.

One can readily imagine in what terms a man of today would speak if called upon to make a pronouncement on the only religion ever to have introduced a radical formula of salvation: "The quest for deliverance can be justified only if one believes in the transmigration, in the endless vagrancy of the self, and if one aspires to halt it. But for us who do not believe in it, what are we to halt? This unique and negligible duration? It is obviously not long enough to deserve the effort an escape would require. For the Buddhist, the prospect of other existences is a nightmare; for us, the nightmare consists in the termination of this one, this nightmare. Give us another one, we would be tempted to clamor, so that our disgraces will not conclude too soon, so that they may, at their leisure, hound us through several lives. Deliverance answers a necessity only for the person who feels threatened by a surfeit of existence, who fears the burden of dying and redying. For us, condemned not to reincarnate ourselves, what's the use of struggling to set ourselves free from a nonentity? to liberate ourselves from a terror whose end lies in view? Further more, what's the use of pursuing a supreme unreality when everything here-below is already unreal? One simply does not exert oneself to get rid of something so flimsily justified, so precariously grounded. Each of us, each man unlucky enough not to believe in the eternal cycle of births and deaths, aspires to a superabundance of illusion and torment. We pine for the malediction of being reborn. Buddha took exorbitant pains to achieve what? definitive death - what we, on the contrary, are sure of obtaining without meditations and mortifications, without raising a finger." ... That's just about how this fallen man would express himself if he consented to lay bare the depths of his thought. Who will dare throw the first stone? Who has not spoken to himself in this way? We are so addicted to our own history that we would like to see it drone on and on, relentlessly. But whether one lives one or a thousand lives, whether one has at one's disposal a single hour or all of time, the problem remains the same: an insect and a god should not differ in their manner of viewing the fact of existence as such, which is so terrifying (as only miracles can be) that, reflecting on it, one understands the will to disappear forever so as not to have to consider it again in other existences. This is what Buddha emphasized, and it seems doubtful he would have altered his conclusion had he ceased to believe in the mechanism of transmigration.

Let us beware.— Let us beware of thinking that the world is a living being. Where should it expand? On what should it feed? How could it grow and multiply? We have some notion of the nature of the organic; and we should not reinterpret the exceedingly derivative, late, rare, accidental, that we perceive only on the crust of the earth and make of it something essential, universal, and eternal, which is what those people do who call the universe an organism. This nauseates me. Let us even beware of believing that the universe is a machine: it is certainly not constructed for one purpose, and calling it a “machine” does it far too much honor. Let us beware of positing generally and everywhere anything as elegant as the cyclical movements of our neighboring stars; even a glance into the Milky Way raises doubts whether there are not far coarser and more contradictory movements there, as well as stars with eternally linear paths, etc. The astral order in which we live is an exception; this order and the relative duration that depends on it have again made possible an exception of exceptions: the formation of the organic. The total character of the world, however, is in all eternity chaos—in the sense not of a lack of necessity but of a lack of order, arrangement, form, beauty, wisdom, and whatever other names there are for our aesthetic anthropomorphisms. Judged from the point of view of our reason, unsuccessful attempts are by all odds the rule, the exceptions are not the secret aim, and the whole musical box repeats eternally its tune2 which may never be called a melody—and ultimately even the phrase “unsuccessful attempt” is too anthropomorphic and reproachful. But how could we reproach or praise the universe? Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful, nor noble, nor does it wish to become any of these things; it does not by any means strive to imitate man. None of our aesthetic and moral judgments apply to it. Nor does it have any instinct for self-preservation or any other instinct; and it does not observe any laws either. Let us beware of saying that there are laws in nature. There are only necessities: there is nobody who commands, nobody who obeys, nobody who trespasses. Once you know that there are no purposes, you also know that there is no accident; for it is only beside a world of purposes that the word “accident” has meaning. Let us beware of saying that death is opposed to life. The living is merely a type of what is dead, and a very rare type. Let us beware of thinking that the world eternally creates new things. There are no eternally enduring substances; matter is as much of an error as the God of the Eleatics. But when shall we ever be done with our caution and care? When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to “naturalize” humanity in terms of a pure, newly discovered, newly redeemed nature?

Absolute, true, and mathematical time, for itself, and from its own nature flows equably without regard to anything external, and by another name is called duration: relative, apparent, and common time, is some sensible and external (whether accurate or unequable) measure for duration by means of motion, which is commonly used instead of true time; such as an hour, a day, a month, a year.

When slavery is understood to have always been yoked to freedom all throughout the history of man; when (the so-called free) man’s yoking to the figure of the slave is also, of necessity, understood to be yoked to his struggle against the free man for his freedom (and the ambiguity of “his” is, here, intentional), then what we’re talking about is better, if still inadequately, understood as durational field rather than event.

The peace which Kulin Ban purchased by yielding to Rome was not of long duration, for he could not compel his people to observe its terms. On his death (1216) the Pope appointed a Roman Catholic Ban, and sent a mission to convert the Bosnians. The churches of the country, however, increased the more, and spread into Croatia, Dalmatia, Istria, Carniola and Slavonia. Some six years later the Pope, despairing of converting the Bosnians by other than forcible methods, and encouraged by the success of his crusade in Provence, ordered the King of Hungary to invade Bosnia. The Bosnians deposed their Roman Catholic Ban and elected a Bogomil, Ninoslav. For years the war went on, with varying fortune. Ninoslav yielded to circumstances and became a Roman Catholic, but no change in their rulers affected the faith and confession of the great bulk of the people. The country was devastated, but whenever the invading armies withdrew, the churches were found still existing, and the industry of the people quickly restored prosperity. Fortresses were erected throughout the country “for the protection of the Roman Catholic Church and religion”; the Pope gave the land to Hungary, which long ruled it, but its people still holding to their faith, he at length called a crusade of “all the Christian world” against it; the Inquisition was established (1291), and Dominican and Franciscan brothers competed in applying its terrors to the devoted churches.

Sri Yukteswar discovered the mathematical application of a 24,000-year equinoctial cycle to our present age. 4 The cycle is divided into an Ascending Arc and a Descending Arc, each of 12,000 years. Within each Arc fall four Yugas or Ages, called Kali, Dwapara, Treta, and Satya, corresponding to the Greek ideas of Iron, Bronze, Silver, and Golden Ages. My guru determined by various calculations that the last Kali Yuga or Iron Age, of the Ascending Arc, started about a.d. 500. The Iron Age, 1200 years in duration, is a span of materialism; it ended about a.d. 1700. That year ushered in Dwapara Yuga, a 2400-year period of electrical and atomic-energy developments: the age of telegraphy, radio, airplanes, and other space-annihilators. The 3600-year period of Treta Yuga will start in a.d. 4100; the age will be marked by common knowledge of telepathic communications and other time-annihilators. During the 4800 years of Satya Yuga, final age in an Ascending Arc, the intelligence of man will be highly developed; he will work in harmony with the divine plan. A Descending Arc of 12,000 years, starting with a Descending Golden Age of 4800 years, then begins for the world (in a.d. 12,500); man gradually sinks into ignorance. These cycles are the eternal rounds of maya, the contrasts and relativities of the phenomenal universe. 5 Men, one by one, escape from creation’s prison of duality as they awaken to consciousness of their inseverable divine unity with the Creator. Master

The effectiveness of your life is not determined by the duration of your life

Interestingly, consciousness and understanding are always tied to a short time span, which was called the specious present by the philosopher and psychologist William James (brother of novelist Henry). The specious present is closely related to the phenomenon of short-term memory and our ability to grasp and understand sentences, lines of poems and snatches of melody. It has a duration of up to about three seconds. The

Sometimes when counselees are cornered and forced to acknowledge that their behavior is irresponsible, they attempt to dodge the issue by replying: “Well, I guess that’s just the way I am.” They say this in a resigned manner and expect to leave the whole matter right there. They speak as though there were no possibility for genuine personality change. Such a view of man is decidedly unscriptural. Human beings in one way might be described more accurately as human becomings. Personality can be changed. God, throughout history, has turned Jacobs into Israels, Simons into Peters and Sauls into Pauls. Today’s personality is based on yesterday. What one is today is but the composite of his past. At birth, God gave to each of us a basic deposit of inherited stuff which Scripture calls phusis (nature). This is a matter of gene makeup. 1 But that is not personality. How one uses the phusis in responding to life’s problems and life’s challenges determines the personality. Those response patterns may become deeply etched over a period of time. At length, they may seem to be, as we say, “second nature,” i.e., almost as “given” as the original phusis. Though habit patterns are hard to change, change is not impossible. Nouthetic counselors regularly see patterns of 30-40 years’ duration altered. What was learned can be unlearned.

How cold or warm are your calls can be best judged by the call duration and the number of questions you ended-up answering, and if the clients aren’t responding to follow-up calls, one of the reasons could be that they didn’t like “what & how it was said”, rejections teach if we start looking at the basic part of human behavior - we don’t talk to people if the talk doesn’t interest us.

Human resource is limited to the duration of his/her lifespan while time is unlimited.

You led Shenzhen Football / You saved Shenzhen Football. " Chinese pro football soccer league (second division) Shenzhen FC recently announced a number of poems like this one. It seems like a tribute to Sven Jerran Eriksson (69, photo), a world-renowned manager who has been assigned to the club this season. But looking back, the story was different. The club said, 'We call the legend again. Let's go on a new trip together. " 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 깔끔한거래,안전거래,총알배송,고객님정보보호,100%정품,편한상담,신용신뢰의 거래,후불거래등 고객님들의 편의를 기본으로 운영하고있는 온라인 판매업체입니다 The poem was a clearing for Eriksson. He was tortured in the club with one side on the 14th. The poem 'You' was not his, but the former director of Wang Baoshan. The Shenzhen team first announced the city verses through its homepage, and then the local media asked whether it was a change of director. ◀경영항목▶텔레【KC98K】카톡【ACD5】라인【SPR331】 엑스터시,신의눈물,lsd,아이스,캔디,대마초,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 Sweden coach Eriksson is one of the best players in the World Cup finals. In 2001, he became the first foreign coach in England's history. He led Beckham, Owen and others to advance to the quarter-finals in the 2002 Korea-Japan World Cup and the 2006 Germany World Cup. At the 2010 South African tournament he was promoted to coach Ivory Coast. Benfica, AS Roma and Manchester City also led the pros. It was in June 2013 that Eriksson, who became a world class soccer player, started his career in Chinese football. He was appointed to the first division of Guangzhou Puri in China with an annual salary of about 3.5 billion won. It was a bad condition for him to spend the last years of his life as a leader. After failing to sign a new contract, he became a manager of the Shanghai Sanggang, subject to an annual salary of 6 billion won by the end of 2014. After two years of hardship, he moved to China 2nd Division League Shenzhen FC. But here, the duration of the bust was shorter. Eriksson's lead has been in fourth place in the league since he lost five consecutive wins in the league in eight consecutive wins (five and three losses). The club, aiming at promoting the first division, has been pushing out Eriksson in six months because of the atmosphere. Early exits such as Eriksson can be found easily in Chinese football world that pours a lot of money into directing shopping. Only Lee Jang Soo (Changchun), Choi Yong Soo (Jangsu) and Hong Myung Bo (Hangzhou) have left the team during the season due to poor performance.

Guwahati: North East India Petroleum Dealers Association, Greater Gauhati Unit (NEIPDA-GGU) has called for 48-hour petrol pump closure in Guwahati from 6 am of October 22 to 6 am of October 24. In an official letter written by NEIPDA-GGU read, “the Association has informed the OMCs regarding the decision to go for closure of Retail Outlet (Petrol Pump) with effect from 6:00 AM of 22/10/2021 for a duration for 48 hours.” The association has also raised a 10-point charter of demands relating to various issues concerning the petroleum dealership business.

Clearly,' the Time Traveler proceeded, 'any real body must have extension in four directions: it must have Length, Breadth, Thickness, and - Duration. But through a natural infirmity of the flesh, which I was explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.

Soma may make you lose a few years in time,' the doctor went on. 'But think of the enormous, immeasurable durations it can give you out of time. Every soma-holiday is a bit of what our ancestors used to call eternity... Of course' Dr Shaw went on, 'you can't allow people to go popping off into eternity if they've got any serious work to do.

The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine.

HOW TO BE MISERABLE In my younger days dodging the draft, I somehow wound up in the Marine Corps. There’s a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don’t know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.

In this way the universe follows the cycle of dissolution, nothingness, creation, and duration of what is created. The length of one such cycle (eighty intermediate kalpas) is called a "great kalpa" (mahākalpa).

Thus strength training gives your metabolism a boost far beyond the duration of the actual workout, for as long as 48 hours. In contrast, after aerobic training your metabolism returns to normal almost immediately. So with interval training we’re not only building muscle, but we’re also able to kick up our metabolism long after–even when sleeping! Many people believe aerobic activity strengthens their heart, and decreases the chance of things like coronary artery disease. Yet, after much research, even U.S. Air Force Cardiologist Dr. Kenneth Cooper–the very man who coined the term “aerobics”–now believes there is no correlation between aerobic performance and health, longevity, or protection against heart disease. On the other hand, aerobic activities do carry with them a great risk of injury. Most, even so-called “low impact” classes or activities like stationary cycling, are not necessarily low-force. And things like running are extremely high-force, damaging to your knees, hips and back. Aerobic dance is even worse. Sure, you’ll hear the occasional genetic exception declare that they’ve never ever been injured doing these exercises. But overuse injuries are cumulative and often build undetected over years until it’s too late, leading to a decrease or loss of mobility as you age, which, in turn, too often leads to a shortened lifespan.

If I was ever followed again, the first thing I would do is make a 911 call and keep them on the phone line for the duration of the event.

Hector—never mind that they had lived in the same city for the entire duration of their friendship, never mind that it was easy to pick up the phone or see each other. It had begun as something of an in-joke, to exchange letters despite the proximity. Hector had started it as a way of teasing Isaias, telling him that he was such a timeless and romantic soul that writing letters to him seemed truer to form than just giving him a phone call or sending him a text.

observation is simply an observation for which a specified outcome has not yet occurred. Assume that data exist from a random sample of 100 clients who are seeking, or have found, employment. Survival analysis is the statistical procedure for analyzing these data. The name of this procedure stems from its use in medical research. In clinical trials, researchers want to know the survival (or disease) rate of patients as a function of the duration of their treatment. For patients in the middle of their trial, the specified outcome may not have occurred yet. We obtain the following results (also called a life table) from analyzing hypothetical data from welfare records (see Table 18.3). In the context shown in the table, the word terminal signifies that the event has occurred. That is, the client has found employment. At start time zero, 100 cases enter the interval. During the first period, there are no terminal cases and nine censored cases. Thus, 91 cases enter the next period. In this second period, 2 clients find employment and 14 do not, resulting in 75 cases that enter the following period. The column labeled “Cumulative proportion surviving until end of interval” is an estimate of probability of surviving (not finding employment) until the end of the stated interval.5 The column labeled “Probability density” is an estimate of the probability of the terminal event occurring (that is, finding employment) during the time interval. The results also report that “the median survival time is 5.19.” That is, half of the clients find employment in 5.19 weeks. Table 18.2 Censored Observations Note: Obs = observations (clients); Emp = employment; 0 = has not yet found employment; 1 = has found employment. Table 18.3 Life Table Results

The optimal duration forO2max intervals for marathoners is approximately 2 to 6 minutes. Intervals in this range are long enough so you accumulate a substantial amount of time at 95 to 100 percent ofO2max during each interval but short enough so you can maintain the optimal-intensity range throughout the workout. Intervals for marathoners should generally be between 800 and 1,600 meters. The training schedules in this book include some workouts of 600-meter repeats during weeks when your top priority lies elsewhere, such as when the week also calls for a tune-up race.

common application of thread confinement is the use of pooled JDBC (Java Database Connectivity) Connection objects. The JDBC specification does not require that Connection objects be thread-safe.[9] In typical server applications, a thread acquires a connection from the pool, uses it for processing a single request, and returns it. Since most requests, such as servlet requests or EJB (Enterprise JavaBeans) calls, are processed synchronously by a single thread, and the pool will not dispense the same connection to another thread until it has been returned, this pattern of connection management implicitly confines the Connection to that thread for the duration of the request. [9]

If you are porting a single-threaded application to a multithreaded environment, you can preserve thread safety by converting shared global variables into ThreadLocals, if the semantics of the shared globals permits this; an applicationwide cache would not be as useful if it were turned into a number of thread-local caches. ThreadLocal is widely used in implementing application frameworks. For example, J2EE containers associate a transaction context with an executing thread for the duration of an EJB call. This is easily implemented using a static Thread-Local holding the transaction context: when

There is nothing called a permanent love or a temporary love. Love is love. Love may be for a smaller duration or a longer duration.

Still, one could argue—and many did—that Greenspan, at least, had no business being quite so shocked. Over the years, countless people had challenged his deregulatory dogma, including (to name just a few) Joseph Stiglitz and Paul Krugman, both Nobel Prize–winning economists, and Brooksley Born, who was head of the Commodity Futures Trading Commission from 1996 to 1999. Born eventually became something of a Cassandra figure for the crisis, since she repeatedly called for regulating the market for derivatives, those ultracomplex financial products that eventually helped bring down the economy. Those calls were silenced when Greenspan, along with then-Treasury Secretary Robert Rubin and then-Securities and Exchange Commission Chair Arthur Levitt, took the extraordinary step of convincing Congress to pass legislation forbidding Born’s agency from taking any action for the duration of her term.

Don't know why they call leisure and enjoyment time as a "honeymoon period" wherein this is the only duration you get screwed the most !!!! Siccc

Forbearance or Deferment: Which Way to Go? Repaying student loan is a long journey as The Student Loan Help Center CEO, Bruce Mesnekoff said, at times you might face some potholes on the road, making your ride a bit difficult but there are some ways you can opt for help. Student loan forbearance and deferment are such two options which help you when you are facing money crunch and need some time to repay your student loans. Both of the options are specific to every individual depending on your financial state. Forbearance or deferment can be considered if you want to postpone your repayment for some duration or want to decrease the amount. Both of these are discussed in detail in this article. Forbearance Forbearance is used when you are facing monetary issues for a short period of time i.e. when you know you will come out of the money problems soon. Forbearance is provided for maximum period of one year at one time.Now there are two kinds of forbearance, mandatory and discretionary. When forbearance is must it’s called mandatory and this happens when: Your student loan repayment is 20% or more of your grossly monthly income. You are eligible for public loan forgiveness You are enrolled in dental internship or medical internship You are serving in a national service position Forbearance may or may not be provided by servicer if you are facing financial crunch or illness. One word of caution here would be to at least pay your interest every month because during forbearance you accruemonthly interest and if you don’t pay it as it gets added to principal. As a result you have to a pay huge amount at the end of the loan and also after forbearance is over to become current. Deferment Deferment also works onsimilar lines as forbearance. Though there is one advantage that subsidized direct loan, Perkins loans, federal Stafford loans do notaccrue interest during deferment, only non-subsidized loans accrue interest. You can defer loan repayment for the entire duration if you are in school or on military duty. If you are unemployed or facing any financial hardship the deferment period is of three years. You can qualify for deferment under following circumstances: If you are in school If you are on active military duty If you are qualifying for Perkins loan cancellation If you are unemployed If you are receiving federal or state assistance. Using deferment or forbearance is good option to keep your account “current” and save it from becoming delinquent or going in default. It saves your credit rating. If provided the opportunity to choose out of the two, always try and go for deferment if you can qualify for it as it’s more economical than forbearance. Contact The Student Loan Help Center to know more about Consolidation of your Student Loans.

Not so. You have been doing that quite frequently now. Rest easy. Later the whole of quantum mechanics will be placed in the context of the ten-dimensional manifold of manifolds, and there reconciled to gravity and to general relativity. Then, if you go that far, you will feel better about how it is that these equations can work, or be descriptive of a real world.” “But the results are impossible!” “Not at all. There are other dimensions folded into the ones our senses perceive, as I told you.” “How can you be sure, if we can never perceive them?” “It’s a matter of tests pursued, just as you do it in your work. We have found ways to interrogate the qualities of these dimensions as they influence our sensorium. We see then that there must be other kinds of dimensions. For instance, when very small particles decay into two photons, these photons have a quantum property we call spin. The clockwise spin of one is matched by a counterclockwise spin of the same magnitude in the other one, so that when the spin values are added, they equal zero. Spin is a conserved quantity in this universe, like energy and momentum. Experiments show that before a spin is measured, there is an equal potential for it to be clockwise or counterclockwise, but as soon as the spin is measured it becomes one or the other. At that moment of measurement, the complementary photon, no matter how far away, must have the opposite spin. The act of measurement of one thus determines the spin of both, even if the other photon is many light-years away. It changes faster than news of the measurement could have reached it moving at the speed of light, which is as fast as information moves in the dimensions we see. So how does the far photon know what to become? It only happens, and faster than light. This phenomenon was demonstrated in experiments on Earth, long ago. And yet nothing moves faster than the speed of light. Einstein was the one who called this seemingly faster-than-light effect ‘spooky action at a distance,’ but it is not that; rather, the distance we perceive is irrelevant to this quality we call spin, which is a feature of the universe that is nonlocal. Nonlocality means things happening together across distance as if the distance were not there, and we have found nonlocality to be fundamental and ubiquitous. In some dimensions, nonlocal entanglement is simply everywhere and everything, the main feature of that fabric of reality. The way space has distance and time has duration, other manifolds have entanglement.

Beneath the explicit acts by which I posit and object out in front of myself, in a definite relation with other objects and with definite characteristics that can be observed, beneath, then, perceptions properly so-called, there is, sustaining them, a deeper function without which perceived objects would lack the mark of reality, as it is missing for the schizophrenic, and by which the objects begin to count or to have value for us. This is the movement that carries us beyond subjectivity, that places us in the world prior to every science and every verification through a sort of 'faith,' or 'primordial opinion'--or that, on the contrary, becomes bogged down in our private appearances. In this domain of originary opinion, hallucinatory illusion is possible even though hallucination is never perception...because here we are still within pre-predicative being, and because the connection between appearance and total experiences is merely implicit and presumptive, even in the case of true perception...The world remains the vague place of all experiences. It accommodates, pell-mell, true objects as well as individual and fleeting fantasies--because it is an individual that encompasses everything and not a collection of objects linked together through causal relations. To have hallucinations and, in general, to imagine is to exploit this tolerance of the pre-predicative world as well as our vertiginous proximity to all of being in syncretic experience. Thus, we only succeed in giving an account of the hallucinatory deception by stripping perception of its apodictic certainty and perceptual consciousness of its full self-possession...The perceived is and remains, despite all critical training, beneath the level of doubt and demonstration. The sun 'rises' for the scientist just as much as it does for the uneducated person, and our scientific representations of the solar system remain merely so many rumors, like the lunar landscapes--we never believe in them in the sense in which we believe in the rising of the sun. The rising of the sun, and the perceived in general, is 'real'--we immediately assign it to the world. Each perception, although always potentially 'crossed out' and pushed over to the realm of illusions, only disappears in order to leave a place for another perception that corrects it. Of course, each thing can, apres coup, appear uncertain, but at least it is certain for us that there are things, that is, that there is a world. To wonder if the world is real is to fail to understand what one is saying, since the world is not a sum of things that one could always cast into doubt, but precisely the inexhaustible reservoir from which things are drawn...Correlatively, we must surely deny perceptual consciousness full self-possession and the immanence that would exclude every illusion. If hallucinations are to be possible, consciousness must at some moment cease to know what it does, otherwise it would be conscious of constituting an illusion, it would no longer adhere to it, and there would thus be no more illusion...It is simply necessary that the self-coincidence with myself, such as it is established in the cogito, must never be a real coincidence, and must merely be an intentional and presumptive coincidence. In fact a thickness of duration already intervenes between myself who has just had this thought and myself who thinks that I have just had this thought, and I can always doubt whether that thought, which has already gone by, was really as I currently see it...But my confidence in reflection ultimately comes down to taking up the fact of temporality and the fact of the world as the invariable frame of every illusion and of every disillusion: I only know myself in my inherence in the world and in time; I only know myself in ambiguity.

They were experienced not as wholly meaningless elements but as qualitatively meaningful and as such could reflect the quality of the worldly referent they symbolized.14 The word would sound like its referent, not necessarily in the way of a strict onomatopoetic rendering, in which case language would be limited to designating only audible phenomena, but in the way of a physiognomic onomatopoeia. The word would not imitate but qualitatively intimate the thing it stood for, and this in virtue of its sheer sound: its timbre, force, duration, and so on-its felt and heard qualitative character. A physiognomic congruency would thus be the ground upon which so-called "arbitrary" sound elements would have come to have linguistic meaning.

He loses his sexuality; he loses that mysterious faculty called freedom, for he is henceforth enslaved to the drug; he becomes a scapegoat and a victim of society’s most irrational sadisms (at least in America); but he has escaped from terrors that were slowly escalating and undermining his very identity. Only those who have passed through that nightmare of eternal* duration called “a psychotic episode” can empathize fully with this decision. ~•~ * There is no time in the psychotic’s world. Three months of schizophrenia is longer than the average reader’s life. ~•~

During an abduction, you want to place a 911 call at the earliest opportunity and keep the phone line open for the duration of the abduction.