Eclipse Love Quotes

We've searched our database for all the quotes and captions related to Eclipse Love. Here they are! All 100 of them:

Look after my heart - I've left it with you.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I promise to love you forever - every single day of forever.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I'm gonna fight for you, until your heart stops beating.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Dream happy dreams. You are the only one who has ever touched my heart. It will always be yours. Sleep,my only love.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
She’s in love with me, too, you know." Edward didn’t answer. Jacob sighed. “But she doesn’t know it.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
You know I love you right?” “I know,” he breathed, his arm tightening automatically around my waist. “You know how much I wish it was enough.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
It's something about the inevitability. How nothing can keep them apart--not her selfishness, or his evil, or even death, in the end...their love is their only redeeming quality.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Do you really have any idea how important you are to me? Any concept at all of how much I love you?" He pulled me tighter against his hard chest, tucking my head under his chin. I pressed my lips against his snow-cold neck. "I know how much I love you," I answered. You compare one small tree to the entire forest." I rolled my eyes, but he couldn't see. "Impossible.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
The worst part is that I saw the whole thing -- our whole life. And I want it bad, Jake, I want it all. I want to stay right here and never move. I want to love you and make you happy. And I can't, and it's killing me.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
It’s not like love at first sight, really. It’s more like… gravity moves. When you see her, suddenly it’s not the earth holding you here anymore. She does. And nothing matters more than her. And you would do anything for her, be anything for her… You become whatever she needs you to be, whether that’s a protector, or a lover, or a friend, or a brother.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
You are...Well, not exactly the love of my life, because I expect to love you for much longer than that. The love of my existence." -Bella
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
There s a difference between being in love and being in love with the idea of love.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
That’s why it was so impossible to tell him goodbye — because I was in love with him. Too. I loved him, much more than I should, and yet, still nowhere near enough. I was in love with him, but it was not enough to change anything; it was only enough to hurt us both more. To hurt him worse than I ever had.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I loved you before I even knew the name for it. Everyday I'd sit beside you, inhaling your scent, looking at your beautiful face. Every night, dreaming about you. You eclipsed everything else. It was you. Always you.
Heather Anastasiu (Glitch (Glitch, #1))
It is customary to blame secular science and anti-religious philosophy for the eclipse of religion in modern society. It would be more honest to blame religion for its own defeats. Religion declined not because it was refuted, but because it became irrelevant, dull, oppressive, insipid. When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendor of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion--its message becomes meaningless.
Abraham Joshua Heschel (God in Search of Man: A Philosophy of Judaism)
Love is like a unique comet that appears rarely in the sky shines as bright as a thousand stars and flies through your galaxy creating light during an eclipse.
Leesa Abbott
When we were five, they asked us what we wanted to be when we grew up. Our answers were thing like astronaut, president, or in my case… princess. When we were ten, they asked again and we answered - rock star, cowboy, or in my case, gold medalist. But now that we've grown up, they want a serious answer. Well, how 'bout this: who the hell knows?! This isn't the time to make hard and fast decisions, its time to make mistakes. Take the wrong train and get stuck somewhere chill. Fall in love - a lot. Major in philosophy 'cause there's no way to make a career out of that. Change your mind. Then change it again, because nothing is permanent. So make as many mistakes as you can. That way, someday, when they ask again what we want to be… we won't have to guess. We'll know. [from the movie]
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
It's late,' he said again, murmuring, almost crooning now, his voice smoother than silk. 'Sleep, my Bella. Dream happy dreams. You are the only one who has ever touched my heart. It will always be yours. Sleep, my only love.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
The person that loves the least, controls the relationship
Zane (Total Eclipse of the Heart)
To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen.... And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.
Arthur Conan Doyle (The Adventures of Sherlock Holmes, Volume 1)
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
Victor Hugo (Les Misérables)
Isabella Swan?” He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. “I promise to love you forever—every single day of forever. Will you marry me?” There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, “Yes.” “Thank you,” he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
It won't be the same for me," I whispered, half to myself. "You won't let me be like that. We'll live in Antarctica." Edward snorted, breaking the tension. "Penguins. Lovely.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I had no right to want you — but I reached out and took you anyway. And now look what’s become of you! Trying to seduce a vampire." (Edward Cullen, Eclipse)~Stephenie Meyer
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I know you're frustrated that he's keeping you locked up like this, but don't give him too bad a time when he gets back. He loves you more than you know. It terrifies him to be away from you.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
What is a valid reason for someone to love someone else? Since apparently I’m doing it wrong.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Isabella Swan? I promise to love you forever - every single day of forever. Will you marry me?
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
But it's possible to love more than one person at a time, Bella. I've seen it in action.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
For one brief, never-ending second, an entirely different path expanded behind the lids of my tear-wet eyes. As if I were looking through the filter of Jacob's thoughts, I could see exactly what I was going to give up, exactly what this new self-knowledge would not save me from losing. I could see Charlie and Renée mixed into a strange collage with Billy and Sam and La Push. I could see years passing, and meaning something as they passed, changing me. I could see the enormous red-brown wolf that I loved, always standing as protector if I needed him. For the tiniest fragment of a second, I saw the bobbing heads of two small, black-haired children, running away from me into the familiar forest. When they disappeared, they took the rest of the vision with them.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I believe that. But I want you to know something — when it comes to all this enemies nonsense, I’m out. I am a neutral country. I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures. Jacob is family. You are . . . well, not exactly the love of my life, because I expect to love you for much longer than that. The love of my existence. I don’t care who’s a werewolf and who’s a vampire. If Angela turns out to be a witch, she can join the party, too.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Odd as this might sound, I suppose I'm glad you're here, Jacob.' 'You mean, 'as much as I'd love to kill you, I'm glad she's warm,' right?
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
She is mine.' Edward’s low voice was suddenly dark, not as composed as before. 'I didn’t say I would fight fair.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
And so the lion fell in love with the lamb." - Edward Cullen, Twilight
Stephenie Meyer
We feel encouraged to go further with our instincts, not to change ourselves for love. If I were yours and you were mine, I would want you to be exactly as you are. I would never eclipse you with my desires.
Lauren Kate (Rapture (Fallen, #4))
All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.
Roger Waters
To struggle against the weight of sleep as reality eclipses the moon of your dreams is the purest sign of true love.
Ross Caligiuri (Dreaming in the Shadows)
What you call love does not sound very beautiful. Think of the way we adore the Throne. That adoration makes us the best version of ourselves. We feel encouraged to go further with or instincts, not to change ourselves for love. If I were yours and you were mine, I would want you to be exactly as you are. I would never eclipse you with my desires.
Lauren Kate (Rapture (Fallen, #4))
This is making me sick, Jacob. Can you imagine what this feels like to me? I don’t even like Bella Swan. And you’ve got me grieving over this leech-lover like I’m in love with her, too. Can you see where that might be a little confusing? I dreamed about kissing her last night! What the hell am I supposed to do with that?
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Shelby believed that love was like a solar eclipse - breathtakingly beautiful, absorbing, and capable of rendering you blind. She had not necessarily gone out of her way to avoid a relationship, but she hadn't wanted on either. It was called falling in love for a reason - because, inevitably, you crashed at the bottom.
Jodi Picoult (Second Glance)
i freaking LOVE the warriors i will cry,laugh,
Erin Hunter (Eclipse (Warriors: Power of Three, #4))
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.
Charlotte Brontë (Jane Eyre)
Time is ungovernable, but grief presents us with a choice: what do we do with the savage energies of bereavement? What do we do with the memory - or in the memory - of the beloved? Some commemorate love with statuary, but behavior, too, is a memorial, as is a well-lived life. In death, there is always the promise of hope. The key is opening, rather than numbing, ourselves to pain. Above all, we must show our children how to celebrate existence in all its beauty, and how to get up after life has knocked us down, time and again. Half-dead, we stand. And together, we salute love. Because in the end, that's all that matters. How hard we loved, and how hard we tried.
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
I've never felt normal, because I'm not normal, and I don't wanna be. I've had to face death and loss and pain in your world, but I've also never felt stronger, like more real, more myself, because it's my world too. It's where I belong.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Can I see it?" He blinked, still scowling, "See what?" "Your scar." His expression darkened like a sudden eclipse and I let my gaze grow cold. "You want to hear me scream? Give it your best shot. But until then, every time you take off your shirt, you may as well be handing out my business card. I shoved my blade deep inside you and loved every single inch of it. When I can't sleep at night, the memory of you screaming like a little bitch is my lullaby. And everybody knows exactly what that scar means- that you got your ass handed to you by a little girl. Again.
Rachel Vincent (Alpha (Shifters, #6))
Do you love me?" "Of course I do." "Then why do I see you sneaking off to Vegas to get married without inviting me?
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
When belonging to an elite group eclipses the love of God, when I draw life and meaning from any source other than my belovedness, I am spiritually dead. When God gets relegated to second place behind any bauble or trinket, I have swapped the pearl of great price for painted fragments of glass.
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging with Bonus Content)
Depression is the flaw in love. To be creatures who love, we must be creatures who can despair at what we lose, and depression is the mechanism of that despair. When it comes, it degrades one's self and ultimately eclipses the capacity to give or receive affection. It is the aloneness within us made manifest, and it destroys not only connection to others but also the ability to be peacefully alone with oneself. Love, though it is no prophylactic against depression, is what cushions the mind and protects it from itself. Medications and psychotherapy can renew that protection, making it easier to love and be loved, and that is why they work. In good spirits, some love themselves and some love others and some love work and some love God: any of these passions can furnish that vital sense of purpose that is the opposite of depression. Love forsakes us from time to time, and we forsake love. In depression, the meaninglessness of every enterprise and every emotion, the meaninglessness of life itself, becomes self-evident. The only feeling left in this loveless state is insignificance.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
I would have loved you for eternity, even when the word didn't have quite the same connotations.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Alice was scrutinizing my boring jeans-and-a-T-shirt outfit in a way that made me self-conscious. Probably plotting another makeover. I sighed. My indifferent attitude to fashion was a constant thorn in her side. If I'd allow it, she'd love to dress me everyday―perhaps several times a day―like some oversized three-dimensional paper doll.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I love the hint of copper in your eyes, radiating out like the sun, turning your pupils into an eclipse.' He ran his thumb down my cheekbone. 'The different striations of color, how every band of green is its own unique shade. A shard of a broken Heineken bottle, a blade of grass, moss on a rusty can.' 'Romantic...' I laughed.
Anastasia Hopcus
These late eclipses in the sun and moon portend no good to us: though the wisdom of nature can reason it thus and thus, yet nature finds itself scourged by the sequent effects: love cools, friendship falls off, brothers divide: in cities, mutinies; in countries, discord; in palaces, treason; and the bond cracked 'twixt son and father. This villain of mine comes under the prediction; there's son against father: the king falls from bias of nature; there's father against child. We have seen the best of our time: machinations, hollowness, treachery, and all ruinous disorders, follow us disquietly to our graves. Find out this villain, Edmund; it shall lose thee nothing; do it carefully. And the noble and true-hearted Kent banished! his offence, honesty! 'Tis strange.
William Shakespeare (King Lear)
I truly wish the power of his love could eclipse the overwhelming shame.
Ellen Hopkins (Identical)
Faith, then, is not a set of beliefs about the world. It is rather found in the loving embrace of the world. Because the actual existing church has reduced the Crucifixion and Resurrection to religious affirmations held by a certain tribe, rather than expressions of a type of life, the event they testify to has been almost completely eclipsed.
Peter Rollins (The Divine Magician: The Disappearance of Religion and the Discovery of Faith)
As Simone de Beauvoir had told us, women are not supposed to eclipse men in a world in which success and power are marked out for them. It is not easy to take up the historic privilege of dominance over women... if he is economically dependent on her talents. At the same time, she receives the fatal message that she must conceal her talents and abilities in order to be loved by him.
Deborah Levy (The Cost of Living: A Working Autobiography)
Things don't always turn out the way we plan, but don't ever let what you haven't done eclipse all the good you have done and are doing.
Ardeth Greene Kapp (Doing What We Came To Do: Living a Life of Love)
You love me, too. Not the same way, I know. But he’s not your whole life, either. Not anymore. Maybe he was once, but he left. And now he’s just going to have to deal with the consequence of that choice — me. Jacob Black.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Marriage is like calculus. Complicated and inexplicably remote. People think it's about loving one another and riding off into the sunset, but no one tells you the horse is lame or that it's an eclipse, and there won't be a sunset that day.
Kristin Billerbeck (The Trophy Wives Club (Trophy Wives Club, #1))
This is the whole stupid thing about all these unblood relationships. They depend on people staying the same, standing in the same spot they were in over a decade ago, when they first met. Surely the reality is that connections between people aren't permanent, but fleeting and random, like a solar eclipse or clouds meeting in the sky. They exist in a constantly moving universe full of constantly moving objects.
Matt Haig (The Radleys)
What could he say about a future to those parents who couldn't let go of the past, who could do nothing but watch their hopes for their children's futures fade away, their children gone for more than a year now and never coming back? What could he say to the rest of us, so marred by what happened within those hallowed halls of education we knew and once loved? There would be no sweet memories -- those would be forever eclipsed.
Jennifer Brown (Hate List)
In the wake of a human being's death, what survives is a set of afterglows, some brighter and some dimmer, in the collective brains of those who were dearest to them...Though the primary brain has been eclipsed, there is, in those who remain...a collective corona that still glows. - Douglas Hofstadter
Lauren Redniss (Radioactive: Marie and Pierre Curie, A Tale of Love and Fallout)
You know how the Eclipse of the sun shows it? Christ's strength eclipses your powerlessness in God's likeness, and there is total darkness on your weakness.
Israelmore Ayivor
As at those words did I myself become; And all my love was so absorbed in Him, That in oblivion Beatrice was eclipsed.
Dante Alighieri
You can’t dance with me in the day and sleep in his arms at night. You can’t have the sun and moon at the same time. Unless there’s an eclipse.
Neha Yazmin (Someone Like You (The Soulmates Saga #3))
Courage and love are the only indispensable virtues; even if all the others are eclipsed or fall asleep, these two will save the soul alive. Essays Divine and Human, p.455
Sri Aurobindo
Isn't it the rarest thing? Never mind the whale migrations, or total eclipses of suns and moons: love that lasts, and is returned in equal measure, is the rarest thing she knows of.
Susan Fletcher (The Silver Dark Sea)
You know the story in the bible? The one with the king and the two women fighting over the baby? Sure King Solomon. That's right, king solomon he said,  cut the kid in half... but it was only a test. Just to see who would give up their share to protect it... Well, I'm not going to cut you in half anymore. He was telling me that he loved me the most, that his surrender proved it.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
I nee to reason for a plague, ... As far as I know no comets or eclipses have been forecast, and our sins are not great enough for God to be concerned with us.
Gabriel García Márquez (Of Love and Other Demons)
I already began to inspire the men with love. My breast began to take its right form, and such a breast! white, firm, and formed like that of the Venus de' Medici; my eyebrows were as black as jet, and as for my eyes, they darted flames and eclipsed the luster of the stars, as I was told by the poets of our part of the world. My maids, when they dressed and undressed me, used to fall into an ecstasy in viewing me before and behind; and all the men longed to be in their places.
Voltaire (Candide)
you were the flaming meteor about to send me in smoke but i kissed you anyways. there's a burning crater on my lips from your touch and i think i may always be in love with you. we looked at each other like we were the sun and the moon and we knew we'd only eclipse for so long.
Catarine Hancock (The Boys I've Loved & The End of the World)
She smells like passion; like irresistible desire and temptation. She’s eclipsing in a daytime and shining at night. She smells like nakedness, even when she is warmly dressed. She has wild eyes. She smells like seduction; she is both an apple and a snake. She smells like great expectations; like success; like centuries-old glory. She’s like the last refuge. She smells like a final wish. She smells like a new beginning.
Damian Corvium
The light in that room was a glow; I seem to remember the color green, or perhaps flowers. A pale green sheet covered his inert body but not his head, which lay (eyes closed, mouth set in a tense and terrible grimace) unmoving. Gianluca. Barely able to see, barely able to stand - my knees kept buckling – and breathing so quietly I thought that I, too, might die; that out of shock, I would just drift away, the shell of my body cracking open. No longer anchored by my brother’s love, I would be reabsorbed by sky. Gianluca. If there was never another sound in the world, I would understand – yes, that would be appropriate, it would be fitting. This was the antithesis of music, the antithesis of noise. My brother’s death seemed to demand silence of all the world. Gianluca.
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
Tarinthali Ringali, I am, without regrets, your devoted servant. Your wit and intelligence stun me. Your beauty eclipses the sun itself. Your warm personality is enticing, and I highly prize your ability to disembowel anyone stupid enough to wrong you. I want to spend the rest of my life with you, and I selfishly want every part of you. It would be an honor, and my greatest desire, if you would allow me to protect, love, and serve you for the rest of our lives. And if you ever flirt with Eric or drink with another man again, I am going to slaughter them without hesitation.” “I accept. I love you, Captain Arion Herycian.” “And I love you, Tarinthali Ringali.
K.M. Shea (Red Rope of Fate (The Elves of Lessa, #1))
Realizing the seriously ruthless, venomous habits and agendas of evil always instills a more fierce passion and longing for a closer God. Men, out of pride, may claim their own authorities over what constitutes good and evil; they may self-proclaim a keen knowledge of subjective morality through religion or science. But that is only if they are acknowledging the work of evil as a cartoon-like, petty little rain cloud in the sky that merely wants to dampen one's spirits. On the contrary, a man could be without a doubt lit with the strength, the peace, and the knowledge of the gods, his gods, but when or if the devils grow weary in unsuccessful attempts to torment him, they begin tormenting his loved ones, or, if not his loved ones, anyone who may attempt to grasp his philosophies. No matter how godly he may become, God is, in the end, his only hope and his only grace for the pressures built around him - it is left up to a higher authority and a more solid peace and a wider love to eclipse not just one's own evils but all evils for goodness to ultimately matter. If all men were gods, each being would dwell in a separate prison cell, hopeless, before finally imploding into nothingness.
Criss Jami (Killosophy)
Did I ever tell you what came between your mother's heart and mine?" "I don't think this is the time--" "Your friend would disagree," she said, almost playfully, her attention darting to Tybalt. Focusing in me again, she said, "He all but burns with what he doesn't say to you, and my time is mine to spend.
Seanan McGuire (Late Eclipses (October Daye, #4))
Why am I pushing this? Because I fucking love you, you idiot, and I can't hide my feelings anymore." I screamed at him. "I'm in love with you. I love you so much it eclipses everything else around me. You're the star I can never reach. I can wish and dream, stretch and strain, but you're always just out of my grasp. I need something I can hold, I can count on. I need something tangible.
Genna Rulon (Only for You (For You, #1))
And his soul plunged downward, drowning in that deep pit: he felt that could never again escape from this smothering flood of pain and ugliness, from the eclipsing horror and pity of it all. And as he walked, he twisted his own neck about, and beat the air with his arm like a wing, as if he had received a blow in his kidneys. He felt that he might be clean and free if he could only escape into a single burning passion -- hard, and hot, and glittering -- of love, hatred, terror, or disgust. But he was caught, he was strangling, in the web of futility.
Thomas Wolfe (Look Homeward, Angel)
Your call is clear, cold centuries across; You bid me follow you, and take my cross, And daily lose myself, myself deny, And stern against myself shout ‘Crucify’. My stubborn nature rises to rebel Against your call. Proud choruses of hell Unite to magnify my restless hate Of servitude, lest I capitulate. The world, to see my cross, would pause and jeer. I have no choice, but still to persevere To save myself – and follow you from far, More slow than Magi-for I have no star. And yet you call me still. Your cross Eclipses mine, transforms the bitter loss I thought that I would suffer if I came To you- into immeasurable gain. I kneel before you, Jesus, crucified, My cross is shouldered and my self denied; I’ll follow daily, closely, not refuse For love of you and man myself to lose.
John R.W. Stott (Basic Christianity (IVP Classics))
To behold virtue in her proper form is nothing else but to contemplate morality stripped of all admixture of sensible things and of every spurious ornament of reward or self-love. How much she then eclipses everything else that appears charming to the affections, every one may readily perceive with the least exertion of his reason, if it be not wholly spoiled for abstraction.
Immanuel Kant (Fundamental Principles of the Metaphysic of Morals)
Why has that man fallen in love with that woman? Because she’s pretty. Why does pretty matter? Because human beings are a mainly monogamous species and so males are choosy about their mates (as male chimpanzees are not); prettiness is an indication of youth and health, which are indications of fertility. Why does that man care about fertility in his mate? Because if he did not, his genes would be eclipsed by those of men who did. Why does he care about that? He does not, but his genes act as if they do. Those who choose infertile mates leave no descendants. Therefore, everybody is descended from men who preferred fertile women, and every person inherits from those ancestors the same preference. Why is that man a slave to his genes? He is not. He has free will. But you just said he’s in love because it is good for his genes. He’s free to ignore the dictates of his genes. Why do his genes want to get together with her genes anyway? Because that’s the only way they can get into the next generation; human beings have two sexes that must breed by mixing their genes. Why do human beings have two sexes? Because in mobile animals hermaphrodites are less good at doing two things at once than males and females are at each doing his or her own thing. Therefore, ancestral hermaphroditic animals were outcompeted by ancestral sexed animals.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
And as the Moon eclipsed, sulking in envy, he wailed to the Earth "I wonder how you could never see, My deep Love for you - illuminating, beautifying your world when the Sun leaves you hurled... But despite it all, you still revolve around the Sun, who shuns you here in the dark, half the run." The Earth confessed with teary eyes still retaining a smile "It is not the Sun that leaves me, It is me who turns away, blocking his light. But yet his love for me is far more magnanimous, for he lights you up to render me luminous." Cosmic Love
Drishti Bablani
=The Burial of Love= His eyes in eclipse, Pale cold his lips, The light of his hopes unfed, Mute his tongue, His bow unstrung With the tears he hath shed, Backward drooping his graceful head. Love is dead; His last arrow sped; He hath not another dart; Go--carry him to his dark deathbed; Bury him in the cold, cold heart-- Love is dead.
Alfred Tennyson (The Suppressed Poems of Alfred Lord Tennyson)
But I love YOU, Edweird. Sure, I'll probably hook up with Yakob in Eclipse. After all, you're going to leave me for roughly three hundred pages. But that's neither here nor there. You and I were meant to be together. I mean you, me and sometimes Yakob...and sometimes just Yakob and me, but mostly you and me. That's just the way I always dreamed it should be, you want to marry me. We'll marry." "Hmmm," said Edweird thoughtfully after a long pause. "You know, I'm actually getting kind of tired of Yakob, if you want to know the truth. I mean, seriously, going steady with the same guy for half a century can make a stale relationship. Maybe it's time we see other people. You really set me straight on this, Stella. I want to thank you for makin me see this whole vampire-werewolf relationship thing more clearly." Edweird then turned to Yakob, who had remained silent throughout. "It's over between us, toots.
Stephen Jenner (Twilite: A Parody)
To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men’s motives and actions. But for the trained
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
Busie olde foole, unruly Sunne; Why dost thou thus, Through windowes, and through curtaines call on us? Must to they motions lovers seasons run? Sawcy pedantique wretch, goe chide Late schoole boyes, and sowre prentices, Goe tell Court-huntsmen, that the King will ride, Call countrey ands to harvest offices; Love, all alike, no season knows, nor clyme, Nor houres, dayes, months, which are the rags of time. Thy beames, so reverend, and strong Why shouldst thou thinke? I could eclipse and cloud them with a winke, But that I would not lose her sight so long: If her eyes have not blinded thine Looke, and tomorrow late, tell mee, Whether both the India's of spice and Myne Be where thou leftst them, or lie here with mee. Aske for those Kings whom thou saw'st yesterday, And thou shalt heare, All here in one bed lay. She'is all States, and all Princes, I, Nothing else is; Princes doe but play us; compar'd to this, All honor's mimique; All wealth alchimie, Thou sunne art halfe as happy'as wee, In that the world's contracted thus; Thine ages askes ease, and since thy duties bee To warme the world, that's done in warming us. Shine here to us, and thou art every where; This bed thy center is, these walls, thy spheare.
John Donne
BUSY old fool, unruly Sun, Why dost thou thus, Through windows, and through curtains, call on us? Must to thy motions lovers' seasons run? Saucy pedantic wretch, go chide Late school-boys and sour prentices, Go tell court-huntsmen that the king will ride, Call country ants to harvest offices ; Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time. Thy beams so reverend, and strong Why shouldst thou think ? I could eclipse and cloud them with a wink, But that I would not lose her sight so long. If her eyes have not blinded thine, Look, and to-morrow late tell me, Whether both th' Indias of spice and mine Be where thou left'st them, or lie here with me. Ask for those kings whom thou saw'st yesterday, And thou shalt hear, "All here in one bed lay." She's all states, and all princes I ; Nothing else is ; Princes do but play us ; compared to this, All honour's mimic, all wealth alchemy. Thou, Sun, art half as happy as we, In that the world's contracted thus ; Thine age asks ease, and since thy duties be To warm the world, that's done in warming us. Shine here to us, and thou art everywhere ; This bed thy center is, these walls thy sphere.
John Donne
For as long as I could remember, I had been transparent to myself, unselfconscious, learning, doing, most of every day. Now I was in my own way; I myself was a dark object I could not ignore. I couldn't remember how to forget myself. I didn't want to think about myself, to reckon myself in, to deal with myself every livelong minute on top of everything else - but swerve as I might, I couldn't avoid it. I was a boulder blocking my own path. I was a dog barking between my own ears, a barking dog who wouldn't hush. So this was adolescence. Is this how the people around me had died on their feet - inevitably, helplessly? Perhaps their own selves eclipsed the sun for so many years the world shriveled around them, and when at least their inescapable orbits had passed through these dark egoistic years it was too late, they had adjusted. Must I then lose the world forever, that I had so loved? Was it all, the whole bright and various planet, where I had been so ardent about finding myself alive, only a passion peculiar to children, that I would outgrow even against my will?
Annie Dillard (An American Childhood)
Life in all its resiliency, beauty and strength is sometimes eclipsed by its unquestionable transient frailty. Today we are alive…tomorrow is not promised. And it seems, the evil that lurks in the shadows, this side of heaven, often has its say. But let it never be that we allow evil, which basks in our fear, to hinder our ability to live vibrantly unafraid of what tomorrow might bring. The only way to defeat the inevitable darkness that touches this world is to live and love brilliantly bright with purpose. To not do so, is to diminish the very memory and glow of all the beautiful lights that have gone out before us.
Jason Versey (A Walk with Prudence)
We Were Lonely My Valentine. along a pavement of loneliness you towards me and I towards you unknown celestial bodies eclipse at night we pass and our gravity of loneliness brings us together so close to touch but not close enough your presence draws my heart and I feel you can’t pull away from gravity we stargaze our loneliness orbits and companionship to fill the black void we touch and our solitude evaporates into the stratosphere and the night is secluded I take you as a lover and you take me as yours we enter the expanding universe at its core the night to linger in our arms we feel humanity as humans share we need each other as strangers share we feel included and wanted for one night only we are true lovers one last kiss my valentine celestial bodies continue on their extraterrestrial journeys as I walk in the breaking dawn along the pavement of loneliness I know loneliness can be confined
R.M. Romarney
To Sherlock Holmes she is always THE woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.
Arthur Conan Doyle (The Adventures of Sherlock Holmes (Sherlock Holmes, #3))
Continuing up Rennes. Dodging little Saabs and Renaults. Loving walking here. Sun alternately streaming. Obliterating physiognomies. No longer nouns. But movement. Disappearing. Now heavily raining. Sitting out anyway. Over drain smelling of beer. Metro. Sewers. Fetid breath of Paris. Two cold coffees. Watching shadows lengthening. On la Gaite opposite. Where Colette once performing. Having walked in old boots across city. Drawing mole above lip. Rice-powdering delicious arms. Paris a drug. P saying on phone. Yes Paris a drug. A woman. And I waking this a.m. Thinking there must be some way. Of staying. Now my love’s silhouette of rooftops eclipsing. Into night. Cold heinous breath. Blowing on privates. Through grille underneath.
Gail Scott (My Paris (Lannan Selection))
How much do you love me, Bella?" "Why?" She stared at me with pleading eyes, her long black eyebrows slanting up in the middle and pulling together, her lips trembling at the corners. It was a heart-breaking expression. "Please, please, please," she whispered. "Please, Bella, please - if you really love me... Please let me do your wedding." "Aw, Alice!" I groaned, pulling away and standing up. "No! Don't do this to me." "If you really, truly love me, Bella." I folded my arms across my chest. "That is so unfair. And Edward kind of already used that one on me." "I'll bet Edward would like it better if you did this traditionally, though he'd never tell you that. And Esme - think what it would mean to her!" I groaned. "I'd rather face the newborns alone." "I'll owe you for a decade." "You'd owe me for a century!
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.
Victor Hugo (Les Misérables)
In those moments when fear eclipses what we want most for our lives, it is crucial to be able to connect to the still, calm voice that has a tight grasp on our greatest potential. It takes discipline, spiritual sweat, and Divine pluck to connect to the unassuming voice of the truth inside us. It takes audacity and courage. This is such a crucial veil to lift. Are you loving you? Are you hearing the voice of love within you, your soul-voice, and believing it enough to act on its directives? This is what the practice of loving ourselves looks like: we do whatever we have to do to hear our soul’s voice and believe it. We believe it so much that we make our life about that encounter.
Meggan Watterson (Reveal: A Sacred Manual for Getting Spiritually Naked)
It seems to me, therefore, that the instinctive although seldom articulated purpose of holding a funeral or memorial service is to reunite the people most intimate with the deceased, and to collectively rekindle in them all, for one last time, the special living flame that represents the essence of that beloved person, profiting directly or indirectly from the presence of one another, feeling the presence of that person in the brains that remain, and thus solidifying to the maximal extent possible those secondary personal gemmae that remain aflicker in all these different brains. Though the primary brain has been eclipsed, there is, in those who remain and who are gathered to remember and reactivate the spirit of the departed, a collective corona that still glows. This is what human love means. The word "love" cannot, thus, be separated from the word "I"; the more deeply rooted the symbol for someone inside you, the greater the love, the brighter the light that remains behind.
Douglas R. Hofstadter (I Am a Strange Loop)
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.
Mary Szybist (Incarnadine: Poems)
To constantly have at your side a woman,an unmarried woman,a sister,a wonderful person who is there because you need her and because she can't do without you,to know that you are indispensable to the one you need, to be endlessly able to measure her affection by the amount of presence she grants you and to say to your self, "since she devotes all her time to me,that means i have her whole heart";to see her thoughts,if not her face,to weigh one being's faithfulness when the rest of the world has been eclipsed,to detect the rustling of her dress as though it were the sound of wings,to hear her coming and going,going out,coming back,talking,singing,and to know you are the centre of every step she takes,of every word,of every song,to manifest your own gravitational pull every minute of the day,to feel yourself your infirmity,to become in darkness,and through darkness,the star around which this angel revolves-few worms of bliss come anywhere near it!The ultimate happiness in life is the conviction that one is loved;loved for oneself-better still,loved in spite of oneself.And this conviction is what the blind have.In such distress,to be waited on is to be hugged and kissed.
Victor Hugo (Les Misérables)
-Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever 'truer.' The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. -The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to 'landscape' the virtual past. (He who pays the historian calls the tune.) -Symmetry demands an actual + virtualfuture, too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. -Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? -One model of time: an infinite matryoshka doll of painted moments, each 'shell' (the present) encased inside a nest of 'shells' (previous presents) I call the actual past but which we perceive as the virtual past. The doll of 'now' likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future. -Proposition: I am in love with Luisa Ray.
David Mitchell (Cloud Atlas)