Echoes Of Eternity Quotes

What we do now echoes in eternity.

One of the most beautiful gifts in the world is the gift of encouragement. When someone encourages you, that person helps you over a threshold you might otherwise never have crossed on your own.

May you experience each day as a sacred gift woven around the heart of wonder.

Jesus has given me eternal life in Him. Let them take my life here, but God holds me in the palm of His hand and no one can take Him from me.

Consumerism is the worship of the god of quantity; advertising is its liturgy. Advertising is schooling in false longing.

I sighed softly and basked in the barrage of Ren's kisses- drowning kisses, soft kisses, sultry kisses, kisses that lasted a mere second, and kisses that lasted an eternity. It was easy to believe that my warrior-angel had captured me and had flown me up to heaven. A deep rumble echoed in his chest. I pulled back, laughing. "Are you growling at me?" He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. You're lucky all I'm doing is growling.

Silence is as deep as eternity, words are as short as time.

Let him who knows who he is be no other but himself.

You don't have to echo my feelings, Mencheres, but you can't talk me out of them either. I love you" Her smile was wry. "Deal with it.

My soul will go to its grave with your name echoing in my mind.

Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow?” <...> Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

Would you like to know what the eternal human equation is all about? The more you know yourself, the less you need to seek out others... the less you know yourself, the more you seek out others...

Men are haunted by the vastness of eternity. And so we ask ourselves: will our actions echo across the centuries? Will strangers hear our names long after we are gone, and wonder who we were, how bravely we fought, how fiercely we loved?

Functionalism is lethal when it is not balanced by a sense of reverence. Without reverence, there is no sense of presence or wonder.

Echoing the inspiration and pedagogic power of Jesus’ parables, the Qur’an abounds with simple allegories to convey complex ideas.

We truly are ripples on the lake. However, unlike the water’s ripples, the ripples of life don’t end in death. They carry on in everyone we touch, even if we can’t see it. They echo for eternity, and, in that way, we truly are immortal.

We must be careful what we imagine, fear, or hope for. The echoes of our thought live on in eternity.

What we do in life, echoes in eternity.

All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice.

All human creativity issues from the urgency of longing.

When your life awakens and you begin to sense the destiny that brought you here, you endeavour to live a life that is generous and worthy of the blessing and invitation that is always calling you.

Perhaps your hunger to belong is always active and intense because you belonged so totally before you came here. This hunger to belong is the echo and reverberation of your invisible heritage. You are from somewhere else, where you were known, embraced and sheltered. This is also the secret root from which all longing grows. Something in you knows, perhaps remembers, that eternal belonging liberates longing into its surest and most potent creativity. This is why your longing is often wiser than your conventional sense of appropriateness, safety and truth... Your longing desires to take you towards the absolute realization of all the possibilities that sleep in the clay of your heart; it knows your eternal potential, and it will not rest until it is awakened.

What we do in life echoes in eternity

Each of us carries a unique world within our hearts.

For just as the swan’s last song is the sweetest of its life, so loss is made endurable by love and it is love that will echo through eternity.

There was no echo, no reverberation. If anything the room ate sound. It swallowed her voice, her words, and her eternal, inadequate apology. But not her memories. She would never be rid of those.

But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace.

Anam is the Irish word for “soul” and Ċara is the word for “friend.” In the Anam-Ċara friendship, you were joined in an ancient way with the friend of your soul. This was a bond that neither space nor time could damage. The friendship awakened an eternal echo in the hearts of the friends; they entered into a circle of intimate belonging with each other. The Anam-Ċara friendship afforded a spiritual space to all the other longings of the human heart.

The human heart is a theater of longing.

Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.

I'll tell you a story, I whispered. It always helped me sleep as a child. He nodded, folding his hands over his lap, and closed his eyes. There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two- I couldn't go on. Elspeth. No. I'm not ready. Not yet. Finish the story, dear one. My voice shook. The two were together- Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King... We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.

And now the measure of my song is done: The work has reached its end; the book is mine, None shall unwrite these words: nor angry Jove, Nor war, nor fire, nor flood, Nor venomous time that eats our lives away. Then let that morning come, as come it will, When this disguise I carry shall be no more, And all the treacherous years of life undone, And yet my name shall rise to heavenly music, The deathless music of the circling stars. As long as Rome is the Eternal City These lines shall echo from the lips of men, As long as poetry speaks truth on earth, That immortality is mine to wear.

Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death Hope sees a star and listening Love can hear the rustle of a wing.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.

Words never fade away but echo on for eternity. Let your echo ring sweet.

The soul is always wiser than the mind, even though we are dependent on the mind to read the soul for us.

You are my life.” Though his words were barely a whisper, they seemed to echo from somewhere deep within him, enveloping my body and infusing me with something unshakable. “There is nothing I would not do to make you happy. Before I met you, my world was a string of days that were gray and empty. I had nothing to look forward to, and I cannot tell you what it was like, facing down eternity alone. Every day I wished for you. Every day I held on in hopes that eventually we would meet. And when I finally found you...” He leaned in and kissed me again, astenderly as before. His hand slid underneath my shirt, splaying across my stomach, but the touch wasn’t sexual. It was as if he were trying to memorize me, just as I was trying to memorize him. “I have existed for more eons than I remember. I have seen the sun rise and fall so many times that the days lost all meaning. For so long, they passed me by in a blur. But that night we met by the river—the night you gave up yourself in order to save a virtual stranger—my heart began to beat again.” He took my hand and pressed it against his chest, and there it was—thump thump, thump thump, strong and beautiful. I would’ve given anything to keep his heart beating. The black abyss that had become my world in those hours I’d thought he was dead had faded, but it was a scar I would always bear. I couldn’t go back to that. Even if I had Milo, I would never have another Henry.

Nothing in creation is ever totally at home in itself. ... It is the deepest intimacy which is nevertheless infused with infinite distance.

Life is full of magnetic interims that call what is separate and different to become one, to enter into the art and presence of belonging.

The music broke her apart and put her back together, only to rend her asunder again and again. And then the climax, the compilation of all the sounds she had loved best, amplified until they echoed into eternity. As the final note swelled, a gasp broke from her, setting the tears in her eyes spilling down her face. She didn't care who saw.

Our bodies know that they belong; it is our minds that make our lives so homeless. Guided by longing, belonging is the wisdom of rhythm. When we are in rhythm with our own nature, things flow and balance naturally. Every fragment does not have to be relocated, reordered; things cohere and fit according to their deeper impulse and instinct. Our modern hunger to belong is particularly intense. An increasing majority of people feel no belonging. We have fallen out of rhythm with life. The art of belonging is the recovery of the wisdom of rhythm.

It was as though the house had been left empty but a minute before and yet that minute was fraught with eternity so that you could not imagine that ever again that house would echo with talk and resound with laughter.

what we do in life, echoes in eternity.

True, the body's easily maimed, and the spirit can be crippled - yet there's that in a man that is never destroyed.

Now, it's full night, clear, moonless and filled with stars, which are not eternal as we once thought, which are not where we think they are. If they were sounds, they would be echoes, of something that happened millions of year ago: a word made of numbers. Echoes of light, shining out of the midst of nothing. It's old light, and there's not much of it. But it's enough to see by.

Einstein said the arrow of time flies in only one direction. Faulkner, being from Mississippi, understood the matter differently. He said the past is never dead; it's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose provenance dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always. And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.

We rush through our days in such stress and intensity, as if we were here to stay and the serious project of the world depended on us. We worry and grow anxious; we magnify trivia until they become important enough to control our lives. Yet all the time, we have forgotten that we are but temporary sojourners on the surface of a strange planet spinning slowly in the infinite night of the cosmos.

And though it be not so in the physical, yet in moral science that which cannot be understood is not always profitless. For the soul awakes, a trembling stranger, between two dim eternities,—the eternal past, the eternal future. The light shines only on a small space around her; therefore, she needs must yearn towards the unknown; and the voices and shadowy movings which come to her from out the cloudy pillar of inspiration have each one echoes and answers in her own expecting nature.

You travel certainly, in every sense of the word. But you take with you everything that you have been, just as the landscape stores up its own past. Because you were once at home somewhere, you are never an alien anywhere.

 XII Para Mi Corazon (Your Breast is Enough)" Your breast is enough for my heart, and my wings for your freedom. What was sleeping above your soul will rise out of my mouth to heaven. In you is the illusion of each day. You arrive like the dew to the cupped flowers. You undermine the horizon with your absence. Eternally in flight like the wave. I have said that you sang in the wind like the pines and like the masts. Like them you are tall and taciturn, and you are sad, all at once, like a voyage. You gather things to you like an old road. You are peopled with echoes and nostalgic voices. I awoke and at times birds fled and migrated that had been sleeping in your soul.

Our hunger to belong is the longing to find a bridge across the distance from isolation to intimacy. Every one longs for intimacy and dreams of a nest of belonging in which one is embraced, seen, and loved. Something within each of us cries out for belonging. We can have all the world has to offer in terms of status, achievement, and possessions. Yet without a sense of belonging it all seems empty and pointless.

Because you were once at home somewhere, you are never an alien anywhere.

When all seems hopeless and all has gone silent, that’s Destiny turning down the music so that all may hear our response to life’s great storms, giving our response the chance to echo throughout eternity with the level of greatness it deserves.

FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.

There is some strange sense in which distance and closeness are sisters, the two sides of the one experience. Distance awakens longing; closeness is belonging. Yet they are always in a dynamic interflow with each other. When we fix or locate them definitively, we injure our growth. It is an interesting imaginative exercise to interchange them: to consider what is near as distant and to consider the distant as intimate.

Beneath my armor lies a heart more fragile than glass. Like water kissing sky forming clouds, like desert meeting wind that echos sadness carried for a thousand miles, we shall embark on a journey shared when our paths cross each lifetime. The moment I met you again, your eyes became the windows of eternity.

Rules cease to exist once they have outlived their value, but forms live on eternally. There are forms of the novel which impose on the suggested topic all the virtues of the Number. Born of the very expression and of the diverse aspects of the tale, connected by nature with the guiding idea, daughter and mother of all the elements that it polarizes, a structure develops, which transmits to the works the last reflections of Universal Light and the last echoes of the Harmony of Worlds.

We must decide whether to act as if the universe is a cosmic car-crash, in which our actions have no significance beyond their observable effects, or an ordered and purposeful whole, in which our actions continue to echo and reverberate down all eternity.

I didn't enjoy being a snake, and yet I appear to be doomed to be reminded of it for all eternity,' Cardan was saying, black curls falling across his face. He held a three-pronged fork aloft, as though to emphasise his point. 'The excess of songs hasn't helped, nor has their longevity. It's been what? Eight years? Nine? Truly, the celebratory air about the whole business has been excessive. You'd think I never did a more popular thing than sit in the dark on a throne and bite people who annoyed me. I could have always done that. I could do that now.' 'Bite people?' echoed Jude from the other end of the table. Cardan grinned at her. 'Yes, if that's what they like.' He snapped his teeth at the air as though to demonstrate. 'No one is interested in that,' Jude said, shaking her head.

Two souls in harmony create a symphony that echoes through eternity.

WHAT WE DO IN LIFE ECHOS IN ETERNITY

The restlessness in the human heart will never be finally stilled by any person, project, or place. The longing is eternal. This is what constantly qualifies and enlarges our circles of belonging. There is a constant and vital tension between longing and belonging. Without the shelter of belonging, our longings would lack direction, focus, and context; they would be aimless and haunted, constantly tugging the heart in a myriad of opposing directions. Without belonging, our longing would be demented. As memory gathers and anchors time, so does belonging shelter longing. Belonging without longing would be empty and dead, a cold frame around emptiness. One often notices this in relationships where the longing has died; they have become arrangements, and there is no longer any shared or vital presence. When longing dies, creativity ceases. The arduous task of being a human is to balance longing and belonging so that they work with and against each other to ensure that all the potential and gifts that sleep in the clay of the heart may be awakened and realized in this one life.

I am solely yours, mon ange, for all eternity, echoed from Darius’s mind as he skidded across the ground. I loved when he called me his angel, a sentiment that was hard to hang on to just now. You are my sanctuary. My soul. Your mother would be proud, echoed from Callie. She loved you so much. Is this the part where I’m supposed to think things to help her? Dizzy asked himself.

I am remembering a thing, not of the past, but a thing that is yet to come. What is memory anyway? Memory is as much a product of the present as it is the past. Created with the perspectives of the present, the colors and limitations and lacunae of the present. Just as history is written by the victors, as the cliché goes, so too do the victors own the future. Who is to say we do not create memories out of the future as well? That the echo of an event doesn’t go both ways?

The beauty of being human is the capacity and desire for intimacy. Yet we know that even those who are most intimate remain strange to us. Like children, we often “make strange” with each other.

Come, fly with me!" cried the goddess, as she sped ahead of them, her extremities flaming with a comet tail of sparks in the supernatural wind. Her bubbling voice again echoed, her laughter bounced in the crystalline void, and she flew onward, unto eternity.... "Stop!" cried Elasirr. "Come back with us to the true world, O Tilirreh!" At which the orange one laughed, throwing her head back, saying, "Oh, but don’t you know this is the one true world? It is but yours that is a pale specter, that is the dying place of dwindling truth?" "Then come back with us, lady," whispered Ranhé, "and restore the truth as it once was.

Keep before your eyes the swift onset of oblivion, and the abysses of eternity before us and behind; mark how hollow are the echoes of applause, how fickle and undiscerning the judgments of professed admirers, and how puny the arena of human fame. For the entire earth is but a point, and the place of our own habitation but a minute corner in it; and how many are therein who will praise you, and what sort of men are they?

Silence is the echo of the eternal world. It is a place where God can come and speak and we can listen to him...and then silence becomes music, it's something that's full of life, an expectancy, there's a grace in it.

This breakage within us is what makes us human and vulnerable. There is nothing more sinister than someone whose mind seems to be an absolute circle; there is a helpless coldness and a deadly certainty about such a presence.

He said he’d heard the sound of one hand clapping. He said, once his mind took in the wondrous no-sound of holy oneness, the empty echo of eternal bliss, he was never the same. He could hear it still, he said, resounding in the ether and tickling the back of his brain. Something not normal was going on with his brain. No argument there.

Not as we are but as we must appear, contractual ghosts of pity; not as we desire life, but as they would have us live, set apart in timeless colloquy. So it is required; so we bear witness, despite ourselves, to what is beyond us, each distant sphere of harmony forever poised, unanswerable. It is without consequence when we vaunt and suffer, or if it is not, all echoes are the same in such eternity. Then tell me, love, how that should comfort us-or anyone dragged half-unnerved out of this worldly place crying to the end ”I have not finished.” From 'Funeral Music

...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.

Now it’s full night, clear, moonless and filled with stars, which are not eternal as was once thought, which are not where we think they are. If they were sounds, they would be echoes, of something that happened millions of years ago: a word made of numbers. Echoes of light, shining out of the midst of nothing. It’s old light, and there’s not much of it. But it’s enough to see by.

We are going to win our freedom because both the sacred heritage of our nation and the eternal will of the Almighty God are embodied in our echoing demands. So however difficult it is during this period, however difficult it is to continue to live with the agony and the continued existence of racism, however difficult it is to live amidst the constant hurt, the constant insult and the constant disrespect, I can still sing we shall overcome. We shall overcome because the arc of the moral universe is long but it bends towards justice. We shall overcome because Carlisle is right. "No lie can live forever." We shall overcome because William Cullen Bryant is right. "Truth crushed to earth will rise again." We shall overcome because James Russell Lowell is right. "Truth forever on the scaffold, wrong forever on the throne."   Yet that scaffold sways the future. We shall overcome because the Bible is right.  "You shall reap what you sow." With this faith we will be able to hew out of the mountain of despair, a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to speed up the day when all of God's children all over this nation - black men and white men, Jews and Gentiles, Protestants and Catholics will be able to join hands and sing in the words of the old negro spiritual, "Free at Last, Free at Last, Thank God Almighty, We are Free At Last.

The repetition of the orphanage drama year after year, echoing the Nietzschean idea of eternal recurrence -- that everything that has happened will happen again and again -- seems to rob the little world of any real meaning. Why should the repetition of the fire inspector's lament make it sound so hollow?

ON THE DEATH OF THE BELOVED Though we need to weep your loss, You dwell in that safe place in our hearts Where no storm or night or pain can reach you. Your love was like the dawn Brightening over our lives, Awakening beneath the dark A further adventure of color. The sound of your voice Found for us A new music That brightened everything. Whatever you enfolded in your gaze Quickened in the joy of its being; You placed smiles like flowers On the altar of the heart. Your mind always sparkled With wonder at things. Though your days here were brief, Your spirit was alive, awake, complete. We look toward each other no longer From the old distance of our names; Now you dwell inside the rhythm of breath, As close to us as we are to ourselves. Though we cannot see you with outward eyes, We know our soul’s gaze is upon your face, Smiling back at us from within everything To which we bring our best refinement. Let us not look for you only in memory, Where we would grow lonely without you. You would want us to find you in presence, Beside us when beauty brightens, When kindness glows And music echoes eternal tones. When orchids brighten the earth, Darkest winter has turned to spring; May this dark grief flower with hope In every heart that loves you. May you continue to inspire us: To enter each day with a generous heart. To serve the call of courage and love Until we see your beautiful face again In that land where there is no more separation, Where all tears will be wiped from our mind, And where we will never lose you again.

The sap rises and, itself a mixture of elements, flowers in a mixture of tones; the trees, the rocks, the granites cast their reflections in the mirror of the water; all the transparent objects seize and imprison colour reflections, both close and distant, as the light passes through them. As the star of day moves, the tones change in value, but always they respect their mutual sympathies and natural hatreds, and continue to live in harmony by reciprocal concessions. The shadows move slowly and drive before them or blot out the tones as the light itself, changing position, sets others vibrating. These mingle their reflections, and, modifying their qualities by casting over them transparent and borrowed glazes, multiply to infinity their melodious marriages and make them easier to achieve. When the great ball of fire sinks into the waters, red fanfares fly in all directions, a blood-red harmony spreads over the horizon, green turns to a deep red. But soon vast blue shadows chase rhythmically before them the crowd of orange and soft tones, which are like the distant and muted echoes of the light. This great symphony of today, which is the eternally renewed variation of the symphony of yesterday, this succession of melodies, where the variety comes always from the infinite, this complex hymn is called colour.

Quince leans in over the map, studying, and I think he’s going to ask me something about the kingdoms or my plan or Daddy’s trident. Instead, without taking his eyes off the map, he asks, “What happens if I fail?” “What?” I whisper. “If I don’t pass the three tests,” he says. “What’s the consequence?” I suck in a shaky breath. This is the part I didn’t want to talk about, the part I hoped he wouldn’t ask about. But I guess he’s too clever—or has learned too much about how mer-world magic works—to assume there won’t be a price. There is, and it’s a big one. “If you fail,” I say, keeping my voice steady, “then you are banished from the water forever.” He lifts his Caribbean-blue eyes to stare into mine. “And?” “And?” I echo. “I know that can’t be it,” he says. “Nothing in your world is ever that simple.” A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn’t the time. He’s right; there’s more to the consequence of failure than him being exiled. “And . . . ,” I say, wishing I didn’t have to tell him this, “I’ll be banished from land.” I swallow hard. “Forever.” He stares into my eyes, unblinking, and I can’t read any sort of reaction. His mind is racing, I’m sure, but everything on the outside is a stone facade. Finally, after what feels like an eternity, he says, “Then I won’t fail.

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

Late Echo" Alone with our madness and favorite flower We see that there really is nothing left to write about. Or rather, it is necessary to write about the same old things In the same way, repeating the same things over and over For love to continue and be gradually different. Beehives and ants have to be re-examined eternally And the color of the day put in Hundreds of times and varied from summer to winter For it to get slowed down to the pace of an authentic Saraband and huddle there, alive and resting. Only then can the chronic inattention Of our lives drape itself around us, conciliatory And with one eye on those long tan plush shadows That speak so deeply into our unprepared knowledge Of ourselves, the talking engines of our day.

The Place of God’s Justifiable Wrath How horrible is this echo? Let’s take a look at Matthew 18:8–9: And if your hand or your foot causes you to sin, cut it off and throw it away. It is better for you to enter life crippled or lame than with two hands or two feet to be thrown into the eternal fire. And if your eye causes you to sin, tear it out and throw it away. It is better for you to enter life with one eye than with two eyes to be thrown into the hell of fire. This passage, by the way, doesn’t just give us the comparative negative of hell, but it translates really well into a theology of suffering. With these words of Jesus in mind, I can now know that it is better never to hold my children, it is better never to run my fingers through my wife’s hair, it is better not to be able to brush my own teeth, it is better never to be able to drive a car, it is better to be paralyzed and never feel anything from the neck down, and it is better to have stage III anaplastic oligodendroglioma than to find myself outside the kingdom of God. It is better never to see the sunset or the sunrise, never see the stars in the sky, never to see my daughter in her little dress-up clothes, never to see my son throw a ball—it is better never to have seen those things than to have seen those things and yet end up outside the kingdom of God.

Want to know the coolest thing about the coming? Not that the One who played marbles with the stars gave it up to play marbles with marbles. Or that the One who hung the galaxies gave it up to hang doorjambs to the displeasure of a cranky client who wanted everything yesterday but couldn't pay until tomorrow. Not that he, in an instant, went from needing nothing to needing air, food, a tub of hot water and salts for his tired feet, and, more than anything, needing somebody - anybody - who was more concerned about where he would spend eternity rather than where he would spend Friday's paycheck. Or that he resisted the urge to fry the two=bit, self-appointed hall monitors of holiness who dared suggest that he was doing the work of the devil. Not that he kept his cool while the dozen best friends he ever had felt the heat and got out of the kitchen. Or that he gave no command to the angels who begged, "Just give us the nod, Lord. One word and these demons will be deviled eggs." Not that he refused to defend himself when blamed for every sin of every slut and sailor since Adam. Or that he stood silent as a million guilty verdicts echoed in the tribunal of heaven and the giver of light was left in the chill of a sinner's night. Not even that after three days in a dark hole he stepped into the Easter sunrise with a smile and a swagger and a question for lowly Lucifer - "Is that your best punch?" That was cool, incredibly cool. But want to know the coolest thing about the One who gave up the crown of heaven for a crown of thorns? He did it for you. Just for you.

Writing is a public act, but is there ever a more private one? Could there ever be a more delicious sensation than the intimacy with the page, a better partner in any sin or crime than the white expanses, the undiscovered country, the unspoiled future where we can pretend for a moment that there are no Redundants, no Immortals, no echoes from the past, poetic, genetic, nanotechnological or otherwise? But the moment we lift the pen, the moment we use language, laden as it is with the past, with the victors of conquests and the blood of the vanquished, all the ghosts come flooding back, and we drown.

I am. I always was. I always am. I shall always be. The past and the future meet in the eternal now. I am the eternal now. I exist. I am. I am in the past. I am in the future. I am in the now. One is all, and all are one. We are one. Everything I see is a part of myself. Everything I can imagine is a part of myself. I could not imagine something that is not. Everyone I interact with is a part of myself. Whatever I put out, I get it back. My state of being matters, it crystallises in my circumstances. The way I respond to my circumstances reinforces my state of being. When I see an echo of an old belief I respond with peace in my heart. My actions are matched with the highest version of myself I can imagine in that moment. Everything changes, and everything transforms from one form of life to yet another. It is a constant flow of life. It is the heart of all existence. Nothing can perish, nothing can cease being. I am always new. I am always history free. I am always consequence free. Yet I can create an illusion of consequence. Everything is possible, yet not everything is probable. It all depends on my synchronicity. What I choose to explore shall present itself to me. What I believe to be true, is true. All illusions are made out of different beliefs. Yet there is only one knowledge. It is the wisdom of old, yet new. The thought gains the power, when it merges with the feeling. I feel what I desire. I always receive what I ask for. I always manifest instantly with no effort. My wisdom is to be aware of what I request. So it be. So it is. I ask for love, and I welcome bliss.

The hunger to belong is at the heart of our nature. Cut off from others, we atrophy and turn in on ourselves. The sense of belonging is the natural balance of our lives. Mostly, we do not need to make an issue of belonging. When we belong, we take it for granted. There is some innocent childlike side to the human heart that is always deeply hurt when we are excluded. Belonging suggests warmth, understanding, and embrace. No one was created for isolation. When we become isolated, we are prone to being damaged; our minds lose their flexibility and natural kindness; we become vulnerable to fear and negativity. The sense of belonging keeps you in balance amidst the inner and outer immensities. The ancient and eternal values of human life—truth, unity, goodness, justice, beauty, and love are all statements of true belonging; they are the also the secret intention and dream of human longing.

Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.

In post-modern culture there is a deep hunger to belong. An increasing majority of people feel isolated and marginalised. Experience is haunted by fragmentation. Many of the traditional shelters are in ruins. Society is losing the art of fostering community. Consumerism is now propelling life towards the lonely isolation of individualism. Technology pretends to unite us, yet more often than not all it delivers are simulated images. The “global village” has no roads or neighbours; it is a faceless limbo from which all individuality has been abstracted. Politics seems devoid of the imagination that calls forth vision and ideals; it is becoming ever more synonymous with the functionalism of economic pragmatism. Many of the keepers of the great religious traditions now seem to be frightened functionaries; in a more uniform culture, their management skills would be efficient and successful. In a pluralistic and deeply fragmented culture, they seem unable to converse with the complexities and hungers of our longing. From this perspective, it seems that we are in the midst of a huge crisis of belonging. When the outer cultural shelters are in ruins, we need to explore and reawaken the depths of belonging in the human mind and soul; perhaps, the recognition of the depth of our hunger to belong may gradually assist us in awakening new and unexpected possibilities of community and friendship.

From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars: Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim; The hyacinth, the myrtle gleaming bright, And, like the flesh of woman, the cruel rose, Hérodiade blooming in the garden light, She that from wild and radiant blood arose! And made the sobbing whiteness of the lily That skims a sea of sighs, and as it wends Through the blue incense of horizons, palely Toward the weeping moon in dreams ascends! Hosanna on the lute and in the censers, Lady, and of our purgatorial groves! Through heavenly evenings let the echoes answer, Sparkling haloes, glances of rapturous love! Mother, who in your strong and righteous bosom, Formed calyxes balancing the future flask, Capacious flowers with the deadly balsam For the weary poet withering on the husk.

Say!” Benedict exclaimed. “Why don’t you save her, Hastings?” Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward. “Since we haven’t been introduced, I’m sure it would be most improper,” he improvised. “I’m sure it wouldn’t,” Anthony returned. “You’re a duke.” “So?” “So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.” “Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.” “You have spent a lot of time in Africa, haven’t you?” Colin quipped. Simon ignored him. “Besides, your sister said—” All three Bridgerton heads swung round in his direction. Simon immediately realized he’d blundered. Badly. “You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort. Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?” “Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?” Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried. This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke. “Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.” Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.” Benedict turned to Colin. “What did happen to Berbrooke? Do you know?” Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.” Or broken head, Simon thought acerbically. “Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend. “Except,” Benedict said suspiciously, “why he didn’t mention it.” “Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.” “There are only two of us present,” Colin pointed out. “I’m going home,” Simon announced. “The three of you are mad.” Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?” “No, thank God.

Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

Bearded Oaks" The oaks, how subtle and marine, Bearded, and all the layered light Above them swims; and thus the scene, Recessed, awaits the positive night. So, waiting, we in the grass now lie Beneath the languorous tread of light: The grassed, kelp-like, satisfy The nameless motions of the air. Upon the floor of light, and time, Unmurmuring, of polyp made, We rest; we are, as light withdraws, Twin atolls on a shelf of shade. Ages to our construction went, Dim architecture, hour by hour: And violence, forgot now, lent The present stillness all its power. The storm of noon above us rolled, Of light the fury, furious gold, The long drag troubling us, the depth: Dark is unrocking, unrippling, still. Passion and slaughter, ruth, decay descend, minutely whispering down, Silted down swaying streams, to lay Foundation for our voicelessness. All our debate is voiceless here, As all our rage, the rage of stone; If hope is hopeless, then fearless is fear, And history is thus undone. Our feet once wrought the hollow street With echo when the lamps were dead All windows, once our headlight glare Disturbed the doe that, leaping fled. I do not love you less that now The caged heart makes iron stroke, Or less that all that light once gave The graduate dark should now revoke. We live in time so little time And we learn all so painfully, That we may spare this hour's term To practice for eternity.

It was that difficult moment when we usually part ways. Outside on the doorsteps in the light of the night as we embraced each other. She rested her lips against mine and I couldn’t help but think of the first time we kissed. Spontaneous and unsure if we were riding the same wave, I reached for her lips only to end with our laughter at the awkwardness. But despite the error of the first time, this time felt like new.Sighing in awe of the soft and gentle embrace of our lips, it turned into a tug of war. Like a battle because we didn’t want to let go of that smooth and passionate feeling. That was the final shake as the bottle was about to burst from the pressure, then it came: “I Love You”, I said softly but firmly. The words seemed to echo for an eternity back and forth between our chests.She stopped and stared at me. Just like my Drill Sergeant badge, I wore my heart on my sleeve. There was so much that she said without words. What a genuine expression of agreement that reflected from her beautiful brown eyes, beyond the ability of any woman to fake or hide. Then she kissed me even more passionately than ever before. In my heart, I believe that it could be more, if it wasn’t for….THE TABLE BETWEEN US

Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014

Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.

Wherever there is distance, there is longing. Yet there is some strange wisdom in the fact of distance. It is interesting to remember that the light that sustains life here on earth comes from elsewhere. Light is the mother of life. Yet the sun and the moon are not on the earth; they bless us with light across the vast distances. We are protected and blessed in our distance. Were we nearer to the sun, the earth would be consumed in its fire; it is the distance that makes the fire kind. Nothing in creation is ever totally at home in itself. No thing is ultimately at one with itself. Everything that is alive holds distance within itself. This is especially true of the human self. It is the deepest intimacy which is nevertheless infused with infinite distance. There is some strange sense in which distance and closeness are sisters, the two sides of the one experience. Distance awakens longing; closeness is belonging. Yet they are always in a dynamic interflow with each other. When we fix or locate them definitively, we injure our growth. It is an interesting imaginative exercise to interchange them: to consider what is near as distant and to consider the distant as intimate.

In the beginning was the dream... In the eternal night where no dawn broke, the dream deepened. Before anything ever was, it had to be dreamed... If we take Nature as the great artist, then all presences in the world have emerged from her mind and imagination. We are children of the earth's dreaming. It's almost as if Nature is in dream and we are her children who have broken through the dawn into time and place. Fashioned in the dreaming of the clay, we are always somehow haunted by that; we are unable ever finally to decide what is dream and what is reality. Each day we live in what we call reality, yet life seems to resemble a dream. We rush through our days in such stress and intensity, as if we were here to stay and the serious project of the world depended on us. We worry and grow anxious - we magnify trivia until they become important enough to control our lives. Yet all the time, we have forgotten that we are but temporary sojourners on the surface of a strange planet spinning slowly in the infinite night of the cosmos... [.....] There is no definitive dividing line between reality and dream. What we consider real is often precariously dream-like. Our grip on reality is tenuous...

I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.

Before He called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to Him. But His sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right. Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder. His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake. I remember thinking, On a clear night, constellations above the earth reflect on the still surface of the sea. But here? Only one of Jesus’ tears contains a galaxy. My eternal companions and I listened. We heard His voice echo from Bethany across the universe! He commanded, “Roll away the stone!” We all waited in anticipation for the next word from His lips. Then Jesus spoke my name: “Lazarus!” Surely He could not mean me, I thought. But all the same, I whispered, “Here I am, Lord.” Centuries have come and gone since His holy sob ripped me loose from timeless conversation with the ageless ones. Ten thousand, thousand scholars and saints have asked, “Why? What made the King of Heaven bow His head and cover His eyes and spill holy tears onto the earth? Why? Why did Jesus weep?

The Living Word has various dimensions in relation to power and will to power. The spoken word stands at the very bottom of the involuted scale, being the faint echo of the inaudible Word. All beings, from the Gods to mankind, possess a sound, an essential name, a key note. By discovering what it is, one acquires the power to decompose and recreate it. It is also a mantra of voluntary death and resurrection. In the current parlance: the individual, chromosomic, genetic code has been deciphered. The secret has been penetrated. The name to which we refer corresponds to the supratemporal being and has nothing to do with the intimate, family name, although sometimes a delicate synchronicity is produced within a turn of the wheel, a mysterious lucky occurrence filled with meaning, and this name may also be symbolic. 'You must discover your Beloved's real name if you are to bring her back to life. And yours, too. They are the names of the God and Goddess to whom they will give a face. 'Of the God within you', as the Hindu greeting says: Namaste. 'I greet the God within you'. 'The essential name cannot be chosen, it isn't arbitrary. It is filled with meaning of the root note. It is mantra, an eternal designation. It is inscribed in the Book of the Stars, on the Tree of Life, awaiting its actualisation. The initiate of our order is given his real name when he has successfully undergone the most difficult tests. Then it is inscribed in the genealogical tree of the family, in the immortal circle of the Hyperborean initiation.