Eau De Toilette Quotes

We've searched our database for all the quotes and captions related to Eau De Toilette. Here they are! All 8 of them:

Dwarf Noir eau de toilette.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
BRET She looked like a Parisian river.. JEMAINE What, dirty? BRET She looked like a chocolate eclair.. JEMAINE That's rare. BRET Her eyes were reflections of eyes.. JEMAINE Ohh, nice. BRET And the rainbows danced in her hair.. JEMAINE Oh yea. BRET She reminded me of a winter's morning.. JEMAINE What, frigid? BRET Her perfume was Eau De Toilette.. JEMAINE What's that mean? BRET She was comparable to Cleopatra.. JEMAINE Quite old? BRET She was like Shakespeare's Juliet.. JEMAINE What? 13?
Bret McKenzie
Spleen Je suis comme le roi d'un pays pluvieux, Riche, mais impuissant, jeune et pourtant très vieux, Qui, de ses précepteurs méprisant les courbettes, S'ennuie avec ses chiens comme avec d'autres bêtes. Rien ne peut l'égayer, ni gibier, ni faucon, Ni son peuple mourant en face du balcon. Du bouffon favori la grotesque ballade Ne distrait plus le front de ce cruel malade; Son lit fleurdelisé se transforme en tombeau, Et les dames d'atour, pour qui tout prince est beau, Ne savent plus trouver d'impudique toilette Pour tirer un souris de ce jeune squelette. Le savant qui lui fait de l'or n'a jamais pu De son être extirper l'élément corrompu, Et dans ces bains de sang qui des Romains nous viennent, Et dont sur leurs vieux jours les puissants se souviennent, II n'a su réchauffer ce cadavre hébété Où coule au lieu de sang l'eau verte du Léthé // I'm like the king of a rain-country, rich but sterile, young but with an old wolf's itch, one who escapes his tutor's monologues, and kills the day in boredom with his dogs; nothing cheers him, darts, tennis, falconry, his people dying by the balcony; the bawdry of the pet hermaphrodite no longer gets him through a single night; his bed of fleur-de-lys becomes a tomb; even the ladies of the court, for whom all kings are beautiful, cannot put on shameful enough dresses for this skeleton; the scholar who makes his gold cannot invent washes to cleanse the poisoned element; even in baths of blood, Rome's legacy, our tyrants' solace in senility, he cannot warm up his shot corpse, whose food is syrup-green Lethean ooze, not blood. — Robert Lowell, from Marthiel & Jackson Matthews, eds., The Flowers of Evil (NY: New Directions, 1963)
Charles Baudelaire (Les Fleurs du Mal)
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
Wheston Chancellor Grove (Who Has Known Heights)
Hayder didn’t bother checking the time when he left the condo. He banged on the closest door and waited with arms crossed, foot tapping. It opened a moment later on a tousled-hair Luna, who scowled. “What do you want?” “A lifetime supply of porterhouse steaks in my freezer.” Like duh. What feline wouldn’t? “Smartass.” “Thank you. I knew those IQ tests I took in college were wrong. But enough of my mental greatness, I need a favor.” “I am not lending you my eighties greatest hits CDs again to use for skeet practice,” she grumbled. “That’s not a favor. That’s just making the world a better place. No, I need you to watch Arabella’s place while I talk to the boss about her situation.” Obviously the rumor mill had been busy because Luna didn’t question what he meant. “You really think those wolves would be stupid enough to try something here?” Luna slapped her forehead. “Duh. Of course they are. Must be something in their processed dog food that inhibits their brain processes.” “One, while I agree that pack is mentally defective, you might want to refrain from calling them dogs or bitches or any other nasty names in the near future.” “Why? Aren’t you the one who coined the phrase ‘ass-licking, eau de toilette fleabags’?” Ah yes, one of his brighter inspirations after a few too many shots of tequila. “Yeah. But that was in the past. If I’m going to be mated to a wolf—” “Whoa there, big guy. Back up. Mated? As in”— Luna hummed the wedding march—“ dum-dum-dum-dum.” Hayder fought not to wince. Knowing he’d found the one and admitting it in such final terms were two different things. “Yes, mated. To Arabella.” “The girl who is allergic to you?” Luna needed the wall to hold her up as she laughed. And laughed. Then cried as she laughed. Irritated, Hayder tapped a foot and frowned. It just made her laugh all the harder. “It isn’t that funny.” “Says you.” Luna snorted, wiping a hand across her eyes to swipe the tears. “Oh, wait until the girls hear this.” “Could we hold off on that? It might help if I got Arabella to agree first.” Which, given her past and state of mind, wasn’t a sure thing. “You’re killing me here, Hayder. This is big news. Real big.” “I’ll let you borrow my treadmill.” Damned thing was nothing more than a clothes rack in his room. Indoor running just couldn’t beat the fresh adrenaline of an outdoor sprint. “Really big news,” she emphasized. He sighed. “Fine. You can borrow my car. But don’t you dare leave any fast food wrappers in it like last time.” “Who, me?” The innocent bat of her lashes didn’t fool him one bit.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
En entrant dans la maison, j’ai couru dans les escaliers bruyamment et je me suis tout de suite mise à écrire un poème d’amour. J’étais inspirée comme dix! Le morceau de papier est encore caché entre mon matelas et mon sommier. Je l’ai parfumé avec ma vieille eau de toilette. Des fois, ça sent la gomme balloune en plein milieu de la nuit et ça me rappelle que le poème dort là..
Sarah-Maude Beauchesne (Cœur de slush (Cœur de slush, #1))
J'avais quatre ans et c'était mon premier jour dans la maison du bas où on avait décidé de nous exiler. Hadjer, déjà vieille fille à cette époque, s'affairait autour du fourneau pour préparer un café. Mon père avait réparé l'arrivée d'eau, avait jeté un regard sur la cour sèche et sans herbes, m'avait observé un moment pendant que je jouais avec des cailloux blancs, avait même ouvert la bouche pour dire quelque chose ...mais il tourna le dos - pour vingt ou trente ans, d'ailleurs, il avait décidé qu'il valait mieux s'occuper des murs que des siens et annonça qu'il allait refaire le carrelage, les toilettes et la peinture. Ma tante eut l'intelligence de retenir son émotion, comme pour m'obliger à mûrir un peu et à quitter l'enfance pleurnicharde de l'abandonné.
Kamel Daoud (Zabor ou Les Psaumes)
J'avais quatre ans et c'était mon premier jour dans la maison du bas où on avait décidé de nous exiler. Hadjer, déjà vieille fille à cette époque, s'affairait autour du fourneau pour préparer un café. Mon père avait réparé l'arrivée d'eau, avait jeté un regard sur la cour sèche et sans herbes, m'avait observé un moment pendant que je jouais avec des cailloux blancs, avait même ouvert la bouche pour dire quelque chose ...mais il tourna le dos - pour vingt ou trente ans, d'ailleurs, il avait décidé qu'il valait mieux s'occuper des murs que des sien et annonça qu'il allait refaire le carrelage, les toilettes et la peinture. Ma tante eut l'intelligence de retenir son émotion, comme pour m'obliger à mûrir un peu et à quitter l'enfance pleurnicharde de l'abandonné.
Kamel Daoud (Zabor ou Les Psaumes)