β
I know how devastated you must be to miss me, but leave a message, and I'll try to ease your agony
β
β
Richelle Mead (Blood Promise (Vampire Academy, #4))
β
If heβs not calling you, itβs because you are not on his mind. If he creates expectations for you, and then doesnβt follow through on little things, he will do same for big things. Be aware of this and realize that heβs okay with disappointing you. Donβt be with someone who doesnβt do what they say theyβre going to do. If heβs choosing not to make a simple effort that would put you at ease and bring harmony to a recurring fight, then he doesnβt respect your feelings and needs. βBusyβ is another word for βasshole.β βAssholeβ is another word for the guy youβre dating. You deserve a fcking phone call.
β
β
Greg Behrendt
β
Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, vision cleared, ambition inspired, and success achieved.
β
β
Helen Keller
β
The heaviness of loss in her heart hadn't eased, but there was room there for humour, too.
β
β
Nalo Hopkinson (Brown Girl in the Ring)
β
You so need to lighten up about that potato-launcher incident," Butch said.
Phury rolled his eyes and eased back in the banquette. "You broke my window."
"Of course we did. V and I were aiming for it."
"Twice."
"Thus proving that he and I are outstanding marksmen.
β
β
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
β
She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down.
β
β
Zadie Smith
β
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unnerving ease. It begins in your mind, always ... so you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
β
β
Yann Martel (Life of Pi)
β
I was not prey any longer, I decided as I eased up to that door.
And I was not a mouse.
I was a wolf.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
And what is love, in the end?" Alabaster said. "Except the irrational desire to put evolutionary competitiveness aside in order to ease someone else's journey through life?
β
β
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
β
If your enemy is secure at all points, be prepared for him. If he is in superior strength, evade him. If your opponent is temperamental, seek to irritate him. Pretend to be weak, that he may grow arrogant. If he is taking his ease, give him no rest. If his forces are united, separate them. If sovereign and subject are in accord, put division between them. Attack him where he is unprepared, appear where you are not expected .
β
β
Sun Tzu (The Art of War)
β
The comfort zone is a psychological state in which one feels familiar, safe, at ease, and secure. You never change your life until you step out of your comfort zone; change begins at the end of your comfort zone.
β
β
Roy T. Bennett
β
Never throughout history has a man who lived a life of ease left a name worth remembering.
β
β
Theodore Roosevelt
β
Love seeketh not itself to please, nor for itself hath any care, but for another gives its ease, and builds a Heaven in Hell's despair.
β
β
William Blake (Songs of Innocence and Songs of Experience)
β
We can never be gods, after all--but we can become something less than human with frightening ease.
β
β
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
β
when the phone rings
I too would like to hear words
that might ease
some of this.
β
β
Charles Bukowski (Love Is a Dog from Hell)
β
To ease anotherβs heartache is to forget oneβs own.
β
β
Abraham Lincoln
β
If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.
β
β
Emily Dickinson
β
Stop longing. You poison todayβs ease, reaching always for tomorrow.
β
β
Robin Hobb (Fool's Errand (Tawny Man, #1))
β
What the ancients called a clever fighter is one who not only wins, but excels in winning with ease.
β
β
Sun Tzu (The Art of War)
β
Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
β
β
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
β
Time Does Not Bring Relief
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last yearβs leaves are smoke in every lane;
But last yearβs bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go,βso with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, βThere is no memory of him here!β
And so stand stricken, so remembering him.
β
β
Edna St. Vincent Millay (Collected Poems)
β
She could no longer borrow from the future to ease her present grief.
β
β
Nathaniel Hawthorne (The Scarlet Letter)
β
A person who can write a long letter with ease, cannot write ill.
β
β
Jane Austen (Pride and Prejudice)
β
When strong, avoid them. If of high morale, depress them. Seem humble to fill them with conceit. If at ease, exhaust them. If united, separate them. Attack their weaknesses. Emerge to their surprise.
β
β
Sun Tzu
β
I suspect he's sweet on Sophie and doesn't like to see her work too hard.'
Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said.
'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Proper teaching is recognized with ease. You can know it without fail because it awakens within you that sensation which tells you this is something you have always known.
β
β
Frank Herbert (Dune (Dune, #1))
β
I still think that maybe the "afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe we are just matter, and matter gets recycled
β
β
John Green (Looking for Alaska)
β
He said not 'Thou shalt not be tempested, thou shalt not be travailed, thou shalt not be dis-eased'; but he said, 'Thou shalt not be overcome.
β
β
Julian of Norwich (Revelations of Divine Love)
β
The happy man only feels at ease because the unhappy bear their burden in silence. Without this silence, happiness would be impossible.
β
β
Anton Chekhov
β
As soon as you honor the present moment, all unhappiness and struggle dissolve, and life begins to flow with joy and ease. When you act out the present-moment awareness, whatever you do becomes imbued with a sense of quality, care, and love - even the most simple action.
β
β
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
β
The idea that the future is unpredictable is undermined every day by the ease with which the past is explained.
β
β
Daniel Kahneman (Thinking, Fast and Slow)
β
Being at ease with himself put him at ease with the world.
β
β
John Steinbeck (Cannery Row (Cannery Row, #1))
β
Anyone can face ease and success with confidence. It is the way we face trouble and misfortune that defines us.
β
β
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
β
Most of us do not take these situations as teachings. We automatically hate them. We run like crazy. We use all kinds of ways to escape -- all addictions stem from this moment when we meet our edge and we just can't stand it. We feel we have to soften it, pad it with something, and we become addicted to whatever it is that seems to ease the pain.
β
β
Pema ChΓΆdrΓΆn (When Things Fall Apart: Heart Advice for Difficult Times)
β
The heart may freeze, or it can burn. The pain will ease and I can learn. There is no future, there is no past. I live this moment as, my last.
β
β
Jonathan Larson (Rent: The Complete Book and Lyrics of the Broadway Musical)
β
I feel good with my husband: I like his warmth and his bigness and his being-there and his making and his jokes and stories and what he reads and how he likes fishing and walks and pigs and foxes and little animals and is honest and not vain or fame-crazy and how he shows his gladness for what I cook him and joy for when I make him something, a poem or a cake, and how he is troubled when I am unhappy and wants to do anything so I can fight out my soul-battles and grow up with courage and a philosophical ease. I love his good smell and his body that fits with mine as if they were made in the same body-shop to do just that. What is only pieces, doled out here and there to this boy and that boy, that made me like pieces of them, is all jammed together in my husband. So I don't want to look around any more: I don't need to look around for anything.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
Live long enough, and you learn how to read a person. To ease them open like a book, some passages underlined and others hidden between the lines.
β
β
Victoria E. Schwab (The Invisible Life of Addie LaRue)
β
There is no time for ease and comfort. It is the time to dare and endure.
β
β
Winston S. Churchill
β
I could have kissed you months ago, but it wouldnβt have meant anything. I wished for you to see me. And want me. Soβ¦did you mean it?β
βYes,β I said, and some unnamed tension inside me eased. βI see you, Tod.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
β
β
John Keats
β
They say that extroverts are unhappier than introverts and have to compensate for this by constantly proving to themselves how happy and contented and at ease with life they are.
β
β
Paulo Coelho (The Witch of Portobello)
β
Leo lowered his screwdriver. He looked at the ceiling and shook his head like, What am I gonna do with this guy?
"I try very hard to be annoying," Leo said. "Don't insult my ability to annoy. And how am I supposed to resent you if you go apologizing? I'm a lowly mechanic. You're like the prince of the sky, son of the Lord of the Universe. I'm supposed to resent you."
"Lord of the Universe?" (Jason)
"Sure, you're all-bam! Lightning man. And 'Watch me fly. I am the eagle that soars-" (Leo)
"Shut up, Valdez." (Jason)
Leo managed a little smile. "Yeah, see. I do annoy you."
"I apologize for apologizing." (Jason)
"Thank you." He went back to work, but the tension had eased between them. Leo still looked sad and exhausted-just not quite so angry.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
Kisses open doors, I've noticed. That one gesture can unlock secrets, ease open feelings. It can't be prevented--these kisses just are. It's how they work. They break into basements you never knew you had.
β
β
Susan Fletcher (Eve Green)
β
The danger of an adventure is worth a thousand days of ease and comfort
β
β
Paulo Coelho (Veronika Decides to Die)
β
Its Vermeer"
Kat turned to the boy who lingered in the doorway. "It's stolen"
"What can I say?" Hale eased behind her and studied the painting over her shoulder. "I met a very nice man who bet me he had the best security system in Istanbul." His breath was warm on the back of her neck. "He was mistaken.
β
β
Ally Carter (Heist Society (Heist Society, #1))
β
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Where's the man that could ease a heart like a satin gown?
β
β
Dorothy Parker
β
Wise wretch! with pleasures too refined to please,
With too much spirit to be e'er at ease,
With too much quickness ever to be taught,
With too much thinking to have common thought:
You purchase pain with all that joy can give,
And die of nothing but a rage to live.
β
β
Alexander Pope (Moral Essays)
β
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
β
β
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
β
Tell all the Truth but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
β
β
Emily Dickinson
β
I never was someone who was at ease with happiness.
β
β
Hugh Laurie
β
Luxury is the ease of a t-shirt in a very expensive dress.
β
β
Karl Lagerfeld
β
Kindness eases change.
Love quiets fear.
And a sweet and powerful
Positive obsession
Blunts pain,
Diverts rage,
And engages each of us
In the greatest,
The most intense
Of our chosen struggles.
β
β
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
β
I will love myself despite the ease with which I lean toward the opposite.
β
β
Shane L. Koyczan
β
The priority of any addict is to anaesthetise the pain of living to ease the passage of day with some purchased relief.
β
β
Russell Brand
β
The wish to travel seems to me characteristically human: the desire to move, to satisfy your curiosity or ease your fears, to change the circumstances of your life, to be a stranger, to make a friend, to experience an exotic landscape, to risk the unknown..
β
β
Paul Theroux (The Tao of Travel: Enlightenments from Lives on the Road)
β
Doing something positive will help turn your mood around. When you smile, your body relaxes. When you experience human touch and interaction, it eases tension in your body.
β
β
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
β
What we hope ever to do with ease, we must first learn to do with diligence.
β
β
Samuel Johnson (Boswell's Life of Johnson, Including Boswell's Journal of a Tour of the Hebrides, and Johnson's Diary of a Journal Into North Wales, 1904 (Classic Reprint))
β
Why I Wake Early
Hello, sun in my face.
Hello, you who made the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and the crotchety β
best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light β
good morning, good morning, good morning.
Watch, now, how I start the day
in happiness, in kindness.
β
β
Mary Oliver
β
Ah, Evie,β she heard him say softly, βI must have a heart, after allβ¦because right now it aches like the devil.β
βOnly your heart?β she asked ingenuously, making him laugh.
He lowered her to the bed, his eyes sparkling wickedly. βAlso a few other things,β he conceded. βAnd as my wife, itβs your duty to ease all my aches.
β
β
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
β
He pulls me over the railing and against his chest, gathering me into his arms, easing an arm under my knees. I press my face into his shoulder, and there is a sudden, hollow silence.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
β
β
Ernest Hemingway (A Moveable Feast)
β
Reading is one of the true pleasures of life. In our age of mass culture, when so much that we encounter is abridged, adapted, adulterated, shredded, and boiled down, it is mind-easing and mind-inspiring to sit down privately with a congenial book.
β
β
Thomas S. Monson
β
The ugly and stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live-- undisturbed, indifferent, and without disquiet. They never bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Henry; my brains, such as they are-- my art, whatever it may be worth; Dorian Gray's good looks-- we shall all suffer for what the gods have given us, suffer terribly.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The few own the many because they possess the means of livelihood of all ... The country is governed for the richest, for the corporations, the bankers, the land speculators, and for the exploiters of labor. The majority of mankind are working people. So long as their fair demands - the ownership and control of their livelihoods - are set at naught, we can have neither men's rights nor women's rights. The majority of mankind is ground down by industrial oppression in order that the small remnant may live in ease.
β
β
Helen Keller (Rebel Lives: Helen Keller)
β
You donβt deserve me,β he agreed. βYou deserve better. But youβre stuck with me, and you might as well get over it.β Scooping me under him in one agile movement, he rolled on top of me, his black eyes all pirate. βI have no intention of letting you go easily, something to keep in mind. I donβt care if itβs another man, your mother, or the powers of hell trying to pry us apart, Iβm not easing up and Iβm not saying good-bye.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
To offer no resistance to life is to be in a state of grace, ease, and lightness. This state is then no longer dependent upon things being in a certain way, good or bad. It seems almost paradoxical, yet when your inner dependency on form is gone, the general conditions of your life, the outer forms, tend to improve greatly. Things, people, or conditions that you thought you needed for your happiness now come to you with no struggle or effort on your part, and you are free to enjoy and appreciate them - while they last. All those things, of course, will still pass away, cycles will come and go, but with dependency gone there is no fear of loss anymore. Life flows with ease.
β
β
Eckhart Tolle
β
You see, I want a lot.
Perhaps I want everything
the darkness that comes with every infinite fall
and the shivering blaze of every step up.
So many live on and want nothing
And are raised to the rank of prince
By the slippery ease of their light judgments
But what you love to see are faces
that do work and feel thirst.
You love most of all those who need you
as they need a crowbar or a hoe.
You have not grown old, and it is not too late
To dive into your increasing depths
where life calmly gives out its own secret.
β
β
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
β
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
32. I think I could turn and live with animals, they're so placid and self-contained,
I stand and look at them and long.
They do not sweat and whine about their condition.
They do not lie awake in the dark and weep for their sins.
They do not make me sick discussiong their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the earth.
52. The spotted hawk swoops by and accuses me, he complains of my gab and loitering.
I too am not a bit tamed, I too am untranslatable,
I sound my barbaric YAWP over the roofs of the world.
β
β
Walt Whitman (Song of Myself)
β
She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both: by her ease and liveliness, his mind might have been softened, his manners improved; and from his judgement, information, and knowledge of the world, she must have received benefit of greater importance.
β
β
Jane Austen (Pride and Prejudice)
β
The loss of a loved one is like the loss of a part of oneself; an arm or a leg. At first, the pain is so physical that it is hard to ignore. The trauma is so intense that the mind finds it hard to cope with the loss. With time the pain eases, the body recovers and the brain figures out new ways to go on.
β
β
Federico Chini (The Sea Of Forgotten Memories ( a Maltese Thriller))
β
I held Madoc by the inside of his elbow and held Jerod closer to me by the bicep. While a month ago I never would've thought I'd be with these two, I felt at ease. "Totally. This is the start of a great friendship." I jostled Madoc's arm playfully.
"It could be the start of a great porno, too," Madoc deadpanned, breaking into laughter.
β
β
Penelope Douglas (Bully (Fall Away, #1))
β
It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.
β
β
John Green (Looking for Alaska)
β
It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.
β
β
Bram Stoker (Dracula)
β
She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.. It seemed so natural, to talk to him about odd things. She had never done that before. The trust, so sudden and yet so complete, and the intimacy, frightened her.. But now she could think only of all the things she yet wanted to tell him, wanted to do with him.
β
β
Chimamanda Ngozi Adichie (Americanah)
β
You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory.
β
β
Thomas Wolfe
β
I know Iβm one royal screw up, and god knows thereβs nothing I could ever do to deserve you,β he began, taking my hand in his after sliding the ring free from the chain.
βBut I want you, Lucy Larson. Bad. I want you forever. The kind of bad I have for you isnβt the kind that goes away.β His forehead lined, his eyes washing silver. βEase my suffering. Make me the happiest, most tortured man in the world. Marry me?
β
β
Nicole Williams (Clash (Crash, #2))
β
We both grew so used to each other, so comfortable with the naturalness and ease of our friendship, that we became sloppy about keeping our relationship a secret. It was not that we were physically demonstrative or obviously in love, more that it had become impossible for us to hide our close involvement. We had gradually acquired the unmistakable air of old-love: finishing each other's sentences and speaking to each other with an offhand, presuming intimacy that was eventually noticed.
β
β
Kate Kerrigan (The Miracle of Grace)
β
AUTUMNAL
Pale amber sunlight falls across
The reddening October trees,
That hardly sway before a breeze
As soft as summer: summer's loss
Seems little, dear! on days like these.
Let misty autumn be our part!
The twilight of the year is sweet:
Where shadow and the darkness meet
Our love, a twilight of the heart
Eludes a little time's deceit.
Are we not better and at home
In dreamful Autumn, we who deem
No harvest joy is worth a dream?
A little while and night shall come,
A little while, then, let us dream.
Beyond the pearled horizons lie
Winter and night: awaiting these
We garner this poor hour of ease,
Until love turn from us and die
Beneath the drear November trees.
β
β
Ernest Dowson (The Poems And Prose Of Ernest Dowson)
β
Weβre still going to be seeing each other,β he murmured. βAnd donβt even lie. I know that makes you happy, You told me you wanted me.β
Hold your horses. βWhen?β
βAt the lake.β He slanted his headm and I shouldβve pulled back. His lips curved knowingly against mine, and he let go of my wrist. βYou said you wanted me.β
Both of my hand were on his chest. They had a mind of their own. I claimed no responsibility for them. βI had a fever. Lost my mind.β
βWhatever, Kitten.β Daemon gripped my hips, lifting me onto the edge of he desk with an ease that was disturbing. βI know better.
β
β
Jennifer L. Armentrout (Onyx (Lux, #2))
β
Leif's frown eased and he slid his finger under my chin and gently caressed my jaw line with the pad of his thumb.
"Pagan,will you do me the honor of being my date for Homecoming Dance?The prospect of not being able to hold you in my arms all night is heartbreaking."
Mirand sighed from across the table.
"Okay,that was beautiful.Why didn't you ask me like that?"she asked Wyatt.
Wyatt shot Leif an annoyed frown.
"Thanks,buddy.Next time you decide to break out your romantic side,could you do it alone?
β
β
Abbi Glines (Existence (Existence, #1))
β
WE two boys together clinging,
One the other never leaving,
Up and down the roads going, North and South excursions making,
Power enjoying, elbows stretching, fingers clutching,
Arm'd and fearless, eating, drinking, sleeping, loving.
No law less than ourselves owning, sailing, soldiering, thieving,
threatening,
Misers, menials, priests alarming, air breathing, water drinking, on
the turf or the sea-beach dancing,
Cities wrenching, ease scorning, statutes mocking, feebleness
chasing,
Fulfilling our foray.
β
β
Walt Whitman
β
I know you, I know you. You're the only serious person in the room, aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person, because you never went to college, and you resent education, you resent social ease, you resent good manners, you resent success, you resent any kind of success, you resent God, you resent Christ, you resent thousand-dollar bills, you resent Christmas, by God, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal...spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have is a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard.
β
β
William Gaddis (The Recognitions)
β
I believe that sanitizing this aspect of the modern and ancient world is at the root of our troubles as a culture now. We're bred to be smug about how peaceful we are, so we can watch television and feel safely distant from violence, when it is part of our makeup. That smugness means we don't feel we have to do anything about the violence we see, because it's obviously committed by people who aren't as educated or civilized as we are. By holding ourselves aloof from global and historical violence, we allow it to continue. If we are ever to survive as a species, we need to admit we are violent and find ways to ease the plight of the victims of violence worldwide. (No, invading a violent country and bombing it will not inspire its people to give violence up. Go figure.) We must face who we are and what creates violence: helplessness, envy, rage, even the drive to grab the good things of the world that are flaunted in the faces of the poor. We must take responsibility and protect each other from violence.
β
β
Tamora Pierce
β
I was dying, of course, but then we all are. Every day, in perfect increments, I was dying of loss.
The only help for my condition, then as now, is that I refused to let go of what I loved. I wrote everything down, at first in choppy fragments; a sentence here, a few words there, it was the most I could handle at the time. Later I wrote more, my grief muffled but not eased by the passage of time.
When I go back over my writing now I can barely read it. The happiness is the worst. Some days I can't bring myself to remember. But I will not relinquish a single detail of the past. What remains of my life depends on what happened six years ago.
In my brain, in my limbs, in my dreams, it is still happening.
β
β
Meg Rosoff (How I Live Now)
β
People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of...
β
β
Karen Blixen (Out of Africa)
β
Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.
At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are.
If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.
β
β
Alain de Botton (The Art of Travel)
β
When we fully understand the brevity of life, its fleeting joys and unavoidable pains; when we accept the facts that all men and women are approaching an inevitable doom: the consciousness of it should make us more kindly and considerate of each other. This feeling should make men and women use their best efforts to help their fellow travelers on the road, to make the path brighter and easier as we journey on. It should bring a closer kinship, a better understanding, and a deeper sympathy for the wayfarers who must live a common life and die a common death.
β
β
Clarence Darrow (The Essential Words and Writings of Clarence Darrow (Modern Library Classics))
β
She's Awakening,' Aiden said, voice tight.
'But the blood...' I heard Marcus move closer. 'Why is she bleeding?'
I eased onto my side. 'I'm being tattooed by a giant, mother fu-' Another strangled scream cut of my words as a different type of pain settled in, moving under my skin. It was like lighting racing through my veins, frying every nerve ending.
'This is... wow,' Deacon said, and I pried my eyes open. There was a whole audience by the door.
'Get them out of here!' I screamed, jackknifing on the floor. 'Gods, this sucks!'
'Whoa,' I heard Deacon murmur. 'This is like watching a chick give birth or something.'
'Oh my gods, I'm going to kill him.' I could feel the beads of blood breaking out under my jeans. 'I'm going to punch him-'
'Everyone leave,' Aiden ground out. 'This isn't a godsdamn show.'
'And I think he's like the father,' Luke said.
Aiden rose to his feet. 'Get. Out.
β
β
Jennifer L. Armentrout (Deity (Covenant, #3))
β
I wanted him dead too, so that if I couldn't stop thinking about him and worrying about when would be the next time I'd see him, at least his death would put an end to it. I wanted to kill him myself, even, so as to let him know how much his mere existence had come to bother me, how unbearable his ease with everything and everyone, taking all things in stride, his tireless I'm-okay-with-this-and-that, his springing across the gate to the beach when everyone else opened the latch first, to say nothing of his bathings suits, his spot in paradise, his cheeky Later!, his lip-smacking love for apricot juice. If I didn't kill him, then I'd cripple him for life, so that he'd be with us in a wheelchair and never go back to the States. If he were in a wheelchair, I would always know where he was, and he'd be easy to find. I would feel superior to him and become his master, now that he was crippled.
Then it hit me that I could have killed myself instead, or hurt myself badly enough and let him know why I'd done it. If I hurt my face, I'd want him to look at me and wonder why, why might anyone do this to himself, until, years and years later--yes, Later!--he'd finally piece the puzzle together and beat his head against the wall.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Thereβs power in the touch of another personβs hand. We acknowledge it in little ways, all the time. Thereβs a reason human beings shake hands, hold hands, slap hands, bump hands.
βIt comes from our very earliest memories, when we all come into the world blinded by light and color, deafened by riotous sound, flailing in a suddenly cavernous space without any way of orienting ourselves, shuddering with cold, emptied with hunger, and justifiably frightened and confused. And what changes that first horror, that original state of terror?
βThe touch of another personβs hands.
βHands that wrap us in warmth, that hold us close. Hands that guide us to shelter, to comfort, to food. Hands that hold and touch and reassure us through our very first crisis, and guide us into our very first shelter from pain. The first thing we ever learn is that the touch of someone elseβs hand can ease pain and make things better.
βThatβs power. Thatβs power so fundamental that most people never even realize it exists.
β
β
Jim Butcher (Skin Game (The Dresden Files, #15))
β
The dark is generous.
Its first gift is concealment: our true faces lie in the dark beneath our skins, our true hearts remain shadowed deeper still. But the greatest concealment lies not in protecting our secret truths, but in hiding from the truths of others.
The dark protects us from what we dare not know.
Its second gift is comforting illusion: the ease of gentle dreams in nightβs embrace, the beauty that imagination brings to what would repel in the dayβs harsh light. But the greatest of its comforts is the illusion that dark is temporary: that every night brings a new day. Because itβs the day that is temporary.
Day is the illusion.
Its third gift is the light itself: as days are defined by the nights that divide them, as stars are defined by the infinite black through which they wheel, the dark embraces the light, and brings it forth from the center of its own self.
With each victory of the light, it is the dark that wins.
The dark is generous, and it is patient.
It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt.
The dark can be patient, because the slightest drop of rain will cause those seeds to sprout.
The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light.
The darkβs patience is infinite.
Eventually, even stars burn out.
The dark is generous, and it is patient, and it always wins.
It always wins because it is everywhere.
It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet.
The brightest light casts the darkest shadow.
The dark is generous and it is patient and it always wins β but in the heart of its strength lies its weakness: one lone candle is enough to hold it back.
Love is more than a candle.
Love can ignite the stars.
β
β
Matthew Woodring Stover
β
The Day is Done
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
β
β
Henry Wadsworth Longfellow (The Belfry of Bruges and Other Poems)
β
Karrin."
She looked up at me. She looked very young somehow.
"Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay."
She closed her eyes tightly. "I'm scared. So scared I'm sick."
"You'll get through it."
"What if I don't?"
I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day."
Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
β
β
Jim Butcher (Summer Knight (The Dresden Files, #4))
β
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life.
And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends.
When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her.
Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know:
I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere.
I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed.
And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be.
When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are.
We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
β
β
John Green (Looking for Alaska)
β
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
βThis old thing,β Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didnβt know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronanβs first kiss.
βIβm gonna go downstairs,β Ronan said.
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: βMake use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.β
βYou are together because a forest is always stronger than a solitary tree,β the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.β
βIf you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.β
βIf you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. βWalk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. βConfront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. βGod will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.β
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'β
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.β
βThere is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
β
β
Paulo Coelho (Maktub)
β
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end.
I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA.
Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring.
I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone.
Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood.
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job."
Real mothers know that it's okay to eat cold pizza for breakfast.
Real mothers admit it is easier to fail at this job than to succeed.
If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt.
Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal.
Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages.
Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
β
β
Jodi Picoult (House Rules)
β
Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
β
β
Yukio Mishima (Sun & Steel)
β
Two Kinds of People
There are two kinds of people on earth today,
Two kinds of people no more I say.
Not the good or the bad, for it's well understood,
The good are half bad, the bad are half good.
Not the happy or sad, for in the swift-flying years,
Bring each man his laughter, each man his tears.
Not the rich or the poor, for to count a man's wealth,
You must know the state of his conscience and health.
Not the humble and proud, for in life's busy span,
Who puts on vain airs is not counted a man.
No! the two kinds of people on earth I mean,
Are the people who lift, the people who lean.
Wherever you go you'll find the world's masses
Are ever divided into these two classes.
And, strangely enough, you will find, too, I mean,
There is only one lifter to twenty who lean.
In which class are you? Are you easing the load
Of the overtaxed lifters who toiled down the road?
Or are you a leaner who lets others bear,
Your portion of worry and labor and care?
β
β
Ella Wheeler Wilcox