Earrings Gold Quotes

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Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
Elizabeth Gilbert (Eat, Pray, Love)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Oh really I was just thinking about how great a gold filigree necklace and teardrop earrings would look on me, and at seventy five ninety nine plus shipping, its a freaking, steal. But damn, I missed the deal because, oh that's right.. I'M FUCKING FROZEN ..
Larissa Ione (Lethal Rider (Lords of Deliverance, #3; Demonica, #8))
Pawn Shop Blues" Well, I didn't know it would come to this But that's what happens when you're on your own And you're alright letting nice things go Well, I pawned the earrings that you gave me Gold and made of flowers dangling And I almost cried as I sold them all I don't mind living on bread and oranges, no no But I gotta get to and from where I come And it's gonna take money to go Oh no, oh oh, oh oh... In the name of higher consciousness I let the best man I knew go 'Cause it's nice to love and be loved But it's better to know all you can know I said it's nice to love and be loved But I'd rather know what God knows Oh no, oh no, oh no... I can do this once more No man can keep me together Been broken since I was born Well, I didn't know it would come to this But that's what happens when you're on your own And you're alright letting nice things go
Lana Del Rey
Women had little security other than jewelry, so even the poorest among us sported gold chains, earrings, and rings as their insurance.
Yangsze Choo (The Ghost Bride)
Once there was a moose, a very poor, thin, lonely moose who lived on a rocky hill where only bitter leaves grew and bushes with spiky branches. One day a red motor car drove past. In the backseat was a grey gypsy dog wearing a gold earring.
Annie Proulx
Mr. Bird flung his food away and leaped to his feet, glaring around at no one in particular. 'I am not a dog!' he shouted agrily, his gold earrings flashing in the firelight.
Tim Powers (On Stranger Tides)
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be. It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her. But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade. It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
Haruki Murakami (Norwegian Wood)
The smell of coffee, white dust, tobacco and burnt bread, flowers with a fragrance of wine, and the crimson fruit, soft and overripe. A girl looking over her bare shoulder, with a flash of a smile, gold ear-rings showing from thick black hair brushed away from her face, long arms, a cigarette between her lips. Night like a great dark blanket, voices murmuring at a street corner, the air warm with tired flowers, and a hum from the sea.
Daphne du Maurier (I'll Never Be Young Again)
the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.
Keisha Ervin (Material Girl 3: Secrets & Betrayals)
I reach up to toy with her gold hoop earrings. “I like these.” “Thank you. My boyfriend gave them to me,” she says pointedly. I bite back a grin. That’s so cute. She thinks I give a fuck about her boyfriend.
Kennedy Ryan (Block Shot (Hoops, #2))
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
She had on black jeans, a black cropped cotton sweater, and soft, scrunchy ankle boots. The color made her blue eyes look dramatic, and her earrings, which were tiny coils of gold braid, finished the outfit.
Ann M. Martin (Kristy Thomas, Dog Trainer (The Baby-Sitters Club, #118))
The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
One day we are looking at the Magnum photograph of Sophia Loren at the Christian Dior show in Paris in 1968 and thinking yes, it could be me, I could wear that dress, I was in Paris that year; a blink of the eye later we are in one or another doctor's office being told what has already gone wrong, why we will never again wear the red suede sandals with the four-inch heels, never again wear the gold hoop earrings, the enameled beads, never now wear the dress Sophia Loren is wearing.
Joan Didion (Blue Nights)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower; a London black cab; a helicopter—Charlie Tango; a glider—the soaring, a catamaran—The Grace; a bed; and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically(...)
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Standing in the corner, leaning aginst the wall, is a fifth man. If Grange is a Hummer, this guy's an 18-wheel Mack truck, thinks Roddy. Parked, with its engine idling. He reminds Roddy of Ivan Drago from that Rocky movie. The guy must stand six five and tip the scales at 270. Pure, rock-hard muscle. His crew-cut blond hair is slickly gelled; his face--especially those cheekbones and that lantern jaw--could be carved from granite. He, no doubt, spends counteless hours at some muscle emporium. Pure muscle, but probably clumsy; he would go down fast if Roddy drove a flurry of punches into his gut and face. A gold earring pierces the guy's left earlobe. The drape of the jacket on his Schwarzenegger shoulders shows a bulge on the left side. The guy's packing some serious hardware. Mack Truck stares blankly and stands rock-still, hands clasped in front of his gargantuan body.
Mark Rubinstein (Mad Dog House)
She had short, thick forearms, fingers like cocktail sausages, and a broad fleshy nose with flared nostrils. Deep folds of skin connected her nose to either side of her chin, and separated that section of her face from the rest of it, like a snout. Her head was too large for her body. She looked like a bottled fetus that had escaped from its jar of formaldehyde in a Biology lab an unshriveled and thickened with age. She kept damp cash in her bodice, which she tied tightly around her chest to flatten her unchristian breasts, Her kunukku earrings were thick and gold. Her earlobes had been distended into weighted loops that swung around her neck, her earrings sitting in them like gleeful children in a merry-go-(not all the way)-round. Her right lobe had split open once and was sewn together by Dr. Verghese Verghese. Kochu Maria couldn't stop wearing her kunukku because if she did, how would people know that despite her lowly cook's job (seventy-five rupees a month) she was a Syrian Christian, Mar Thomite? Not a Pelaya, or a Pulaya, or a Paravan. But a Touchable, upper-caste Christian (into whom Christianity had seeped like tea from a teabag). Split lobes stitched back were a better option by far. Kochu Maria hadn't yet made her acquaintance with the television addict waiting inside her. The Hulk Hogan addict. She hadn't yet seen a television set...
Arundhati Roy (The God of Small Things)
are starting to lock them up inside the death camps. This is beyond imagining. “My uncle is right,” Aliza said. “Quotas and blockades will not stop us. And the truth is, the English have always preferred the Arabs to the Jews. In fact, they are anti-Semites, though there are exceptions, of course,” she said. “Like our little commandant here in Atlit. “But enough politics for today,” she said, getting to her feet. “I’m going over to the kitchen and see if I can get a lemon or an orange so I can show you how to give an injection.” She put her hand under Leonie’s chin and smiled. “I suppose you’ll get married right away. But it’s always good to have a trade, just in case.” Leonie watched her go, overwhelmed by affection. Aliza seemed happiest when she was taking care of others, or telling them what to do. She never complained and seemed content with her life. Leonie wondered about the heavy gold earrings that she wore every day—her only adornment. Maybe they were a gift from her husband, or perhaps they had belonged to her mother. Aliza never mentioned
Anita Diamant (Day After Night)
Before settling in to work, we noticed a large travel case on the mantelpiece. I unsnapped the latches and lifted the top. On one side there was a large desert scene on a marble base featuring miniature gold figurines, as well as a glass clock powered by changes in temperature. On the other side, set in a velvet case, was a necklace half the length of a bicycle chain, encrusted with what appeared to be hundreds of thousands of dollars’ worth of rubies and diamonds—along with a matching ring and earrings. I looked up at Ben and Denis. “A little something for the missus,” Denis said. He explained that others in the delegation had found cases with expensive watches waiting for them in their rooms. “Apparently, nobody told the Saudis about our prohibition on gifts.” Lifting the heavy jewels, I wondered how many times gifts like this had been discreetly left for other leaders during official visits to the kingdom—leaders whose countries didn’t have rules against taking gifts, or at least not ones that were enforced. I thought again about the Somali pirates I had ordered killed, Muslims all, and the many young men like them across the nearby borders of Yemen and Iraq, and in Egypt, Jordan, Afghanistan, and Pakistan, whose earnings in a lifetime would probably never touch the cost of that necklace in my hands. Radicalize just 1 percent of those young men and you had yourself an army of half a million, ready to die for eternal glory—or maybe just a taste of something better. I set the necklace down and closed the case. “All right,” I said. “Let’s work.
Barack Obama (A Promised Land)
Once again, it's a beautiful day to be a pirate," Auburn Sally said to her crew. "Ladies, lower the sales!" The twins looked up, expecting the sails above them to comedown and fill with the ocean air. Instead, Siren Sue peeked out of the crow's nest with a treasure chest full of scarves, jewelry, hooks, and weapons. The other pirates gathered below her with hands full of gold coins. "You heard the captain - time to lower the sales!" Siren Sue announced. "For a limited time, everything is half off!" Scarves are two coins, earring are four coins, necklaces are six coins, and the rifles are eight coins! Get your accessories while the sales are low!" Siren Sue sold off the items to the pirates below until there was nothing left in her chest. The women ogled their new purchases and showed them off to one another. It absolutely baffled Alex, and when she glanced at Conner, he looked just as confused as she did. "I don't understand what's happening," he said. "I never wrote that." "Did you mean to write lower the sails?" Like the normal sails on a ship?" Alex said. "Oops," Conner said. "I must have spelled it wrong." To his relief, once the sales were over, the pirates lowered the sails, too.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.
Ann M. Martin (Mallory and the Trouble With Twins (The Baby-Sitters Club, #21))
Her insanely high Christian Louboutin stilettos made a click-clacking sound on the airport floor. Amber rolled a small Louis Vuitton luggage bag behind her. She wore a baby-blue Chanel skirt suit, which made her look like an elegant celebrity. Her hair was long and blond today and pinned up into a perfectly smooth up-do. A pair of gold earrings in the shape of four-leaf clovers and a matching pendant completed the outfit.
A.O. Peart
depending on the angle at which she regarded you. Uniforms weren’t required of the wait staff, and this woman—her badge identified her as KANANI, which was Hawaiian for a beauty—was dressed in white slacks and a white blouse accessorized with a red-silk sash worn as a belt and a red-and-gold silk scarf at her throat. Elaborate dangling gold earrings. Flashy bracelets. Eight diamond finger rings. She might have worn ten rings, except that she had only eight fingers. Ironically, on each hand, she was missing the ring finger, which was next to the pinkie. Kanani
Dean Koontz (Ashley Bell)
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
None were particularly interesting, although I got a kick out of a note from the Philadelphia Zoo suggesting that since the tiger was not entirely reliable around humans, perhaps Mr. Willing would consider a leopard for his painting instead. It had been a pet until the demise (natural) of its owner and would, if not firmly admonished, climb into a person's lap, purring, and drool copiously. I pulled a sheet of scrap paper (the Stars spent a lot of time sending all-school e-mails about recycling) out of my bag and made a note on the blank side: "Leopard in The Lady in DeNile?" It wasn't my favorite, Cleopatra Awaiting the Return of Anthony. It was a little OTT, loaded with gold and snake imagery and, of course, the leopard. Diana hadn't liked the painting,either, apparently; she was the one who'd given it the Lady in DeNile nickname.I wondered if the leopard had drooled on her. None of the papers were personal, but they were Edward's and some were special, if you knew about his life. There was a bill from the Hotel Ritz in Paris in April 1890, and one from Cartier two months later for a pair of Tahitian pearl drop earrings. Diana was wearing them in my favorite photograph of the two of them: happy and visibly tanned, even in black and white, holding lobsters on a beach in Maine. "I insisted we let them go," Diana wrote in a letter to her niece. "Edward had a snit.He wanted a lobster dinner, but I could not countenance eating a fellow model.
Melissa Jensen (The Fine Art of Truth or Dare)
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)