Earl Woods Quotes

Jonquil went by with a full plate of food, and Petunia reached out and tried to snag a small cream puff from it. Jonquil lifted it over Petunia's head before she could, and clucked her tongue. "These are for Lily," she said. "Oh really?" Petunia gave her a look. "And possibly some are for that Analousian duke Jacques invited," Jonquil said with a sparkle in her eye. "But none are for you." Then she flipped one to Oliver. "You can have one, my lord earl," she said, and twirled away. "These are excellent," Oliver said, eating half of it in one bite. He fed Petunia the other half so she wouldn't get cream on her knitting. Oliver was just leaning in to steal a kiss - "I hope this means you're planning on marrying her, boy," barked King Gregor. Oliver leaped to his feet. "Sire! Yes! I mean ... I ... sire!" "I didn't pardon you and restore your earldom so that you could loll around my gardens flirting with my daughters," King Gregor said. Then he bent down and gave Petunia a kiss on the cheek. "I like him," he whispered loudly in her ear. "Me too," she whispered back, blushing.

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.

Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.

The woods are forbidden?” she asked eagerly. “Very forbidden.” “Are they dark and dangerous and full of monsters?” “No, they are just forbidden.

Are you wanting a passionate liaison, Lady Rose?” He kept his voice teasing, though he didn’t bother to hide his interest. “Don’t be silly. You’ve helped me to bed, and now you can go.” He drew the covers over her, well aware of her body warmth. He tucked her in, sitting on the edge of the bed. “There, now. Would you like a bedtime story?” His voice came out husky, and she glared at him. “Get. Out.” There was no mistaking her annoyance. “Where is my garden rake when I need it?” Instead, she gathered up one of the smaller pillows, holding it like a shield. But in spite of her warning, there was something else in her eyes. Not fear or loathing—but her own interest. In the dim candlelight of the room, her brown eyes were fixed upon him as if she saw nothing else. She leaned forward with the pillow, instead of cowering backward. He wasn’t about to refuse that invitation. “I know what it is we’re missing, a chara. A goodnight kiss.” Her eyes widened with shock. And yet, her hands relaxed from the pillow, while she supported her weight on her wrists. She looked nothing like a lady who was terrified of a stolen kiss. Instead, her mouth was slightly open, her cheeks flushed. “Absolutely not. I will scream if you even try such a thing.” He was tempted to lean in and taste her offering. What would it be like to feel her soft body against his own, stroking the line of her back? Would she wind her arms around his neck and open to him like a summer blossom? Iain moved a breath closer, watching her reaction. For a moment, she held herself in place, waiting. But instead of desire in her eyes, he saw the first trace of fear. Before she could protest again, he kissed her forehead. “Sweet dreams, Lady Rose.” Then he stepped back to leave. It wasn’t the kiss he’d wanted, but at least she would not be angry with him. Yet, he was wrong about that. She appeared angry that he hadn’t stolen a true kiss. “You are a wretched man,” she informed him as he strode to her bedroom door. In one hand, she held the pillow. But he only paused and smiled. “What was that?” He raised a hand to his ear and said, “You wanted to thank me for taking you back to bed? Oh, aye, a chara, you’re very welcome, then.” With that, he closed the door gently behind him. A moment later, he heard a soft thunk as the pillow struck the wood.

It is the usual way of things, when you have done something to hurt someone else, to extend an olive branch.” Morgan was uncertain what a piece of tree could have to do with the ins and outs of polite society. Unless Earl Warrington meant some type of walking stick fashioned from the wood of the olive tree? Morgan was about to seek clarification when his uncle went on.

So insignificant were the towns, that in earl times legislation was necessary to compel them to have "ordinaries" for passing strangers. Some of the houses in the New Jersey villages were of wood, but brick was the most usual material.

Rubbish. Poppycock. Lies, all of it lies.” Brooke strode to the lead, then halted and turned to face the group. Everyone tripped to a standstill. “Legends,” he continued, “always have a logical explanation. This is clearly a cautionary tale, concocted by old, toothless grandmothers. Everyone knows the old earl was rabid about hunting, and he had these woods stocked with exotic game— peacock, boar, and yes, even stag. Everyone knows his lands were a magnet for poachers, and that he dealt with trespassers harshly. Of course the locals created this man-deer nonsense. They wanted to scare young people, discourage them from wandering off into the woods.” “Well, if that was their intent”— Cecily looked around the group—“ it doesn’t seem to have worked.” “That’s right.” Portia released Denny’s arm and continued on the path. “Here we are, plunging ever deeper into these cursed woods, unarmed and intrigued. Fearless.” Brooke grabbed her elbow. “A thin line separates boldness from stupidity.” “Yes.” Smiling sweetly, Portia looked at his hand on her arm. “You’re treading it.

The knowledge that I’ve got enough.” Earl Woods called that the e-word, like it was an expletive. In truth, enough is a beautiful thing. Imagine the stillness that sense of enough brought Joseph Heller and everyone else who has it. No ceaseless wanting. No insecurity of comparison. Feeling satisfied with yourself and your work? What gift!