Earl Long Quotes

We've searched our database for all the quotes and captions related to Earl Long. Here they are! All 100 of them:

And the point of Rachel the Film should really have been to express how awful and shitty that loss was, that she would have become a person with a long awesome life if she had been allowed to continue living, and that this was just a stupid meaningless loss, a motherfucking loss, a loss loss loss fucking loss, there was no fucking meaning to it, there was nothing that could come out of it...
Jesse Andrews (Me and Earl and the Dying Girl)
I growl with frustration at my reflection in the mirror. My hair is fifty shades messed up. Why is it so kinky and out of control? I need to stop sleeping with it wet. As I brush my long brown hair, the girl in the mirror with the brown eyes too big for her head stares back at me. Wait... my eyes are blue! It dawns on me that I've been staring at a poster of Kristen Stewart for five minutes. My own hair is fine.
Fanny Merkin (Fifty Shames of Earl Grey)
She raised her hand to cut me off. "I am aware of your epistolary flirtation. Which is all well and good--as long as it's well and good. Before I ask you some questions, perhaps you would like some tea?" "That would depend on what kind of tea you were offering." "So diffident! Suppose it was Earl Grey." I shook my head. "Tastes like pencil shavings." "Lady Grey." "I don't drink beverages named after beheaded monarchs. It seems so tacky." "Chamomile?" "Might as well sip butterfly wings." "Green tea?" "You can't be serious." The old woman nodded her approval. "I wasn't." "Because you know when a cow chews grass? And he or she chews and chews and chews? Well, green tea tastes like French-kissing that cow after it's done chewing all that grass." "Would you like some mint tea?" "Only under duress." "English breakfast." I clapped my hands. "Now you're talking!
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
Snow and adolescence are the only problems that disappear if you ignore them long enough.
Earl Wilson
Mr. Long Fingers. Mr. Womb-Ticklers
Fanny Merkin (Fifty Shames of Earl Grey)
The difference between America and England is that Americans think 100 years is a long time, while the English think 100 miles is a long way.
Earle Hitchner
There was a library and it is ashes. Let its long length assemble. Than its stone walls its paper walls are thicker; armoured with learning, with philosophy, with poetry that drifts or dances clamped though it is in midnight. Shielded with flax and calfskin and a cold weight of ink, there broods the ghost of Sepulchrave, the melancholy Earl, seventy-sixth lord of half-light.
Mervyn Peake (Gormenghast (Gormenghast, #2))
They immediately spent a moment in bemused silence in honor of the perilous little paradox that was the English female
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
But is not one a result of the other?” she asked. “Love and loyalty? I cannot see how could you prefer one to the other.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
Lyon Redmond was either a man on a pilgrimage in search of salvation, or a man out to burn on the pyre of his own love for a woman. Regardless, he still suffered.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
As for the merchants, they were the clever ones, understanding the sensitivities of their fellow man, his weaknesses, his petty longings. Some were already wealthier than earls. Indeed, if he possessed their cunning, their insatiable greed, he might invent a remedy comprised of pigs’ fat and arsenic, place a notice in the Public Advertiser and have Boswell walk the streets selling the stuff! Eventually, they would become rich. 
Kate Rose (The Angel and the Apothecary)
Even if you do die, I was thinking today, it's really only on the arbitrary human scale that a human life seems fort, or long, or whatever, and like, from the perspective of eternal time, the human life is vanishingly small, like it's really equivalent whether you live to be 17 or 94 or even 20,00 years old, which is obviosusly impossible, and then, on the other hand, from the perspective of an ultra-nanoinstant, which is the smallest measurable unit of time, a human life is almost infinite even if you die when you're like, a toddler. So either way it doesn't even matter how long you live. So I don't know if that makes you feel better, but it's just something to think about.
Jesse Andrews (Me and Earl and the Dying Girl)
She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars. Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky.
Mervyn Peake (Titus Groan (Gormenghast, #1))
We use other people's brains to navigate the world: to acquire skills and practices, and to access knowledge systems of long-dead strangers. We call this 'culture'.
Mark Earls
Liv! The perpetrator has probably not returned to the scene of the crime. Pee Diddy is long gone by now.
Jesse Andrews (Me and Earl and the Dying Girl)
Love, intensity, value, passion, rejection, hope, care, failure, joy. What life throws at us never makes sense. Thinks we're at life's dispense. How long we should try to change ourselves. The weight of death, the weight of fear. The burden of stress, the pain is here. Never to know, never to guess, never to know, how much mess. Do not show care, do not have love, do not feel joy, or you may change.
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
When and if Violet ever fell in love, lightning would split the heavens, tectonic plates would shift, continents would reorder themselves. Because she might be willful and spoiled and impetuous, but no one loved with the force of his sister. Her love story would be epic.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
If England had not used the services of privateers and pirates during its long struggle with Spain, there is some likelihood that people today in North America would be speaking Spanish rather than English.
Robert Earl Lee (Blackbeard the Pirate: A Reappraisal of His Life and Times)
She more than likely came from good enough people. Poor, honest, hard-working folks that never got ahead but did all right as long as they kept their heads down and didn't study too much on what they didn't have.
Steve Earle (I'll Never Get Out of This World Alive)
Legislators represent people, not trees or acres. Legislators are elected by voters, not farms or cities or economic interests. As long as ours is a representative form of government, and our legislatures are those instruments of government elected directly by and directly representative of the people, the right to elect legislators in a free and unimpaired fashion is a bedrock of our political system.
Earl Warren
How, she had no idea. She seldom considered the “how” of things.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
I should not, if I were you, wish to be, because ‘sterner stuff’ is usually forged by hardship.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
I've learned long ago that a generous person who is wise will never lack for anything.
Ruth Ann Nordin (The Earl's Scandalous Wife (Marriage by Scandal, #4))
So, are you in the tree for any particular reason or are you indulging a long-held desire to be a bird?
Mandy Goff (Engaging the Earl (Love Inspired Historical))
Well, it’s not as though he cannot help it, you see. The…saving of things. I suspect it’s Captain Flint’s way of telling the world, ‘This is how it’s done.’” She wondered if it was also Flint’s way of showing the world, “This is how you could have saved me when I was a boy.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current. He felt it too. She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear. And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget. The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin. Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise. She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress. This man. This man, who was everything she had never allowed herself to dream she would find. This man, who made her believe in friendship. In partnership.. In love
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
It’s…” She couldn’t finish. “Don’t try, Miss Redmond,” he agreed, shading his eyes. “There are honestly no suitable words, so we shall not fault you for failing to find them. Nothing makes a man feel more like God than sailing a ship over the sea with no land in sight. And nothing makes a man feel less like a God than clinging to a shred of ship exploded by lightning in a storm.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
A girl stood before the dressing table, pulling a brush through her long dark hair. The sight filled McKenna with a rush of pleasure. Lady Aline Marsden... the older daughter of the Earl of Westcliff. She was warm, high-spirited, and beautiful in all ways.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
The teacher took two long strides and stood beside Parker’s desk. Before the boy could speak, Mr. Earl threw the desktop open. For a second, he stared into it. A white glow reflected off his face. “What is this?” he said, as he reached toward the brightness. “Careful, Mr. Earl,” Parker started to say, but it was too late. The teacher screeched before lurching against the desk. He went down quickly, his feet vanishing into the desk last.
James Van Pelt
She needed to know more. “But that means…” “It means I love you, Violet. I have never said that aloud to another human being.” He said it quickly and tonelessly. As if he was afraid of the words. Violet stood basking in those words the way she might a sunbeam after a long, gray day. She closed her eyes. And she knew she was lit from within. “Do not let me just stand here having said those words,” he said stiffly. “It’s undignified.” “I love you, too,” she said softly, hurriedly. Feeling abashed. Eyes still closed. Egads. So this was what it was like to be in love. Awkward and foolish, indeed.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
What were you looking at?" She pointed to a bright star. "Polaris." He shook his head, and pointed to another part of the sky. "That's Polaris. You were looking at Vega." She chuckled. "Ah. No wonder I was finding it unimpressive." He leaned back and stretched his long legs out. "It's the fifth brightest star in the sky." She laughed. "You forget I am one of five sisters. In my world, fifth brightest is last." She looked up. "With apologies to the star in question, of course." "And are you often last?" She shrugged. "Sometimes. It is not a pleasant ranking." "I assure you, Pippa. You are rarely last.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
It went on. Each lie I told required another to thicken the paste over the previous. It was useless, like when I learned to crochet and made a long string of loops. Being useless builds character, Miss Paulsen had said. Perhaps she was home now, drinking a weak Earl Grey from last night’s tea bag, massaging her taffied scalp.
Ruta Sepetys (Out of the Easy)
Then talk not of inconstancy, False hearts, and broken vows; If I, by miracle, can be This live-long minute true to thee, ’Tis all that Heav'n allows.
John Wilmot
Ancient person, for whom I All the flattering youth defy, Long be it ere thou grow old, Aching, shaking, crazy, cold; But still continue as thou art, Ancient person of my heart.
John Wilmot
Why do old men grow huge beards as if to proclaim a manhood that has long since fled?
Jeane Westin (His Last Letter: Elizabeth I and the Earl of Leicester)
Lindsey There is the usual hive of activity in the Brannon household this morning. Mrs Brannon is busy making breakfast for her daughter, Lindsey, making it just as she likes it: two slices of toast with home-made raspberry jam, a hard-boiled egg, shell peeled and the egg cut into slices, a cup of fresh Earl Grey tea with one brown sugar and a touch of milk, with a glass of freshly-squeezed orange juice on the side – oranges bought from the greengrocer down the road. The same breakfast she has lovingly made for her daughter for over forty years.
Ross Lennon (The Long Weekend)
Very well,” she said after a moment. “Here is how I see that loyalty and love are the same: You would lay down your life for someone for reasons of both love and loyalty. But loyalty implies dependence, doesn’t it? For instance, dogs are loyal. It also implies indebtedness. For instance, servants are loyal.” “It also implies integrity. And honor. And—” “Steadfastness,” she completed, with only a hint of irony. “So you see them as absolutes then, Miss Redmond? Love means to be willing to die for someone, and loyalty perhaps the same?” “How can they be otherwise?
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
He began to stand, and saw Lyon stiffen, poised to do whatever he needed to do. He, like Lyon, could throw himself on a pyre, too. Because fire cleansed. She’d won, and he’d lost. It had stopped mattering. Her happiness was indistinguishable from his own. No matter what became of him, he wanted her to know he loved her. “You’d best get out of here, Redmond. Your secret is safe with me.” Lyon’s eyes flared in wary surprise. He froze. And his smile, when it came, was slow, and crooked, and he looked very like Lavay when Lavay was being insufferably knowing. “Ah. You do love her more than life. Splendid. And that, my dear Lord Flint, is what I came here today to discover.” Whatever he felt was between him and Violet. “Go before I change my mind, Redmond.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
Don’t be tedious, Lavay. If it’s so necessary for you to know,” he said ungraciously. “She won a contest.” There was a short stunned silence. “You…played a game?” Lavay said this slow, flat incredulity, hilarity suppressed, clearly trying to picture it. “And you lost to a…girl. What manner of contest was this? Ribbon-tying?” Flint felt ridiculous now, in retrospect, which was doing nothing to settle his temper. “I challenged her to aim a dart…let’s just say it landed rather serendipitously in the right spot,” he finished curtly. “She was lucky.” “You speak metaphorically, Captain? She aimed a dart as in the vein of Cupid?
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
And then—oh, his kingdom for a pair of field glasses. The earl dropped the ax long enough to strip down to his shirtsleeves. That couldn’t be necessary, given the chill in the November air. But on another, purely aesthetic level, it was quite, quite necessary for this man to take off his clothes whenever the spirit moved him. Perhaps he ought to go the full distance and take his shirt off too. No sense in doing things by halves.
Cat Sebastian (The Lawrence Browne Affair (The Turner Series, #2))
Tell me—what wouldn’t you do for Violet, Captain Flint?” Flint didn’t yet know the answer to this. Though he was perhaps closer to knowing. “I haven’t yet been tested.” Lyon smiled slowly at this, and shook his head. “Ah. Clearly you haven’t a soul of a poet, then, sir. You cannot be lured into hyperbole: ‘There’s nothing I wouldn’t do! Nothing!’ And etcetera. I can. I like hyperbole. Don’t fear it, Flint! Believe me, there’s some truth to all the purple words that surround love, you know. When you love someone more than life—and it is indeed possible to love someone more than life, or otherwise poets wouldn’t have gone on and on about it over the centuries—and you know, you know, you were born for only one person…imagine you cannot have them without tearing everything else you know asunder. Without hurting and disappointing all the other people you love. What then would you do?
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
Well, Greg, I think that it just means that even after somebody dies, you can... you can still keep learning about them, you know, their life. It can keep unfolding itself to you just as long... just as long as you pay attention to it.
Jesse Andrews (Me and Earl and the Dying Girl)
everything comes if a man would only wait. I have brought myself, by long meditation, to the conviction that a human being with a settled purpose, must accomplish it and that nothing can resist a will that will stake even existence for its fulfillment”.
Earl Nightingale (The Strangest Secret)
Let’s say then you’ve made the decision to tear the life you know asunder in order to be with this person you love. A difficult decision to be sure. Putting it lightly. Because you cannot imagine a life without her, and the alternative left to you is a lifetime of desolation, as you don’t intend to don a hair shirt or join a monastery or fling yourself into the ocean and drown. And so you go ahead and do the unthinkable and tear your life asunder…only to discover the person you love won’t have you after all, and she actually has a reason
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
He had entered into every relationship in his life in good faith, reveling in the breathless flush of new love for as long as it lasted and then valiantly pretending not to notice that it had faded for as long as he could. When he finally moved on, he always left something of him behind and took something of her along until he became, in essence, every lover he had ever been with. He assimilated all of their strengths and weaknesses, and any virtue he possessed was learned from one woman or another, a consolation prize bestowed on him at their parting.
Steve Earle (Doghouse Roses: Stories)
Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet. Such plainness of the pre-Baroque Hardly involves the eye, until It meets his left-hand gauntlett, still Clasped empty in the other, and One sees with a sharp tender shock His hand withdrawn, holding her hand. They would not think to lie so long, Such faithfulness in effigy Was just a detail friends would see, A sculptor's sweet commissioned grace Thrown off in helping to prolong The Latin names around the base. They would not guess how early in Their supine stationary voyage The air would change to soundless damage, Turn the old tenantry away; How soon succeeding eyes being To look, not read. Rigidly, they Persisted, linked, through lengths and breadths Of time. Snow fell, undated. Light Each summer thronged the grass. A bright Litter of birdcalls strewed the same Bone-littered ground. And up the paths The endless altered people came Washing at their identity. Now helpless in the hollow Of an unarmorial age, a trough Of smoke in slow suspended skeins Above their scrap of history, Only an attitude remains. Time has transfigured them into Untruth. The stone fidelity They hardly meant has come to be Their final blazon and to prove Our almost-instinct almost-true: What will survive of us is love. - An Arundel Tomb
Philip Larkin (The Whitsun Weddings)
The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.
Edward Gibbon (Autobiographies; printed verbatim from hitherto unpublished MSS., with an introd. by the Earl of Sheffield. Edited by John Murray)
She longed for a man who'd be just her man, not some player who'd have a bunch of other women on the side. She wanted a man who'd work, not some jerk who was always getting fired because his job description was smaller than his ego. Someone reliable and solid, like her Grandpa Earl had been.
Eden Connor (Wildly Inappropriate (Devilish De Marco Men, #2))
For you see, Captain Flint, I, too, never settle for less than what I want. Or never thought I possibly could. I’m a Redmond. If only you truly understood what this means. So I set out to reorder the world in a way I thought would make me worthy of her love. But my quest has changed me in ways I never anticipated, and I’m not the man who once loved that girl. There’s much more to my journey yet. And here’s a bitter irony: I’ve found in becoming heroic, in becoming worthy of her, I’ve painted myself into an untenable corner. I’ve more work to do to prove someone’s innocence or guilt.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
How was it this easy? When had Josephine Somerhall’s presence become something he required to find...happiness? Since when did he need to be in her company to find the burden of responsibility temporarily banished, the long-forgotten laughter and carefree joy of living reinstated with a single smile?
Kelly Bowen (You're the Earl That I Want (The Lords of Worth, #3))
Furthermore—” “There’s a ‘furthermore’?” His voice was utterly inflectionless. “—I’m not a child. I’m a lady born of one of England’s finest and oldest families, and I daresay even you know how to behave in the presence of a lady. Regardless of the inconvenience I’ve caused you, I’ll thank you to remember whatever manners you’ve managed to feign to date, because the ones you’re exhibiting do you no credit and merely reinforce the prevailing opinion, Captain Flint, that you are a savage.” She delighted in giving the S a serpent-like sibilance. “The measure of a gentleman is how he behaves when he hasn’t an audience to witness the beauty of his manners. And I wouldn’t expect you to understand this, my lord, but centuries of fine breeding have ensured that I need not, as you say, exert myself if I choose not to. Only the likes of you equate the actual need to work with virtue. It is in fact due to the work of my ancestors that I no longer need to, and my family considers this a mark of honor.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center. She cried out his name and he knew she was shocked at his behavior, but he didn't care. He devoured her, holding her tightly against his mouth as he drank her. Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements. He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds. She screamed. And he continued his sweet torture until her knees buckled. He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment. In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs. Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss. His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Everyone had said from the beginning that the earl of Westcliff and a brash American heiress were the most improbable pairing imaginable. But before long Lillian had discovered that beneath Marcus's outward reserve, there was a man of passion, tenderness, and humor. And for his part, Marcus had seemed to enjoy her irreverence and high-spirited nature.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
The American’s force and nervous energy fascinated Lord Emsworth. As for Mr. Peters, nothing like the earl had ever happened to him before in a long and varied life. Each, in fact, was to the other a perpetual freak show, with no charge for admission. And if anything had been needed to cement the alliance it would have been supplied by the fact that they were both collectors.
P.G. Wodehouse (Something Fresh: (Illustrated Edition))
Miss Hathaway,” the countess said to Amelia in a tone of friendly concern, “the earl says Ramsay House has been unoccupied for so long, it must be a shambles.” Mildly startled by the woman’s directness, Amelia shook her head firmly. “Oh no, ‘shambles’ is too strong a word. All the place wants is a good thorough cleaning, and a few small repairs, and…” She paused uncomfortably. Lady Westcliff’s gaze was frank and sympathetic. “That bad, is it?” Amelia hitched her shoulders in a slight shrug. “There’s a great deal of work to be done at Ramsay House,” she admitted. “But I’m not afraid of work.” “If you need assistance or advice, Westcliff has infinite resources at his disposal. He can tell you where to find—” “You are very kind, my lady,” Amelia said hastily, “but there is no need for your involvement in our domestic affairs.” The last thing she wanted was for the Hathaways to appear to be a family of cheapjacks and beggars. “You may not be able to avoid our involvement,” Lady Westcliff said with a grin. “You’re in Westcliff’s sphere now, which means you’ll get advice whether or not you asked for it. And the worst part is, he’s almost always right.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The American craving for illegal, mind-altering, addictive chemicals provides a steady flow of American capital through the Texas border into Mexico and South America. Basically, the drug traffic is uncontainable as long as its U.S. market exists, but newspapers and other media virtuously trumpet feel-good headlines about "record drug busts" and arrests while the drug trade continues unabated.
William Earl Maxwell (Texas Politics Today, 2011-2012 Edition)
In his life of Marlborough, Churchill had accused the notorious 2nd Earl of Sunderland of being ‘one of those dangerous beings who, with many gifts of mind, have no principle of action; who do not care what is done, so long as they are at the centre of it; to whom bustle, excitement, intrigue, are the breath of life; and whose dance from one delirium to another seems almost necessary to their sanity.
Andrew Roberts (Churchill: Walking with Destiny)
Do it again," she whispered, tilting her head, offering her mouth to him. Staring down at her swollen bottom lip, he gave it a little lick. A small, soft moan sounded from the back of her throat. "Ask nicely," he whispered. "Please." She gave a lock of hair at his neck an impatient tug. He came undone. Delving his tongue inside her sweet mouth, he walked her backward until her back met one of the pillars. With one hand cradling the back of her head for protection, his other hand held her hip immobilized, under his control. Rhythmically, he sank his tongue into her honeyed depths, mimicking the motion of making love. She whimpered, the sound a desperate plea. Her fingers threaded through the damp hair at the base of his neck; her other hand clutched at his forearm. He squeezed her hip, his long fingers digging into her soft bottom as he rocked her into his arousal. For several moments, she ground her hips against him as he plundered her mouth. The kiss was no longer enough. He wanted to take her. Right here, right now. His fingertips trailed down the back of her neck to caress her shoulder, her arm, her breast. His breath hitched when she pushed herself more firmly into his hand. She wanted his touch. He complied of course: he would never deny her. Gently he kneaded her through the fabric of her dress, purposely passing his thumb over the hardened tip. She made a small sound of pleasure that nearly pushed him over the edge. The manor, the rain, the mud disappeared. Reason and practicality were momentarily suspended. Nothing mattered in those moments. Nothing but the ever-escalating power of their passion.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I did not actually accuse you of being beautiful. I said you looked beautiful tonight. A subtle but significant difference." "Yes, the gown," she started to say. He stepped closer. "Is my eyesight failing? Let me take a closer study." He took another step, until she had to tilt back her head to look at him. "Hold still," he said, amusement softening his tone. He touched her chin. Eliza froze. Gently the earl tipped her face from side to side, his dark eyes intent upon her. "A few freckles," he said thoughtfully. "But I find those charming." His thumb brushed along her cheekbone and Eliza's hands fisted in the folds of her skirt. "Your lashes are very long," he murmured. "And your eyes... Your eyes are lovely. Like the fields of Rosemere under a summer sky, when the grasses are tall and verdant, and golden finches swoop in and out.
Caroline Linden (An Earl Like You (The Wagers of Sin, #2))
The human heart weights (on average) eleven ounces and beats (approximately) one hundred thousand times per day. In Ancient Greece, the theory was widely held that, as the most powerful and vital part of the body, the heart acted as a brain of sorts- collecting information from all other organs through the circulatory system. Aristotle included thoughts and emotions in his hypotheses relating to the aforementioned information- a fact that modern scientists find quaint in its lack of basic anatomical understanding. There are reports that long after a person is pronounced dead and a mind and soul gone from its casing, under certain conditions, the heart might continue beating for hours. I find myself wondering if in those instances the organ might continue to feel as well. And, if it does, whether it feels more or less pain than mine at present time.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Even smaller pieces are engulfed by inch-long krill; ant-size copepods; and filter-feeding salps, clams, oysters, and mussels. Large plankton feeders such as whale sharks and manta rays swallow gallons of water at a time, plastic and all. Whether at the large, medium, small, or ultra-small scale, ingested plastic lumps, clumps, pellets, or microscopic mites kill by physically obstructing, choking, clogging, or otherwise stopping up the passage of food.
Sylvia A. Earle (The World Is Blue: How Our Fate and the Ocean's Are One)
Obama’s judges share his contempt for the original meaning of the Constitution. He has long seen the U.S. Constitution as an obstacle to what he considers progress. In a 2001 interview that surfaced during the 2008 presidential campaign, he made this very clear: the Supreme Court under Justice Earl Warren had failed to break “free from the essential constraints that were placed by the Founding Fathers in the Constitution,” Obama told the host of a radio show.
Phyllis Schlafly (No Higher Power: Obama's War on Religious Freedom)
A throbbing ache started to grow in her womb. She wanted more, wanted something... "Rothbury, please," she begged. "Please." And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her. "Open my trousers," he breathed. She complied. Soon he was freed, his hardness jutting upward, seeking her heat. "Look at me," he bit out through his teeth. As if through a haze, she met his heated, intense gaze. "This is the only time in my life I will ever hurt you." Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center. "Hold on," he said, his voice strained. Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment. "Do you want it?" She nodded and made some sort of noise, half whimper and half the word "yes." He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them. When she started to wriggle, he impaled her in one smooth, swift motion. She cried out, nearly surging off of him. "Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts." He kept very still, waiting for some sort of response from her, she imagined. Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more... And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful. Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him. "There you are, Charlotte," he murmured against her throat. "Better?" She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe. His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
This kiss, this first kiss, was not subtle, soft or gentle. It was as if they were ravenous for each other. She opened so easily for him. He didn't expect this reaction from her. Truly, he hadn't expected to kiss her today. But as their mouths joined, their lips caressing, moving hungrily, steadily becoming more demanding, he wondered why he hadn't done this sooner. "I could kiss you for hours," he drawled hotly against her mouth. "Possibly for days." It felt as if he was savoring heaven. Something Rothbury never thought he would ever even glimpse let alone taste. She responded to his words by grasping at the sodden material of his linen shirt, her arms trapped in between their chests. The feel of her lush mouth under him was intoxicating. She tasted sweet, wet, the rivulets of rain upon their faces making the kiss wilder, hotter somehow. His lips moved hotly over hers. He had thought about this moment for so long, and now that it was actually happening... it was better than he ever imagined it could be.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I’ll have tea,” Clary said, realizing how long it had been since she had eaten or drunk anything. She felt as if she’d been running on pure adrenaline since she woke up. Jace succumbed. “All right. As long as it isn’t Earl Grey,” he added, wrinkling his fine-boned nose. “I hate bergamot.” Madame Dorothea cackled loudly and disappeared back through the bead curtain, leaving it swaying gently behind her. Clary raised her eyebrows at Jace. "You hate bergamot?" Jace had wandered over to the narrow bookshelf and was examining its contents. "You have a problem with that?" "You may be the only guy my age I've ever met who knows what bergamot is, much less that it's in Earl Grey tea." "Yes, well," Jace said, with a supercilious look, "I'm not like other guys. Besides," he added, flipping a book off the shelf, "at the Institute we have to take classes in basic medicinal uses for plants. It's required." "I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners.” Jace flipped a page. "Very funny, Fray.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I'm talking about your lovely long arms and your perfectly shaped legs... I find I am quite jealous of those stockings for knowing the feel of you, the warmth of you." She shifted, unable to keep still beneath the onslaught of his words. "I'm talking about that corset that hugs you where you are lovely and soft... is it uncomfortable?" She hesitated. "Not usually." "And now?" She heard the knowledge in the question. She nodded once. "It's rather- constricting." He tutted once, and she opened her eyes, instantly meeting his, hot and focused on her. "Poor Pippa. Tell me, with your knowledge of the human body, why do you think that is?" She swallowed, tried for a deep breath. Failed. "It's because my heart is threatening to beat out of my chest." The smile again. "Have you overexerted yourself?" She shook her head. "No." "What, then?" She was not a fool. He was pushing her. Attempting to see how far she would go. She told the truth. "I think it is you." He closed his eyes then, hands fisting again, and pressed his head back against the side of the desk, exposing the long column of his neck and his tightly clenched jaw. Her mouth went dry at the movement, at the way the tendons there bunched and rippled, and she was quite desperate to touch him. When he returned his gaze to hers, there was something wild in those pewter depths... something she was at once consumed and terrified by. "You shouldn't be so quick with the truth," he said. "Why?" "It gives me too much control." "I trust you." "You shouldn't." He leaned forward, bracing his arm against his raised knee. "You are not safe with me." She had never once felt unsafe with him. "I don't think that's correct." He laughed, low and dark, and the sound rippled through her, a wave of pleasure and temptation. "You have no idea what I could do to you, Philippa Marbury. The ways I could touch you. The wonders I could show you. I could ruin you without thought, sink with you into the depths of sin and not once regret it. I could lead you right into temptation and never ever look back." The words stole her breath. She wanted it. Every bit of it.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
When she opened her eyes, she returned her attention to the candle, still and unmoving even as it burned unbearably bright. And then it did move, dancing and flickering in an unexpected draft. A draft followed by a great woof and a thud as Trotula left the bed, tail wagging madly, and threw herself at the doors that led out to the narrow balcony just off Pippa's bedchamber. Doors once closed, now open, now framing the man Pippa loved, frozen just inside the room, tall and serious and beautifully disheveled. As she watched, he took a deep breath and ran both hands through thick red hair, pushing it off his face, his high cheekbones and long straight nose stark and angled in the candlelight. He was unbearably handsome. She'd never in her life longed for anything the way she longed for him. He'd promised to teach her about temptation and desire and he'd done powerfully well; her heart raced at the sight of him, at the sound of his heavy breath. And yet... she did not know what came next. "You are beautiful," he said. What came next was anything he wished.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
She extended her hand. "I'm afraid you have the better of me, sir. I've not made the pleasure of your acquaintance." He gave her proffered hand a long look before meeting her gaze once more, as though giving her the chance to change her mind. "I am Temple." The Duke of Lamont. The murderer. She stepped back, her hand falling involuntarily at the thought before she could stop it. "Oh." His lips twisted in a wry smile. "Now you're wishing you hadn't come here after all." Her mind raced. He wouldn't hurt her. He was Bourne's partner. He was Mr. Cross's partner. It was the middle of the day. People were not killed in Mayfair in the middle of the day. And for all she'd heard about this dark, dangerous man, there wasn't a single stitch of proof that he'd done that which he was purported to have done. She extended her hand once more. "I am Philippa Marbury." One black brow arched, but he took her hand firmly. "Brave girl." "There's no proof that you're what they say." "Gossip is damning enough." She shook her head. "I am a scientist. Hypotheses are useless without evidence." One side of his mouth twitched. "Would that the rest of England were as thorough.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
...Leaning on her maid, she stole through the winding galleries, and lightly descending the stairs, entered the long hall, which terminated in a dark arched passage that opened into the chapel. This was a wild and gloomy structure: beneath it were the vaults which contained the ancestors of the earl of Dunreath, whose deeds and titles were enumerated on gothic monuments: their dust-covered banners waving around in sullen dignity to the rude gale, which found admittance through the broken windows. The light which the maid held produced deep shadows, that heightened the solemnity of the place.
Regina Maria Roche (The Children of the Abbey)
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I’ll have tea,” Clary said, realizing how long it had been since she had eaten or drunk anything. She felt as if she’d been running on pure adrenaline since she woke up. Jace succumbed. “All right. As long as it isn’t Earl Grey,” he added, wrinkling his fine-boned nose. “I hate bergamot.” Madame Dorothea cackled loudly and disappeared back through the bead curtain, leaving it swaying gently behind her. Clary raised an eyebrow at Jace. “You hate bergamot?” Jace had wandered over to the narrow bookshelf and was examining its contents. “You have a problem with that?” “You may be the only guy my age I’ve ever met who knows what bergamot is, much less that it’s in Earl Grey tea.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You see,” continued the minister, bowing thankfully to the duke, “Dictionopolis is the place where all the words in the world come from. They’re grown right here in our orchards.” “I didn’t know that words grew on trees,” said Milo timidly. “Where did you think they grew?” shouted the earl irritably. A small crowd began to gather to see the little boy who didn’t know that letters grew on trees. “I didn’t know they grew at all,” admitted Milo even more timidly. Several people shook their heads sadly. “Well, money doesn’t grow on trees, does it?” demanded the count. “I’ve heard not,” said Milo. “Then something must. Why not words?” exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business. “To continue,” continued the minister impatiently. “Once a week by royal proclamation the word market is held here in the great square and people come from everywhere to buy the words they need or trade in the words they haven’t used.” “Our job,” said the count, “is to see that all the words sold are proper ones, for it wouldn’t do to sell someone a word that had no meaning or didn’t exist at all. For instance, if you bought a word like ghlbtsk, where would you use it?” “It would be difficult,” thought Milo—but there were so many words that were difficult, and he knew hardly any of them. “But we never choose which ones to use,” explained the earl as they walked toward the market stalls, “for as long as they mean what they mean to mean we don’t care if they make sense or nonsense.” “Innocence or magnificence,” added the count. “Reticence or common sense,” said the undersecretary. “That seems simple enough,” said Milo, trying to be polite. “Easy as falling off a log,” cried the earl, falling off a log with a loud thump. “Must you be so clumsy?” shouted the duke. “All I said was——” began the earl, rubbing his head. “We heard you,” said the minister angrily, “and you’ll have to find an expression that’s less dangerous.” The earl dusted himself off as the others snickered audibly. “You see,” cautioned the count, “you must pick your words very carefully and be sure to say just what you intend to say. And now we must leave to make preparations for the Royal Banquet.” “You’ll be there, of course,” said the minister. But before Milo had a chance to say anything, they were rushing off across the square as fast as they had come. “Enjoy yourself in the market,” shouted back the undersecretary. “Market,” recited the duke: “an open space or covered building in which——” And that was the last Milo heard as they disappeared into the crowd. “I never knew words could be so confusing,” Milo said to Tock as he bent down to scratch the dog’s ear. “Only when you use a lot to say a little,” answered Tock. Milo thought this was quite the wisest thing he’d heard all day. “Come,” he shouted, “let’s see the market. It looks very exciting.
Norton Juster (The Phantom Tollbooth)
We Can't Be Beat" I was the Duke of Earl The Duke of Earl But it couldn't last I was the Pony Express But I ran out of gas Golden dreams Golden dreams All lose their glow I don't need perfection I love the whole Give me a life That needs correction Nobody loves Loves perfection Loneliness Loneliness Will run you through All the kids are laughing I'm laughing too If you want my eyes Take my eyes They're always true If you want my heart Take my heart It's right here for you It's been so long Been so long But I made it through It's been so long Been so long But I made it through It's been so long We'll never leave We can't be beat We can't be beat We'll never leave We can't be beat The world is ours We can't be beat We can't be beat
The Walkmen
He was wearing a suit that appeared to have been constructed by 1) Dressing him in a blouse with twenty-foot long sleeves of the most expensive linen. 2) Bunching the sleeves up in numerous overlapping gathers on his arms. 3) Painting most of him in glue. 4) Shaking and rolling him in a bin containing thousands of black silk doilies. 5) (because king Charles II, who’d mandated a few years earlier that all courtiers wear black and white, was getting bored with it, but had not formally rescinded the order) adding dashes of color here and there primarily in the form of clusters of elaborately gathered and knotted ribbons, enough ribbon all told to stretch all the way to whatever shop in Paris where the Earl had bought all of this stuff.
Neal Stephenson
Her parents and Seraphina were there to keep her company, as were Lord and Lady Westcliff, whom she and her siblings had always called "Uncle Marcus" and "Aunt Lillian." Lord Westcliff's hunting estate, Stony Cross Park, was located in Hampshire, not far from Eversby Priory. The earl and his wife, who had originally been an American heiress from New York, had raised three sons and three daughters. Although Aunt Lillian had teasingly invited Phoebe to have her pick of any of her robust and handsome sons, Phoebe had answered- quite truthfully- that such a union would have felt positively incestuous. The Marsden and the Challons had spent too many family holidays together and had known each other for too long for any romantic sparks to fly between their offspring.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
He's not here. The Black Earl." "I know." "So, for the moment, we are safe from that madness." "I am always safe with you. No matter what happens, no matter what, I am safe with you and not with anyone else." He inhaled. "How long have you been seeing the Black Earl?" "A few days now." She bit her lower lip. "You?" "Since I came to Pennhyll." He walked to the fireplace. She turned sideways on her chair, but all he did was stare at the fire, hands clasped and pressed against the small of his back. The fingers of one hand clenched and unclenched. He turned. "What of me? How long have I been in your head?" "Before the Black Earl, I think. Only I didn't know they weren't just dreams." "More and more intimate." His mouth thinned. "I confess to once or twice in my life imagining making love to a woman I admire. God knows you're a pretty woman, but I don't just imagine being with you. When I make love to you, you're not thoughts and images in my head, you're in my arms, real and warm. I can taste you and breathe in the scent of you, feel your skin against mine. We've never made love, but I've been inside you. Jesus, Olivia, you know I have." She nodded. "Hell, for all we know it's possible I've made a child in you." His eyes pinned her. "Did anything like that happen between you and Andrew?" "No." "You sound certain." "I am." "You never saw the Black Earl until I was at Pennhyll?" "Never." "Andrew never came to you in—as I have. As we have together?" "No. I never thought of him that way." "You do me, though." She nodded.
Carolyn Jewel (The Spare)
ROBERT DEVEREAUX, EARL OF ESSEX, was taken to the place of execution at Tower Green on February 25, 1601. Standing before the crowd in a scarlet waistcoat, Essex made his last speech—a rather long one—with eloquence and dignity, claiming his sins “more numerous than the hairs on his head.” He was still speaking when the executioner struck his first blow. It took two more to sever Devereaux’s head. Despite his undisputed treason, Essex was remembered kindly by the English people. Nearly two years after his death, Londoners were still singing a ballad lauding their “great and celebrated noble warrior,” called “Essex’s Last Good Night.” In Ireland he was likewise revered, considered by many rebel chiefs as an ally, and by the common people as the only one of the queen’s commanders who had come over to their side.
Robin Maxwell
To Phoebe's relief, the gathering in the drawing room turned out to be far less intimidating than she'd expected. Her parents and Seraphina were there to keep her company, as were Lord and Lady Westcliff, whom she and her siblings had always called "Uncle Marcus" and "Aunt Lillian." Lord Westcliff's hunting estate, Stony Cross Park, was located in Hampshire, not far from Eversby Priory. The earl and his wife, who had originally been an American heiress from New York, had raised three sons and three daughters. Although Aunt Lillian had teasingly invited Phoebe to have her pick of any of her robust and handsome sons, Phoebe had answered- quite truthfully- that such a union would have felt positively incestuous. The Marsdens and the Challons had spent too many family holidays together and had known each other for too long for any romantic sparks to fly between their offspring.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I can't help but think," she started, then stopped. Knowing she shouldn't say it. Knowing, somehow, that it would make everything harder. "I can't help but think... if only I'd..." He knew it, too. "Don't." But she couldn't stop it. She looked up at him. "If only I'd found you first." The words were small and sad, and she hated them, even as they brought him to her- his hands to her face, cupping her cheeks and tilting her up to him. Even as they brought his lips to hers in a kiss that robbed her of strength and will and, eventually, thought. His long fingers threaded through her hair, holding her still as he lifted his lips, met her gaze, and whispered her name before taking her mouth again in long, lavish strokes. Again and again, he did the same, whispering her name against her lips, her cheek, the heavy pulse at the side of her neck, punctuating the word with licks and nips and sucks that set her aflame.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Roberta went on, ‘We’ll have your luggage brought in . . . What else? Jules can show you how to use the galley. We generally eat fresh produce from the forest, but you may find it easier to use the food printer units.’ Dev frowned. ‘Food printer?’ Stella said, ‘Like your own matter printers, but rather more sophisticated. And based to some extent on silver-beetle technology – you know something about that. It’s voice activated; you can ask for a wide variety of foodstuffs.’ ‘Replicators,’ Dev said. ‘They’ve got replicators.’ He stepped forward to inspect the nondescript ceramic boxes. He could see no power connection; maybe there was some kind of energy-beam technology, invisible transmission. Roberta said, ‘With such devices we have made a major step towards a true post-scarcity society. Hunger banished without labour, for ever.’ Dev couldn’t resist it. ‘Can it give me Earl Grey tea?’ Lee grinned. ‘Hot!’ The
Terry Pratchett (The Long Cosmos (Long Earth #5))
She moved, opening to him, her thighs widening, the cool air of the room rushing through the slit in her pantalettes. Her cheeks burned and she moved her hands to block his view. He was watching them, and he made a low sound of approval. "That's where my hands would be as well. Can you feel why? Can you feel the heat? The temptation?" Her eyes were closed now. She couldn't look at him. But she nodded. "Of course you can... I can almost feel it myself." The words were hypnotic, all temptation, soft and lyric and wonderful. "And tell me, my little anatomist, have you explored that particular location, before?" Her cheeks burned. "Don't start lying now, Pippa. We've come so far." "Yes." "Yes, what?" "Yes, I've explored it before." The confession was barely sound, but he heard it. When he groaned, she opened her eyes to find him pressed back against the desk once more. "Did I say the wrong thing?" He shook his head, his hand rising to his mouth once more, stroking across firm lips. "Only in that you made me burn with jealousy." Her brows furrowed. "Of whom?" "Of you, lovely." His grey gaze flickered to the place she hid from him. "Of your perfect hands. Tell me what you found." She couldn't. While she might know the clinical words for all the things she had touched and discovered, she could not speak them to him. She shook her head. "I cannot." "Did you find pleasure?" She closed her eyes, pressed her lips together. "Did you?" he whispered, the sound loud as a gunshot in this dark, wicked room. She shook her head. Once, so small it was barely a movement. He exhaled, the sound long and lush in the room, as though he'd been holding his breath... and he moved. "What a tragedy." Her eyes snapped open at the sound of him- of trouser against carpet as he crawled toward her, eyes narrow and filled with wicked, wonderful promise. He was coming for her. Predator stalking prey. And she could not wait to be caught.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
I am concerned that the ladies are ill-treated." "The ladies who frequent the Fallen Angel are not ill-treated." Her brows knit together. "How do you know?" "Because they are under my protection." She froze. "They are?" He was suddenly warm. "They are. We do all we can to ensure that they are well treated and well paid while under our roof. If they are manhandled, they call for one of the security detail. They file a complaint with me. And if I discover a member is mistreating ladies beneath this roof, his membership is revoked." She paused for a long moment, considering the words, and finally said, "I have a passion for horticulture." He wasn't certain how plants had anything to do with prostitutes, but he knew better than to interrupt. She continued, the words quick and forthright, as though they entirely made sense. "I've made a rather remarkable discovery recently," she said, and his attention lingered on the breathlessness of the words. On the way her mouth curved in a small, private smile. She was proud of herself, and he found- even before she admitted her finding- that he was proud of her. Odd, that. "It is possible to take a piece of one rosebush and affix it to another. And when the process is completed properly... say, a white piece on a red bush... an entirely new rose grows..." She paused, and the rest of the words rushed out, as though she were almost afraid of them. "A pink one." Cross did not know much about horticulture, but he knew enough about scientific study to know that the finding would be groundbreaking. "How did you-" She raised a hand to stop the question. "I'll happily show you. It's very exciting. But that's not the point." He waited for her to arrive at the point in question. She did. "The career... it is not their choice. They're not red or white anymore. They're pink. And you're why." Somehow, it made sense that she compared the ladies of the Angel to this experiment in roses. Somehow, this woman's strange, wonderful brain worked in a way that he completely understood.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
(It’s a doozy! I could listen to it all day long.) Nikki Lane—“Gone, Gone, Gone,” “Coming Home to You” Patterson Hood—“Belvedere,” “Back of a Bible” Ryan Bingham—“Guess Who’s Knocking” American Aquarium—“Casualties” Devil Doll—“The Things You Make Me Do” American Aquarium—“I’m Not Going to the Bar” Hank Williams Jr.—“Family Tradition” David Allan Coe—“Mama Tried” John Paul Keith—“She’ll Dance to Anything” Carl Perkins—“Honey, Don’t” Scott H. Biram—“Lost Case of Being Found” The Cramps—“The Way I Walk” The Reverend Horton Heat—“Jimbo Song” Justin Townes Earle—“Baby’s Got a Bad Idea” Old Crow Medicine Show—“Wagon Wheel,” “Hard to Love” Dirty River Boys—“My Son” JD McPherson—“Wolf Teeth” Empress of Fur—“Mad Mad Bad Bad Mama” Dwight Yoakam—“Little Sister” The Meteors—“Psycho for Your Love” Hayes Carll—“Love Don’t Let Me Down” HorrorPops—“Dotted with Hearts” Buddy Holly—“Because I Love You” Chris Isaak—“Baby Did a Bad Bad Thing” Jason Isbell—“The Devil Is My Running Mate” Lindi Ortega—“When All the Stars Align” Three Bad Jacks—“Scars” Kasey Anderson and the Honkies—“My Blues, My Love
Jay Crownover (Rowdy (Marked Men, #5))
Christ. Study the roster. Study everybody’s photos,” she said. “Where’s the packing list for Earl?” Et cetera, et cetera . . . That spring, the gallery was putting up Ping Xi’s first solo show—“Bowwowwow”—and Natasha was up in arms about every little detail. She probably would have fired me sooner had she not been so busy. I tried to feign interest and mask my horror whenever Natasha talked about Ping Xi’s “dog pieces.” He had taxidermied a variety of pure breeds: a poodle, a Pomeranian, a Scottish terrier. Black Lab, Dachshund. Even a little Siberian husky pup. He’d been working on them for a long time. He and Natasha had grown close since his cum paintings had sold so well. During the installation, I overheard one of the interns whispering to the electrician. “There’s a rumor going around that the artist gets the dogs as puppies, raises them, then kills them when they’re the size he wants. He locks them in an industrial freezer because that’s the most humane way to euthanize them without compromising the look of the animal. When they thaw, he can get them into whatever position he wants.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The various seafood guides usually rank farmed fish based on safety for consumers as well as on environmental impacts. Currently, it’s really hard to find out where or how animals were raised, what they have consumed that you don’t want to have as a part of you, or how long they have been sitting in storage, accumulating things you also do not want to have as a part of you. What most guides do not tell you is whether the fish are plant-eaters or carnivores, nor do you learn their likely age, and these things matter a lot for two reasons. The higher up the food chain, and the older the animal, the greater the concentration of contaminants: tuna, shark, swordfish, halibut, and in fact, most of the fish in the counter fit into this category. It takes a much greater investment from the ecosystem, pound for pound, to make a ten-year-old fish-eating tuna than a one-year-old plant-eating catfish. For those who want to eat low on the food chain with lowest risk of contaminants, farmed catfish, tilapia, carp, and certain mollusks are the best choices, but even so, it makes a difference where and how they were raised.
Sylvia A. Earle (The World Is Blue: How Our Fate and the Ocean's Are One)
I WASN’T AWARE THE LADIES got a turn at the proposing. I thought it was up to us stalwart lads to risk rejection and to do the actual asking.” “We can take first crack,” the earl said, his finger tracing the rim of his glass, “but I took first through fifth, and that means it’s her turn.” “I’m sure you’ll explain this mystery to me, as I hope at some point to put an end to my dreary bachelor existence,” Dev murmured, taking a long swallow of his drink. The earl smiled almost tenderly. “With Anna, I proposed, explaining to her she should marry me because I am titled and wealthy and so on.” “That would be persuasive to most any lady I know, except the lady you want.” “Precisely. So I went on to demonstrate she should marry me because I am, though the term will make you blush, lusty enough to bring her a great deal of pleasure.” “I’d marry you for that reason,” Dev rejoined, “or I would if, well… It’s a good argument.” “It is, if you are a man, but on Anna, the brilliance of my logic was lost. So I proposed again and suggested I could make her troubles disappear, then failed utterly to make good on my word.” “Bad luck, that.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
I’m a decade her senior. I was a friend of her father, and I’m sure she looks upon me like a benevolent uncle. Even if she didn’t, I promised Charles I wouldn’t lay a hand on her.” The Earl of Marsden had been one of his dearest friends-practically his only friend. A promise to such a friend should not be easily broken. Archer jerked back, disbelief coloring his angular features. “Why the hell did you do that?” Grey shrugged. “He asked it of me.” Shaking his head, Archer exhaled a breath. “You never told me that before.” “I suppose I was ashamed.” And hurt, even though he understood his friend only made the request to protect his only child from a man whose sexual conquests had resulted in his being marked for like. Were the situation reversed, Grey might have very well demanded the same promise. And despite being a libertine, he was a man of his word. Archer stared at him for a long moment, elbow braced on the table, chin resting on his thumb as his index finger stroked his stubbled upper lip. “Devil take it, Grey. Charles Danvers was one cruel bugger.” A bitter smile curved Grey’s lips at the insult to his late friend. “Quite.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
What tempts you, Pippa?" "I-" She hesitated. "I care a great deal for meringue." He laughed, the sound bigger and bolder than she expected. "It's true." "No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage. She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it." A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue." Her brow furrowed. "Therefore, I am not tempted by it?" "No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In." She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?" "Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment." The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste." Oh, my. Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her. Why was he so calm and cool and utterly in control? Why was he not riddled with similar... feelings? He was a very frustrating man. She sighed. "That must be a tremendous meringue." A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Your brother is the most ridiculous, hardheaded, stupid man I know!” Rose half expected Archer to chastise her. Instead, he took a second glass of champagne from the footman passing with the tray and offered it to her. “And you are surprised by this?” “Astonishingly, yes.” She took a long, unladylike swallow of the crisp, bubbly liquid. “I’m astounded. Ah, here are two scoundrels you should know to avoid.” His grin told her he considered them quite the opposite. They were good-looking men, one tall and dark, the other almost as tall with brown hair and blue eyes and enough of the Kane countenance that she picked him for Grey's relation instantly. They met Archer enthusiastically, and then turned polite curiosity in her direction. "Lady Rose Danvers," Archer said jovially. "May I present the Earl of Autley." The dark man bowed over her offered hand. "And my cousin, Mr. Aiden Kane?" The man who looked a bit like Grey smiled and took her hand next. "It's lovely to meet you, Lady Rose," the earl said smoothly. "I hope you are enjoying your time in London?" "Oh, yes," she replied. "Lord Archer has been a very entertaining companion." "I don't doubt it," Aiden said with a grin as he clapped Archer on the shoulder.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
While Dr. Weeks attended to Devon’s injuries, Kathleen went to visit West. Even before she reached the open door of his room, she heard noise and laughter drifting into the hallway. She stood at the threshold, watching with a touch of fond resignation as she saw West sitting up in bed, regaling a group that included a half-dozen servants, Pandora, Cassandra, both dogs, and Hamlet. Helen stood beside a lamp, reading the temperature of a glass thermometer. Thankfully West no longer appeared to be shivering, and his color had improved. “…then I glimpsed a man wading back out into the river,” he was saying, “toward a half-submerged railway carriage with people trapped inside. And I said to myself, ‘That man is a hero. Also an idiot. Because he’s already been in the water for too long, and he won’t be able to save them, and he’s about to sacrifice his life for nothing.’ I proceeded to climb down the embankment and found Sutton. ‘Where is the earl?’ I asked.” West paused for dramatic effect, relishing the rapt attention of his audience. “And where do you think Sutton pointed? Out to the river, where that reckless fool had just saved a trio of children, and was wading after them with a baby in one arm and a woman on the other.” “The man was Lord Trenear?” one of the housemaids gasped. “None other.” The entire group exclaimed with pleasure and possessive pride. “Nothing to it, for a bloke as big as his lordship,” one of the footmen said with a grin. “I should think he’ll be put in the papers for this,” another exclaimed. “I hope so,” West said, “if only because I know how he would loathe it.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
And then in a swift, calculating move, Rothbury sprang forward, covering her body with his own. For a second her breath felt trapped in her chest and she was instantly immobile underneath his weight. His warm, hard thigh sat heavy between hers. Panting from exertion, a shameful lick of heat ignited deep in her belly. Effortlessly, he joined her wrists together, holding them above her head with only one hand while the long, blunt-tipped fingers of the other trailed a silky path down her cheek. "Who are you?" he whispered. Her breath hitched at the explosion of feeling and thought thrumming through her. He looked so dominant above her, so beautiful, like he was created specifically for seduction. None of her wicked imaginings had prepared her for the plethora of sensations he sparked with only his fingertips upon her face. Belatedly, she realized her body refused to listen to her mind. She had quit squirming. In fact, she had begun to relish the intoxicating feel of his long, lean-muscled body atop hers. His warm, bare chest pressed onto her bodice, his solid thigh planted firmly against her sex. Her eyes dipped to his mouth, which was partially open, baring his straight white teeth. All she would have to do was arch her neck and her mouth would fasten to his. She shivered, surprised and ashamed at the way her body reacted to him. She needed to escape before he discovered her identity. But her mind warred between what was right and what felt wonderful. In the end, years of dire warnings from her pious father about the sins of the flesh returned at least some of her good sense. "Get off of me," she demanded, albeit weakly. "Absolutely not," he growled, his breath feathering hotly against her mouth, her cheek, her neck. "I'll not let you get away now. Not before I find out who you are. Wanted a taste, did you?
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
In a typical crash, for example, the weather is poor—not terrible, necessarily, but bad enough that the pilot feels a little bit more stressed than usual. In an overwhelming number of crashes, the plane is behind schedule, so the pilots are hurrying. In 52 percent of crashes, the pilot at the time of the accident has been awake for twelve hours or more, meaning that he is tired and not thinking sharply. And 44 percent of the time, the two pilots have never flown together before, so they’re not comfortable with each other. Then the errors start—and it’s not just one error. The typical accident involves seven consecutive human errors. One of the pilots does something wrong that by itself is not a problem. Then one of them makes another error on top of that, which combined with the first error still does not amount to catastrophe. But then they make a third error on top of that, and then another and another and another and another, and it is the combination of all those errors that leads to disaster. These seven errors, furthermore, are rarely problems of knowledge or flying skill. It’s not that the pilot has to negotiate some critical technical maneuver and fails. The kinds of errors that cause plane crashes are invariably errors of teamwork and communication. One pilot knows something important and somehow doesn’t tell the other pilot. One pilot does something wrong, and the other pilot doesn’t catch the error. A tricky situation needs to be resolved through a complex series of steps—and somehow the pilots fail to coordinate and miss one of them. “The whole flight-deck design is intended to be operated by two people, and that operation works best when you have one person checking the other, or both people willing to participate,” says Earl Weener, who was for many years chief engineer for safety at Boeing. “Airplanes are very unforgiving if you don’t do things right. And for a long time it’s been clear that if you have two people operating the airplane cooperatively, you will have a safer operation than if you have a single pilot flying the plane and another person who is simply there to take over if the pilot is incapacitated.
Malcolm Gladwell (Outliers: The Story of Success)
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
What is the matter with her?” Lillian asked Daisy, bewildered by her mother’s docile manner. It was nice not to have to scrap and spar with Mercedes, but at the same time, now was when Lillian would have expected Mercedes to mow her over like a charging horse brigade. Daisy shrugged and replied puckishly, “One can only assume that since you’ve done the opposite of everything she has advised, and you seem to have brought Lord Westcliff up to scratch, Mother has decided to leave the matter in your hands. I predict that she will turn a deaf ear and a blind eye to anything you do, so long as you manage to keep the earl’s interest.” “Then… if I steal away to Lord Westcliff’s room later this evening, she won’t object?” Daisy gave a low laugh. “She would probably help you to sneak up there, if you asked.” She gave Lillian an arch glance. “Just what are you going to do with Lord Westcliff, alone in his room?” Lillian felt herself flush. “Negotiate.” “Oh. Is that what you call it?” Biting back a smile, Lillian narrowed her eyes. “Don’t be saucy, or I won’t tell you the lurid details later.” “I don’t need to hear them from you,” Daisy said airily. “I’ve been reading the novels that Lady Olivia recommended… and now I daresay I know more than you and Annabelle put together.” Lillian couldn’t help laughing. “Dear, I’m not certain that those novels are entirely accurate in their depiction of men, or of… of that.” Daisy frowned. “In what way are they not accurate?” “Well, there’s not really any sort of… you know, lavender mist and the swooning, and all the flowery speeches.” Daisy regarded her with sincere disgruntlement. “Not even a little swooning?” “For heaven’s sake, you wouldn’t want to swoon, or you might miss something.” “Yes, I would. I should like to be fully conscious for the beginning, and then I should like to swoon through the rest of it.” Lillian regarded her with startled amusement. “Why?” “Because it sounds dreadfully uncomfortable. Not to mention revolting.” “It’s not.” “Not what? Uncomfortable, or revolting?” “Neither,” Lillian said in a matter-of-fact tone, though she was struggling not to laugh. “Truly, Daisy. I would tell you if it were otherwise. It’s lovely. It really is.” Her younger sister contemplated that, and glanced at her skeptically. “If you say so.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
In other words, you'll pretend to be someone else in order to snag a husband." "Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets." He flashed her a condescending smile. "What is it?" she snapped. "Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?" "The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto." His jaw dropped. "Are you insane?" "I know they're rather beyond my reach, but they seem to like my company-" "I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years." "How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him." "I don't have to. Their reputations tell me they're utterly unacceptable." Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..." "Is an oily sort, from what I hear," he snapped. "No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?" That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all." She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that. But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know." Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door. Oh, dear, she hadn't meant to run him off entirely.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))