E Trees Quotes

I carry your heart with me (I carry it in my heart)I am never without it (anywhere I go you go,my dear; and whatever is done by only me is your doing,my darling) I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart I carry your heart (I carry it in my heart)

I thank you God for this most amazing day, for the leaping greenly spirits of trees, and for the blue dream of sky and for everything which is natural, which is infinite, which is yes.

a wind has blown the rain away & the sky away & all the leaves away, & the trees stand. i think i, too, have known autumn too long.

The world is full of painful stories. Sometimes it seems as though there aren't any other kind and yet I found myself thinking how beautiful that glint of water was through the trees.

time is a tree (this life one leaf) but love is the sky and i am for you just so long and long enough

Adeline has decided she would rather be a tree, like Estele. If she must grow roots, she would rather be left to flourish wild instead of pruned, would rather stand alone, allowed to grow beneath the open sky.

Give me a land of boughs in leaf A land of trees that stand; Where trees are fallen there is grief; I love no leafless land.

here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart i carry your heart (i carry it in my heart)

anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did Women and men(both little and small) cared for anyone not at all they sowed their isn't they reaped their same sun moon stars rain children guessed(but only a few and down they forgot as up they grew autumn winter spring summer) that noone loved him more by more when by now and tree by leaf she laughed his joy she cried his grief bird by snow and stir by still anyone's any was all to her someones married their everyones laughed their cryings and did their dance (sleep wake hope and then)they said their nevers they slept their dream stars rain sun moon (and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down) one day anyone died i guess (and noone stooped to kiss his face) busy folk buried them side by side little by little and was by was all by all and deep by deep and more by more they dream their sleep noone and anyone earth by april wish by spirit and if by yes. Women and men (both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain

It all seems so sad, so unbearably sad for a second, to think of the lovely old maple with the swing. We never told the tree how much we loved it. We never gave it a name, never did anything for it.

Like Eve, you're so quick to eat from the tree of knowledge.

dive for dreams or a slogan may topple you (trees are their roots and wind is wind) trust your heart if the seas catch fire (and live by love though the stars walk backward) honour the past but welcome the future (and dance your death away at this wedding) never mind a world with its villains or heroes (for god likes girls and tomorrow and the earth)

Create no images of God. Accept the images that God has provided. They are everywhere, in everything. God is Change— Seed to tree, tree to forest; Rain to river, river to sea; Grubs to bees, bees to swarm. From one, many; from many, one; Forever uniting, growing, dissolving— forever Changing. The universe is God’s self-portrait.

Si conobbero. Lui conobbe lei e se stesso, perché in verità non s'era mai saputo. E lei conobbe lui e se stessa, perché pur essendosi saputa sempre, mai s'era potuta riconoscere così.

sweet spring is your time is my time is our time for springtime is lovetime and viva sweet love (all the merry little birds are flying in the floating in the very spirits singing in are winging in the blossoming) lovers go and lovers come awandering awondering but any two are perfectly alone there's nobody else alive (such a sky and such a sun i never knew and neither did you and everybody never breathed quite so many kinds of yes) not a tree can count his leaves each herself by opening but shining who by thousands mean only one amazing thing (secretly adoring shyly tiny winging darting floating merry in the blossoming always joyful selves are singing) sweet spring is your time is my time is our time for springtime is lovetime and viva sweet love

I carry your heart with me. I carry it in my heart. I am never without it. Anywhere I go, you go, my dear. And whatever is done by only me...is your doing. I fear no fate...for you are my fate, I want no world cause you are my world. Here is the deepest secret no one knows. Here is the root of root and bud of bud & the sky of the sky of the tree of life. Which grows higher than the soul can hope or mind can hide. It's the wonder that keeps the stars apart.

The crickets sang in the grasses. They sang the song of summer's ending, a sad monotonous song. "Summer is over and gone, over and gone, over and gone. Summer is dying, dying." A little maple tree heard the cricket song and turned bright red with anxiety.

Johnny and Marissa, sitting in a tree, K-I-S-S-I-N-G. First comes love, then comes marriage. Then comes an abrupt, tragic miscarriage. Then comes blame, then comes despair. Two hearts damaged beyond repair... Johnny leaves Marissa, and takes the tree. D-I-V-O-R-C-E.

Only when the last leaf has fallen, the last tree has died, and the last fish been caught will we realize that we cannot eat money.

INTO MY OWN One of my wishes is that those dark trees, So old and firm they scarcely show the breeze, Were not, as ’twere, the merest mask of gloom, But stretched away unto the edge of doom. I should not be withheld but that some day Into their vastness I should steal away, Fearless of ever finding open land, Or highway where the slow wheel pours the sand. I do not see why I should e’er turn back, Or those should not set forth upon my track To overtake me, who should miss me here And long to know if still I held them dear. They would not find me changed from him they knew— Only more sure of all I thought was true.

Adeline was going to be a tree, and instead, people have come brandishing an ax.

i thank You God for most this amazing day:for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes (i who have died am alive again today, and this is the sun's birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth) how should tasting touching hearing seeing breathing any--lifted from the no of all nothing--human merely being doubt unimaginable You? (now the ears of my ears awake and now the eyes of my eyes are opened)

Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like theyh ave a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.

A lifetime can be spent in a Magellanic voyage around the trunk of a single tree.

I am not some genie, bound to your whim." He pushes off the tree. "Nor am I some petty forest spirit, content with granting favors for mortal trinkets. I am stronger than your god and older than your devil. I am the darkness between stars, and the roots beneath the earth. I am promise, and potential, and when it comes to playing games, I divine the rules, I set the pieces, and I choose when to play. And tonight, I say no.

The story of the young woman whose death I witnessed in a concentration camp. It is a simple story. There is little to tell and it may sound as if I had invented it; but to me it seems like a poem. This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here-I am here-I am life, eternal life.

A little maple tree in the swamp heard the cricket song and turned bright red with anxiety.

My name is Kvothe, pronounced nearly the same as "quothe." Names are important as they tell you a great deal about a person. I've had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it's spoken, can mean The Flame, The Thunder, or The Broken Tree. "The Flame" is obvious if you've ever seen me. I have red hair, bright. If I had been born a couple of hundred years ago I would probably have been burned as a demon. I keep it short but it's unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire. "The Thunder" I attribute to a strong baritone and a great deal of stage training at an early age. I've never thought of "The Broken Tree" as very significant. Although in retrospect, I suppose it could be considered at least partially prophetic. My first mentor called me E'lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them. But I was brought up as Kvothe. My father once told me it meant "to know." I have, of course, been called many other things. Most of them uncouth, although very few were unearned. I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me.

i thank You God for most this amazing day: for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes (i who have died am alive again today, and this is the sun's birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth) how should tasting touching hearing seeing breathing any---lifted from the no of all nothing---human merely being doubt unimaginably You? (now the ears of my ears awake and now the eyes of my eyes are opened)

A hypocrite is the kind of politician who would cut down a redwood tree, then mount the stump and make a speech for conservation.

We will speak for the books." ... "Like the Lorax?" "The Lorax speaks for the trees," I remind her. "Books are made out of paper. Paper is made out of trees." "What about e-books?" "We can speak for them too." "Audiobooks?" "Audiobooks speak for themselves." She grins. "Get it?

Words reduce reality to something the human mind can grasp, which isn’t very much. Language consists of five basic sounds produced by the vocal cords. They are the vowels a, e, i, o, u. The other sounds are consonants produced by air pressure: s, f, g, and so forth. Do you believe some combination of such basic sounds could ever explain who you are, or the ultimate purpose of the universe, or even what a tree or stone is in its depth?

In the trees the night wind stirs, bringing the leaves to life, endowing them with speech; the electric lights illuminate the green branches from the under side, translating them into a new language.

The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.

One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free. Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll. Good news? The spongy forest floor cushioned my fall. Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe. But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by. Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.

You wonder what I am doing? Well, so do I, in truth. Days seem to dawn, suns to shine, evenings to follow, and then I sleep. What I have done, what I am doing, what I am going to do, puzzle and bewilder me. Have you ever been a leaf and fallen from your tree in autumn and been really puzzled about it? That’s the feeling. (T.E. Lawrence to artist Eric Kennington, May 1935 )

What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven't we all to struggle against life's daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these.

Have you ever found anything that gives you relief?"... "Yes. A drink

I think there are many ways to matter." He plucks the book from his pocket. "These are the words of a man - Voltaire. But they are also the hands that set the type. The ink that made it readable, the tree that made the paper. All of them matter, though credit goes only to the name on the cover.

We are the earth, the land. The tongue that speaks and trips on the names of the dead as it dares to tell these stories of a woman’s line. Her people and her dirt, her trees,

Adeline had wanted to be a tree. To grow wild and deep, belong to no one but the ground beneath her feet, and the sky above, just like Estele. It would be an unconventional life, and perhaps a little lonely, but at least it would be hers. She would belong to no one but herself.

Blue Horse said to me... wisdom is not a path, it is a tree.

It all happened," Lipton summed up, "because Shifty saw a tree almost a mile away that hadn't been there the day before.

These autumn days will shorten and grow cold. The leaves will shake loose from the trees and fall. Christmas will come, then the snows of winter. You will live to enjoy the beauty of the frozen world, for you mean a great deal to Zuckerman and he will not harm you, ever. Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur — this lovely world, these precious days…

It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and, close below, Arno, gurgling against the embankment of the road.

You're not a tree. So move; make something happen.

To perceive Christmas through its wrapping becomes more difficult with every year. "The Distant Music of the Hounds," 1954

The sun was already declining and each of the trees held a premonition of night.

I made myself a glass of chocolate milk using enough syrup for three normal glasses. I also made myself four peanut butter crackers. Then I walked out the living room door to our terrace. The trees were coming! New green was all over ... green so new that it was kissing yellow.

I felt like a leaf falling from a tree and he was the wind whispering, I’ve got you.

The tree leaves rustled like that noise e-books make when you turn the page.

You're not honey. Your'e wine. You're the deepest, darkest shadow under a tree on a blazing day. You're strong and hard, coursing like a current at the bottom of a river.

(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life;which grows higher than the soul can hope or mind can hide) and this is the wonder that's keeping the stars apart i carry your heart(i carry it in my heart) Edward Estlin Cummings

But Gro smiled a sad smile and said, "Why should we by words of ill omen strike yet another blow where the tree tottereth?

Our ordinary mind always tried to persuade us that we are nothing but acorns and that our greatest happiness will be to become bigger, fatter, shinier acorns; but this is of interest only to pigs. Our faith gives us knowledge of something better: that we can become oak trees.

Familiarity is the thing—the sense of belonging. It grants exemption from all evil, all shabbiness. A farmer pauses in the doorway of his barn and he is wearing the right boots. A sheep stands under an apple tree and it wears the right look, and the tree is hung with puckered frozen fruit of the right color.

This book is written in blood. Is it written entirely in blood? No, some of it is written in tears. Are the blood and tears all mine? Yes, they have been in the past, but the future is a different matter. As the bear swore in Pogo after having endured a pot shoved on her head, being turned upside down while still in the pot, a discussion about her edibility, the lawnmowering of her behind, and a fistful of ground pepper in the snoot, she then swore a mighty oath on the ashes of her mothers (i.e. her forebears) grimly but quietly while the apples from the shaken apple tree above her dropped bang thud on her head: OH, SOMEBODY ASIDES ME IS GONNA RUE THIS HERE PARTICULAR DAY.

Wing watched her leave and turned to Otto. ‘My father once told me that only the foolish man pulls on the tiger’s tail as it dangles from the tree.’ It was the first time that Otto had seen him smile. Otto grinned at Wing. ‘True, but how else do you find out if it’s a tiger at all?

I've been a soldier all my life. I've fought from the ranks on up, you know my service. But sir, I must tell you now, I believe this attack will fail. No 15,000 men ever made could take that ridge. It's a distance of more than a mile, over open ground. When the men come out of the trees, they will be under fire from Yankee artillery from all over the field. And those are Hancock's boys! And now, they have the stone wall like we did at Fredericksburg. - Lieutenant General James Longstreet to General Robert E. Lee after the initial Confederate victories on day one of the Battle of Gettysburg.

When he looked over, Emma had her head tipped back against the tree, and was humming as she watched the clouds move through the branches. Peter realized then how alone they each were. It was just that now they were alone together.

When you are famous it is hard to work on small problems. This is what did Shannon in. After information theory, what do you do for an encore? The great scientists often make this error. They fail to continue to plant the little acorns from which the mighty oak trees grow. They try to get the big thing right off. And that isn't the way things go. So that is another reason why you find that when you get early recognition it seems to sterilize you.

pity this busy monster, manunkind' pity this busy monster, manunkind, not. Progress is a comfortable disease: your victim (death and life safely beyond) plays with the bigness of his littleness --- electrons deify one razorblade into a mountainrange; lenses extend unwish through curving wherewhen till unwish returns on its unself. A world of made is not a world of born --- pity poor flesh and trees, poor stars and stones, but never this fine specimen of hypermagical ultraomnipotence. We doctors know a hopeless case if --- listen: there's a hell of a good universe next door; let's go

Oh fair enough are sky and plain, But I know fairer far: Those are as beautiful again That in the water are; The pools and rivers wash so clean The trees and clouds and air, The like on earth was never seen, And oh that I were there. These are the thoughts I often think As I stand gazing down In act upon the cressy brink To strip and dive and drown; But in the golden-sanded brooks And azure meres I spy A silly lad that longs and looks And wishes he were I.

Es una historia de amor, nada demasiado particular: dos personas construyen, con voluntad e inocencia, un mundo paralelo que, naturalmente, muy pronto se viene abajo

let's live suddenly without thinking under honest trees

...our family is white as far back on the family tree as I've ever looked, and I guess I picture people white white white unless someone tells me otherwise

if everything happens that can't be done (and anything's righter than books could plan) the stupidest teacher will almost guess (with a run skip around we go yes) there's nothing as something as one one hasn't a why or because or although (and buds know better than books don't grow) one's anything old being everything new (with a what which around we come who) one's everyanything so so world is a leaf so tree is a bough (and birds sing sweeter than books tell how) so here is away and so your is a my (with a down up around again fly) forever was never till now now i love you and you love me (and books are shutter than books can be) and deep in the high that does nothing but fall (with a shout each around we go all) there's somebody calling who's we we're anything brighter than even the sun (we're everything greater than books might mean) we're everanything more than believe (with a spin leap alive we're alive) we're wonderful one times one

Jase promised me a lifetime with him. He promised a mountain full of trees and a family that would grow to love me again. He promised we would write our own story. And I made promises too.

Summertime, oh, summertime, pattern of life indelible, the fade-proof lake, the woods unshatterable, the pasture with the sweetfern and the juniper forever and ever . . . the cottages with their innocent and tranquil design, their tiny docks with the flagpole and the American flag floating against the white clouds in the blue sky, the little paths over the roots of the trees leading from camp to camp. This was the American family at play, escaping the city heat.

There are still blue skies and rainbows and days bathed in sunlight. There are colorful shade trees filled with sweet bird songs. And there are wishing stars in the heavens as well as angels in God's service. So lift up your eyes. Refuse to be unhappy.

Father always said that money doesn’t grow on trees. Well, time doesn’t grow on trees either.

What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?

A tree Cannot grow In its parents’ shadows.

It's just one more thing she hadn't considered, and as the idea of it settles over her, she realizes again how entwined their lives are. They're like two trees whose branches have grown together. Even if you pull them out by the trunks, they're still going to be twisted and tangled and nearly impossible to separate at the roots.

Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…

I have been sad almost a whole year, thinking that taking that test was somehow the end of my learning and that not having that as a possibility in my future left a big empty spot in my life that the children and the ranch didn't fill. But my life is not like that, it is a tree, and I can stay in one place and spread out in all directions, and I can do more learning shading this brood of mine than if I was all alone.

Now at least you can look clear-eyed into your own future, and choose: stay safe and sane at home, as any rational man would- I swear I'll understand- Or run away with me toward the glimmering, mad horizon. Dance through this eternal green orchard, where ten thousand worlds hang ripe and red for the plucking; wander with me between the trees, tending them, clearing away the weeds, letting in the air. Opening the Doors.

I was going through the botanical theory book, and while I was reading I remembered something Blue Horse said to me back before Gilbert was born. He said wisdom is not a path, it is a tree.

Along the field as we came by A year ago, my love and I, The aspen over stile and stone Was talking to itself alone. 'Oh who are these that kiss and pass? A country lover and his lass; Two lovers looking to be wed; And time shall put them both to bed, But she shall lie with earth above, And he beside another love.' And sure enough beneath the tree There walks another love with me, And overhead the aspen heaves Its rainy-sounding silver leaves; And I spell nothing in their stir, But now perhaps they speak to her, And plain for her to understand They talk about a time at hand When I shall sleep with clover clad, And she beside another lad.

She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.

I’ll leave you with a quote that has always resonated with me. And I’m paraphrasing a Native American saying: ‘Only when the last leaf has fallen, the last tree has died, and the last fish been caught will we realize that we cannot eat money.’  

What I wanted to talk to you about was—” He kissed me. At first he gently touched his lips to mine. e more exciting development was that in order to do this, he’d stepped very close. His chest was an inch from mine. I could feel his heat. He tasted of blackberries. He leaned even closer and braced his muscular arms on the tree on either side of me. When he broke the kiss to take a breath, I whispered, “Tree hugger.” He opened his eyes, blue as the afternoon sky, and gave me this look. A combination of amusement and exasperation and hunger. He looked like a teenager making out in the woods. Puzzling through this, I realized that I was gazing at him from the perspective of a six-year-old girl playing army and dodging rubber snakes. But he was this teenager, and so was I. I felt the same need for him that he felt for me, like a force was drawing me forward into his heat. I just didn’t know how to say it.

let’s live suddenly without thinking under honest trees, a stream does.the brain of cleverly-crinkling -water pursues the angry dream of the shore. By midnight, a moon scratches the skin of the organised hills an edged nothing begins to prune let’s live like the light that kills and let’s as silence, because Whirl’s after all: (after me)love,and after you. I occasionally feel vague how vague idon’t know tenuous Now- spears and The Then-arrows making do our mouths something red,something tall

I don't care who you were, you're dead now. D-E-A-D; dead! The sooner you accept that you're a shade now the better. Eros could hear one of the men grunt and strain. "Senator, let go of that tree. You're going into Hades of I have to drag you all the way there myself.

My life is a tree and I can stay in one place and spread out in all directions, and I can do more learning shading this brood of mine than if I was all alone. I declare, it is like some other part of me made up some rules about happiness and I just went along with them without thinking. My heart is lightened so much that I am amazed at how sad I felt for so long.

A block or two west of the new City of Man in Turtle Bay there is an old willow tree that presides over an interior garden. It is a battered tree, long suffering and much climbed, held together by strands of wire but beloved of those who know it. In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: "This must be saved, this particular thing, this very tree." If it were to go, all would go -- this city, this mischevious and marvelous monument which not to look upon would be like death.

In the loveliest town of all where the houses were white and high and the elm trees were green and higher than the houses where the front yards were wide and pleasant and the back yards were bushy and worth finding out about, where the streets sloped down to the stream and the stream flowed quietly under the bridge, where the lawns ended in orchards and the orchards ended in fields and the fields ended in pastures and the pastures climbed the hill and disappeared over the top toward the wonderful wide sky, in this loveliest of all towns Stuart stopped to get a drink of sarsaparilla.

Loveliest of Trees Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.

when god lets my body be From each brave eye shall sprout a tree fruit that dangles therefrom the purpled world will dance upon Between my lips which did sing a rose shall beget the spring that maidens whom passion wastes will lay between their little breasts My strong fingers beneath the snow Into strenuous birds shall go my love walking in the grass their wings will touch with her face and all the while shall my heart be With the bulge and nuzzle of the sea

Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.

How could I explain to a beautiful lady in a silk dress that when I picked up her baby girl, I felt that lady's long-ago chubby shape in my arms, smelled her sunshine-touched hair? That years and years of tiny memories flitted past my heart like a flock of birds spinning on invisible air? It was the smell of the little girls, slightly wet, somewhat soapy, the smell of porridge supper, and the taste of kissed-away tears. Here in my arms were the best parts of life, going on, blooming like a strong tree.

Ombrosa non c’è più. Guardando il cielo sgombro, mi domando se è davvero esistita. Quel frastaglio di rami e foglie, biforcazioni, lobi, spiumii, minuto e senza fine, e il cielo a sprazzi irregolari e ritagli, forse c’era solo perché ci passasse mio fratello con suo leggero passo di codibugnolo, era un ricamo fatto di nulla che assomiglia a questo filo d’inchiostro, come l’ho lasciato correre per pagine e pagine, zeppo di cancellature, di rimandi, di sgorbi nervosi, di macchie, di lacune, che a momenti si sgrana in grossi acini chiari, a momenti si infittisce in segni minuscoli come semi puntiformi, ora si ritorce su se stesso, ora si biforca, ora collega grumi di frasi con contorni di foglie o di nuvole, e poi si intoppa, e poi ripiglia a attorcigliarsi, e corre e corre e si sdipana e avvolge un ultimo grappolo insensato di parole idee sogni ed è finito.

Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like they have a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.

London was but a foretaste of this nomadic civilization which is altering human nature so profoundly, and throws upon personal relations a stress greater than they have ever borne before. Under cosmopolitanism, if it comes, we shall receive no help from the earth. Trees and meadows and mountains will only be a spectacle, and the binding force that once exercised on character must be entrusted to Love alone. May Love be equal to the task!

ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve

​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.

The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth.

If you’re some stranger who stumbled over this book by chance—perhaps rotting in some foreign garbage pile or locked in a dusty traveling trunk or published by some small, misguided press and shelved mistakenly under Fiction—I hope to every god you have the guts to do what needs doing. I hope you will find the cracks in the world and wedge them wider, so the light of other suns shines through; I hope you will keep the world unruly, messy, full of strange magics; I hope you will run through every open Door and tell stories when you return. But that’s not really why I wrote this, of course. I wrote it for you. So that you might read it and remember the things you were told to forget. Now at least you can look clear-eyed into your own future, and choose: stay safe and sane at home, as any rational man would—I swear I’ll understand— Or run away with me toward the glimmering, mad horizon. Dance through this eternal green orchard, where ten thousand worlds hang ripe and red for the plucking; wander with me between the trees, tending them, clearing away the weeds, letting in the air. Opening the Doors.

ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.

Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.