Dyeing Quotes

We've searched our database for all the quotes and captions related to Dyeing. Here they are! All 100 of them:

I’m not waiting until my hair turns white to become patient and wise. Nope, I’m dyeing my hair tonight.
Jarod Kintz (This Book is Not for Sale)
D'ye think I don't know?" he asked softly. "It's me that has the easy part now. For if ye feel for me as I do for you-then I'm asking you to tear out your heart and live without it.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Hey, Carrots," he says.
Cynthia Hand (Unearthly (Unearthly, #1))
You're the only person I've ever loved like this, and I know you're the only person I ever will. And I'm not myself without you, Emma. Once you dissolve dye in water, you can't take it back out. It's like that. I can't take you out of me. It means cutting out my heart, and I don't like myself without my heart, I know that now.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
I had a lot of dates, but I decided to stay home and dye my eyebrows.
Andy Warhol
Did you say ‘yes’ to going out on a date with him?” Sally asked Jacque. “All I got to say is if she said no, she might not want to go to sleep tonight ‘cause I’m going to dye her hair blonde to compliment her being a dumb ass,” Jen told them. “Uh, Jen, you’re a blonde,” Jacque pointed out. “No, not really, God just got it wrong and it was too late to change it once He noticed.
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
Most of the members of the convent were old-fashioned Satanists, like their parents and grandparents before them. They'd been brought up to it, and weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and playing guitars at people. Offer people a new creed with a costume and their hearts and minds will follow. Anyway, being brought up as a Satanist tended to take the edge off it. It was something you did on Saturday nights. And the rest of the time you simply got on with life as best you could, just like everyone else.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
You made me cut and dye my hair.” Surely he understands that we face greater problems? “I thought it would greatly improve your looks,” I snap. “Shorn hair is a sign of shame. You humiliate me greatly.” “I’ll light a candle tonight in honor of your dead tresses.
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
There's a reason why forty, fifty, and sixty don't look the way they used to, and it's not because of feminism, or better living through exercise. It's because of hair dye. In the 1950's only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.
Nora Ephron
the redness had seeped from the day and night was arranging herself around us. Cooling things down, staining and dyeing the evening purple and blue black.
Sue Monk Kidd (The Secret Life of Bees)
From Chapter 1: Isabel went into the kitchen. Their butterball of a beagle wagged his tail and peered up at her with his soulful brown eyes. He was eager to get his reward for looking cute as a button, and he knew she was a pushover.
Ed Lynskey (To Dye For (An Isabel and Alma Trumbo Cozy Mystery Book 11))
My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemispheares Without sharpe North, without declining West? What ever dyes, was not mixt equally; If our two loves be one, or, thou and I Love so alike, that none doe slacken, none can die.
John Donne (The Complete English Poems)
Let's run away to Venice, and hide out in an old movie theater. We can dye our hair blonde, so no one will ever find us!
Cornelia Funke (The Thief Lord)
Once you dissolve dye in water, you can’t take it back out. It’s like that. I can’t take you out of me. It means cutting out my heart, and I don’t like myself without my heart.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
If soot stains your tunic, dye it black. This is vengeance.
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
As for butter versus margarine, I trust cows more than chemists.
Joan Dye Gussow
And weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and and playing guitar at people. Offer people a new creed with a costume and their hearts and minds will follow
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
There are a few people out there with whom you fit just so, and, amazingly, you keep fitting just so even after you have growth spurts or lose weight or stop wearing high heels. You keep fitting after you have children or change religions or stop dyeing your hair or quit your job at Goldman Sachs and take up farming. Somehow, God is gracious enough to give us a few of those people, people you can stretch into, people who don't go away, and whom you wouldn't want to go away, even if they offered.
Lauren F. Winner (Girl Meets God)
D'ye ken that the only time I am without pain is in your bed, Sassenach? When I take ye, when I lie in your arms-my wounds are healed, then, my scars forgotten.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
The Campus laundry has a sign, like most laundries do, POSITIVELY NO DYEING. I drove all over town with a green bedspread until I came to Angel’s with his yellow sign, YOU CAN DIE HERE ANYTIME.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Believe it or not, some of us have piercings and tattoos and dye our hair because we think it looks pretty, not for any deep sociological reason. This isn't an act of protest against cultural or social repression. It's not a grand, deliberately defiant gesture against capitalists or feminists or any other social group. It's not even the fashion equivalent to sticking two fingers up at the world. The boring truth of it, Gabriel, is that I don't dress like this to hurt my parents or draw attention to myself or make a statement. I just do it because I think it looks nice. Disappointed?
Alex Bell (The Ninth Circle)
So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." I snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Why d'ye talk to yourself?' 'It assures me of a good listener.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Hope and reality lie in inverse proportions, inside the walls of a hospital... Doubt is like dye. Once is spreads into the fabric of excuses you've woven, you'll never get rid of the stain.
Jodi Picoult (Lone Wolf)
Women’s bodies are arranged, maimed, jeopardized, and tailored for the purposes of men-defined eroticism. [...] We dye our hair, smear our lips, paint our cheeks, stop our sweat, perfume our genitals, unkink our hair, and pluck our brows.
Bonnie Burstow (Radical Feminist Therapy: Working in the Context of Violence)
The Ad♥rkable Manifesto 1. We have nothing to declare but our dorkiness. 2. Jumble sales are our shopping malls. 3. Better to make cookies than be a cookie-cutter. 4. Suffering doesn’t necessarily improve you but it does give you something to blog about. 5. Experiment with Photoshop, hair dye, nail polish and cupcake flavours but never drugs. 6. Don’t follow leaders, be one. 7. Necessity is the mother of customisation. 8. Puppies make everything better. 9. Quiet girls rarely make history. 10. Never shield your oddness, but wear your oddness like a shield.
Sarra Manning (Adorkable)
Maybe there would be a Tinker city someday, too. They would buy up all of the colored dye, and everyone else in the world would ave to wear brown.' -Mat
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
But love, once it dyes our hearts purple, won't go away. Especially the kind of love we used to feel when we were young, the kind we wish we could feel again for someone new.
Eve Babitz (Black Swans)
All of them are the same type; girls with overprocessed hair and too much makeup and way too much access to Daddy’s credit cards. Girls who, if you took away the designer labels, hair dye and cover-up, wouldn’t be more than average-looking, but with all that stuff look too plastic to be pretty.
Hannah Harrington (Speechless)
I've a pocket full of dreams to sell," said Teddy, whimsically,... "What d'ye lack? What d'ye lack? A dream of success--a dream of adventure--a dream of the sea--a dream of the woodland--any kind of a dream you want at reasonable prices, including one or two unique little nightmares. What will you give me for a dream?
L.M. Montgomery (Emily Climbs (Emily, #2))
The Good-Morrow I wonder by my troth, what thou, and I Did, till we lov'd? Were we not wean'd till then? But suck'd on countrey pleasures, childishly? Or snorted we in the seaven sleepers den? T'was so; But this, all pleasures fancies bee. If ever any beauty I did see, Which I desir'd, and got, 'twas but a dreame of thee. And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Let sea-discoverers to new worlds have gone, Let Maps to other, worlds on worlds have showne, Let us possesse one world; each hath one, and is one. My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemispheares Without sharpe North, without declining West? What ever dyes, was not mixed equally; If our two loves be one, or, thou and I Love so alike, that none doe slacken, none can die.
John Donne (The Complete English Poems)
It ought to be a criminal offence for women to dye their hair. Especially red. What the devil do women do that sort of thing for?
P.G. Wodehouse (Indiscretions of Archie)
I know girls who pine for it. They like to play dress-up and pretend being Vor ladies of old, rescued from menace by romantic Vor youths. For some reason they never play 'dying in childbirth', or 'vomiting your guts out from the red dysentery', or 'weaving till you go blind and crippled from arthritis and dye poisoning', or 'infanticide'. Well, they do die romantically of disease sometimes, but somehow it's always an illness that makes you interestingly pale and everyone sorry and doesn't involve losing bowel control.
Lois McMaster Bujold (Komarr (Vorkosigan Saga, #11))
As the saturating colors of sun-life fade from sight, the ominous moon reaches out its long arm and applies the dark dyes of night.
Daniel J. Rice (This Side of a Wilderness)
My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me. Raise me a daïs of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.
Christina Rossetti (Poems of Christina Rossetti)
A good person dyes events with his own color . . . and turns whatever happens to his own benefit.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
All I got to say is if she said no, shemight not want to go to sleep tonight'cause I'm going to dye her hair blonde to compliment her being a dumb ass," Jen told them. "Uh, Jen, you're a blonde," Jacque pointed out. "No, not really, God just got it wrong and it was too late to change it once He noticed.
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
We were broke in a way that only kids can be broke. Our toes were black with dye from wearing boots that weren't waterproof. We had infected ear lobes and green rings around our fingers from cheap jewelry. No one ever even had a chocolate bar.
Heather O'Neill (Lullabies for Little Criminals)
You know, I found a gray hair the other day. I almost broke the sound barrier rushing to the pharmacy to get some dye. Beth snorted. Oh please! You're a blonde-no one can see gray hair up there. Now, you get one down under, and then you can panic.
Jenn McKinlay (Books Can Be Deceiving (Library Lover's Mystery, #1))
Here, I think we have some old bedsheets - dye them black with the ashes of your self-respect and sew them together.
Therese Oneill (Unmentionable: The Victorian Lady's Guide to Sex, Marriage, and Manners)
Sometimes, if you want to be happy, you've got to run away to Bath and marry a punk rocker. Sometimes you've got to dye your hair cobalt blue, or wander remote islands in Sicily, or cook your way through Mastering the Art of French Cooking in a year, for no very good reason.
Julie Powell
Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh
Lana Del Rey
Cole!" Cassandra smacked him on the shoulder. "Wha-?" When he opened his mouth all you could see was half-chewed goo. "How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish. "Now, thats disgusting," said Cassandra. "Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now." "Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye." "That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun." "Not when they are in the hospital.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
That our affections kill us not, nor dye.
John Donne
The grass he walked through was new and a sweet smell clung to his clothes. There was blue dye on his hands from the wild irises... that the color of the sky was a shade that could never be replicated in any photograph, just as Heaven could never be seen from the confines of Earth.
Alice Hoffman (The River King)
Where d'ye think he is now?" Jenny said suddenly. "Ian, I mean." He glanced at the house, then at the new grave waiting, but of course that wasn't Ian any more. He was panicked for a moment, for his earlier emptiness returning-but then it came to him, and, without surprise, he knew what it was Ian had said to him. "On your right, man." On his right. Guarding his weak side. "He's just here," he said to Jenny, nodding to the spot between them. "Where he belongs.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
After I flay the skin from your body, I'm going to dye it and sew it into a handbag. Special order from your momma.
Pam Godwin (Vanquish (Deliver, #2))
I suck thoughtfully on the word “temporary". It could be my time with him is as temporary as hair dye, or an adrenaline rush. I decide I’ll take either one.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
When the nettle is young, the leaves make excellent greens; when it grows old it has filaments and fibers like hemp and flax. Cloth made from the nettle is as good as that made from hemp. Chopped up, the nettle is good for poultry; pounded, it is good for horned cattle. The seed of the nettle mixed with the fodder of animals gives a luster to their skin; the root, mixed with salt, produces a beautiful yellow dye. It makes, however, excellent hay, as it can be cut twice in a season. And what does the nettle need? very little soil, no care, no culture; except that the seeds fall as fast as they ripen, and it is difficult to gather them; that is all. If we would take a little pains, the nettle would be useful; we neglect it, and it becomes harmful. Then we kill it. How much men are like the nettle! My friends, remember this, that there are no weeds, and no worthless men, there are only bad farmers.
Victor Hugo
But to use the knowledge of the threading, you must learn the making of the shades. When to sadden with the iron pot. How to bloom the colors. How to bleed.
Lois Lowry (Gathering Blue (The Giver, #2))
We all grasp on to a single idea of ourselves, the way aging people dye their hair. It’s no matter that this dye doesn’t fool you. My lady, you don’t dye your hair to decieve other people, or to fool yourself, but rather to cheat your image in your mirror a little.
Luigi Pirandello (Enrico IV - Diana e la Tuda)
I think it would be funny to dye somebody’s pool red and then throw dead fish in it. And before you run out of there, you could leave a stone tablet with these words etched in: God is angry with you and has decided to go all Egypt on you.
Jarod Kintz (This Book is Not for Sale)
Take control of your emotions before your emotions take control of you.
Scott Dye
A man's thoughts dye his soul, attributed to Marcus Aurelius
Elisabeth Elliot (Shadow of the Almighty: The Life and Testament of Jim Elliot)
Mm-hmm. You know, lip dye isn't a crime in this state. You ought to try it." "I've been kind of busy." "You're always kind of busy. You're not using the eye gel I gave you. You can't find a minute twice a day for eye gel? You want bags and wrinkles? You got the finest piece of man-candy on and off planet, and you want him looking at your face with bags and wrinkles? What are you going to do when he dumps you for a woman who takes time to maintain her face?" "Kill him.
J.D. Robb (Seduction in Death (In Death, #13))
There were maybe thirty or forty of them—nothing to how many were in the ruined library—but these had been cared for, protected and preserved against the years. And though they showed wear, cracked spines and corners rubbed such that the dye had faded, it was the kind of wear from use, the wear her own family’s books had shown before they sold them. These books were read, many times. These books were loved. The
Meagan Spooner (Hunted)
Now if you're not „hot”, you are expected to work on it until you are. It's like when you renovate a house and you're legally required to leave just one of the original walls standing. If you don't have a good body you have down to a neutral shape, then bolt on some breast implants, replace your teeth, dye you hair, and call yourself the Playmate of the Year. How do we survive this? How do we teach our daughters and our gay sons that they are good enough the way they are? We have to lead by example.
Tina Fey (Bossypants)
So you do know!" I shouted. My phone lay there like a genie's bottle, inanimate and yet containing the ability to grant me wishes and knowledge. "Girl, spill before I come over and dye your hair a natural color.
Atom Yang (Red Envelope)
A chiropractor is a doctor who performs adjustments on the spine," Rickey told the class before bending Gary backward and "adjusting" him, ripping off the false arm and spraying red hair dye all over the classroom. Gary howled in "pain" and collapsed dramatically on the threadbare school carpet, his legs flailing a bit before hitting the floor with a terrible, final-sounding thunk. That was the first time they were sent to the principal's office together. They had to apologize to their teacher and explain to their classmates that doctor visits were unlikely to result in surprise dismemberments.
Poppy Z. Brite (Liquor (Rickey and G-Man #2))
The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.
Robert Frost
He wanted to be content with an identity nicely chopped into pieces of varying lengths, but whose character was always similar, without dyeing it in autumnal colors, drenching it in April showers or mottling it with the instability of clouds.
Raymond Queneau
Up on the Magdalen Islands, eight crew members from the Sea Shepherd sprayed more than a thousand seal pups with a harmless but permanent red dye. This dye was designed to ruin their pelts and save the pups from hunters. The activists were arrested and, in pitch-perfect Orwellian double-speak, charged with violating the Seal Protection Act.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
I dye my jeans jet black once a week, but they never seem dark enough. I bleach my hair bright white twice a month but it never seems light enough. I drink two and a half bottles of champagne every night but I never seem drunk enough. And I know I’m not high enough until someone grabs my face to check my vision to see if I’m still responsive— And even then, I’m thinking to myself that I should probably do one more line, you know, just to be safe.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
To: Anna Oliphant From: Etienne St. Clair Subject: HAPPY CHRISTMAS Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco. To: Anna Oliphant From: Etienne St. Clair Subject: I forgot to tell you. Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled? To: Anna Oliphant From: Etienne St. Clair Subject: Are you awake yet? Wake up.Wake up wake up wake up. To: Etienne St. Clair From: Anna Oliphant Subject: re: Are you awake yet? I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me. P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo. To: Anna Oliphant From: Etienne St. Clair Subject: HAHAHA@ Was it a PROMISE RING? Did your father give you a PROMISE RING? To: Etienne St. Clair From: Anna Oliphant Subject: Re: HAHAHA! I am so not responding to that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
And what's wrong wi' the way ye smell?' he said heatedly. 'At least ye smelt like a woman, not a damn flower garden. What d'ye think I am, a man or a bumblebee? Would ye wash yourself, Sassenach, so I can get within less than ten feet of ye?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?
Andrew Sean Greer (Less)
The fructe of all the servise that I serve Dispaire doth repe, such haples hap have I ; But tho he have no powre to make me swarve, Yet by the fire for colde I fele I dye : In paradis for hunger still I sterve : And in the flowde for thurste to deth I drye ; So Tantalus ane I and yn worse payne, Amyds my helpe, and helples doth remayne.
Thomas Wyatt (Poetical Works of Sir Thomas Wyatt (Select Bibliographies Ser))
ALL HE COULD SEE, IN EVERY DIRECTION, WAS WATER. It was June 23, 1943. Somewhere on the endless expanse of the Pacific Ocean, Army Air Forces bombardier and Olympic runner Louie Zamperini lay across a small raft, drifting westward. Slumped alongside him was a sergeant, one of his plane’s gunners. On a separate raft, tethered to the first, lay another crewman, a gash zigzagging across his forehead. Their bodies, burned by the sun and stained yellow from the raft dye, had winnowed down to skeletons. Sharks glided in lazy loops around them, dragging their backs along the rafts, waiting.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
If you want to be happy in life you either need to be someone’s ray of sunshine or the sky that allows them to shine bright.” I
Aimee Nicole Walker (Something to Dye For (Curl Up and Dye Mysteries, #2))
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.
Meg Cabot (Princess in Love (The Princess Diaries, #3))
Why d’ye talk to yourself?” “It assures me of a good listener,
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
Nothing is so sad, in my opinion, as the devastation wrought by age. My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, and hair, it is true, were still of a jet black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse children!
Agatha Christie (Curtain (Hercule Poirot, #44))
To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike. While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the sense, strange dyes, strange colours, and curious odours, or work of the artist’s hands, or the face of one’s friend. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy, of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. “Philosophy is the microscope of thought.” The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or of what is only conventional, has no real claim upon us.
Walter Pater
In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast. You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
Nora Ephron (I Remember Nothing)
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself -- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once with a bang. And maybe, Richie thought, that's the scary part. How you don't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing blue-jeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup's face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from a Tooth Fairy.
Stephen King (It)
A little orange? Ada kept nodding as she stared in the mirror at Saras reflection, Yeah, it looks like it could be, maybe, a little orange. A little orange? Its a little orange like being a little bit pregnant. Ada shrugged again. So whats to worry? Itll be alright. Whats to worry? Someone may try to juice me. Relax, relax, dolly. It just needs a little more dye. Itll be alright for the television. I look like a thermometer. Thats what I look like. Like an upside down thermometer. So dont blow your top. Relax.
Hubert Selby Jr. (Requiem for a Dream)
Blonde hair and black hair are the two poles of human nature. Black hair signifies virility, courage, frankness, activity, whereas blonde hair symbolises femininity, tenderness, weakness, and passivity. Therefore a blonde is in fact doubly a woman. A princess can only be blonde. That's also why, to be as feminine as possible, women dye their hair yellow- but never black" "I'm curious about how pigments exercise their influence over the human soul", said Bertlef doubtfully. "it's not a matter of pigments. A blonde unconsciously adapts herself to her hair. Especially if the blonde is a brunette who dyes her hair yellow. She tries to be faithful to her hair colour and behaves like a fragile creature, a shallow doll, she demands tenderness and service, courtesy and alimony, she's incapable of doing anything for herself, all refinement on the outside and coarseness on the inside. If black hair became a universal fashion, life on this world would clearly be better. It would be the most useful social reform ever achieved.
Milan Kundera (Farewell Waltz)
At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow. Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him. ~Len Fenerman on stepping back/letting go/giving up pgs 271-272
Alice Sebold (The Lovely Bones)
Roses, wild roses, everywhere! So plentiful were they, they were not only perfumed the air, they seemed to dye it a faint rose-hue. The colour floated abroad with the scent, and clomb, and spread, until the whole wesr blushed and glowed with the gathered incense of roses. And my heart fainted with longing in my bosom. Could I but see the spirit of the Earth, as I saw once the in dwelling woman of the beech-tree, and my beauty of the pale marble, I should be content. Content! -Oh, how gladly would I die of the light of her eyes! Yea, I would cease to be, if that would bring me one word of love from the one mouth. The twilight sand around, and infolded me with sleep. I slept as I had not slept for months. I did not awake till late in the morning; when, refreshed in body and mind I rose as from the death that wipes out the sadness of life, and then dies itself in the new morrow.
George MacDonald (Phantastes)
Still rarer is the man who thinks habitually, who applies reason, rather than habit pattern, to all his activity. Unless he masques himself, his is a dangerous life; he is regarded as queer, untrustworthy, subversive of public morals; he is a pink monkey among brown monkeys -- a fatal mistake. Unless the pink monkey can dye himself brown before he is caught. The brown monkey's instinct to kill is correct; such men are dangerous to all monkey customs. Rarest of all is the man who can and does reason at all times, quickly, accurately, inclusively, despite hope or fear or bodily distress, without egocentric bias or thalmic disturbance, with correct memory, with clear distinction between fact, assumption, and non-fact.
Robert A. Heinlein
I would move the earth to save your mother. D'ye hear me, Sarah? I would tear down the walls of her jail and carry her to the wilds of Maine, but it is not what she wants. She will throw herself at her judges because she believes that her innocence will show through all the lies and deceptions...She humbles me with her strength.
Kathleen Kent (The Heretic's Daughter)
Humph.” She peered down suspiciously as he parted the leaves to reveal the choke. “That doesn’t look very tasty.” “That’s because it isn’t,” he said. “Pay heed: the artichoke is a shy vegetable. She covers herself in spine-tipped leaves that must be carefully peeled away, and underneath shields her treasure with a barricade o’ soft needles. They must be tenderly, but firmly, scraped aside. Ye must be bold, for if yer not, she’ll never reveal her soft heart.” He finished cutting away the thistles and placed the small, tender heart on the center of her plate. She wrinkled her nose. “That’s it? But it’s so small.” “Ah, and d’ye judge a thing solely upon size alone?” She made a choking sound.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Kira closed her eyes, thought, and said them aloud. "Madder for red. Bedstraw for red too, just the roots. Tops of tansy for yellow, and greenwood for yellow too. And yarrow: yellow and gold. Dark hollyhocks, just the petals, for mauve...." "Broom sedge," she added, still remembering. "Goldy yellows and browns. And Saint Johnswort for browns too, but it'll stain my hands. "And bronze fennel--leaves and flowers; use them fresh--and you can eat it too. Chamomile for tea and for green hues.
Lois Lowry (Gathering Blue (The Giver, #2))
And how nobly it raises our conceit of the mighty, misty monster, to behold him solemnly sailing through a calm tropical sea; his vast, mild head overhung by a canopy of vapor, engendered by his incommunicable contemplations, and that vapor- as you will sometimes see it- glorified by a rainbow, as if Heaven itself had put its seal upon his thoughts. For d'ye see, rainbows do not visit the clear air; they only irradiate vapor. And so, through all the thick mists of the dim doubts in my mind, divine intuitions now and then shoot, enkindling my fog with a heavenly ray. And for this I thank God; for all have doubts; many deny; but doubts or denials, few along with them, have intuitions. Doubts of all things earthly, and intuitions of some things heavenly; this combination makes neither believer nor infidel, but makes a man who regards them both with equal eye.
Herman Melville (Moby-Dick or, The Whale)
Tu-whoo! Ahem! Lord Regent," said the Owl, stooping down a little and holding its beak near the Dwarf's ear. "Heh? What's that?" said the Dwarf. "Two strangers, my Lord," said the Owl. "Rangers! What d'ye mean?" said the Dwarf. "I see two uncommonly grubby man-cubs. What do they want?" "My name's Jill," said Jill, pressing forward. She was very eager to explain the important business on which they had come. "The girl's called Jill," said the Owl, as loud as it could. "What's that?" said the Dwarf. "The girls are all killed! I don't believe a word of it. What girls? Who killed 'em?" "Only one girl, my Lord," said the Owl. "Her name is Jill." "Speak up, speak up," said the Dwarf. "Don't stand there buzzing and twittering in my ear. Who's been killed?" "Nobody's been killed," hooted the Owl. "Who?" "NOBODY." "All right, all right. You needn't shout. I'm not so deaf as all that. What do you mean by coming here to tell me that nobody's been killed? Why should anyone have been killed?" "Better tell him I'm Eustace," said Scrubb. "The boy's Eustace, my Lord," hooted the Owl as loud as it could. "Useless?" said the Dwarf irritably. "I dare say he is. Is that any reason for bringing him to court? Hey?" "Not useless," said the Owl. "EUSTACE." "Used to it, is he? I don't know what you're talking about, I'm sure. I'll tell you what it is, Master Glimfeather; when I was a young Dwarf there used to be talking beasts and birds in this country who really could talk. There wasn't all this mumbling and muttering and whispering. It wouldn't have been tolerated for a moment, Sir. Urnus, my trumpet please-
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow (Graphic Novel))
You and McNab sat around talking about women and sports." "I don't believe we got to sports. He had a woman on his mind." Eve's sneer vanished. "You talked to him about Peabody? Damn it, Roarke." "I could hardly slap him back. He's so pitifully smitten." "Oh." She winced. "Don't use that word." "It fits. In fact, if he took my advice ..." He turned his wrist, glanced at the unit fastened there. "They should be well into their first date by now." "Date? Date? Why did you do that? Why did you go and do something like that? Couldn't you leave it alone? They'd have had sex until they burned out on it, and everything would go back to normal." He angled his head. "That didn't work for us, did it?" "We don't work together." Then, when his eyes brightened with pure amusement, she showed her teeth. "Officially. You start mixing cops and romance and case files and gooey looks at briefings, you've got nothing but a mess. Next thing you know, Peabody will be wearing lip dye and smelly girl stuff and dragging body skimmers under her uniform." She dropped her head in her hands. "Then they'll have tiffs and misunderstandings that have nothing whatsoever to do with the job. They'll come at me from both sides, and before you know it, they'll be telling me things I absolutely do not want to know. And when they break it off and decide they hate each other down to the guts, I'll have to hear about that, too, and why they can't possibly work together, or breathe the same air, until I have no choice, absolutely no choice, but to kick both of their asses." "Eve, your sunny view on life never fails to lift my spirits." "And -- " She poked him in the chest. "It's all your fault." He grabbed her finger, nipped it, not so gently. "If that's the case, I'm going to insist they name their first child after me.
J.D. Robb (Witness in Death (In Death, #10))
It is a formidable list of jobs: the whole of the spinning industry, the whole of the dyeing industry, the whole of the weaving industry. The whole catering industry and—which would not please Lady Astor, perhaps—the whole of the nation’s brewing and distilling. All the preserving, pickling and bottling industry, all the bacon-curing. And (since in those days a man was often absent from home for months together on war or business) a very large share in the management of landed estates. Here are the women’s jobs—and what has become of them? They are all being handled by men. It is all very well to say that woman’s place is the home—but modern civilisation has taken all these pleasant and profitable activities out of the home, where the women looked after them, and handed them over to big industry, to be directed and organised by men at the head of large factories. Even the dairy-maid in her simple bonnet has gone, to be replaced by a male mechanic in charge of a mechanical milking plant.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
A great textile, like the William Morris Strawberry Thief, is a piece of art, but it takes a lot of time to make a piece of art. It isn't simply design either. You have to understand the fabrics and what they can bear. You have to understand the dyeing process and how to achieve certain colors and what will make the color last through the ages. If you make a mistake, you might have to begin again." "I don't think I know Strawberry Thief," Sadie said. "One moment," Mrs. Watanabe said. Mrs. Watanabe went into her bedroom, and she returned with a little footstool that was upholstered in a reproduction of Strawberry Thief. The pattern depicted birds and strawberries in a garden, and although Sadie hadn't known the name, she recognized the print when she saw it. "This was William Morris's garden. These were his strawberries. Those were birds he knew. No designer had ever used red or yellow in an indigo discharge dyeing technique before. He must have had to start over many times to get the colors right. This fabric is not just a fabric. It's the story of failure and of perseverance, of the discipline of a craftsman, of the life of an artist.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I've been mistaken to assume that in this little village in the spring, so like a dream or a poem, life is a matter only of the singing birds, the falling blossoms, and the bubbling springs. The real world has crossed mountains and seas and is bearing down even on this isolated village, whose inhabitants have doubtless lived here in peace down the long stretch of years ever since they fled as defeated warriors from the great clan wars of the twelfth century. Perhaps a millionth part of the blood that will dye the wide Manchurian plains will gush from this young man's arteries, or seethe forth at the point of the long sword that hangs at his waist. Yet here this young man sits, beside an artist for whom the sole value of human life lies in dreaming. If I listen carefully, I can even hear the beating of his heart, so close are we. And perhaps even now, within that beat reverberates the beating of the great tide that is sweeping across the hundreds of miles of that far battlefield. Fate has for a brief and unexpected moment brought us together in this room, but beyond that it speaks no more.
Natsume Sōseki (The Three-Cornered World)
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep. But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere. I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
Eve O. Schaub (Year of No Clutter)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
I know a flower that grows in the valley, none knows it but I. It has purple leaves, and a star in its heart, and its juice is as white as milk. Should’st thou touch with this flower the hard lips of the Queen, she would follow thee all over the world. Out of the bed of the King she would rise, and over the whole world she would follow thee. And it has a price, pretty boy, it has a price. What d’ye lack? What d’ye lack? I can pound a toad in a mortar, and make broth of it, and stir the broth with a dead man’s hand. Sprinkle it on thine enemy while he sleeps, and he will turn into a black viper, and his own mother will slay him. With a wheel I can draw the Moon from heaven, and in a crystal I can show thee Death. What d’ye lack? What d’ye lack? Tell me thy desire, and I will give it thee, and thou shalt pay me a price, pretty boy, thou shalt pay me a price.
Oscar Wilde (A House of Pomegranates)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]
Clement of Alexandria (Stromateis, Books 1-3 (Fathers of the Church))