Dyed Red Hair Quotes

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She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light...
John Connolly (Every Dead Thing (Charlie Parker, #1))
Her name is Denise, and she has green eyes and red hair. Well, this week. Last week her hair was dyed blonde, and she had blue eyes. Or maybe that was a different woman. I don’t know. All I know is that she is my soul mate.
Jarod Kintz (This Book Has No Title)
The uncle and cousin seem nice, but the aunt is a bit of a shock. Whith her hair dyed bright red, she looks like Ronald McDonald's post-menopausal sister. Who has let herself go.
Brian Malloy (Twelve Long Months)
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
As a matter of fact I'd had my hair dyed a marvelous shade of pale red so popular with Parisian tarts that season.
Elaine Dundy (The Dud Avocado)
The pattern glitters with cruelty. The blue beads are colored with fish blood, the reds with powdered heart. The beads collect in borders of mercy. The yellows are dyed with the ocher of silence. There is no telling which twin will fall asleep first, allowing the other's colors to dominate, for how long. The design grows, the overlay deepens. The beaders have no other order at the heart of their being. Do you know that the beads are sewn onto the fabric of the earth with endless strands of human muscle, human sinew, human hair? We are as crucial to this making as other animals. No more and no less important than the deer.
Louise Erdrich (The Antelope Wife)
The boys laughed and peered in the direction of the girl with Kitty Wells dyed black hair.
Nancy B. Brewer (The House with the Red Light)
Her name is Lilliana Atwater. Mid-twenties, dyed red hair, was last seen in a yellow raincoat. Any reports or injuries or anything in your neck of the woods?” “Nope,” Joy said, “can’t say that it rings a bell. Have you tried Springton?” Gee, no, I didn’t try the town NEXT to Tarker’s Hollow. Black, Tasha (2014-12-22). Fate of the Alpha: Episode 1: A Tarker's Hollow Serial (Kindle Locations 1666-1668). 13th Story Press. Kindle Edition.
Tasha Black (Fate of the Alpha: Episode 1)
I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
anlattıkça için boş kalır. Ne kadar üretkensen o kadar yok olduğunu anlamıyor musun
Kostas Mourselas (Red Dyed Hair)
She had a daisy in her hair, but it had been dyed red to match her lipstick. Her
Kiera Cass (The Selection (The Selection, #1))
Her hair, which had been a bland and forgettable colour before, had been dyed a deep, blood red, the furious set to her features letting me know that it was a promise of its own, to see the blood of her enemies spilled in payment for the losses she’d suffered in that battle. It suited her, the colour matching with the fire which burned unwaveringly within her soul, bright and brutal and wholly her. “I do,” I agreed. “Then I am coming with you. My Maxy boy awaits me, and I shall bay for vengeance on behalf of my dear Daddy while ripping the throats from our enemies as we retrieve him.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
And, leaning over sideways to look, Comrade Snarky says, “My eyes are green, not brown, and my hair is naturally this color auburn.” She watches as he writes green, then says, “And I have a little red rose tattooed on my butt cheek.” Her eyes settle on the silver tape recorder peeking out of his shirt pocket, the little-mesh microphone of it, and she says, “Don't write dyed hair. Women either lift or tint the color of their hair.
Chuck Palahniuk (Haunted)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting. There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
Here’s this woman, must be sixty fuckin years old—my age!—and her hair’s dyed just as red as a whore’s stoplight, tits saggin just about down to her belly button on account of she ain’t wearin no brassy-ear, big varycoarse veins all up and down her legs so they look like a couple of goddam roadmaps, the jools drippin off her neck and arms an hangin out her ears. And she’s got this kid with her, he can’t be no more than seventeen, with hair down to his asshole and his crotch bulgin like he stuffed it up with the funnypages. So
Stephen King (The Shining (The Shining, #1))
Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?
Kim Addonizio (Tell Me)
It was early in my career, and I had been seeing Mary, a shy, lonely, and physically collapsed young woman, for about three months in weekly psychotherapy, dealing with the ravages of her terrible history of early abuse. One day I opened the door to my waiting room and saw her standing there provocatively, dressed in a miniskirt, her hair dyed flaming red, with a cup of coffee in one hand and a snarl on her face. “You must be Dr. van der Kolk,” she said. “My name is Jane, and I came to warn you not to believe any the lies that Mary has been telling you. Can I come in and tell you about her?” I was stunned but fortunately kept myself from confronting “Jane” and instead heard her out. Over the course of our session I met not only Jane but also a hurt little girl and an angry male adolescent. That was the beginning of a long and productive treatment.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
My mother dyed my hair red since I was four because I loved Anne of Green Gables and wanted red hair. Not many people know this but my natural hair color is light strawberry blonde. Got my hair from my grandmother's side of the family.
Nicole Kidman
My mom dyed my hair red when I was little using vegetable dye so it wouldn't damage my hair.
Nicole Kidman
I watch a couple more. My favorites are the cultural ones, because they have the strange feeling of being instruction manuals on becoming whatever ethnicity the person in the video is. One of my favorites has over six million views and combines the what-I-eat genres of "in a week," "Japanese food," "realistic," "teen," and "ASMR." I watch an entire twenty-five minutes of a girl in Tokyo with dyed wine-red-fading-into-pink hair eating sausages, toast, a Japanese corn dog made with hotcake mix dipped in ketchup, demae hot sesame ramen with an egg plopped in, pizza, stir-fried udon, seaweed salad and barley rice, tapioca and black tea ice cream, soy-glazed salmon on okayu, pearl milk bubble tea. Each time she eats, the microphone hones in on the sounds of her eating---slurping, chewing, crunching. When she drinks her bubble tea, there's a loud pop as the straw goes through the lid, and the sound of gulping. Gulp, gulp, gulp. I realize that I'm gulping along to the video, imagining that the bubble tea is blood.
Claire Kohda (Woman, Eating)
She looked like a planetary: not tall, but her body bulky with high grav muscles, shoulders wide and sleeves of her coverall rolled up to show off sculpted forearms. She had a broad face with high, slanted cheekbones; coffee-dark eyes with a moderate fold, straight black hair chopped at the ear except for some longer locks, those dyed in fluttering streaks of red and gold.
Elizabeth Bear (Ancestral Night (White Space, #1))
The woman was imposing, unusually tall and rippling with what seemed to be hard-won muscle. She wore a one-shouldered jumpsuit that looked like it had been stitched together from a mixture of animal hides and discarded armor. Her exposed arm displayed an elaborate stretch of short slashing lines that had been cut into her dark skin from shoulder to elbow, and below the elbow she wore a leather bracer. Her thick hair was dyed blood red and she held it back in dreadlocks that trailed down her back.
Rebecca Roanhorse (Resistance Reborn (Journey to Star Wars: The Rise of Skywalker, #1))
One of them hides his face beneath a black hoodie like he doesn’t want to be spotted, dark streaks of wavy hair peeking out, and both hands stuck in pockets of his track pants. Tattoos can be seen under his sleeves. Another one with light blond hair and a side sweep, along with sharp, piercing blue eyes, has his hand tightly tucked into his expensive jeans like he’s clutching a knife. A bunch of tattoos peeks out from underneath the white shirt covered by a leather jacket. The third is tall and thin but muscular looking in a lean way, with short red-dyed hair in a side part. He’s wearing an actual white button-up shirt and tie. How odd.
Clarissa Wild (Evil Boys (Spine Ridge University))
They dyed my hair red, I was only 14. It wasn't red like that. Everyone always thinks it was, but it wasn't.
Nicole Kidman (Nicole Kidman & Keith Urban: It's True - a Baby! / Pick Country's Hottest Bachelor / Faith Hill: Will She Be a Future First Lady? / Mindy McCready: Her Life After Getting Out of Jail Early (Country Weekly, Volume 15, Number 3, February 11, 2008))
Sometimes I feel like there are two of me. One who is a good hija. She helps Mom cook. She does what she’s told. She gets perfect grades. She is going to be a nurse just like Mom. I think of the picture of me in my white First Communion dress. The other me is bold and queer. He has hair dyed red. He wraps himself in a trans flag. He doesn’t care what his family thinks. I don’t know who I am sometimes between the two of me or what it would look like for those two mes to come together.
Robin Gow
She has dyed red hair, but from the roots I imagine it’s naturally dark. Her skin is pale and her eyes are a light hazel. She’s pretty in a really emo sort of way.
Suzanne Young (The Program (The Program, #1))
Luce eased the motorcycle to a stop in front of the lake house. She was in love. With the bike: It was a gold 1986 Honda Shadow, and it was beautiful. Her classmate mad Rachel Allison, with her dyed-red hair and immaculate French, had grown up and still lived just a few miles north of their school, Dover Prep. So whenever Rachel’s parents left town, most of their class—the in crowd, at least—turned out for the inevitable party. This was Luce’s first time.
Lauren Kate (Angels in the Dark (Fallen, #4.5))
I had awoken my strength. I would not endure humiliation at Albert’s hands again, whether personal or professional. If Albert didn’t appreciate the meek helpmate I had become in our latter years together—the failed physicist from whom he could pilfer ideas at will and the wife bendable at his beckoning—he positively loathed the return of the old Mileva in Berlin. And that was precisely who would greet him at the door when he returned from his cowardly flight to his lover, Elsa. The very thought of Elsa—all perfumed and dyed blond hair, exactly the sort of idle, pampered, bourgeois woman about which Albert used to complain—sickened me. Less because she had “stolen” Albert from me and more because of her perfidy. “Please, Mrs. Einstein, allow me to help you,” Elsa had said with an obsequious smile when the boys and I went to Berlin alone in the days after Christmas to find an apartment. Albert had sent her over to the hotel to “assist” us without my foreknowledge. Staring at the ruby-red smile painted upon her lips, I couldn’t speak. Her audacity coming here, seeking out the woman she’d betrayed, silenced me. Elsa, as she insisted we call her, continued regardless.
Marie Benedict (The Other Einstein)
A little humpbacked man with a waxen face, his cadaverous skin covered in black blotches, crossed himself and kissed the black fingertips of his emaciated hand, while a group of nodding bishops dressed in red, wiping the sweat from their chins with kerchiefs embroidered with yellow mitres, walked past him through Saint Peter's Square. His eyelids and eyelashes were painted black with mascara, his eyes were yellowish and blood-spotted, his sparse hair was dyed black, his moustache flecked with gray. Wheezing, he pulled his mouth open and closed and grasped his throat with a hand covered in golden rings.
Josef Winkler (Natura morta)
I’d thought she’d nixed the MAGA cap because it wasn’t funny. Turned out she didn’t want Todd stealing her thunder. She had dyed her hair the colour of listeria and she was wearing a terrible blue trouser suit and a long red paper-clipped tie. She’d bound her breasts and added a fake paunch.
Catriona McPherson (Scot & Soda (A Last Ditch Mystery #2))
She always thought that Jacob looked like a fox, with his dyed red hair and sharp features. But tonight, there was an animalistic hunger in his face that repulsed her.
Wan Phing Lim (Two Figures in a Car and Other Stories)