Dyed Hair Quotes

Yeah, well, you clearly also couldn't be bothered to call me and tell me you were shacking up with some dyed-blond wanna-be goth you probably met at Pandemonium. After I spent the past three days wondering if you were dead." "I was not shacking up," Clary said, glad of the darkness as the blood rushed to her face. "And my hair is naturally blond," said Jace. "Just for the record." Simon, Clary, and Jace, pg. 115

What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.

Does your ma know you're this silly?" she demanded tartly. He nodded, comically sad. "The few gray hairs she has on her head are my doing. But" — with an exaggerated change of mood — "I send her plenty of money, so she can pay to have them dyed!" "I hope she beat you as a child," Onua grumbled.

You might think being the target of an international terrorist organization, an amnesiac, and a girl with hair dyed in the middle of the night by Macey McHenry would make people stare at you. Well, try walking into the Grand Hall with seriously puffy eyes while holding hands. With a boy.

There's a reason why forty, fifty, and sixty don't look the way they used to, and it's not because of feminism, or better living through exercise. It's because of hair dye. In the 1950's only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.

He knew her now. She was the weird girl in the class above him, who dyed her hair pink and always wore a lot of pentragrams and crystals. Right now she was also wearing giant chandelier earings and a violent pink T-Shirt that bore the words ROMEO AND JULIET WOULDN'T HAVE LASTED.

People changed lots of other personal things all the time. They dyed their hair and dieted themselves to near death. They took steroids to build muscles and got breast implants and nose jobs so they'd resemble their favorite movie stars. They changed names and majors and jobs and husbands and wives. They changed religions and political parties. They moved across the country or the world — even changed nationalities. Why was gender the one sacred thing we weren’t supposed to change? Who made that rule?

Runaways are romantic. The girls are waiflike with dyed ratty hair and baggy pants. They usually own a stray dog of the mutt variety and drag it along by a rope, plopping down in front of storefronts to beg for money from passersby. They're a mess. It is likely they'll charm you, make you think you're their best friend and savior only to end up using you and then they'll disappear. That's why they're romantic. They're there and then they're gone. Romance is always about people appearing in a flash out of nothing or people who are there and then suddenly are not. A magic trick.

You were always saying you were gonna shoot him," he mutters, but it's kind of half-hearted. "Stupid fucking little tit, he needs a bullet in his head. What do you keep him round for, anyway?" Because he makes me laugh. Because, fuck knows why, he adores me. Because he needs somebody to look after him and nobody else knows how. Because everything about us is wrong and I never ever want to be right. Because I wake up in the morning and see him sleeping next to me with his stupid dyed hair and his stupid painted nails and his stupid toy monkey and I remember I love him so much I don't know what to do, I love him I love him I LOVE HIM.

Beside me, Molly rolled her shoulders in a few jerky motions and pushed at her hair in fitful little gestures. She tugged at her well-tattered skirts, and grimaced at her boots. "Can you see if there’s any mud on them?" I paused to consider her for a second. Then I said, "You have two tattoos showing right now, and you probably used a fake ID to get them. Your piercings would set off any metal detector worth the name, and you’re featuring them in parts of your anatomy your parents wish you didn’t yet realize you had. You’re dressed like Frankenhooker, and your hair has been dyed colors I previously thought existed only in cotton candy.” I turned to face the door again. “I wouldn’t waste time worrying about a little mud on the boots.

Beside me, Dean squints at the gazebo to get a better look. “Naah, that’s not her. Your freshman is a brunette. And she doesn’t have legs that go on and on and—fuck, those legs are hot. ’Scuse me, I think I’ll go over there and introduce myself.” I grab his arm before he can take another step. “It’s Grace, dumbass. She obviously dyed her hair. And if you looked at her face and not her legs, you’d see it.

Both the five-year-olds looked at me with bewilderment and a bit of fearful uncertainty. I had a sudden horrifying image of the woman I might become if I'm not careful: Crazy Aunt Liz. The divorcee in the muumuu with the dyed orange hair who doesn't eat dairy but smokes menthols, who's always just coming back from her astrology cruise or breaking up with her aroma-therapist boyfriend, who reads the Tarot cards of kindergarteners and says things like, "Bring Aunty Liz another wine cooler, baby, and I'll let you wear my mood ring...

Her name is Denise, and she has green eyes and red hair. Well, this week. Last week her hair was dyed blonde, and she had blue eyes. Or maybe that was a different woman. I don’t know. All I know is that she is my soul mate.

Nellie Gomez awoke to a splitting headache. Worse, she was still hungry. "Where's my croissant?" she demanded of the person leaning over her. "Dear child," came a strangely familiar voice. "Don't 'dear child' me!" she snapped. The twenty-two-year-old punk rocker ran black-polished fingernails through black-and-orange-dyed hair, which did nothing to soothe the pounding behind her black-shaded eyes. "Give me my croissant or I'll–" It was then that she suddenly realized she was threatening the venerable Alistair Oh. "Alistair, what are you doing here?

Neil had dyed his hair brown from time to time, but never this shade, never anywhere near this shade. This was his natural color, and those were his real eyes, and this was his father's face. The bandages and bruises weren't enough to disguise the man he'd seen in the mirror. Neil thought he'd throw up but he was too weak to manage it.

She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light...

All I know is that you cut off all of my hair and dyed it who-knows-what-color, and you used your pee to do it.

The youth of the present day are quite monstrous. They have absolutely no respect for dyed hair.

He had black hair anybody could see was dyed, and even had one long piece wrapped around his head in that way some men did to fool no one into believing they weren't bald. I resisted a sudden strong urge to tug away that piece and scream peekaboo! at his bare crown underneath.

Yes, Mom, I know that I'll never find anybody who loves me with blue hair. That's why I dyed it pink.

I'm against solutions that are worse than the problem. Like old women who want their hair dyed the color of shoe polish to hide the gray.

But then I realized, they weren't calling out for their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers, purgers, women smiling into mirrors, women in girdles, women on barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in in for me? Not the women watching TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying lonliness is the human condition, get used to it. The wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough for us to hid in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.

I tuck a strand of my dyed blonde hair behind my ear. It’s waist-length and has a habit of being everywhere all the time. Like right now. I am pretty much swaddled in it. I empathize greatly with Rapunzel. She had it rough.

Well, every girl with half a brain knows there’s only one thing to do when you break up with your man—” “No, we didn’t break up—” Luce said, at the exact same time as Shelby said: “Change your hair.” “Change my hair?” “Fresh start,” Shelby said. “I’ve dyed mine orange, chopped it off. Hell, once I even shaved it after this jerk really broke my heart.

Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head. Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?

I used to have pink hair," I told Seven. "I used to have a real job," he answered. "What happened?" He shrugged. "I dyed my hair pink. What happened to you?

little mother of ancient days: Thou hast cunningly dyed thy hair but consider That thy bent back will never be straight!

The uncle and cousin seem nice, but the aunt is a bit of a shock. Whith her hair dyed bright red, she looks like Ronald McDonald's post-menopausal sister. Who has let herself go.

What poor substitutes for real diversity are the wild rainbows of dyed hair and other external differences that tell the observer nothing about what is inside.

Don't run down dyed hair and painted faces. There is an extraordinary charm in them, sometimes.

The Priestess Her skin was pale, and her eyes were dark, and her hair was dyed black. She went on a daytime talk show and proclaimed herself a vampire queen. She showed the cameras her dentally crafted fangs, and brought on ex-lovers who, in various stages of embarrassment, admitted that she had drawn their blood, and that she drank it. "You can be seen in a mirror, though?" asked the talk show hostess. She was the richest woman in America, and had got that way by bringing the freaks and the hurt and the lost out in front of her cameras and showing their pain to the world. The studio audience laughed. The woman seemed slightly affronted. "Yes. Contrary to what people may think, vampires can be seen in mirrors and on television cameras." "Well, that's one thing you finally got right, honey," said the hostess of the daytime talk show. But she put her hand over her microphone as she said it, and it was never broadcast.

You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion—some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet.

If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.

As a matter of fact I'd had my hair dyed a marvelous shade of pale red so popular with Parisian tarts that season.

I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand.

The pattern glitters with cruelty. The blue beads are colored with fish blood, the reds with powdered heart. The beads collect in borders of mercy. The yellows are dyed with the ocher of silence. There is no telling which twin will fall asleep first, allowing the other's colors to dominate, for how long. The design grows, the overlay deepens. The beaders have no other order at the heart of their being. Do you know that the beads are sewn onto the fabric of the earth with endless strands of human muscle, human sinew, human hair? We are as crucial to this making as other animals. No more and no less important than the deer.

The boys laughed and peered in the direction of the girl with Kitty Wells dyed black hair.

Eric lifted the long lock of hair that he dyed a different vibrant color every forty-nine days without fail and stared at it. His memory had served him correctly. It was currently cobalt blue—the exact same shade as the under-layer of her hair. What were the chances? It had to be kismet. Destiny. Fate. Providence. All of the above... She’d said her name was Rebekah. That was Eric’s favorite name. At least, now it was.

We are young,beautiful scum,pissed off with the world…We are the suicide of the non-generation.We are as far away from anything in the 80s as possible, e.g. 80s' pop automation, the long running saga of the whimsical pop essay and the intrinsic musical sculptures of post-modernism…We are the only young kids in UK Channel Boredom to realise the future is in tight trousers, dyed hair and NOT the baggy loose attitude scum fuck retard zerodom of Madchester

Are Dex, Biana, Stina, and Wylie getting makeovers too?” Sophie asked, hoping Dex would show up with his hair dyed black and styled all shaggy—because Emo Dex would be hilarious—and that Stina would end up with giant hair-sprayed bangs.

What’s up with your hair?’ I ask. ‘Aren’t you worried you’ll be spotted by angels flying above with all that blue?’ ‘War paint,’ says Dee, fastening his seatbelt. ‘Except it’s in our hair instead of on our faces,’ says Dum, starting the engine. ‘Because we’re original like that.’ ‘Besides, are poisonous frogs worried about being spotted by birds?’ asks Dee. ‘Are poisonous snakes? They all have bright markings.’ ‘You’re a poisonous frog now?’ I ask. ‘Ribbit.’ He turns and flicks out his tongue at me. It’s blue. My eyes widen. ‘You dyed your tongue too?’ Dee smiles. ‘Nah. It’s just Gatorade.’ He lifts up a bottle half-full of blue liquid. ‘Gotcha.’ He winks. ‘“Hydrate or Die,” man,’ says Dum as we turn onto El Camino Real. ‘That’s not Gatorade’s marketing,’ says Dee. ‘It’s for some other brand.’ ‘Never thought I’d say this,’ says Dum, ‘but I actually miss ads. You know, like “Just Do It.” I never realized how much of life’s good advice came from ads. What we really need now is for some industrious soul to put out a product and give us a really excellent saying to go with it. Like “Kill ’Em All and Let God Sort ’Em Out.”’ ‘That’s not an advertising jingle,’ I say. ‘Only because it wasn’t good advice back in the day,’ says Dum. ‘Might be good advice now. Attach a product to it, and we could get rich.

Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?

Libby's hair was dyed again--not one color, but dozens. I thought about what she'd said about her ninth birthday. About the cupcakes my mom had baked for her, and the rainbow colors she'd clipped into her hair, and I wondered how much of her life Libby had spent trying to get that one perfect moment back.

Cotton says he’s been in the race for two and a half months. Enough time to cover the jungle, desert, and ocean, and arrive safely at base camp. But then why, when I inspect his dyed black hair, don’t I see blond roots that reflect that same story? It’s something I’ve thought before but never really dwelled on.

One Easter, when she heard the priest say He is risen, she found herself standing up from the pew and walking out the cathedral door. She left the order, dyed her hair pink, and hiked the Appalachian Trail. It was somewhere on the Presidential Range that Jesus appeared to her in a vision, and told her there were many souls to feed.

anlattıkça için boş kalır. Ne kadar üretkensen o kadar yok olduğunu anlamıyor musun

Nico’s hair was combed straight up, stiff with mousse, the tips dyed the color of traffic cones.

I do not dye my hair black so as to be young again and sin again but because people dye their clothes black in mourning, so I have dyed my hair black, mourning for my old age.

She had a daisy in her hair, but it had been dyed red to match her lipstick. Her

the Britons that Julius Caesar saw were to him primitive exotics with long hair, dyed bodies, and living in a society of shared wives.

My grandmother once spent an entire dinner asking me if I had dyed my hair blue because I was a lesbian. And she was very hard of hearing.

a rugby player with dyed-pink hair, the first vegetarian and lesbian I ever met—who’d overseen my coming-out like a benevolent gay goddess.

She had blonde hair like spaghetti noodles, and then she went and dyed it marinara. But I loved her like I enjoy all-you-can-eat pasta buffets.

There aren't many white people around here, just us kids. Seventeen, eighteen years old and flushed with freedom, we don't care about fitting or blending in. We all speak loudly without saying a word. we are a tribe with our dyed hair and rags and big boots and we believe ourselves impervious to everything. The local folks must think we're crazy or lazy or both.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Crash took a long drag off his cigarette and gave me a smug little smile. He always looked smug. His hair was dyed Kool-Aid green. Maybe that's what he was looking smug about today, despite the fact that it clashed with his olive drab army duster. Or maybe he knew my ass stung with every step I took- either because he was an empath who hot "feelings" about what everyone was experiencing, or because he'd taken it up the ass from Jacob himself. Crash's smirk widened and I looked away. One day I'd probably slap him. And then I'd regret it, because he was probably into stuff like that.

I guess I should explain. I'm not exactly your typical sixteen-year-old girl. Oh, I seem normal enough, I guess. I don't do drugs, or drink, or smoke-well, okay, except for that one time Sleepy caught me. I don't have anything pierced, except my ears, and only once on each earlobe. I don't have any tattoos. I've never dyed my hair. Except for my boots and leather jacket, I don't wear an excessive amount of black. I don't even wear dark fingernail polish. All in all, I am a pretty normal, everyday, American teenage girl. Except, of course, for the fact that I can talk to the dead.

When his hair wasn’t done, his strands of dyed-golden hair reached below his shoulders along the right side of his head and on his back, like a balding Allman Brother or strung out old ’60s hippie.

I saw my face, framed by my new pink hair. I’d dyed it myself and the change was still a shock to me. I don’t even know why I’d done it. Maybe I just wanted some color in my stupid, boring gray life.

She looked like a hippie who’d been kicked to the side of the road maybe forty years ago, where she’d been collecting trash and rags ever since. She wore a dress made of tie-dyed cloth, ripped-up quilts, and plastic grocery bags. Her frizzy mop of hair was gray-brown, like root-beer foam, tied back with a peace-sign headband. Warts and moles covered her face. When she smiled, she showed exactly three teeth.

And, leaning over sideways to look, Comrade Snarky says, “My eyes are green, not brown, and my hair is naturally this color auburn.” She watches as he writes green, then says, “And I have a little red rose tattooed on my butt cheek.” Her eyes settle on the silver tape recorder peeking out of his shirt pocket, the little-mesh microphone of it, and she says, “Don't write dyed hair. Women either lift or tint the color of their hair.

Her name is Lilliana Atwater. Mid-twenties, dyed red hair, was last seen in a yellow raincoat. Any reports or injuries or anything in your neck of the woods?” “Nope,” Joy said, “can’t say that it rings a bell. Have you tried Springton?” Gee, no, I didn’t try the town NEXT to Tarker’s Hollow. Black, Tasha (2014-12-22). Fate of the Alpha: Episode 1: A Tarker's Hollow Serial (Kindle Locations 1666-1668). 13th Story Press. Kindle Edition.

I sat on a bench and my mother stood in front of me, looking down the track. Her hair was cut short, and because it had all turned gray when she was twenty-three, she always had it dyed a deep chestnut brown. It was that color all over except for a super thin stripe at the top of her head, where the gray showed through. Sometimes I wanted to touch that place on my mother's head, that thin crack where her real self had forced its way through.

There are two choices post forty-five: letting ourselves go or making ourselves sit like good, well-groomed, obliging pets, coats smooth and wrinkle-free, stomachs flat, muscles taut, teeth clean, hair dyed, nails manicured—everything just so. The thing is, though, not only is this completely unnatural, requiring warehouses full of self-control and perseverance, but it demands a level of discomfort you have to be willing to live with ’til death by lap band or liposuction.

There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting. There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.

She was born for oceanside bonfires, long gauzy dresses and uncombed hair, the scent of salt like a blanket you can’t peel off your skin. She was born for the smell of water, for the way it sank into your bones, stained your skin, dyed your blood a deep, salty blue.

Her hair, which had been a bland and forgettable colour before, had been dyed a deep, blood red, the furious set to her features letting me know that it was a promise of its own, to see the blood of her enemies spilled in payment for the losses she’d suffered in that battle. It suited her, the colour matching with the fire which burned unwaveringly within her soul, bright and brutal and wholly her. “I do,” I agreed. “Then I am coming with you. My Maxy boy awaits me, and I shall bay for vengeance on behalf of my dear Daddy while ripping the throats from our enemies as we retrieve him.

He was tall like a basketball player, and superthin. His hair had been dyed shoe-polish black, and he had dark circles under his eyes. He wore mismatched earrings and, judging by the splotches along his jawline, he also wore makeup. Very bad makeup. Even by New York subway standards he was weird.

Mrs. Duggan is settled deep into her armchair, overflowing onto the arms. She’s wearing a purple dress and battered fleece slippers; her hair, dyed a shiny black, is pulled back in a tight bun. She has the air of something geological, like the house was built around her because no one was willing to move her.

Outside, on a February afternoon, a middle-aged blonde clatters by, pulling her coat tighter around her. ‘Ooh, isn’t it cold?’ she says, to no one in particular. There is a faintly Russian look to her dyed hair, with the roots showing black at the parting, and for a moment I wonder whether the Russians ever tried to infiltrate the Met Office, which is still classified as part of the country’s defence system. But she cannot be Russian: no true Russian would think it worth saying it was cold in February. It’s how things are in Russia in winter. No, the capacity for infinite surprise at the weather is distinctly English.

Your hair!” Della gasped, rushing to where Fitz sat at the table. His usual dark waves had been dyed green, and they stuck out in every direction. “Someone slipped an elixir into my shampoo this morning,” Fitz said, patting the spikes and eyeing Dex. “But it’s cool. I kind of like it.” Dex snorted. “Keep telling yourself that.

My grandfather was having a bad day. Most of us were gathered in the library when he came down the stairs, his mustache and eyebrows freshly dyed and his wig askew but impeccably dressed in his three-piece suit. The hair color and wig were recent innovations. My grandfather had always been vain about his appearance and bemoaned his receding hairline. Now his full head of hair gave him a slightly shaggy appearance. Nobody said much about the wig, but the hair dye caused considerable consternation in the family, especially when we were going out in public. My grandfather often left the cheap drugstore dye on too long, turning his eyebrows and mustache a jarring shade of magenta.

It would be Olivia who wouldn’t come home one night. Alice couldn’t stop being surprised at the transformation of Olivia from sweet, angelic little girl to surly, furious, secretive teenager. She’d dyed her beautiful blond curls black and pulled her hair dead straight, so she looked like Morticia from The Addams Family. “Who?” Olivia had sneered. You couldn’t talk to her. Anything you said was likely to give offense. The slamming of her bedroom door reverberated throughout the house on a regular basis. “I hate my life!” she would scream, and Alice would be researching teenage suicide on the Net, when next thing she’d hear her shrieking with laughter with her friends on the phone. Drugs. Teenage pregnancy. Tattoos. It all seemed possible with Olivia.

A young girl, no older than fourteen, her hair dyed green and orange and pink, stared at them as they went by. She sat beside a dog, a mongrel, with a piece of string for a collar and a leash. She looked hungrier than the dog did. The dog yapped at them, then wagged its tail. Shadow gave the girl a dollar bill. She stared at it as if she was not sure what it was. ‘Buy dog food with it,’ Shadow suggested. She nodded, and smiled.

The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.

If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant.

wrapped-in-cloth kind, but a human female body shriveled to a husk. She wore a tie-dyed sundress, lots of beaded necklaces, and a headband over long black hair. The skin of her face was thin and leathery over her skull, and her eyes were glassy white slits, as if the real eyes had been replaced by marbles; she’d been dead a long, long time. Looking at her sent chills up my back. And that was before she sat up on her stool and opened her mouth. A green mist poured from the mummy’s mouth, coiling over the floor in thick tendrils, hissing like twenty thousand snakes. I stumbled over myself trying to get to the trapdoor, but it slammed shut. Inside my head, I heard a voice, slithering into one ear and coiling around my brain: I am the spirit of Delphi, speaker of the prophecies of Phoebus Apollo, slayer of the mighty Python. Approach, seeker, and ask. I wanted to say, No thanks, wrong door, just looking for the bathroom. But I forced myself to take a deep breath. The mummy wasn’t alive. She

Here’s this woman, must be sixty fuckin years old—my age!—and her hair’s dyed just as red as a whore’s stoplight, tits saggin just about down to her belly button on account of she ain’t wearin no brassy-ear, big varycoarse veins all up and down her legs so they look like a couple of goddam roadmaps, the jools drippin off her neck and arms an hangin out her ears. And she’s got this kid with her, he can’t be no more than seventeen, with hair down to his asshole and his crotch bulgin like he stuffed it up with the funnypages. So

I had this dream, see, where I saw the whole world melt. I was standing on La Cienega and from there I could see the whole world and it was melting and it was just so strong and realistic like. And so I thought, Well, if this dream comes true, how can I stop it, you know? How can I change things, you know? So I thought if I, like pierced my ear or something, like alter my physical image, dye my hair, the world wouldn't melt. So I dyed my hair and this pink lasts. I like it. It lasts. I don't feel like the world is gonna melt anymore.

The 27th came into the army without any physical examinations whatever; the mustering officer, an overworked major of regulars, simply looked each company over, man by man, before accepting them, and many physical defects were carefully concealed. Men with gray beards shaved clean in order to look younger, or dyed their hair; hollow-chested men stuffed clothing inside their shirts; recruits with crooked arms held them tightly against their sides so the defect would not be noticed; others who lacked fingers held their fists clenched. Underage boys would write “18” on a slip of paper and put it inside a shoe; then, when asked if they weren’t pretty young, they could truthfully say, “I’m over 18.

Your hair! You cut it all off!” She pulled off her own hood as she crossed the distance between them. Indeed, the long silver-white hair was now cropped short. It made him look younger, made his tattoo stand out more, and … fine, it made him more handsome, too. Or maybe that was just her missing him. “Since you seemed to think that we would be doing a good amount of fighting here, shorter hair is more useful. Though I can’t say that your hair might be considered the same. You might as well have dyed it blue.” “Hush. Your hair was so pretty. I was hoping you’d let me braid it one day. I suppose I’ll have to buy a pony instead.” She cocked her head. “When you shift, will your hawk form be plucked, then?” His nostrils flared, and she clamped her lips together to keep from laughing.

Beyond doubt, I am a splendid fellow. In the autumn, winter and spring, I execute the duties of a student of divinity; in the summer I disguise myself in my skin and become a lifeguard. My slightly narrow and gingerly hirsute but not necessarily unmanly chest becomes brown. My smooth back turns the colour of caramel, which, in conjunction with the whipped cream of my white pith helmet, gives me, some of my teenage satellites assure me, a delightfully edible appearance. My legs, which I myself can study, cocked as they are before me while I repose on my elevated wooden throne, are dyed a lustreless maple walnut that accentuates their articulate strength. Correspondingly, the hairs of my body are bleached blond, so that my legs have the pointed elegance of, within the flower, umber anthers dusted with pollen.

Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?

I try to catch my breath and calm myself down, but it isn’t easy. I was dead. I was dead, and then I wasn’t, and why? Because of Peter? Peter? I stare at him. He still looks so innocent, despite all that he has done to prove that he is not. His hair lies smooth against his head, shiny and dark, like we didn’t just run for a mile at full speed. His round eyes scan the stairwell and then rest on my face. “What?” he says. “Why are you looking at me like that?” “How did you do it?” I say. “It wasn’t that hard,” he says. “I dyed a paralytic serum purple and switched it out with the death serum. Replaced the wire that was supposed to ready your heartbeat with a dead one. The bit with the heart monitor was harder; I had to get some Erudite help with a remote and stuff--you wouldn’t understand it if I explained it to you.” “Why did you do it?” I say. “You want me dead. You were willing to do it yourself? What changed?” He presses his lips together and doesn’t look away, not for a long time. Then he opens his mouth, hesitates, and finally says, “I can’t be in anyone’s debt. Okay? The idea that I owed you something made me sick. I would wake up in the middle of the night feeling like I was going to vomit. Indebted to a Stiff? It’s ridiculous. Absolutely ridiculous. And I couldn’t have it.” “What are you talking about? You owed me something?” He rolls his eyes. “The Amity compound. Someone shot me--the bullet was at head level; it would have hit me right between the eyes. And you shoved me out of the way. We were even before that--I almost killed you during initiation, you almost killed me during the attack simulation; we’re square, right? But after that…” “You’re insane,” says Tobias. “That’s not the way the world works…with everyone keeping score.” “It’s not?” Peter raises his eyebrows. “I don’t know what world you live in, but in mine, people only do things for you for one of two reasons. The first is if they want something in return. And the second is if they feel like they owe you something.” “Those aren’t the only reasons people do things for you,” I say. “Sometimes they do them because they love you. Well, maybe not you, but…” Peter snorts. “That’s exactly the kind of garbage I expect a delusional stiff to say.” “I guess we just have to make sure you owe us,” says Tobias. “Or you’ll go running to whoever offers you the best deal.” “Yeah,” Peter says. “That’s pretty much how it is.

Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.

Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.

How marvellous useful it is for a man to represent unto himself meats, and all such things that are for the mouth, under a right apprehension and imagination! as for example: This is the carcass of a fish; this of a bird; and this of a hog. And again more generally; This phalernum, this excellent highly commended wine, is but the bare juice of an ordinary grape. This purple robe, but sheep's hairs, dyed with the blood of a shellfish. So for coitus, it is but the attrition of an ordinary base entrail, and the excretion of a little vile snivel, with a certain kind of convulsion: according to Hippocrates his opinion. How excellent useful are these lively fancies and representations of things, thus penetrating and passing through the objects, to make their true nature known and apparent! This must thou use all thy life long, and upon all occasions: and then especially, when matters are apprehended as of great worth and respect, thy art and care must be to uncover them, and to behold their vileness, and to take away from them all those serious circumstances and expressions, under which they made so grave a show. For outward pomp and appearance is a great juggler; and then especially art thou most in danger to be beguiled by it, when (to a man's thinking) thou most seemest to be employed about matters of moment.

A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?

It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.

What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian.

For a summer of drug abuse on the island of Capri, she packed a wardrobe of black Morticia gowns, dyed her hair green, and paraded through the village streets with a crystal ball, followed by a retainer in gold body paint.

When the image of her comes up on a sudden—just as my bad demons do—and I see again her dyed henna hair, the eyes dwarfed by the electric lights in the Star Lady Barber Shop, and the dear, broken wing of her mouth, and when I regard her wild tatters, I know that not even Solomon in his lilied raiment was so glorious as my mother in her rags. Selah.

There is nothing original about you. From your dyed hair to the plastic on your fingernails, you are an illusion." “I’m a natural blonde. I can prove it if you’d like.” I raised an eyebrow as his head tilted to the side ever so slightly. If I didn’t know any better, it looked as though he was fighting against a smirk.

It was early in my career, and I had been seeing Mary, a shy, lonely, and physically collapsed young woman, for about three months in weekly psychotherapy, dealing with the ravages of her terrible history of early abuse. One day I opened the door to my waiting room and saw her standing there provocatively, dressed in a miniskirt, her hair dyed flaming red, with a cup of coffee in one hand and a snarl on her face. “You must be Dr. van der Kolk,” she said. “My name is Jane, and I came to warn you not to believe any the lies that Mary has been telling you. Can I come in and tell you about her?” I was stunned but fortunately kept myself from confronting “Jane” and instead heard her out. Over the course of our session I met not only Jane but also a hurt little girl and an angry male adolescent. That was the beginning of a long and productive treatment.

When America Cuts My Daughter’s Hair" every chair in the strip mall salon where she rents a little space of her own reflects a face waiting to make a change. Another mother next to me rips an ad for the full Hollywood wax & here the best graffiti: DON’T DO DRUGS, BE SAD. They’ll grow back, my own mom on the bangs I butchered more than once. Do you think America is pretty? This skinny blonde kid who never really has to ask if she is, asks me as we walk more hot city blocks because by now we’ve chopped the pecans to protect the power lines. I think America is pretty. A pierced Xicana with one side of her own do done in deep brown waves, the other buzzed tight & dyed a bright chemical green. America fits the description & when she’s done holds up her small mirror in the big one turning my girl around so she can see herself. You can call me Erica, she says if you like, but we like America better here.

think. ‘About what?’ I say. She gets all mad and stomps off to the bedroom. Now how in tarnation am I supposed to know she had her hair fixed a different way? I ain’t some faggot hairdresser. If she’d had it shaved off or dyed green, I most likely would have noticed.” Kevin thought this over. “Dahlia’s temperamental, but her hair’s the same.” “She buy a new dress? That can be dangerous.” “Not in a long while. She just kicked me out. Whenever I try to talk to her, her lips get all puckered and there I am on the porch.” “There’s your problem,” Earl said. “No man should be trying to talk to a woman. They’re a whole different breed, all the time wantin’ to know how you feel about things. Buy her a big bottle of cologne at Wal-Mart and tell her you like her hair. Just don’t sound like a faggot, okay? Keep in mind God ain’t married. Now go get that beer.” “You know anything about men?” Dahlia asked her mother-in-law while they took turns dipping into the bowl of popcorn. “I’ve been married to one for over thirty years,” said Eileen. “Far as I can tell, they’re all the same. The only reason they have faces is so we can tell ’em apart. Hardly

Lily’s head fell back with her broken keen filling the air. “Holy shit!” Hal came running flat out, Lily’s cry still reverberating. He skidded to a halt on the slippery deck, his panicked rescue unfortunately bringing him quite near to where Sean and Lily were fused together. As comprehension dawned, embarrassment colored his face a flaming pink blush. Instinctively, Sean shoved Lily behind him, shielding her with his body. He could feel her tremble against him. Were her tremors the aftermath of blazing passion, or were they from horrified mortification? he wondered. He wished he could see her face. “Sorry we gave you a scare, Hal. I, uh, fell into the water. Then somehow, Lily and I got caught up in a water fight to the death. Guess I forgot how ticklish she is.” He coughed. It was a pathetic story, but the best he could do right now. At his words, Hal looked up from his seemingly rapt examination of the deck’s tiles. Although his face was still as pink as Evelyn Roemer’s dyed hair, his lips parted in a smile of relief. “Oh, yeah,” he nodded, more than willing to play along. “Everyone needs a good tickle now and again.” He cleared his throat and loudly said, “Sorry to break up the fun, but you two have probably had enough water sports for one night.” Hal’s gaze moved past Sean. “You okay there, Lily?” Behind Sean, Lily froze. What to say? That she’d been nanoseconds away from a soul-shattering orgasm when Hal came barreling poolside. Bereft of Sean’s intoxicating kisses to drug her senseless, Lily hardly recognized herself. Had she gone mad? Probably. She wondered whether she would ever recover from what was undoubtedly the most intensely erotic experience of her life. Oh, God! Of all the people to have interrupted her and Sean in the pool! Hal Storey was as close to a father as Lily would ever have. He’d always supported her, believed in her. . . “Lily?” “I’m fine, Hal. Just a bit achy.” She cringed, sure Hal would guess that the parts of her that ached and throbbed had nothing to do with swimming.

Everyone used to laugh at him because he was the first one to do it. This was all new to people and it took a bit for everyone to get used to it. Then… yes, you’ve guessed, I too dyed my hair and other people followed suit as well and the punk explosion was about to hit the scene in a big way.

Nikita struck her as one of those tough girls, both in body language and appearance. Her long hair was dyed raven black with one purple strip, and her T-shirt was black as well, with a large skull on the front, a snake dripping out of one eye socket. It was like she wanted to be stereotyped as someone not to be messed with.

As with all great natural beauties, she simultaneously doesn’t feel attractive and frets about losing her looks. She once flew to London and spent two hundred and fifty quid having her hair dyed the same colour as it was when she left.