Duvet Day Quotes

We've searched our database for all the quotes and captions related to Duvet Day. Here they are! All 22 of them:

I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
David Nicholls (Starter for Ten)
She was the child with the flashlight under the duvet late into every night. She would breeze through a book in a day and a half, then read it six more times.
Jane Green (Falling)
Around them, the dawn gently wakes Borg like someone breathing into the ear of someone they love. With sun and promises. Tickling light falls over warm duvets, like the smell of freshly brewed coffee and toasted bread. It shouldn't be doing this. It's the wrong day to be beautiful, but the dawn doesn't care.
Fredrik Backman (Britt-Marie Was Here)
It felt safe under the duvet. The world couldn’t reach Patricia now she was hiding under a thick layer of polyester.
Emily Organ (The Last Day)
Tickling light falls over warm duvets, like the smell of freshly brewed coffee and toasted bread. It shouldn't be doing this. It's the wrong day to be beautiful, but the dawn doesn't care.
Fredrik Backman (Britt-Marie Was Here)
After locking the door firmly behind her, then checking it just to make sure, she placed Sam’s heels by the bed and fell onto a pink duvet.
K.F. Breene (Warrior Fae Trapped (Warrior Fae, #1; Demon Days, Vampire Nights, #7))
Today is one of the days when Ma is Gone. She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head. Silly Penis is standing up, I squish him down. I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's - I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back. I don't have a bath on my own, I just get dressed. There's hours and hours, hundreds of them. Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet.
Emma Donoghue (Room)
Yes, I thought, as I wiggled my toes under the duvet, each of us has in our mouths the incomparable taste of our own lives. We roll it around with our tongues, over and under, above and below. We hold it in or else we spit it out. And sometimes, sometimes we choke on it.
Sarah Bernstein (The Coming Bad Days)
It was colder that winter than I knew cold could be, even though the girl from Minnesota down the hall declared it “nothing.” Out in Oregon, snow had been a gift, a two-day dusting earned by enduring months of gray, dripping sky. But the wind whipping up the Hudson from the city was so vehement that even my bone marrow froze. Every morning, I hunkered under my duvet, unsure of how I’d make it to my 9:00 a.m. Latin class. The clouds spilled endless white and Ev slept in.
Miranda Beverly-Whittemore (Bittersweet)
All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time.
Terry Pratchett (Sourcery (Discworld, #5))
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
He was taller than Kay, which gave him just the geometric extent to wholly wrap her back. He could honestly say that he could not remember ever lying around her, beside her, or intertwined with her in a position that was slightly uncomfortable—that was, in fact, anything short of sumptuous. The earthy tones of his wife’s natural scent hit a descant note of sweetness, and featured the same subtle complexity that Kay savoured in red wine; thus he loved nothing better than nestling a cheek on her shoulder to inhale at the base of her neck, where the heady smell was distilled. She didn’t snore, but she did have an endearing habit of talking as she dreamt, which helped convey that the shifting and realigning of their bodies during the night were a form of conversation. Their sleep was best in winter and constituted the most winning aspect of the season (in comparison, sod Christmas), when they lowered the thermostat to 12°C and doubled the duvets, the air sharp and fresh in their lungs, their bodies in due course so indolently warm that it felt almost criminal. An instep cooled outside the duvet would slip bracingly against his calf; a hand warmed under the pillow would cup the side of his neck, making him feel not only safe and beloved, but more profoundly and perfectly present in the single beating moments of his life than he ever felt during the day.
Lionel Shriver (Should We Stay or Should We Go)
As he drove on, the sense that they were not on the same page –that they needed different things at this crucial time –entered the car like a discomfiting presence. He’d thought –he’d felt –that yesterday morning had been their proper leavetaking, and that this trip to the airport was just . . . a postscript, almost. Yesterday morning had been so right. They’d finally worked their way to the bottom of their ‘To Do’list. His bag was already packed. Bea had the day off work, they’d slept like logs, they’d woken up to brilliant sunshine warming the yellow duvet of their bed. Joshua the cat had been lying in a comical pose at their feet; they’d nudged him off and made love, without speaking, slowly and with great tenderness.
Michel Faber (The Book of Strange New Things)
I spent more time than was strictly necessary in the plush red corridors of the Hotel Metropole in Hanoi. For some reason, I had convinced myself that I needed to see the inside of suite 228, which was otherwise referred to in the voluminous hotel literature as "the Graham Greene Suite." Greene, whom I had been mildly fixated on for some time, had stayed there during the fifties. I was staying next door in suite 226, and after several days of wondering how I was going to get into his room, I noticed the maid's cart outside. When she finally ducked out to refill her stash of aloe shampoo and little almond soaps, I slipped through the half-opened door. Inside was a bare mahogany desk, a brass lamp, a king-size bed with a modern, striped duvet, and several spindly French sofas, also striped. I couldn't help feeling vastly let down. The setting was devoid of both Greene's seediness - he later regretted popularising the word "seedy" - and his elegance, which should not, of course, have come as a surprise. The Metropole was gutted after the war and rebuilt. And even if it hadn't been, I knew from experience that this sort of literary pilgrimage is always anticlimactic: the writer is dead and what remains of him is in his books.
Katie Roiphe (In Praise of Messy Lives: Essays)
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
And you – you get to swan off every day to your precious little studio, and make your pretty little necklaces with your lovely daddy at the end of the fucking line ready to bail you out every time you go into the red and your lovely little mortgage-free apartment and – and your youth and you have no idea, you literally have no idea about anything, Rachel. You’re a fucking child.’ Michael ripped the duvet away from himself and stalked to the bathroom.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
lol I can sleep, i've never had a problem with it. I just never got much. These days if i'm not awake doing something, i'll stay in bed from night til night and have no problems with hiding under the duvet. That's what worries me. It comes to the point sometimes that I don't know what i worry more about when going to sleep - my dreams? my dreams that are nightmares, or the real fact that it doesn't matter if my eyes are closed or open, i'm still living the same thing. Pretty fecking depressing if you ask me lol So I tend to stay awake the longest I can so that when I fall asleep i'm too tired to say or do much that I just sleep and don't think.
Ellie Williams
Spooning (2021) I realise there are much bigger hardships in lockdown but right now I really miss naked spooning. i want to spoon you and watch Star Wars tonight today has been a long day that’s how the saying goes i do not want to talk i do not want us wearing clothes i want to be the front spoon lamp off; duvet up yoda and a spaceship race some kisses on the nubbin at the bottom of your neck your crotch nudging my buttocks with that hint of maybe sex warm semi on my backbone arm loped across my chest i want a second chance for Anakin that mask still makes me weep i want a fondle of at least one breast then, silently to sleep
Hollie McNish
This is how you get out of bed the next day. You push off your duvet, rotate your body, put your feet on the floor and stand up. Then it’s have a wee, have a bath, get dressed, go downstairs, eat breakfast, talk to your boss, practise your forma, eat lunch, smack the shit out of the punchbag at the gym, shower, get dressed, get in the Ford Asbo and head into town to make sure that your face is being seen. You do this because it is your job, because it’s necessary and because, if you’re honest, you love it. Repeat this process until the bad dreams stop or you just get used to them – whichever comes first.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
I dragged my duvet out to watch the sun rise. I curled up in my new garden chair staring at the trees and the birds and the sky, and I nudged that sorrow into gratitude that I was here, and not there any more, and that today was a new day, rich with endless possibilities as beautiful and magnificent as this new dawn.
Beth Moran (Just the Way You Are)
HOUSEHOLD MAINTENANCE I’ve written the following list to help you with the maintenance tasks that will have the most impact on the longevity of your belongings. Every day Act fast to clean up spills on furniture or clothing. Update software as needed to avoid getting hacked. Every week Vacuum, dust, and clean the house and furniture. Condition regularly worn shoes. Clean clothes as necessary. Clean out the dishwasher filter. Every month Descale the coffee maker (see this page). Condition regularly used leather bags and shoes worn less often. Fix any garments in the mending pile. Every three months Oil wood cutting boards and spoons. Put frozen vinegar cubes in the garbage disposal. Check the smoke alarms. Check the water softener (if you have one). Every six months Deep clean the house. Turn and vacuum the mattress. Launder the pillows and duvet. Polish wood furniture. Deep clean the fridge. Clean the refrigerator coils. Put petroleum jelly on the fridge seals. Run the cleaning cycle of the dishwasher and washing machine. Inspect the gutters. Every year Take stock of the items in your life (see Chapter 8). Have any leather jackets professionally cleaned. Get the knives sharpened. Clean the filter in the kitchen hood fan. Check the grouting around the tiles in the kitchen and bathroom. Flush the hot-water system and have the boiler serviced. Inspect the roof and exterior of your home (best done in spring/summer). Fix any loose fixings or screws. Clean and consider repainting/resealing the exterior woodwork. Every two years Have a professional deep clean of your upholstery and carpets.
Tara Button (A Life Less Throwaway: The Lost Art of Buying for Life)
It’s sad when the things you continue to do make people question whether you have dementia. They’re not inside my brain to hear or see the hallucinations. Would it make them feel better to see me on a foggy day, the type where I curl up under my duvet and hide away from the world? Would that make the disease fit better into the pigeonhole they’ve allocated it?
Wendy Mitchell (Somebody I Used to Know)