Dusky Skin Quotes

We've searched our database for all the quotes and captions related to Dusky Skin. Here they are! All 31 of them:

Trevor cupped his hands around it, felt Zach's heartbeat throbbing between his palms. The skin of the shaft was textured, slightly rippled beneath the surface. The head was as smooth as satin, as rose petals. Trevor rubbed his thumb across it, squeezed gently, heard Zack suck air in through his teeth and moan as he let it out. He could see blood suffusing the tissue just beneath the translucent skin, a deep dusky rose delicately purpled at the edges, crowned with a single dewy pearl of come. It was as intimate, as raw as holding someone's heart in his hands.
Poppy Z. Brite (Drawing Blood)
The poor wretch, she had given up so much and could yet smile at her trouble. He himself had never surrendered to anything in life - that was what life demanded of you - surrender. For reward it gave you love, this swarthy, skin-deep love that exacted remorseless penalties.
A.E. Coppard (Dusky Ruth and Other Stories)
I could not help staring back, for they made quite a contrast: Kate's pale skin and elegant purple suit, Nadira's dusky skin and exotic fiery sari. "Do we clash?" Nadira said dryly. "We certainly do," said Kate. "Would you like me to move?" "Don't trouble yourself.
Kenneth Oppel (Skybreaker (Matt Cruse, #2))
After decades of talented race leaders, many of whom fell upon honourable swords, what we are left with now is educated liberals with dusky skin, warped notions, and limited vision
A. H. Septimius
He liked the way darker color flooded her cheeks, turning that beautiful brown skin a dusky rose.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Little by little, his eyes warmed into that dusky shade of brown she'd come to miss. A shadow traced the outline of his body, from the curve in his neck to the powerful slope of his shoulders. As his glimmering blue aura faded, his hair blackened, and his skin, bronzed from years of training under the sun, glowed with life. She had no idea what came over her- impulse or instinct- but she reached for Shang's hand. He looked surprised, and for an instant she wondered whether it was because he could feel her touch, or because she had reached for him. Maybe both. Shang's stance loosened, and he drew her close, not letting go of her hand. "I told you once you were the craziest man I'd ever met. I guess I have to change that to the craziest woman." Mulan laughed. "You're delaying us from leaving Diyu to tell me that?" "And that Ping was right about his sister." Now Mulan lifted her chin, curious. "Why is that?" "She's strong and kind and beautiful and brave...." "And also speaks her mind," Mulan reminded him. "... Honest, in the way that counts most." "And she occasionally disobeys orders," Mulan warned him, "even from her commanding officer." "... She has discerning judgment." Mulan smiled. Tentatively, she reached for a wisp of hair that clung to Shang's temple. She brushed it aside gently, and Shang caught her hand in his and brought it to his chest. Mulan's skin tingled. "I'll never meet another girl like her," he said. "Now that the war is over, I'd be a fool to let her out of my sight.
Elizabeth Lim (Reflection)
I can’t even see your face.” A strange chill still curled off of him like smoke and even though the glass garden was teeming with little lights, shades veiled him. “Is that what you want?” he said. “Would it make you trust me?” “It would be a start.” “You are impossible to please.” I said nothing. Amar leaned forward, and I felt the silken trails of his hood brush across my neck. My breath constricted. “Is that what you want? An unguarded gaze can spill a thousand secrets.” “I would know them anyway,” I said evenly. I waited for him to dissuade me, but when he remained silent, I reached out. Amar stood still, lean muscles tensed beneath his clothes. I could hear his breathing, see his chest rising and falling, smell that particular scent of mint and smoke that hung around him. Slowly, I untied the ends of the dove-gray hood. Small pearls snagged against the silk of his covering. Suddenly, his hands reached around my wrist. “I trust you,” he said. The hood fell to the ground, a mere rustle of silk against glass. I lifted my gaze, searching Amar’s face. He was young, and yet there was something worn about his features. I took in the stern line of his nose and the smooth expanse of tawny skin. His features possessed a lethal kind of elegance, like a predator at rest--bronzed jaw tapering to a knife’s point, lips curled in the faintest of grins and heavy brows casting dusky shadows over his eyes. When I looked at him, something stirred inside me. It felt like recognition sifted through dreams; like the moment before waking--when sleep blurred the true world, when beasts with sharp teeth and beautiful, winged things flew along the edges of your mind. Amar met my gaze and his eyes were raw. Burning. “Well?” he asked. There was no rebuke in his voice, only curiosity. “I see no secrets in your gaze,” I said. I see only night and smoke, dreams and glass, embers and wings. And I would not have you any other way.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I leaned back against the hearth, and the fire's warmth and fluttering light lulled me into gentler thoughts of Francesca. I closed my eyes and saw the beloved face dominated by wide-set antelope eyes. Her eyebrows arched like the wings of a swan, and the whites of her eyes, almost bluish, made a startling contrast to her caramel skin. I later learned that her great-great-grandmother had been kidnapped by slavers in Turkey, brought to Venice, and then sold to a German trader. It was a common story in Venice. Francesca's more recent ancestors had been German and Italian, and the result was a mix of northern ice and Mediterranean warmth. Francesca's upper lip curved in that sensual way that caused jealous Muslim husbands to veil their wives' faces. Her smoldering Levantine beauty contrasted with her silver-blond Teutonic hair, shockingly fair next to her dusky complexion and the sultry hint of Byzantium flashing in her dark eyes. Her nostrils were shaped like perfect teardrops.
Elle Newmark (The Book of Unholy Mischief)
[Northerners] took over the Southern myth and themselves began to revel in it. This acceptance was to culminate in Gone With the Wind, the enormous success of which novel makes a curious counterbalance to that of Uncle Tom's Cabin. But it began in the Century of the eighties with the stories of Thomas Nelson Page. Though Page had been only twelve at the end of the Civil War, so had had little experience of the old regime, he really invented for the popular mind Old Massa and Mistis and Meh Lady, with their dusky-skinned adoring retainers. The Northerners, after the shedding of so much blood, illogically found it soothing to be told that slavery had not been so bad, that the Negroes were a lovable but simple race, whose business was to work for whites. And Page also struck in his stories a note of reconciliation that everybody wanted to hear: he cooked up romances between young Northern officers, as gentlemanly as any Southerner, and spirited plantation beauties who might turn out to be the young men's cousins and who in any case would marry them after the war.
Edmund Wilson
you want a romance with my blackness. and how it holds you. how it illuminates your skin. makes you break your breath. against itself. and how is this possible. when your world has never made you breath. not once. ever. but my blackness makes you think about yourself. in a way you have never. and you are open. a question. alive. and now hungry. my blackness is your first love. you are convinced it is. showing you what your eyes could ‘never’ see before. a ‘world’ bigger. brighter. dark. dusky and wild. unashamed of itself. rebellious. and it’s cosmic. your relationship with how the night rolls off me into your hands. you and my blackness are soul mates. you met so you could learn. more. expand. because you always knew you were not like the others. who made sure they ate one white thing every day. no. you were always uncomfortable with yourself. you wear my culture around your neck. bask in and praise its jewels. pick it up on days when you want attention. put it down when it starts to stain. (you don’t want to be disrespectful and take more than you should. you just want to be a part of something so beautiful.) my blackness came to save you. came to help you escape. the clutches of racism. of having that beast anywhere inside you. around you. next to you. your comfort. intimacy. proximity. with my blackness confirms. and affirms. your nonracism. your lack of hate. it is this heady trip. this painful awesome tryst. that brings you. flushed and moon eyed. to my door with thank yous. and i love yous. you have taught me to be a better person. you have changed my life. but this was never a relationship. i have no idea who you are. and i laugh incredulous and insulted. at the notion that my blackness could ever be your first love. that my blackness is your freedom. that my blackness is yours. — fetish
Nayyirah Waheed (Nejma)
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Slowly, as though touching it might destroy the image, he reached up and put trembling fingers to her forehead . . . her cheek . . . her nose . . . her lips.  The image did not go away.  It did not waver.  And as he stared in wonder and a sort of frozen disbelief, he saw the shyness and joy in the face that stared back at him. A face that he was, after two long months, seeing for the very first time. He saw a square jaw and high, prominent cheekbones that lent her a look of gauntness and strength; dark, velvety-brown eyes fringed by long black lashes; a shy and smiling mouth; full, dusky lips; and glossy hair the color of strong coffee, tightly braided and pinned in a coronet around her head.  She was beautiful, even if not in the conventional sense, striking, slightly exotic, with flawlessly smooth skin of a slightly bronzed tone, not unlike that of a sailor who's spent his life in the sun. It was a lovely color. A warm, toasted, caramel-color that made him want to put his lips to it and kiss her all over. "Amy," he repeated, in a disbelieving whisper.  "I can see you."  He swallowed hard, and traced the shape of her mouth with his fingers.  "I can see you." And he could also see something else.  Mist in those huge, soft eyes — and a sort of awkwardness, if not fear, about his first visual impression of her. "And just what is it you see, Charles?" "I see a beautiful young woman — " he grinned — "garbed in the most singularly hideous gown imaginable." "Oh, Charles," she cried, impulsively flinging her arms around him.  He embraced her in turn.  They remained like that, holding each other, both of them laughing and rejoicing and rocking back and forth in the straw. "It was that damned horse!" he managed, setting her back to gaze into her rapt, mobile face.  "The blow must've done something, must've jarred something loose inside my head.  Don't you think?" "Either that, or your sight was just plain destined to return anyhow.  Maybe God simply decided that the time had come for you to have it back again." "So that I could see you!" "So you could write your own letters!" "So I could find my way without a cane!" Laughing with joy, he hugged her once more, then set her back, trailing his finger down her cheek, the edge of her jaw.  Gently, he tipped her chin up so that her luminous gaze held his.  "And look into the eyes of the woman who has become my dearest and very best friend." And look he did; then, before he even knew what he was about, he closed his eyes and kissed her. Unlike
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
There was one way he could help her though—she was still shivering from the cold. Without saying a word he unsnapped his shirt and shrugged it off, baring his upper body. “Hey, whoa—what are you doing?” Olivia was looking at him with wide eyes as though he was about to pounce on her. Did she really think so little of him to believe that he would try to take advantage of her when she was injured and helpless? Baird felt his heart fist in his chest. “Only this,” he said gruffly, draping the crimson shirt around her shivering bare shoulders. “Oh…uh, thanks.” She was staring at him now, as though she’d never seen a male before. Baird looked down at himself to see if there was something wrong. He had spent a full hour in the bathing pool that morning preparing but was it possible he had spilled something on himself before getting dressed to claim her? The broad planes of his muscular chest looked all right to him—his dusky tan skin was marked by the whitish scars left by the AllFather’s torture but a Kindred warrior always wore such marks with pride. There was a small patch of black hair between the two flat copper disks of his nipples and a trail of it led down his corded abdomen into the black uniform pants he was wearing. Truly there was nothing to stare at—so why was she still staring? “Is there a problem?” he asked at last. “You don’t like the way I look?” “Uh, no, I…You look fine. Just fine.” Olivia looked down at her hands, her fair skin blushing a deep embarrassed red. “What’s wrong then?” “Nothing.” But her beautiful silvery eyes were still flickering up to his bare chest and back down to her hands as though she couldn’t quite look away. Baird resisted the urge to tilt her chin up so she would have to meet his eyes directly. Why did she keep looking at him? He looked down at his chest again. Maybe she preferred smooth skin only? If so she was out of luck, only Tranq Kindred grew no body hair. “What’s wrong, Lilenta?” he asked her earnestly. “Is there somethin’ you want me to change?” “No, it’s nothing you can change. You’re just so…” She made a helpless little motion with one hand. “You’re just so big. And…and muscular.” Baird frowned. “Sorry about that—a warrior has to keep his body in top physical shape.” “No, don’t apologize.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Prologue “Pain!. Oh, Father of the Dark, how it hurts! My muscles, my bones – every millimeter of my body. Damn locusts! They’re skinning me alive. Do I have any skin left? It seems like it will never end. How many years have passed since I’ve been buried here? One, two, ten? Or maybe, a hundred? Time itself has melded into total dusky looming. A bloody and merciless one. All my thoughts have been mixed up since I’ve been immured in this stone coffin. Without any possibility of escape. Without any chance for freedom. I feel endless agony under the teeny weeny teeth of ghostly beasts. And their small daggers shred my immortal flesh. Time after time, they’re driving me to madness. But I’ll find a way out, or my name is not Rave Eridanus Castro-Firel. And then, I swear, I’ll kill everyone who has taken part in torturing me. Ulfricus, you traitor ass. I hope your soul has never found sanctuary and is being tormented somewhere in the abyss of the Twilight, while I’m decaying here, in immortality. I hope you’re answering for every minute I’ve spent here, in this tomb. Even for every second. And if not, I promise I’ll kill all your relatives. Every person you love. Your wife, your children, your parents, your grandchildren. And your dam cat,...” The man’s interior monologue was interrupted by a restrained growl. “Oh, demons, how it hurts!.. But wait. Someone will surely wander across this damn field again. Someone whom I’ll kill without coming out of the ground. I’ll exhaust the last drop of magic. And, one day, I’ll be able to get out of this trap. Oh, no, who am I kidding? Nobody has appeared here so far. Even animals avoid coming to my field. I don’t sense any living being whose energy I could suck dry and use to appease the burning, even a little... They all sense me. They don’t understand, but they sense that death is there under their feet. Oh, Father of the Dark, I’ll be decomposing here forever! Damn Ulfricus, Banshee take your soul into the Twilight and love it to death.” The internal voice stopped again, and the man stopped short, listening attentively to the sounds of the outer world. “Oh, that just can’t be... Now for the first time since so long ago! A woman. A girl. A very young one. I can almost hear her heart beating... I feel the energy concealed in her blood. Come closer, dear. I don’t have to get out of here to play with you. So sweet... I can practically feel your odor. A strange, unusual smell of blood. What’s wrong with you? You’re a necromancer, for sure. Almost my soulmate. Well, even this won’t save you. Come closer, dear... Yes, this way. Oh Dark! what magic you eradiate! But not black, certainly not. I couldn’t care less. Any energy will suit me...” At this point, somewhere on the surface, somewhere nearby, a woman began singing. The accursed man, chained in the living grave, lay down, having suddenly forgotten the respiratory reflex, which still had not been exterminated through hundreds of years spent under the ground. Without air, without life. “What a pretty voice. A very, very pretty voice. I haven’t heard human voices for so long...” The man’s broad chest rose again. Then, a sequence of dark thoughts continued: “A girl with a ringing voice and strange magic... You’ve come here to the Ash Field in vain. You’re so enigmatic and courageous. You’re alive. But not for long.
Silvia Liam (Do Not Awaken The Undead King)
Her skin was normally what he would call dusky, a beautiful shade of the softest browns of a faded oak leaf.
Jemi Fraser (Reaching For Balance (Bloo Moose, #4))
The rather blurred background to the face that formed over the vid plate seemed faintly familiar—ah yes, the Security Ops room at Ryoval Biologicals. Baron Ryoval had arrived personally on that scene as promised. It took only one glance at the dusky, contorted expression on Ryoval's youthful face to fill in the rest of the scenario. Miles folded his hands and smiled innocently. "Good morning, Baron. What can I do for you?" "Die, you little mutant!" Ryoval spat. "You! There isn't going to be a bunker deep enough for you to burrow in. I'll put a price on your head that will have every bounty hunter in the galaxy all over you like a second skin—you'll not eat or sleep—I'll have you—" Yes,
Lois McMaster Bujold (Labyrinth (Vorkosigan Saga))
Perhaps her abruptness was merely part of her personality, for she had the appearance of the worst kind of bureaucrat, the aspiring one, from blunt, square haircut to blunt, clean fingernails to blunt, efficient pumps. But perhaps it was me, still morally disoriented from the crapulent major’s death, as well as the apparition of his severed head at the wedding banquet. The emotional residue of that night was like a drop of arsenic falling into the still waters of my soul, nothing having changed from the taste of it but everything now tainted. So perhaps that was why when I crossed over the threshold into the marble foyer, I instantly suspected that the cause of her behavior was my race. What she saw when she looked at me must have been my yellowness, my slightly smaller eyes, and the shadow cast by the ill fame of the Oriental’s genitals, those supposedly minuscule privates disparaged on many a public restroom wall by semiliterates. I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves. But as she advanced along the polished bamboo floors, steering clear of the dusky maid vacuuming a Turkish rug, I just knew it could not be so. The flawlessness of my English did not matter. Even if she could hear me, she still saw right through me, or perhaps saw someone else instead of me, her retinas burned with the images of all the castrati dreamed up by Hollywood to steal the place of real Asian men. Here I speak of those cartoons named Fu Manchu, Charlie Chan, Number One Son, Hop Sing—Hop Sing!—and the bucktoothed, bespectacled Jap not so much played as mocked by Mickey Rooney in Breakfast at Tiffany’s. The performance was so insulting it even deflated my fetish for Audrey Hepburn, understanding as I did her implicit endorsement of such loathsomeness.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
On the third day, she smelled the fruit as soon as she came in. She followed the scent to the kitchen, and the peach was radiant, dusky rose and gold, its skin so plush she thought her fingertip might bruise it. This was the day, the very hour to eat- and she had come prepared, but she didn't want Concepcion to see her. She waited until the housekeeper shouldered her leather-handled canvas bag and left. Then Jess unwrapped the organic peach she'd bought that morning. Slightly smaller, slightly harder, but decently rosy, the peach listed left- just the right direction- when she set it on the table. Leaving this changeling for George, she washed his ripe fruit, and bit and broke the skin. An intense tang, the underside of velvet. Then flesh dissolved in a rush of nectar. Juice drenched her hand and wet the inside of her wrist. She had forgotten, if she'd ever known, that what was sweet could also be so complicated, that fruit could have a nap, like fabric, soft one way, sleek the other.
Allegra Goodman (The Cookbook Collector)
at the seat. Instead of blowing his top, he picked me up in his arms and said, "You did it?" I nodded, "Yes I did it!" "But, look son." He tried to explain, "I can't go out with a bottomless pajama — I am a man". I whispered, "And so am I". He just stared, and embraced me. And from that day I got proper pajamas to wear. Dad was a great friend, a very understanding and loving person. Time flies fast — my father's leave was almost over, but the construction work still remained incomplete. He had to go back to Amritsar to resume his duties, and my mother badly needed more money. Two days before his departure he took a loan of Rs. 1,500 from a friend, a Zargar (ornament maker), to somehow finish the construction work, and mortgaged our part of the haveli for this amount. This Rs. 1,500 brought a lot of trouble and hardship to the family as the interest for the loan went on adding. My father resigned his job as a postman and searched for a new clerical job. He did his best to pay off the loan; he but could not. Destiny's smile had changed into a fearsome frown. Soon my little sister Guro was born. While my father slogged in Amritsar to support the family and pay the monthly interest, my mother and grandmother somehow managed to survive. I fell sick, very very sick and the chubby child was soon a bundle of bones. The fair skin was tarnished and looked quite dusky. The handsome Kidar Nath became an ugly urchin. Lack of nourishment also made me a dull boy. The only thought that kept me alive was that my father was my best friend, and that I must stand by my best friend and help him to surmount his difficulties. Having found a tenant for the rebuilt Haveli, we all moved to Amritsar. Across our house lived a shop-keeper known for being a miser. He called a carpenter to fix the main door to his dwelling, because the top of the frame had cracked. A robust argument ensued because the shop-keeper would pay only half a rupee, while the carpenter wanted one. His reason being that an appropriate piece of wood had to be cut to match the area being repaired and then he would have to level the surfaces at a very awkward angle. But the owner was adamant and said, "Just nail the piece of wood, do not level it or do any fancy work, because I shall pay you only half a rupee", as he walked away in a huff.
Kidar Sharma (The One and Lonely Kidar Sharma: An Anecdotal Autobiography)
Sageous stepped out from the aisle given over to ancient philosophy. He was younger than I expected, forty at the most, wearing just a white cloth, like the Roman togara. His skin held the dusky hue of the middle-lands, maybe Indus or Persia, but I could see it only in the rare spots the tattooist’s needle hadn’t found. He wore the text of a small book on his living hide, cut there in the flowing script of the mathmagicians. His eyes—well, I know we’re supposed to cower beneath the gaze of potent men, but his eyes were mild. They reminded me of the cows on the Castle Road, brown and placid. His scrutiny was the thing that cut. Somehow those mild eyes dug in. Perhaps the script beneath them bore the power. All I can say is that, for a time uncounted, I could see nothing but the heathen’s eyes, hear nothing but his breath, stir no muscle but my heart.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
From what I understand, signora, the Quakers, who are also known as Friends, are a small group of devout people who worship in silence, believing no one person can interpret the word of the Lord but all have the Light of God in them. When it shines, whoever feels it may address others--- the Friends--- who gather for meetings. They believe that under the loving eyes of God the Father, all men and women are equal." "Equal? Men and women?" Rosamund could scarce believe it. "Men and women, the nobles and the poor, the gentry and the servants-- even those with dusky skins or cream. All the same." "And they worship in silence? How?" "By communing with God in their own way.
Karen Brooks (The Chocolate Maker's Wife)
You've called me Lucian from the start. It sounds right." Warmth spread through me, slow like honey. Our gazes collided and held as something simmered between us. Lucian's lids lowered in lazy perusal. Of me on the bed. I didn't miss the way his nostrils flared on a drawn-in breath, the way his dusky skin darkened. A pulse beat in my neck, steady, hard. "Lucian..." It rolled over my tongue like cream. Honey and cream. I wanted to pour both over those tight abs of his and just lick.
Kristen Callihan (Make It Sweet)
It’s as if her whole body is endued with a magnetic layer to keep the male gaze glued to her, isn’t it? If not, how can one explain her dusky complexion?
B.S. Murthy (Benign Flame: Saga of Love)
A beautiful woman, no matter how lovely her skin, would be considered indecent were she to show her bare buttocks or feet in the presence of others; and how very crude and tasteless to expose the toilet to such excessive illumination. The cleanliness of what can be seen only calls up the more clearly thoughts of what cannot be seen. In such places the distinction between the clean and the unclean is best left obscure, shrouded in a dusky haze.
Jun'ichirō Tanizaki (In Praise of Shadows (Chinese Edition))
In the close atmosphere of the mask shop, the prickling energy of his proximity was inescapable. He bent over the assortment of masks with great interest. “This is lovely,” he said, handing me a delicate confection of glass beads strung on complex swirls of golden wire, “but is it truly wise to put an artifice device on your face?” “That depends on what it does. This one is harmless.” I held it up to show him, the cold wire pressing into my nose and cheekbones. My vision immediately went hazy and green, then began fading slowly into blue. “See, it just cycles the color of your eyes.” Kathe blinked, then lifted his long fingers to the mask, running them delicately along one edge. “How strange. It does make you look like an entirely different person.” “That’s the point. It’s a game.” As the room warmed through dusky purple toward rose, Kathe’s fingertips trailed down my cheek. “You know how I love games.” My skin shivered pleasantly in the wake of his touch. I swallowed.
Melissa Caruso (The Unbound Empire (Swords and Fire, #3))
Those of the upper class began to look around for ways to get darker. It became the fashion for them to spend hours at the seashore basking naked in the sunshine and then to dash back, heavily bronzed, to their homes, and, preening themselves in their dusky skins, lord it over their paler, and thus less fortunate, associates. Beauty shops began to sell face powders named Poudre Nègre, Poudre le Egyptienne and L’Afrique.
George S. Schuyler (Black No More)
relieved. “That’s good,’’ she said. “That’s what I needed. Somebody close enough—to pray.’’ He shook his head as though to awaken himself. “I don’ understan’ this here,’’ he said. And she replied, “Yes—you know, don’t you?’’ “I know,’’ he said, “I know, but I don’t understan’. Maybe you’ll res’ a few days an’ then come on.’’ She shook her head slowly from side to side. “I’m jus’ pain covered with skin. I know what it is, but I won’t tell him. He’d be too sad. He wouldn’ know what to do anyways. Maybe in the night, when he’s a-sleepin’—when he waked up, it won’t be so bad.’’ “You want I should stay with you an’ not go on?’’ “No,’’ she said. “No. When I was a little girl I use’ ta sing. Folks roun’ about use’ ta say I sung as nice as Jenny Lind.2 Folks use’ ta come an’ listen when I sung. An’—when they stood—an’ me a-singin’, why, me an’ them was together more’n you could ever know. I was thankful. There ain’t so many folks can feel so full up, so close, an’ them folks standin’ there an’ me a-singin’. Thought maybe I’d sing in theaters, but I never done it. An’ I’m glad. They wasn’t nothin’ got in between me an’ them. An’—that’s why I wanted you to pray. I wanted to feel that clost-ness, oncet more. It’s the same thing, singin’ an’ prayin’, jus’ the same thing. I wisht you could a-heerd me sing.’’ He looked down at her, into her eyes. “Good-by,’’ he said. She shook her head slowly back and forth and closed her lips tight. And the preacher went out of the dusky tent into the blinding light.
John Steinbeck (The Grapes of Wrath)
MODERATE HYPOTHERMIA If the core temperature continues to fall, the brain stimulates an increase in shivering to the point where it is violent and uncontrollable. The patient has now entered the realm of moderate hypothermia. Shivering requires an immense amount of energy. If the moderately hypothermic patient is not properly treated, heat rushes from the patient into the environment. Radiative heat soars into the sky from an uncovered head. Heat conductively floods into the ground from a patient poorly insulated from the ground. A breeze rips heat away via convection. A drop in core temperature is rapid for an unprotected, shivering patient. The “umbles” worsen. A patient may find it impossible to walk, and he or she finds it increasingly difficult to speak and to think. Staring dully with a faraway gaze is not uncommon. Lack of circulation to the surface of the body causes the skin to turn very pale, perhaps a dusky color. Heart and respiratory rate increase further.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
But the woman who attended him looked like Ariel of Firi—it was the look he thought he preferred—with dusky skin and full lips, round hips and heavy breasts. Her thick, black hair was arranged in fat ropes down her back, and he found himself wishing it was unbound, the curls untamed. When she looked up at him, her eyes carefully lined in kohl and heavy-lidded with pretended ardor, he felt nothing but self-loathing. He immediately sent her away.
Amy Harmon (The Queen and the Cure (The Bird and the Sword Chronicles, #2))
the skin he saw was somehow "smoky," "dusky" colored, and "sickly yellow" all at the same time. Like the antebellum figure of the dirt-eater, the Smoky Pilgrims apparently carried the telltale marks of their degeneracy on their skin zs
Matt Wray (Not Quite White: White Trash and the Boundaries of Whiteness)
The dusky-pink pollock roe she removed from its polystyrene packaging gleamed wetly and, for an instant, the image of Kaiji's puckered lips passed through her mind. Leaving its outer skin on, she broke up the roe with a fork and mixed it unfussily into the spaghetti. She sliced off a knob of the Calpis with a knife and perched it on top, then watched as the pale-yellow solid gently began to change color, spreading out to the sides and turning golden, mingling with the fish eggs. The full, milky aroma of the butter married with the salty marine tang of the roe as the scent of the dish went rising up to her face, and she breathed it deeply into her lungs. She garnished the pasta with a scattering of shiso leaves she'd torn up with her fingers, then moved the bowl of pasta over to her cardboard box. There was a rosy-cheeked frankness about the pink of the roe, and in combination with the oozing butter, it looked positively carefree. Rika tool up her fork and wound up the spaghetti, before lifting it to her mouth. Cloaked in a coating of minuscule fish eggs and butter, the spaghetti strands sprang around Rika's tongue as if in excitement. The dish was adequately salted, but there was a relaxed, mellow quality to its taste. What a wonderful combination pollock roe and butter made!
Asako Yuzuki (Butter: A Novel of Food and Murder)