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Clock Town, meanwhile, is bursting with problems without obvious solutions. Each character has their own story (and often a quest for you to complete), but almost nobody spits out what you must do to further their story without you first putting in some detective work. The mailman seems so stressed out—how do I help him? The little person in the fox mask comes out when I ring the bell—how do I get him to talk to me? These dancing sisters seem dissatisfied with their routine—what can I possibly offer? Majora offers the opposite of the directive-based quests of most adventure games, in which you know what you must do as soon as a distraught townie has finished lecturing: “Hello, young traveler! Won’t you help an old lady? I seem to have misplaced my eight STRENGTH BOOST PIES. They are scattered throughout the city. I have added them to your MINIMAP.” Instead, you encounter people distracted by problems they would never expect you to fix. The citizens of Clock Town have no idea you’re the famous Hero of Time in their sister dimension. You’re just another kid.
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