Duo Quotes

Sex and violence: the greatest duo since the Three Stooges.

Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever.

That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.

She's created a trio out of our duo, and I hate her. I hate her more than anything else. She's the other girl, his bitch on the side … she's the lipstick on his collar. And she makes him so fucking unpredictable.

You don't think before you do something foolish. You do your thinking afterwards.

If you're going to be a superhero, can I be your sidekick?" -April "What?" -Grace "The Dynamic Duo!" -April "Um, I'm pretty sure sidekicks have to have super powers, too. -Grace "Oh Yeah... Okay, but you can always use an Alfred." April "My Alfred?" -Grace "Oh come on Please I can help you design gadgets and stuff. Oh! I can design you outfits for crime fighting!" -April " *sigh* Okay. Sure. But no spandex" -Grace

Never invest in any kind of relationship with anyone who is not willing to work on themselves just a little every day. A person who takes no interest in any form of self-improvement, personal development or spiritual growth will also not be inclined to make much of an effort building a truly meaningful connection with you. A relationship with only one partner willing to do the work ceases to be a relationship. And as anyone who has been there will tell you - it's pointless to try and dance the tango solo.

Clary: "He wanted me to come with him. To join him and Sebastain. I guess he wants their evil little duo to be a little evil trio." She shrugged. "Maybe he's lonely. Sebastian cant be the greatest company. Magnus: we don't know that. He could be absolutely fantastic at Scrabble.

What can I tell you about the alchemy of twins? Twins are two bodies that dance to each other’s joy. Two minds that drown in each other’s despair. Two spirits that fly with each other’s love. Twins are two separate beings conjoined at the heart!

The “Warrior Ethos” emphasizes placing the mission first, not accepting defeat, and being disciplined physically and mentally. Why? Because an American Soldier is a “guardian of freedom and the American way of life.

No,” said Dimitri bluntly. “Adrian’s not responsible. His intentions are honorable here. I’ll vouch for him. I’m Dimitri Belikov. This is Rose Hathaway, Sydney Ivashkov.” Normally, a human introduced with a royal Moroi last name would have warranted a double take. But it was clear this woman never heard anything past Rose and Dimitri’s names. I saw it clearly in her eyes: the same awe and worship I’d observed in so many other faces whenever this dynamic duo introduced itself. And like that, the woman turned from fiercely protective doorkeeper to swooning fangirl.

I researched all about stars. And the funny thing was how I thought you were my star—a bright spot in my life keeping me constant company no matter how dark everything else got. But in reality, we’re stars because they are born in pairs. They’re created by a big fucking boom of dust and shit, forming into something beautiful and eternal. You’re stuck with me for life because we’re a duo.

Are there any Nazis left that I could hunt down and bring to justice?” Augustus asked while we leaned over the vitrines reading Otto’s letters and the gutting replies that no, no one had seen his children after the liberation. “I think they’re all dead. But it’s not like the Nazis had a monopoly on evil.” “True,” he said. “That’s what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.” Although it was his dream and not mine, I indulged it. He’d indulged mine, after all. “Our fearlessness shall be our secret weapon,” I said. “The tales of our exploits will survive as long as the human voice itself,” he said. “And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.” “They will robot-laugh at our courageous folly,” he said. “But something in their iron robot hearts will yearn to have lived and died as we did: on the hero’s errand.

Tearing through the room like an F5 tornado of hyperactive joy was Taylor Hawkins, my brother from another mother, my best friend, a man for whom I would take a bullet. Upon first meeting, our bond was immediate, and we grew closer with every day, every song, every note that we ever played together. I am not afraid to say that our chance meeting was a kind of love at first sight, igniting a musical “twin flame” that still burns to this day. Together, we have become an unstoppable duo, onstage and off, in pursuit of any and all adventure we can find. We are absolutely meant to be, and I am grateful that we found each other in this lifetime.

Had I been wrong about Ryan? Did he beat Noah up and leave him there for me to suck the remaining breath from his unconscious body? Were we like some anti-superhero duo, working together to spread our evil stepsibling karma across the planet?

Jason shot to his feet, nostrils flaring. Ben stopped dead. The cafeteria went still. Everyone watched the boys square off. "Im not a violent person, Blue." Jason bit off the words. "But Ive had enough of your mouth. Ill kick your ass right here." Ben's jaw tightened. "You think so, rich boy?" "You heard me." A vein was bulging in Jason's neck. Ben's breathing quickened. The tiniest spark of gold flickered in his irises. My stomach backflipped. Oh my God! He's going to flare! "Get him out of here!" I hissed at Shelton and Hi. "Hurry!" Recognizing the danger, Hi jumped to his feet, planted both hands on Ben's chest and pushed him towards the door, whispering, "Use your head, use your head, use your head!" Ben tried to hold his ground, but Shelton joined the effort. "Get it together! People are watching. Dont lose control!" Slowly, the duo managed to back Ben away, but his glare never strayed from Jason. At the exit, Ben shrugged free, and stalked down the hall alone. I took my first breath since Jason stood. Crisis averted, but only barely.

The important thing for you to remember, Montag, is we're the Happiness Boys, the Dixie Duo, you and I and the others. We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought. We have our fingers in the dike. Hold steady. Don't let the torrent of melancholy and drear philosophy drown our world. We depend on you. I don't think you realize how important you are, we are, to our happy world as it stands now.

What if a pair of us head off on our own?" Nollin proposed, panting. "A small detachment might avoid detection." "It's a gamble," Ferrin said. "If the duo gets noticed, they'll be defenseless. Who'd you have in mind?" "Some key delegates," Nollin said. "Perhaps myself and Aram." Rachel shook her head. Evidently, Nollin had noticed the critical role Aram had played during the escape. Ferrin laughed openly. "Aram, you've been promoted to essential!" "I'm generally more appreciated at night," the big man grumbled. "I'm going to the table, Nollin." "Maybe we should all remain together," Nollin repented.

It's time you acted like the man that dick you were born with proves you to be.

I love to write, and I love to read too, but that doesn't mean I like to write about reading - 'cause nothing ruins the fun of reading a good story like the evil English army of Discuss, Analyze, and that hideous duo Compare and Contrast.

Stupid little fish

You can't tag,remember? Which makes me the other half of our fabulous bagging-and-tagging duo.

The truth is not so important as the leaving of it behind.

At the age of fifteen he had bought off a twopenny stall in the market a duo-decimo book of recipes, gossip, and homilies, printed in 1605. His stepmother, able to read figures, had screamed at the sight of it when he had proudly brought it home. 1605 was 'the olden days', meaning Henry VIII, the executioner's axe, and the Great Plague. She thrust the book into the kitchen fire with the tongs, yelling that it must be seething with lethal germs. A limited, though live, sense of history. And history was the reason why she would never go to London. She saw it as dominated by the Bloody Tower, Fleet Street full of demon barbers, as well as dangerous escalators everywhere.

That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered." "Our fearlessness shall be our secret weapon," I said.

It is impossible to separate a cube into two cubes, or a fourth power into two fourth powers, or in general, any power higher than the second, into two like powers. I have discovered a truly marvelous proof of this, which this margin is too narrow to contain. [Cubum autem in duos cubos, aut quadratoquadratum in duos quadratoquadratos & generaliter nullam in infinitum ultra quadratum potestatem in duos eiusdem nominis fas est dividere cuius rei demonstrationem mirabilem sane detexi. Hanc marginis exiguitas non caperet.]

In the movie White Men Can’t Jump, the final boss duo that the two street hustlers must defeat are called King and Duck. I felt that, because I’m The Duck King, and I didn’t have to win a basketball game for the title—I was elected via unanimous and cacophonous quack.

I guess that depends on who you ask. There’s always three sides, mine, yours, and the truth.

Maybe being here won’t be so bad after all… as long as I can avoid the music, the bloodthirsty diva duo, and the phantom’s shadow lurking around every corner.

There's never been a duo of ladies to take on Gotham City.

una duos nox perdet amantes. one night loses two lovers.

The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.

The only thing worse than a perilous adventure is a boring one, and the limits of the duo's patience were tried more than once as they slalomed between squalls, broke through blizzards, and drifted across doldrums.

That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered. Our fearlessness shall be our secret weapon, the tales of our exploits will survive as long as the human voice itself, and even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us. They will robot-laugh at our courageous folly, but something in their iron robot hearts will yearn to have lived and died as we did: on the hero's errand.

I can easily believe, that there are more invisible than visible beings in the universe.

and like every guitar duo in metal, they were a little bit in love and a little bit in hate all at the same time. For Kris, Scottie was the brother she'd always wanted and the marriage she'd never had, and she suspected that if she ever did get married it would ba a shallow thing compared to what she'd shared for eleven years on the road with Scottie Rocket.

There is no perfect trinity, for three connotes competition. Power struggles. Favoritism and loneliness. We were almost not a trio; although now that she is gone, neither of us feels like a duo. We are not twins, nor will we ever be. Our third was the center, and when we lost her, we also failed each other, collapsing inward upon ourselves. A broken triplet. Thrice blessed. Thrice cursed.

I have a request to make,my lord." He held her gaze; she could see him trying to decide what she might ask, but eventually he surrendered."And that is?" "Take me to your bed.

Perhaps pondering words is also a form of seeking justice. If a monologue can invite a chorus, then perhaps it can speak for others as well.

brain-to-mouth filter malfunction.

Big dreams and perseverance are a powerful duo.

We’re like the dynamic duo, bro. We’re like Batman and Robin, but we’re both Batman.

Tum enim dixit duo corpora esse rei publicae, unum debile infirmo capite, alterum firmum sine capite.

What it was, I had a crush on the two of you together. Not in a porny way, not like—it was the two of you as a duo. You were always having so much fun.

There exists in the Middle East a state, Syria, that emerged from the decisions of a Franco-British diplomatic duo whose job was to divide the spoils of the Ottoman Empire.

I’m saying it’s a success. Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy.

Public Enemy’s theme was Black collectivity, the one thing that had been lost in the post–Civil Rights bourgeois individualist goldrush. Over the years, rap groups had shrunk down to duos, but Public Enemy brought the crew back.

Xenia was still laughing at us when her brother walked over. "Georgi, do you remember when Katerina Alexandrovna and Dariya Yevgenienva brought the kitten to the ball?" I hadn't noticed the grand duke approaching. Dariya curtsied prettily. "Katiya's mother wouldn't let us play together anymore after that." "I thought your mother disallowed it," I said, surprised. "Both mothers were very wise," George Alexandrovich said, his lips pressed tightly together, almost as if he was trying not to smile. "You two are an extremely dangerous duo." "Nonsense." Dariya smiled. "Nothing bad has happened tonight." The grand duke was looking straight at me when he said, "But the night is young.

La Lo­te­ría, con su re­par­to se­ma­nal de enor­mes pre­mios, era el único acon­te­ci­mien­to pú­bli­co al que los pro­les pres­ta­ban ver­da­de­ra aten­ción. Era pro­ba­ble que hu­bie­se mi­llo­nes de pro­les para quie­nes la Lo­te­ría fuese la razón prin­ci­pal, si no la única, para se­guir con vida. Era su de­lei­te, su lo­cu­ra, su anal­gé­si­co, su es­ti­mu­lan­te in­te­lec­tual. En lo que se re­fe­ría a la Lo­te­ría, hasta quie­nes ape­nas sa­bían leer y es­cri­bir eran ca­pa­ces de lle­var a cabo in­trin­ca­dos cálcu­los y sor­pren­den­tes lo­gros me­mo­rís­ti­cos. Había toda una tribu de in­di­vi­duos que se ga­na­ban la vida ven­dien­do sis­te­mas, pre­dic­cio­nes y amu­le­tos de la suer­te. Wins­ton no tenía nada que ver con la Lo­te­ría, que se ges­tio­na­ba desde el Mi­nis­te­rio de la Abun­dan­cia, pero sabía (como cual­quier otro miem­bro del Par­ti­do) que los pre­mios eran casi todos ima­gi­na­rios. Solo se pa­ga­ban pe­que­ñas sumas y los ga­na­do­res de los pre­mios gor­dos en reali­dad no exis­tían. En au­sen­cia de ver­da­de­ra co­mu­ni­ca­ción entre una parte de Ocea­nía y otra, no re­sul­ta­ba di­fí­cil ama­ñar­lo.

No! No, Arthur, no, it’s the opposite! I’m saying it’s a success. Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy. Twenty years and one last happy road trip. And I thought, Well, that was nice. Let’s end on success.” “You can’t do this,

Kamilah closed her eyes and shook her head. It was a variation on what she’d said right before giving the Devious Duo a monthlong suspension from bingo for starting an illicit gambling ring; before that, there was a security-enforced curfew after the strip-poker fiasco.

Unassuming comic Frank Shuster reigns supreme as a Canadian propaganda machine. Besides his own influential comedy duo, he is the father-in-law of heir apparent Lorne Michaels and the cousin of Joe Shuster, the creator of Superman (see Superman, the Greatest Canadian Hero)!

You, Sir, were created to be part of a union of two. Only in embracing your nature as a member of a duo will you discover your purpose in life. Utilizing your other half for selfish purposes is not what God intended. Your wife is not there just to scratch your itch. That is not the path to fulfillment. This is a spiritual, intellectual, and emotional journey of two souls becoming one. Neglect that fact of nature and you will die an old, loveless, lonely loser. Dedicate your life to elevating your woman to a place of maturity and fulfillment and you will save your own life and experience heaven’s best.

In the process, what must be spoken meets what cannot be said. Each word is a catalyst, requiring the writer to break out forcefully from another story, from the primitive camp where history, society, and politics converge, to touch upon that 'what' and that 'who.' At that touch, one finds the unlimited boundaries of man, concealed by words.

Lankhmar City would feed me, aye, feed me well—and be paid only with lumps and perhaps a deep scratch or two. So to Lankhmar I went. Falling in there with a clever girl of the same turn of mind and some experience, I did well for two full rounds of moons and a few more. We worked only in black garb, and called ourselves to ourselves the Dark Duo.

I was always the quiet one, the one who followed suit, doing what others told me to do.

I was in heaven, married to the devil.

Are  you  feeling better now?

You need to stop, Gabriella. You don’t talk. You shut your fuckhole and do what you’re told. Do you understand me?” I

Tell me you love me.

His lips met mine and just like the stupid little fish that I was, I sank my teeth right into the hook.

The perfect storm of two kinds of crazy. That was us.

Maybe. I liked you being afraid of me. I liked you doing everything I told you to do.

Paxton Pierce was an impossible man. One that no woman could please. Not even me.

Don’t look down when someone’s talking to you. You look them straight in the eyes. You’re bigger than that.

The summer we spent on the beach was all the sex education anyone needed.

The reading of all good books is like conversation with the noblest men of the past centuries.

It had been as if she’d talked to God, praising the universe through twinkling stars.

I hate the way you love me.

Minimalism: Live a Meaningful Life. This is the first book that they wrote together. Everything That Remains is their second book that they published after the development of their own publishing house known as the Asymmetrical Press. Minimalism is a documentary that they produced on their favorite topic. The duo also hosts a podcast entitled The Minimalist Podcast

RICHIE: My journey has been steadfast: to be Jon’s right-hand man. First and foremost, I try to always be there for him, as a friend, on a musical level, and from a business standpoint where he can use me as a mirror for himself. We’ve always looked to Frank and Dean. Frank was the Chairman and Dean was the right-hand man. That’s the way it was. It was a dynamic duo.

Moscone and Milk were the dynamic duo of San Francisco’s progressive revolution. They never forgot what they were elected to do: to fight for the burdened and afflicted, for those whose voices were never heard in the halls of power. They fought for the rights of workers, minorities, gays, and renters. And they made the same enemies: the chamber of commerce, developers, realtors, the SFPD.

I just wanted to leave it all behind and move forward, and that’s exactly what I did. I stopped worrying about my past and who I was before. All I could do was be a better person now. From this point forward.

Shooting me an unrepentant look over her shoulder, she kept singing. It had a strangely upbeat quality to it that was catchy. Seaton linked arms with her and joined in. “Let your evil shiiiiiiiine~!” they sang cheerfully, thankfully on key. I deemed it just as well that we didn’t expect the thieves to be in any of the graveyards, as with this entrance, only the truly insane would linger. For my mental health, I decided to ignore the singing duo.

The Lucky Looking Glass by Stewart Stafford Woken from a nightmare, He walked to his bathroom, Treading on a hand mirror, Breaking it, to his horror. Payback of a reflection dodged, With a lifespan of scars healed, Dark energies bilaterally wiped, A poisonous duo counterbalanced. From then on, Plutus's grin shone, A Midas touch with an off switch, Winning streaks of a Texan width, Cracked mirror coffin for the next life. © Stewart Stafford, 2023. All rights reserved.

The markets fluctuated alarmingly for the rest of the month, falling one day, recovering the next, then plummeting another, leaving speculators alternating between relief and hysteria. By the end of November, with many nervous New Yorkers clamoring for reassurances, Strong confided he was as fearful about Northern capitulation as he was about Southern belligerence. “Our national mottoes must be changed to ‘e pluribus duo’ (at least) and ‘United we stand, divided we stand easier.

Quid est enim tempus? Quis hoc facile breuiterque explicauerit? Quis hoc ad uerbum de illo proferendum uel cogitatione comprehenderit? Quid autem familiarius et notius in loquendo commemoramus quam tempus? Et intellegimus utique cum id loquimur, intellegimus etiam cum alio loquente id audimus. Quid est ergo tempus? Si nemo ex me quærat, scio; si quærenti explicare uelim, nescio. Fidenter tamen dico scire me quod, si nihil præteriret, non esset præteritum tempus, et si nihil adueniret, non esset futurum tempus, et si nihil esset, non esset præsens tempus. Duo ergo illa tempora, præteritum et futurum, quomodo sunt, quando et præteritum iam non est et futurum nondum est? Præsens autem si semper esset præsens nec in præteritum transiret, non iam esset tempus, sed æternitas. Si ergo præsens, ut tempus sit, ideo fit, quia in præteritum transit, quomodo et hoc esse dicimus, cui causa, ut sit, illa est, quia non erit, ut scilicet non uere dicamus tempus esse, nisi quia tendit non esse?

Long ago, when New York City was affordable, people who felt they didn’t fit into the mainstream could take a chance and head there from wherever they were. Bob Dylan came east from Minnesota in the winter of 1961 and made his way downtown to Greenwich Village. Like countless others before him, he came to shed the constricted definition of his birthplace and the confinement of his past. I first saw Bob at Gerde’s Folk City, the Italian bar and restaurant cum music venue on the corner of Mercer and West Fourth Streets, one block west of Broadway and a few blocks east of Washington Square Park. Bob was playing back-up harmonica for various musicians and as a duo with another folksinger, Mark Spoelstra, before he played sets by himself. Mark played the twelve string guitar and had a melodious singing voice. Bob’s raspy voice and harmonica added a little dimension to the act. Their repertoire consisted of traditional folk songs and the songs of Woody Guthrie. They weren’t half bad. Bob was developing his image into his own version of a rambling troubadour, in the Guthrie mode.

Days after setting off the bomb, the duo murdered a young MIT police officer during their attempted escape, and two years earlier Tamerlan and another Muslim immigrant slit the throats of three Jewish men on the tenth anniversary of the 9/11 attack—which I believe was also the work of immigrants. CNN headline after the attack: “Boston Bombing Shouldn’t Derail Immigration Reform.”32 Leaving aside the wanton slaughter, Dzhokhar and Tamerlan were tremendous assets to America. They were on welfare and getting mostly Fs in school. Good work, U.S. immigration service!

This special moment takes the two pianists—master and student—someplace that no one else can go. The French call this sort of sharing, this meeting of minds, complicité, and the word captures perfectly the special bond that instantly develops as two pianists explore together the edge of music. If chamber music can be likened to a conversation, with a constant give-and-take, a joining and separating of the voices, this is all simultaneity, more like a duo of dancers who perform exactly the same figurations. By some remarkable chemistry a momentum builds that puts the two pianists in perfect concurrence.

Instead, the most common alternative in these studies is for subjects to read a cogent discussion about our lack of free will. Studies have often used a passage from Francis Crick’s 1994 book, The Astonishing Hypothesis: The Scientific Search for the Soul (Scribner). Crick, of the Watson-and-Crick duo who identified the structure of DNA, grew fascinated with the brain and consciousness in his later years. A hard determinist as well as an elegant, clear writer, Crick summarizes the scientific argument for our being merely the sum of our biological components. “Who you are is nothing but a pack of neurons,” he concludes.[3]

Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy. Twenty years and one last happy road trip. And I thought, Well, that was nice. Let’s end on success.

The men rode into Beaver Run like two horsemen of the apocalypse, justice on a white horse and war on a red. The few citizens walking through the muddy streets hurried to get out of their path, while those milling on the plank walkways stared as the duo passed. Danger. Long and lean, both sat their saddles with the ease of men accustomed to mastering both the beasts beneath them and the world around them. Their dusters hung to the tops of their boots and were covered in trail dust. Their hats, pulled low, cast shadows over their faces. Rifles were mounted to their horses' saddles and each man had a gun strapped to his thigh.

No! No, Arthur, no, it’s the opposite! I’m saying it’s a success. Twenty years of joy and support and friendship, that’s a success. Twenty years of anything with another person is a success. If a band stays together twenty years, it’s a miracle. If a comedy duo stays together twenty years, they’re a triumph. Is this night a failure because it will end in an hour? Is the sun a failure because it’s going to end in a billion years? No, it’s the fucking sun. Why does a marriage not count? It isn’t in us, it isn’t in human beings, to be tied to one person forever. Siamese twins are a tragedy. Twenty years and one last happy road trip. And I thought, Well, that was nice. Let’s end on success.

In any group of dolphins you’ll find cliques and posses, duos and trios and quartets, mothers and babies and spinster aunts, frisky bands of horny teenage males, wily hunters, burly bouncers, sage elders—and their associations are anything but random. Dolphins are strategists. They’re also highly social chatterboxes who recognize themselves in the mirror, count, cheer, giggle, feel despondent, stroke each other, adorn themselves, use tools, make jokes, play politics, enjoy music, bring presents on a date, introduce themselves, rescue one another from dangerous situations, deduce, infer, manipulate, improvise, form alliances, throw tantrums, gossip, scheme, empathize, seduce, grieve, comfort, anticipate, fear, and love—just like us.

Behold but One in all things; it is the second that leads you astray. Kabir That this insight into the nature of things and the origin of good and evil is not confined exclusively to the saint, but is recognized obscurely by every human being, is proved by the very structure of our language. For language, as Richard Trench pointed out long ago, is often “wiser, not merely than the vulgar, but even than the wisest of those who speak it. Sometimes it locks up truths which were once well known, but have been forgotten. In other cases it holds the germs of truths which, though they were never plainly discerned, the genius of its framers caught a glimpse of in a happy moment of divination.” For example, how significant it is that in the Indo-European languages, as Darmsteter has pointed out, the root meaning “two” should connote badness. The Greek prefix dys- (as in dyspepsia) and the Latin dis- (as in dishonorable) are both derived from “duo.” The cognate bis- gives a pejorative sense to such modern French words as bévue (“blunder,” literally “two-sight”). Traces of that “second which leads you astray” can be found in “dubious,” “doubt” and Zweifel—for to doubt is to be double-minded. Bunyan has his Mr. Facing-both-ways, and modern American slang its “two-timers.” Obscurely and unconsciously wise, our language confirms the findings of the mystics and proclaims the essential badness of division—a word, incidentally, in which our old enemy “two” makes another decisive appearance.

In every classic comedy duo, from Laurel and Hardy to Abbott and Costello to Martin and Lewis, in order for the exchange to work, the quality of the straight man had to be as dynamic as that of the funny guy. Carl was the best at this. I could use a single question as a springboard to unplanned exposition and tangents that would be as much of a surprise to Carl as they were to the audience. Carl was a gifted partner: While he deferred the punch lines to me, he knew me well enough to follow along and cross paths enough to set me up for more opportunities. He also knew he could throw me a complete curveball and I’d swing for the fences. We were a great ad-libbed high-wire act, and like the best high-wire acts, ours was dependent upon complete trust and respect for each other. Carl once said, “A brilliant mind in panic is a wonderful thing to behold.

There is no one tried-and-true recipe for forever. Every couple must make their own mistakes and share their own triumphs. But if I were to give one piece of advice, it would be this: stay together. The grass is most likely not greener elsewhere, and if you and your spouse have once shared love, you should always be able to figure out how to love again. Besides, you can’t have a happily-ever-after unless you are still together at THE END.

As soon as we take our seats, a sequence of six antipasti materialize from the kitchen and swallow up the entire table: nickels of tender octopus with celery and black olives, a sweet and bitter dance of earth and sea; another plate of polpo, this time tossed with chickpeas and a sharp vinaigrette; a duo of tuna plates- the first seared and chunked and served with tomatoes and raw onion, the second whipped into a light pâté and showered with a flurry of bottarga that serves as a force multiplier for the tuna below; and finally, a plate of large sea snails, simply boiled and served with small forks for excavating the salty-sweet knuckle of meat inside. As is so often the case in Italy, we are full by the end of the opening salvo, but the night is still young, and the owner, who stops by frequently to fill my wineglass as well as his own, has a savage, unpredictable look in his eyes. Next comes the primo, a gorgeous mountain of spaghetti tossed with an ocean floor's worth of clams, the whole mixture shiny and golden from an indecent amount of olive oil used to mount the pasta at the last moment- the fat acting as a binding agent between the clams and the noodles, a glistening bridge from earth to sea. "These are real clams, expensive clams," the owner tells me, plucking one from the plate and holding it up to the light, "not those cheap, flavorless clams most restaurants use for pasta alle vongole." Just as I'm ready to wave the white napkin of surrender- stained, like my pants, a dozen shades of fat and sea- a thick cylinder of tuna loin arrives, charred black on the outside, cool and magenta through the center. "We caught this ourselves today," he whispers in my ear over the noise of the dining room, as if it were a secret to keep between the two of us. How can I refuse?

And then there is the small matter of the Facetiae, the fifteenth century’s most scandalous book of rude jokes. Poggio wrote the Facetiae between 1438 and 1452. Some of the jokes are about church politics and current affairs. Most are about sex. Jokes about lusty parishioners, lecherous merchants, magical orifices, gullible patients, lewd factotums, randy hermits (St. Gallus must have turned in his grave), simple-minded grooms, libidinous peasants, seductive friars—and the woman who tells her husband she has two vaginas (duos cunnos), one in front that she would share with him; the other behind—for the Church. Building on this theme, Poggio’s joke number CLXXXI is an “Amusing remark by a young woman in labour.” In Florence, a young woman, somewhat of a simpleton, is on the point of giving birth. She has long endured acute pain, and the midwife, candle in hand, inspects secretiora ejus, in order to ascertain if the baby is coming: “Look also on the other side,” the poor creature says. “My husband has sometimes taken that road.

The seven people murdered by Chechen immigrants Dzhokhar and Tamerlan Tsarnaev, who planted a bomb at the finish line of the Boston Marathon in 2013. In addition to the three people killed in the blast, including an eight-year-old boy, dozens of Americans suffered severe injuries in the marathon bombing and are still learning to live with prosthetics and other artificial devices to replace lost legs, feet, eyes, and hearing—all thanks to an immigration policy that allows other countries to dump their losers on us. Days after setting off the bomb, the duo murdered a young MIT police officer during their attempted escape, and two years earlier Tamerlan and another Muslim immigrant slit the throats of three Jewish men on the tenth anniversary of the 9/11 attack—which I believe was also the work of immigrants. CNN headline after the attack: “Boston Bombing Shouldn’t Derail Immigration Reform.”32 Leaving aside the wanton slaughter, Dzhokhar and Tamerlan were tremendous assets to America. They were on welfare and getting mostly Fs in school. Good work, U.S. immigration service!

Evangelium Secundum Lucam - Chapter 24 The Gospel According To Luke 1 una autem sabbati valde diluculo venerunt ad monumentum portantes quae paraverant aromata And on the first day of the week, very early in the morning, they came to the sepulchre, bringing the spices which they had prepared. 2 et invenerunt lapidem revolutum a monumento And they found the stone rolled back from the sepulchre. 3 et ingressae non invenerunt corpus Domini Iesu And going in, they found not the body of the Lord Jesus. 4 et factum est dum mente consternatae essent de isto ecce duo viri steterunt secus illas in veste fulgenti And it came to pass, as they were astonished in their mind at this, behold, two men stood by them, in shining apparel. 5 cum timerent autem et declinarent vultum in terram dixerunt ad illas quid quaeritis viventem cum mortuis And as they were afraid and bowed down their countenance towards the ground, they said unto them: Why seek you the living with the dead? 6 non est hic sed surrexit recordamini qualiter locutus est vobis cum adhuc in Galilaea esset He is not here, but is risen. Remember how he spoke unto you, when he was yet in Galilee,

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

It's a parade of flawless tuna deliciousness! But by far, the most dangerous piece... is the one that looks like a bomb of pure tuna goodness, the straw-grilled, seared noten sushi! The noten- a cut of meat from the top of the tuna's head- is one of the priciest cuts. Extravagantly fatty, its richness melds with the fragrant searing into a powerful duo! Yet there isn't the first hint of fishiness! Searing it using aromatic straw burned it away, leaving only pure savory flavor behind to please both nose and palate!" "His Trace was dead-on. Looks like it really will be his arrangements on that Gunkan Maki that decide this card." "I can't even begin to guess what it tastes like." What's this on top of the minced tuna and leeks?! Is it... meringue?! "Aah! Now I see! I know what Subaru Mimasaka took out at that moment! It was the same smoked soy sauce he passed to Kuga!" The mellow, full-bodied aroma of smoked soy sauce has seeped into every crevice of the minced tuna... ... while the differing textures of the meringue and the negitoro create deeper, more complex layers to the flavor! If I were to name it, I would call it the "Ultimate Negitoro Eggs-over-Rice Gunkan Sushi"! Minced tuna rib meat mixed with leeks and smoked soy sauce, topped with quail-egg yolk

24. The Rutles, “Cheese and Onions” (1978) A legend to last a lunchtime. The Rutles were the perfect Beatle parody, starring Monty Python’s Eric Idle and the Bonzos’ Neil Innes in their classic mock-doc All You Need Is Cash, with scene-stealing turns by George Harrison, Mick Jagger, and Paul Simon. (Interviewer: “Did the Rutles influence you at all?” Simon: “No.” Interviewer: “Did they influence Art Garfunkel?” Simon: “Who?”) “Cheese and Onions” is a psychedelic ersatz Lennon piano ballad so gorgeous, it eventually got bootlegged as a purported Beatle rarity. Innes captures that tone of benignly befuddled pomposity—“I have always thought in the back of my mind / Cheese and onions”—along with the boyish vulnerability that makes it moving. Hell, he even chews gum exactly like John. The Beatles’ psychedelic phase has always been ripe for parody. Witness the 1967 single “The L.S. Bumble Bee,” by the genius Brit comedy duo Peter Cook and Dudley Moore, from Beyond the Fringe and the BBC series Not Only . . . ​But Also, starring John Lennon in a cameo as a men’s room attendant. “The L.S. Bumble Bee” sounds like the ultimate Pepper parody—“Freak out, baby, the Bee is coming!”—but it came out months before Pepper, as if the comedy team was reeling from Pet Sounds and wondering how the Beatles might respond. Cook and Moore are a secret presence in Pepper—when the audience laughs in the theme song, it’s taken from a live recording of Beyond the Fringe, produced by George Martin.

Imagine that you are watching a really great magic trick. The celebrated conjuring duo Penn and Teller have a routine in which they simultaneously appear to shoot each other with pistols, and each appears to catch the bullet in his teeth. Elaborate precautions are taken to scratch identifying marks on the bullets before they are put in the guns, the whole procedure is witnessed at close range by volunteers from the audience who have experience of firearms, and apparently all possibilities for trickery are eliminated. Teller’s marked bullet ends up in Penn’s mouth and Penn’s marked bullet ends up in Teller’s. I [Richard Dawkins] am utterly unable to think of any way in which this could be a trick. The Argument from Personal Incredulity screams from the depths of my prescientific brain centres, and almost compels me to say, ‘It must be a miracle. There is no scientific explanation. It’s got to be supernatural.’ But the still small voice of scientific education speaks a different message. Penn and Teller are world-class illusionists. There is a perfectly good explanation. It is just that I am too naïve, or too unobservant, or too unimaginative, to think of it. That is the proper response to a conjuring trick. It is also the proper response to a biological phenomenon that appears to be irreducibly complex. Those people who leap from personal bafflement at a natural phenomenon straight to a hasty invocation of the supernatural are no better than the fools who see a conjuror bending a spoon and leap to the conclusion that it is ‘paranormal’.

I can easily believe, that there are more invisible than visible beings in the universe. But who will declare to us the family of all these, and acquaint us with the agreements, differences, and peculiar talents which are to be found among them? It is true, human wit has always desired a knowledge of these things, though it has never yet attained it. I will own that it is very profitable, sometimes to contemplate in the mind, as in a draught, the image of the greater and better world, lest the soul being accustomed to the trifles of this present life, should contract itself too much, and altogether rest in mean cogitations, but, in the meantime, we must take care to keep to the truth, and observe moderation, that we may distinguish certain from uncertain things, and day from night.

BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.

In 1998, he helped organize the first “advanced chess” tournament, in which each human player, including Kasparov himself, paired with a computer. Years of pattern study were obviated. The machine partner could handle tactics so the human could focus on strategy. It was like Tiger Woods facing off in a golf video game against the best gamers. His years of repetition would be neutralized, and the contest would shift to one of strategy rather than tactical execution. In chess, it changed the pecking order instantly. “Human creativity was even more paramount under these conditions, not less,” according to Kasparov. Kasparov settled for a 3–3 draw with a player he had trounced four games to zero just a month earlier in a traditional match. “My advantage in calculating tactics had been nullified by the machine.” The primary benefit of years of experience with specialized training was outsourced, and in a contest where humans focused on strategy, he suddenly had peers. A few years later, the first “freestyle chess” tournament was held. Teams could be made up of multiple humans and computers. The lifetime-of-specialized-practice advantage that had been diluted in advanced chess was obliterated in freestyle. A duo of amateur players with three normal computers not only destroyed Hydra, the best chess supercomputer, they also crushed teams of grandmasters using computers. Kasparov concluded that the humans on the winning team were the best at “coaching” multiple computers on what to examine, and then synthesizing that information for an overall strategy. Human/Computer combo teams—known as “centaurs”—were playing the highest level of chess ever seen. If Deep Blue’s victory over Kasparov signaled the transfer of chess power from humans to computers, the victory of centaurs over Hydra symbolized something more interesting still: humans empowered to do what they do best without the prerequisite of years of specialized pattern recognition.

When players study all those patterns, they are mastering tactics. Bigger-picture planning in chess—how to manage the little battles to win the war—is called strategy. As Susan Polgar has written, “you can get a lot further by being very good in tactics”—that is, knowing a lot of patterns—“and have only a basic understanding of strategy.” Thanks to their calculation power, computers are tactically flawless compared to humans. Grandmasters predict the near future, but computers do it better. What if, Kasparov wondered, computer tactical prowess were combined with human big-picture, strategic thinking? In 1998, he helped organize the first “advanced chess” tournament, in which each human player, including Kasparov himself, paired with a computer. Years of pattern study were obviated. The machine partner could handle tactics so the human could focus on strategy. It was like Tiger Woods facing off in a golf video game against the best gamers. His years of repetition would be neutralized, and the contest would shift to one of strategy rather than tactical execution. In chess, it changed the pecking order instantly. “Human creativity was even more paramount under these conditions, not less,” according to Kasparov. Kasparov settled for a 3–3 draw with a player he had trounced four games to zero just a month earlier in a traditional match. “My advantage in calculating tactics had been nullified by the machine.” The primary benefit of years of experience with specialized training was outsourced, and in a contest where humans focused on strategy, he suddenly had peers. A few years later, the first “freestyle chess” tournament was held. Teams could be made up of multiple humans and computers. The lifetime-of-specialized-practice advantage that had been diluted in advanced chess was obliterated in freestyle. A duo of amateur players with three normal computers not only destroyed Hydra, the best chess supercomputer, they also crushed teams of grandmasters using computers. Kasparov concluded that the humans on the winning team were the best at “coaching” multiple computers on what to examine, and then synthesizing that information for an overall strategy. Human/Computer combo teams—known as “centaurs”—were playing the highest level of chess ever seen. If Deep Blue’s victory over Kasparov signaled the transfer of chess power from humans to computers, the victory of centaurs over Hydra symbolized something more interesting still: humans empowered to do what they do best without the prerequisite of years of specialized pattern recognition.