Dungeons Dungeons And More Dungeons Quotes

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!

Never build a dungeon you wouldn't be happy to spend the night in yourself. The world would be a happier place if more people remembered that.

...an obsession is a way for damaged people to damage themselves more.

Mana Toast. This is toast. It refills your mana. That’s it. Nothing more. Fuck you.

Being eaten by a bugbear makes me uncomfortable, Carl. So if your boyfriend ogling your tootises keeps these easy-peasy bugs coming at us instead of more of those lava-spitting llamas, then you better buck up, get over your human male privilege, and take one for your princess.

The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: "You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you.

It is kind of dungeon-esque,” I murmured to her. “Who uses stone this dark for a wine cellar? I’d expect something more Tuscan.

They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.

For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to excarcerate himself from the claustral dungeon cell of his life. In the end, however, he broke beneath the weight of his aspiration. And as the years passed, the only mystery which seemed worthy of his interest, and his amazement, was that unknown day which would inaugurate his personal eternity, that incredible day on which the sun simply would not rise, and forever would begin.

I feel like she's more cut out to be an employee at the inn than a hunter risking life and limb for money, but I'm sure she has her own thoughts on that.

He attempted to bark the order and succeeded, albeit with more of a chihuahua result than intended.

The old men from the charity hospital next door would come jerking past our rooms, making useless, disjointed leaps. They'd go from room to room, spitting out gossip between their decayed teeth, purveying scraps of malignant worn-out slander. Cloistered in their official misery as in an oozing dungeon, those aged workers ruminated the layer of shit that long years of servitude deposit on men's souls. Impotent hatreds grown rancid in the pissy idleness of dormitories. They employed their last quavering energies in hurting each other a little more. In destroying what little pleasure they had left. Their last remaining pleasure! Their shriveled carcasses contained not one solitary atom that was not absolutely vicious!

Cards and boards, [Johnny] thought. And the dead. That's not dark forces. Making a fuss about cards and heavy metal and going on about Dungeons and Dragons stuff because it's got demon gods in it is like guarding to door when it is really coming up through the floorboards. Real dark forces... aren't dark. They're sort of gray, like Mr. Grimm. They take all the color out of life; they take a town like Blackbury and turn it into frightened streets and plastic signs and Bright New Futures and towers where no one wants to live and no one really does live. The dead seem more alive than us. And everyone becomes gray and turns into numbers and then, somewhere, someone starts to do arithmetic...

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the full claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to liberate himself from the dungeon cell of his life.

Being open about who you are can be a little scary, but I think that after you’ve explored your first dungeon, or been hounded through a forest by an unknown threat, you begin to worry less about the approval of others and more about whether you remembered to bring a torch.

You attacked and caused damage to a mob that is more than 75 levels above your own. The fact that you’re reading this suggests you’re the luckiest fucker in the dungeon. Just remember, luck goes both ways, like your mom. Reward: You’ve received a Platinum Lucky Bastard Box!

The Bible with masculine domination in the Old Testament and feminine submission in the New Testament is a BDSM manual! However, its BDSM lessons have never been properly learned and implemented. Christianity only makes sense in a dungeon and torture chamber. To convert Christians, you need to give them an even more thrilling BDSM experience!

The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long.

Trying to tackle a dungeon the first time always led to more questions than answers.

It was nice to be around people I knew cared for me, but at the same time, the more time I spent with all of them, the more alone I felt

Albert, you are more highly privileged than ever I was. No one ever made me a nice dungeon when I was your age. I think I had better leave you where you are.

Everything about the brain of a gnome is amped up. They weren't just intelligent. They were more susceptible to the effects of an emotional stimulus.

Well rested” wasn’t usually a status effect that he managed to achieve in real life, relying far more often on “Over-caffeinated.

All rulers carried the shadow of the Tyrant on their backs. The greater the king, the more terrible the threat of the shadow.

It’s the dilemma of any job working for ‘the man’: do poorly, and you’re out of a job; do well, and get loads more work dropped on you.  I think you can handle

That reminds me why I gave up Dungeons and Dragons. There were too many monsters. Back in the old days you could go around a dungeon without meeting much more than a few orcs and lizard men, but then everyone started inventing monsters and pretty soon it was a case of bugger the magic sword, what you really need to be the complete adventurer was the Marcus L. Rowland fifteen-volume guide to Monsters and the ability to read very, very fast, because if you couldn’t recognize them from the outside you pretty soon got the chance to try looking at them from the wrong side of their tonsils.

Never build a dungeon you wouldn’t be happy to spend the night in yourself,’ said the Patrician, laying out the food on the cloth. ‘The world would be a happier place if more people remembered that.

Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own?

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

Can you not see death as the friend and deliverer? It means stripping off that body which is tormenting you: like taking off a hairshirt or getting out of a dungeon. What is there to be afraid of? You have long attempted (and none of us does more) a Christian life. Your sins are confessed and absolved. Has this world been so kind to you that you should leave it with regret? There are better things ahead than any we leave behind. (117)

It is a piece of idle sentimentality that truth, merely as truth, has any inherent power denied to error, of prevailing against the dungeon and the stake. Men are not more zealous for truth than they often are for error,

His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.

I have rules,” she said to him. He stilled his pen, raised expressionless eyes to her face, and waited. “When you bring me an old servant who’s come willingly where the king’s men have bidden him, a man who’s never been convicted, or even accused, of a crime,” Fire said, “I will not take his mind. I’ll sit before him and ask questions, and if my presence makes him more talkative, very well. But I will not compel him to say things he would otherwise not have said. Nor,” she added, voice rising, “will I take the mind of a person who’s been fed too little, or denied medicines, or beaten in your jails. I won’t manipulate a prisoner you’ve mistreated.” Garan sat back and crossed his arms. “That’s rich, isn’t it? Your own manipulation is mistreatment; you’ve said it yourself.” “Yes, but mine is meant to be for good reason. Yours is not.” “It’s not my mistreatment. I don’t give the orders down there, I’ve no idea what goes on.” “If you want me to question them, you’d best find out.” To Garan’s credit, the treatment of Dellian prisoners did change after that. One particularly laconic man, after a session in which Fire learned positively nothing, thanked her for it specifically. “Best dungeons I ever been in,” he said, chewing on a toothpick. “Wonderful,” Garan grumbled when he’d gone. “We’ll grow a reputation for our kindness to lawbreakers.

I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.

Some alters are what Dr Ross describes in Multiple Personality Disorder as 'fragments'. which are 'relatively limited psychic states that express only one feeling, hold one memory, or carry out a limited task in the person's life. A fragment might be a frightened child who holds the memory of one particular abuse incident.' In complex multiples, Dr Ross continues, the 'personalities are relatively full-bodied, complete states capable of a range of emotions and behaviours.' The alters will have 'executive control some substantial amount of time over the person's life'. He stresses, and I repeat his emphasis, 'Complex MPD with over 15 alter personalities and complicated amnesia barriers are associated with 100 percent frequency of childhood physical, sexual and emotional abuse.' Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

You don’t know what’s possible unless you push yourself to be more, encourage the people near you to be the best they can be, and discover all of the potential out in the world.  You might be surprised at what you are capable of when stretching past your pre-conceived limits.

Before I ended up in this dungeon of the world, I was with you all the time. How I wish I’d never fallen into this earthly trap. I kept telling you over and over again: “I’m perfectly happy here. I don’t want to go anywhere. To travel from this exaltation down to earth is just too difficult a journey." You sent me anyway: “Go, don’t be scared. No harm will come to you. I will always be with you." You persuaded me by saying: 
“If you go, you’ll gain new experiences. You’ll progress on your path. You’ll be far more mature when you come back home." I replied: “O Essence of Knowledge, What good is all this learning and information
without you? Who could leave you for knowledge, unless he has no knowledge of you?" When I drink wine from your hand, 
I haven’t a care in the world. I become drunk and happy. 
I couldn’t care less about gain or loss, or people’s good or bad features.

Skill Potion. Drinking this adds a single level to the Determine Value skill. Hopefully now you’ll realize all those Magic: The Gathering cards are nothing more than just meaningless pieces of paper, and you should have spent your money on something with actual value, like a treadmill. Or shampoo.

The night was getting more and more frantic. I wished Dean and Carlo were there—then I realized they’d be out of place and unhappy. They were like the man with the dungeon stone and the gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining.

Freud believed that much of mental illness was due to repression, which is arguably and reasonably considered a form of self-deception. For him, memories of traumatically troubling events were unconsciously banished to perdition in the unconscious, where they rattled around and caused trouble, like poltergeists in a dungeon.

He remembered those countless nights staring at the irrevocable concrete and wishing he might will himself beyond the dungeon. Yet, the evocative beseeching for God never reached beyond the guard towers. Mechanistic accretions that eroded in the ether and died shortly after the moment of conception. This world incubated and full of things that you have no control over. Windless air in the tomb that perpetually stank of a milieu of filthy men and toxic bleach. That was now gone. Finally, Ronnie had what he prayed for those many nights. A plan that was based off more than the basic human contingencies. A reason to live that was outside of himself.

This is Pyrrhia, where there are seven dragon tribes. There were seven queens. Then came a great war, a prophecy, a volcano … and after the War of SandWing Succession was over, a shift in the balance of power. Not everyone approves of the new SandWing queen. In fact, the only topic more controversial is the new queen of the NightWings. Can they hold on to their thrones? Should they? In the dungeon of the SandWing stronghold, two prisoners await … what? A trial? Imminent execution? They’re not exactly sure. They are NightWings, but they cannot go back to their tribe. They are in exile; they are too dangerous to be allowed to return. And yet: too complicated to be killed. (They hope.) So they wait, and scheme (well, one of them schemes. The other one is catching up on sleeping and eating). And they wonder what will happen to them. All they want is access to the most dangerous weapon of all: a chance to tell their own story. They are prisoners. But perhaps that is about to change.

Signý knew she would die a thousand deaths upon seeing another woman with him, bearing his children, raising them with him. All the while, Signý, caged in his dungeons, hearing all the painful details of his life with someone else, drowning in her own despair, her love for him turning to hatred. A more tragic life, she could not imagine.

Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

...moral and religious education, and especially the education a child receives at home, where parents are allowed - even expected - to determine for their children what counts as truth and falsehood, right and wrong. Children, I'll argue, have a human right not to have their minds crippled by exposure to other people's bad ideas - no matter who these other people are. parents, correspondingly, have no God-given license to enculturate their children in whatever ways they personally choose: no right to limit the horizons of their children's knowledge, to bring them up in an atmosphere of dogma and superstition, or to insist they follow the straight and narrow paths of their own faith. In short, children have a right not to have their minds addled by nonsense, and we as a society have a duty to protect them from it. So we should no more allow parents to teach their children to believe, for example, in the literal truth of the Bible or that the planets rule their lives, than we should allow parents to knock their children's teeth out or lock them in a dungeon.

Our world no longer hears God because it is constantly speaking, at a devastating speed and volume, in order to say nothing. Modern civilization does not know how to be quiet. It holds forth in an unending monologue. Postmodern society rejects the past and looks at the present as a cheap consumer object; it pictures the future in terms of an almost obsessive progress. Its dream, which has become a sad reality, will have been to lock silence away in a damp, dark dungeon. Thus there is a dictatorship of speech, a dictatorship of verbal emphasis. In this theater of shadows, nothing is left but a purulent wound of mechanical words, without perspective, without truth, and without foundation. Quite often “truth” is nothing more than the pure and misleading creation of the media, corroborated by fabricated images and testimonies. When that happens, the word of God fades away, inaccessible and inaudible. Postmodernity is an ongoing offense and aggression against the divine silence. From morning to evening, from evening to morning, silence no longer has any place at all; the noise tries to prevent God himself from speaking. In this hell of noise, man disintegrates and is lost; he is broken up into countless worries, fantasies, and fears. In order to get out of these depressing tunnels, he desperately awaits noise so that it will bring him a few consolations. Noise is a deceptive, addictive, and false tranquilizer. The tragedy of our world is never better summed up than in the fury of senseless noise that stubbornly hates silence. This age detests the things that silence brings us to: encounter, wonder, and kneeling before God. 75. Even in the schools, silence has disappeared. And yet how can anyone study in the midst of noise? How can you read in noise? How can you train your intellect in noise? How can you structure your thought and the contours of your interior being in noise? How can you be open to the mystery of God, to spiritual values, and to our human greatness in continual turmoil? Contemplative silence is a fragile little flame in the middle of a raging ocean. The fire of silence is weak because it is bothersome to a busy world.

He glanced helplessly at Ruby, hoping for some help. She was a scribe and had more experience with dwarves than the six hours that Durham had acquired. He's assumed that, as a fellow human, she would make an effort to be some sort of cultural ambassador to help him survive past lunch. Ruby's current interpretation of being helpful seemed to be a silent smirk.

Let men position you in the den, God will make you a Daniel in the den. Let men position you to face Goliath, God will make you a David. Let men subject you to undue pressure, torture and pain, blindfold you and lead you into the dungeon, God will make you a Samson there! Let men sell you into indentured servitude, God will make you Joseph. Let men build a death trap for you, God shall turn it into the days of Mordecai and Haman and you shall only see with your eyes the destruction of evil conspirators who would never repent! Let all odds be against you, God will make you Job. And when though fear grips your heart because of the storm you see, God will empower you and make you more than Peter. Stay hopeful! Trust in God!

As king of the underworld, I have more important things to do. Like what, you ask? Well, like coming up with new punishments for evil-doers in the dungeons of Tartaros, for one. And also scouring every inch of this place to make sure that no sons of Zeus—or Poseidon, for that matter (I'm looking at you, Percy Jackson)—sneak into my realm to create yet more havoc.

I perceive that people in these regions acquire over people in towns the value that a spider in a dungeon does over a spider in a cottage, to their various occupants; and yet the deepened attraction is not entirely owing to the situation of the looker-on. They do live more in earnest, more in themselves, and less in surface, change, and frivolous external things.

Doms always want control, Sean. Always. It's WHY he wants that control that matters. In this specific power exchange, the outcome is priceless. Why? Because there are very few things a sub can surrender that are more profoundly intimate than release. To have that kind of power, dictating exactly when another can come....It's its own kind of high, Sean. Its own kind of rush.

For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.

If he could just speak to her, even for a moment… Oak knows it’s ridiculous, and yet he can’t help feeling as though they have an understanding of each other, one that transcends this admittedly not-great moment. She will be angry when he talks with her, of course. He deserves her anger. He has to tell her that he regrets what he did. He’s not sure what happens after that. Nor is he sure what it means about him that he finds hope in the fact that Wren has kept him. Fine, not everyone would see being thrown into a dungeon as a romantic gesture, but he’s choosing to consider the possibility that she put him there because she wants something more from him. Something beyond, say, skinning him and leaving his rotting corpse for the ravens to pick over. On that thought, he splashes his way out of the tub.

Hunt said, “I lost track of time, too. The Asteri dungeons are so far beneath the earth, so lightless, that days are years and years are days and … When they let me out, I went right to the Archangel Ramuel. My first … handler. He continued the pattern for two years, got bored with it, and realized that I’d be more useful dispatching demons and doing his bidding than rotting away in his torture chambers.” “Burning Solas, Hunt,” she whispered.

I was about to beg Rhys to fly me home when I caught the strands of music pouring from a group of performers outside a restaurant. My hands slackened at my sides. A reduced version of the symphony I'd heard in a chill dungeon, when I had been so lost in terror and despair that I'd hallucinated- hallucinated as this music poured into my cell- and kept me from shattering. And once more, the beauty of it hit me, the layering and swaying, the joy and peace. They had never played a piece like it Under the Mountain- never this sort of music. And I'd never heard music in my cell save for that one time. 'You,' I breathed, not taking my eyes from the musicians playing so skilfully that even the diners had set down their forks in the cafe nearby. 'You sent that music into my cell. Why?' Rhysand's voice was hoarse. 'Because you were breaking. And I couldn't find another way to save you.

won’t be surprised if the answer is yes and no. The lambs will stop for now. But, Clarice, you judge yourself with all the mercy of the dungeon scales at Threave; you’ll have to earn it again and again, the blessed silence. Because it’s the plight that drives you, seeing the plight, and the plight will not end, ever. I have no plans to call on you, Clarice, the world being more interesting with you in it. Be sure you extend me the same courtesy.

I won’t be surprised if the answer is yes and no. The lambs will stop for now. But, Clarice, you judge yourself with all the mercy of the dungeon scales at Threave; you’ll have to earn it again and again, the blessed silence. Because it’s the plight that drives you, seeing the plight, and the plight will not end, ever. I have no plans to call on you, Clarice, the world being more interesting with you in it. Be sure you extend me the same courtesy.

For imagining an individual's existence as a larger or smaller room reveals to us that most people are only acquainted with one corner of their particular room, a place by the window, a little area to pace up and down. That way, they have a certain security. And yet the perilous uncertainty that drives the prisoners in Poe's tales to grope out the outlines of their terrible dungeons and so to know the unspeakable horrors of their surroundings, is so much more human.

No one had asked about his life, the years aboard ship. As a child she had been fascinated by the way he would come home every year smaller, angrier, more leathery, until one day in her teens, he fell into bed and lay there glaring up at her and her mother, unable to rise, enraged, knowing that at the end of this furlough they expected him to pull up his carcass and make his way back to the dungeon of his vessel. Not once did they ask him how he felt. After all he was a man. Men endured.

Even then, I was dreaming of Raistlin's black robes one moment, and Dorsett's spin move the next. This was what my father deeded--that our Knowledge of Self be more than America, that we understand the brain death that sprawled from the projects to the subdivisions. Consciousness was a beginning, but the imagination could turn straight 18s into paladins in plate, could make warrens in tunnels from graph paper, could pull armies of gnolls from miniatures--that was the Knowledge that ultimately would find a way out.

I thought it very likely I might have this sort of untestable power myself. It was kind of logical--no good at sport, alrightish at my studies, there must have been some field in which I excelled. Magic had to be it. It's difficult for adults to picture just what a grip these fantasies can take on a child. There's occasionally a reminder as a kid throws himself off a roof pretending to be Batman, but mostly the interior life of children goes unnoticed. When I say I thought I could be a wizard, that's exactly true. I really did believe I had latent magical powers, and, with enough concentration and fiddling my fingers into strange patterns, I might suddenly find how to unlock the magic inside me. I wouldn't call this a delusion, more a very strong suspicion. I'd weighed all the evidence, and that was the likely conclusion--so much so that I had to stop myself trying to turn Matt Bradon into a fly when he was jumping up and down on the desk in French saying, "Miss, what are mammary glands?" to the big-breasted Miss Mundsley. I feared that, if I succeeded, I might not be able to turn him back. It was important, I knew, to use my powers wisely. There's nothing that you'd have to call a psychoanalyst in for here. At the bottom line my growing interest in fantasy was just an expression of a very common feeling--"there's got to be something better than this," an easy one to have in the drab Midlands of the 1970s. I couldn't see it, though. My world was very small, and I couldn't imagine making things better incrementally, only a total escape.

The only mode which is employed to repress this violence, and to maintain the order and peace of society, is punishment. Whips, axes and gibbets, dungeons, chains and racks are the most approved and established methods of persuading men to obedience, and impressing upon their minds the lessons of reason. There are few subjects upon which human ingenuity has been more fully displayed than in inventing instruments of torture. The lash of the whip a thousand times repeated and flagrant on the back of the defenceless victim, the bastinado on the soles of the feet, the dislocation of limbs, the fracture of bones, the faggot and the stake, the cross, impaling, and the mode of drifting pirates on the Volga, make but a small part of the catalogue. When Damiens, the maniac, was arraigned for his abortive attempt on the life of Louis XV of France, a council of anatomists was summoned to deliberate how a human being might be destroyed with the longest protracted and most diversified agony. Hundreds of victims are annually sacrificed at the shrine of positive law and political institution.

But won’t crime go up if we abandon our prison system? Let Robert Ingersoll answer: The world has been filled with prisons and dungeons, with chains and whips, with crosses and gibbets, with thumb-screws and racks, with hangmen and headsmen — and yet these frightful means and instrumentalities and crimes have accomplished little for the preservation of property or life. It is safe to say that governments have committed far more crimes than they have prevented. As long as society bows and cringes before the great thieves, there will be little ones enough to fill the jails.

At that tasted Fruit   The Sun, as from THYESTEAN Banquet, turn'd   His course intended; else how had the World   Inhabited, though sinless, more then now,   Avoided pinching cold and scorching heate?   These changes in the Heav'ns, though slow, produc'd   Like change on Sea and Land, sideral blast,   Vapour, and Mist, and Exhalation hot,   Corrupt and Pestilent: Now from the North   Of NORUMBEGA, and the SAMOED shoar   Bursting thir brazen Dungeon, armd with ice   And snow and haile and stormie gust and flaw,   BOREAS and CAECIAS and ARGESTES loud   And THRASCIAS rend the Woods and Seas upturn;

This, since junior school, had been virtually my only experience of women—as fantasy figures. Reading about women in fantasy novels had set me an even more unrealistic point of view. The Lord of the Rings doesn't help, with its sexless visions of elf maidens who may as well be speaking paintings, and neither does other fantasy literature, where women seem to exist solely to be rescued or slept with. The men they want are sorcerer-kings, doomed warriors or deadly assassins. I think the idea that women might fancy good-looking, well-adjusted men who are nice to them is too much for the average fantasy-head to bear.

One author, in writing of the Bible’s uniqueness, put it this way: Here is a book: 1. written over a 1500 year span; 2. written over 40 generations; 3. written by more than 40 authors, from every walk of life— including kings, peasants, philosophers, fishermen, poets, statesmen, scholars, etc.: Moses, a political leader, trained in the universities of Egypt Peter, a fisherman Amos, a herdsman Joshua, a military general Nehemiah, a cupbearer Daniel, a prime minister Luke, a doctor Solomon, a king Matthew, a tax collector Paul, a rabbi 4. written in different places: Moses in the wilderness Jeremiah in a dungeon Daniel on a hillside and in a palace Paul inside a prison Luke while traveling John on the isle of Patmos others in the rigors of a military campaign 5. written at different times: David in times of war Solomon in times of peace 6. written during different moods: some writing from the heights of joy and others from the depths of sorrow and despair 7. written on three continents: Asia, Africa, and Europe 8. written in three languages: Hebrew… , Aramaic… , and Greek… 9. Finally, its subject matter includes hundreds of controversial topics. Yet, the biblical authors spoke with harmony and continuity from Genesis to Revelation. There is one unfolding story…

My Ma, she wanted me to take up a trade. Make your life count for something, she said. Go where the Dwarves are. Now you just try and outwork a dwarf. Might as well dig your own grave!” Trapper tipped up his hat and scratched his greasy head. “I done like she said. I went to Thorbarten. Those Dwarves, they got more-n-enough busy work to go around. But them mountains—always loomin’ in the distance.” Trapper swiped the ragged hat from his head and held it over his heart. “I took to the mountains. Was the splendor—drew me in. Don’t regret it. Never will. But I do find myself wishin’ I had done more while I had the chance. Time is short for my kind. Not so with the Dwarves and the Gnomes.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collarbone with her fingertips. “I always thought you… I thought they were beautiful.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away.

I perceive that people in these regions acquire over people in towns the value that a spider in a dungeon does over a spider in a cottage, to their various occupants; and yet the deepened attraction is not entirely owing to the situation of the looker-on. They do live more in earnest, more in themselves, and less in surface change, and frivolous external things. I could fancy a love for life here almost possible; and I was a fixed unbeliever in any love of a year's standing — one state resembles setting a hungry man down to a single dish on which he may concentrate his entire appetite, and do it justice — the other, introducing him to a table laid out by French cooks; he can perhaps extract as much enjoyment from the whole, but each part is a mere atom in his regard and remembrance.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

Is it really that helpful, Mr. Duke, to expose these damaged men—and let us tell you how very damaged they are, one way or another, many of them in childhood through abuse and neglect, and some of them would be better off in a mental institution or an asylum for recovering drug addicts, much more suitable for them than teaching them four-hundred-year-old words—is it helpful to expose these vulnerable men to traumatic situations that can trigger anxiety and panic and flashbacks, or, worse, dangerous aggressive behavior? Situations such as political assassinations, civil wars, witchcraft, severed heads, and little boys being smothered by their evil uncle in a dungeon? Much of this is far too close to the lives they have already been leading. Really, Mr. Duke, do you want to run those risks and take those responsibilities upon you?

Those writings that are the guardians of ideas and virtuous love at least protect us from the arid sorrow born of loneliness, the icy hand that misery lays heavily upon us, when we believe we cannot arouse even the slightest compassion. Such writings can draw tears from people in any situation; they elevate the soul to more general contemplation, which diverts the mind from personal pain; they create for us a community, a relationship, with the writers of the past and those still living, with men who share our love for literature. In the desolation of exile, the depths of dungeons, and on the verge of death, a particular page of a sensitive author may well have revived a prostrate soul: and I who read that page, I who am touched by it, believe I still find there the trace of tears, and by feeling similar emotions I enter into some sort of communion with those whose fate I so deeply grieve.

I only wanted books—nothing more—only books, only words, it was never anything but words—give them to me, I don’t have any! Look, see, I don’t have any! Look, I’m naked, barefoot, I’m standing before you—nothing in my pants pockets, nothing under my shirt or under my arm! They’re not stuck in my beard! Inside—look—there aren’t any inside either—everything’s been turned inside out, there’s nothing there! Only guts! I’m hungry! I’m tormented!... What do you mean there’s nothing? Then how can you talk and cry, what words are you frightened with, which ones do you call out in your sleep? Don’t nighttime cries roam inside you, a thudding twilight murmur, a fresh morning shriek? There they are words—don’t you recognize them? They’re writhing inside you, trying to get out! There they are! They’re yours! From wood, stone, roots, growing in strength, a dull mooing and whining in the gut is trying to get out; a piece of tongue curls, the torn nostrils swell in torment. That’s how the bewitched, beaten, and twisted snuffle with a mangy wail, their boiled white eyes locked up in closets, their vein torn out, backbone gnawed; that’s right, that’s how your pushkin writhe, or mushkin—what is in my name for you?—pushkin-mushkin, flung upon the hillock like a shaggy black idol, forever flattened by fences, up to his ears in di, the pushkin-stump, legless, six-fingered, biting his tongue, nose in his chest—and his head can’t be raised!—pushkin, tearing off the poisoned shirt, ropes, chains, caftan, noose, that wooden heaviness: let me out, let me out! What is in my name for you? Why does the wind spin in the gully? How many roads must a man walk down? What do you want, old man? Why do you trouble me? My Lord, what is the matter? Ennui, oh, Nin! Grab the inks and cry! Open the dungeon wide! I’m here! I’m innocent! I’m with you! I’m with you!

Slowly, as if a caress, the bruxa moved her tiny hands along the stake, stretched her arms out to their full length, grasped the pole hard and pulled on it again. Over a meter of bloodied wood already protruded from her back. Her eyes were wide open, her head flung back. Her sighs became more frequent and rhythmic, turning into a ruckling wheeze. Geralt stood but, fascinated by the scene, still couldn't make himself act. He heard words resounding dully within his skull, as if echoing around a cold, damp dungeon. Mine. Or nobody's. I love you. Love you. Another terrible, vibrating sigh, choking in blood. The bruxa moved further along the pole and stretched out her arms. Nivellen roared desperately and, without letting go of the stake, tried to push the vampire as far from himself as possible—but in vain. She pulled herself closer and grabbed him by the head. He wailed horrifically and tossed his hairy head. The bruxa moved along the pole again and tilted her head toward Nivellen's throat. The fangs flashed a blinding white. Geralt

And yet how much more human is the dangerous insecurity that drives those prisoners in Poe’s stories to feel out the shapes of their horrible dungeons and not be strangers to the unspeakable terror of their cells. We, however, are not prisoners. No traps or snares have been set around us, and there is nothing that should frighten or upset us. We have been put into life as into the element we most accord with, and we have, moreover, through thousands of years of adaptation, come to resemble this life so greatly that when we hold still, through a fortunate mimicry we can hardly be differentiated from everything around us. We have no reason to harbor any mistrust against our world, for it is not against us. If it has terrors, they are our terrors; if it has abysses, these abysses belong to us; if there are dangers, we must try to love them. And if only we arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience.

I have had so many Dwellings, Nat, that I know these Streets as well as a strowling Beggar: I was born in this Nest of Death and Contagion and now, as they say, I have learned to feather it. When first I was with Sir Chris. I found lodgings in Phenix Street off Hogg Lane, close by St Giles and Tottenham Fields, and then in later times I was lodged at the corner of Queen Street and Thames Street, next to the Blew Posts in Cheapside. (It is still there, said Nat stirring up from his Seat, I have passed it!) In the time before the Fire, Nat, most of the buildings in London were made of timber and plaister, and stones were so cheap that a man might have a cart-load of them for six-pence or seven-pence; but now, like the Aegyptians, we are all for Stone. (And Nat broke in, I am for Stone!) The common sort of People gawp at the prodigious Rate of Building and exclaim to each other London is now another City or that House was not there Yesterday or the Situacion of the Streets is quite Changd (I contemn them when they say such things! Nat adds). But this Capital City of the World of Affliction is still the Capitol of Darknesse, or the Dungeon of Man's Desires: still in the Centre are no proper Streets nor Houses but a Wilderness of dirty rotten Sheds, allways tumbling or takeing Fire, with winding crooked passages, lakes of Mire and rills of stinking Mud, as befits the smokey grove of Moloch. (I have heard of that Gentleman, says Nat all a quiver). It is true that in what we call the Out-parts there are numberless ranges of new Buildings: in my old Black-Eagle Street, Nat, tenements have been rais'd and where my Mother and Father stared without understanding at their Destroyer (Death! he cryed) new-built Chambers swarm with life. But what a Chaos and Confusion is there: meer fields of Grass give way to crooked Passages and quiet Lanes to smoking Factors, and these new Houses, commonly built by the London workmen, are often burning and frequently tumbling down (I saw one, says he, I saw one tumbling!). Thus London grows more Monstrous, Straggling and out of all Shape: in this Hive of Noise and Ignorance, Nat, we are tyed to the World as to a sensible Carcasse and as we cross the stinking Body we call out What News? or What's a clock? And thus do I pass my Days a stranger to mankind. I'll not be a Stander-by, but you will not see me pass among them in the World. (You will disquiet your self, Master, says Nat coming towards me). And what a World is it, of Tricking and Bartering, Buying and Selling, Borrowing and Lending, Paying and Receiving; when I walk among the Piss and Sir-reverence of the Streets I hear, Money makes the old Wife trot, Money makes the Mare to go (and Nat adds, What Words won't do, Gold will). What is their God but shineing Dirt and to sing its Devotions come the Westminster-Hall-whores, the Charing-cross whores, the Whitehall whores, the Channel-row whores, the Strand whores, the Fleet Street whores, the Temple-bar whores; and they are followed in the same Catch by the Riband weavers, the Silver-lace makers, the Upholsterers, the Cabinet-makers, Watermen, Carmen, Porters, Plaisterers, Lightemen, Footmen, Shopkeepers, Journey-men... and my Voice grew faint through the Curtain of my Pain.

Dwarves are sequential hermaphroditic parthenogens," Ruby said, anticipating his question. "What?" "They can change back and forth from male to female and are capable of fertilizing themselves to make more dwarves. They exhibit what we regard as male characteristics, typically, but some favor a more feminine approach." Durham sat with his mouth hanging open. Ruby poked him in the tongue with her quill feather making him gag and sputter. "So, Ginny is, what, short for Regina? Virginia?" "I rather think it's long to 'Gin'," Ruby answered. "She's head of hazard team and Thud's second." "So, the changing sex thing. How does that work? Does it take a while or is it the sort of thing that might happen in the middle of a conversation?" "Hard to say," Ruby said. "Does she need to clear her throat or did she just become a male? Is he just pausing for thought or did he just impregnate himself mid-sentence?" She shrugged. "Dwarf physiology isn't really my field." "Is there an easy way to tell?" "Which sex a dwarf is at the moment? Not that I'm aware of but I haven't managed to think of a situation where it would matter, either, so I've not dwelt on it much.

You see we are in London after all, and poor Sidmouth left afar. I am almost inclined to say ‘poor us’ instead of ‘poor Sidmouth.’ But I dare say I shall soon be able to see in my dungeon, and begin to be amused with the spiders. Half my soul, in the meantime, seems to have stayed behind on the seashore, which I love more than ever now that I cannot walk on it in the body. London is wrapped up like a mummy, in a yellow mist, so closely that I have had scarcely a glimpse of its countenance since we came. Well, I am trying to like it all very much, and I dare say that in time I may change my taste and my senses — and succeed. We are in a house large enough to hold us, for four months, at the end of which time, if the experiment of our being able to live in London succeed, I believe that papa’s intention is to take an unfurnished house and have his furniture from Ledbury. You may wonder at me, but I wish that were settled so, and now. I am satisfied with London, although I cannot enjoy it. We are not likely, in the case of leaving it, to return to Devonshire, and I should look with weary eyes to another strangership and pilgrimage even among green fields that know not these fogs.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!

would ask. Through the corner of his eyes, Notch saw that Smoot was looking perplexed. Notch made a sick groaning sound and this alarmed Smoot even more. He knew where the key was to the dungeon cell. All he had to do was fetch it and open it. Then he could check on Notch and see if everything was alright. “He’s so weak that there’s no harm…” Smoot thought. He rushed to fetch the keys as Notch waited impatiently. Smoot was back with another villager, just for a safety measure. But Notch was still willing to take the chance even if there were two. Together, they heaved Notch out of the cell and placed him on the floor. “What could be wrong?” Smoot asked the other villager. “It looks like he’s passed out, but we’ve been feeding him well enough…” “Let’s see if there’s something inside the cell… maybe a spider?” suggested the other villager. It was almost too good to be true. Smoot and the other villager peered into the dungeon cell long enough for Notch to launch a kick. “Hey!!” they cried out, but it was too late. Notch was already dashing out. He decided to hide somewhere inside the building. He knew that once the villagers heard that he’d escaped, they’d search outside first. So, Notch looked around until he found some chests. He hid behind one of them and waited. Smoot and the other villager were already rushing out, shouting that Notch had escaped.

Those of us who hope to be their allies should not be surprised, if and when this day comes, that when those who have been locked up and locked out finally have the chance to speak and truly be heard, what we hear is rage. The rage may frighten us; it may remind us of riots, uprisings, and buildings aflame. We may be tempted to control it, or douse it with buckets of doubt, dismay, and disbelief. But we should do no such thing. Instead, when a young man who was born in the ghetto and who knows little of life beyond the walls of his prison cell and the invisible cage that has become his life, turns to us in bewilderment and rage, we should do nothing more than look him in the eye and tell him the truth. We should tell him the same truth the great African American writer James Baldwin told his nephew in a letter published in 1962, in one of the most extraordinary books ever written, The Fire Next Time. With great passion and searing conviction, Baldwin had this to say to his young nephew: This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it …. It is their innocence which constitutes the crime …. This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity …. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off …. We cannot be free until they are free. God bless you, and Godspeed.67

Samson Agonistes" Blind among enemies, O worse then chains, Dungeon, or beggery, or decrepit age! Light the prime work of God to me is extinct, [ 70 ] And all her various objects of delight Annull'd, which might in part my grief have eas'd, Inferiour to the vilest now become Of man or worm; the vilest here excel me, They creep, yet see, I dark in light expos'd [ 75 ] To daily fraud, contempt, abuse and wrong, Within doors, or without, still as a fool, In power of others, never in my own; Scarce half I seem to live, dead more then half. O dark, dark, dark, amid the blaze of noon, [ 80 ] Irrecoverably dark, total Eclipse Without all hope of day! O first created Beam, and thou great Word, Let there be light, and light was over all; Why am I thus bereav'd thy prime decree? [ 85 ] The Sun to me is dark And silent as the Moon, When she deserts the night Hid in her vacant interlunar cave. Since light so necessary is to life, [ 90 ] And almost life itself, if it be true That light is in the Soul, She all in every part; why was the sight To such a tender ball as th' eye confin'd? So obvious and so easie to be quench't, [ 95 ] And not as feeling through all parts diffus'd, That she might look at will through every pore? Then had I not been thus exil'd from light; As in the land of darkness yet in light, To live a life half dead, a living death, [ 100 ] And buried; but O yet more miserable!

Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The winds were moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon’s ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him! As

A more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered - you must have music, dancing, and society - or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes - include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one’s company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it - go on as heretofore, craving, whining, and idling - and suffer the results of your idiocy, however bad and insuperable they may be.

Sara,” she said, “do you think you can bear living here?” Sara looked round also. “If I pretend it’s quite different, I can,” she answered; “or if I pretend it is a place in a story.” She spoke slowly. Her imagination was beginning to work for her. It had not worked for her at all since her troubles had come upon her. She had felt as if it had been stunned. “Other people have lived in worse places. Think of the Count of Monte Cristo in the dungeons of the Château d’If. And think of the people in the Bastille!” “The Bastille,” half whispered Ermengarde, watching her and beginning to be fascinated. She remembered stories of the French Revolution which Sara had been able to fix in her mind by her dramatic relation of them. No one but Sara could have done it. A well-known glow came into Sara’s eyes. “Yes,” she said, hugging her knees, “that will be a good place to pretend about. I am a prisoner in the Bastille. I have been here for years and years--and years; and everybody has forgotten about me. Miss Minchin is the jailer--and Beck”--a sudden light adding itself to the glow in her eyes--“Becky is the prisoner in the next cell.” She turned to Ermengarde, looking quite like the old Sara. “I shall pretend that,” she said; “and it will be a great comfort.” Ermengarde was at once enraptured and awed. “And will you tell me all about it?” she said. “May I creep up here at night, whenever it is safe, and hear the things you have made up in the day? It will seem as if we were more ‘best friends’ than ever.” “Yes,” answered Sara, nodding. “Adversity tries people, and mine has tried you and proved how nice you are.

You,” she said, bending an icy eye on Elizabeth, “come with me. You have much to explain, madam, and you can do it while Faulkner attends to your appearance.” “I am not,” Elizabeth said in a burst of frustrated anger, “going to think of my appearance at a time like this.” The duchess’s brows shot into her hairline. “Have you come to persuade them that your husband is innocent?” “Well, of course I have. I-“ “Then don’t shame him more than you already have! You look like a refugee from a dustbin in Bedlam. You’ll be lucky if they don’t hang you for putting them to all this trouble!” She started up the staircase with Elizabeth following slowly behind, listening to her tirade with only half her mind. “Now, if your misbegotten brother would do us the honor of showing himself, your husband might not have to spend the night in a dungeon, which is exactly where Jordan thinks he’s going to land if the prosecutors have their way.” Elizabeth stopped on the third step. “Will you please listen to me for a moment-“ she began angrily. “I’ll listen to you all the way to Westminster,” the dowager snapped back sarcastically. “I daresay all London will be eager to hear what you have to say for yourself in tomorrow’s paper!” “For the love of God!” Elizabeth cried at her back, wondering madly to whom she could turn for speedier help. An hour was an eternity! “I have not come merely to show that I’m alive. I can prove that Robert is alive and that he came to no harm at Ian’s hands, and-“ The duchess lurched around and started down the staircase, her gaze searching Elizabeth’s face with a mixture of desperation and hope. “Faulkner!” she barked without turning, “bring whatever you need. You can attend Lady Thornton in the coach!

Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes, include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment; you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you...After my mother's death, I wash my hands of you; from the day her coffin is carried to the vault in Gateshead church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim. I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new.

Behold, thou art fair, my Beloved." Song of Solomon 1:16 From every point our Well-beloved is most fair. Our various experiences are meant by our heavenly Father to furnish fresh standpoints from which we may view the loveliness of Jesus; how amiable are our trials when they carry us aloft where we may gain clearer views of Jesus than ordinary life could afford us! We have seen him from the top of Amana, from the top of Shenir and Hermon, and he has shone upon us as the sun in his strength; but we have seen him also "from the lions' dens, from the mountains of the leopards," and he has lost none of his loveliness. From the languishing of a sick bed, from the borders of the grave, have we turned our eyes to our soul's spouse, and he has never been otherwise than "all fair." Many of his saints have looked upon him from the gloom of dungeons, and from the red flames of the stake, yet have they never uttered an ill word of him, but have died extolling his surpassing charms. Oh, noble and pleasant employment to be forever gazing at our sweet Lord Jesus! Is it not unspeakably delightful to view the Saviour in all his offices, and to perceive him matchless in each?--to shift the kaleidoscope, as it were, and to find fresh combinations of peerless graces? In the manger and in eternity, on the cross and on his throne, in the garden and in his kingdom, among thieves or in the midst of cherubim, he is everywhere "altogether lovely." Examine carefully every little act of his life, and every trait of his character, and he is as lovely in the minute as in the majestic. Judge him as you will, you cannot censure; weigh him as you please, and he will not be found wanting. Eternity shall not discover the shadow of a spot in our Beloved, but rather, as ages revolve, his hidden glories shall shine forth with yet more inconceivable splendour, and his unutterable loveliness shall more and more ravish all celestial minds.

It had been a relief to get back downstairs. They took their time, looking for anything which might indicate where Ballard was now. It was Scott who found the dungeon. Chains and a system of pulleys opened the floor, and with more than a little trepidation, they descended the ancient stone steps into the darkness. Suzy whined, and for once refused to follow her master. Brooke patted her head and said, “You keep guard up here, girl, okay?” Suzy was more than eager to remain right where she was. Because it was morning, neither had brought a starlight collector, but they’d found some candles and a holder. The stench was putrid, the foul-smelling air making them gag as they plunged bravely downward into the darkness. When they reached the bottom, the malodorous stench was overwhelming. Brooke held the candle holder up, moving it back and forth. The mix of candlelight and gloomy shadows revealed a room of torture apparatuses; a spiked Judas chair; a spiked cabinet which could be shut on its victims, known as an Iron Maiden; a Guillotine; a Brazen Bull where a victim could be roasted to death; a Strappado for painfully dislocating arms; a sawhorse-looking device called a Spanish Donkey, used during the Inquisition to slice a wedge through the body, beginning at the genitals; a Catherine Wheel, used as late as the nineteenth century for criminal punishment in Germany; a Judas Cradle, which worked on the same principle as the Spanish Donkey. On a long table, were various tools of torture, including a Head Crusher; a Knee Splitter; a Spanish Tickler, or Cat’s Paw; a Heretic’s Fork; the Pear of Anguish; the Boot; the Tongue Tearer and the Breast Ripper. Brooke had taken a class on Medieval times once, not realizing how much cruelty the age had fostered. Scott was not as familiar with the period and its various devices, but there was no doubt as he gazed upon their shadowed contours in the candlelight, something unimaginably heartless, and sickeningly inhuman existed in the depths of this outwardly beautiful castle. It was like discovering the inside of the gorgeous, smiling woman you’d just met was filled with worms.

You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away.

I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.

If there is one thought with regard to the church of Christ, which at times comes to me with overwhelming sorrow; if there is one thought in regard to my own life, of which I am ashamed; if there is one thought, which I feel that the church of Christ has not accepted or grasped; if there is one thought, which makes me pray to God, “Oh, God, teach us, by Your grace, new things” – it is the wonderful power that prayer is meant to have in the kingdom. We have so little availed ourselves of it. We have all read the expression of Christian in Bunyan’s great work, Pilgrim’s Progress, when he realized that he had the key that would unlock the dungeon. (Bunyan’s book used to be read by nearly all Christians and should still be read by Christians today.) We have the key that can unlock the spiritual dungeons of London and New York and Chicago and Washington, D.C. and of all heathendom. But, we are far more occupied with our work than we are with prayer. We believe more in speaking to men than we believe in speaking to God. Doesn’t this convict us when we are too busy to pray or rush through prayer in order to get on with our work or are so caught up with work that we never sit at the feet of Jesus?

Demons and their Hell are quite different from the Dungeon Dimensions, those endless parallel wastelands outside space and time. The sad, mad Things in the Dungeon Dimensions have no understanding of the world but simply crave light and shape and try to warm themselves by the fires of reality, clustering around it with about the same effect—if they ever broke through—as an ocean trying to warm itself around a candle. Whereas demons belong to the same space-time wossname, more or less, as humans, and have a deep and abiding interest in humanity’s day-to-day affairs. Interestingly enough, the gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that’s where they believe, in their deepest heart, that they deserve to go. Which they won’t do if they don’t know about it. This explains why it is important to shoot missionaries on sight.

But when he returned home he was as far as ever from any resolve to tell her how he was situated. I may say that his walk had done him no good, and that he had not made up his mind to anything. He had been building those pernicious castles in the air during more than half the time; not castles in the building of which he could make himself happy, as he had done in the old days, but black castles, with cruel dungeons, into which hardly a ray of light could find its way.

Looking down these dreary passages, the dull repose and quiet that prevails, is awful. Occasionally, there is a drowsy sound from some lone weaver’s shuttle, or shoemaker’s last, but it is stifled by the thick walls and heavy dungeon-door, and only serves to make the general stillness more profound. Over the head and face of every prisoner who comes into this melancholy house, a black hood is drawn; and in this dark shroud, an emblem of the curtain dropped between him and the living world, he is led to the cell from which he never again comes forth, until his whole term of imprisonment has expired….He is a man buried alive; to be dug out in the slow round of years…. And though he lives to be in the same cell ten weary years, he has no means of knowing, down to the very last hour, in what part of the building it is situated; what kind of men there are about him; whether in the long winter night there are living people near, or he is in some lonely corner of the great jail, with walls, and passages, and iron doors between him and the nearest sharer in its solitary horrors.