Dungeon Related Quotes

I take it that “gentleman” is a term that only describes a person in his relation to others; but when we speak of him as “a man” , we consider him not merely with regard to his fellow men, but in relation to himself, - to life – to time – to eternity. A cast-away lonely as Robinson Crusoe- a prisoner immured in a dungeon for life – nay, even a saint in Patmos, has his endurance, his strength, his faith, best described by being spoken of as “a man”. I am rather weary of this word “ gentlemanly” which seems to me to be often inappropriately used, and often too with such exaggerated distortion of meaning, while the full simplicity of the noun “man”, and the adjective “manly” are unacknowledged.

Some alters are what Dr Ross describes in Multiple Personality Disorder as 'fragments'. which are 'relatively limited psychic states that express only one feeling, hold one memory, or carry out a limited task in the person's life. A fragment might be a frightened child who holds the memory of one particular abuse incident.' In complex multiples, Dr Ross continues, the 'personalities are relatively full-bodied, complete states capable of a range of emotions and behaviours.' The alters will have 'executive control some substantial amount of time over the person's life'. He stresses, and I repeat his emphasis, 'Complex MPD with over 15 alter personalities and complicated amnesia barriers are associated with 100 percent frequency of childhood physical, sexual and emotional abuse.' Did I imagine the castle, the dungeon, the ritual orgies and violations? Did Lucy, Billy, Samuel, Eliza, Shirley and Kato make it all up? I went back to the industrial estate and found the castle. It was an old factory that had burned to the ground, but the charred ruins of the basement remained. I closed my eyes and could see the black candles, the dancing shadows, the inverted pentagram, the people chanting through hooded robes. I could see myself among other children being abused in ways that defy imagination. I have no doubt now that the cult of devil worshippers was nothing more than a ring of paedophiles, the satanic paraphernalia a cover for their true lusts: the innocent bodies of young children.

Sara,” she said, “do you think you can bear living here?” Sara looked round also. “If I pretend it’s quite different, I can,” she answered; “or if I pretend it is a place in a story.” She spoke slowly. Her imagination was beginning to work for her. It had not worked for her at all since her troubles had come upon her. She had felt as if it had been stunned. “Other people have lived in worse places. Think of the Count of Monte Cristo in the dungeons of the Château d’If. And think of the people in the Bastille!” “The Bastille,” half whispered Ermengarde, watching her and beginning to be fascinated. She remembered stories of the French Revolution which Sara had been able to fix in her mind by her dramatic relation of them. No one but Sara could have done it. A well-known glow came into Sara’s eyes. “Yes,” she said, hugging her knees, “that will be a good place to pretend about. I am a prisoner in the Bastille. I have been here for years and years--and years; and everybody has forgotten about me. Miss Minchin is the jailer--and Beck”--a sudden light adding itself to the glow in her eyes--“Becky is the prisoner in the next cell.” She turned to Ermengarde, looking quite like the old Sara. “I shall pretend that,” she said; “and it will be a great comfort.” Ermengarde was at once enraptured and awed. “And will you tell me all about it?” she said. “May I creep up here at night, whenever it is safe, and hear the things you have made up in the day? It will seem as if we were more ‘best friends’ than ever.” “Yes,” answered Sara, nodding. “Adversity tries people, and mine has tried you and proved how nice you are.

What's the worst thing that can happen?" Tyrus said. "The dungeons. That's not so bad. I heard they're relatively nice in the springtime. Not too cold. Not too damp. They'd be quiet and peaceful." Tyrus looked at Gavril. "Tell me I can do this." "Why? There's no doubt you can. The question is simply whether you'll survive it." "Thank you. Thank you so much." "We have not heard that your father has reinstituted capital punishment. Of course, we haven't heard news from the city in many days." "You are not helping.

Despite her arrogance, she was clever, and relatively kind, and somewhat charming. But where was that writhing darkness? Why didn’t it show itself so he could just throw her into the dungeon and call off this ridiculous competition? There was something great and deadly concealed within her, and he didn’t like it.

At the height of the witch craze the Duke of Brunswick invited two learned and famous Jesuits—both of whom believed in witchcraft and in torture as a means of eliciting a confession—to join him in the Brunswick dungeon to witness the torture of a woman accused of witchcraft. Suspecting that people will say anything to stop the pain, the duke told the woman on the rack that he had reasons to believe that the two men accompanying him were warlocks and that he wanted to know what she thought, instructing her torturers to jack up the pain a little more. The woman promptly “confessed” that she had seen both men turn themselves into goats, wolves, and other animals, that they had sexual relations with other witches, and that they had fathered many children with heads like toads and legs like spiders. “The Duke of Brunswick led his astounded friends away,” MacKay narrates. “This was convincing proof to both of them that thousands of persons had suffered unjustly; they knew their own innocence, and shuddered to think what their fate might have been if an enemy instead of a friend had put such a confession into the mouth of a criminal.

A novel related in a dungeon, in the presence of death, cannot have the same meaning, the same consequences, as it would when read on the beach or in a meadow, in the shade of cherry trees.

Hadn't Gary Gygax simply invented a game, and an esoteric one at that? It was hardly a footnote in the increasingly fast and complex information age that we live in. What was all the fuzz about? The reason for all the fuzz among those who understood his work was simple. Gary Gygax and his seminal game creation, Dungeons & Dragons, had influenced and transformed the world in extraordinary ways. Yet, much of his contribution would also go largely unrecognised by the general public. Although it is debatable whether D&D ever became a thoroughly mainstream activity, as a 1983 New York Times article had speculated, referring to it as the great game of the 1980's, D&D and its RPG derivatives are beloved by a relatively small but dedicated group of individuals affectionately known as 'geeks'. Although the term 'geek' is not exclusive to role-playing gamers, the activities of this particular audience have often been viewed as the most archetypal form of 'geekiness'. Labels aside, what is notable is that the activities of this RGP audience were highly correlated with interests in other activities such as early computers, digital technologies, visual effects, and the performing arts. In this way, these geeks, though relatively small in number, became in many instances the leaders and masters of this era. With the advent of the digital age, geeks worldwide found opportunity and recognition never previously available to their predecessors. Icons and innovators such as George R. R. Martin, Mike Myers, Richard Garriott, Vin Diesel, Tim Duncan, Anderson Cooper, David X. Cohen, John Carmak, Tim Harford, Moby, and the late Robin Williams, to name just a few, were all avid role-playing gamers in their younger years. The list of those who include D&D as a regular activity while growing up is both extensive and impressive.

Every day a jailor brought the prisoners their food, and as he laid down the dishes he would say a word to them. If their meal was flesh he would remind them that they were eating corpses, or give them some account of the slaughtering: or, if it was the inwards of some beast, he would read them a lecture in anatomy and show the likeness of the mess to the same parts in themselves—which was the more easily done because the giant’s eyes were always staring into the dungeon at dinner time. Or if the meal were eggs he would recall to them that they were eating the menstruum of a verminous fowl, and crack a few jokes with the female prisoners. So he went on day by day. Then I dreamed that one day there was nothing but milk for them, and the jailor said as he put down the pipkin: ‘Our relations with the cow are not delicate—as you can easily see if you imagine eating any of her other secretions.’ Now John had been in the pit a shorter time than any of the others: and at these words something seemed to snap in his head and he gave a great sigh and suddenly spoke out in a loud, clear voice: ‘Thank heaven! Now at last I know that you are talking nonsense.’ ‘What do you mean?’ said the jailor, wheeling round upon him. ‘You are trying to pretend that unlike things are like. You are trying to make us think that milk is the same sort of thing as sweat or dung.’ ‘And pray, what difference is there except by custom?’ ‘Are you a liar or only a fool, that you see no difference between that which Nature casts out as refuse and that which she stores up as food?’ ‘So Nature is a person, then, with purposes and consciousness,’ said the jailor with a sneer. ‘In fact, a Landlady. No doubt it comforts you to imagine you can believe that sort of thing;’ and he turned to leave the prison with his nose in the air. ‘I know nothing about that,’ shouted John after him. ‘I am talking of what happens. Milk does feed calves and dung does not.