β
You were once wild here. Donβt let them tame you.
β
β
Isadora Duncan (Isadora Speaks: Uncollected Writings and Speeches of Isadora Duncan)
β
If your feet are firmly planted on the ground you'll never be able to dance.
β
β
Iris Johansen (Countdown (Eve Duncan, #6))
β
I've just vowed my love for you. Have you nothing to say in return?" Duncan asked.
"Thank you, husband.
β
β
Julie Garwood (Honor's Splendour)
β
She knew more about these situations than she realized, he thought. She'd spent years at Duncan's side. "When in doubt," he added, "be pompous.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
We're all monsters, Nadya, some of us just hide it better than others.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
If I could tell you what it meant, there would be no point in dancing it
β
β
Isadora Duncan
β
Do you think my Cyn would like a souvenir?" he asked Duncan.
Duncan leaned sideways to study the dripping organ.
"probably not, My lord.
β
β
D.B. Reynolds (Sophia (Vampires in America, #4))
β
Good, better, best. Never let it rest. Until your good is better and your better is best.
β
β
Tim Duncan
β
After all, he did say you were the issue of an encounter between your father and a traeling hatcha-hatcha dancer."
There was a gasp of horror from the crowd.
Duncan, smiling thinly, said through gritted teeth: "Thank you so much for reminding us all, Anthony.
β
β
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
β
It has taken me years of struggle, hard work, and research to learn to make one simple gesture, and I know enough about the art of writing to realize that it would take as many years of concentrated effort to write one simple, beautiful sentence.
β
β
Isadora Duncan
β
I go and it is done. The bell invites me. Hear it not, Duncan, for it is a knell that summons thee to heaven or to hell.
β
β
William Shakespeare (Macbeth)
β
Cyn stopped, drawing a deep breath. "Will you answer the fucking question or not? There's more at stake here than Raphael's Dick" Duncan choked back a laugh.
β
β
D.B. Reynolds
β
Rule #1: The customer is always right. Rule #2: If the customer is wrong, please refer to rule #1.
-Duncan Howe
β
β
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
β
No, Princes Charming," Duncan cheerfully corrected. "'Prince' is the noun; that's what gets pluralized. 'Charming' is an adjective; you can't add an S to it like that.
β
β
Christopher Healy (The Hero's Guide to Saving Your Kingdom (The League of Princes, #1))
β
Kneecaps only exist to get hit with claw-hammers; grace only exists to be fallen from.
β
β
Glen Duncan (I, Lucifer)
β
I also stole a small yellow doughnut from the box of Duncan's doughnuts in the rec room and fed it to the attack poodle in my office. He made a great production of it. First, he growled at the doughnut, just to show it who was boss. Then he nudged it with his nose. Then he licked it, until finally he snagged it into his mouth and chomped it with great pleasure, dropping crumbs all over the carpet.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
Coffee justifies the existence of the word 'aroma'.
β
β
Glen Duncan (I, Lucifer)
β
Just because life's meaningless doesn't mean we can't experience it meaningfully.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
Duncan, what are you?"
"Human!" Duncan cried, trembling with excitement.
"More specific," Liam said, still dramatically.
"A five-foot-two human!"
"I'm going for hero here," Liam hinted under his breath.
β
β
Christopher Healy (The Hero's Guide to Saving Your Kingdom (The League of Princes, #1))
β
Dazzle the monsters, Nadya. You've already charmed the worst of the lot; the rest should be easy.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Well, I suppose youβre right about the forgery,β he admitted. βAfter all, itβs only the Gallicanβs seal weβre forging, isnβt it? Itβs not as if youβre forging a document from King Duncan. Even you wouldnβt go as far as that, would you?β
Of course not,β Halt replied smoothly. He began to pack away his forgery tools. He was glad heβd laid hands on the forged Gallican seal on his pack so easily. It was as well that he hadnβt had to tip them all out and risk Horaceβs seeing the near perfect copy of King Duncanβs seal that he carried among other. βNow may I suggest you climb into your elegant tin suit and weβll go sweet-talk the Skandian border guards.
β
β
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
β
You know the old saying: 'one riot, one Ranger.'"
The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure.
They sent one Ranger?" he said incredulously. "One man?"
How many riots do you have?" the Ranger replied.
On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers."
Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him.
Don't sell yourself short," he said. "Two and three-quarters.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
Sit down every day and DO IT. Writing is a self-taught craft; the more you work at it, the more skilled you become. And when you're not writing, READ.
β
β
Lois Duncan
β
The question 'What was there before creation?' is meaningless. Time is a property of creation, therefore before creation there was no before creation.
β
β
Glen Duncan (I, Lucifer)
β
For though Duncan was a mere mortal, flawed as well, he'd accomplished a daring feat. Aye, he'd captured an angel. And she belonged to him.
β
β
Julie Garwood (Honor's Splendour)
β
Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.
β
β
Isadora Duncan
β
Reader, I ate him.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
You love life because life's all there is.
β
β
Glen Duncan (The Last Werewolf)
β
It's a shame you know," he called over his shoulder.
"What's a shame?" Duncan asked.
"That I didn't capture her first."
Duncan smiled. "Nay, Edmond, it was a blessing. God's truth, I would have taken her from you.
β
β
Julie Garwood (Honor's Splendour)
β
We hear nothing so clearly as what comes out of silence.
β
β
David James Duncan
β
I suppose the word "unbearable" is a lie by definition. Unless you kill yourself immediately after using it.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
They say anticipation makes pleasure more intense.
β
β
Iris Johansen (Quicksand (Eve Duncan, #8))
β
The only animal from which humans have nothing to learn, in fact, is the sheep. Humans have already learned everything the sheep's got to teach.
β
β
Glen Duncan (I, Lucifer)
β
We go to the past to lay the blame - since the past can't argue. We go to our past selves to account for our present miseries.
β
β
Glen Duncan (Love Remains)
β
Hey, Geekoid!" yelled Duncan Dougal, "Why do you read so much? Don't you know how to watch TV?
β
β
Bruce Coville (My Teacher Is an Alien (My Teacher Is an Alien, #1))
β
Words betrayed her: beautiful butterflies in her mind; dead moths when she opened her mouth for their release into the world.
β
β
Glen Duncan (I, Lucifer)
β
Literature is humanity's broad-minded alter-ego, with room in its heart for monsters, even for you. It's humanity without the judgement.
β
β
Glen Duncan (Talulla Rising (The Last Werewolf, #2))
β
Oh, is this how it goes? I'm murdered and everyone has orders to kill me on sight? Just to rub it in?
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
The bad thing about falling into pieces is that it hurts. The good thing about it is that once you're lying there in shards you've got nothing left to protect, and so have no reason not to be honest
β
β
David James Duncan
β
Truth is never kind.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Duncan,we're still in prison," Frederic said dryly. "You're not going to see anything except this cell. Which has spiders, by the way. Have you noticed the spiders?" "Indeed I have: Carmen, Zippy, and Dr. T," Duncan said.
β
β
Christopher Healy (The Hero's Guide to Saving Your Kingdom (The League of Princes, #1))
β
Any woman or man who would write the truth of their lives would write a great work. But no one has dared to write the truth of their lives.
β
β
Isadora Duncan (My Life)
β
You could be exactly what these countries need to stop their fighting. Or you could rip them apart at the seams.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
As Patron-Sponser, I am charged with..."-he pasued and consulted the notes-"adding a sense of royal cachet to proceedings today."
He waited while a ripple of conversation ran around the room. Nobody was quite sure what adding a sense of royal cachet really meant. But everyone agreed that it sounded impressive indeed. Lady Pauline's mouth twitched in a smile and she looked down at the table. Halt found something of vast interest in the ceiling beams high above. Duncan continued.
My second duty is..."-again he consulted his notes to make sure he had the wording correct-"to provide an extremly expensive present to the bride and groom..."
Lady Pualine's head jerked at that. She leaned forward and turned to make eye contact with Lord Anthony. The Chamberlain met her gaze, his face completely devoid of expression. Then, very slowly, one eyelid slid down in a wink. He liked Lady Pauline and Halt a great deal and he'd added that duty without consulting them.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
He was a nightmare but he was gentle.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Peace is purchased in the currency of loss.
β
β
Glen Duncan (I, Lucifer)
β
Is she powerful enough to take the stars out of the sky?
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Monsters are real, and I am their king.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Donβt be a martyr. We have no use for yet another saint.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
There's no such thing as evil for its own sake. All evil is motivated - even mine {Lucifer}.
β
β
Glen Duncan (I, Lucifer)
β
Where he was heat, she was ice and winter and cosmic fury.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
How to describe hell? Disembowelled landscape busy with suffering, incessant heat, permanent scarlet twilight, a swirling snowfall of ash, the stink of pain and the din of...if only, hell is two things: the absence of God and the presence of time. Infinite variations on that theme. Doesn't sound so bad, does it? Well, trust me.
β
β
Glen Duncan (I, Lucifer)
β
King Duncan looked up and swept his gaze slowly around the room. Cassandra, he saw, was defiant as ever. Arald's face was set and determined. Halt and Crowley's faces were inscrutable in the shadows of their cowls. The two younger men were both a little wide-eyed- obviously uncomfortable at the emotions that had been bared in the room. There was still a hint of admiration in Will's eyes, however, as he continued to stare at the Baron. Rodney was nodding in agreement with Arald's statements, while Gilan made a show of studying his nails.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
For I was never able to understand, then or later on, why, if one wanted to do a thing, one should not do it. For I have never waited to do as I wished. This has frequently brought me to disaster and calamity, but at least I have the satisfaction of getting my own way.
β
β
Isadora Duncan (My Life)
β
I'm in love, truly, madly, deeply in love with perception.
β
β
Glen Duncan (I, Lucifer)
β
Hell [...] is the absence of God and the presence of Time.
β
β
Glen Duncan (I, Lucifer)
β
Movements are as eloquent as words.
β
β
Isadora Duncan
β
Anyone too undisciplined, too self-righteous or too self-centered to live in the world as it is has a tendency to idealize a world which ought to be. But no matter what political or religious direction such idealists choose, their visions always share one telling characteristic: in their utopias, heavens or brave new worlds, their greatest personal weakness suddenly appears to be a strength.
β
β
David James Duncan (The Brothers K)
β
Are we so different, Nadya?β He lifted his hand, fingers tipped with long claws, and pressed his thumb against her lips. βWe both long for freedom. For power. For a choice. We both want to see our kingdoms survive.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Renounce love and you can achieve demonic focus.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
The first horror is there's horror. The second is you accommodate it.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
She would bring this country to its knees.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
I'll tell you something,' she said. 'I'm not sure I ever really liked him.'
Adam?' I said. 'I don't blame you.' 'Not Adam,' she said, struggling to swallow a greedily chomped chunk. 'God.
β
β
Glen Duncan (I, Lucifer)
β
And so I learned what solitude really was. It was raw material - awesome, malleable,older than men or worlds or water. And it was merciless - for it let a man become precisely what he alone made of himself.
β
β
David James Duncan (The River Why)
β
I don't know how one should live - but I know that one should live.....
β
β
Glen Duncan (The Last Werewolf)
β
Music is just a word for something we love largely because it consists of things that words can't express. Likewise, the heart is just a word for something in us that music sometimes touches.
β
β
David James Duncan (River Teeth)
β
This just didnβt happen to girls like me. This just didnβt happen to anyone.
β
β
Jenna-Lynne Duncan (Hurricane (Hurricane #1))
β
And like many a Christian before them, they completely forgot that the only sword-shaped weapon Jesus ever actually used was the one He died on.
β
β
David James Duncan (The Brothers K)
β
I started having doubts right on top of my certainty.
β
β
David James Duncan (The Brothers K)
β
The flesh had infinity in it. I must know every inch by touch yet every inch renewed its mystery the instant my hand moved on. Delightful endless futility.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
Falling in love makes the unknown
known. Falling out of love
reverses the process.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
A boy who is mortal and maybe a little divine.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
This was going to kill her. This, right here, this beautiful boy and his monstrous power and his lies and the knowledge that nothing mattered, they would always betray each other in the end.
β
β
Emily A. Duncan (Ruthless Gods (Something Dark and Holy, #2))
β
When he stepped past her, a smile flickered at the edges of his lips. There was darkness at the corners, something evil just underneath the surface, sinister. He turned and grinned at her, monstrous but beatific, holding out his hand, darkness gone. Maybe sheβd just imagined it. She took his hand.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
For you, my darlings, freedom to do what you like is the discovery of how unlikable what you like to do makes you. Not that that stops you doing what you like, since you like doing what you like more than you like liking what you do...
[Lucifer]
β
β
Glen Duncan
β
This monstrous king could be undone by the touch of her lips.
β
β
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
β
Our lack of community is intensely painful. A TV talk show is not community. A couple of hours in a church pew each Sabbath is not community. A multinational corporation is neither a human nor a community, and in the sweatshops, defiled agribusiness fields, genetic mutation labs, ecological dead zones, the inhumanity is showing. Without genuine spiritual community, life becomes a struggle so lonely and grim that even Hillary Clinton has admitted "it takes a village".
β
β
David James Duncan
β
I'm supposed to be guilty of all sorts of crimes and misdemeanors, but when you get right down to it, I'm really only guilty of one: wondering. The road to Hell, you say, is paved with good intentions. Charming. But actually it's paved with intriguing questions. You want to know. Man do you want to know.
β
β
Glen Duncan (I, Lucifer)
β
At last the cold crept up my spine; at last it filled me from foot to head; at last I grew so chill and desolate that all thought and pain and awareness came to a standstill. I wasn't miserable anymore: I wasn't anything at all. I was a nothing-- a random configuration of molecules. If my heart still beat I didn't know it. I was aware of one thing only; next to the gaping fact called Death, all I knew was nothing, all I did meant nothing, all I felt conveyed nothing. This was no passing thought. It was a gnawing, palpable emptiness more real than the cold.
β
β
David James Duncan (The River Why)
β
Once you've stopped loving someone breaking his or her heart's just an unpleasant chore you have to get behind you. My God, you really don't love me anymore, do you? No matter your decency the victim's incredulity's potentially hilarious. You manage not to laugh.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
β
It is, you must concede, unpleasantly messy, this business of having feelings, this mattering to each other. I've always thought of it as gory, a sort of perpetually occurring road accident - everyone going too fast, too close, without due care and attention, or with too much . . .
β
β
Glen Duncan (I, Lucifer)
β
--I truly and deeply wanted to kill him. And I believe I could have done it, with nothing but my hands. But all of a sudden, out of nowhere, Peter had an arm around me. "Let it go, Kade," he was whispering very gently, though his arm was nearly crushing me. "Open your fists," he said, "and let go of the coals.
β
β
David James Duncan (The Brothers K)
β
I know what the majority of you think about all this. All this sex and money and drugs. You think: people who live like that never end up happy. You need to think that in just the way men with small penises need to think size doesn't matter. It's understandable. The rich, the famous, the big-dicked, the slim-and-gorgeous - they can incite an envy so urgent that you can escape it only by translating it into pity. People who live like that never end up happy. Yes, you're right. But neither do you. And in the meantime, they've had all the sex and drugs and money.
β
β
Glen Duncan (I, Lucifer)
β
I'll tell you what's wrong!" he roared, "I'm trying to quit smoking!" Then he strode angrily to the truck, leaving her standing there.
She blinked her eyes, and slowly a smile stretched her lips. She strolled to the truck and got in. "So, are you homicidal or merely as irritable as a wounded buffalo?"
"About halfway in between," he said through clenched teeth.
"Anything I can do to help?"
His eyes were narrow and intense. "It isn't just the cigarettes. Take off your panties and lock your legs around me, and I'll show you.
β
β
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
β
Hey, did you guys..." Duncan was saying when he walked into my room. Apparently, since Finn had left the door open, he thought he could waltz on in.
"Sure, everybody just walk on in. It's not like I'm a Princess or anything and this is my private chamber." I sighed.
When Duncan saw the bizarre scene, he stopped and motioned to Loki. "Wait. Why is he here? He didn't spend the night with you two, did he?"
"Wendy is into some very kinky things that you wouldn't understand," Loki told him with a wink.
"Why are you here?" Finn demanded, and his eyes blazed.
"Will somebody please tell us what the hell is going on?"
"I would, but this is a private conversation." Finn kept his icy gaze locked on Loki, who looked completely unabashed.
"Come, now, Finn, there are no secrets between us." Loki grinned and gestured widely to Tove and me.
β
β
Amanda Hocking (Ascend (Trylle, #3))
β
In a head-on collision with Fanatics, the real problem is always the same: how can we possibly behave decently toward people so arrogantly ignorant that they believe, first, that they possess Christ's power to bestow salvation, second, that forcing us to memorize and regurgitate a few of their favorite Bible phrases and attend their church is that salvation, and third, that any discomfort, frustration, anger or disagreement we express in the face of their moronic barrages is due not to their astounding effrontery but to our sinfulness?
β
β
David James Duncan (The Brothers K)
β
But as he stood watching Carthage burn, Scipio reflected on the fate of this once great power. Overcome with emotion, he cried. His friend and mentor Polybius approached and asked why Scipio was crying.
"A glorious moment, Polybiius; but I have a dread foreboding that some day the same doom will be pronounced on my own country." Scipio then quoted a line from Homer: "A day will come when sacred Troy shall perish, And Priam and his people shall be slain."
Scipio knew that no power endures indefinitely, that all empires must fall.
β
β
Mike Duncan (The Storm Before the Storm: The Beginning of the End of the Roman Republic)
β
Oh Woman, come before us, before our eyes longing for beauty, and tired of the ugliness of civilization, come in simple tunics, letting us see the line and harmony of the body beneath, and dance for us. Dance us the sweetness of life. Give us again the sweetness and the beauty of the true dance, give us again the joy of seeing the simple unconscious pure body of a woman. Like a great call it has come, and women must hear it and answer it.
β
β
Isadora Duncan (The Art of the Dance)
β
Yes, Eden was beautiful- and if I had to squeeze through corporeal keyholes to crash it- so be it. (Hasnβt it bothered you, this part of the story, my being there, I mean? What was I doing there? βPresume not the ways of God to scan,β youβve been told in umpteen variations, βthe proper study of Mankind is Man.β Maybe so, but what, excuse me, was the Devil doing in Eden?) I took the forms of animals. I found I could. (Thatβs generally my reason for doing something, by the way, because I find I can.)
β
β
Glen Duncan (I, Lucifer)
β
[There is a] kind of all-embracing universality evident in Mother Teresaβs prayer: βMay God break my heart so completely that the whole world falls in.β Not just fellow nuns, Catholics, Calcuttans, Indians. The whole world. It gives me pause to realize that, were such a prayer said by me and answered by God, I would afterward possess a heart so open that even hate-driven zealots would fall inside... [My] sense of the world as a gift, my sense of a grace operative in this world despite its terrors, propels me to allow the world to open my heart still wider, even if the openness comes by breakingβfor I have seen the whole world fall into a few hearts, and nothing has ever struck me as more beautiful.
β
β
David James Duncan
β
We're free agents. We can do what we want." Free agents. When my mother used those words she'd wave her keys. "We're like two bachelorettes," she'd say as we backed out of the drive. The road she took was always by the sea. Floods never put her off. "It'll pass" she'd say when I braced myself in the seat. If a wave hit the car, she'd drive on, floating sometimes for seconds. The wipers could clear off the sand and small stones. Seaweed was the problem. Not the one with poppers. That landed with a thud and rolled like a body off the windscreens. No, the problem was the smaller stuff, bright green and fine that wrapped itself like a feather boa around the side mirror. Usually, with one hand, she could throw it off. But sometimes, it took both her hands as if it were a scarf around Isadora Duncan's neck.
β
β
Georgia Scott (American Girl: Memories That Made Me)
β
Many women to whom I have preached the doctrine of freedom have weakly replied, 'But who is to support the children?' It seems to me that if the marriage ceremony is needed as a protection to insure the enforced support of children, then you are marrying a man who, you suspect, would under certain conditions, refuse to support his children, and it is a pretty low-down proposition. For you are marrying a man whom you already suspect of being a villain. But I have not so poor an opinion of men that I believe the greater percentage of them to be such low specimens of humanity.
β
β
Isadora Duncan (My Life)
β
Can we get on with this?" Father Laggan cried out. "In the name of the Fatherβ¦"
"I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first."
"β¦ and of the Son," the priest continued in a much louder voice.
"She'll be wanting King John next," Duncan predicted.
"We can't allow that, lass," Owen muttered.
"Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention.
"I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain."
"We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here."
Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly
confused.
"Judith, do you take Iain for your husband?"
She looked up at Iain before giving her answer. "We'll see."
"That won't do, lass. You've got to say I do," he advised.
"Do I?"
Iain smiled. "Your aunt and uncle will be welcomed here."
She smiled back.
....
Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do,"
she told him. "Shouldn't we begin now?"
"The lass has trouble following along," Vincent remarked.
Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently.
She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony."
"You may kiss the bride," Father Laggan announced.
β
β
Julie Garwood (The Secret (Highlands' Lairds, #1))
β
She understood the genre constraints, the decencies were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brotherβs death when he accepts Lestatβs offer. Frankensteinβs creature is driven to violence by the violence done to him. Even Luciferβs rebellion emerges from the agony of injured price. The message is clear: By all means become an abominationβbut only while unhinged by grief or wrath.
β
β
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
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You can't blame me. I mean that literally. You're incapable of blaming me. You're human. Being human is choosing freedom over imprisonment, autonomy over dependency, liberty over servitude. You can't blame me because you know (come on, man, you've always known) that the idea of spending eternity with nothing to do except praise God is utterly unappealing. You'd be catatonic after an hour. Heaven's a swiz because to get in you have to leave yourself outside. You can't blame me because -- now do please be honest with yourself for once -- you'd have left, too.
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Glen Duncan (I, Lucifer)
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When people are kids their parents teach them all sorts of stuff, some of it true and useful, some of it absurd hogwash (example of former: don't crap your pants; example of latter: Columbus discovered America). This is why puberty happens. The purpose of puberty is to shoot an innocent and gullible child full of nasty glandular secretions that manifest in the mind as confusion, in the innards as horniness, upon the skin as pimples, and on the tongue as cocksure venomous disbelief in every piece of information, true or false, gleaned from one's parents since infancy. The net result is a few years of familial hell culminating in the child's exodus from the parental nest, sooner or later followed by a peace treaty and the emergence of the postpubescent as an autonomous, free-thinking human being who knows that Columbus only trespassed on an island inhabited by our lost and distant Indian relatives, but who also knows not to crap his pants.
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David James Duncan (The River Why)
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She knew the minute HE arrived. Felt the warm blanket of comfort reach out to her frozen soul....He made his way down the isle and sat next to her...he didn't reach out, didn't touch her...a single tear slid out from her closed lids and she blindly reached for his hand. He took her hand in more, gathering her close, arms coming around her warm and strong as her head sank down unto his shoulder and the tears finally came soaking the lapel of his wool suit. He offered her a perfectly white handkerchief...she stared at it and wondered who carries that type of thing anymore? He looked back at her and explained, "I'm old fashioned.
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D.B. Reynolds (Duncan (Vampires in America, #5))
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Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you."
"Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have
forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his
memory.
"The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly.
Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon.
The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging.
"Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered
in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her
back and resumed talking to her companion.
Duncan was immobilized by shock.
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Karen Marie Moning (The Highlander's Touch (Highlander, #3))
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Sometimes a strikeout means that the sluggerβs girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstopβs baby daughter has a pain in her head that wonβt go away. And handicapping is for amateur golfers, not ballplayers. Pitchers donβt ease off on the cleanup hitter because of the lumps just discovered in his wifeβs breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake.
Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that itβs so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.βs thesis that pro ball-playersβlittle as some of them may want to hear itβare basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
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David James Duncan
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But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
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Amanda Hocking (Ascend (Trylle, #3))