Dunbar Quotes

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We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile
Paul Laurence Dunbar (The Complete Poems of Paul Laurence Dunbar)
Do you know how long a year takes when it's going away?' Dunbar repeated to Clevinger. 'This long.' He snapped his fingers. 'A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man.' 'Old?' asked Clevinger with surprise. 'What are you talking about?' 'Old.' 'I'm not old.' 'You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?' Dunbar was almost angry when he finished. 'Well, maybe it is true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?' 'I do,' Dunbar told him. 'Why?' Clevinger asked. 'What else is there?
Joseph Heller (Catch-22)
The pale stars were sliding into their places. The whispering of the leaves was almost hushed. All about them it was still and shadowy and sweet. It was that wonderful moment when, for lack of a visible horizon, the not yet darkened world seems infinitely greater—a moment when anything can happen, anything be believed in.
Olivia Howard Dunbar (The Shell of Sense)
So many things were testing his faith. There was the Bible, of course, but the Bible was a book, and so were Bleak House, Treasure Island, Ethan Frome and The Last of the Mohicans. Did it then seem probable, as he had once overheard Dunbar ask, that the answers to riddles of creation would be supplied by people too ignorant to understand the mechanics of rainfall? Had Almighty God, in all His infinite wisdom, really been afraid that men six thousand years ago would succeed in building a tower to heaven?
Joseph Heller (Catch-22)
I used to get a big kick out of saving people’s lives. Now I wonder what the hell’s the point, since they all have to die anyway.” “Oh, there’s a point, all right,” Dunbar assured him. “Is there? What’s the point?” “The point is to keep them from dying as long as you can.” “Yeah, but what’s the point, since they all have to die anyway?” “The trick is not to think about that.” “Never mind the trick. What the hell’s the point?” Dunbar pondered in silence for a few moments. “Who the hell knows.
Joseph Heller (Catch-22)
The history of the United States is a history of settler colonialism—the founding of a state based on the ideology of white supremacy, the widespread practice of African slavery, and a policy of genocide and land theft.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
That’s why everyone hates each other nowadays,’ he reckoned. ‘Because they are overloaded with non-friends friends. Ever heard about Dunbar’s number?’ And then he had told her about a man called Roger Dunbar at Oxford University, who had discovered that human beings were wired to know only a hundred and fifty people, as that was the average size of hunter-gatherer communities.
Matt Haig (The Midnight Library)
This, this indeed is to be accursed, For if we mortals love, or if we sing, We count our joys not by what we have, But by what kept us from that perfect thing.
Paul Laurence Dunbar
I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,- When he beats his bars and would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart's deep core, But a plea, that upward to Heaven he flings- I know why the caged bird sings!
Paul Laurence Dunbar
We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!
Paul Laurence Dunbar (Lyrics of Lowly Life)
I see dull people,” she yawned.
Robert Dunbar (Martyrs and Monsters)
Our nation was born in genocide.… We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. —Martin Luther King Jr.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Well, maybe it's true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?' 'I do,' Dunbar told him. 'Why?' Clevinger asked. 'What else is there?
Joseph Heller (Catch-22)
Quiet is really just a lot of small noises that most people don’t notice.
Robert Dunbar (Willy)
A crust of bread and a corner to sleep in, A minute to smile and an hour to weep in, A pint of joy to a peck of trouble, And never a laugh but the moans come double; And that is life! A crust and a corner that love makes precious, With a smile to warm and the tears to refresh us; And joy seems sweeter when cares come after, And a moan is the finest of foils for laughter; And that is life!
Paul Laurence Dunbar (The Complete Poems of Paul Laurence Dunbar)
Timor mortis conturbat me.
William Dunbar (The Complete Works (Middle English Texts))
Was this the triumph of self-knowledge: to suffer more lucidly?
Edward St. Aubyn (Dunbar)
Columbus Day is still a federal holiday despite Columbus never having set foot on any territory ever claimed by the United States.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
She couldn’t ever see how broken he was, while the rest of us stood and watched them. She was in jeans, bare feet and T-shirt, and maybe that’s what finished us off. She looked just like a Dunbar boy. With that haircut she was one of us.
Markus Zusak (Bridge of Clay)
We are each gifted in a unique and important way. It is our privilege and our adventure to discover our own special light.
Mary Dunbar
Dunbar loved shooting skeet because he hated every minute of it and the time passed so slowly. He had figured out that a single hour on the skeet-shooting range with people like Havermeyer and Appleby could be worth as much as eleven-times-seventeen years. “I think you’re crazy,” was the way Clevinger had responded to Dunbar’s discovery. “Who wants to know?” Dunbar answered. “I mean it,” Clevinger insisted. “Who cares?” Dunbar answered. “I really do. I’ll even go as far as to concede that life seems longer i—“ “—is longer i—“ “—is longer—IS longer? All right, is longer if it’s filled with periods of boredom and discomfort, b—“ “Guess how fast?” Dunbar said suddenly. “Huh?” “They go,” Dunbar explained. “Who?” “Years.” “Years?” “Years,” said Dunbar. “Years, years, years.” “Do you know how long a year takes when it’s going away?” Dunbar asked Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller (Catch-22)
he believed that the more people were connected on social media, the lonelier society became. ‘That’s why everyone hates each other nowadays,’ he reckoned. ‘Because they are overloaded with non-friend friends. Ever heard about Dunbar’s number?’ And then he had told her about a man called Roger Dunbar at Oxford University, who had discovered that human beings were wired to know only a hundred and fifty people, as that was the average size of hunter-gatherer communities.
Matt Haig (The Midnight Library)
When you read the words of Langston Hughes you are reading the words of a Black Gay man. When you read the words of Alice Dunbar-Nelson and Angelina Weld Grimké, poets of the Harlem Renaissance, you are reading the words of Black Lesbians. When you listen to the life-affirming voices of Bessie Smith and Ma Rainey, you are hearing Black Lesbian women. When you see the plays and read the words of Lorraine Hansberry, you are reading the words of a women who loved women deeply.
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it.
Paul Laurence Dunbar (The Sport of the Gods)
What dreams we have and how they fly Like rosy clouds across the sky; Of wealth, of fame, of sure success, Of love that comes to cheer and bless; And how they whither, how they fade, The waning wealth, the jilting jade — The fame that for a moment gleams, Then flies forever, — dreams, ah — dreams!
Paul Laurence Dunbar (Majors And Minors: Poems (1895))
This is a complete assembly intercourse.” It took me a second to realize what he meant. “Cluster fuck, babe. The term is cluster fuck.
Debra Dunbar (Kingdom of Lies (Imp, #7))
We wear the mask that grins and lies...
Paul Laurence Dunbar
I'm really, really tired of the past
Helene Dunbar (These Gentle Wounds)
روح روز تابستانی و نفسِ گل سرخی، تابستان اما سپری شده است و موسم گل‌ به آخر رسیده است کجا رفته‌اند؟ که می‌داند، که می‌داند. خون قلب منی و جان آرامشی. قلب من امّا سرد است و جانم به سیاهی در نشسته است. کجایی تو ای یار؟ که می‌داند، که می‌داند. امید سالیان منی و آفتاب برف‌های زمستانم. سال‌ها اما زیر آسمانی ابر اندود به پایان رسیده است. کجا یکدیگر را باز خواهیم یافت؟ که می‌داند، که می‌داند
Paul Laurence Dunbar (Lyrics of Lowly Life)
It was called ‘We Wear the Mask’, by Paul Laurence Dunbar. I transcribed the first stanza and then started jotting down my reaction to it. We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. I used to wear masks so subtle I barely noticed them. A compliment to my mother after a dismal meal, a smile at my best friend when she sang out of tune, a forced laugh at my uncle’s bad jokes. I wore small masks that came and went, like fleeting expressions. I am stuck inside the mask I wear now. I want to rip it off. I want to show my scars to the world, to unveil the ugliness that breathes inside me. I want to be unashamed. I want to be unafraid. But every day the mask gets tighter, and I suffocate a little more. I stopped writing.
Catherine Doyle (Mafiosa (Blood for Blood, #3))
Do I look like I'm compelled to do anything? Do I seriously look like anyone could compel me to even bring them a coaster?" She looked me over again. "You look like you're compelled to cause trouble, but I doubt that's the boss' directive.
Debra Dunbar (A Demon Bound (Imp, #1))
How then can the US society come to terms with its past? How can it acknowledge responsibility? The late Native historian Jack Forbes always stressed that while living persons are not responsible for what their ancestors did, they are responsible for the society they live in, which is a product of that past. Assuming this responsibility provides a means of survival and liberation. Everyone and everything in the world is affected, for the most part negatively, by US dominance and intervention, often violently through direct military means or through proxies.
Roxanne Dunbar-Ortiz
Slight was the thing I bought, Small was the debt I thought, Poor was the loan at best — God! but the interest!
Paul Laurence Dunbar (The Complete Poems of Paul Laurence Dunbar)
Euro-American colonialism, an aspect of the capitalist economic globalization, had from its beginnings a genocidal tendency.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Love me, honey, love me true? Love me well ez I love you? An' she answe'd, " 'Cose I do" -- Jump back, honey, jump back.
Paul Laurence Dunbar
The original Gothic horror tales focused on personalities deformed through loneliness. Ghouls, vampires, werewolves: all made, not born. But the isolation? Are even such as these ever truly alone? Perhaps the psyche has always been more complex than that, desire eternally more potent than terror. Surely, none prowl entirely in solitude.
Robert Dunbar (Martyrs and Monsters)
I'll let you in on a little secret, Garry: everything is history. By the time you notice it, it's already happened. That famous imposter, "the present," disappears in the cognitive gap. Mind the gap!
Edward St. Aubyn (Dunbar)
Oaths were important to word correctly, but Gregory could be forgiven for his lapse. It wasn’t every day that his demon lover took a member of his choir hostage, beat the shit out of the guy and kept him a starving captive in her basement.
Debra Dunbar (Angel of Chaos (Imp #6))
There are probably two key aspects of culture that stand out as being uniquely human. One is religion and the other is story-telling. There is no other living species, whether ape or crow, that do either of these. They are entirely and genuinely unique to humans.
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
Every hunchback has his gypsy, each phantom his diva, and flames of passion consume witches and martyrs alike. For any lonely monster, tradition demands that one sacrificial soul seek immolation. Ashes to ashes. It remains the ultimate, transformative act of love.
Robert Dunbar (Martyrs and Monsters)
I know who I am, and I know who you are, and nothing else matters. it's how we live our life.
Tal McThenia (A Case for Solomon: Bobby Dunbar and the Kidnapping That Haunted a Nation)
Life was short and brutal; so were the neighbors.
Robert Dunbar (Wood)
There was really nothing pressing for me to do beyond pouring bubble bath in the fountain at City Hall.
Debra Dunbar (Angel of Chaos (Imp #6))
The only thing worse than living inside an alligator had to be living inside a decrepit one.
Robert Dunbar (Martyrs and Monsters)
Having had nothing, I will not settle for crumbs.
Roxanne Dunbar-Ortiz
In primates at least, infanticide seems to have been the crucial factor driving the evolution of monogamous mating systems.
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
A crust of bread and a corner to sleep in, A minute to smile and an hour to weep in, A pint of joy to a peck of trouble, And never a laugh but the moans come double; And that is life!
Paul Laurence Dunbar (The Collected Poetry of Paul Laurence Dunbar)
Everything in US history is about the land—who oversaw and cultivated it, fished its waters, maintained its wildlife; who invaded and stole it; how it became a commodity (“real estate”) broken into pieces to be bought and sold on the market. US
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying.
Paul Laurence Dunbar (The Sport of the Gods)
The leafless trees, with their black branches stretched hysterically in every direction, looked to him like illustrations of a central nervous system racked by disease: studies of human suffering anatomized against the winter sky.
Edward St. Aubyn (Dunbar)
Well, the Taco Bell burrito scale of immense magnitude returned an 'r' factor of point eight six. Then when I applied the nose-picking coefficient, I discovered a multivariate numeration of nine dot oh sixteen on the Richter scale.
Debra Dunbar (Devil's Paw (Imp, #4))
A Golden Day I Found you and I lost you, All on a gleaming day. The day was filled with sunshine, And the land was full of May. A golden bird was singing Its melody divine, I found you and I loved you, And all the world was mine. I found you and I lost you, All on a golden day, But when I dream of you, dear, It is always brimming May.
Paul Laurence Dunbar
Settler colonialism, as an institution or system, requires violence or the threat of violence to attain its goals.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Something deep in the human psyche has always seemed to yearn for ever more enhanced levels of savagery.
Robert Dunbar (Vortex)
Cinema – all art really – has great power. Power to illuminate. Power to transform. For those of us who experience film as literature, classic movies comprised an introductory education in the genre. As kids, many of us went searching through library shelves for obscure source novels after seeing some old movie or other. It was the start of many an adventure.
Robert Dunbar (Vortex)
US history, as well as inherited Indigenous trauma, cannot be understood without dealing with the genocide that the United States committed against Indigenous peoples. From the colonial period through the founding of the United States and continuing in the twenty-first century, this has entailed torture, terror, sexual abuse, massacres, systematic military occupations, removals of Indigenous peoples from their ancestral territories, and removals of Indigenous children to military-like boarding schools. The absence of even the slightest note of regret or tragedy in the annual celebration of the US independence betrays a deep disconnect in the consciousness of US Americans.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Cases of genocide carried out as policy may be found in historical documents as well as in the oral histories of Indigenous communities. An example from 1873 is typical, with General William T. Sherman writing, “We must act with vindictive earnestness against the Sioux, even to their extermination, men, women and children … during an assault, the soldiers can not pause to distinguish between male and female, or even discriminate as to age.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd. "All right, folks," Mr. Summers said. "Let's finish quickly." Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box. Mrs. Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up." Mrs. Dunbar had small stones in both hands, and she said, gasping for breath, "I can't run at all. You'll have to go ahead and I'll catch up with you." The children had stones already, and someone gave little Davy Hutchinson a few pebbles. Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him. "It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
Shirley Jackson (The Lottery and Other Stories)
The continuity between invading and occupying sovereign Indigenous nations in order to achieve continental control in North America and employing the same tactics overseas to achieve global control is key to understanding the future of the United States in the world.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
In the United States the legacy of settler colonialism can be seen in the endless wars of aggression and occupations; the trillions spent on war machinery, military bases, and personnel instead of social services and quality public education; the gross profits of corporations, each of which has greater resources and funds than more than half the countries in the world yet pay minimal taxes and provide few jobs for US citizens; the repression of generation after generation of activists who seek to change the system; the incarceration of the poor, particularly descendants of enslaved Africans; the individualism, carefully inculcated, that on the one hand produces self-blame for personal failure and on the other exalts ruthless dog-eat-dog competition for possible success, even though it rarely results; and high rates of suicide, drug abuse, alcoholism, sexual violence against women and children, homelessness, dropping out of school, and gun violence.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
. . . [H]ad North America been a wilderness, undeveloped, without roads, and uncultivated, it might still be so, for the European colonists could not have survived. They appropriated what had already been created by Indigenous civilizations. They stole already cultivated farmland and the corn, vegetables, tobacco, and other crops domesticated over centuries, took control of the deer parks that had been cleared and maintained by Indigenous communities, used existing roads and water routes in order to move armies to conquer, and relied on captured Indigenous people to identify the locations of water, oyster beds, and medicinal herbs.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
There are more than five hundred federally recognized Indigenous communities and nations, comprising nearly three million people in the United States. These are the descendants of the fifteen million original inhabitants of the land, the majority of whom were farmers who lived in towns.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
He said he didn’t even know that anyone our age was paying attention to what was going on.” A chill goes through me. Being afraid of some enemy you can’t see, regardless of how big or deadly is one thing. Starting to recognize the people lying dead on the battlefield is something else entirely.
Helene Dunbar (We Are Lost and Found)
The global Indigenous cause reached a major milestone in 2007 when the UN General Assembly passed the Declaration on the Rights of Indigenous Peoples. Only four members of the assembly voted in opposition, all of them Anglo settler-states - the United States, Canada, New Zealand, and Australia.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
It's perhaps not so much how your amygdala is tuned that makes you politically extreme, but that your intrinsic nervousness makes you more responsive to things that might seem to threaten your particular social world. Education probably plays an important role in dampening that response by allowing the brain's frontal lobes (where much of the brain's conscious work goes on) to counteract the emotional responses with a more considered view, so explaining why education is invariably the friend of liberal politics.
Robin I.M. Dunbar (How Many Friends Does One Person Need?)
I try to never miss the Zumba class since I believe comedy is a great way to start your week. ...It was great fun, although I had to hold myself back from turning it into a giant mosh pit slam dance. Last time I did that they kicked me out for a month. Today I enjoyed watching an 80 year old lady - with a cane no less - shimmy, her boobs flying like weapons around her waist.
Debra Dunbar (A Demon Bound (Imp, #1))
I’m assuming the widened eyes and squished up mouth are your way of entreating me to take you to the train station and help you question the humans. Either that or you’re constipated.” “I’m not constipated.” I resumed The Look.
Debra Dunbar (Kingdom of Lies (Imp, #7))
They say a basis in fact underlies most legends. They say it all the time, all those Wise Elders in all those old horror films, the high priests, the scientists, the gypsy fortune tellers. On this single issue they agree unanimously.
Robert Dunbar (Vortex)
This is the debt I pay Just for one riotous day, Years of regret and grief, Sorrow without relief. Pay it I will to the end — Until the grave, my friend, Gives me a true release — Gives me the clasp of peace. Slight was the thing I bought, Small was the debt I thought, Poor was the loan at best — God! but the interest!
Paul Laurence Dunbar
Jodi Byrd writes: “The story of the new world is horror, the story of America a crime.” It is necessary, she argues, to start with the origin of the United States as a settler-state and its explicit intention to occupy the continent. These origins contain the historical seeds of genocide. Any true history of the United States must focus on what has happened to (and with) Indigenous peoples—and what still happens.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
There is equal beauty in the things called horrific. The act of destruction is an expression of beauty, too. I destroyed the bottle to make the horse. Is a pretty glass horse worth the loss of a bottle, but the sound of shattered glass and bits flying through the air isn’t? Is transformation only worthy if you approve of the end result?
Debra Dunbar (A Demon Bound (Imp, #1))
The objective of US colonialist authorities was to terminate their existence as peoples—not as random individuals. This is the very definition of modern genocide as contrasted with premodern instances of extreme violence that did not have the goal of extinction.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Just as there are broken people, there are broken places on this earth. Some have always been broken. All cities have such neighborhoods at their edges, and this city is all edges … block after block of bleakly hopeless outskirts. People don’t bury dead cities. They abandon them. They abandon them to the poorest of the poor, to the lost and the doomed.
Robert Dunbar (The Streets (The Pines Trilogy, #3))
The Cherokee Nation took a case against Georgia to the US Supreme Court. With Chief Justice John Marshall writing for the majority, the Court ruled in favor of the Cherokees. Jackson ignored the Supreme Court, however, in effect saying that John Marshall had made his decision and Marshall would have to enforce it if he could, although he, Jackson, had an army while Marshall did not.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Abandoned houses seldom turn out to be as empty as they appear. Voices fade, but echoes linger, intimately, sinking from room to room. And sometimes figures emerge from those shadows, if only in dreams. What could be more profoundly idiosyncratic than our nightmares? Always, there has been something personal about ghost stories. How surprising is it that so many concern writers in torment?
Robert Dunbar (Shadows: Supernatural Tales by Masters of Modern Literature)
A mission-minded family will serve together. Look for needs in your community and brainstorm with your spouse about how you can partner together to meet those needs in a way that works for you. My husband is handy, and I love to cook. My casserole dish and his tool box work well together. Is there a single mom who could use some help with yard work? Is there an elderly couple who needs help hanging their Christmas lights? Look for creative ways you can serve side by side and connect with each other and your neighbors.
Lyli Dunbar (Missional Life; A Practical Guide to Living in Light of Eternity)
L. Frank Baum, a Dakota Territory settler later famous for writing The Wonderful Wizard of Oz, edited the Aberdeen Saturday Pioneer at the time. Five days after the sickening event at Wounded Knee, on January 3, 1891, he wrote, “The Pioneer [sic] has before declared that our only safety depends upon the total extermination of the Indians. Having wronged them for centuries we had better, in order to protect our civilization, follow it up by one more wrong and wipe these untamed and untamable creatures from the face of the earth.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Okay, I would love to have sex in the tub.” “Sounds fun.” His hands moved slowly over my skin. I was encouraged by how he’d accepted my first form, by how quickly he’d accepted my assurances of what he meant to me. So I let it all out with uncharacteristic honesty. “A tub filled with blood. I can strangle you right before you orgasm. Not kill you, just suffocate you enough to give it that great edge. With a noose made of intestines. Maybe I’ll gnaw on the other end.” My voice trailed off as I imagined it all. I was so turned on.
Debra Dunbar (Satan's Sword (Imp, #2))
We were singing for Dr. Du Bois' spirit, for the invaluable contributions he made, for his shining intellect and his courage. To many of us he was the first American Negro intellectual. We knew about Jack Johnson and Jesse Owens and Joe Louis. We were proud of Louis Armstrong and Marian Anderson and Roland Hayes. We memorized the verses of James Weldon Johnson, Langston Hughes, Paul Laurence Dunbar and Countee Cullen, but they were athletes, musicians and poets, and White folks thought all those talents came naturally to Negroes. So, while we survived because of those contributors and their contributions, the powerful White world didn't stand in awe of them. Sadly, we also tended to take those brilliances for granted. But W.E.B. Du Bois and of course Paul Robeson were different, held on a higher or at least on a different plateau than the others.
Maya Angelou (All God's Children Need Traveling Shoes)
He shook his head in exasperation. “Are you sure you’re not a Succubus? You seem really obsessed with the sin of lust.” “It’s a good sin. I like gluttony an awful lot, too. Sloth has its moments, but I just don’t understand acedia at all. I mean, what the f**k is that anyway? Oh, and greed is good, to quote Gordon Gekko. Anger, envy and pride,” I ticked them off on my fingers. “I don’t often have much use for them. It’s a shortcoming that I’m hoping to correct in the next millennium or two. I’m not very old; I can’t be expected to have mastered them all yet.” “I think you’ve worked too hard on some of those,” he said dryly. “Maybe you should switch over to virtues instead. Give yourself a much needed break.” Virtues? Yeah, right. “Virtues are too difficult,” I told him, shaking my head. “Look how old you are and you’ve hardly made a dent in them. I’ll admit, you seem to have zeal nailed, as well as faith and temperance. Self control? I’ve got my doubts based on your recent actions. I’m not seeing the kindness, love or generosity, either. That humility thing seems to be pretty far beyond your reach, too. Really, really far. I’m sorry to tell you this, but from what I can see, the sin of pride is a major component of your character. Dude, you’re f**king old. You should have these things pretty well ticked off your shopping list by now. I’m seriously disappointed. Seriously.
Debra Dunbar (A Demon Bound (Imp, #1))
A “race to innocence” is what occurs when individuals assume that they are innocent of complicity in structures of domination and oppression.25 This concept captures the understandable assumption made by new immigrants or children of recent immigrants to any country. They cannot be responsible, they assume, for what occurred in their adopted country’s past. Neither are those who are already citizens guilty, even if they are descendants of slave owners, Indian killers, or Andrew Jackson himself. Yet, in a settler society that has not come to terms with its past, whatever historical trauma was entailed in settling the land affects the assumptions and behavior of living generations at any given time, including immigrants and the children of recent immigrants.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Between 1968 and 1973, the United States and Britain, the latter the colonial administrator, forcibly removed the indigenous inhabitants of the islands, the Chagossians. Most of the two thousand deportees ended up more than a thousand miles away in Mauritius and the Seychelles, where they were thrown into lives of poverty and forgotten. The purpose of this expulsion was to create a major US military base on one of the Chagossian islands, Diego Garcia.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
INVITATION TO LOVE Come when the nights are bright with stars Or when the moon is mellow; Come when the sun his golden bars Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene'er you may, And you are welcome, welcome. You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it rest As the bird flies home to its welcome nest. Come when my heart is full of grief Or when my heart is merry; Come with the falling of the leaf Or with the redd'ning cherry. Come when the year's first blossom blows, Come when the summer gleams and glows, Come with the winter's drifting snows, And you are welcome, welcome.
Paul Laurence Dunbar (Lyrics of Lowly Life)
Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
histories. Anishinaabe (Ojibwe) historian Jean O’Brien names this practice of writing Indians out of existence “firsting and lasting.” All over the continent, local histories, monuments, and signage narrate the story of first settlement: the founder(s), the first school, first dwelling, first everything, as if there had never been occupants who thrived in those places before Euro-Americans.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
It is true that our everyday view of the world is not quite naively realistic, but that is what it would like to be. Common-sense is naively realistic wherever it does not think that there is some positive reason why it should cease to be so. And this is so in the vast majority of its perceptions. When we see a tree we think that it is really green and really waving about in precisely the same way as it appears to be. We do not think of our object of perception being 'like' the real tree, we think that what we perceive is the tree, and that it is just the same at a given moment whether it be perceived or not, except that what we perceive may be only a part of the real tree.
Charlie Dunbar Broad
Under the crust of that portion of Earth called the United States of America—"from California . . . to the Gulf Stream waters"—are interred the bones, villages, fields, and sacred objects of American Indians. They cry out for their stories to be heard through their descendants who carry the memories of how the country was founded and how it came to be as it is today. [opening lines of the Introduction; ellipsis sic].
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Do you know how long a year takes when it’s going away?” Dunbar repeated to Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. “Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller
Beyond the Years I the years the answer lies, Beyond where brood the grieving skies And Night drops tears. Where Faith rod-chastened smiles to rise And doff its fears, And carping Sorrow pines and dies— Beyond the years. II Beyond the years the prayer for rest Shall beat no more within the breast; The darkness clears, And Morn perched on the mountain's crest Her form uprears— The day that is to come is best, Beyond the years. III Beyond the years the soul shall find That endless peace for which it pined, For light appears, And to the eyes that still were blind With blood and tears, Their sight shall come all unconfined Beyond the years.
Paul Laurence Dunbar
It’s perfect,” Gregory handed the horse back to me. “And it has such feeling and expression to it. That I expected, but I would never have expected this level of detail from a demon. Honestly, I would have expected you to shoot the bottles off the railing or twist them into a horrific mass. Not create this delicate thing of beauty.” “There is equal beauty in the things called horrific. The act of destruction is an expression of beauty, too. I destroyed the bottle to make the horse. Is a pretty glass horse worth the loss of a bottle, but the sound of shattered glass and bits flying through the air isn’t? Is transformation only worthy if you approve of the end result?
Debra Dunbar (A Demon Bound (Imp, #1))
The consequences of this amassing of fortunes were first felt in the catastrophe experienced by small farmers in Europe and England. The peasants became impoverished, dependent workers crowded into city slums. For the first time in human history, the majority of Europeans depended for their livelihood on a small wealthy minority, a phenomenon that capitalist-based colonialism would spread worldwide. The symbol of this new development, indeed its currency, was gold. Gold fever drove colonizing ventures, organized at first in pursuit of the metal in its raw form. Later the pursuit of gold became more sophisticated, with planters and merchants establishing whatever conditions were necessary to hoard as much gold as possible. Thus was born an ideology: the belief in the inherent value of gold despite its relative uselessness in reality. Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Out in the sky the great dark clouds are massing; I look far out into the pregnant night, Where I can hear a solemn booming gun And catch the gleaming of a random light, That tells me that the ship I seek is passing, passing. My tearful eyes my soul's deep hurt are glassing; For I would hail and check that ship of ships. I stretch my hands imploring, cry aloud, My voice falls dead a foot from mine own lips, And but its ghost doth reach that vessel, passing, passing. O Earth, O Sky, O Ocean, both surpassing, O heart of mine, O soul that dreads the dark! Is there no hope for me? Is there no way That I may sight and check that speeding bark Which out of sight and sound is passing, passing?
Paul Laurence Dunbar
Crazy Horse was a new kind of leader to emerge after the Civil War, at the beginning of the army’s wars of annihilation in the northern plains and the Southwest. Born in 1842 in the shadow of the sacred Paha Sapa (Black Hills), he was considered special, a quiet and brooding child. Already the effects of colonialism were present among his people, particularly alcoholism and missionary influence. Crazy Horse became a part of the Akicita, a traditional Sioux society that kept order in villages and during migrations. It also had authority to make certain that the hereditary chiefs were doing their duty and dealt harshly with those who did not.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
What about you, Snipes?" Dunbar asked. "You think there to be mountain lions up here or is it just folks' imaginings?" Snipes pondered the question a few moments before speaking. They's many a man of science would claim there aint because you got no irredeemable evidence like panther scat or fur or tooth or tail. In other words, some part of the animal in questions. Or better yet having the actual critter itself, the whole think kit and caboodle head to tail, which all your men of science argue is the best proof of all a thing exists, whether it be a panther, or a bird, or even a dinosaur." To put it another way, if you was to stub your toe and tell the man of science what happened he'd not believe a word of it less he could see how it'd stoved up or was bleeding. But your philosophers and theologians and such say there’s things in the world that’s every bit as real even though you can’t see them.” Like what?” Dunbar asked. Well,” Snipes said. “They’s love, that’s one. And courage. You can’t see neither of them, but they’re real. And air, of course. That’s one of your most important examples. You wouldn’t be alive a minute if there wasn’t air, but nobody’s ever seen a single speck of it.” … “All I’m saying is there is a lot more to this old world than meets the eye.” … “And darkness. You can’t see it no more than you can see air, but when its all around you sure enough know it.” (Serena, 65-66)
Ron Rash
Hanging a banner from the front of the Bureau of Indian Affairs building that proclaimed it to be the “Native American Embassy,” hundreds of protesters hailing from seventy-five Indigenous nations entered the building to sit in. BIA personnel, at the time largely non-Indigenous, fled, and the capitol police chain-locked the doors announcing that the Indigenous protesters were illegally occupying the building. The protesters stayed for six days, enough time for them to read damning federal documents that revealed gross mismanagement of the federal trust responsibility, which they boxed up and took with them. The Trail of Broken Treaties solidified Indigenous alliances, and the “20-Point Position Paper,”14 the work mainly of Hank Adams, provided a template for the affinity of hundreds of Native organizations. Five years later, in 1977, the document would be presented to the United Nations, forming the basis for the 2007 UN Declaration on the Rights of Indigenous Peoples.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
I that in heill was and gladnèss Am trublit now with great sickness And feblit with infirmitie:- Timor Mortis conturbat me. Our plesance here is all vain glory, This fals world is but transitory, The flesh is bruckle, the Feynd is slee:- Timor Mortis conturbat me. The state of man does change and vary, Now sound, now sick, now blyth, now sary, Now dansand mirry, now like to die:- Timor Mortis conturbat me. No state in Erd here standis sicker; As with the wynd wavis the wicker So wannis this world's vanitie:- Timor Mortis conturbat me. Unto the Death gois all Estatis, Princis, Prelatis, and Potestatis, Baith rich and poor of all degree:- Timor Mortis conturbat me. He takis the knichtis in to the field Enarmit under helm and scheild; Victor he is at all mellie:- Timor Mortis conturbat me. That strong unmerciful tyrand Takis, on the motheris breast sowkand, The babe full of benignitie:- Timor Mortis conturbat me. He takis the campion in the stour, The captain closit in the tour, The lady in bour full of bewtie:- Timor Mortis conturbat me. He spairis no lord for his piscence, Na clerk for his intelligence; His awful straik may no man flee:- Timor Mortis conturbat me. Art-magicianis and astrologgis, Rethoris, logicianis, and theologgis, Them helpis no conclusionis slee:- Timor Mortis conturbat me. In medecine the most practicianis, Leechis, surrigianis, and physicianis, Themself from Death may not supplee:- Timor Mortis conturbat me. I see that makaris amang the lave Playis here their padyanis, syne gois to grave; Sparit is nocht their facultie:- Timor Mortis conturbat me. He has done petuously devour The noble Chaucer, of makaris flour, The Monk of Bury, and Gower, all three:- Timor Mortis conturbat me. The good Sir Hew of Eglintoun, Ettrick, Heriot, and Wintoun, He has tane out of this cuntrie:- Timor Mortis conturbat me. That scorpion fell has done infeck Maister John Clerk, and James Afflek, Fra ballat-making and tragedie:- Timor Mortis conturbat me. Holland and Barbour he has berevit; Alas! that he not with us levit Sir Mungo Lockart of the Lee:- Timor Mortis conturbat me. Clerk of Tranent eke he has tane, That made the anteris of Gawaine; Sir Gilbert Hay endit has he:- Timor Mortis conturbat me. He has Blind Harry and Sandy Traill Slain with his schour of mortal hail, Quhilk Patrick Johnstoun might nought flee:- Timor Mortis conturbat me. He has reft Merseir his endite, That did in luve so lively write, So short, so quick, of sentence hie:- Timor Mortis conturbat me. He has tane Rowll of Aberdene, And gentill Rowll of Corstorphine; Two better fallowis did no man see:- Timor Mortis conturbat me. In Dunfermline he has tane Broun With Maister Robert Henrysoun; Sir John the Ross enbrast has he:- Timor Mortis conturbat me. And he has now tane, last of a, Good gentil Stobo and Quintin Shaw, Of quhom all wichtis hes pitie:- Timor Mortis conturbat me. Good Maister Walter Kennedy In point of Death lies verily; Great ruth it were that so suld be:- Timor Mortis conturbat me. Sen he has all my brether tane, He will naught let me live alane; Of force I man his next prey be:- Timor Mortis conturbat me. Since for the Death remeid is none, Best is that we for Death dispone, After our death that live may we:- Timor Mortis conturbat me
William Dunbar (Poems)
In focusing on “cultural change” and “conflict between cultures,” these studies avoid fundamental questions about the formation of the United States and its implications for the present and future. This approach to history allows one to safely put aside present responsibility for continued harm done by that past and the questions of reparations, restitution, and reordering society.9 Multiculturalism became the cutting edge of post-civil-rights-movement US history revisionism. For this scheme to work—and affirm US historical progress—Indigenous nations and communities had to be left out of the picture. As territorially and treaty-based peoples in North America, they did not fit the grid of multiculturalism but were included by transforming them into an inchoate oppressed racial group, while colonized Mexican Americans and Puerto Ricans were dissolved into another such group, variously called “Hispanic” or “Latino.” The multicultural approach emphasized the “contributions” of individuals from oppressed groups to the country’s assumed greatness. Indigenous peoples were thus credited with corn, beans, buckskin, log cabins, parkas, maple syrup, canoes, hundreds of place names, Thanksgiving, and even the concepts of democracy and federalism. But this idea of the gift-giving Indian helping to establish and enrich the development of the United States is an insidious smoke screen meant to obscure the fact that the very existence of the country is a result of the looting of an entire continent and its resources. The fundamental unresolved issues of Indigenous lands, treaties, and sovereignty could not but scuttle the premises of multiculturalism.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Where are we?” I interrupted Gregory as he spoke with the other angels. He looked around. “Intercourse, Pennsylvania.” I snorted—he said “intercourse”. What a great name for a town. I needed to move to Intercourse, Pennsylvania. I wondered if there was a Climax, Pennsylvania? Gregory’s lips twitched. “Yes, there’s a Climax, Pennsylvania. It takes about four hours to get there by car from Intercourse.” I didn’t know what was more funny, the fact that Climax was four hours from Intercourse or that the two angels standing beside Gregory had expressions of horror on their faces. An archangel, the archangel, had just made a sex joke. Damn, I loved him. “I can get there faster,” I choked out between laughter that nearly brought me to my knees. “Because four hours from intercourse to climax is cause for immediate medical attention.” He waved a hand. “For paltry humans, maybe. Four hours for an angel is a quickie.” Those other two angels looked as if they were ready to sink through the ground. “Oh, please, can we have a quickie? I’ve got four hours to spare, and we are in Intercourse. It’s fate.
Debra Dunbar (Kingdom of Lies (Imp, #7))
During the Pequot War, Connecticut and Massachusetts colonial officials had offered bounties initially for the heads of murdered Indigenous people and later for only their scalps, which were more portable in large numbers. But scalp hunting became routine only in the mid-1670s, following an incident on the northern frontier of the Massachusetts colony. The practice began in earnest in 1697 when settler Hannah Dustin, having murdered ten of her Abenaki captors in a nighttime escape, presented their ten scalps to the Massachusetts General Assembly and was rewarded with bounties for two men, two women, and six children.24 Dustin soon became a folk hero among New England settlers. Scalp hunting became a lucrative commercial practice. The settler authorities had hit upon a way to encourage settlers to take off on their own or with a few others to gather scalps, at random, for the reward money. “In the process,” John Grenier points out, “they established the large-scale privatization of war within American frontier communities.”25 Although the colonial government in time raised the bounty for adult male scalps, lowered that for adult females, and eliminated that for Indigenous children under ten, the age and gender of victims were not easily distinguished by their scalps nor checked carefully. What is more, the scalp hunter could take the children captive and sell them into slavery. These practices erased any remaining distinction between Indigenous combatants and noncombatants and introduced a market for Indigenous slaves. Bounties for Indigenous scalps were honored even in absence of war. Scalps and Indigenous children became means of exchange, currency, and this development may even have created a black market. Scalp hunting was not only a profitable privatized enterprise but also a means to eradicate or subjugate the Indigenous population of the Anglo-American Atlantic seaboard.26 The settlers gave a name to the mutilated and bloody corpses they left in the wake of scalp-hunts: redskins.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Parallel to the idea of the US Constitution as covenant, politicians, journalists, teachers, and even professional historians chant like a mantra that the United States is a “nation of immigrants.” From its beginning, the United States has welcomed—indeed, often solicited, even bribed—immigrants to repopulate conquered territories “cleansed” of their Indigenous inhabitants. From the mid-nineteenth century, immigrants were recruited to work mines, raze forests, construct canals and railroads, and labor in sweatshops, factories, and commercial farm fields. In the late twentieth century, technical and medical workers were recruited. The requirements for their formal citizenship were simple: adhere to the sacred covenant through taking the Citizenship Oath, pledging loyalty to the flag, and regarding those outside the covenant as enemies or potential enemies of the exceptional country that has adopted them, often after they escaped hunger, war, or repression, which in turn were often caused by US militarism or economic sanctions. Yet no matter how much immigrants might strive to prove themselves to be as hardworking and patriotic as descendants of the original settlers, and despite the rhetoric of E pluribus unum, they are suspect. The old stock against which they are judged inferior includes not only those who fought in the fifteen-year war for independence from Britain but also, and perhaps more important, those who fought and shed (Indian) blood, before and after independence, in order to acquire the land. These are the descendants of English Pilgrims, Scots, Scots-Irish, and Huguenot French—Calvinists all—who took the land bequeathed to them in the sacred covenant that predated the creation of the independent United States. These were the settlers who fought their way over the Appalachians into the fertile Ohio Valley region, and it is they who claimed blood sacrifice for their country. Immigrants, to be accepted, must prove their fidelity to the covenant and what it stands for.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))