Dump Trailer Quotes

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Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw.
Chuck Palahniuk (Diary)
Music is crucial... Let's say you're southbound on the interstate, cruising along in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you - do you want to be hearing another radio commercial for a mega, clearance, close-out, blow-out liquidation car-stereo sale?
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
Frederick Forsyth (The Cobra)
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
William H. Gass (The Tunnel)
A locker in the first-class writing room containing, among other things, spare jackets for the stewards and waiters, was a perfect site for an incendiary bomb. The locker was immediately below the false ceiling to which the line-throwing Lyle gun and twenty-five pounds of dangerous explosives had been moved. Rogers himself had watched the seamen dump gun and powder barrel into the space between the false ceiling and the deck. The gunpowder would make a perfect trailer. Another trailer was even closer at hand. Near the radio room were two gasoline tanks, used to run the transmitting equipment. It would be a simple matter to uncouple the feed line, allowing the gas to trickle down the deck. Night watchman Arthur Pender, who passed only a few feet from the tanks, smelled a strong odor of gasoline, which he did not report to the bridge, thinking the smell must be the result of late cleaning on the eve of the ship’s arrival in port. If Pender had reported it, even a cursory investigation might have revealed the preparations for sabotage. But he did not. In his investigations Captain George Seeth—who knew well both the Morro Castle and Rogers—suggested how Rogers probably placed his bomb: “Nobody would be surprised to see a radio officer in the writing room. Rogers or one of his staff frequently took messages to passengers, and walking through the writing room was a short cut from their shack. “Again, nobody would have been surprised if Rogers had gone to the locker itself. He would have had a ready excuse to say he was looking for a piece of paper to scribble down a message a passenger had just given him for transmission.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
Lazy Iguana Dump Trailer Service in Shallotte, NC, provides reliable 10-yard dump trailer rentals throughout Brunswick County. Perfect for residential cleanups, landscaping, and small construction jobs, our trailers offer efficient waste management for homeowners, businesses, and contractors. With flexible daily and weekly rental options, we make booking hassle-free and ensure on-time, dependable service. Choose Lazy Iguana for a locally trusted, convenient solution for your waste disposal needs.
Lazy Iguana Dump Trailer Service
Lee's Junk Removal & Property Care provides dependable roll-off dumpster rentals and junk removal services throughout Iowa. With yard containers and dump trailers, we handle residential, commercial, and construction waste. Serving Iowa City and surrounding areas, we offer tailored solutions for all projects, ensuring a seamless experience. Trust our experienced team to manage your debris efficiently while you focus on getting your project done.
Lee's Junk Removal and Property Care
Bills Tool Rental has been providing heavy equipment and tool rentals to Colorado Springs locals for over 3 generations No matter the project, Bills has the right tool for the job. Our expert staff is here to help, consult and advise on best uses of equipment and make sure you leave with everything needed to get the job done right the first time. Customers can find everything from basic hand and power tools to heavy machinery like Bobcats, skidsteers, backhoes, dump trailers and more.
Bill's Tool Rental Inc