Dummy Love Quotes

It's nice of you to say I'm your best friend." "You are my best friend, dummy." "Really? You are my best friend. But I always assumed that somebody else was your best friend, and I was totally okay with that. You don't have to say that I'm your best friend just to make me feel good." "You're so lame." "That's why I figured somebody else was your best friend.

Otis clopped forward and sighed. "Well, if you need a volunteer to die, I suppose I can do it. I've always loved weddings-" Shut up, dummy!" Marvin said. "You're a goat!

No matter how much I may love—scratch that, loved, past tense—Josh, I was no dummy. Everyone knows the Y chromosome carries with it the instinctive urge to lie under pressure. Which, incidentally, was what Josh was going to be under when I found him. Serious pressure. On his larynx.

I would love to teach every kid to say "fuck." Hang on, now, hang on, listen to why. The reason is because to me, that is a word that doesn't have any effect. But "stupid" and "dummy"? You can say it to someone who is six and you can say it to someone who is a hundred and six and they will hunch their shoulders and it will be like somebody kicked them in the stomach because they are harsh, ugly words.

Love was for dummies, soulmates were the creation of pulp-fiction writers; romance was craved by ageing, lonely cat owners. Successful relationships were built on rationality and compromise.

I thot falling in love was a burden A kind of crowding on my landscape Love creates space, dummy Doesn’t take it up

Maybe you are right to be cautious. You have been lied to before, after all. Your heart is weathered and scarred, mishandled by many, eroded by time. You’re no dummy, and yet repeatedly, you stumble over the cracks of your cobblestone heart, you let your naked foolish hopes get the better of you.

Yeah, I am crazy. Ok. May be I am. But I prefer to be crazy than being a dummy.

It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.

Readers don't want to read about somebody else having powerful emotions. . . . Readers want to become somebody else for a few hours, to live an exciting life, to find true love, to face down unimaginable terrors, to solve impossible puzzles, to feel a lightning jolt of adrenaline.

Love is like a game of chess. You're white. He's black. You wait for him to make a move, while staring into his handsome, melting-you-on-the-inside eyes, then realize what a dummy he is to not tell you straight out to go first. The beginning is the crush stage. You begin to realize how much you want to defeat him, or make him fall in love with you. By the time you get to the heat of the game, you both moved and are hopefully dating. If you haven't forfeit then because you don't want to be cheated on, you make another move- head on shoulder, hand holding, etc. Black makes another move-he gives you his jacket on a freezing night. By the endgame, he either realizes how stupid he was to play with you and forfeits, or he realizes how smart you are and lets you defeat him (and love you). By the time you win, you're married to him. A happily ever after game of chess.

In that moment, even if his chest were to be torn open, and his heart ripped out, veins, flesh, and all, it could not hurt as much as this. He saw Chu Wanning’s hands—raw and bloody from crawling up more than three thousand steps carrying him when he was still alive, he saw those hands slowly feeling along the table. On that table sat flour, seasoning, and mincemeat filling. And next to the table was a pot heating up water. The water was already boiling, but Chu Wanning, the dummy, didn’t even know to lower the flames a little, and the thick covering of steam made everything look hazy and blurry… (...) Mo Ran wished he could cut open his own chest and give him his heart, just to hear his heartbeat again. He wished he could drain his own blood to fill his veins, just to see color on his face again.

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

Forgiveness is at the very heart of the Christian faith. It’s not about getting better, becoming more religious, or following the rules so God will love you. It’s all about forgiveness, dummy! Everything else is secondary. If we don’t keep the main thing the main thing, then everything else will turn sour on us.

I come across too much material on "how to make a man want you", "how to make a man commit", "how to make a man finally pop the question", "how to make a man take you seriously", "how to get into a man's emotions." And I laugh. My dear fellow women, enough! Do not busy yourselves with such things! Instead, fall in love with yourself!

Kavinsky’s not going to pressure you to have sex if you don’t want to. If you minus the fact that he dated the devil, he’s not a total dummy. He’s kind of decent, actually.

Choose those you give your trust to carefully. Be caring; be loving; be creative. But also be careful.

But many people just love to be in the midst of that poetry, to keep experiencing what’s perplexing, what’s beautiful, what’s true.

Turns out you can't learn Italian through osmosis, no matter how many times you fall asleep with Italian for Dummies propped open on your face.

was the bad, easy, faux-tough-guy type of racist stuff his father loved to say just to piss people off. Ted hated that shit, found it offensive. But sometimes, against his better judgment, Ted felt something like a ventriloquist’s dummy, involuntarily speaking his father’s words. He might adopt an attitude or phrase out of the blue, like some sort of paternal Tourette’s.

Serving brings great rewards, but sometimes those rewards come gift-wrapped in trying situations. Those who lovingly serve others can end up feeling like crash dummies designed specifically to discover the heat, force, and pain tolerance of some new product.

Could she see herself, someday, wearing a bridal gown, walking down an aisle—or going to a courthouse in a simple suit? Marriage was, after all, most young women’s life goal. And yet, the image left Maggie cold. That’s because you need to be in love first, dummy.

To me, every day of life is a good day. Of course there are people & situations thrown on your path, only as a test. Whether a test of your faith or a test of how you'll handle it. Oh yes, there are times when I want to let some of these dummies have it, but I prefer to spend my energy on praising God for all He is & all He does. I prefer to love & express compassion to others & live a happy life. This life is precious. This borrowed time isn't promised with a specific measure. Don't worry about what negative people think or feel about you. I'm sure they have numerous things to work on themselves. Just live. Put God first, live & be happy. If no one has told you they love you, remember Jesus loves you (and I do too) LK

Do you think if we would have carried on…I mean. If we hadn’t called it off, is it possible that you would have…” I couldn’t get the words out. They clogged my throat and closed it up. “Yeah,” she said with a sad smile that had my insides churning. “Yeah, what?” I pressed. “I would have loved you.” “How do you know?” I demanded, my voice a rasp. “Because I already do, dummy.” And with that, she walked out of my office.

An infant of two or three months will smile at even half a painted dummy face, if that half of the face is fully represented and has at least two clearly defined points or circles for eyes; more the infant does not need, but he will not smile for less. The infant's instinctive smile seems to have exactly that purpose which is its crowning effect, namely, that the adult feels recognized, and in return expresses recognition in the form of loving and providing.

It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined—a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.

Technology and its isolating effects Technology in the form of computers, cellphones, and the Internet have increased productivity, access to information, and the ability to communicate. Personally, we love computers — they've enabled us to write more and to research with greater ease than ever. Sometimes we spend days at a time holed up in our offices, banging away on the computer and not speaking to other living beings. Yet, because we don't want to lose real, face-to-face communication, we try to monitor our isolation to make sure we don't go overboard with cyber communication. Unfortunately, some people find themselves drawn into a digital, virtual world that becomes more exciting than their real lives. They spend day after day socializing on MySpace, Facebook, Twitter, and online gaming sites. They lose contact with the people around them, and they become fully absorbed in their virtual selves. Consider the following ways in which many people choose to relate to others: Joining a World of Warcraft team rather than the soccer team Participating in live Webcasts rather than meeting up

So I am to be Robert’s replacement. On the one hand, there is no pressure, because it’s not like I am replacing the cool guy that left that everybody loved. But at the same time, the pressure is huge, because if I screw up, my coworkers will all say, “Jarod’s a terrible employee. He’s so bad that even the lifeless robot was better and more hospitable than him.” It’s man vs. machine, and I am the underdog. I need to go buy a “How to be Better than a Dummy for Dummies” book before tomorrow so I’m not the most recent victim in a long line of human defeats at the hands of machine.

I was only hit on once at the grocery store. I remember it was early one Saturday morning and I was buying my daily bacon, when I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, "Excuse me, young man, could you reach up and grab some ketchup for me?" Well I'm no dummy. I know when I'm getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, "Thank you," like I was some piece of meat, a boy toy, or something. Finally I just blurted out, "Look, I'm married, lady!" She acted all surprised and confused. "Excuse me? I don't understand!" I shook my head with a smirk, raised my left hand, and showed her my wedding ring. "Married!" I loudly told her. "I'm taken!" A stock boy at the end of the aisle looked at us and inquired, "Is everything okay?" "I'm fine," I assured him. "I know how to deal with predators." Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. "Well, I never!" "And you ain't gonna with me either, " I yelled after her. I have to admit, it was nice to get the attention.

The band played on, and the swaying couples twisted like bobbing marionettes, to and fro, to and fro, across the great hall and back again, and it was not I who watched them at all, not someone with feelings, made of flesh and blood, but a dummy-stick of a person in my stead, a prop who wore a smile screwed to its face. The figure who stood beside it was wooden too. His face was a mask, his smile was not his own. The eyes were not the eyes of the man I loved, the man I knew. They looked through me and beyond me, cold, expressionless, to some place of pain and torture I could not enter, to some private, inward hell I could not share.

I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.

This Theresa maddened with her messages a scientist on our easily maddened planet; his anagram looking name, Sig Lemanski, had been partly derived by Van from that of Aqua's last doctor. When Leymanski's obsession turned into love, and one's sympathy got focused on his enchanting, melancholy, betrayed wife (nee Antilia Glems), our author found himself confronted with the distressful task of now stamping out in Antilia, a born brunette, all traces of Ada, thus reducing yet another character to a dummy with bleached hair. After beaming Sig a dozen communications from her planet, Theresa flies over to him, and he, in his laboratory, has to place her on a slide under a powerful microscope in order to make out the tiny, though otherwise perfect, shape of his minikin sweetheart, a graceful microorganism extending transparent appendages toward his huge humid eye. Alas, the testibulus (test tube - never to be confused with testiculus, orchid), with Theresa swimming inside like a micromermaid, is "accidentally" thrown away by Professor Leyman's (he had trimmed his name by that time) assistant, Flora, initially an ivory-pale, dark-haired funest beauty, whom the author transformed just in time into a third bromidic dummy with a dun bun.

1. I WON'T SHAM Why pretend all is well, yet in hurt When inside I’m dying for your affection? Why should l flout you? When my heart yearns for communion? 'l don't care' cries the broken hearted When inside the heart cries for love When the very reason they are crying Is them they are pretending to slur 'l never loved you' cries the divorced When their heart bleeds for love, just one act of love The one that brought them together at first The very reason they even got married 'l hate you' cries the frustrated When fulfillment is all they long for The reality of which is still a fallacy to them If only they could hold on just a little longer 'That's a dry joke’ cries the scowling When laughter is what they long for In as much as they pretend to frown Merriment is still so true in their hearts But, l hate to say goodbye, when all l want is to be with you I hate to walk away, when l could have gone with you You'd make me sad by waving goodbye When all that's true is for you and me to be together I hate to shout at you, when l can just speak tenderly l hate to hang you down on the phone, When l could have said a little more to make you blissful I hate to say goodnight when l'm not heavy-eyed myself All that's real to me is l abhor to be a dummy But hold on my love, l WON'T SHAM....

to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what

What’s that you’ve got crumpled up in your pocket?” My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.” “Give it to me and I’ll recycle it right now,” he says, holding out his hand. “No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me. I pant, “Give it back, Peter!” Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp. I try to grab harder, but it’s too late. He has it. Peter holds the envelope above my head and tears it open and begins to read. It’s torturous standing there in front of him, waiting--for what, I don’t know. More humiliation? I should probably just go. He’s such a slow reader. When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?” “Because, I don’t know, you didn’t seem so glad to see me…” My voice trails off lamely. “It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.” I suck in my breath. “Oh!” “Oh.” He pulls me by the lapels of my coat, closer to him, close enough to kiss. He’s so close I can see the puffs his breath makes. So close I could count his eyelashes if I wanted. In a low voice he says, “So then…you still like me?” “Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up. Peter gives me a look like Get real, you know you like me. I do, I do.

Oooo, I love attics.” Ashley gave a little squirm of anticipation. “Maybe your grandpa has some old trunks up there, do you think? Like attics in the movies? With clothes and old hats and those dressmaker dummies?” Roo drew on her cigarette. “You’re looking for dummies? Don’t tempt me, Ash.” “Well, as tempting as it is to continue this fascinating and stimulating discussion”--Parker grimaced--“I’ve got to get home.” Standing, he pulled Ashley up with him. “I guess we’ll see y’all later?” As the others got to their feet, Ashley gave Miranda a tight hug. “We’re coming tonight. You know, to the wake.” Miranda, once more, was touched. “Look, you guys, I appreciate it--really. But you don’t have to. It’s going to be so depressing.” “We’re coming,” Roo said. “Yeah, Roo likes depressing,” Parker insisted. “She’ll feel right at home.” “Parker, that’s so rude,” Ashley scolded him. “This isn’t anything to joke about.” “Right. Sorry.” The last to leave, Gage paused on the top step to look back at her. “We’ll be there.

I cannot make speeches, Emma. . . . If I loved you less, I might be able to talk about it more’” (E 3:13).

The final word was her daughter’s, in a frank and touching memoir, Knock Wood. Yes, there were disagreements; there were plenty of generation-gap misunderstandings. At the bottom of it was a girl who desperately needed the approval of a father who felt stripped when he had to speak as himself, with no dummy on his lap to make light of things. The book is a love story on both sides: in the end Candice Bergen has placed Charlie McCarthy in an open, healthy spotlight, as a vital piece of her personal history. Bergen did little in television. He was a radio man, even though his art was primarily visual. With Charlie and Mortimer, he emceed the 1956 CBS audience show Do You Trust Your Wife?, and he made numerous guest appearances on TV variety shows of the ’50s. He grew old and gray. Charlie, of course, was eternally young. In September 1978 Bergen announced his retirement: he would do a few more shows, then give his dummy to the Smithsonian. Charlie had been his companion for 56 years. A week later he appeared with Andy Williams at Caesar’s Palace in Las Vegas. He died in his sleep after this performance, Oct. 1, 1978.

By paying attention to another woman (Edward to Lucy and Frederick to Louisa), about whom he doesn’t really care, each man hurts the woman he really loves and who really loves him.

I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, “Excuse me, young man, could you reach up and grab some ketchup for me?” Well, I’m no dummy. I know when I’m getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, “Thank you,” like I was some piece of meat, a boy toy, or something. Finally I just blurted out, “Look, I’m married, lady!” She acted all surprised and confused. “Excuse me? I don’t understand!” I shook my head with a smirk, raised my left hand, and showed her my wedding ring. “Married!” I loudly told her. “I’m taken!” A stock boy at the end of the aisle looked at us and inquired, “Is everything okay?” “I’m fine,” I assured him. “I know how to deal with predators.” Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. “Well, I never!” “And you ain’t gonna with me either,” I yelled after her. I have to admit, it was nice to get the attention.

The next morning, Peter is waiting in the parking lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and Peter Kavinsky. At one point I try to let go of his hand, because mine is starting to feel sweaty, but he tightens his grip. “Your hand is too hot,” I hiss. Through clenched teeth he says, “No, your hand is.” I’m sure Genevieve’s hands are never sweaty. She could probably hold hands for days without getting overheated. When we get to my locker, we finally drop hands so I can dump my books inside. I’m shutting my locker door when Peter leans in and tries to kiss me on the mouth. I’m so startled I turn my head, and we hit foreheads. “Ow!” Peter rubs his forehead and glares at me. “Well, don’t just sneak up on me like that!” My forehead hurts too. We really banged them hard, like cymbals. If I looked up right now, I would see blue cartoon birdies. “Lower your voice, dummy,” he says through clenched teeth. “Don’t you call me a dummy, you dummy,” I whisper back. Peter heaves a big sigh like he’s really annoyed with me. I’m about to snap at him that it’s his fault, not mine, when I catch a glimpse of Genevieve gliding down the hallway. “Gotta go,” I say, and I dart off in the opposite direction. “Wait!” Peter calls out. But I keep darting.

Venting how you feel may make you look like a fool. And you may get in a cycle of pushing your loved ones away from you. No one wants to be around someone who bursts out with anger. If you’re quick to vent, you miss important information that your emotions have for you. You steamroll right into another gear. Instead, what you need to do is downshift and listen for the real meaning underneath the anger. You may have never heard of emotions as giving you key information. But they’re there, trying to get your attention.

May love to drop things so you’ll pick them up (which is indicative of a growing sense of object permanence — and a little sense of humor). Engages in

Certainly I remember feeling that it was his dream world, his symbol world, that we were dragged into during those first arguments, and it frightened me, being given--as I saw it--the part of a training dummy, outfitted in colours, slogans, that I could not see.

In Singin’ in the Rain, Lina Lamont provides both an effective “beard” for Don and Cosmo and a foil, representing both the reason for Don’s “unattached” state and the basis for their mutual contempt for women. Yet the signs are all there to be read for those interested in reading them: Cosmo and Don performing as a burlesque team, in which they sit on each other’s laps and play each other’s violins; Cosmo’s comment to Lina after the premiere of The Royal Rascal, “Yeah, Lina, you looked pretty good for a girl”;30 and their bullying, in “Moses Supposes,” of the fogyish diction coach, figuratively drawn out of his closet only to be ridiculed as an asexual “pansy” who can’t sing and dance (thus both confirming and denying homosexuality at the same time).31 On a broader scale, Kelly’s career as a dancer, offering a more masculinized style of athletic dance (in opposition especially to the stylized grace of Fred Astaire), represented a similar balancing act between, in this case, the feminized occupation of balletic dance and a strong claim of heterosexual masculinity. Significantly, the process of exclusion they use with the diction coach is precisely what Cosmo proposes they apply to Lina in converting The Dueling Cavalier into a musical: “It’s easy to work the numbers. All you have to do is dance around Lina and teach her how to take a bow.” But they also apply the strategy to Kathy, who is only just learning to “dance” in this sense (conveniently so, since Debbie Reynolds had had but little dance training, as noted).32 Early on, we see her dance competently in “All I Do Is Dream of You,” but she then seems extremely tentative in “You Were Meant for Me,” immobile for much of the number, not joining in the singing, and dancing only as Don draws her in (which is, of course, consistent with her character’s development at this point). With “Good Mornin’,” though, she seems to “arrive” as part of the Don-Cosmo team, even though for part of the number she serves as a kind of mannequin—much like the voice teacher in “Moses Supposes,” except that she sings the song proper while Don and Cosmo “improvise” tongue-twisting elaborations between the lines. As the number evolves, their emerging positions within the group become clear. Thus, during their solo clownish dance bits, using their raincoats as props, Kathy and Don present themselves as fetishized love objects, Kathy as an “Island girl” and Don as a matador, while Cosmo dances with a “dummy,” recalling his earlier solo turn in “Make ’em Laugh.

I’m going to write a marriage guide, I think. I’ll call it The Startup Wife: How to Succeed in Business and Marriage at the Same Time. I’ll tell everyone how great it is to mix everything together—work, love, ambition, sex. Anyone who says business and pleasure don’t mix is an idiot. I can see it in Barnes & Noble, propped up on a table between How to Stay Married and Startups for Dummies.

SoSo I so love you love me so -- so deeply, so weeply, so soon. So tell me when I'm an ass -- so crude, so lewd, so...so, the baboon. I so love you love me so -- so breathless, so deathless, so in a swoon. So reproach me when I'm acting so crummy, so dummy, so...so, the buffoon. I so love you love me so -- so sure, so pure, so like the moon. So forgive me then, so forgive me when you discover I'm just so, so so.

I prefer to be crazy than being a dummy

You can think about emotions as the signals that communicate with your mind, body, and social world. These signals carry important information about everything from love to survival.

Original Sin was the end of the human story, it would be bleak and pathetic, for sure. But God’s mercy and love are without limit. God’s justice condemned and punished humankind for disobeying, and God’s mercy promised that a Messiah

Rinpoche used to say, “Notice your tone of voice when you say ‘thinking.’” It might be really harsh, but actually it’s just a euphemism for “Drat! You were thinking again, gosh darn it, you dummy.” You might really be saying, “You fool, you absolutely miserable meditator, you’re hopeless.” But it’s not that at all. All that’s happened is that you’ve noticed. Good for you, you actually noticed! You’ve noticed that mind thinks continuously, and it’s wonderful that you’ve seen that.

Your engagement ring, dummy.” "He had jammed it in the middle of the muffin, and I ate it." Tabby shook the glass in front of the screen making the purple contents slosh around. "Which is why I’m drinking prune juice." Becky’s hand froze, her mouth dropped open, and she slowly rotated her blonde head where the comb lay forgotten in the middle of her curls. She passed the test of friendship when she did not laugh. “If that is how you got engaged, I wonder what your wedding will be like.” Tabby

Maybe there is a way to have it all,” he said, lowering his head to hers. “If you want me, Starfish, we’ll find that way.” “I do,” she said, the sudden prickle of tears surprising her, but it was such a huge rush finally to admit it, to tell him. To tell herself. “But--” “No buts,” he said, kissing the damp from the corner of one eye, then the other. “We’ll sort it out,” he said. “It’s what we do for the people we love.” If she hadn’t already been certain her heart had tipped his way, it was definitely in free fall now. She reached up, stroked his face. “What have I done to deserve you?” she asked, quite serious. “Why me?” “Because you’re made for me,” he replied. “I knew it from the moment I met you.” He leaned in, kissed the side of her jaw. “It’s not about earning or deserving. Everyone deserves to be loved.” He lifted his head, and the intensity of his gaze was matched by the slow slide of his beautiful, cocky, sexy-as-hell grin. “We just have to be smart enough to recognize our perfect match when we find it.” Her smile matched his, her heart bumping hard inside her chest. “Are you calling me a dummy?” “Not at all. I’m just saying that maybe some of us caught on a bit faster than others.” She tried to hook his ankle and roll him to his back but he was on to that move. “Now, now, my little pirate wench, the only one with a hook is me.” He rolled fully on top of her, then, bracing his weight even as he nudged her thighs apart. “My, my,” she teased, her heart full to bursting, “what a big…sword you have.” “All the better to pillage you with,” he murmured, lowering his head again. “I should tell you one more thing,” she whispered, making him lift his head a bit, an eyebrow raised in question. “I’m protected. Makes traveling easier when you know what will be happening when,” she explained. “So if you’re okay with, uh, keeping your sword there unsheathed, I’m okay with--” “Oh, aye, I’m very okay,” he said, eyes gleaming that much more brightly. “Good,” she sighed, then tipped her head back and arched up into him. “Please feel free to pillage away.

I was going to wait for a special occasion, but I don’t want to wait. I want to put a ring on her as soon as possible. I want her to be mine. All mine. Her eyes go wide when I show her the box. “I can’t quite go down onto one knee,” I say in apology. Her eyes fill with tears, and I stuff the box back down in the cushions. “We can do this another time,” I say. “Are you kidding?” she asks. She takes my shirt in her fists and jerks me toward her. “Ask me. Ask me. Please ask me.” She’s in my face, and I’ve never been more in love with her than I am right now. But she sits back, looks at me sheepishly, and says, “If you want to ask me, that is. You don’t have to ask me if you don’t want to.” I wrap my arm around her head and give her a noogie. “I don’t just want to. I have to.” She looks up at me, her thoughts in as much turmoil as her hair. “I can’t live without you, dummy,” I try to explain. She grins at the term of endearment. There was a time that a word like that would have shredded her; now it’s just a word. A funny one, too, because she’s the opposite of dumb. “I love you,” she says. She kisses me, her tongue sweeping into my mouth, the gentle touch of it against mine making me go rock hard immediately. “Get the box back out,” she says. I can feel her grin against my lips when she goes back to kissing me. “What box?” I ask. “The ring. Ask me. I promise I’ll say yes.” “You’re so easy,” I tease. She wasn’t always easy. It was damn hard loving her in the beginning, but I couldn’t avoid it. She’s like a piece of me that was missing all my life. I can’t imagine a day without her. I reach into the cushions and pick up the box. My heart is thumping in my chest like a roofer’s hammer, even though she just told me she was going to accept. I open the box, and it creaks on its hinges. “Will you marry me?” I ask. She takes the box and sits back, an open-mouth grin on her face. It’s a mixture of awe and happiness. “I used to look at this when I was little. My dad said my rich husband would get me a big, fat rock and we’d live happily ever after. But all I ever wanted was this ring and a husband who loved me.” I tip her face up to mine with a crooked finger under her chin. “I love you.” I scrunch my eyebrows together. “Did you forget to say yes?” “I didn’t forget,” she tosses back at me. She sets the box on the table and gets up. “I just haven’t said yes, yet.” She points toward the kitchen. “Do you want something to drink? I’m thirsty.” She gets up like she’s going to walk away, but I grab her shirt in my fist and pull her back down. I pick up the box, take the ring out of it, and hold it up. “Marry me, Em,” I plead. “If you say yes, we can have lots of crazy sex and live happily ever after.” I want to laugh, but I can’t. It’s not really funny. “Marry me, Em,” I repeat. “Please.” She smacks me on the forehead with palm of her hand, and I’m momentarily stunned. “Of course I’ll marry you,” she says. She lets me slide the ring onto her finger. “I couldn’t make it easy for you, dummy,” she says. She settles into my side and nuzzles into that spot that’s all hers. There are no secrets between us. Not anymore. And it feels so fucking good.

And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.

Don’t go to college. It’s the absolute worst and it will ruin your life and you’ll never have good enough credit to own things, ever. Learn a trade or invent Facebook. College is for dummies. When

I love to run my fingers o’er the keys, the ivories.

Dummy cars were parked in our garages around back at our real homes. That way if a nigga drove by our real home by happenstance, he wouldn't recognize the car.

Truth be told, I couldn’t even do that because Rick had gotten into this habit where he was doing drugs. Rick would use my EBT card in exchange for money to buy his drugs. Like the dummy I was, I would allow him to do it because he always promised to give the money back, but I had yet to see shit from him. It

You love each other no matter how insane the other person makes you. It's matching the insanities that makes a marriage work. For example, I'm not allowed to purchase curtains or furniture without measuring first. And he can never find anything. Ever. My favorite is the time he only looked in one of his jeans pockets for his keys. After about an hour I made him check his pockets again. Both pockets. And there they were. When I asked him why he didn't check both pockets the first time, he said he always only puts them in one pocket so why look in the other. Once he caught me at Trader Joe's shaking a bottle of calcium tablets near my ear telling the man behind the counter, “They don't sound small.” And that confirmed all his suspicions that I was insane. And when I ask him for help with the crossword and he doesn't know the answer I get furious and call him a dummy.

Man, I could fall in love with this man if I let myself. I really, really could. But only dummies fell in love with their bosses—bosses who didn’t do girlfriends or relationships.

Because, do you think any of the other moms are buying cupcakes from Food Lion? How would that make Kitty look?” “Well, if it’s for Kitty, then Kitty should be helping.” Peter hops off the stool and comes up to me and slides his hands around my waist and tries to untie my apron strings. “Where is the kid?” I stare at him. “What… are you doing?” Peter looks at me like I’m a dummy. “I need an apron too if I’m going to help. I’m not trying to get my clothes all messed up.

Yetti walked over to him, pushed his shoulder, then said, “Lil’ nigga, you got your mama in here crying in front of a bunch of crazy niggas who love their mamas. I should box you off again just for that. You not supposed to make ya mama cry, dummy!

When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?” “Because, I don’t know, you didn’t seem so glad to see me….” My voice trails off lamely. “It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.

I'm thinking you should always go topless." "That'll perk things up at work," Min said, and then remembered that there was nothing perky about her. "I meant—" "Not in public, dummy," Cal said. "Just at home. We'll put it in the wedding vows. You can promise to love, honor, cherish, and be naked from the waist up every night." "Married?" Min said, trying to sit up. "Well, of course, married," Cal said, watching her with interest. "You think I'd tie up somebody I wasn't serious about?" "You haven't asked," Min said, yanking on the belt. "Will you marry me?" Cal said, still watching her breasts. "No," Min said, torn between love and murder. "Right," Cal said. "Because years from now when Harry asks how I proposed, you don't want to say, 'Well, he tied me to the couch and ripped off my nightgown and ate doughnuts off my breasts and then he asked me.

As your puppy approaches the lure, say Leave It to warn them off. When they back away, kneel to play, reward, or pet them lovingly.

Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.

Obviously.” I rolled my eyes. “Well, you need to think harder. Get out there and hit the streets!” I laughed. “Granny, this isn’t an eighties TV cop show.” “Well, it’s a good thing. You’re certainly no Magnum, PI.” “You know, I thought grandmothers were supposed to be sweet old ladies who loved to bake goodies and knit you an endless supply of sweaters.” “I’m a ghost, dummy!” Granny threw up her arms. “You’ll have to make your own crap.

Having “lost her bloom” in the eight years since her romance and break-up with Captain Wentworth before the novel begins, Anne is wispy and quiet, still in love with Wentworth, but feeling helpless to do anything about it because he hasn’t attempted to contact her again, and protocol of the day says she can’t make the first move in contacting him.

or brown bugs that lead to misshapen leaves, deformed buds, and discolored flowers (with brown spots). They especially love light-colored roses and are most common in early summer. You can spray with insecticidal soap or neem oil.

Idiots think it’s some sort of punishment to send us away together. Big dummies. Little do they know I love being with you like this.

Buy a commercial puppy play pole or make one yourself by tying your puppy’s favorite toy to a pole or stick. Bounce the toy along as you say to your puppy, “Go get your toy!” If your puppy loves to tug, teach them to release on the word Give by periodically waving a smelly treat in front of their nose and rewarding them as they release the toy.

Your puppy loves your attention and will repeat anything to get it — even if it’s negative.

Puppies love to play Chase, but you’ll notice a theme in the games I describe in this chapter: Always encourage your puppy to chase you, not the other way around.

Where is hell, anyway? Ancient man believed that hell was underground, in the center of the earth, where it was hot. This belief was based on the erroneous notion that the earth was the center of the universe. When science proved that the sun was the center of the solar system, then what? Well, the Bible and Sacred Tradition never again tried to define the exact location of hell. Because God created hell as a place to incarcerate the devil and all the bad angels who rebelled with him, and because angels are pure spirits and have no bodies that take up space, hell isn’t a physical place. It’s as real as heaven or purgatory, but you can’t travel to it anymore than a spaceship can reach heaven. The essence of hell isn’t a million degrees of heat from fire but from the heat that comes from hatred and bitterness. Hell is a lonely and selfish place; no matter how many souls it contains, not one of them cares about anyone else. It’s utter isolation as well as eternal torment, which is why everyone should want to avoid it at all cost. Heaven, on the other hand, is a place of happiness and joy because everyone there knows and loves each other. And, most of all, heaven is desirable because of what’s called beatific vision — seeing God face to face for eternity. Being in the presence of the Supreme Being who is all truth and all goodness ought to be the desire of every person.

Sprung, a dummy, foolish, goofy. T-Pain’s daughter. How else do you want me to explain it?