Dull Morning Quotes

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Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
Anna Peters
For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
Alan Lightman (Einstein’s Dreams)
It's superb to be out in the early, early morning before the sun comes up. There's this sense of being super-alive. You're in on a secret that all the dull, sleeping people don't know about. Unlike them, you're alert and aware of existing right here in this precise moment between what happened and what's going to happen.
Tim Tharp (The Spectacular Now)
He was going to live in New York, and be known at every restaurant and café, wearing a dress suit from early evening to early morning, sleeping away the dull hours of the forenoon.
F. Scott Fitzgerald (This Side of Paradise)
Childhood is such a delicate tissue; what they had done this morning could snag somewhere in the little ones, make a dull, small pain that will circle back again and again, and hurt them in small ways for the rest of their lives.
Lauren Groff (Arcadia)
For years I wondered why dreams are so often dull when related, and this morning I find the answer, which is very simple - like most answers, you have always known it: No context ... like a stuffed animal set on the floor of a bank.
William S. Burroughs (My Education: A Book of Dreams)
Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast; and pattered, noisily, among the leafless bushes.
Charles Dickens
Grace stopped in the door, dimly silhouetted by the dull gray morning light, and looked back at me, at my eyes, my mouth, my hands, in a way that made something inside me knot and unknot unbearably. I didn't think I belonged here in her world, a boy stuck between two lives, dragging the dangers of the wolves with me, but when she said my name, waiting for me to follow, I knew I'd do anything to stay with her.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Then one morning she’d begun to feel her sorrow easing, like something jagged that had cut into her so long it had finally dulled its edges, worn itself down. That same day Rachel couldn’t remember which side her father had parted his hair on, and she’d realized again what she’d learned at five when her mother left – that what made losing someone you loved bearable was not remembering but forgetting. Forgetting the small things first, the smell of the soap her mother had bathed with, the color of the dress she’d worn to church, then after a while the sound of her mother’s voice, the color of her hair. It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief that was still there, like old barbed wire embedded in a tree’s heartwood.
Ron Rash (Serena)
Grey morning dulled the bay. Banks of clouds, Howth just one more bank, rolled to sea, where other Howths grumbled to greet them. Swollen spumeless tide. Heads that bobbed like floating gulls and gulls that floating bobbed like heads. Two heads. At swim, two boys.
Jamie O'Neill (At Swim, Two Boys)
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
I felt that blank incapability of invention which is the greatest misery of authorship, when dull Nothing replies to our anxious invocations. "Have you thought of a story?" I was asked every morning, and each morning I was forced to reply with a mortifying negative
Mary Wollstonecraft Shelley (Frankenstein: or, the Modern Prometheus (iBoo Classics Book 60))
With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.
Mary Wollstonecraft Shelley
If you went through life refusing all the bait dangled in front of you, that would be no life at all. No changes would be made and you would have nothing to fight against. Life would be dull as ditchwater.
Alan Sillitoe (Saturday Night and Sunday Morning)
Gypsy On Wednesday morning, clear and calm, I went to Astor Place. And had a Gypsy read my palm or maybe just my face. She said my heart was heavy and my head was stuffed with lies. But things like that weren't on my hands, they hid behind my eyes. The room is dull and dank and cold but at least I have a hand to hold.
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
She bewitches you," Trevanion said. "And she is yours for the taking. Any fool can see that. So take her and get whatever needs to be gotten out of your system." ... "Maybe you are right, Trevanion," he said, turning back to his father. "But it is her hope that bewitches me, and that hope I may never get out of my system, no matter how many times she's to be gotten. Can you not see it burning in her eyes? Does it not make you want to look away when you have none to give in return? Her hope fills me with... something other than this dull weight I wake with each morning.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
My own life would make a pretty dull story, I think, and I envy him as I drive to work on a cold Minnesota morning across the Mississippi River with its coal barges still struggling upstream like so many of us nowadays.
Garrison Keillor
I miss you so much in these wee morning hours, when the depth of the night sets my spirit free. When the forest is dark, and there doesn’t have to be anything in the world but the beauty I pull out of it. I miss you throughout the day, as I come across glories and wonders that could easily overwhelm me, but just dull because you’re not here to enjoy them.
Edward Fahey (The Mourning After)
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book.
Henry David Thoreau (Walden)
What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, "Musing among the vegetables?"—was that it?—"I prefer men to cauliflowers"—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanished—how strange it was!—a few sayings like this about cabbages.
Virginia Woolf (Mrs. Dalloway)
It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.
Mary Wollstonecraft Shelley (Frankenstein)
Upon Westminster Bridge Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still!
William Wordsworth
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book. The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
Henry David Thoreau (Walden)
There was never a dull moment with Frank. Things you’d think would piss him off, like shooting him, he was happy about. But if you happen to order him a croissant at a diner because his stomach growled all during the morning’s blowjob, he gets all bent out of shape about it, as if you’ve alerted the entire country that he’s a foreigner, and then he refuses to fuck you in the men’s room after your meal.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
When the lad for longing sighs, Mute and dull of cheer and pale, If at death's own door he lies, Maiden, you can heal his ail. Lovers' ills are all to buy: The wan look, the hollow tone, The hung head, the sunken eye, You can have them for your own. Buy them, buy them: eve and morn Lovers' ills are all to sell. Then you can lie down forlorn; But the lover will be well.
A.E. Housman (A Shropshire Lad)
Emergency? Knighthawk sent. I’m just bored. I blinked, holding my phone and rereading that text. Bored? I sent. You’re literally spying on the entire world, Knighthawk. You can read anyone’s mail, listen to anyone’s phone calls. First, it’s not the whole world, he wrote. Only large chunks of North and Central America. Second, do you have any idea how mind-numbingly DULL most people are? I started a reply, but a flurry of messages came at me, interrupting what I was going to say. Oh! Knighthawk wrote. Look at this pretty flower! Hey. I want to know if you like me, but I can’t say that, so here’s an awkward flirtation instead. Where are you? I’m here. Where? Here. There? No, here. Oh. Look at my kid. Look at my dog. Look at me. Look at me holding my kid and dog. Hey, everyone. I took a huge koala this morning. Barf. The world is ruled by deific beings who can do stuff like melt buildings into puddles of acid, and all people can think of to do with their phones is take pictures of their pets and try to figure out how to get laid.
Brandon Sanderson (Calamity (Reckoners, #3))
With morning came visitors. An hour after the Colonel left, resident stoner Hank Walsten dropped by to offer me some weed, which I graciously turned down. Hank hugged me and said, "At least it was instant. At least there wasn't any pain." I knew he was only trying to help, but he didn't get it. There was pain. A dull endless pain in my gut that wouldn't go away even when I knelt on the stingingly frozen tile of the bathroom, dry-heaving. And what is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.
John Green (Looking for Alaska)
The history of Immanuel Kant's life is difficult to portray, for he had neither life nor history. He led a mechanical, regular, almost abstract bachelor existence in a little retired street of Königsberg, an old town on the north-eastern frontier of Germany. I do not believe that the great clock of the cathedral performed in a more passionless and methodical manner its daily routine than did its townsman, Immanuel Kant. Rising in the morning, coffee-drinking, writing, reading lectures, dining, walking, everything had its appointed time, and the neighbors knew that it was exactly half-past three o'clock when Kant stepped forth from his house in his grey, tight-fitting coat, with his Spanish cane in his hand, and betook himself to the little linden avenue called after him to this day the "Philosopher's Walk." Summer and winter he walked up and down it eight times, and when the weather was dull or heavy clouds prognosticated rain, the townspeople beheld his servant, the old Lampe, trudging anxiously behind Kant with a big umbrella under his arm, like an image of Providence. What a strange contrast did this man's outward life present to his destructive, world-annihilating thoughts! In sooth, had the citizens of Königsberg had the least presentiment of the full significance of his ideas, they would have felt far more awful dread at the presence of this man than at the sight of an executioner, who can but kill the body. But the worthy folk saw in him nothing more than a Professor of Philosophy, and as he passed at his customary hour, they greeted him in a friendly manner and set their watches by him.
Heinrich Heine
The Long Hill I must have passed the crest a while ago And now I am going down-- Strange to have crossed the crest and not to know, But the brambles were always grabbing at the hem of my gown. All the morning I thought how proud I should be To stand there straight as a queen, Wrapped in the wind and the sun with the world under me-- But the air was dull, there was little I could have seen. It was nearly level along the beaten track And the brambles caught in my gown-- But it's no use now to think of turning back, The rest of the way will be only going down.
Sara Teasdale (The Collected Poems)
The inaugural morning at Merston High was officially over. It was no longer a mysterious place in Melody's imagination, filled with endless possibilities and hooks on which to hang hopes for a better tomorrow. It was completely - boringly - normal. Like meeting an online crush after months of e-flirting, the reality didn't live up to the fantasy. It was dull, predictable, and way more attractive in the photos.
Lisi Harrison (Monster High (Monster High, #1))
There was death at the beginning as there would be death again at its end. Though whether it was some fleeting shadow of this that passed across the girl’s dreams and woke her on that least likely of mornings she would never know. All she knew, when she opened her eyes, was that the world was somehow altered. The red glow of her alarm showed it was yet a half hour till the time she had set it to wake her and she lay quite still, not lifting her head, trying to configure the change. It was dark but not as dark as it should be. Across the bedroom, she could clearly make out the dull glint of her riding trophies on cluttered shelves and above them the looming faces of rock stars she had once thought she should care about. She listened. The silence that filled the house was different too, expectant, like the pause between the intake of breath and the uttering of words. Soon there would be the muted roar of the furnace coming alive in the basement and the old farmhouse floorboards would start their ritual creaking complaint. She slipped out from the bedclothes and went to the window. There was snow. The first fall of winter. And from the laterals of the fence up by the pond she could tell there must be almost a foot of it. With no deflecting wind, it was perfect and driftless, heaped in comical proportion on the branches of the six small cherry trees her father had planted last year. A single star shone in a wedge of deep blue above the woods. The girl looked down and saw a lace of frost had formed on the lower part of the window and she placed a finger on it, melting a small hole. She shivered, not from the cold, but from the thrill that this transformed world was for the moment entirely hers. And she turned and hurried to get dressed.
Nicholas Evans (The Horse Whisperer)
Victor waited until Ozols had passed out of the light before squeezing the trigger with smooth, even pressure. Suppressed gunshots interrupted the early morning stillness. Ozols was hit in the sternum, twice in rapid succession. The bullets were low powered, subsonic 5.7 mm, but larger rounds could have been no more fatal. Copper-encased lead tore through skin, bone, and heart before lodging side by side between vertebrae. Ozols collapsed backward, hitting the ground with a dull thud, arms outstretched, head rolling to one side. Victor melted out of the darkness and took a measured step forward. He angled the FN Five-seveN and put a bullet through Ozols’s temple. He was already dead, but in Victor’s opinion there was no such thing as overkill.
Tom Wood (The Hunter (Victor the Assassin Book 1))
Here's how you make absolutely sure that you'll keep getting crazier by the day: - Ignore everything your psychiatrist tells you. Disregard all his warnings about the way you're living your life - in fact, do absolutely everything he tells you not to. - Don't always take your pills. They're a hassle, and what if they make you dull? You don't need them. And if you're going to take the pills, take them with a glass of wine. It will make the mood swings even more exciting. - Don't sleep; you've got to make sure your body clock is as fucked up as possible. The less you sleep, the more manic you'll get, until soon you'll go completely over the edge. - Drink caffeine. Tons of it. Take your morning pills with coffee. It can't hurt. - Work around the clock - it's important to put yourself under as much stress as possible. - Eating normally would stabilize your blood sugar, so don't do that; it's better to keep your body in as unstable a state as you possibly can for maximum results. - And, above all else, drink like a fish.
Marya Hornbacher (Madness: A Bipolar Life)
From the time I woke up in the morning until the time I went to bed at night, I was unbearably miserable and seemingly incapable of any kind of joy or enthusiasm. Everything--every thought, word, movement--was an effort. Everything that once was sparkling now was flat. I seemed to myself to be dull, boring, inadequate, thick brained, unlit, unresponsive, chill skinned, bloodless, and sparrow drab. I doubted, completely, my ability to do anything well..... And always, everything was an effort. Washing my hair took hours to do, and it drained me for hours afterward; filling the ice-cute tray was beyond my capacity, and I occasionally slept in the same clothes I had worn during the day because I was too exhausted to undress.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
You may not ever be able brought out of bed in the morning with that security. That moment of okay may never come. All you can do is try to find a new balance, a new starting point. Find whatever love is left in your life and hold on to it tightly. And one day, things will have gotten less gray, less dull. One day, you might find that you have a life again. A life that makes you happy.
Sierra Simone (Priest (Priest, #1))
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
Ania Walwicz
And this is what living next to a waterfall is like, Safran. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Yor great-great-great-grandchildren's will be. But we learn to live in that love
Jonathan Safran Foer (Everything is Illuminated)
It’s not that the brilliance of a sunrise is dulled cold by thick clouds, or that it is left to fire a morning sky free of them. Regardless of how the day might begin, we can be thankful that the opportunities of any day always sit awaiting our arrival whether the hours of that day be spent in clouds or sun.
Craig D. Lounsbrough
Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne’er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! - Composed Upon Westminster Bridge, September 3, 1802
William Wordsworth
When you see the sun rise tomorrow morning, if your heart does not increase its beat, if your eyes do not widen, perhaps your sense of wonder is growing dull. It's this sense, above all others, that brings life to life. If your sense of wonder has dulled, brighten it by being present, being grateful, being part of the miracle.
Toni Sorenson
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book! The book exists for us, perchance, which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered.
Henry David Thoreau (Complete Works of Henry David Thoreau)
Going to bed and waking in the morning (I woke, most often, too early) were bad times—so many hundreds of evenings and mornings. Sometimes I wondered who or what sends us this senseless repetition of days and nights and seasons and years; is it not like hearing a stupid boy whistle the same tune over and over, till you wonder how he can bear it himself?
C.S. Lewis (Till We Have Faces)
I don't remember starting out that morning, but I do remember trying to sleep and feeling quite alone except for a dull, bittersweet ache.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
IN the morning we went up to the village and bought a wire rat-trap and fetched it down, and unstopped the best rat-hole, and in about an hour we had fifteen of the bulliest kind of ones; and then we took it and put it in a safe place under Aunt Sally's bed. But while we was gone for spiders little Thomas Franklin Benjamin Jefferson Elexander Phelps found it there, and opened the door of it to see if the rats would come out, and they did; and Aunt Sally she come in, and when we got back she was a- standing on top of the bed raising Cain, and the rats was doing what they could to keep off the dull times for her. So she took and dusted us both with the hickry, and we was as much as two hours catching another fifteen or sixteen, drat that meddlesome cub, and they warn't the likeliest, nuther, because the first haul was the pick of the flock. I never see a likelier lot of rats than what that first haul was.
Mark Twain (The Adventures of Huckleberry Finn)
Theodora's friend slept; so did the doctor's wife and Eleanor's sister. Far away, in the trees over Hill House, an owl cried out, and toward morning a thin, fine rain began, misty and dull.
Shirley Jackson (The Haunting of Hill House)
You may not ever be able to get out of bed in the morning with that security. That moment of okay may never come. All you can do is try to find a new balance, a new starting point. Find whatever love is left in your life and hold on to it tightly. And one day, things will have gotten less gray, less dull. One day, you might find that you have a life again. A life that makes you happy.
Sierra Simone (Priest (Priest, #1))
Even the sun-clouds this morning cannot manage such skirts. Nor the woman in the ambulance Whose red heart blooms through her coat so astoundingly – A gift, a love gift Utterly unasked for By a sky Palely and flamily Igniting its carbon monoxides, by eyes Dulled to a halt under bowlers. Oh my God, what am I That these late mouths should cry open In a forest of frosts, in a dawn of cornflowers.
Sylvia Plath (Ariel)
Just this morning I’d been afraid that I might never meet the young man who loved her so. Now I feared if I ever did meet him, I would cut out his heart with a dull knife and feed it to the gulls. Finally,
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
Forbid that I should walk through Thy beautiful world with unseeing eyes; Forbid that the lure of the market-place should ever entirely steal my heart away from the love of the open acres and the green trees; Forbid that under the low roof of workshop or office or study I should ever forget Thy great overarching sky: Forbid that when all Thy creatures are greeting the morning with songs and shouts of joy, I alone should wear a dull and sullen face.
John Baillie (A Diary of Private Prayer)
He loved the glorious silence a morning brought, knowing that he had no appointments that afternoon and no engagements that evening. He had grown fat on solitude, he thought, and had learned to expect nothing from the day but at best a dull contentment
Colm Tóibín (The Master)
But in the morning, her anger had lost its edges. It had morphed into sorrow. She was now overtaken by the dull ache of grief, expansive and tender like a whole-body bruise. She had lost the life she had believed she’d been granted. She was in mourning.
Taylor Jenkins Reid (Malibu Rising)
Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast, and pattered, noisily, among the leafless bushes. But, Oliver felt it not, as it beat against him; for he still lay stretched, helpless and unconscious, on his bed of clay.
Charles Dickens (Oliver Twist)
Often in the morning he drove a long hour or more to the markets in the city, there to behold what would determine the day’s special. With the crates of fresh selesctions snuggled into his station wagon, his thoughts on the ride back confronted the culinary equivalent of the writer’s blank page. Sometimes his head swirled with exciting ideas; other mornings he was in a panic upon returning with the same old eggplant and squash and zucchini and nothing but the dullness of the word ratatouille standing by to mock him.
Nancy Zafris (The Home Jar: Stories (Switchgrass Books))
Waiting is one of the forms of boredom, as it can be one of the shapes of fear. The thing you wait for compels you time after time toward the same feelings, which become only further repetitive elements in the sameness of the days. Here, even the weather enforces monotony. The mornings curve over, one like another, for a week, two weeks, three weeks, unchanging in temperature, light, color, humidity, or if changing, changing by predictable small gradations that amount to no changes at all. Never a tempest, thunderstorm, high wind; never a cumulus cloud, not at this season. Hardly a symptom to tell you summer is passing into autumn, unless it is the dense green of the tarweed that late in summer…in recollection, those weeks of waiting telescope for me as all dull time does.
Wallace Stegner (All the Little Live Things)
In the morning it was raining. A fog had come over the mountains from the sea. You could not see the tops of the mountains. The plateau was dull and gloomy, and the shapes of the trees and the houses were changed. I walked out beyond the town to look at the weather. The bad weather was coming over the mountains from the sea. The flags in the square hung wet form the with poles and the banners were wet and hung damp against the front of the houses, and in between the steady drizzle the rain came down and drove every one under the arcades and made pools of water in the square, and the streets were dark and deserted; yet the fiesta kept up without any pause. It was only driven under covers. The covered seats of the bull-ring had been crowded with people sitting out of the rain watching the concourse of Basque and Navarrais dancers and singers, and afterward the Val Carlos dancers in their costumes danced down the street in the rain, the drums sounding hallow and damp, and the chiefs of the bands riding ahead of their big, heavy-footed horse, their costumes wet, the horses’ coats wet in the rain. The crowd was in the cafés and the dancers came in, too, and sat, their tight-wound white legs under the tables, shaking the water from their belled caps, and spreading their red and purple jackets over the chairs to dry. It was raining hard outside.
Ernest Hemingway (The Sun Also Rises)
Wintry morning, looking with dull eyes and sallow face upon the neighbourhood of Leicester Square, finds its inhabitants unwilling to get out of bed. Many of them are not early risers at the brightest of times, being birds of night who roost when the sun is high and are wide awake and keen for prey when the stars shine out. Behind dingy blind and curtain, in upper story and garret, skulking more or less under false names, false hair, false titles, false jewellery, and false histories, a colony of brigands lie in their first sleep. Gentlemen
Charles Dickens (Bleak House)
The sky outside the patterned window was a dull teal. The morning sky was often pale before the rising sun breaks through the clouds to dust a blush on her cheeks and bathe her in warmth; few people rose this early, so she didn’t bother painting her wan, tired countenance.
Meatbun Doesn't Eat Meat (二哈和他的白猫师尊)
When Congress approved the decision to retire the SR-71, the Smithsonian Institution requested that a Blackbird be delivered for eventual display in the Air and Space Museum in Washington and that we set a new transcontinental speed record delivering it from California to Dulles. I had the honor of piloting that final flight on March 6, 1990, for its final 2,300-mile flight between L.A. and D.C. I took off with my backseat navigator, Lt. Col. Joe Vida, at 4:30 in the morning from Palmdale, just outside L.A., and despite the early hour, a huge crowd cheered us off. We hit a tanker over the Pacific then turned and dashed east, accelerating to 2.6 Mach and about sixty thousand feet. Below stretched hundreds of miles of California coastline in the early morning light. In the east and above, the hint of a red sunrise and the bright twinkling lights from Venus, Mars, and Saturn. A moment later we were directly over central California, with the Blackbird’s continual sonic boom serving as an early wake-up call to the millions sleeping below on this special day. I pushed out to Mach 3.3.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Arriving home, each man finds a woman and children waiting at the door, introduces himself, helps with the evening meal, reads stories to his children. Likewise, each woman returning from her job meets a husband, children, sofas, lamps, wallpaper, china patterns. Late at night, the wife and husband do not linger at the table to discuss the day’s activities, their children’s school, the bank account. Instead, they smile at one another, feel the warming blood, the ache between the legs as when they met the first time fifteen years ago. They find their bedroom, stumble past family photographs they do not recognize, and pass the night in lust. For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
Alan Lightman (Einstein's Dreams)
It happened to me. And I'll never forget it. Back when I was in the sixth grade, my whole family went out to go watch a baseball game at the stadium. I didn't really care about baseball, but I was surprised by what I saw when we got there. Everywhere I looked, I saw people. On the other side of the stadium, the people looked so small, like little moving grains of rice. It was so crowded. I thought that everyone in Japan had to be packed in there. So I turned to my dad and asked him, "Do you know how many people are here right now"? He said since the stadium was full, probably fifty thousand. After the game, the street was filled with people and I was really shocked to see that, too. To me, it seemed like there was a ton of people there. But then, I realized it could only be a tiny fraction of all the people in Japan. When I got home, I pulled out my calculator. In social studies, I'd learned that the population of Japan was a hundred some odd million. So I divided that by fifty thousand. The answer was one two-thousandth. That shocked me even more. I was only one little person in that big crowded stadium filled with people, and believe me, there were so many people there, but it was just a handful of the entire population. Up till then, I always thought that I was, I don't know, kind of a special person. It was fun to be with my family. I had fun with my classmates. And the school that I was going to, it had just about the most interesting people anywhere. But that night, I realized it wasn't true. All the stuff we did during class that I thought was so fun and cool, was probably happening just like that in classes in other schools all over Japan. There was nothing special about my school at all. When I realized that, it suddenly felt like the whole world around me started to fade into a dull gray void. Brushing my teeth and going to sleep at night, waking up and eating breakfast in the morning, that stuff happened all over the place. They were everyday things that everybody was doing. When I thought about it like that, everything became boring. If there's really that many people in the world, then there had to be someone who wasn't ordinary. There had to be someone who was living an interesting life. There just had to be. But why wasn't I that person? So, that's how I felt till I finished elementary school. And then I had another realization. I realized fun things wouldn't come my way just by waiting for them. I thought when I got into junior high, it was time for me to make a change. I'd let the world know I wasn't a girl who was happy sitting around waiting. And I've done my best to become that person. But in the end, nothing happened. More time went by and before I knew it, I was in high school. I thought that something would change.
Nagaru Tanigawa
THERE are times when this city seems actually to disapprove of people. In gloomy moments, I think we are allowed to stay alive here but not to live, much less to enjoy ourselves or take pleasure in what we see when we look out of our windows or walk around our streets. If we have the fortitude to get up out of bed in the morning and get going to face the day, we should also have the freedom to rejoice, and I think the freedom to rejoice is being denied us when our senses are dulled at every turn by streets that are inimical when they are not simply sad.
Maeve Brennan (The Long-Winded Lady: Notes from The New Yorker)
It’s superb to be out in the early, early morning before the sun comes up. There’s this sense of being super-alive. You’re in on a secret that all the dull, sleeping people don’t know about. Unlike them, you’re alert and aware of existing right here in this precise moment between what happened and what’s going to happen.
Tim Tharp (The Spectacular Now)
It's the same whether we eat margarine or don't. Dull translation jobs or fraudulent copy, it's basically the same. Sure we're tossing out fluff, but tell me, where does anyone deal in words with substance? C'mon now, there's no honest work anywhere. Just like there's no honest breathing or honest pissing." "You were more innocent in the old days." "Maybe so," I said, crushing out a cigarette in the ashtray. "And no doubt there's an innocent town somewhere where an innocent butcher slices innocent ham. So if you think that drinking whiskey from the middle of the morning is innocent, go ahead and drink as much as you want." The room was treated to an extended pen-on-desktop staccato solo.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
When it’s hard to get out of bed in the morning, remind yourself: I am rising to resume my life’s work. How can I be unhappy when I have another opportunity to do what I was born to do? But it’s so comfortable here. Were you born for this—lying in bed under a warm blanket? Life is meant for action and exertion. Consider the ants, bees, and birds, working to bring order to their corners of the universe. Are you unwilling to do the work of a human being? But I worked yesterday; today I need to rest. Rest is for recharging, not for indulgence. Take only what is sufficient for your health and vitality. Too much rest—like too much food or drink—defeats its purpose, weakening the body and dulling the spirit. But I should love and care for myself. If you truly love yourself, love your nature and your vocation. Those who love their work become so absorbed in it, they don’t even think of stopping. Do you love your work the way a dancer loves dancing and a painter loves painting? If not, why is your work less important to you than theirs is to them?
Marcus Aurelius (The Meditations (Stoic Philosophy #2))
You can trace every success (or failure) in your life back to a habit. What you do on a daily basis largely determines what you’ll achieve in life. Habits create routine, and let’s face it—most of us run our lives by some sort of routine. We get up in the morning and follow a preset pattern: Take a shower, brush our teeth, get dressed, make breakfast, drive to work, do work and then go home. Some of us choose to follow self-improvement habits: Set goals, read inspirational books, work on important projects and ignore wasteful distractions. Others choose self-destructive habits: Do the bare minimum, dull creativity through low-quality entertainment, eat junk food and blame others for their failures in life.
S.J. Scott (23 Anti-Procrastination Habits: How to Stop Being Lazy and Overcome Your Procrastination (Productive Habits Book 1))
The dull gray days of the preceding winter and spring, so uneventless and monotonous, seemed more associated with what she cared for now above all price. She would fain have caught at the skirts of that departing time, and prayed it to return, and give her back what she had too little valued while it was yet in her possession. What a vain show life seemed! How unsubstantial, and flickering, and flitting! It was as if from some aerial belfry, high up above the stir and jar of the earth, there was a bell continually tolling, "All are shadows! All are passing! All is past!" And when the morning dawned, cool and gray, like many a happier morning before . . . it seemed as if the terrible night were unreal as a dream; it, too, was a shadow. It, too, was past.
Elizabeth Gaskell
and yet there was cement in her soul. It had been there for a while, an early morning disease of fatigue, a bleakness and borderlessness. It brought with it amorphous longings, shapeless desires, brief imaginary glints of other lives she could be living, that over the months melded into a piercing homesickness. She scoured Nigerian websites, Nigerian pro files on Facebook, Nigerian blogs, and each click brought yet another story of a young person who had recently moved back home, clothed in American or British degrees, to start an investment company, a music production business, a fashion label, a magazine, a fast-food franchise She looked at photographs of these men and women and felt the dull ache of loss, as though they had prised open her hand and taken some thing of hers. They were living her life.
Chimamanda Ngozi Adichie (Americanah)
He sleeps a long, unquiet sleep disturbed by quick dreams of woodland places. These come as no great surprise. He meets elves and sprites and clowning devils. Anxiety? He wakes at last to a new world and to a morning lost in heavy mist. Sorely his bones ache - he traces the length of the soreness with a long, dull, luxurious sighing. Which is very pleasant, as it happens. Though also he feels about ninety fucking six.
Kevin Barry (Beatlebone)
In Anton Chekhov’s play the Three Sisters, sister Masha refuses ‘to live and not know why the cranes fly, why children are born, why the stars are in the sky. Either you know and you’re alive or it’s all nonsense, all dust in the wind.’ Why? Why? The striving to know is what frees us from the bonds of self, said Einstein. It’s the striving to know, rather than our knowledge-which is always tentative and partial- that is important. Instead of putting computers in our elementary schools, we should take the children out into nature, away from those virtual worlds in which they spend unconscionable hours, and let them see an eclipsed Moon rising in the east, a pink pearl. Let them stand in a morning dawn and watch a slip of a comet fling its trail around the Sun…Let the children know. Let them know that nothing, nothing will find in the virtual world of e-games, television, or the Internet matters half as much as a glitter of strs on an inky sky, drawing our attention into the incomprehensible mystery of why the universe is here at all, and why we are here to observe it. The winter Milky Way rises in the east, one trillion individually invisible points of light, one trillion revelations of the Ultimate Mystery, conferring on the watcher a dignity, a blessedness, that confounds the dull humdrum of the commonplace and opens a window to infinity.
Chet Raymo (An Intimate Look at the Night Sky)
Depression, in Karla's experience, was a dull, inert thing - a toad that squatted wetly on your head until it finally gathered the energy to slither off. The unhappiness she had been living with for the last ten days was a quite different creature. It was frantic and aggressive. It had fists and fangs and hobnailed boots. It didn't sit, it assailed. It hurt her. In the mornings, it slapped her so hard in the face that she reeled as she walked to the bathroom.
Zoë Heller (The Believers)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night’s sleep, and will be able to eat breakfast, and doesn’t hear her husband’s ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren’s will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
Palmolive wrote the lyrics to ‘Newtown’ too. The song was originally called ‘Drugtown’, but I changed it to ‘Newtown’, thinking about all the new towns that are springing up around the edges of London, like Milton Keynes and Crawley. The young people growing up there are so bored, they take loads of drugs and drive around really fast or beat each other up at football matches, then they get up and commute to their dull jobs on Monday morning. Palmolive made up these great words like ‘televisina’ and ‘footballina’ as drug names, I think only a foreigner could do that.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
Harvey, being anything but dull, began to comprehend and enjoy the dry chorus of wavetops turning over with a sound of incessant tearing; the hurry of the winds working across open spaces and herding the purple-blue cloud shadows; the splendid upheaval of the red sunrise; the folding and packing seat of the morning musta m; wall after walk withdrawn across the white floors; the salty glare and blaze of boo ; the kiss of rain falling over thousands of dead, flat square miles; the chilly blackening of everything at the day’s end; and the million wrinkles of the sea under moonlight.
Rudyard Kipling
You are your own worst enemy, young lady. And you are a coward. It is senseless to mistake fear for bravery.” Her warm breath is yeasty on my face. “I feel sorry for you. But that’s it. We are done trying to help you. It’s your life, as your poor father said.” AFTER THIS, WHEN I wake in the morning, I spread my fingers, working out the stiffness that creeps in overnight. I point my toes, feeling the crimp in my ankles, my calves, the dull sore ache behind my knees. The pain in my joints is like a needy pet that won’t leave me alone. But I can’t complain. I’ve forfeited that right.
Christina Baker Kline (A Piece of the World)
The air grew colder, as day came slowly on; and the mist rolled along the ground like a dense cloud of smoke. The grass was wet; the pathways, and low places, were all mire and water; the damp breath of an unwholesome wind went languidly by, with a hollow moaning. Still, Oliver lay motionless and insensible on the spot where Sikes had left him. Morning drew on apace. The air become more sharp and piercing, as its first dull hue—the death of night, rather than the birth of day—glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes.
Charles Dickens (Oliver Twist)
I, however, had not been too late. It has been my great good fortune to see India when that once fabulously beautiful land was as lovely, and to a great extent as peaceful and unspoiled, as Eden before the Fall. To live for two years in Peking in an old Chinese house, once the property of a Manch Prince, at a time when the citizens of that country still wore their national costumes instead of dressing up - or down! - in dull Russian-style "uniforms. To have visited Japan before war, the Bomb and the American occupation altered it beyond recognition, when the sight of a Japanese woman in European dress was unusual enough to make you turn and stare...
M.M. Kaye (The Sun in the Morning: My Early Years in India and England)
At first, it’s like you’re walking around with this gaping wound in your chest, and it seems impossible that no one else can see it. Every time they pretend not to, you want to scream. But then, if they actually do notice, you don’t even want to think about the pain, much less talk about it. Try to explain it. Nothing you do will quicken the process or dull it, either. You just have to survive moment to moment, day to day, until one morning you wake up and it hurts a little less. There are setbacks, of course—you’ll have a thought or see something that reminds you of him, and it’s like you picked at the scab. But it does eventually fade… into a scar.
K.J. Sutton
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
She broke off again and buried her face in her hands. He wanted to go to her, take her in his arms, but he was afraid that just as he’d rejected her before, so would she reject him now. She yanked her hands down, her face ragged and ravaged by grief, the same grief that was tearing through him. “I should have been able to come to you,” she whispered. “Of all the people in the world, you should have been the one to believe in me. And I just can’t get past that. You should have been the one to hold me and tell me it would be all right. I was so excited that day. I took a pregnancy test that morning and found out I was pregnant. I was so excited and nervous. So worried about how you’d react. But so thrilled that I was pregnant with your child.” She broke off again, sobs tearing from her throat. She buried her face in her hands as her shoulders shook violently. “Kelly, I’m so sorry. I thought… He was my brother. I never considered he would do something like that. He’d never shown any animosity toward you. He’d never been anything but accepting of you. The two of you seemed to get along well. I never dreamed he’d do something that despicable.” She raised her head and stared at him with dull eyes. “But you thought I would.” The sudden silence was damning. He stared at her, completely frozen. He had no defense because at the time he’d believed Jarrod. He’d made his choice and it hadn’t been Kelly. Even when she’d begged him. She’d told him the truth. She’d come to him for protection. She’d come to him hurt and afraid. And he’d thrown her out after making her feel like a whore.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Morning prayers were longer than usual. He read the chapters from St. Matthew about the birth of Christ, and as we listened it all seemed like something that had happened lately, and near at hand. In his prayer he thanked the Lord for the first Christmas, and for all that it had meant to the world ever since. He gave thanks for our food and comfort, and prayed for the poor and destitute in great cities, where the struggle for life was harder than it was here with us. Grandfather's prayers were often very interesting. He had the gift of simple and moving expression. Because he talked so little, his words had a peculiar force; they were not worn dull from constant use. His prayers reflected what he was thinking about at the time, and it was chiefly through them that we got to know his feelings and his views about things.
Willa Cather (My Ántonia)
It is an autumn New York morning, and therefore glorious; it is his first day of his long journey, the day before the interview, and his clothes are still clean and neat, socks still paired, blue suit unwrinkled, toothpaste still American and not some strange foreign flavor. Bright-lemon New York light flashing off the skyscrapers, onto the quilted aluminum sides of food carts, and from there onto Arthur Less himself. Even the mean delighted look from the lady who would not hold the elevator, the humor-free girl at the coffee shop, the tourists standing stock-still on busy Fifth Avenue, the revved-up accosting hawkers (“Mister, you like comedy? Everybody likes comedy!”), the toothache sensation of jackhammers in concrete—none of it can dull the day. Here is a shop that sells only zippers. Here are twenty of them. The Zipper District. What a glorious city.
Andrew Sean Greer (Less (Arthur Less, #1))
and here instead’s another version of what was happening that morning, as if from a novel in which sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there’s no room for severed heads; a work in which sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank god, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old french revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you, well, no, thank you, thank you very much:
Ali Smith (Winter (Seasonal, #2))
I only wanted books—nothing more—only books, only words, it was never anything but words—give them to me, I don’t have any! Look, see, I don’t have any! Look, I’m naked, barefoot, I’m standing before you—nothing in my pants pockets, nothing under my shirt or under my arm! They’re not stuck in my beard! Inside—look—there aren’t any inside either—everything’s been turned inside out, there’s nothing there! Only guts! I’m hungry! I’m tormented!... What do you mean there’s nothing? Then how can you talk and cry, what words are you frightened with, which ones do you call out in your sleep? Don’t nighttime cries roam inside you, a thudding twilight murmur, a fresh morning shriek? There they are words—don’t you recognize them? They’re writhing inside you, trying to get out! There they are! They’re yours! From wood, stone, roots, growing in strength, a dull mooing and whining in the gut is trying to get out; a piece of tongue curls, the torn nostrils swell in torment. That’s how the bewitched, beaten, and twisted snuffle with a mangy wail, their boiled white eyes locked up in closets, their vein torn out, backbone gnawed; that’s right, that’s how your pushkin writhe, or mushkin—what is in my name for you?—pushkin-mushkin, flung upon the hillock like a shaggy black idol, forever flattened by fences, up to his ears in di, the pushkin-stump, legless, six-fingered, biting his tongue, nose in his chest—and his head can’t be raised!—pushkin, tearing off the poisoned shirt, ropes, chains, caftan, noose, that wooden heaviness: let me out, let me out! What is in my name for you? Why does the wind spin in the gully? How many roads must a man walk down? What do you want, old man? Why do you trouble me? My Lord, what is the matter? Ennui, oh, Nin! Grab the inks and cry! Open the dungeon wide! I’m here! I’m innocent! I’m with you! I’m with you!
Tatyana Tolstaya (The Slynx)
But the great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free. it was the first thing one saw in the morning, across the rugged cow pasture studded with shaggy pines, and it ran through the days like the weather, not a thing thought about, but a part of consciousness itself. When the ice chunks came in of a winter morning, crumbly and white, throwing off gold and rose-coloured reflections from a copper-coloured sun behind grey clouds, he didn't observe the detail or know what is was that made him happy; but now, forty years later, he could recall all its aspects perfectly. They had made pictures in him when he was un-willing and unconscious, when his eyes were merely wide open.
Willa Cather (The Professor's House)
The thing that separates two people the most is a difference in their sense and degree of cleanliness. All the good behavior, mutual utility, and goodwill in the world will not help: what matters, in the end, is that they “can’t stand the smell of each other!” The highest instinct of cleanliness puts someone afflicted with it into the strangest and most dangerous solitude, in the form of a holy saint: because this is what holiness is – the highest spiritualization of this instinct. Some sort of shared knowledge of an indescribable abundance of joy in bathing, some sort of lust and craving constantly drives the soul out of the night and into the morning, out of dullness and gloom into light, radiance, profundity, finesse. However much a tendency like this characterizes somebody (it is a noble tendency), it separates him out as well. The pity of the saint is a pity for the filth of the human, all-too-human. And there are degrees and heights where he feels even pity as a form of pollution, as filth.
Friedrich Nietzsche (Beyond Good and Evil)
The Gauze of Flowers, A Love Poem” Remember when we couldn’t name it because it was a meadow wild with tulips, both bright as snow and dull as fire? Driving in circles to find the right spot for our love, then using a chair? My heart was still an artichoke, layered and prickly But you kept making me nest my face in that one thick bouquet. And just this morning my love was briefly stuck in my throat as I remember all the soil and sadness, remembered seeing you on certain streets and corners, remembered all the rubble and clang. Remember how it is and isn’t fragile? How it speaks in ears and fingers takes days and hours still it wants nothing and it wants more? And just this morning the flowers you brought home drank in the sunrise, they fleshed themselves out the way people do, shaking the cold from their collars as they move toward the fire, rubbing together their hands, kindling it back. Some days we want our love to be fleshy. But some days it’s transparent. It’s like gauze. It is and isn’t fragile. I dare you to name it. I dare you to remember the rubble and clang.
Olena Kalytiak Davis (And Her Soul Out Of Nothing)
The Gauze of Flowers, A Love Poem” Remember when we couldn’t name it because it was a meadow wild with tulips, both bright as snow and dull as fire? Driving in circles to find the right spot for our love, then using a chair? My heart was still an artichoke, layered and prickly But you kept making me nest my face in that one thick bouquet. And just this morning my love was briefly stuck in my throat as I remember all the soil and sadness, remembered seeing you on certain streets and corners, remembered all the rubble and clang. Remember how it is and isn’t fragile? How it speaks in ears and fingers takes days and hours still it wants nothing and it wants more? And just this morning the flowers you brought home drank in the sunrise, they fleshed themselves out the way people do, shaking the cold from their collars as they move toward the fire, rubbing together their hands, kindling it back. Some days we want our love to be fleshy. But some days it’s transparent. It’s like gauze. It is and isn’t fragile. I dare you to name it. I dare you to remember the rubble and clang.
Olena Kalytiak Davis (And Her Soul Out Of Nothing)
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
said he was attracted to the way I lived my life, the way I’d dance easily, laugh loudly, fill a room with colour; but instead of sitting back and enjoying the butterfly, he caught it. He framed me like a butterfly, pinning me into his frame, but the pins that hold the butterfly in place are not easily visible, and no one can see I’m being held down. Over the years the butterfly has faded – he’s stripped me of everything that made me what I was, and now he’s left with this dull, colourless woman who’s scared to say what she really thinks. And I can’t dance any more. It’s hard to reconcile the person I once was with the woman I am now, standing helplessly in my beautiful bedroom with handmade oak wardrobes and gold silk eiderdown. The only reason I get out of bed in the morning is my children; they are my reason to live, and without them I don’t think I would survive. Things have never been perfect between Simon and I, but until Caroline, my life was bearable, but now I see her curling up on our king-sized bed. She’s lounging seductively on our sofa, arms around the boys, my boys, and she’s in my kitchen serving breakfast. This woman wants to take over my husband, but she’ll also take over my life,
Sue Watson (Our Little Lies)
Sixth of Ten Elegies for Fire and Oxycodone The Greek myth goes like this you probably know it but I had to look it up Prometheus steals fire from Zeus and the other gods gives it to humans heaven's prowess now mortal Zeus sticks it to Prometheus cause he knows knowledge knows how sharp its edge can be chains him to a rock an eagle eating his liver all day the liver regenerates every morning the eagle keeps eating keeps eating keeps eating with the patent for Oxycontin set to run out in 2013 Purdue Pharma reformulates it gets a new patent lobbies the old drug illegal no one steals from the gods no one dulls the blade of knowledge - That summer my first desk job insurance intakes at a doctor's office the relief of air conditioning pharma reps catering our lunches released from the fear of dropping a ladder on a foreman of threading my thumbnail with another drill bit the good doc scheduled in five minute increments I retyped patient addresses all hill towns sixty miles off the waiting room so full and grumpy I wondered about the etymology of patient but never what makes a person drive hours through the mountains wait hours for a flicker with the doc I was not paid to wonder I quit before I ever typed your name
Robert Wood Lynn (Mothman Apologia)
What? Oh, I’m sorry; I didn’t mean to come on so jaded. What scene? This one, the rain, those geese up there with their hard-luck stories . . . this, this same world. They all tried to do something with it. Dante did his best to build himself a hell because a hell presuppose a heaven. Baudelaire scarfed hashish and looked inside. Nothing there. Nothing but dreams and delusion. They all were driven by the need for something else. But when the drive was over, and the dreaming and the deluding worn out, they all ended up with the same dull old scene. But, look, you see, Viv, they had an advantage with their scene, they had something we’ve lost . . .” I waited for her to ask what that something was, but she only sat silently, her hands folded on the black overcoat. “. . . They had a limitless supply of tomorrows to work with. If you didn’t make your dream today, well, there was always more days coming, more dreams full of more sound and fury and future: what if today was a hassle? There was always tomorrow to find the River Jordan, or Valhalla, or that special providence in the fall of a sparrow . . . we could believe in the Great Gettin’-up Morning coming someday because if it didn’t make it today there was always tomorrow.” “And there isn’t any more?” I looked up at her and grinned. “What do you think?
Ken Kesey (Sometimes a Great Notion)
build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
But one of the things Dexter is truly good at is learning and following patterns of behavior. I have lived my life among humans, and they all think and feel and act in ways that are completely alien to me—but my survival depends on presenting a perfect imitation of the way they behave. Happily for me, ninety-nine percent of all human life is spent simply repeating the same old actions, speaking the same tired clichés, moving like a zombie through the same steps of the dance we plodded through yesterday and the day before and the day before. It seems horribly dull and pointless—but it really makes a great deal of sense. After all, if you only have to follow the same path every day, you don’t need to think at all. Considering how good humans are at any mental process more complicated than chewing, isn’t that best for everybody? So I learned very young to watch people stumbling through their one or two basic rituals, and then perform the same steps myself with flawless mimicry. This morning that talent served me well, because as I staggered out of bed and into the bathroom, there was absolutely nothing in my head except phlegm, and if I had not learned by rote what I was supposed to do each morning I don’t think I could have done it. The dull ache of a major cold had seeped into my bones and pushed all capacity for thinking out of my brain. But
Jeff Lindsay (Double Dexter (Dexter #6))
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
About two thousand years ago … If you are flying directly into a hurricane, it is probably useful to be a dragon who can see the future. Then again, if you are a dragon who can see the future, you are most likely far too smart to fly directly into a hurricane. And yet, according to Clearsight’s visions, that was exactly what she needed to do. She shook out her black wings, which were already tired from how far she’d flown all morning and the day before. Her talons clung to the slippery wet rock below her. Her scales felt itchy with salt from the ocean spray. Above her, the sun peeked wearily through cracks in the dull gray clouds. She closed her eyes, tracing the future paths ahead of her. In one direction — south and a little east — there was a small island with a warm sandy beach. Two coconut palms nodded toward each other and there were lazy tiger sharks to eat. The hurricane would pass it by completely. If she went there, Clearsight could rest, eat, and sleep in safety. Then she could continue on in two days, after the storm was over. But in the other direction — a long flight west and slightly north — the lost continent was waiting for her. She knew it was real now. When she’d left Pyrrhia to find it, she’d half expected to fly all the way around the world and end up back on Pyrrhia’s other coast. No one was sure another continent even existed . . . and if it did, everyone knew it was too far away to fly to. Any dragon would tire, fall into the sea, and drown before reaching it. But Clearsight wasn’t any dragon. She had something no one else did: the ability to carefully trace the paths of multiple possible futures. Standing on the edge of Pyrrhia, she could see which direction would take her to an island where she could rest. And then the next day: to another island. Shifting her course slightly each day, guided by her visions, she had found a trail of small islands to take her safely across the ocean. A gust of wind roared over her, splattering a handful of raindrops onto her head.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))