Duck Inspirational Quotes

Our great human adventure is the evolution of consciousness. We are in this life to enlarge the soul, liberate the spirit, and light up the brain.

There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.

We're always taught that God wants us to always only say "I can't do this without You God" , "Whatever your will is God, that's my will too" but God says He is a father, and there is no good father who wants his children to have no will and to think that they can't stand on their own two feet. So maybe what you should be saying is "I can do it" and "I have a strong will, I know what I want." When you think God's left you and wants you to be sitting like a duck, maybe He's actually believing in you, teaching you how to fly.

Of course, they're not clowning around trying to make me laugh. They're doing their best to live very serious lives, and they just happen to fall down sometimes. I think that's cool.

I hope you're enjoying it, though, duck, and not wasting all your time and energy in a thankless job. You've got to make the most of life and not let these little opportunities pass you by. Before you know it you'll be old and wrinkly like me and wishing you'd done more. Just make sure you're happy.

Paddle Harder

The small woman Builds cages for everyone She Knows. While the sage, Who has to duck her head When the moon is low, Keeps dropping keys all night long For the Beautiful Rowdy Prisoners (Courtesy of my dear friend, Conni)

No one blames a pilot who takes refuge in port when the storm begins to blow. It is not cowardice to duck under a bullet; what is wrong is to defy it only to fall and never rise again.

It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.

A man who has the inventive genius can't control it exactly as he wishes. Its working depends in great measure on inspiration--on a momentary suggestion--and it is almost impossible to tell beforehand at what moment it will come.

Rob Thomas has two first names for a first and last name, and his name spells out a short sentence: Rob Thomas. Rob Thomas of what, his doubt? That Biblical ambiguity is what inspired me to name three of my ducks after him: Rob, Thomas, and Rob Thomas.

Equally arresting are British pub names. Other people are content to dub their drinking establishment with pedestrian names like Harry’s Bar and the Greenwood Lounge. But a Briton, when he wants to sup ale, must find his way to the Dog and Duck, the Goose and Firkin, the Flying Spoon, or the Spotted Dog. The names of Britain’s 70,000 or so pubs cover a broad range, running from the inspired to the improbable, from the deft to the daft. Almost any name will do so long as it is at least faintly absurd, unconnected with the name of the owner, and entirely lacking in any suggestion of drinking, conversing, and enjoying oneself. At a minimum the name should puzzle foreigners-this is a basic requirement of most British institutions-and ideally it should excite long and inconclusive debate, defy all logical explanation, and evoke images that border on the surreal.

I’m inspired by the Darwinian nature of tables. They have legs, which makes them more evolved than fish. But they won’t truly impress me as furniture until they have wings like a duck.

Don’t always trust what you see. In a bull market even a duck looks like a swan.

Don't stop aspiring. Just learn to duck. . .

If you know you need to take some kind of risk, then get your relationship with God strong and go for it. You will never know what you could have or experience in life unless you try. God made you an original. That means you are really special, and He has a really special plan for your life. You may have to risk something that currently feels secure in order to go after that plan, but with God's help, you may end up in an awesome situation if you'll just take the chance.

Of all the animals that fly, some are like floating flowers (butterflies), some are songbirds that are full of gulp (swallows), and some are swimming birds that also run marathons (ducks). When I compose music to be performed live in an elevator, those are my inspirations.

My hope is that we can navigate through this world and our lives with the grace and integrity of those who need our protection. May we have the sense of humor and liveliness of the goats; may we have the maternal instincts and protective nature of the hens and the sassiness of the roosters. May we have the gentleness and strength of the cattle, and the wisdom, humility, and serenity of the donkeys. May we appreciate the need for community as do the sheep and choose our companion as carefully as do the rabbits. May we have the faithfulness and commitment to family as the geese, and adaptability and affability of the ducks. May we have the intelligence, loyalty, and affection of the pigs and the inquisitiveness, sensitivity, and playfulness of the turkeys. My hope is that we learn from the animals what it is we need to become better people.

What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.

A confident leader is like a duck. Above the water, he is calm and poised while below the water, he is driven by a flurry of focused activity.

In other words, the prophets are weirdos. More than anyone else in Scripture, they remind us that those odd ducks shouting from the margins of society may see things more clearly than the political and religious leaders with the inside track. We ignore them at our own peril.

So I said, and quickly reached for my glass so as to duck my disingenuous face and take a bitter drop of brandy on my tongue. But Lonoff had read my designing mind, all right; for when I came upon Babel’s description of the Jewish writer as a man with autumn in his heart and spectacles on his nose, I had been inspired to add, “and blood in his penis,” and had then recorded the words like a challenge—a flaming Dedalian formula to ignite my soul’s smithy.

In actuality, myths are neither fiction nor history. Nor are most myths—and this will surprise some people—an amalgamation of fiction and history. Rather, a myth is something that never happened but is always happening. Myths are the plots of the psyche. They are ongoing, symbolic dramatizations of the inner life of the species, external metaphors for internal events. As Campbell used to say, myths come from the same place dreams come from. But because they’re more coherent than dreams, more linear and refined, they are even more instructive. A myth is the song of the universe, a song that, if accurately perceived, explains the universe and our often confusing place in it. It is only when it is allowed to crystallize into “history” that a myth becomes useless—and possibly dangerous. For example, when the story of the resurrection of Jesus is read as a symbol for the spiritual rebirth of the individual, it remains alive and can continually resonate in a vital, inspirational way in the modern psyche. But when the resurrection is viewed as historical fact, an archival event that occurred once and only once, some two thousand years ago, then its resonance cannot help but flag. It may proffer some vague hope for our own immortality, but to our deepest consciousness it’s no longer transformative or even very accessible on an everyday basis. The self-renewing model has atrophied into second-hand memory and dogma, a dogma that the fearful, the uninformed, and the emotionally troubled feel a need to defend with violent action.

Crossing the small wooden bridge, just past the rubble, Gabe ducked off to the left and swooped underneath into hiding. Once sure he was secure, and could not be seen by those that passed overhead, Gabe collapsed on to the dirt and grass. Turning on his side, his body convulsed, and relieved itself of any food that had been in his belly. Rachel was right. He was a liability. Anyone who tried to protect him ended up paying a high price. He didn’t know if his old friends were dead, but he was certain whatever fate had found them must have been bad.

After a day filled with talking, laughing, reminiscing and making future plans, Evie had returned to Eversby Priory in high spirits. She was full of news to share with her husband... including the fact that the protagonist of Daisy's current novel in progress had been partly inspired by him. "I had the idea when the subject of your husband came up at a dinner party a few months ago, Evie," Daisy had explained, dabbing at a tiny stain left by a strawberry that had fallen onto her bodice. "Someone remarked that Kingston was still the handsomest man in England, and how unfair it was that he never ages. And Lillian said he must be a vampire, and everyone laughed. It started me thinking about that old novel The Vampyre, published about fifty years ago. I decided to write something similar, only a romantic version." Lillian had shaken her head at the notion. "I told Daisy no one would want to read about a vampire lover. Blood... teeth..." She grimaced and shivered. "He enslaves women with his charismatic power," Daisy protested. "He's also a rich, handsome duke- just like Evie's husband." Annabelle spoke then, her blue eyes twinkling. "In light of all that, one could forgive a bad habit or two." Lillian gave her a skeptical glance. "Annabelle, could you really overlook a husband who went around sucking the life out of people?" After pondering the question, Annabelle asked Daisy, "How rich is he?" She ducked with a smothered laugh as Lillian pelted her with a biscuit. Laughing at her friends' antics, Evie had asked Daisy, "What's the title?" "The Duke's Deadly Embrace." "I suggested The Duke Was a Pain in the Neck," Lillian had said, "but Daisy thought it lacked romance.

Once in a great while, she was distressed by the way she looked. As she was rounding the bend to forty she would write to Avis DeVoto that whenever she read Vogue she "felt like a frump....but I suppose that is the purpose of all of it, to shame people out of their frumpery so they will go out and buy 48 pairs of red shoes, have a facial, pat themselves with deodorizers, buy a freezer, and put up the new crispy window curtains with a draped valence." Julia was able to deconstruct the disingenuous motives that drive women's magazines with the ease she normally reserved for deboning a duck, seeing quite clearly that while ostensibly offering inspiration and useful advice, the stories and articles quietly pummel the reader's sense of self, the better to drive her into the arms of the advertisers.

Escoffier knew if he could win Sara's heart it would be with a dish made of truffles and pureed foie gras, the one she often doted over. The subtle aroma of truffle, according to the great Brillat-Savarin, was an aphrodisiac. And so, "Let the food speak where words cannot," Escoffier said, making the sign of the cross, and cooking as if his life depended on it, because on some level it did. When the chef finally knocked on the studio door, his small hands shook under the weight of the silver tray and its domed cover. Escoffier had changed into clean clothes and now looked more like a banker than a chef. But he was, most certainly, a chef. Beneath the dome, caramelized sweetbreads, covered with truffles, lay on a bed of golden noodles that were napped in a sauce made from the foie gras of ducks fed on wild raspberries, the 'framboise,' of the countryside. It was a dish of profound simplicity, and yet luxury.

I know what you think,” Oak says. “That you’re not whom I should want.” She ducks her head, a faint flush on her cheeks. “It’s true you inspire no safe daydream of love,” he tells her. “A nightmare, then?” she asks with a small, self-deprecating laugh. “The kind of love that comes when two people see each other clearly,” he says, walking to her. “Even if they’re scared to believe that’s possible. I adore you. I want to play games with you. I want to tell you all the truths I have to give. And if you really think you’re a monster, then let’s be monsters together.” Wren stares at him. “And if I send you away even after this speech? If I don’t want you?” He hesitates. “Then I’ll go,” he says. “And adore you from afar. And compose ballads about you or something.” “You could make me love you,” she says. “You?” Oak snorts. “I doubt it. You’re not interested in my telling you what you want to hear. I think you might actually prefer me at my least charming.” “What if I am too much? If I need too much?” she asks, her voice very low. He takes a deep breath, his smile gone. “I’m not good. I’m not kind. Maybe I am not even safe. But whatever you want from me, I will give you.” For a moment, they stare at each other. He can see the tension in her body. But her eyes are clear and bright and open. She nods, a smile growing on her lips. “I want you to stay.” “Good,” he says, sitting on the couch beside her. “Because it’s very cold out there, and it was a long walk.” She lets her head fall against his shoulders with a sigh, let’s him put his arm around her and pull her into an embrace.

SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.

The past is in the past ; no need to remember it anymore

Hey I want to go to Heaven how can I get there do you know the way The man said on the bus well I don’t know how to get there but I think its this way Driving a long the word I see the trees the cars the ducks in the river the buildings in the town centre I don’t see the sign saying going to heaven Hey can you let me off I don’t see the sign going to heaven I need to get to go to heaven so I can see Jesus in heaven I understand he is up there and I want to see him so I can see what he really looks like I get off the bus and I get a train ….I say to the train driver do you know the way to heaven I need to go to heaven as I need to see what heaven is really like my mum has told me my dad has told me but I believe but I want to see for myself so I know they are not lying to me can you take me there Well the train driver says if you stay on the train that says the holy train this train is definitely going to heaven but there is something you have to do first What do I need to do Mr train driver well you need to say that Jesus is the way to heaven first then you will get a ticket in return that will take you straight up to heaven… Oh ok no problem This train journey is so long I fall asleep wake up and where is heaven I get off the train and I decide to get on a plane well I ask the pilot will you take me to a place call heaven do you know where it is the pilot says hey no problem I can take you to all over heaven I am your pilot Jesus but it not time to go through the gates yet so you have to wait until your name is called but yes I am Jesus I will take you to heaven when I am ready to take you there. Oh ok well shall I get on a boat then and see well you can if you want to but I think you will be better with me I will let you know when the time is right my clock says not now I have work for you to do first Ok then Jesus I will do what you say because I want to see heaven and be with you one day…good night Jesus love you thank you for talking to me today it was good chatting to you on your line prayer bells of heaven. True Inspirations - Happy New year 2015

My conclusion at the time was that finalizing the story before production began was still a worthy goal—we just hadn’t achieved it yet. As we continued to make films, however, I came to believe that my goal was not just impractical but naïve. By insisting on the importance of getting our ducks in a row early, we had come perilously close to embracing a fallacy. Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal. I see this over and over again in other companies: A subversion takes place in which streamlining the process or increasing production supplants the ultimate goal, with each person or group thinking they’re doing the right thing—when, in fact, they have strayed off course. When efficiency or consistency of workflow are not balanced by other equally strong countervailing forces, the result is that new ideas—our ugly babies—aren’t afforded the attention and protection they need to shine and mature. They are abandoned or never conceived of in the first place. Emphasis is placed on doing safer projects that mimic proven money-makers just to keep something—anything!—moving through the pipeline (see The Lion King 1½, a direct-to-video effort that came out in 2004, six years after The Lion King 2: Simba’s Pride). This kind of thinking yields predictable, unoriginal fare because it prevents the kind of organic ferment that fuels true inspiration. But it does feed the Beast.

Some people, when they have a holiday, just want to go to salt coats, twenty-five miles along the coast from Glasgow. Some people don't even want to that. They are happy to stay at home or watch the birds and the ducks float by in the park. And some want to go to the moon. It's all about people's AMBITIONS.

It was the end of the day before John, Steve, and I had a chance to take a breath, heading upstairs and ducking into my office. The minute the door shut behind us, Steve put his arms around us and began to cry, tears of pride and relief—and, frankly, love. He had succeeded in providing Pixar, the company he’d helped turn from a struggling hardware supplier into an animation powerhouse, with the two things it needed to endure: a worthy corporate partner in Disney and, in Bob, a genuine advocate.

The last glimmer of it evaporated when she and Nick reached his dorm room and found yet another gift. “That one’s actually pretty inspired,” Nick remarked, nodding his head toward the stuffed yellow duck leaning against his door. Someone had dressed it in the old-time black and white stripes of a prison uniform. “Jailbird. Funny. I’m surprised Trey came up with something that creative.” “I’m sure he had help,” Beth replied, scowling at the stuffed animal.

In the business world, there is a mental model that draws on Polaris for inspiration, called north star, which refers to the guiding vision of a company. For example, DuckDuckGo’s north star is “to raise the standard of trust online.

I don't know who you are either, Rowena. " His fingers tightened around hers. "But I know who your not. You're not who your father made you. You're not who that Kinnaird fellow made you. You're who God made you. And perhaps now you have been given the opportunity to discover who that is. Freely" Brice ducked his head a bit, caught her gaze. "And if you really want to spite them, do you know what you should do?" He leaned closer, pitched his voice lower. "Thrive. Be happy.

By the occasion of the inaugural Fearless Friday I’ve come to realize that HubSpot is just as crazy as the rest of them. But all of HubSpot’s lofty bullshit about inspiring people and being remarkable and creating lovable content might actually be part of a cynical, and almost brilliant, strategy. HubSpot is playing the game, saying the kind of ridiculous things that investors now expect to hear from start-ups. HubSpot is feeding the ducks.

Stop hiding here and making things worse. Deal with it head-on. Calmly. Stand up for yourself. Talk to people. Be an adult. Then come here and just enjoy feeding the ducks.

STANDING IN LOVE’S WAY In Wild at Heart I warned men that the greatest obstacle to loving a woman was this: too many men take their Question to Eve. They look to her for the validation of their souls. (Haven’t you felt it?) It happens usually around adolescence, this fatal shift. The father has been silent or violent; his chance to redeem his son is nearly gone. The next window that opens in a boy’s journey is his sexuality. Suddenly, he is aware of Eve. She looks like life itself to him. She looks like the answer to his Question. It’s a fatal shift. So much of the pornography addiction for men comes from this. It’s not about sex—it’s about validation. She makes him feel like a man. She offers him her beauty, and it makes him feel strong. This is also the root of most affairs. Some woman comes along and offers to answer his Question. His wife has been giving him an F, and she comes along and says, “You’re an A to me,” and he’s history. If he hasn’t found that deep validation he needs from God, he’s a sitting duck. I’ve tried in every way to help men understand that no woman can tell you who you are as a man. Masculinity is bestowed by masculinity. It cannot come from any other source. Yes—a woman can offer a man so much. She can be his ezer, his companion, his inspiration. But she cannot be the validation of his soul. As men, we have got to take our Question to God, to our Father in heaven. Only he knows who we truly are. Only he can pronounce the verdict on us. A man goes to Eve to offer his strength. He does not go to her to get it.

Inspiration for what we produce comes from reading, observing the world of humans around us and also the animal kingdom

Change is the key that unlocks the door to growth and excitement in any organization. The leader’s ability to inspire a culture of change can make or break their success. Tomorrow comes at us with lightning speed, and our competitive advantage is a fleeting thing. Bill Gates puts it this way: “In three years, every product my company makes will be obsolete. The only question is whether we will make them obsolete or somebody else will.

It was the afternoon in the city of Orlando, Florida. Amid the hustle and bustle, the cafe next door to a strip mall played popular music out loud. Children and families with familiar cartoon characters on their shirts and hats walked past; vacationers took pictures of the palm trees and the ducks passing by, shouting, "Look! Florida ducks!

Do not hide, duck or cover when you are asked to give an answer or information that someone is not going to like. Answer the questions, even if the answers are not what others want to hear.

Crocodiles and ducks eat fish from the same lake, then why do we perceive the crocodile as cruel?

WRITE WHAT’S RANDOM. Some writers require chaos to find inspiration. You might be someone who needs a jolt to the system—who needs to tell yourself, on seeing a duck wearing a sun hat, being led on a leash by a child, “I need to write about that duck, that hat, that child.” You don’t require anything more than surprise and the unexpected moment for inspiration. That sudden shock—that introduction of chaos into the world—serves as the catalyst back into writing what’s interesting, personal, or uncomfortable.

If you want to get a glimpse of where you are headed in the future, start by looking at what you’re thinking about today.

Shake Shack- The now multinational, publicly traded fast-food chain was inspired by the roadside burger stands from Danny's youth in the Midwest and serves burgers, dogs, and concretes- frozen custard blended with mix-ins, including Mast Brothers chocolate and Four & Twenty Blackbirds pie, depending on the location. Blue Smoke- Another nod to Danny's upbringing in the Midwest, this Murray Hill barbecue joint features all manner of pit from chargrilled oysters to fried chicken to seven-pepper brisket, along with a jazz club in the basement. Maialino- This warm and rustic Roman-style trattoria with its garganelli and braised rabbit and suckling pig with rosemary potatoes is the antidote to the fancy-pants Gramercy Park Hotel, in which it resides. Untitled- When the Whitney Museum moved from the Upper East Side to the Meatpacking District, the in-house coffee shop was reincarnated as a fine dining restaurant, with none other than Chef Michael Anthony running the kitchen, serving the likes of duck liver paté, parsnip and potato chowder, and a triple chocolate chunk cookie served with a shot of milk. Union Square Café- As of late 2016, this New York classic has a new home on Park Avenue South. But it has the same style, soul, and classic menu- Anson Mills polenta, ricotta gnocchi, New York strip steak- as it first did when Danny opened the restaurant back in 1985. The Modern- Overlooking the Miró, Matisse, and Picasso sculptures in MoMA's Sculpture Garden, the dishes here are appropriately refined and artistic. Think cauliflower roasted in crab butter, sautéed foie gras, and crispy Long Island duck.

Who would Betsy be?" "That's my truck," he said. "You named it Betsy?" she asked. "For real?" Sawyer waved what was left of his cookie at her. "You have ducks on your pj's, don't judge." "And she was inspired by who?" Sydney said with a smirk, her eyes dropping to his lips when he turned to her. "Your first love?" "If I would've done that," he said softly, "her name would have been Squeak." Bam. Sidney's heart felt like it reached out and slammed against every possible surface at once.

the island of Java, in Indonesia, and at Malabar, in southern India, Polo saw vast quantities of spices – including various kinds of pepper – on their way to the West. It is this incident which seems to have inspired the inventor of the dish which bears Polo’s name. “Duck à la Marco Polo” was first prepared and served at the famous Parisian restaurant La Tour d’Argent – one of the oldest restaurants in the world, facing the river Seine and the Cathedral of Notre Dame.

nymph or siren from Basque mythology with duck-like feet (Lamiak = plural Lamia) 2 Txorizo: pork sausage 3 Pintxos: small snacks made from a variety of ingredients fastened to a slice of baguette bread with a toothpick 4 Trikitixa: a small accordion with buttons instead of piano-style keys

By insisting on the importance of getting our ducks in a row early, we had come perilously close to embracing a fallacy. Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal.

I ain't inspired any more, Sherm; there was this painting I saw in the museum in Amsterdam. It was called 'Christ Preaching in the House of Mary and Martha.' And the whole foreground of the picture, maybe three-fourths of the canvas, is a kitchen in one of them Dutch houses, and there's a cook plucking chickens. All around her there's dead rabbits, pheasants, turkeys, ducks, sides of beef, six kinds of fish, clams, oysters, potatoes, apples, eggplant, kohlrabi, rutabaga, carrots, Swiss chard, and God knows what else. Food, food, food. And where's Christ? Well, way back in a little alcove off the kitchen, there He is, with the women, preaching. Who cares about Him, when everyone wants to stuff their gut with rabbit and turkey? Who hears His sermon, when there's lots of roast duck and fried oysters?" "What in the world has that to do with our survey?" asked Wettlaufer. "Sherman, you and me and this survey and these people like Huguettte Roux and Willem Kruis--we're preaching way back in the corner to two people. But most of the world is in that kitchen drooling over those rabbits and geese!

Joseph Campbell was so conversant with the world of wonders that he awakened the potential for wonder in everyone he touched. He unbuttoned the secret earth for us and let the inexhaustible inspiration of Being stream through.

This is how you get through life: duck.

Synchronicity was building on synchronicity. It was as though perceiving synchronicity once, with the orphan on TV, and then again with the mama duck, had opened the way to perceiving more and more synchronicities. I had the sensation that, just as in an archetypal quest, I was becoming open, ever so gradually, to the guidance of helpers and healers on my journey.

I know what you think,” Oak says. “That you’re not whom I should want.” She ducks her head, a faint flush on her cheeks. “It’s true you inspire no safe daydream of love,” he tells her. “A nightmare, then?” she asks with a small, self-deprecating laugh. “The kind of love that comes when two people see each other clearly,” he says, walking to her. “Even if they’re scared to believe that’s possible. I adore you. I want to play games with you. I want to tell you all the truths I have to give. And if you really think you’re a monster, then let’s be monsters together.” Wren stares at him. “And if I send you away even after this speech? If I don’t want you?” He hesitates. “Then I’ll go,” he says. “And adore you from afar. And compose ballads about you or something.” “You could make me love you,” she says. “You?” Oak snorts. “I doubt it. You’re not interested in my telling you what you want to hear. I think you might actually prefer me at my least charming.” “What if I am too much? If I need too much?” she asks, her voice very low. He takes a deep breath, his smile gone. “I’m not good. I’m not kind. Maybe I am not even safe. But whatever you want from me, I will give you.” For a moment, they stare at each other. He can see the tension in her body. But her eyes are clear and bright and open. She nods, a smile growing on her lips. “I want you to stay.” “Good,” he says, sitting on the couch beside her. “Because it’s very cold out there, and it was a long walk.” She lets her head fall against his shoulders with a sigh, lets him put his arm around her and pull her into an embrace.

I know what you think' Oak says. 'That you're not whom I should want.' She ducks her head, a faint flush on her cheeks. 'It's true you inspire no safe daydream of love,' he tells her. 'A nightmare, then?' she asks with a small, self-depreciating laugh. 'The kind of love that comes when two people see each other clearly,' he says, walking to her. 'Even if they're scared to believe that's possible. I adore you. I want to play games with you. I want to tell you all the truths I have to give. And if you really think you're a monster, then let's be monsters together.' Wren stares at him. 'And if I send you away even after this speech? If I don't want you?' He hesitates. 'Then I'll go,' he says. 'And adore you from afar. And compose ballads about you or something.