Dublin Quotes

We've searched our database for all the quotes and captions related to Dublin. Here they are! All 100 of them:

β€œ
I know you love me, Jocelyn, because there’s no fucking way I can be this much in love with you, and not have you feel the same way. It’s not possible.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Babe, nice lingerie is for seducing a man. I’m already fucking seduced.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
But my body was like a harp and her words and gestures were like fingers running upon the wires. from β€œAraby
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James Joyce (Dubliners)
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You’re good with the words, I’ll give you that.” β€œI’m good with my hands. Will you let me give you that?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
and yet her name was like a summons to all my foolish blood.
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James Joyce (Dubliners)
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Let me rephrase.” He took a seething step toward me. β€œWhen it comes to you… I don’t like to share.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.
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James Joyce (Dubliners)
β€œ
Mr. Duffy lived a short distance from his body.
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James Joyce (Dubliners)
β€œ
I would say it was nice to meet you, but I was naked so… it wasn’t.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Gentlemen are gentlemen in bed. They make sure you're having a good time." "I'll make sure you're having a good time, and that you're okay with everything. I just won't be well mannered about it.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I just noticed a lack of ego in the room and thought β€˜hey, where’s Braden?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Would everyone stop saying arse!".... "I know, its called an ass, people. Ass
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I love you. You’re mine. I’ll kill any bastard who tries to take you from me.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I feel like I'm missing something really important when you're gone. So important I don't feel like myself. I've never felt like someone was mine before. But you're mine, Jocelyn. I've known that from the moment we met. And I'm yours. I don't want to be anyone else's, babe.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Barrons’ lips twitched. I’d almost made him smile. Barrons smiles about as often as the sun comes out in Dublin, and it has the same effect on me; makes me feel warm and stupid.
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Karen Marie Moning (Faefever (Fever, #3))
β€œ
I wanted real adventures to happen to myself. But real adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.
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James Joyce (Dubliners)
β€œ
I wanted to create something beautiful in place of all the ugliness.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Too excited to be genuinely happy
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James Joyce (Dubliners)
β€œ
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.
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Toni Morrison
β€œ
We fuck, we have fun, and then we spoon. I don’t go home...
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Braden, I don't want anything to happen between us." He raised his eyebrow, clearly unconvinced. "Tell that to your damp knickers, babe.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Sometimes words aren’t needed for you to know a change has come upon you.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Why the hell did he have be the human version of a sexually charged nuclear weapon?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Once abolish the God and the government becomes the God.
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G.K. Chesterton (Christendom in Dublin)
β€œ
In truth it’s difficult to describe a broken heart.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.
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James Joyce (Dubliners)
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Some people are born with family, and others have to make family.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
The light music of whisky falling into glasses made an agreeable interlude.
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James Joyce (Dubliners)
β€œ
There's no friends like the old friends.
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James Joyce (Dubliners)
β€œ
Sure it could get rough sometimes, but life wasn't a Hollywood movie. Shit happened. You fought, you screamed, and somehow you worked like hell to get out the other side still intact.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
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James Joyce (Dubliners)
β€œ
I don't like to share," he murmured. "Braden, I'm not yours." "For the next three months you are. I mean it, Jocelyn. No one else touches you.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You know, it's a wonder I managed to squeeze into the room what with your giant-assed ego taking up all the space.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
My mum always said if you can’t say something nice, say something memorable.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
You're not ready to hear this yet," he concluded. "But I do need you to know that I'm going to fight for you. I'm not making the mistake of walking away from you again. The only man in you future is me, Liv. The only kids in your future are mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.
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Pat Conroy
β€œ
I miss someone who gets me. I called a woman on my research team a bitch – you know in a friendly way – and she told me to go to hell. And I think she really meant it.” β€œRhian, we’ve talked about this. Normal people don’t like to be called names. For some reason, they tend to take is personally. And you are a tad bitchy, by the way. β€œNormal people are so sensitive.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Point made. Question deflected. Spoiled bitch put in her pace.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
When I die, Dublin will be written on my heart.
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James Joyce
β€œ
Be Caledonia.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
I was washing the dishes and the sneaky bastard crept up behind me and wrapped his arms around my waist. And kissed me. Right here.” I pointed angrily to my neck. β€œCan I not have him committed or something?” Dr. Pritchard snorted. β€œFor loving you?” I drew back, shaking my head in disgust. β€œDr. Pritchard,” I admonished softly. β€œWhose side are you on?” β€œBraden’s.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense.
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James Joyce (Dubliners)
β€œ
Was I shy? No. Not shy. Just, usually blissfully indifferent. I liked it that way. It was safer.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
He made a noise of disgruntlement. β€œIt’s a bloody picnic. Sit. Eat. Shut up.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
After last night, there’s no denying the promise of what’s between us. I’m not backing off, so rather than coming up with a new defence – which I’m sure I’d find highly entertaining – just give in, babe. You know you’re going to eventually.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
There are more balls in twenty feet of street here then there are in all of Dublin, and I'm proud to be swaying in the nut sack.
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Karen Marie Moning (Iced (Fever, #6))
β€œ
I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.
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James Joyce (Dubliners)
β€œ
I want every piece of you. Even the stuff I missed without even knowing I was missing it.
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Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
β€œ
You’re living off your parent’s money? At your age?” Oh no she didn’t. I took another drink and then smiled at her in warning as if to say, β€˜don’t play this game with me, sweetheart, you won’t win.’ She didn’t heed the warning. β€œSo they pay for everything? Doesn’t that make you feel guilty?” Every fucking day. β€œWas it your money that bought those Louboutin’s… or Braden’s?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
What happened to your love of the long-legged bimbo?” β€œIt was replaced by my love for great tits, great sex and a smart mouth.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Asshole.” β€œJust for that, I expect you to wrap that dirty mouth of yours around my cock tonight.” He narrowed his eyes on me. I couldn’t believe he’d just said that to me in a fancy restaurant where anyone might overhear. β€œAre you kidding?” β€œBabe,” he gave me a look that suggested I was missing the obvious, β€œI never kid about blowjobs.” Our waiter had descended on us just in time to hear those romantic words and his rosy cheeks betrayed his embarrassment. β€œReady to order?” he croaked out.β€œYes,” Braden answered, obviously uncaring he’d been overhead. β€œI’ll have the steak, medium-rare.” He smiled softly at me. β€œWhat are you having?” He took a swig of water. He thought he was so cool and funny. β€œApparently sausage.” Braden choked on the water, coughing into his fists, his eyes bright with mirth as he put his glass back on the table. β€œAre you okay, sir?” The waiter asked anxiously. β€œI’m fine, I’m fine.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You love me," he argued, his voice soft, low. "I've seen it.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You'll end up living a lonely life if you're waiting around for perfect.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I think we need to come up with a child-friendly phrase for f-u-c-k off." "Duck off?" "Exactly. Braden, duck off, you sarcastic dastard.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
How can such a coward teach someone to be brave?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Cam and I just broke up." Cam laughed, hugging me even tighter into his side. I huffed, trying to wriggle free. "What are you doing?" "Getting back together with you.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
What if I suggested we stopped pretending we're fuck buddies too?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Do you love him?” Adam looked back at her and she squeezed his arm. With a small smile she turned to her brother. β€œYes.” Braden shrugged and reached casually over to the kettle to turn it on. β€œAbout bloody time. You two were giving me a headache.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You know, the world will always try to make you into who it wants you to be. People, time, events, they’ll all try to carve away at you and make you think you don’t know who you are. But it doesn’t matter who they try to make you, or what name they try to give you. If you stay true, you can chip off all their machinations and you’re still you underneath it all.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
Murder calls were never welcome, but this one had a small silver lining.it was going to get Merlin out of a sticky predicament.
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Mark Ellis (Death of an Officer)
β€œ
I'm not that hard to get to know, really." He flashed me a quick smile. "But you... I think you've made an art form out of deflection and self-possession.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I’m going to let you keep that smug look on your face. You earned it.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
Beth, eat your greens. They’re good for you. Come on, eat your peas.” β€œI don’t want to,” she whined, and we turned to watch her push her plate back. β€œThey’re little fuckers.
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Samantha Young (Fall from India Place (On Dublin Street, #4))
β€œ
If you remove the English Army tomorrow and hoist the green flag over Dublin Castle., unless you set about the organization of the Socialist Republic your efforts will be in vain. England will still rule you. She would rule you through her capitalists, through her landlords, through her financiers, through the whole array of commercial and individualist institutions she has planted in this country and watered with the tears of our mothers and the blood of our martyrs.
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James Connolly
β€œ
When his blue eyes met mine, I inhaled sharply at the raw need in them. "You're stunning," he whispered hoarsely. "No man can possibly deserve you.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
If you touch her, I’ll make sure you lose all sense of feeling. Permanently,” Adam warned darkly. β€œWhat he said,” Braden growled.
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Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
β€œ
Sometimes the clouds weren't weightless. Sometimes their bellies got dark and full. It was life. It happened. It didn't mean it wasn't scary, or that I wasn't still afraid, but now I knew that as long as I was standing under it with Braden beside me when those clouds broke, I'd be alright. We'd get rained on together. Knowing Braden he'd have a big ass umbrela to shelter us from the worst of it. That there was an uncertain future I could handle.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I didn't just want Nate to love me. I wanted him to love me the way I loved him. The kind of love that's so big it would last beyond a lifetime.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
Though their life was modest, they believed in eating well.
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James Joyce (Dubliners)
β€œ
He made me care and that pissed me off.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed: and though she knew the small number of his talents she appreciated his abstract value as a male.
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James Joyce (Dubliners)
β€œ
Sometimes he caught himself listening to the sound of his own voice. He thought that in her eyes he would ascent to an angelical stature; and, as he attached the fervent nature of his companion more and more closely to him, he heard the strange impersonal voice which he recognised as his own, insisting on the soul's incurable lonliness. We cannot give ourselves, it said: we are our own.
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James Joyce (Dubliners)
β€œ
I guess that’s the problem when you really get to know someone. You learn all their triggers and emotional buttons, and unfortunately, in times of war, you press them.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
It’s a manwhore miracle
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
I swear his low, rumbling voice vibrated all the way into my panties.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Come on. I know you're not a stupid man.' 'I'm quite stupid. Ask anyone.' 'Finbar, are there superheroes living among us?' Finbar snorted with laughter and Kenny started to feel a little thick. 'Superheroes? In tights and capes, flying around? If there were superheroes, Mr. Journalist, don't you think they'd be in New York or somewhere like that? There's not that many tall buildings for Spiderman to swing from in Dublin, you know? He'd have maybe two good swings and then hang there looking disappointed.' 'These people don't wear tights and capes, Finbar.' 'So they're naked superheroes? That's grand for now, but when the good weather is over they're going to regret it.' 'They look like us. They dress like us. But they're not like us. They're different.' 'You,' Finbar said. 'Are sounding very racist right now.
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Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β€œ
Love between man and woman is impossible because there must not be sexual intercourse, and friendship between man and woman is impossible because there must be sexual intercourse.
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James Joyce (Dubliners)
β€œ
I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight?" I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You're afraid. I get it," he bent to murmur comfortingly in my ear. "I know why you ran today, and I know why you're running now. But shit happens, babe, there's no protecting against it. You also can't let it take over your life and rule your relationships with people. We need to enjoy the time we have, however long it's going to be. Stop running.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
But I think mostly it's your eyes. I want something from them no one else gets from them.' 'And what's that?' I asked, my voice low, almost hoarse. His words had affected me as deeply as any aphrodisiac. 'Soft.' His own voice had deepened with the highly sexual atmosphere. 'Soft the way only a woman's can be after she's come for me.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I never meant to fall in love with you. But I did. I felt it the first night I made love to you. I tried to walk away then because I've never felt so lost and yet so fucking found as I felt that night looking into your eyes as I moved inside you.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
I've never met anyone as quietly brave and strong as you. I've never met a woman so unassuming, so kind, and so selfless. You are a complex lady." His mouth curled up at the corners. "And you are smart, and passionate, and funny, and exciting, and you blow me fucking away.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
What I feel for you … It’s all-consuming,he breathed, leaning his forehead against mine again. β€˜It’s almost debilitating. It’s too much. It’s … I can’t even describe it, but being with you is … there’s this intensity inside me all the time, this … constant pull, desperation … it’s like you’re branded on me or something. And it bloody well burns.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
No one,” I whispered, my lips trembling with the emotion, β€œhas ever made me feel like the person I’ve always wanted to be until you. You make me feel beautiful, Nate. All the way through. No one else has ever given me that. No one.” β€œI’m glad,” he murmured against my mouth. β€œNot just because you deserve to feel that way … but because it makes you mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
I think we need to have sex now.' His brows drew together. 'Why?' 'To remind us of what we're doing here,' I replied, my tone meaningful. Braden's eyes narrowed. 'No,' he told me gruffly, squeezing my nape. 'I'd have sex with you for anything else but that.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.
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James Joyce (Dubliners)
β€œ
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street.
”
”
James Joyce (Dubliners)
β€œ
People can be … well, they can be wonderful. And sometimes, unfortunately, they can be monsters we hide from inside our homes. We worry that those monsters will find their way inside. We’re not supposed to fear that they already are inside. Your mom and dad are supposed to protect you from that. They’re not supposed to be the monster.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
Are you saying you don’t want anything from me?” β€œI want this. I want our arrangement. I want you…” I sucked in a breath, feeling my control slip. β€œβ€¦to fuck it out of me.” β€œFuck what out, Jocelyn?” Couldn’t he see it? Was my mask really that good? I shrugged. β€œAll the nothing
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
”
”
Jonathan Safran Foer (Everything is Illuminated)
β€œ
You know on those nature shows when the cute little meerkat is strolling along on its four cute little meerkat legs to get back to her burrow where all her little meerkat politics, drama and family await her, and this big-ass eagle comes swooping overhead…? The smart little meerkat runs for cover and waits that big-ass eagle out. Some time passes, and the meerkat finally decides the eagle got bored and went off to scare the crap out of some other cute little meerkat. So, the meerkat crawls out from her hidey-hole to carry merrily on her way. And just when that little meerkat thought she was home free, that big-ass eagle swoops down and catches her in his big-ass claws. Well… I know exactly how that little meerkat felt…
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Sometimes words aren't needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says 'I'm here, no matter what' and suddenly someone who was just a relative, a person you love, turns out to be one of your best friends.
”
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
Are you insane? I'm not going to change my mind." "Yes you will." Braden sighed. "We're going to need each other through this. All of us. But if you can't do that, then I'm going to play hardball. I'm going to do whatever it takes. Some of it will frustrate you, some of it will turn on, and some of it will hopefully really piss you off." "You are insane." "No." We spun around to see Ellie standing in the kitchen doorway in her bathrobe, wearing a small, exhausted but determined smile. "He's fighting for what he wants.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You're not untrustworthy, you're not cold and you're not a bitch. You have... issues. I get that. We all have issues. But once I realized you were lying to me, I began to understand why. You think you never gave yourself away with me. You think you have time to backpedal and pretend nothing happened between us, because that way if anything ever happens to me, you can tell yourself you don't care, and you don't feel the pain.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
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What would you prefer? Life in a maximum-security prison or trapped in Jurassic Park?" "Do I have a social standing in this prison?" "No. You're just an average Joe." "Then I guess I have to go with Jurassic Park." "Why?" "Well, I'll have constant fresh air, for a start, and also if I'm going to be anyone's prey, I'm going to be the prey of an animal that's acting out of instinct rather than psychopathy... You?" "If you're in Jurassic Park, I'm in Jurassic Park.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.
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Karen Marie Moning (Shadowfever (Fever, #5))
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When I didn't say anything, he came closer, dropping slowly to his haunches so we were at eye level. My eyes searched his gorgeous face and for once, I wished I could break my own damn rules. I had a feeling Braden would be able to make me forget everything for a while. We gazed at one another for what seemed like forever, not saying a word. I was expecting a lot of questions since it must have been clear to everyone, or at least the adults at the table, that I had had a panic attack. Surely, they were all wondering why, and I really didn't want to go back out there. "Better?" Braden finally asked softly. Wait. Was that it? No probing questions? "Yeah." No, not really. He must have read my reaction to his question in my face because he cocked his head to the side, his gaze thoughtful. "You don't need to tell me." I cracked a humorless smile. "I'll just let you think I'm bat-shit crazy." Braden smiled back at me. "I already know that.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.
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Samantha Young (On Dublin Street (On Dublin Street, #1))