Dublin Quotes

We've searched our database for all the quotes and captions related to Dublin. Here they are! All 100 of them:

β€œ
I know you love me, Jocelyn, because there’s no fucking way I can be this much in love with you, and not have you feel the same way. It’s not possible.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Babe, nice lingerie is for seducing a man. I’m already fucking seduced.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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But my body was like a harp and her words and gestures were like fingers running upon the wires. from β€œAraby
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James Joyce (Dubliners)
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You’re good with the words, I’ll give you that.” β€œI’m good with my hands. Will you let me give you that?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I am not good at noticing when I'm happy, except in retrospect.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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and yet her name was like a summons to all my foolish blood.
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James Joyce (Dubliners)
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Let me rephrase.” He took a seething step toward me. β€œWhen it comes to you… I don’t like to share.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.
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James Joyce (Dubliners)
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Mr. Duffy lived a short distance from his body.
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James Joyce (Dubliners)
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I would say it was nice to meet you, but I was naked so… it wasn’t.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Gentlemen are gentlemen in bed. They make sure you're having a good time." "I'll make sure you're having a good time, and that you're okay with everything. I just won't be well mannered about it.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I just noticed a lack of ego in the room and thought β€˜hey, where’s Braden?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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Would everyone stop saying arse!".... "I know, its called an ass, people. Ass
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I feel like I'm missing something really important when you're gone. So important I don't feel like myself. I've never felt like someone was mine before. But you're mine, Jocelyn. I've known that from the moment we met. And I'm yours. I don't want to be anyone else's, babe.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I love you. You’re mine. I’ll kill any bastard who tries to take you from me.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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What I am telling you, before you begin my story, is this -- two things: I crave truth. And I lie.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Barrons’ lips twitched. I’d almost made him smile. Barrons smiles about as often as the sun comes out in Dublin, and it has the same effect on me; makes me feel warm and stupid.
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Karen Marie Moning (Faefever (Fever, #3))
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I wanted to create something beautiful in place of all the ugliness.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I wanted real adventures to happen to myself. But real adventures, I reflected, do not happen to people who remain at home: they must be sought abroad.
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James Joyce (Dubliners)
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I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.
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Toni Morrison
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Too excited to be genuinely happy
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James Joyce (Dubliners)
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Braden, I don't want anything to happen between us." He raised his eyebrow, clearly unconvinced. "Tell that to your damp knickers, babe.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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We fuck, we have fun, and then we spoon. I don’t go home...
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Why the hell did he have be the human version of a sexually charged nuclear weapon?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Sometimes words aren’t needed for you to know a change has come upon you.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Once abolish the God and the government becomes the God.
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G.K. Chesterton (Christendom in Dublin)
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In truth it’s difficult to describe a broken heart.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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My heart is quite calm now. I will go back.
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James Joyce (A Portrait of the Artist as a Young Man)
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Some people are born with family, and others have to make family.
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Samantha Young (Down London Road (On Dublin Street, #2))
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Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.
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James Joyce (Dubliners)
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The light music of whisky falling into glasses made an agreeable interlude.
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James Joyce (Dubliners)
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Sure it could get rough sometimes, but life wasn't a Hollywood movie. Shit happened. You fought, you screamed, and somehow you worked like hell to get out the other side still intact.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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There's no friends like the old friends.
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James Joyce (Dubliners)
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I don't like to share," he murmured. "Braden, I'm not yours." "For the next three months you are. I mean it, Jocelyn. No one else touches you.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
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James Joyce (Dubliners)
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When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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Tana French (The Likeness (Dublin Murder Squad, #2))
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My mum always said if you can’t say something nice, say something memorable.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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You know, it's a wonder I managed to squeeze into the room what with your giant-assed ego taking up all the space.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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You're not ready to hear this yet," he concluded. "But I do need you to know that I'm going to fight for you. I'm not making the mistake of walking away from you again. The only man in you future is me, Liv. The only kids in your future are mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I miss someone who gets me. I called a woman on my research team a bitch – you know in a friendly way – and she told me to go to hell. And I think she really meant it.” β€œRhian, we’ve talked about this. Normal people don’t like to be called names. For some reason, they tend to take is personally. And you are a tad bitchy, by the way. β€œNormal people are so sensitive.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Point made. Question deflected. Spoiled bitch put in her pace.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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My father told me once that the most important thing every man should know is what he would die for.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.
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Pat Conroy
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Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
Be Caledonia.
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Samantha Young (Down London Road (On Dublin Street, #2))
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There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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I was washing the dishes and the sneaky bastard crept up behind me and wrapped his arms around my waist. And kissed me. Right here.” I pointed angrily to my neck. β€œCan I not have him committed or something?” Dr. Pritchard snorted. β€œFor loving you?” I drew back, shaking my head in disgust. β€œDr. Pritchard,” I admonished softly. β€œWhose side are you on?” β€œBraden’s.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Was I shy? No. Not shy. Just, usually blissfully indifferent. I liked it that way. It was safer.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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He made a noise of disgruntlement. β€œIt’s a bloody picnic. Sit. Eat. Shut up.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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After last night, there’s no denying the promise of what’s between us. I’m not backing off, so rather than coming up with a new defence – which I’m sure I’d find highly entertaining – just give in, babe. You know you’re going to eventually.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense.
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James Joyce (Dubliners)
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I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.
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James Joyce (Dubliners)
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Our entire society is based on discontent. People wanting more and more and more. Being constantly dissatisfied with their homes, their bodies, their dΓ©cor, their clothes, everything – taking it for granted that that’s the whole point of life. Never to be satisfied. If you are perfectly happy with what you got, especially if what you got isn’t even all that spectacular then you’re dangerous. You’re breaking all the rules. You’re undermining the sacred economy. You’re challenging every assumption that society is built on.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Time works so hard for us, if only we can let it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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I want every piece of you. Even the stuff I missed without even knowing I was missing it.
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Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
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Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
You’re living off your parent’s money? At your age?” Oh no she didn’t. I took another drink and then smiled at her in warning as if to say, β€˜don’t play this game with me, sweetheart, you won’t win.’ She didn’t heed the warning. β€œSo they pay for everything? Doesn’t that make you feel guilty?” Every fucking day. β€œWas it your money that bought those Louboutin’s… or Braden’s?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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She informed me, matter-of-factly, that she was old enough to know the difference between intriguing and fucked up. "You should go for younger women," she advised me. "They can't always tell.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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What happened to your love of the long-legged bimbo?” β€œIt was replaced by my love for great tits, great sex and a smart mouth.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Asshole.” β€œJust for that, I expect you to wrap that dirty mouth of yours around my cock tonight.” He narrowed his eyes on me. I couldn’t believe he’d just said that to me in a fancy restaurant where anyone might overhear. β€œAre you kidding?” β€œBabe,” he gave me a look that suggested I was missing the obvious, β€œI never kid about blowjobs.” Our waiter had descended on us just in time to hear those romantic words and his rosy cheeks betrayed his embarrassment. β€œReady to order?” he croaked out.β€œYes,” Braden answered, obviously uncaring he’d been overhead. β€œI’ll have the steak, medium-rare.” He smiled softly at me. β€œWhat are you having?” He took a swig of water. He thought he was so cool and funny. β€œApparently sausage.” Braden choked on the water, coughing into his fists, his eyes bright with mirth as he put his glass back on the table. β€œAre you okay, sir?” The waiter asked anxiously. β€œI’m fine, I’m fine.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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You love me," he argued, his voice soft, low. "I've seen it.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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You'll end up living a lonely life if you're waiting around for perfect.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I think we need to come up with a child-friendly phrase for f-u-c-k off." "Duck off?" "Exactly. Braden, duck off, you sarcastic dastard.
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Samantha Young (Down London Road (On Dublin Street, #2))
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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How can such a coward teach someone to be brave?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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What if I suggested we stopped pretending we're fuck buddies too?
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Cam and I just broke up." Cam laughed, hugging me even tighter into his side. I huffed, trying to wriggle free. "What are you doing?" "Getting back together with you.
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Samantha Young (Down London Road (On Dublin Street, #2))
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Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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Tana French (Broken Harbour (Dublin Murder Squad, #4))
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Do you love him?” Adam looked back at her and she squeezed his arm. With a small smile she turned to her brother. β€œYes.” Braden shrugged and reached casually over to the kettle to turn it on. β€œAbout bloody time. You two were giving me a headache.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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I am, of course, romanticizing; a chronic tendency of mine.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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You know, the world will always try to make you into who it wants you to be. People, time, events, they’ll all try to carve away at you and make you think you don’t know who you are. But it doesn’t matter who they try to make you, or what name they try to give you. If you stay true, you can chip off all their machinations and you’re still you underneath it all.
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Samantha Young (Down London Road (On Dublin Street, #2))
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For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism; it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Sometimes the clouds weren't weightless. Sometimes their bellies got dark and full. It was life. It happened. It didn't mean it wasn't scary, or that I wasn't still afraid, but now I knew that as long as I was standing under it with Braden beside me when those clouds broke, I'd be alright. We'd get rained on together. Knowing Braden he'd have a big ass umbrela to shelter us from the worst of it. That there was an uncertain future I could handle.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Sometimes he caught himself listening to the sound of his own voice. He thought that in her eyes he would ascent to an angelical stature; and, as he attached the fervent nature of his companion more and more closely to him, he heard the strange impersonal voice which he recognised as his own, insisting on the soul's incurable lonliness. We cannot give ourselves, it said: we are our own.
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James Joyce (Dubliners)
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Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.
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Tana French (Broken Harbour (Dublin Murder Squad, #4))
β€œ
Come on. I know you're not a stupid man.' 'I'm quite stupid. Ask anyone.' 'Finbar, are there superheroes living among us?' Finbar snorted with laughter and Kenny started to feel a little thick. 'Superheroes? In tights and capes, flying around? If there were superheroes, Mr. Journalist, don't you think they'd be in New York or somewhere like that? There's not that many tall buildings for Spiderman to swing from in Dublin, you know? He'd have maybe two good swings and then hang there looking disappointed.' 'These people don't wear tights and capes, Finbar.' 'So they're naked superheroes? That's grand for now, but when the good weather is over they're going to regret it.' 'They look like us. They dress like us. But they're not like us. They're different.' 'You,' Finbar said. 'Are sounding very racist right now.
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Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β€œ
I'm making a list of things that make you agreeable." I scoffed, pushing my foot into his leg. "And all you got is sex and vacations?" "The length of the list is not my fault." "Are you saying I'm disagreeable?" He raised an eyebrow. "Woman, how stupid do you think I am? You really think I'm answering that? I want to get laid tonight?" I pushed him harder. "Watch it, or you might get laid to rest." Braden threw his head back and laughed.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
You're afraid. I get it," he bent to murmur comfortingly in my ear. "I know why you ran today, and I know why you're running now. But shit happens, babe, there's no protecting against it. You also can't let it take over your life and rule your relationships with people. We need to enjoy the time we have, however long it's going to be. Stop running.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
But I think mostly it's your eyes. I want something from them no one else gets from them.' 'And what's that?' I asked, my voice low, almost hoarse. His words had affected me as deeply as any aphrodisiac. 'Soft.' His own voice had deepened with the highly sexual atmosphere. 'Soft the way only a woman's can be after she's come for me.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
β€œ
I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better--Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
What I feel for you … It’s all-consuming,he breathed, leaning his forehead against mine again. β€˜It’s almost debilitating. It’s too much. It’s … I can’t even describe it, but being with you is … there’s this intensity inside me all the time, this … constant pull, desperation … it’s like you’re branded on me or something. And it bloody well burns.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
No one,” I whispered, my lips trembling with the emotion, β€œhas ever made me feel like the person I’ve always wanted to be until you. You make me feel beautiful, Nate. All the way through. No one else has ever given me that. No one.” β€œI’m glad,” he murmured against my mouth. β€œNot just because you deserve to feel that way … but because it makes you mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street.
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”
James Joyce (Dubliners)
β€œ
People can be … well, they can be wonderful. And sometimes, unfortunately, they can be monsters we hide from inside our homes. We worry that those monsters will find their way inside. We’re not supposed to fear that they already are inside. Your mom and dad are supposed to protect you from that. They’re not supposed to be the monster.
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Samantha Young (Down London Road (On Dublin Street, #2))
β€œ
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
β€œ
I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.
”
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
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”
Jonathan Safran Foer (Everything is Illuminated)
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Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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You know on those nature shows when the cute little meerkat is strolling along on its four cute little meerkat legs to get back to her burrow where all her little meerkat politics, drama and family await her, and this big-ass eagle comes swooping overhead…? The smart little meerkat runs for cover and waits that big-ass eagle out. Some time passes, and the meerkat finally decides the eagle got bored and went off to scare the crap out of some other cute little meerkat. So, the meerkat crawls out from her hidey-hole to carry merrily on her way. And just when that little meerkat thought she was home free, that big-ass eagle swoops down and catches her in his big-ass claws. Well… I know exactly how that little meerkat felt…
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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Are you insane? I'm not going to change my mind." "Yes you will." Braden sighed. "We're going to need each other through this. All of us. But if you can't do that, then I'm going to play hardball. I'm going to do whatever it takes. Some of it will frustrate you, some of it will turn on, and some of it will hopefully really piss you off." "You are insane." "No." We spun around to see Ellie standing in the kitchen doorway in her bathrobe, wearing a small, exhausted but determined smile. "He's fighting for what he wants.
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Samantha Young (On Dublin Street (On Dublin Street, #1))
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I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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When I didn't say anything, he came closer, dropping slowly to his haunches so we were at eye level. My eyes searched his gorgeous face and for once, I wished I could break my own damn rules. I had a feeling Braden would be able to make me forget everything for a while. We gazed at one another for what seemed like forever, not saying a word. I was expecting a lot of questions since it must have been clear to everyone, or at least the adults at the table, that I had had a panic attack. Surely, they were all wondering why, and I really didn't want to go back out there. "Better?" Braden finally asked softly. Wait. Was that it? No probing questions? "Yeah." No, not really. He must have read my reaction to his question in my face because he cocked his head to the side, his gaze thoughtful. "You don't need to tell me." I cracked a humorless smile. "I'll just let you think I'm bat-shit crazy." Braden smiled back at me. "I already know that.
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Samantha Young (On Dublin Street (On Dublin Street, #1))