Dublin Pub Quotes

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Good puzzle would be cross Dublin without passing a pub.
James Joyce (Ulysses)
Seriously though, how can I ever thank you?” “For feck’s sake woman, you own a pub!
Caimh McDonnell (Bloody Christmas (Dublin Trilogy publication order, #4.5; Dublin Trilogy chronological order, #6.5))
Come on guys,” Ellie called to us from further up the sidewalk. Elodie, Clark and the kids must have already gone inside. “What’s taking so long?” “Jocelyn was just begging for sex, but I told her it was a highly inappropriate time for it,” Braden answered loudly, causing passersby to chuckle at him. Furious at him for so many reasons, I rushed down our stoop towards them. “That’s okay, sweetheart,” I answered just as loudly. “I have a toy that does a better job of it anyway.” With that I slammed into the pub where he couldn’t hound me in front of the kids.
Samantha Young (On Dublin Street (On Dublin Street, #1))
This wasn’t a pub where you started trouble; this was a pub where trouble came for a quiet drink.
Caimh McDonnell (Last Orders (Dublin Trilogy publication order, #4; Dublin Trilogy chronological order, #8))
Two guys in an English pub, one says ‘From your accent I guess you are Irish’. Second guy says, ‘Yes, from Dublin’. ‘Me too!’ first guy says. ‘I was raised in Drimnagh, went to St. Mary’s school’. ‘Drimnagh? St. Mary’s?’ Second guy can’t believe it. ‘I graduated from St. Mary’s in 1982’. First guy slaps his forehead. ‘Faith and begorah. I graduated from St. Mary’s in 1982 also!’ Bartender says,” Jones paused for breath, “he says to himself ‘This is going to be a long night. The Murphy twins are drunk again’.
Craig Alanson (Black Ops (Expeditionary Force, #4))
Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.
Tana French (The Likeness)
One sunny day in Ireland, two men were sitting in a pub, drinking some Guinness, when one turns to the other and says "You see that man over there? He looks just like me! I think I'm gonna go over there and talk to him." So, he goes over to the man and taps him on the shoulder. "Excuse me sir," he starts, "but I noticed you look just like me!" The second man turns around and says "Yeah, I noticed the same thing, where you from?", "I'm from Dublin", second man stunned says, "Me too! What street do you live on?", "McCarthy street", second man replies, "Me too! What number is it?", the first man announces, "162", second man shocked says, "Me too! What are your parents’ names?", first man replies, "Connor and Shannon", second man awestruck says, "Mine too! This is unbelievable!"   So, they buy some more Guinness and they're talking some more when the bartenders change shifts. The new bartender comes in and goes up to the other bartender and asks "What's new today?" "Oh, the Murphy twins are drunk again.
Johnson C. Philip (Philip's Hilarious Jokes (Philip's Jokes Book 1))
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Pintman Paddy Losty. Some of Dublin's great pintmen have been known to put away thirty pints or more in a day
Kevin C. Kearns (Dublin Pub Life and Lore: An Oral History)
But Ireland isn't just landscape, but history and present society. There was famine and brutality and emptiness in the country. And the damaged underclass I was part of in the afternoon pubs was as much part of Ireland as its beauty.
Nuala O'Faolain (Are You Somebody?: The Accidental Memoir of a Dublin Woman)
And FYI, you mean astronomer not astrologer.” “Do I?” “Ye do. Astrologer is all that star sign nonsense.” “Are you sure?” “I am,” said Tara. “The fight it caused is the reason we stopped having a table quiz.” “I thought that was because of who invented the light bulb?” “No, that’s the reason we no longer have a quiz machine. The clientele of this pub take trivia knowledge far too bleedin’ seriously.
Caimh McDonnell (Bloody Christmas (Dublin Trilogy publication order, #4.5; Dublin Trilogy chronological order, #6.5))
Then a person more time to join the British Pub Hub or the Dublin Literary Pub Crawl. It falls under the SEGS, or science and engineering graduates scheme. Their degrees actually are available for immediate sale. #ukspousevisanewyork
Jack Head
From the vantage point of creating something useful (to maintaining and developing civilization), beautiful or true, Pablo Picasso’s (1881-1973) artistic philosophy involved rejecting the idea that art should create beauty and a road to transcendence. His purpose was to challenge the accepted way of doing art and so challenge all that was established, including that which is useful. In so-doing, his art created a sense of shock, confusion, and meaninglessness and contributed to anarchy.34 The novels and stories of James Joyce (1882-1941) share much of this philosophy. The Dubliners, for example, horrified audiences with its detailed depictions of depraved behaviour and these actually occurring in real (named) streets and pubs. The stories take the reader into a world of nihilism and Finnegan’s Wake simply creates a sense of ‘profound’ confusion.35 As for Arnold Schoenberg (1874-1951), he shunned musical harmony and tradition in favour of a highly-structured but incomprehensible kind of music which most people find it actively-unpleasant to listen to . . . a world in which nothing makes sense, there is no meaning, there is negativity, there is the Void.
Edward Dutton (The Genius Famine: Why We Need Geniuses, Why They're Dying Out, Why We Must Rescue Them)