Dublin Best Quotes

I want to protect you while at the same time I want to shatter you,” he murmured against my lips, “but only in the best way possible.

I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.

Jocelyn,” his voice was rough, like he was struggling to get the words out. “You’re my best friend. My everything. I love you and I want to be with you always. Marry me. I promise to try not to fuck it up if you promise to try not to fuck it up.

Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.

We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to.

Sometimes words aren't needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says 'I'm here, no matter what' and suddenly someone who was just a relative, a person you love, turns out to be one of your best friends.

Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.

He clamped a large hand down on mine as I moved to lift the diaries. I glanced up at him and he shook his head with a small smile. "It's painful to read how my stupidity hurt you at the time, but I like being inside you head. I like knowing that while I was struggling with the fact that I had fallen in love with my best friend's little sister, she loved me back more than I could ever hope to deserve.

I’m your best friend … You’ve just forgotten. My fault, I know. I can help you remember.

For once, I wished I wasn't so broken, so Rhian had a best friend who was strong and not afraid to love, to hold up as an example of what was possible. Instead, I was her excuse that she wasn't being irrational. I was her enabler.

It took my breath away, that evening. If you've ever dreamed that you walked into your best-loved book or film or TV program, then maybe you've got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you've been watching for so long, from so far away, open their circle and sweep you into it.

I love it here in Boston and I love studying medicine. But it’s not home. Dublin is home. Being back with you felt like home. I miss my best friend. I’ve met some great guys here, but I didn’t grow up with any of them playing cops and robbers in my back garden. I don’t feel like they are real friends. I haven’t kicked them in the shins, stayed up all night on Santa watch with them, hung from trees pretending to be monkeys, played hotel, or laughed my heart out as their stomachs were pumped. It’s kind of hard to beat that.

Alison’s mum has had a lot of plastic surgery and she wears fake eyelashes the size of hairbrushes. She looks sort of like a person but not really, like someone explained to aliens what a person is and they did their best to make one of their own.

And I didn't need telepathy, either. Ask any woman you're ever had a relationship with: I guarantee she knew she was second best. A placeholder, till the one you actually wanted came home.

Frank told me once--and I don't know whether he's right or not, and I didn't tell Sam this either--that all the best undercovers have a dark thread woven into them, somewhere.

The summer came to life. It burst from gray to fierce blue and gold in the blink of an eye; the air pealed with grasshoppers and lawnmowers, swirled with branches and bees and dandelion seeds, it was soft and sweet as whipped cream, and over the wall the wood was calling us in the loudest of silent voices, it was shaking out all its best treasures to welcome us home. Summer tossed out a fountain of ivy tendrils, caught us straight under the breastbones and tugged; summer, redeemed and unfurling in front of us, a million years long.

I was never afraid of getting killed and I was never afraid of losing my nerve. My kind of courage holds up best under fire; it's different dangers, more refined and insidious ones, that shake me.

He gave me a tight, triumphant smile and walked away. My anger got the best of me. “You’re an immature idiot!” “I could give a fuck, Shortcake,” he threw back at me. “And you started it.

Bartenders overhear the best stories

You can’t take credit for what you do when your back is against the wall. That’s nothing more than instinct, falling back on what you know best. I think I stayed because running seemed too strange and too complicated. All I knew was how to fall back, find a patch of solid ground, and then dig my heels in and fight to start over.

Once you’re stuck with something, all you can do is make the best of it.

You can’t take credit for what you do when your back is against the wall. That’s nothing more than instinct, falling back on what you know best.

What the hell was that out there?” he fumed at me, but was still definitely turned on, his hard-on digging into me, making my own body go to war with my head.“None of your business, that’s what it was.”“Are you fucking him?”“None of your business!”He made a low, irate sound under his breath and tugged on my arms. “Considering I want to fuck you, it is my business. And considering you definitely want to be fucked by me, I think it’s in your best interest to answer me.” - On Dublin Street

She looks sort of like a person but not really, like someone explained to aliens what a person is and they did their best to make one of their own.

Sometimes words aren’t needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says ‘I’m here, no matter what’ and suddenly someone who was just a relative, a person you love, turns out also to be one of your best friends.

Here’s one of the more disturbing things about working Murder: how little you think about the person who’s been killed. There are some who move into your mind—children, battered pensioners, girls who went clubbing in their sparkly hopeful best and ended the night in bog drains—but mostly the victim is only your starting point; the gold at the end of the rainbow is the killer.

The arses of some of the best men and women in Dublin have sat in them,’ he told her. ‘Sit yourself down there, sweetheart, and if you catch any diseases I promise to pay the vet bill myself.

Or possibly- forgive me- you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.

Where did this absurd rule come from, and why did we so meekly obey it? Under a tyrannical regime--and the Ireland of those days was a spiritual tyranny--the populace becomes so cowed that it does the state's work for it voluntarily. And as every tyrant knows, a people's own self-censorship is the kind that works best. In the 1990s, when revelations of clerical sexual abuse and the Catholic Church's cover-ups put an end to its hegemony almost overnight, my generation scratched its head and asked, in voices trembling with incredulity, 'How could we let them get away with it for so long?' But the question, of course, contained its own answer: We let them get away with it. Power is more often surrendered than seized.

He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.

Pubs have always been the heart of Irish social life, but when the smoking ban came in, a lot of people moved to drinking at home. The ban doesn't bother me, although I'm confused by the idea that you shouldn't go into a pub and do anything that might be bad for you, but the level of obedience does. To the Irish, rules always used to count as challenges—see who can come up with the best way round this one—and this sudden switch to sheep mode makes me worry that we're turning into someone else, possibly Switzerland.

It was the sheer blazing courage of it that hit me first: the passion of trust it would take, to put your future where your mouth was, no half measures, scoop up all your tomorrows and put them so deliberately, so simply, in the hands of the people you loved best.

If you’ve ever dreamed that you walked into your best-loved book or film or TV program, then maybe you’ve got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you’ve been watching for so long, from so far away, open their circle and sweep you into it.

You are a fucking hoot, Fred. I’m officially making you my new best friend. It’s quite an honoured and sought after position, I’ll have you know. So far I have a grand total of four friends in Dublin. You’ve currently just snagged yourself the top spot.” “Oh stop, Viv, I’m welling up, here,” I reply drily.

The Court, the biggest and best shopping center within walking distance of Kilda’s and Colm’s, the wrapping of every moment in the world that doesn’t have some sour-faced adult looming over it ready to pounce. The Court pulls like a towering magnet and everyone comes. Anything can happen here, in the sparkling slice of freedom between classes and teatime; your life could lift right off the ground and shimmer into something brand-new. In the dizzying white light all the faces glimmer, they mouth words and crack open in laughs you can almost catch through the cloud of sounds, and any one of them could be the heart-stopping one you’ve been waiting for;

I rent," I said. "I'm probably two paychecks from the street. It doesn't bother me." Daniel nodded, unsurprised. "Possibly you're braver than I am," he said. "Or possibly - forgive me - you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding on to, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.

He was astonished to hear that the monks never spoke, got up at two in the morning and slept in their coffins. He asked what they did it for. —That’s the rule of the order, said Aunt Kate firmly. —Yes, but why? asked Mr Browne. Aunt Kate repeated that it was the rule, that was all. Mr Browne still seemed not to understand. Freddy Malins explained to him, as best he could, that the monks were trying to make up for the sins committed by all the sinners in the outside world.

Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.

Adam took Ellie’s hand and brought it to his lips, his eyes closing as he pressed his mouth to her skin. When he opened them I saw tears shimmering there, and felt my throat close up. I watched Ellie’s breath catch as he tugged on her hand and pulled her into the kitchen with him to face Braden. All of sudden Adam looked a little sick. “I need to tell you something.” Braden crossed his arms over his chest, frowning as he took in the two of them standing close together. “Go on.” Adam closed his eyes briefly and then when he opened them I saw determination that I admired in the face of his bulldozer of a friend. “You’re like a brother. I would never do anything to hurt you. And I know I haven’t been what a brother would consider good material for his wee sister, but I love Ellie, Braden. I have for a long time now and I can’t not be with her. I’ve wasted too much time as it is.” Ellie and I held our breaths as the two best friends faced off. Braden’s eyes went to Ellie, his expression not giving anything away. God, he could be an intimidating a-hole when he wanted to be. “Do you love him?” Adam looked back at her and she squeezed his arm. With a small smile she turned to her brother. “Yes.” Braden shrugged and reached casually over to the kettle to turn it on. “About bloody time. You two were giving me a headache.” My mouth fell open along with Adam and Ellie’s. Not once the entire time we’d been dating did Braden let on that he knew what was going on with Adam and Ellie. That sneaky bastard.

He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.

BOOKS BURNED ON THE PCT The Pacific Crest Trail, Volume 1: California, Jeffrey P. Schaffer, Thomas Winnett, Ben Schifrin, and Ruby Jenkins. Fourth edition, Wilderness Press, January 1989. Staying Found: The Complete Map and Compass Handbook, June Fleming. *The Dream of a Common Language, Adrienne Rich. As I Lay Dying, William Faulkner. **The Complete Stories, Flannery O’Connor. The Novel, James Michener. A Summer Bird-Cage, Margaret Drabble. Lolita, Vladimir Nabokov. Dubliners, James Joyce. Waiting for the Barbarians, J. M. Coetzee. The Pacific Crest Trail, Volume 2: Oregon and Washington, Jeffrey P. Schaffer and Andy Selters. Fifth edition, Wilderness Press, May 1992. The Best American Essays 1991, edited by Robert Atwan and Joyce Carol Oates. The Ten Thousand Things, Maria Dermoût.

Given their relationship with the locals and their general enthusiasm level, Doherty and Byrne had been assigned to go through a bazillion hours of closed-circuit TV footage, looking for regular unexplained visitors to Glenskehy, but the cameras hadn’t been positioned with this in mind and the best they could come up with was that they were fairly sure no one had driven into or out of Glenskehy by a direct route between ten and two on the night of the murder. This made Sam start talking about the housemates again, which made Frank point out the multiple ways someone could have got to Glenskehy without being picked up on CCTV, which made Byrne get snippy about suits who swanned down from Dublin and wasted everyone’s time with pointless busywork. I got the sense that the incident room was blanketed by a dense, electric cloud of dead ends and turf wars and that nasty sinking feeling.

Possibly you're braver than I am," he said. "Or possibly--forgive me--you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.

I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]

Praise for The Witch Elm “‘I’ve always considered myself to be, basically, a lucky person.’ That’s the first line of Tana French’s extraordinary new novel. . . . Here’s a things-go-bad story Thomas Hardy could have written in his prime. . . . The book is lifted by French’s nervy, almost obsessive prose. . . . This is good work by a good writer. For the reader, what luck.” —Stephen King, The New York Times Book Review “Tana French is at her suspenseful best in The Witch Elm. . . . [Her] best and most intricately nuanced novel yet. . . . She is in a class by herself as a superb psychological novelist. . . . Get ready for the whiplash brought on by its final twists and turns.” —Janet Maslin, The New York Times “Like all of her novels, it becomes an incisive psychological portrait embedded in a mesmerizing murder mystery. [French] could make a Target run feel tense and revelatory.” —Los Angeles Times “Like all of French’s novels, The Witch Elm can be swooningly evocative. . . . Even if Toby isn’t on the Dublin Murder Squad, the events in The Witch Elm spur his great, transformative upheaval. The discovery they force on him revolves around one question: Whose story is this? By the time French is done retooling the mystery form—it seems there’s nothing she can’t make it do, no purpose she can’t make it serve—the answer is

right to use Apple Corps for their record and business holdings. Alas, this did not resolve the issue of getting the Beatles onto iTunes. For that to happen, the Beatles and EMI Music, which held the rights to most of their songs, had to negotiate their own differences over how to handle the digital rights. “The Beatles all want to be on iTunes,” Jobs later recalled, “but they and EMI are like an old married couple. They hate each other but can’t get divorced. The fact that my favorite band was the last holdout from iTunes was something I very much hoped I would live to resolve.” As it turned out, he would. Bono Bono, the lead singer of U2, deeply appreciated Apple’s marketing muscle. He was confident that his Dublin-based band was still the best in the world, but in 2004 it was trying, after almost thirty years together, to reinvigorate its image. It had produced an exciting new album with a song that the band’s lead guitarist, The Edge, declared to be “the mother of all rock tunes.” Bono knew he needed to find a way to get it some traction, so he placed a call to Jobs. “I wanted something specific from Apple,” Bono recalled. “We had a song called ‘Vertigo’ that featured an aggressive guitar riff that I knew would be contagious, but only if people were exposed to it many, many times.” He was worried that the era of promoting a song through airplay on the radio was over. So Bono visited Jobs at home in Palo Alto, walked around the garden, and made an unusual pitch. Over the years U2 had spurned

I’ll James you, you foxy-faced drippings of a cankered __, you poxy bastarding whore’s melt, I put it to myself, and thought it worth it to hit him a belt; but, when all is said and done, I was but sixteen and he was a grown man and had come through Borstal institutions, mostly, I would say, by sucking up to bullying big bollixes the likes of Dale, not by letting his backstraps down—he was too ugly for that, but maybe some of these bastards would get a bit of a drop. I was no country Paddy from the middle of the Bog of Allen to be frightened to death by a lot of Liverpool seldom-fed bastards, nor was I one of your wrap-the-green-flag-round-me junior Civil Servants that came into the IRA from the Gaelic League, and well ready to die for their country any day of the week, purity in their hearts, truth on their lips, for the glory of God and the honour of Ireland. No, be Jesus, I was from Russell Street, North Circular Road, Dublin, from the Northside where, be Jesus, the likes of Dale wouldn’t make a dinner for them, where the whole of this pack of Limeys would be scruff-hounds would be et, bet, and threw up again __et without salt. I’ll James you, you bastard. Then the smile had to fade and the joke was rejected and the gentleness refused, never a better nor my own sweet self, and it wasn’t off the stones I licked. The old fellow would beat the best of them round our way and him only my height now, though fully grown a hell of a long time. James, be Jesus, prepare to meet thy Jesus. And I just stood up, held up a bag and said, ‘Finished work,’ and the screw nodded, though I hadn’t said ‘sir’ because I hadn’t time.

I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!

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There is an expression in Ottawa that every member of Parliament believes they should be in cabinet and every member of cabinet thinks they should be prime minister. The exception is any member of Parliament from Newfoundland. They go to bed at night thinking they should be ambassador to Ireland. What a job it would be, lying around the fancy house in Dublin, representing the not very pressing interests of Canada in the land of your forefathers. The spare bedroom in the house would be filled with a steady stream of relatives and old high school buddies hell-bent on having a party and finding out where their great-grandparents are buried. The best Newfoundland musicians would be at the embassy, hobnobbing with their fiddle-playing Irish counterparts. The kitchen parties would be epic. Mother Ireland. The Emerald Isle. The Land of Saints and Scholars. She's easy on the eyes and hard on the liver.

when you find that special person, you want to be the best version of yourself. You want to demonstrate that you’re willing to change and to overcome your fears.

The original Guinness Brewery in Dublin has a 9,000-year lease on its property at a perpetual rate of 45 pounds per year--one of the best bargains in Irish commercial history!

Da laced his hand with Ma’s and looked up at me. “We’ve called off the divorce. We’re staying together.” I leapt toward them, unable to stop myself, doing my best not to trip in my gown, and hugged them tightly. “You reminded us what it means to love again,” Ma said when pulling back. It was honestly her fault I loved fairy tales since

BERNARDINE QUINN: We’re calling marriage equality ‘equality’ as if the day that there’s a bill stamped saying lesbian and gay people can get married that we’ll have full equality. Yet in Meath, there isn’t one single support service for a young lesbian or gay person to attend; there isn’t one qualified full-time youth worker to work with young LGBT people; there is absolutely zero trans services, where the trans services in Dublin are mediocre at best. There’s something about ‘marriage equality’ – that we’ll all be equal when marriage comes in, when a kid in west Kerry doesn’t even have a telephone number of a helpline that he can ring for support. This was raised by our young people to Mairead McGuinness and to Mary Lou McDonald when they were here, just to say, thinking that your work around marriage equality – that that’s not all. The allocation of finances to LGBT work in this country is tiny compared to what is given to most other services. There’s something about calling it ‘equality’. It’s another step on the ladder and it’s a hugely important step … But it isn’t all. There’s another battle after that, and that is to get services to west Donegal, to Mayo, into the Midlands, to get real, solid support in these areas so that a young LGBT person has something in every county, trained qualified people to talk to. In some areas where those services aren’t available, where there isn’t training for schools, where there’s nobody that a kid can talk to, to say that they think they’re transgender – I don’t want to sound negative – I think marriage equality is going to be fantastic for a lot of lesbian and gay people. I think if you were 14 and coming out today, your story is going to be so much more different than when I was 14. The prospects of you considering yourself what every other young person considers themselves of 14 when you think about your future and what you’re going to do: you’re going to meet the person that you love, you’re going to get married, going to have kids, going to have the house and the picket fence. That will be an option for a kid. When I came out, those dreams were put very firmly away. I was never going to get married, I was never going to have children, I was never going to make my family proud, my dad was never going to walk me up the aisle. All of those kinds of things were not even an option when I came out. As a matter of fact, there was a better chance that I was going to have to go to London, I was going to bring huge shame on my family, I probably would end up not speaking to half my siblings and my parents, having to go away and fend for myself. That was my option. I think that option has dramatically changed. People can live in their home towns easier now … Anything that makes a young person’s life easier, and gives them more opportunities, is fantastic. I think that a young person, 14, 15, only starting to discover themselves, they’ve got a whole other suite of options. They can talk about, ‘I’ll eventually marry my partner.’ I think I’m only after saying that for the first time in my life, that there will be an option to marry my partner.

The missus,” Ferguson continued, “devious wench that she is, was, in hindsight, far too keen to compromise. I expressed the firm opinion that I wanted a Labrador, for her part she wanted a poodle, and what we ended up with was Kevin. He is a Labradoodle, which I belatedly realised was what my wife wanted all along.” “Well,” said O’Rourke, “he seems nice.” “Nice. Yes, well, nice – that is exactly the problem. What I wanted was a manly hound, man’s best friend. What I got was something that looks as if it should be playing keyboard in an 80s pop band. I feel frankly ridiculous walking him about.

Dearest love, You’re like a laughing piano. You make me swim and drown, I can’t bear your beautiful presence in my mind and yet I never want you to leave, you are my Sunday best and my blue Monday. You are my biggest contradiction and you make me see for miles. All my love, Aisling Dublin

Yes. A hundred grams as the daily ration.’ He paused, considering this. ‘You can take a couple of kilos extra. No, better, I will have Jorgen get you the emergency ration from the lifeboats. That takes up less room, though it does not taste so good.’ ‘For the stews, I take as much as I think will be needed?’ ‘Yes, but choose what bulks smallest and weighs least.’ He smiled. ‘We should have pemmican, but the company does not expect us to end our journey by sledge.’ ‘Can we take coffee as well as cocoa?’ ‘Cocoa is better, and more easily made. But you can take some coffee, for special treats.’ ‘And pastes, for the biscuits?’ ‘Hunger will be the best paste. But there is Gye, in the store. It is made from Guinness – we buy it in Dublin. That will go well on biscuits, and it does not take up too much space.

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She is with DJ at the hotel,’ Ruth said. Relief made Tom shake. He had been so worried. ‘We do not have your rucksack,’ Ruth said. ‘I have to get it back. It’s important,’ Tom said. ‘You are alive. That is the most important thing.’ ‘It had my stethoscope in it. My parents gave me that. And a grey cushion. I don’t care about anything else, just those two things.’ Ruth watched raw, visceral pain twist her friend’s face. The room swelled with the unanswered questions. What happened to Tom that made him like this? A doctor, happily married, now living on the streets … She had to find a way to keep Tom inside once he left this hospital. While there was never a good time to be a rough sleeper, the current cold spell was disastrous for anyone stuck on the streets. She would not let this kind man end his days broken, bruised and perished. Ruth said, ‘I have some savings. The deposit I got back from my flat. And despite my best efforts I am unable to find a suitable flat in Dublin to rent. It’s enough for you to take a room at The Silver Sands Lodge when you get out of here.

The best compliment we ever got was that the Pogues were ‘like The Dubliners on-speed.’” Shane MacGowan

Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It’s because they’re held here so lightly: they haven’t yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger.