“
How would your life be different if...You were conscious about the food you ate, the people you surround yourself with, and the media you watch, listen to, or read? Let today be the day...You pay attention to what you feed your mind, your body, and your life. Create a nourishing environment conducive to your growth and well-being today.
”
”
Steve Maraboli (The Power Of One)
“
Forgetting who you are and where you are and if you're there. Getting lost in the thought that you might be imagining everything, you might be dreaming your life. You look at your hand in front of your face, surrounded by light, and your heart thrums as you think: I'm dreaming, I'm not even here, I don't exist. It is too fascinating, the thought that you aren't. The thought that if you watch the lake long enough you might disappear into the white flames of light on the blue, which seem to be just inches from your face. It sucks you in, and you stare, only a little afraid. And then you scream, startled, when your mother comes through the door. You crash back to earth. It's dark. It's evening. You're here and your mother is looking at you asking, What?
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Give a prayer of thanks for all you have. Work on your gratitude list. Listen to some great music. Watch the sun come up, or perhaps go for a quick walk in natural surroundings if you feel up to it.
”
”
Robin S. Sharma (The Monk Who Sold His Ferrari: A Remarkable Story About Living Your Dreams)
“
Sometimes it happens that you become one, in some rare moment. Watch the ocean, the tremendous wildness of it--and suddenly you forget your split, your schizophrenia; you relax. Or, moving in the Himalayas, seeing the virgin snow on the Himalayan peaks, suddenly a coolness surrounds you and you need not be false because there is no other human being to be false to. You fall together.
”
”
Osho (Dang Dang Doko Dang : Bhagwan Shree Rajneesh talks on zen)
“
Shigure: Perhaps I can offer some advice? ...You know, Tohru-kun, when you get anxiety about the future it's better not to think about it. And let's not wipe our faces with dishtowels... For example let's say, Tohru-kun, that you are surrounded with a mountain of laundry piled so high around your feet that you can't move. Are you with me? Now, let's assume you don't have a washing machine, so you have to wash everything individually by hand. You would be at a loss for what to do, right? You'd worry about if you could ever wash everything, if you could get it all clean, if you'd ever have time for anything but laundry ever again! The more you'd think about it, the more anxious you'd get. But the time keeps passing, and the laundry doesn't wash itself. So what do you do, Tohru-kun? It might be a good idea to start washing the laundry right at your feet. Of course it's important to think about what lies ahead, too, but if you only look at what's down the road you'll get tangled in the laundry at your feet and you'll fall, won't you? You see, it's also important to think about what you can do now, what you can do today. And if you keep washing things one at a time, you'll be done before you know it. Because fortune is looking out for you. Sometimes the anxiety will start to well up, but when it does, take a little break. Read a book, watch TV, or eat soumen with everyone. Oh my, I'm shocked! Wow! What a wonderful analogy! I really must treat myself to some soumen as a reward... Oh! I'd like some tea, too!
Kyo: Why you... You just wanted to eat soumen, didn't you?!
”
”
Natsuki Takaya (Fruits Basket, Vol. 8)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
Come on," Alec said, already stomping down the ramp. "Let's find us a squirrel." He swept the weapon back and forth as he walked, looking for any interlopers. "Or better yet, one of the crazies who might've strayed over here. Too bad these things have to be charged or we could get rid of this virus problem in a jiffy. Sweep these old neighborhoods nice and clean."
Mark joined him on the ground below the Berg, wary that someone might be watching from the ruined homes surrounding them or from the burnt woods beyond those. "Your value of human life brings tears to my eyes," he muttered.
”
”
James Dashner (The Kill Order (The Maze Runner, #0.4))
“
You can't stand clutter, and you have an obsession with orderliness. The furniture in here is centered exactly on the walls; the files on your desk are arranged in precise corners. If I had to guess, I would say you are probably a control freak, and that is usually symptomatic of a man who feels powerless to control his own life, so he tries to control every facet of his surroundings.
”
”
Judith McNaught (Someone to Watch Over Me (Paradise, #5))
“
Covering up with one of his wings, I surround myself with the scent of licorice and honey. “You want to hold me while I sleep. You want to watch my face as I dream like you never have—from the outside.”
He traces my eye markings with an elegant fingertip. “That will be my memory to cling to, until you’re mine forever at last, both in waking hours and sleep. The question is, do you trust me enough to give me that? To rest in my arms tonight?”
I hold his soft palm against my cheek. “Will you sing me my lullaby?”
He weaves his fingers through my hair and presses my forehead to his. “Forever and always,” he whispers.
As he hums the tune that has been inside my mind and heart all my life, I close the waterfall canopy, cocooning us within our own frozen pocket of time.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
If you sincerely desire a truly well-rounded education, you must study the extremists, the obscure and "nutty." You need the balance! Your poor brain is already being impregnated with middle-of-the-road crap, twenty-four hours a day, no matter what. Network TV, newspapers, radio, magazines at the supermarket... even if you never watch, read, listen, or leave your house, even if you are deaf and blind, the telepathic pressure alone of the uncountable normals surrounding you will insure that you are automatically well-grounded in consensus reality.
”
”
Ivan Stang (High Weirdness by Mail: A Directory of the Fringe-Mad Prophets, Crackpots, Kooks & True Visionaries)
“
Even though the circumstances surrounding your conception may make you wonder whether your life was just some accident, let me tell you that your life is no accident! Before you were born, before you were even conceived, God already knew you. He knew your likes and dislikes, your passions and desires. He also had in mind a specific purpose for bringing you into the world, otherwise you would not exist.
”
”
Corallie Buchanan (Watch Out! Godly Women on the Loose)
“
There are parts of a woman’s heart that are reserved for certain types of love. Experiencing the love of a father figure in an appropriate way is essential in paving the way for the love of a man to be experienced in the right way.
The love of a father is vital in ensuring that a woman’s heart is kept open in this area. If this area is not kept open, it produces problems later on in a woman’s life, for that area is also reserved for the romantic love that comes in the form of a marriage relationship.
This is an extremely sensitive area of the heart for a woman, and has plenty of opportunity to be easily bruised. When that does occur, she will put up a protective barrier to try and avoid any such pain occurring again. If this barrier isn’t dismantled fairly soon, a woman’s heart becomes accustomed to its protective barrier, and the heart shielded inside gradually becomes hardened. As women, we may be able to function like this for awhile. But there will come a time in your life where God will begin to peel away those hard layers surrounding your heart, and you probably won’t like that sensation. But you have to fight your natural instinct to run away.
This is where many Christian women may get stuck. They view every man through the lens of what their father was to them, or what he was not. Their perception of men is shaded, and often damaged, by the very people who should have been modeling the world of adult relationships to their daughters. As a result, their judgement is often clouded, and women find themselves settling for less than what they truly deserve. Many marriages, even Christian marriages, have been damaged and even terminated because one or both partners refused to sit down and deal with their past issues.
”
”
Corallie Buchanan (Watch Out! Godly Women on the Loose)
“
Have faith that you are a daughter of Heavenly Father who loves you.
Determine which of your divine gifts will allow you to be a champion for Christ.
Realize that you have been sent to Earth with a divine mission that is yours to achieve.
Let your knowledge come from the good parts of life that surround you.
Choose to set high standards and defend them.
Become a great woman by doing good. Always be on the Lord's errand.
Leave your mark. Be true in every situation--even when no one is watching.
Let your strength come from having high moral standards.
Look to Him.
Stand as His witness.
Become a keeper of what matters most.
”
”
Emily Belle Freeman (Keepers Of What Matters Most)
“
It is wearing your pajamas and watching Lord of the Rings the day before Christmas, it is sitting in your window watching the weather while sipping your favorite tea, and it is looking into the bonfire on summer solstice surrounded by your friends and family while your twistbread slowly bakes.
”
”
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
“
Do you ever feel as if everything surrounding you is in slow motion, moving through tar? There you are - and there's the world. You're outside staring in the window, observing reality happen, but you don't exist in it. You just watch, and watch. That's how I feel, like the dead butterfly staring back at you through the glass.
”
”
Kyle Labe (Butterflies Behind Glass & Other Stories)
“
Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean.
The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it.
More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary.
Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room and surround yourself with books. The characters in Orwell’s and Bradbury’s books could not do this—but we still can.
”
”
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
“
Watch your surroundings for they impact your thoughts, watch your thoughts for they become words, watch your words for they become actions, watch your actions for they become habits, watch your habits for they become your character, watch your characters for they become your destiny, we are a result of our experiences and thoughts
”
”
Anath Lee Wales
“
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up.
"All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?"
He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words:
Do not fear that which cannot be seen.
For they are lost in between.
'Tis the ones who come alive
That your blood will allow to thrive.
Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question."
His blood crawled over to the next page.
Answer, answer, you always say,
But it doesn't work that way.
In time, the truth you shall find.
And then you will understand my rhyme.
"I'm such a masochist to even try talking to you"
Underneath the words, a picture of an obscene gesture formed.
"Oh very nice, Nashira. Very nice. Wherever did you learn that?"
In your pocket I reside.
Ever privy to your deride.
But more than that, I can see.
And that includes bathroom stall graffiti
Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!"
Calm yourself, you evil troll.
My job is not to console.
But if it is privacy you seek,
Leave me in your backpack so I can't peek.
Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
The truly religious person controls nothing, represses nothing. If you are a truly religious person you try to understand, not to control. You become more meditative, you watch your anger, your sex, your greed, your jealousy, your possessiveness. You watch all these poisonous things that surround you, simply watch, try to understand what anger is, and in that very understanding you transcend. You become a witness, and in that witnessing the anger melts as if the sun has risen and the snow has started melting. Understanding
”
”
Osho (Emotional Wellness: Transforming Fear, Anger, and Jealousy into Creative Energy)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
I never knew the difference between loving someone and being in love,” he began. “I don’t know why, because now it seems so obvious. I mean, it’s in the name: in love. When you love someone that just means you care; but when you’re in love, that means you’re a part of it.” He scanned the audience and landed on Paxton and Jade holding hands in the third row. “The feeling consumes you,” he continued. “And when you’re surrounded by that want and that need to make that other person happy, you can’t see anything else. You’re blind to all of the hate and the hurt that’s waiting on the outside. None of it matters, because in here – in love – nothing hurts.” Larson watched as a drop of his own tears fell onto the surface in front of him. “I don’t care if I’m blind for the rest of my life. I loved Owen. I’m in love with him. And even though he’s gone, I’ll never leave this place we made.
”
”
Megan Duke (Small Circles)
“
I noticed how the band members watched her and how she made them smile and I realized that she was the kind of person who changed the feeling in a room, so that others suddenly feel that they are in the right place. Is that the secret of life, to surround yourself with people who are so full of passion, people who know sadness but not bitterness? I looked into her face, which was alive with excitement, and then into her eyes, which were full of all the things you can only say with your eyes.
”
”
Jonathan Hull (Losing Julia)
“
No!” She headed back to her tent. “Leave me, dragon. I never want to see you, or your family, again. Ever!”
Danelin glanced at Brastias. “Family?”
“Don’t ask.”
The dragon silently watched Annwyl’s retreating form. He began chanting and flame surrounded him. That’s when Brastias wondered if he would die this day. The flames grew, enveloping the beast, but eventually the flames died away, leaving a very large, very naked man.
With a growl, he followed after Annwyl, disappearing into the tent after her.
“So they can shape-shift then?” Danelin asked quietly.
“Seems so.”
“Should we go after him?”
Brastias looked at Danelin. It took him awhile, but he’d finally figured out what he’d just witnessed. A lover’s quarrel. Leave it to Annwyl.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes.
From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant.
The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time.
My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen.
In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
”
”
K.D. Enos
“
Anger is an energy. It really bloody is. It’s possibly the most powerful one-liner I’ve ever come up with. When I was writing the Public Image Ltd song ‘Rise’, I didn’t quite realize the emotional impact that it would have on me, or anyone who’s ever heard it since. I wrote it in an almost throwaway fashion, off the top of my head, pretty much when I was about to sing the whole song for the first time, at my then new home in Los Angeles. It’s a tough, spontaneous idea. ‘Rise’ was looking at the context of South Africa under apartheid. I’d be watching these horrendous news reports on CNN, and so lines like ‘They put a hotwire to my head, because of the things I did and said’, are a reference to the torture techniques that the apartheid government was using out there. Insufferable. You’d see these reports on TV and in the papers, and feel that this was a reality that simply couldn’t be changed. So, in the context of ‘Rise’, ‘Anger is an energy’ was an open statement, saying, ‘Don’t view anger negatively, don’t deny it – use it to be creative.’ I combined that with another refrain, ‘May the road rise with you’. When I was growing up, that was a phrase my mum and dad – and half the surrounding neighbourhood, who happened to be Irish also – used to say. ‘May the road rise, and your enemies always be behind you!’ So it’s saying, ‘There’s always hope’, and that you don’t always have to resort to violence to resolve an issue. Anger doesn’t necessarily equate directly to violence. Violence very rarely resolves anything. In South Africa, they eventually found a relatively peaceful way out. Using that supposedly negative energy called anger, it can take just one positive move to change things for the better. When I came to record the song properly, the producer and I were arguing all the time, as we always tend to do, but sometimes the arguing actually helps; it feeds in. When it was released in early 1986, ‘Rise’ then became a total anthem, in a period when the press were saying that I was finished, and there was nowhere left for me to go. Well, there was, and I went there. Anger is an energy. Unstoppable.
”
”
John Lydon (Anger is an Energy: My Life Uncensored)
“
Rape culture is 1 in 6 women being sexually assaulted in their lifetimes. Rape culture is not even talking about the reality that many women are sexually assaulted multiple times in their lives. Rape culture is the way in which the constant threat of sexual assault affects women’s daily movements. Rape culture is telling girls and women to be careful about what you wear, how you wear it, how you carry yourself, where you walk, when you walk there, with whom you walk, whom you trust, what you do, where you do it, with whom you do it, what you drink, how much you drink, whether you make eye contact, if you’re alone, if you’re with a stranger, if you’re in a group, if you’re in a group of strangers, if it’s dark, if the area is unfamiliar, if you’re carrying something, how you carry it, what kind of shoes you’re wearing in case you have to run, what kind of purse you carry, what jewelry you wear, what time it is, what street it is, what environment it is, how many people you sleep with, what kind of people you sleep with, who your friends are, to whom you give your number, who’s around when the delivery guy comes, to get an apartment where you can see who’s at the door before they can see you, to check before you open the door to the delivery guy, to own a dog or a dog-sound-making machine, to get a roommate, to take self-defense, to always be alert always pay attention always watch your back always be aware of your surroundings and never let your guard down for a moment lest you be sexually assaulted and if you are and didn’t follow all the rules it’s your fault.
”
”
Melissa McEwen
“
Gregory?” I called. I couldn’t help myself. It was irrational, but I was scared to see him run from me. He turned my direction, his feet pivoting in the dirt. Warily, I crossed into the light for a moment.
“Do you, um…” I inhaled deeply. “Do you think you’ll still want to be my friend tomorrow?” I held my breath and waited for his answer.
Although I could feel the sunshine perceptibly tingle every inch of exposed skin, the way Gregory smiled at me produced a swell of warmth unmatchable even for the sun.
“I’ll always want to be your friend, Annabelle. Do you want to be mine?”
My head nodded like mad, ecstatic, all on its own. I disappeared among the shadows again and watched my new friend until he stepped around the Hopkins’ house. Then I waited until his car drove off -- Gregory and his mother headed for home.
I was on a high like no other, but I’d not lost my grasp on reality entirely. I knew that the real test would come Monday. It was one thing to befriend an outcast in the privacy of the woods, but quite another to risk ridicule and reputation when surrounded by peers. This was true even for those with the biggest of hearts, which I now believed Gregory Hill to have.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
How I love to hear the rich and titled, the magistrates and the priests, how I love to watch them preach virtue to us! It is very hard to keep oneself from stealing when one has three times more than one to live! A great strain to never think of murder when one is surrounded by sycophants and slaves for whom your will is law! Truly difficult to be temperate and sober when one is at all times surrounded by the most succulent dishes! So difficult for them to be sincere when they have no reason to lie!
”
”
Marquis de Sade (Justine, or The Misfortunes of Virtue)
“
What do you always think about? What do you think you can do easily? What do you find peace in your heart to do? Watch those things carefully because among them is something on which you can turn the entire environment surrounding you for your success.
”
”
Israelmore Ayivor (Dream big!: See your bigger picture!)
“
I felt a warm hand touch mine.
“Are you okay?”
“If you mean am I injured, then the answer is no. If you mean am I ‘okay’ as in am-I-confident-I’m-still-sane, the answer is still no.”
Ren frowned. “We have to find a way to get across the chasm.”
“You’re certainly welcome to give it a try.” I waved him off and went back to drinking my water.
He moved to the edge and peered across, looking speculatively at the distance. Changing back to a tiger, he trotted a few paces back in the direction we had come from, turned, and ran at full speed toward the hole.
“Ren, no!” I screamed.
He leapt, clearing the hole easily, and landed lightly on his front paws. Then he trotted a short distance away and did the same thing to come back. He landed at my feet and changed back to human form.
“Kells, I have an idea.”
“Oh, this I’ve got to hear. I just hope you don’t plan on including me in this scheme of yours. Ah. Let me guess. I know. You want to tie a rope to your tail, leap across, tie it off, and then have me pull my body across the rope, right?”
He cocked his head as if considering it, and then shook his head. “No, you don’t have the strength to do something like that. Plus, we have no rope and nothing to tie a rope to.”
“Right. So what’s the plan?”
He held my hands and explained. “What I’m proposing will be much easier. Do you trust me?”
I was going to be sick. “I trust you. It’s just-“ I looked into his concerned blue eyes and sighed. “Okay, what do I have to do?”
“You saw that I was able to clear the gap pretty well as a tiger, right? So what I need you to do is to stand right at the edge and wait for me. I’ll run to the end of the tunnel, build up speed, and leap as a tiger. At the same time, I want you to jump up and grab me around my neck. I’ll change to a man in midair so that I can hold onto you, and we’ll fall together to the other side.”
I snorted noisily and laughed. “You’re kidding, right?”
He ignored my skepticism. “We’ll have to time it precisely, and you’ll have to jump too, in the same direction, because if you don’t, I’ll just hit you full power and drive us both over the edge.”
“You’re serious? You seriously want me to do this?”
“Yes, I’m serious. Now stand here while I make a few practice runs.”
“Can’t we just find another corridor or something?”
“There aren’t any. This is the right way.”
Reluctantly, I stood near the edge and watched him leap back and forth a few times. Observing the rhythm of his running and jumping, I began to grasp the idea of what he wanted me to do. All too quickly Ren was back in front of me again.
“I can’t believe you’ve talked me into doing this. Are you sure?” I asked.
“Yes, I’m sure. Are you ready?”
“No! Give me a minute to mentally write a last will and testament.”
“Kells, it’ll be fine.”
“Sure it will. Alright, let me take in my surroundings. I want to make sure I can record every minute of this experience in my journal. Of course, that’s probably a moot point because I’m assuming that I’m going to die in the jump anyway.”
Ren put his hand on my cheek, looked in my eyes, and said fiercely, “Kelsey, trust me. I will not let you fall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Look. I know this type of woman. I grew up surrounded by a passel of them just like her. My mother. My sister. Surely you realize she’ll expect more than you’re willing to give. She’s all about babies and doilies and serving up little tea cakes. Letting you have your way with her and then watching you ride off into the sunset ain’t part of her plan.
”
”
Cindy Nord (No Greater Glory (The Cutteridge Family, #1))
“
Upstairs,” I say again.
And once again he shoots that down. “Here,” he whispers against my breasts.
I slide my fingers through his short hair and tug his head up. “Why are you so allergic to your bedroom?” I demand. Hannah told me that Dean rarely has sex up there, and now I’m even more curious to know why.
“I’d rather fool around down here,” is the vague reply.
“Why?” I press.
I instantly regret asking, because Dean’s eyes go heavy-lidded and his voice lowers to a sexy, molten rasp. “Because I like the idea of getting caught.”
My mouth falls open in amazement, but he’s not finished.
“And once I get caught…” The grin he gives me is downright filthy. “…I like being watched.”
Then he kisses me again, and my surroundings fade away until all I can see, all I can feel, is him.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.
Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
”
”
E.L. Doctorow (City of God)
“
I guess you’ll just have to get used to having a police car outside the grocery store, the gym, and wherever it is you go for lunch with your friends,” Jack lectured. “And this goes without saying: you need to be careful. The police surveillance is a precautionary measure, but they can’t be everywhere. You should stick to familiar surroundings, and be vigilant and alert at all times.”
“I got it. No walking through dark alleys while talking on my cell phone, no running at night with my iPod, no checking out suspicious noises in the basement.”
“I seriously hope you’re not doing any of those things anyway.”
“Of course not.”
Jack pinned her with his gaze.
She shifted against the counter. “Okay, maybe, sometimes, I’ve been known to listen to a Black Eyed Peas song or two while running at night. They get me moving after a long day at work.”
Jack seemed wholly unimpressed with this excuse. “Well, you and the Peas better get used to running indoors on a treadmill.”
Conscious of Wilkins’s presence, and the fact that he was watching her and Jack with what appeared to be amusement, Cameron bit back her retort.
Thirty thousand hotel rooms in the city of Chicago and she picked the one that would lead her back to him.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all.
I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.”
She paused, looking—surprised.
I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty.
Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat.
“Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being.
A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.”
“Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled.
“I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.”
“Mercedes,” Adam thundered, surging to his feet.
I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills.
He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
”
”
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
“
People in groups are like sheep. Like, when your very best friend is surrounded by other people, she cares more about what everybody else thinks that she cares about you. The more people there are, the more they act like animals.
"That doesn't make sense."
"Sure it does. Have you ever heard of two guys getting in a fistfight when there's nobody around to watch? It never happens. It takes a crowd to bring out the beast. You can't trust anybody when you're not alone with them. Anybody. You have to know the boundaries.
”
”
Pete Hautman (What Boys Really Want)
“
It takes great strength to be vulnerable enough to put your ass on the line, in public, and work toward a dream that feels like it’s slipping away. We all have eyeballs on us. Our family and friends are watching, and even if you’re surrounded by positive people, they will have ideas about who you are, what you’re good at, and how you should focus your energy. That shit is just human nature, and if you try to break out of their box you’ll get some unsolicited advice that has a way of smothering your aspirations if you let
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps.
Come to me, he beseeched them.
They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes.
“Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.”
“I can.” Sean’s gaze could cut through shadows as easily as a knife through butter.
Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers.
He was becoming desperate for more.
That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her.
Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit.
At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again.
Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that.
“I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.”
“Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.”
“Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.”
“Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.”
“First, you’re welcome. Second, I lied.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
No matter what you are attempting to achieve, it will not happen without sacrifice, hard work, a positive environment, a positive mental attitude, passion, determination, meditation, introspection, prayer and vision. Never use to word try, just do what you need to do to get to the next step. Don't make excuses, don't blame others, don't blame your circumstances. Take personal responsibility, surround yourself with good people and let go of anything or anyone who tries to stop you from doing what you need to do to become the best you! Watch for distractions because they are everywhere. I wish for the best for you and yours!
”
”
Arik Hoover
“
They met in Jobs’s conference room, where Gates found himself surrounded by ten Apple employees who were eager to watch their boss assail him. Jobs didn’t disappoint his troops. “You’re ripping us off!” he shouted. “I trusted you, and now you’re stealing from us!” Hertzfeld recalled that Gates just sat there coolly, looking Steve in the eye, before hurling back, in his squeaky voice, what became a classic zinger. “Well, Steve, I think there’s more than one way of looking at it. I think it’s more like we both had this rich neighbor named Xerox and I broke into his house to steal the TV set and found out that you had already stolen it.
”
”
Walter Isaacson (Steve Jobs)
“
Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set.
As I left the arena, people looked at me with mocking eyes.
Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.
”
”
Malak El Halabi
“
Do I get to come in?” he asked.
She shrugged and stood aside. “I’m just packing.”
“Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.”
“Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!”
“It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.”
“I didn’t need watching!”
“You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile.
She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked.
“To your stepfather?” he drawled.
That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?”
He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.”
“Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.”
“And you don’t know why?” he asked curtly, letting her go.
She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.”
He chuckled. “How do you see through me so easily? Even my mother can’t do that.”
If he thought about it, he’d know, she thought miserably.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
We warily sipped ‘fresh’ buffalo milk in a Krishna temple. We travelled into the Himalayas until, at a height of two kilometres above sea level where we found ourselves surrounded by men as hard and tough as the mountains that bred them. We negotiated a price of 100 rupees for one of these men to carry our two heaviest bags the 15-minute walk to the hotel with nothing more than rope and a forehead strap. I paid him 300 rupees and his face lit up! We watched the morning mist clear to reveal views of the green Doon Valley and the distant white-capped Himalayan peaks. We rode an elephant up to the Amber Fort of Jaipur, and the next day we painted, washed and fed unpeeled bananas to another elephant, marvelling at her gentle nature as we placed the bananas on her huge bubble-gum coloured tongue.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
By now, certain alternate theories are beginning to circulate online. It's the government, they say. Or it's Big Pharma. Some kind of germ must have gotten loose from a lab at the college.
Think about it, they say: Do you really believe that a completely new virus could show up in the most powerful country on earth without scientists knowing exactly what it is? They probably engineered it themselves. They might be spreading this thing on purpose, testing out a biological weapon. They might be withholding the cure.
Or maybe there's no sickness at all—that's what some have begun posting online. Isn't Santa Lora the perfect location for a hoax? An isolated town, surrounded by forest, only one road in and one road out. And those people you see on TV? Those could be hired victims. Those could be crisis actors paid to play their parts. And the supposedly sick? Come on, how hard is it to pretend you're asleep?
Maybe, a few begin to say, Santa Lora is not even a real town. Has anyone ever heard of this place? And look it up: there's no such saint as Santa Lora. It's made-up. The whole damn place is probably just a set on some back lot in Culver City. Don't those houses look a little too quaint?
Don't be naïve, say others—they don't need a set. All that footage is probably just streaming out of some editing room in the valley. If you look closely, you can tell that some of those houses repeat.
Now just ask yourself, they say, who stands to benefit from all this. It always comes back to money, right? The medical-industrial complex. And who do you think pays the salaries of these so-called journalists reporting all this fake news? Just watch: in a few months, Big Pharma will be selling the vaccine.
”
”
Karen Thompson Walker (The Dreamers)
“
That awkward moment when you realize you’ve lived your entire life inside of a picture.” ~Peregrine Storke~ It was raining when my mother pulled up to the simple two-level brick home. Drops of water pounded on the roof of her beat up red Toyota, the sound both ominous and comfortable, before tunneling down her windows in rivers and tiny tributaries. The damp infiltrated the interior, soaking my skin despite the vehicle surrounding us. Rain was never simple this time of year in Louisiana. It always came followed by lightning, thunder, and a myriad of warnings. Leaves blew against the windshield, still full and green from summer, and I watched as one of them stuck against the glass, the leaf’s veins prominent. I wanted to sketch the way it looked now, alone and surrounded by tears, but there was no time. “Don’t forget to call me when you get there,” Mom murmured. Her knuckles were white against the steering wheel, her lips pinched. She wouldn’t cry. Mom seldom cried, she
”
”
R.K. Ryals (The Story of Awkward)
“
Dear Sir, poor sir, brave sir:” he read, “You are an experiment by the Creator of the Universe. You are the only creature in the entire Universe who has free will. You are the only one who has to figure out what to do next—and why. Everybody else is a robot, a machine. “Some persons seem to like you, and others seem to hate you, and you must wonder why. They are simply liking machines and hating machines. “You are pooped and demoralized,” read Dwayne. “Why wouldn’t you be? Of course it is exhausting, having to reason all the time in a universe which wasn’t meant to be reasonable.” 23 DWAYNE HOOVER read on: “You are surrounded by loving machines, hating machines, greedy machines, unselfish machines, brave machines, cowardly machines, truthful machines, lying machines, funny machines, solemn machines,” he read. “Their only purpose is to stir you up in every conceivable way, so the Creator of the Universe can watch your reactions. They can no more feel or reason than grandfather clocks.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home.
But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world.
He said, “This is not a sitting room.”
“Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.”
His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.”
Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown.
“Wait,” he said. “What are the stakes?”
She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.”
But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them.
“Hmm,” he said, and they each put in their ante.
Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage.
“How do you know?” she said.
“How do I know what?”
“That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her.
She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated.
Kestrel realized that Arin had been waiting to answer her question. He was watching her.
“I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.”
“Well,” said Kestrel, uncomfortable, “it is no longer what it was.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The table is in the presence of the enemies because God wants you to know that you'll always have enough for every moment, every struggle. He'll sustain you in every dark night. And God wants the enemies to watch you shine. Why? Because in time they will stop gawking at you and turn their attention to the One who has the ability to keep your face beaming (Romans 14:11; Philippians 2:10-11).
Lastly, the table is in the presence of your enemies so they can hear your song. With your eyes locked on Jesus, your worship will be uninterrupted. And your worship will become your weapon. Not only will God be exalted, but chains will break as you fight with this declaration: It may look like I'm surrounded, but I'm surrounded by You, Jesus. Everything shifts when you exchange a teacup-sized knowledge of God for an oceanic understanding of who He is.
It will be hard for the Enemy to crowd in on your newfound relationshipw with God. How do you win the battle for your mind? Keep your mind on Christ. Period. There's no way the Enemy will get a seat at your table.
”
”
Louie Giglio (Don't Give the Enemy a Seat at Your Table: It's Time to Win the Battle of Your Mind...)
“
Westley watched it all. He stood silently at the edge of the Fire Swamp. It was darker now, but the flame spurts behind him outlined his face. He was glazed with fatigue. He had been bitten, cut, gone without rest, had assaulted the Cliffs of Insanity, had saved and taken lives. He had risked his world, and now it was walking away from him, hand in hand with a ruffian prince.
Then Buttercup was gone, out of sight.
Westley took a breath. He was aware of the score of soldiers starting to surround him, and probably he could have made a few of them perspire for their victory.
But for what point?
Westley sagged.
"Come, sir." Count Rugen approached. "We must get you safely to your ship."
"We are both men of action," Westley replied. "Lies do not become us."
"Well spoken," said the Count, and with one sudden swing, he clubbed Westley into insensitivity.
Westley fell like a beaten stone, his last conscious thought being of the Count's right hand; it was six-fingered, and Westley could never quite remember having encountered that deformity before. . . .
”
”
William Goldman (The Princess Bride)
“
The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play.
The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied.
When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding.
The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.”
He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood.
“Her name is Threnody,” he said. “And she has come to make you free.
”
”
Chris Lester (Whispers in the Wood (Metamor City, #6))
“
A storm in Scotland was like nothing she'd ever experienced in London. Here, the elements felt alive, sentient. This storm was a raging monster that had grown in fury since yesterday.
Sometimes, she thought Scotland was more than a country, more than a rough and magnificent land with a border created by men, written on a map, and defended for hundreds of years. Scotland was almost a living creature that could turn and bite your hand if you didn't speak about it in fond and loving tones.
When she walked the hills and glens surrounding Drumvagen, she sometimes felt like she was being watched. Not by living inhabitants, but those who'd gone before, proud men and women who hated the English and now hovered over their land to protest her appearance.
For all her imagination, she didn't believe in the hundreds of folktales Brianag told the children. The trees weren't alive; they were simply trees. Brownies didn't do chores for obedient children. Sea creatures in the shape of horses didn't bedevil the coast.
Yet something about this storm was otherworldly, as if God were punishing them.
”
”
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
“
The air grew colder and thinner as they rode through the mountain passes. The sun was high and bright, but Martise wrapped her shawl tightly around her and pressed against Silhara’s back. Gnat kept a steady pace, breathing harder in the thin air. Unlike him, the mountain ponies suffered no effects from the rising elevation and clipped ahead at a swift pace. Patches of snow spilled from embankments onto the rutted paths. A brisk wind moaned a soft dirge as it whipped through the towering evergreens cloaking the mountainside.
Silhara called a sudden halt. Martise peered around his arm, expecting to see some obstacle in their path. The way was clear, with only the Kurmans watching them curiously.
“What’s wrong?”
“You’re quaking hard enough to make my teeth rattle.” He moved his leg back and untied one of the packs strapped to the saddle. “Get down.”
She slid off Gnat’s back. Silhara followed and pulled one of their blankets from the packet. “Here. Wrap this around you.” She had only pulled the blanket over her shoulders when he picked her up and tossed her onto Gnat’s back once more, this time in the front of the flat saddle. She clutched the horse’s mane with one hand and held on to her blanket with the other. Silhara vaulted up behind her, scooted her back against him and took up the reins.
“Better,” he said and whistled to the waiting Kurmans he was ready. Martise couldn’t agree more. The blanket’s warmth and Silhara’s body heat soaked through her clothing and into her bones. She leaned into his chest. “This is nice.”
An amused rumble vibrated near her ear. “So glad you approve.” His hand slipped under the blanket, wandered over her belly and cupped her breast. Martise sucked in a breath as his fingers teased her nipple through her shawl and tunic. The heat surrounding her turned scorching. “I agree,” he murmured in her ear. “This is nice.”
He stopped his teasing when she squirmed hard enough in the saddle to nearly unseat them both, but left his hand on her breast, content to just hold her. Martise was ready to toss off the blanket and her shawl. Silhara’s touch had left her with a throbbing ache between her thighs. She smiled a little at the feel of him hard against her back. She wasn’t the only one affected by his teasing.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.'
I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them.
'Elain said- said you went to visit me, though. That you tried.'
Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.'
My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.'
'I got to the wall. I couldn't find a way through.'
I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?'
She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.'
'You did that- for me?'
Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me.
...
I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Meeting the Prince of Wales
I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too.
‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place.
Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
Unchopping a Tree.
Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work.
It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that.
Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground.
At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
”
”
W.S. Merwin
“
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years.
I would never have to see those jerks again.
And today was going to be a good day, damn it.
So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?”
Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?”
I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.”
“Uh-huh.”
I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?”
The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?”
I wrinkled my nose at her. “It sounded like a good number.”
The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?”
“That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.”
“Still. How about… none?”
I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.”
My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.”
I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.”
That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly.
“Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it.
She had a point there.
She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.”
I rolled my eyes, still chewing. “Bish.”
“Bish.
”
”
Mariana Zapata (Luna and the Lie)
“
Sovereign King of Detachment and Renunciation, Emperor of Death and Shipwreck, living dream that gradually wanders among the worlds ruins and wastes!
Sovereign King of Despair amid splendours, grieving lord of palaces that don't satisfy, master of processions and pageants that never succeed in blotting out life!
Sovereign King risen from the tombs, who came in the night by the light of the moon to tell your life to the living, royal page of lilies that have lost their petals, imperial herald of the coldness of ivory!
Sovereign King Shepard of the Watches, knight errant of Anxieties traveling on moonlit roads without glory and without even a lady to serve, lord in the forest and on the slopes, a silent silhouette with visor drawn shut, passing through valleys, misunderstood in villages, ridiculed in towns, scorned in the cities!
Sovereign King consecrated by Death to be her own, pale and absurd, forgotten and unrecognized, reigning amid worn-out velvets and tarnished marble on his throne at the limits of the Possible, surrounded by the shadows of his unreal court and guarded by the fantasy of his mysterious, solidierless army. (...)
Your love for things dreamed was your contempt for things lived.
Virgin King who disdained love,
Shadow King who disdained light,
Dream King who denied life!
Amid the muffled racket of cymbals and drums, Darkness acclaims you Emperor!
”
”
Fernando Pessoa
“
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear.
"They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green.
"Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine."
He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
And for the first time she has a feeling: too late, toil has exhausted her youth, the war has taken it away. Something must have snapped inside her, and men seem to sense it, for she isn't really being pursued by any of them, even though her delicate blond profile has an aristocratic look among the coarse faces, round and red like apples, of the village girls. But these postwar seventeen-and eighteen-year-old aren't waiting quietly and patiently, waiting for someone to want them and take them.
They're demanding pleasure as their right, demanding it as impetuously a though it's not just their own young lives that they're living but the lives of the hundred thousand dead and buried too. With a kind of horror, Christine now twenty six watches how they act, these newcomers, these young ones, sees their self-assurance and covetousness, their knowing and impudent eyes, the provocation in their hips, how unmistakably they laugh on matter how boldly the boys embrace them and how shamelessly they take the men off into the woods_she sees them on her way home. It disgusts her, Surrounded by this coarse and lustful postwar generation she feels ancient, tired, useless and overwhelmed, unwilling and unable to compete.
No more struggling, no more striving, that's the main thing! Breathe calmly, daydream quietly, do your work, water the flowers in the window, ask not, want not,. No more asking for anything, nothing new, nothing exciting. The war stole her decade of youth.
She has no courage, no strength left even for happiness.
”
”
Stefan Zweig (The Post-Office Girl)
“
Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers.
“What is there between you and Llandrindon?” he demanded.
“Nothing. Only friendship. On my side, that is.”
“And on his side?”
“I suspect— well, he seemed to indicate that he would not be averse to— you know.”
“Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.”
“If you’re trying to imply that I’ve been acting like some femme fatale—”
“Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…”
“Provocative dresses?” Daisy asked in bemusement.
“Like that one.”
Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.”
“You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?”
A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.”
Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support.
“Are you angry?” she asked apprehensively.
His voice sounded odd and ragged. “Ten percent of me is angry.”
“What about the other ninety percent?”
“That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.”
Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.”
“Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
To the Po'lice
In case you are
wondering
the answer is yes:
you have hurt us. Deeply.
Just as you
intended:
you and those
who sent you.
You do know by now
that you do not send
yourself?
I imagine your Designers
sitting back
in the shadows
laughing
as we weep.
Though usually devoid of feeling,
they are experiencing a sensation
they almost enjoy:
they get to witness, by twisted
enchantment, dozens
of strong black mothers
weeping.
They planned
and nurtured
your hatred and fear
and focused the kill shot.
Then watched you
try to explain
your innocence on TV.
It is entertainment for
them. They chuckle and drink
Watching you squirm.
They have tied you up
in a bag of confusion
from which you
will never escape.
It’s true you are white, but you are so fucking poor,
and dumb, to boot, they say.
A consideration that turns
them pink
with glee.
(They have so many uses planned
for the poor, white, and dumb: you would be
amazed).
You and the weeping mothers
have more in common than you might think:
the mothers know this.
They have known you
far longer
than you have known them. After centuries,
even those in the shadows, your masters,
offer little mystery.
If you could
find your true courage
you might risk everything
to sit within a circle, surrounded
by these women. Their eyes red
from weeping, their throats raw.
(They might strike you too, who could swear
they wouldn’t?)
Their sons are dead
and it was you
who did the deed.
Scary enough.
But within that enclosure
Naked to their grief
Is where you must center
If you are ever
To be freed.
”
”
Alice Walker (Taking the Arrow Out of the Heart)
“
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?"
"Of course not. That's what I have you for."
Her private lackey to jump at her commands. He was already regretting this.
"Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys."
"I wouldn't know."
She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well."
A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme."
Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..."
"Honest?" he prodded.
"Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly."
He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations.
"I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this."
She frowned. "Must you make it sound so sordid?"
He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid."
"Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself."
"There isn't enough money in all the world for that."
Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show.
She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable."
He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum."
"Thank you." She thrust out her hand. "Shall we shake on it?"
The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview.
He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin.
But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens.
Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something."
He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly.
I felt an urge to run, as well as a magnet to reach the group of people surrounding you.
I wanted to be wearing white.
I wanted to be walking down an isle with flowers and for this to be a different ceremony.
I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you.
I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite.
I'm not ready to know this is definite.
I watched your chest, in a white linen shirt last night wishing for your chest to rise.
But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty.
The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome.
I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play.
That was a gift, thank you.
Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle.
I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there.
I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy.
I love you.
”
”
Janne Robinson
“
November 7 THE UNDETECTED SACREDNESS OF CIRCUMSTANCES “We know that all things work together for good to those who love God . . . .” Romans 8:28 The circumstances of a saint’s life are ordained of God. In the life of a saint there is no such thing as chance. God by His providence brings you into circumstances that you can’t understand at all, but the Spirit of God understands. God brings you to places, among people, and into certain conditions to accomplish a definite purpose through the intercession of the Spirit in you. Never put yourself in front of your circumstances and say, “I’m going to be my own providence here; I will watch this closely, or protect myself from that.” All your circumstances are in the hand of God, and therefore you don’t ever have to think they are unnatural or unique. Your part in intercessory prayer is not to agonize over how to intercede, but to use the everyday circumstances and people God puts around you by His providence to bring them before His throne, and to allow the Spirit in you the opportunity to intercede for them. In this way God is going to touch the whole world with His saints. Am I making the Holy Spirit’s work difficult by being vague and unsure, or by trying to do His work for Him? I must do the human side of intercession—utilizing the circumstances in which I find myself and the people who surround me. I must keep my conscious life as a sacred place for the Holy Spirit. Then as I lift different ones to God through prayer, the Holy Spirit intercedes for them. Your intercessions can never be mine, and my intercessions can never be yours, “. . . but the Spirit Himself makes intercession” in each of our lives (Romans 8:26). And without that intercession, the lives of others would be left in poverty and in ruin.
”
”
Oswald Chambers (My Utmost for His Highest)
“
Let me put the contrast in a single concrete example. The physician who finds time to give personal attention to his patients and listens to them. carefully probing inner conditions that may be more significant than any laboratory reports, has become a rarity. Where the power complex is dominant, a visit to a physician is paced, not to fit the patient's needs, but mainly to perform the succession of physical tests upon which the diagnosis will be based. Yet if there were a sufficient number of competent physicians on hand whose inner resources were as available as their laboratory aids, a more subtle diagnosis might be possible, and the patient's subjective response might in many cases effectively supplement the treatment. Thoreau expressed this to perfection when he observed in his 'Journal' that "the really efficient laborer will be found not to crowd his day with work, but will saunter to his task surrounded by a wide halo of ease and leisure."
Without this slowing of the tempo of all activities the positive advantages of plenitude could not be sufficiently enjoyed; for the congestion of time is as threatening to the good life as the congestion of space or people, and produces stresses and tensions that equally undermine human relations. The inner stability that such a slowdown brings about is essential to the highest uses of the mind, through opening up that second life which one lives in reflection and contemplation and self-scrutiny. The means to escape from the "noisy crowing up of things and whatsoever wars on the divine" was one of the vital offerings of the classic religions: hence their emphasis was not on technological productivity but on personal poise. The old slogan of New York subway guards in handling a crush of passengers applies with even greater force to the tempo of megatechnic society: "What's your hurry...Watch your step!
”
”
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
“
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them.
Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’
Lockie squeezed Tina’s hand.
‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’
She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down.
‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’
Lockie smiled.The man jerked upright and dropped the garden fork.
‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’
‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her.
‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway.
‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’
The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man.
‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’
At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’
Say it, Tina begged the man silently. Please, please, just say it.
‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
”
”
Nicole Trope (The Boy Under the Table)
“
timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,
”
”
Blake Crouch (Recursion)
“
As humans we spend our time seeking big, meaningful experiences. So the afterlife may surprise you when your body wears out. We expand back into what we really are—which is, by Earth standards, enormous. We stand ten thousand kilometers tall in each of nine dimensions and live with others like us in a celestial commune. When we reawaken in these, our true bodies, we immediately begin to notice that our gargantuan colleagues suffer a deep sense of angst. Our job is the maintenance and upholding of the cosmos. Universal collapse is imminent, and we engineer wormholes to act as structural support. We labor relentlessly on the edge of cosmic disaster. If we don’t execute our jobs flawlessly, the universe will re-collapse. Ours is complex, intricate, and important work. After three centuries of this toil, we have the option to take a vacation. We all choose the same destination: we project ourselves into lower-dimensional creatures. We project ourselves into the tiny, delicate, three-dimensional bodies that we call humans, and we are born onto the resort we call Earth. The idea, on such vacations, is to capture small experiences. On the Earth, we care only about our immediate surroundings. We watch comedy movies. We drink alcohol and enjoy music. We form relationships, fight, break up, and start again. When we’re in a human body, we don’t care about universal collapse—instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair. Those are good vacations that we take on Earth, replete with our little dramas and fusses. The mental relaxation is unspeakably precious to us. And when we’re forced to leave by the wearing out of those delicate little bodies, it is not uncommon to see us lying prostrate in the breeze of the solar winds, tools in hand, looking out into the cosmos, wet-eyed, searching for meaninglessness.
”
”
David Eagleman (Sum: Forty Tales from the Afterlives)
“
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
”
”
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
“
We said that if you don't quench those flames at once, they will spread all over the world; you thought we were maniacs. At present we have the mania of trying to tell you about the killing, by hot steam, mass-electrocution and live burial of the total Jewish population of Europe. So far three million have died.
It is the greatest mass-killing in recorded history; and it goes on daily, hourly, as regularly as the ticking of your watch. I have photographs before me on the desk while I am writing this, and that accounts for my emotion and bitterness. People died to smuggle them out of Poland; they thought it was worth while.
The facts have been published in pamphlets, White Books, newspapers, magazines and what not. But the other day I met one of the best-known American journalists over here. He told me that in the course of some recent public opinion survey nine out of ten average American citizens, when asked whether they believed that the Nazis commit atrocities, answered that it was all propaganda lies, and that they didn't believe a word of it.
As to this country, I have been lecturing now for three years to the troops and their attitude is the same. They don't believe in concentration camps, they don't believe in the starved children of Greece, in the shot hostages of France, in the mass-graves of Poland; they have never heard of Lidice, Treblinka or Belzec; you can convince them for an hour, then they shake themselves, their mental self-defence begins to work and in a week the shrug of incredulity has returned like a reflex temporarily weakened by a shock.
Clearly all this is becoming a mania with me and my like. Clearly we must suffer from some morbid obsession, whereas the others are healthy and normal. But the characteristic symptom of maniacs is that they lose contact with reality and live in a phantasy world. So, perhaps, it is the other way round: perhaps it is we, the screamers, who react in a sound and healthy way to the reality which surrounds us, whereas you are the neurotics who totter about in a screened phantasy world because you lack the faculty to face the facts. Were it not so, this war would have been avoided, and those murdered within sight of your day-dreaming eyes would still be alive.
”
”
Arthur Koestler
“
The ten rules of ikigai We’ll conclude this journey with ten rules we’ve distilled from the wisdom of the long-living residents of Ogimi: Stay active; don’t retire. Those who give up the things they love doing and do well lose their purpose in life. That’s why it’s so important to keep doing things of value, making progress, bringing beauty or utility to others, helping out, and shaping the world around you, even after your “official” professional activity has ended. Take it slow. Being in a hurry is inversely proportional to quality of life. As the old saying goes, “Walk slowly and you’ll go far.” When we leave urgency behind, life and time take on new meaning. Don’t fill your stomach. Less is more when it comes to eating for long life, too. According to the 80 percent rule, in order to stay healthier longer, we should eat a little less than our hunger demands instead of stuffing ourselves. Surround yourself with good friends. Friends are the best medicine, there for confiding worries over a good chat, sharing stories that brighten your day, getting advice, having fun, dreaming . . . in other words, living. Get in shape for your next birthday. Water moves; it is at its best when it flows fresh and doesn’t stagnate. The body you move through life in needs a bit of daily maintenance to keep it running for a long time. Plus, exercise releases hormones that make us feel happy. Smile. A cheerful attitude is not only relaxing—it also helps make friends. It’s good to recognize the things that aren’t so great, but we should never forget what a privilege it is to be in the here and now in a world so full of possibilities. Reconnect with nature. Though most people live in cities these days, human beings are made to be part of the natural world. We should return to it often to recharge our batteries. Give thanks. To your ancestors, to nature, which provides you with the air you breathe and the food you eat, to your friends and family, to everything that brightens your days and makes you feel lucky to be alive. Spend a moment every day giving thanks, and you’ll watch your stockpile of happiness grow. Live in the moment. Stop regretting the past and fearing the future. Today is all you have. Make the most of it. Make it worth remembering. Follow your ikigai. There is a passion inside you, a unique talent that gives meaning to your days and drives you to share the best of yourself until the very end. If you don’t know what your ikigai is yet, as Viktor Frankl says, your mission is to discover it.
”
”
Héctor García (Ikigai: The Japanese Secret to a Long and Happy Life)
“
A man surrounded by genetic damage cannot help but mimic it with his own behavior,” Zoe says. “Matthew, David wants to set up a meeting with your supervisor to discuss one of the serum developments. Last time Alan completely forgot about it, so I was wondering if you could escort him.”
“Sure,” Matthew says without looking away from his computer. “I’ll get him to give me a time.”
“Lovely. Well, I have to go--I hope that answered your question, Tris.” She smiles at me and slips out the door.
I sit hunched, with my elbows on my knees. Marcus was Divergent--genetically pure, just like me. But I don’t accept that he was a bad person because he was surrounded by genetically damaged people. So was I. So was Uriah. So was my mother. But none of us lashed out at our loved ones.
“Her argument has a few holes in it, doesn’t it,” says Matthew. He’s watching me from behind his desk, tapping his fingers on the arm of his chair.
“Yeah,” I say.
“Some of the people here want to blame genetic damage for everything,” he says. “It’s easier for them to accept than the truth, which is that they can’t know everything about people and why they act the way they do.”
“Everyone has to blame something for the way the world is,” I say. “For my father it was the Erudite.”
“I probably shouldn’t tell you that the Erudite were always my favorite, then,” Matthew says, smiling a little.
“Really?” I straighten. “Why?”
“I don’t know, I guess I agree with them. That if everyone would just keep learning about the world around them, they would have far fewer problems.”
“I’ve been wary of them my whole life,” I say, resting my chin on my hand. “My father hated the Erudite, so I learned to hate them too, and everything they did with their time. Only now I’m thinking he was wrong. Or just…biased.”
“About the Erudite or about learning?”
I shrug. “Both. So many of the Erudite helped me when I didn’t ask them to.” Will, Fernando, Cara--all Erudite, all some of the best people I’ve known, however briefly. “They were so focused on making the world a better place.” I shake my head. “What Jeanine did has nothing to do with a thirst for knowledge leading to a thirst for power, like my father told me, and everything to do with her being terrified of how big the world is and how powerless that made her. Maybe it was the Dauntless who had it right.”
“There’s an old phrase,” Matthew says. “Knowledge is power. Power to do evil, like Jeanine…or power to do good, like what we’re doing. Power itself is not evil. So knowledge itself is not evil.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
”
”
Anonymous
“
Psalm 34 * Theme: God pays attention to those who call on him. Whether God offers escape from trouble or help in times of trouble, we can be certain that he always hears and acts on behalf of those who love him. Author: David, after pretending to be insane in order to escape from King Achish (1 Samuel 21:10-15) A psalm of David, regarding the time he pretended to be insane in front of Abimelech, who sent him away. 1I will praise the LORD at all times. I will constantly speak his praises. + 2I will boast only in the LORD; let all who are helpless take heart. + 3Come, let us tell of the LORD’s greatness; let us exalt his name together. 4I prayed to the LORD, and he answered me. He freed me from all my fears. 5Those who look to him for help will be radiant with joy; no shadow of shame will darken their faces. + 6In my desperation I prayed, and the LORD listened; he saved me from all my troubles. 7For the angel of the LORD is a guard; he surrounds and defends all who fear him. + 8Taste and see that the LORD is good. Oh, the joys of those who take refuge in him! + 9Fear the LORD, you his godly people, for those who fear him will have all they need. + 10Even strong young lions sometimes go hungry, but those who trust in the LORD will lack no good thing. + 11Come, my children, and listen to me, and I will teach you to fear the LORD. + 12Does anyone want to live a life that is long and prosperous? + 13Then keep your tongue from speaking evil and your lips from telling lies! + 14Turn away from evil and do good. Search for peace, and work to maintain it. + 15The eyes of the LORD watch over those who do right; his ears are open to their cries for help. + 16But the LORD turns his face against those who do evil; he will erase their memory from the earth. + 17The LORD hears his people when they call to him for help. He rescues them from all their troubles. 18The LORD is close to the brokenhearted; he rescues those whose spirits are crushed. + 19The righteous person faces many troubles, but the LORD comes to the rescue each time. + 20For the LORD protects the bones of the righteous; not one of them is broken! 21Calamity will surely destroy the wicked, and those who hate the righteous will be punished. + 22But the LORD will redeem those who serve him. No one who takes refuge in him will be condemned.
”
”
Anonymous (Life Application Study Bible: New Living Translation)
“
1. Do not chase those who go, and do not stop those who come.
-Blind-
카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】
저희는 7가지 철칙을 바탕으로 거래를 합니다.
고객들과 지키지못할약속은 하지않습니다
1.정품보장
2.총알배송
3.투명한 가격
4.편한 상담
5.끝내주는 서비스
6.고객님 정보 보호
7.깔끔한 거래
제품구입하실때는 제가 고객님들께 약속드리는것만큼 저희쪽과 약속도 지켜주시기 바랍니다
24시간 언제든지 문의주세요 클릭해주셔셔 감사합니다
구체적인 내용은 문의하셔셔 상담받아보세요
2. Watch out for those surrounded by dark clouds.
– Balthazar Graciasian
3. Rather than let me live in Paradise alone
There will be no greater penalty.
Goethe
4. When you associate with others, the first thing you should not forget
Because the other person has their own way of life
In order not to confuse them, they should not interfere with others' lives.
Henry James
5. You have a bad relationship with others
I hate that person being with you,
If you are right and you don't agree,
The person will not be reproved
It is you who should be reproved.
Because you have not done your heart and devotion to that person.
Tolstoy
6. If you want to be liked by others,
Just show that you are having a great time together.
If you do that, instead of just having fun
Better to hang out with the other person.
And people with this temperament
Even if you don't have great culture or wisdom, you have common sense.
That behaviour,
Who have great talent and lack this disposition
I greatly move others' minds.
Joseph Addis
7. Anyone who accepts others generously
Always get people's hearts,
Who rules with dignity and force
Always buy people's anger.
-King Sejong-
8. I want to interest others.
Don't close your ears and eyes yourself
Show interest in others.
If you don't understand this,
However talented and capable
It is impossible to get along with others.
Lawrence Gould-
9. Take care of others' interests.
Undistributed profits never last long.
-Voltaire-
10. It is only sin that I do not know others.
What's the sin of not letting others know?
Jang Young-sil
11. What comes out of you returns to you.
-Blind-
12. It is never a good thing to be someone's half.
We are a perfect person.
Andrew Matthews
13. Treating others
Cherish his body as mine.
My body is not only precious.
Do not forget that others' bodies are also precious.
And do what you desire for others first.
-Confucius-
14. Most people
Neither my side nor my enemy.
Also what you do or yourself
There are people who do not like it.
It's too much to want everyone to like you.
Liz Carpenter
15. In general, introverted humans
Outgoing humans get along well with outgoing humans.
It is because the mind is at first comfortable and easy to understand.
But the state of being at ease
It is not a good condition for your own growth.
Theodore Rubin
”
”
15 kinds of relationship sayings
“
What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale.
“What did you do?” This time the question tears from my throat like a growl.
I throw myself toward him, struggling against Peter’s grip, though his hands chafe.
“What did you do?” I scream.
“You die, I die too.” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.”
He disappears around the corner. The last I see of him and the Dauntless traitors leading him is the gleam of the gun barrel and blood on the back of his earlobe from an injury I didn’t see before.
All the life goes out of me as soon as he’s gone. I stop struggling and let Peter’s hands push me toward my cell. I slump to the ground as soon as I walk in, waiting for the door to slide shut to signify Peter’s departure, but it doesn’t.
“Why did he come here?” Peter says.
I glance at him.
“Because he’s an idiot.”
“Well, yeah.”
I rest my head against the wall.
“Did he think he could rescue you?” Peter snorts a little. “Sounds like a Stiff-born thing to do.”
“I don’t think so,” I say. If Tobias intended to rescue me, he would have brought others. He would not have burst into Erudite headquarters alone.
Tears well up in my eyes, and I don’t try to blink them away. Instead I stare through them and watch my surroundings smear together. A few days ago I would never have cried in front of Peter, but I don’t care anymore. He is the least of all my enemies.
“I think he came to die with me,” I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn’t need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn’t in it.
“That’s ridiculous,” he says. “That doesn’t make any sense. He’s eighteen; he’ll find another girlfriend once you’re dead. And he’s stupid if he doesn’t know that.”
Tears run down my cheeks, hot at first and then cold. I close my eyes. “If you think that’s what it’s about…” I swallow another sob “…you’re the stupid one.”
“Yeah. Whatever.”
His shoes squeak as he turns away. About to leave.
“Wait!” I look up at his blurry silhouette, unable to make out his face. “What will they do to him? The same thing they’re doing to me?”
“I don’t know.”
“Can you find out?” I wipe my cheeks with the heels of my hands, frustrated. “Can you at least find out if he’s all right?”
He says, “Why would I do that? Why would I do anything for you?”
A moment later I hear the door slide shut.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Human beings are capable of extraordinary things. We can create and we can destroy, we can love or we can hate. Some people believe they have souls. While others think that there is only this. Just this. Reality. The news. Killings, wars, bombings, hate, prejudice. Death.
And death? No one ever dies on television. Only the bad guys do.
Not you. Just them.
So death is without meaning. Happens without meaning due to media. We see but don't feel, we watch but haven't experienced. We can only sympathize. A gun doesn't fire on it's own and a fanatic doesn't just wake up one day and become a murderer. Hate doesn't have a face. Death doesn't have a face. Human beings become that face. All of us everyday. Whether you like it or not.
Why? Because this is a mindset a culture a history. From the time we are children we are taught that this is right and this is wrong. This is what a man does. This is what a woman does. Children emulate the behaviors of adults. Parents, movie characters and just about everyone else. We live in a society based on ideals. We celebrate the intelligence of the human race and then we take on the guises of everything the opposite of that belief we've ever known and support violence, support war. Behaviors that any intelligent race should have abandoned many years ago. We are surrounded by violence, surrounded by what we still are and what we are not becoming. Frankly we are all still just primitives and not capable in any way shape or form of creating a complete and everlasting peace and that's the sad reality of it all and always has been. We're just human. Only human. The good, the bad and the ugly. The evil, the damaged and the sick. The rich, the poor and all the rest of us.
So look at it this way. You can't change the world or make the world stop killing. You can't stop violence or hatred but you can walk away from it all. Violence is a part of being human. But so is love. So? Only fight if you have to. Live peacefully and as a peace keeper and do what you can to make the small part of your own world a better place. Whether that's thru creation, protest, teaching or just being who you are and doing what you do. You can't stop humanity from being humanity and you certainly can't stop all the horrible things that happen around the world everyday. So accept it. Light a candle, say a prayer, donate or meditate, listen to some music, write. But even if the human race isn't everything you wish it could be?
Hold on to love. Hold onto friends. Hold onto hope or whatever religion or belief that guides you through the dark.
Because in the end? You're just human and that's all that you can do. The best that you can do.
”
”
R.M. Engelhardt (R A W POEMS R.M. ENGELHARDT)
“
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls.
I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show.
I leaned closer, staring in through the glass.
He’d refurnished the bookstore. How long had I been gone?
There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC.
A bell tinkled as I stepped inside.
His head whipped around and he half-stood, books sliding to the floor.
The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke.
Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore.
Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me.
What am I, Mac? he’d say.
My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory.
So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that.
Like what? Can’t all be like you, Barrons.
His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing?
I shivered.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage.
“Where were you?”
“Just out.”
“Out where?”
“Down the street.”
Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park.
“Frank, could you rinse the milk bottles before you put them on the stoop?”
“Sorry. I’ll do it now.”
“Too late. I’ve done it already. You know, I can’t do everything.”
“Nobody can.”
“But you can do something, can’t you?”
“Lily, please. I’ll do anything you want.”
“What I want? This place is ours.”
The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.”
The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up
and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
”
”
Toni Morrison (Home)
“
So his armorbearer said to [Jonathan], “Do all that is in your heart. Go then; here I am with you, according to your heart.” 1 SAMUEL 14:7 Five simple monosyllables—“here I am with you”—but they helped make the difference between success and failure. Jonathan had already won a battle, for which his father, King Saul, took the credit (1 Sam. 13:1–4), but he didn’t care who got the credit so long as God received the glory and Israel was protected. As God’s people, we have always been in conflict with the enemies of the Lord and we have always been outnumbered. There were three kinds of Israelites on the battlefield that day, just as there are three kinds of “Christian soldiers” in the church today. There are those who do nothing. King Saul was sitting under a tree, surrounded by six hundred soldiers, wondering what to do next. Leaders are supposed to use their offices and not just fill them (1 Tim. 3:13). God had given Saul position and authority but he seemed to have no vision, power, or strategy. He was watching things happen instead of making things happen, and spectators don’t make much progress in life. Along with Saul and his small army were a number of Israelites who had fled the battlefield and hidden themselves, and some had even surrendered to the enemy! When Jonathan and his armorbearer started defeating the Philistines and the Lord shook the enemy camp, these quitters came out into the open and joined in the battle. Do you know any Christians like that? Are you one of them? There are those who fear nothing. Jonathan had already won a battle against the Philistines and was a man of faith who was certain that the God of Israel would give his people victory. Perhaps he was leaning on God’s promises in Leviticus 26:7–8, “You will chase your enemies, and they shall fall by the sword before you. Five of you shall chase a hundred, and a hundred of you shall put ten thousand to flight.” He assured his armorbearer that “nothing restrains the LORD from saving by many or by few” (1 Sam. 14:6). Jonathan expected God to give him a sign that his strategy was right, and God did just that (vv. 9–14). God also caused an earthquake in the enemy camp that made the Philistines panic, and they began to attack each other; and the enemy army began to melt away (v. 16). There are those who hold back nothing. Jonathan’s armorbearer is mentioned nine times in this narrative but his name is never revealed. Like many people in Scripture, he did his job well but must remain anonymous until he is rewarded in heaven. Think of the lad who gave his lunch to Jesus and he fed five thousand people (John 6:8–11), or the Jewish girl who sent Naaman to Elisha to be healed of his leprosy (2 Kings 5:1–4), or Paul’s nephew whose fast action saved Paul’s life (Acts 23:16–22). The armorbearer encouraged Jonathan and promised to stand by him. All leaders, no matter how successful, need others at their side who can help expedite their plans. Aaron and Hur held up Moses’s hands as he prayed for Joshua and the Jewish army in battle (Exod. 17:8–16), and Jesus asked Peter, James, and John to watch with him as he prayed in the garden (Matt. 26:36–46). Blessed are those leaders who have dependable associates whose hearts are one with theirs and who hold back nothing but devotedly say, “I am with you.” Jesus says that to us and he will help us to say it to others. I am with you always, even to the end of the age. Matthew 28:20
”
”
Warren W. Wiersbe (Old Testament Words for Today: 100 Devotional Reflections)
“
The Midnight Game The "Midnight Game" is an old pagan ritual, used mainly as punishment for those who have broken the laws of the pagan religion in question. While it was mainly used as a scare tactic to not disobey the gods, there is still a very existent chance of death to those who play the Midnight Game. There is an even higher chance of permanent mental scarring. It is highly recommended that you DO NOT PLAY THE MIDNIGHT GAME. However, for those few thrill seekers searching for a rush, or for those delving into obscure occult rituals, these are simple instructions on how to play. Do so at your own risk... WARNING: I have played this game. People have died. Do not play this game. He will always be watching. Instructions PREREQUISITES: It must be exactly 12:00 AM when you begin performing the ritual. Otherwise, it will not work. MATERIALS: You will need a candle, a piece of paper, a writing implement, matches or a lighter, salt, a wooden door, and at least one drop of your own blood. If you are playing with multiple people, they will need their own of the aforementioned materials and they will have to perform the steps below accordingly. STEP 1: Write your full name (first, middle, and last)on the piece of paper. Put at least one drop of blood on the paper. Allow it to soak into the paper. STEP 2: Turn off all of the lights in the place you are doing this. Go to your wooden door, and place the paper with your name on it in front of the door. Now, take out the candle and light it. Place it on top of the paper. STEP 3: Knock on the door twenty-two times. The hour must be 12:00 AM upon the final knock. Then, open the door, blow out the candle, and close the door. You have just allowed the "Midnight Man" to enter your house. STEP 4: Immediately relite your candle. This is where the game begins. You must now lurk around your now completely dark house, with the lit candle in your hand. Your goal is to avoid the Midnight Man at all costs, until 3:33 AM. Should your candle ever go out, that means the Midnight Man is near you. You must relight your candle in the next ten seconds. If you are not successful in doing this, you must then immediately surround yourself with a circle of salt. If you are unsuccessful in both of your actions, the Midnight Man will create a hallucination of your greatest fear, and rip out your organs one by one. You will feel it, but you will be unable to react. If you are successful in creating the circle of salt, you must remain in there until 3:33 AM. If you are successful in relighting your candle, you may proceed with the game. You must continue to 3:33 AM, without being attacked by the Midnight Man, or being trapped inside the circle of salt, to win the Midnight Game. The Midnight Man will leave your house at 3:33 AM, and you will be safe to proceed with your morning. ADDITION: Indications that you are near the Midnight Man will include sudden drop in temperature, seeing a pure black, humanoid figure through the darkness, and hearing very soft whispering coming from an indiscernible source. If you experience any of these, it is advised that you leave the area to avoid the Midnight Man. DO NOT turn any of the lights on during the Midnight Game. DO NOT use a flashlight during the Midnight Game. DO NOT go to sleep during the Midnight Game. DO NOT attempt to use another person's blood on your name. DO NOT use a lighter as a substitute for a candle. It will not work. AND DEFINITELY DO NOT attempt to provoke the Midnight Man in ANY WAY. Even when the game is over, he will always be watching
”
”
Adam L. (Creepypasta: Expanded Edition)
“
1. Do not chase those who go, and do not stop those who come.
-Blind-
카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】
저희는 7가지 철칙을 바탕으로 거래를 합니다.
고객들과 지키지못할약속은 하지않습니다
1.정품보장
2.총알배송
3.투명한 가격
4.편한 상담
5.끝내주는 서비스
6.고객님 정보 보호
7.깔끔한 거래
제품을 구입하실때는 저희가 구매자분들께 약속지켜드리는것만큼 구매자분들도 저희와 약속 꼭 지켜주시기 바랍니다
구체적인 내용은 문의하셔셔 상담받아보세요
클릭해주셔셔 감사합니다 24시간 언제든지 문의주세요
2. Watch out for those surrounded by dark clouds.
– Balthazar Graciasian
3. Rather than let me live in Paradise alone
There will be no greater penalty.
Goethe
4. When you associate with others, the first thing you should not forget
Because the other person has their own way of life
In order not to confuse them, they should not interfere with others' lives.
Henry James
5. You have a bad relationship with others
I hate that person being with you,
If you are right and you don't agree,
The person will not be reproved
It is you who should be reproved.
Because you have not done your heart and devotion to that person.
Tolstoy
6. If you want to be liked by others,
Just show that you are having a great time together.
If you do that, instead of just having fun
Better to hang out with the other person.
And people with this temperament
Even if you don't have great culture or wisdom, you have common sense.
That behaviour,
Who have great talent and lack this disposition
I greatly move others' minds.
Joseph Addis
7. Anyone who accepts others generously
Always get people's hearts,
Who rules with dignity and force
Always buy people's anger.
-King Sejong-
8. I want to interest others.
Don't close your ears and eyes yourself
Show interest in others.
If you don't understand this,
However talented and capable
It is impossible to get along with others.
Lawrence Gould-
9. Take care of others' interests.
Undistributed profits never last long.
-Voltaire-
10. It is only sin that I do not know others.
What's the sin of not letting others know?
Jang Young-sil
11. What comes out of you returns to you.
-Blind-
12. It is never a good thing to be someone's half.
We are a perfect person.
Andrew Matthews
13. Treating others
Cherish his body as mine.
My body is not only precious.
Do not forget that others' bodies are also precious.
And do what you desire for others first.
-Confucius-
14. Most people
Neither my side nor my enemy.
Also what you do or yourself
There are people who do not like it.
It's too much to want everyone to like you.
Liz Carpenter
15. In general, introverted humans
Outgoing humans get along well with outgoing humans.
It is because the mind is at first comfortable and easy to understand.
But the state of being at ease
It is not a good condition for your own growth.
Theodore Rubin
16. Stick when you're hungry, and leave when you're hungry,
When it's warm, it flocks, when it's cold
This is the widespread dismissal of recognition.
Chae Geun-hwa
17. With people
You can't share the ball together,
Together with the ball envy one another.
Tribulation with people, but comfort cannot come together.
Comfort will be an enemy of one another.
Chae Geun-hwa
18. People must change their positions and positions.
-Confucius-
19. A person is originally clean,
All call for sin and blessing according to ties.
The paper smells close to incense,
That rope is like a fishy fish.
Man dyes little by little and learns it, but he does not know how to do it himself.
-Law law-
20. A person's value can only be measured in relation to others.
Nietzsche
21. Be strict to yourself and generous to others
-Confucius-
22. Beware of your impression of the other person
Worrying is why you're the main character.
Usually, a person's crush is about first showing others
You should know what appears as a reaction.
You don't wait
Give you first.
Lawrence
”
”
22 kinds of relationship sayings
“
White men never come to Jenuchshadego,” Rising Hawk had told her with some pride. “Not by themselves or in armies. The Genesee towns are surrounded by white settlers, but not us.” He grinned in satisfaction. “Not even the missionaries bother us.”
Now he was saying, “This could be a very important dream. But why would a white dog choose you as a messenger?” Rising Hawk rested his chin in his hand and frowned. Livy wasn’t sure she liked his tone.
“There wasn’t any message.”
“And it doesn’t ask anything of you. This is curious. Perhaps I should tell my mother of your dream. It may mean more to another woman.”
“It’s just a dream, Rising Hawk. Don’t make a fuss. It doesn’t mean anything.”
There was a flicker of annoyance in his eyes. How could his brother allow such dangerous ignorance to fester in his own home?
“Dreams are more important than anything that happens when you are awake,” he insisted. “You can cause yourself great harm if you do not listen. We must find out what it means for you to do. This dream could come from outside of you, from the spirits. To ignore the needs of either can mean sickness for yourself or danger to others, to us.” Exasperated by her blank look, he added, “I am really very surprised my brother has not taught you this.”
“He keeps a Christian household, and Christians don’t hold with such things as dreams,” Livy said primly.
“Did you know that the missionaries taught me from that book?”
“I knew all along you had Christian leanings,” she said, pleased that Gideon had been wrong about his brother.
Rising Hawk made an abrupt motion with his hand, dismissing her idea. “Is your white God so very difficult that one needs a book to understand him? Actually, I believe the priests wrote it themselves,” he confided.
Speechless, Livy watched him roll onto his feet and disappear into the brush. She half expected lightning to strike him. She hated the way he was always thinking about white people and making comparisons and acting superior. Why, she hardly ever gave Indians a second thought. She wriggled out of her blankets and began bundling their bedrolls, squeezing them into the smallest possible packs, tidy and easy to manage. When Rising Hawk emerged from the trees, unscathed, a moment later, she was mildly disappointed.
”
”
Betsy Urban (Waiting for Deliverance)
“
Sometime later, Matthew ushered James firmly into breakfast and to their table, which James noticed was only Christopher and Thomas, and a rather select table after all.
Christopher and Thomas, in another surprise for James in a morning full of surprises, seemed pleased to see him.
"Oh, have you decided not to detest Matthew any longer?" Christopher asked. "I'm so glad. You were really hurting his feelings. Though we are not supposed to talk about that to you." He gazed dreamily at the bread basket, as if it were a wonderful painting. "I forgot that."
Thomas put his head down on the table. "Why are you the way that you are?"
Matthew reached over and patted Thomas on the back, then rescued Christopher from setting his own sleeves on fire with a candle. He gave James the candle and a smile.
"If you ever see Christopher near an open flame, take him away from it, or take it away from him," Matthew said. "Fight the good fight with me. I must be eternally watchful."
"That must be difficult, when surrounded by, um, your adoring public," said James.
"Well," said Matthew, and paused, "it's possible," he said, and paused again, "I may have been . . . slightly showing off? 'Look, if you don't want to be friends with me, everybody else does, and you are making a big mistake.' I may have been doing that. Possibly."
"Is that over?" Thomas asked. "Thank the Angel. You know large crowds of people make me nervous! You know I can never think of anything to say to them! I am not witty like you or aloof and above it all like James or living in cloud cuckoo land like Christopher. I came to the Academy to get away from being bossed by my sisters, but my sisters make me much less nervous than battering rams flying through the air and parties all the time. Can we please have some peace and quiet occasionally!"
James stared at Thomas. "Does everybody think I'm aloof?"
"No, mostly people think you're an unholy abomination upon this earth," Matthew said cheerfully. "Remember?"
Thomas looked ready to put his head back on the table, but he cheered up when he saw James had not taken offense.
”
”
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
“
Come away with me, Cassandra,” Falco said, his hands coming to rest lightly on her waist. “I can give you a life now. It may not be quite what you’re used to, but it will be filled with love.”
Before Cass could answer, a servant appeared in the doorway to the study, a glass of wine in her slender hands. Her brow furrowed in confusion when she saw Falco.
“Scusi, Signorina,” she said. “Your wine…?”
“Just set it down,” Cass said sharply, relieved that it was a servant and not Luca who had found them together.
Falco stood. “Think about it,” he said to Cass. He pressed his lips to her hand once more and then headed for the hallway. Cass watched him leave. The room seemed to go dim and cold at his exit. The black surroundings melded with the hopelessness Cass felt in her heart, which was torn in two opposing directions.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
WALLY AMOS ONCE said, “If you’re going through hell, don’t stop to take pictures!” But that’s exactly what we do, isn’t it? We maintain a mental catalog of every detail of what has happened. When the situation is over, we show off our mental pictures by telling the story over and over, embellishing the worst details. It creates pain in the brain and drama in life. We hate it, but we do it, unconsciously. When we hold on to and mentally relieve painful past experiences, we create enemies. There is always someone to be leery of; someone or something to watch out for; what we fail to realize is that the kind of mental darkness in the back of our minds creates an “enemy in me.” Within you there is an awesome power, a divine intelligence, that is accessible and available, wherever you are. It is a guiding light. Unfortunately, this light can’t shine when we keep ourselves surrounded in dark memories. When a photographer takes film into a darkroom, the negative images are exposed to light. The light creates a new image. Only when we expose the negativeness in our brain to light, can we create a new picture in our lives.
”
”
Iyanla Vanzant (Faith in the Valley: Lessons for Women on the Journey to Peace)
“
Marcus unwinds a belt from his fist.
“This is for your own good,” he says, and I want to scream.
He multiplies immediately, surrounding us, the belts dragging on white tile. I curl into myself, hunching my back, waiting, waiting. The belt pulls back and I flinch before it hits, but then it doesn’t.
Tris stands in front of me, her arm up, tense from head to toe. She grits her teeth as the belt wraps around her arm, and then she pulls it free, and lashes out. The movement is so powerful I’m amazed by how strong it looks, by how hard the belt slaps Marcus’s skin.
He lunges at Tris, and I step in front of her. I’m ready this time, ready to fight back.
But the moment never comes. The lights lift and the fear landscape is over.
“That’s it?” she says as I watch the place where Marcus stood. “Those were your worst fears? Why do you only have four…oh.”
She looks at me.
“That’s why they call you…”
I was afraid that if she knew about Marcus, she would look at me with pity, and she would make me feel weak, and small, and empty.
But she saw Marcus and she looked at him, with anger and without fear. She made me feel, not weak, but powerful. Strong enough to fight back.
I tug her toward me by her elbow, and kiss her cheek, slowly, letting her skin burn into mine. I hold her tightly, slouching into her.
“Hey.” She sighs. “We got through it.”
I put my fingers through her hair.
“You got me through it,” I say.
”
”
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
“
Life without prayer is like watching TV on an ancient twelve-inch black-and-white TV set. The picture is snowy and distorted, and no matter how much aluminum foil you wrap around those rabbit ears, you can’t see a thing. Life with a personal prayer relationship with God is like watching TV on a sixty-inch flat-screen in high definition, with surround-sound speakers and a picture so clear you think you’re right there on the eighteenth hole in Augusta with Mickelson as he makes his final putt.
”
”
Diane Moody (Confessions of a Prayer Slacker)
“
I am your shower curtain and I am watching you. I surround you, I shield you, and I like you. I like to see the water touch you, travel down upon you, searching, falling away from you. I like to see you lather. I like to see you rinse. I like to see you thinking your thoughts with your eyes closed. I do not like to hear you hum. I do not like to hear you sing. I like you quiet. I like you thinking, silently, your lips moving, your eyes closed tight. I like your fingers. Your wrists, your toes. I like your shins. Your knees. I like the way the water funnels between your legs and cascades down, turning in corkscrews. I like it when you like yourself. When you give a moment to your thighs. When you give a moment to the back of your neck, to the inner fold of your arm. Take a moment. Give yourself time. Take the soap and make circles on your flesh. Make slow circles on your flesh. Make long elliptical shapes upon your beautiful flesh. Your beautiful flesh today. Tomorrow your flesh will be different. It will be older. Appreciate it now. Your flesh is a miracle. You started from nothing. From an egg too small to see. Then a relentless multiplication of cells, each one a miracle, each one a preposterous happening. And from this ridiculous profusion now you are you. You are a giant. You are a giant and water is falling upon you and you are cleaning yourself because you are beautiful. Please don’t think about anything else. I know I said I liked to see you think but that, i realize now, is not true. I don’t want to see you think. I only want the elliptical touching of your flesh. throw your mind away and enjoy your wet flesh. thrill in your existence. Your persistence. the fact that you can be here, under this falling water. this, as much as any other reason, is why you are here, why you exist. to enjoy this. to feel this. it is good enough. It is good enough to justify everything else.
”
”
Dave Eggers
“
Your own name isn’t half-bad. Bet you don’t know what Loretta means.” Rachel folded the dough over, then glanced up with a teasing grin. “Your momma and me picked it, mainly for the meaning.”
“It’s a variation of Laura, isn’t it? Laurel wreath or something?”
“That’s the common meaning. But in your ma’s name book, there was another.”
“Well? Give over.” Loretta waited, watching her aunt. “What’s it mean? Flat-chested and scrawny?”
Rachel threw back her head and chuckled. “Flat-chested and scrawny? Loretta Jane, I swear, no one can say you have too high an opinion of yourself. It means little wise one.”
The color washed from Loretta’s face, and she planted her feet on the floor to stop the chair from rocking. “It means what?”
“Little wise one.” Rachel’s smile faded. “You feelin’ peaked? What’s wrong?”
Loretta set her sewing aside and pushed to her feet. “Nothing, Aunt Rachel. N-nothing.” Glancing dazedly around the room, Loretta pressed the back of her wrist to her temple, a feeling of unreality surrounding her. “I, um, think I’ll get a breath of air.”
After hurrying from the house, Loretta struck off across the yard to lean on the fence, her favorite spot because it afforded her a view of the rise. Little wise one. Still numb with shock, she stared off into the distance, remembering the night Hunter had recited his song to her. The People will call her the Little Wise One…
She studied the rise, truly believing, for the first time, that she and Hunter were destined to be together. She tried to remember all the words to his song. They came to her in snatches. Between them will be a great canyon that runs high with blood. A silly legend, she had once called it. Now she knew better. Too much of it had already come to pass for her to scoff. A canyon of blood. Loretta curled her hands into fists. Hunter would return to her. She didn’t know when, or how, but suddenly she felt certain the song, once the bane of her existence, had become her greatest hope.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Always For the First Time"
Always for the first time
Hardly do I know you by sight
You return at some hour of the night to a house at an angle
to my window
A wholly imaginary house
It is there from one second to the next
In the inviolate darkness
I anticipate once more the fascinating rift occurring
The one and only rift
In the facade and in my heart
The closer I come to you
In reality
The more the key sings at the door of the unknown room
Where you appear alone before me
At first you coalesce entirely with the brightness
The elusive angle of a curtain
It’s a field of jasmine I gazed upon at dawn on a road in the
vicinity of Grasse
With the diagonal slant of its girls picking
Behind them the dark falling wing of the planets stripped
bare
Before them a T-square of dazzling light
The curtain invisibly raised
In a frenzy all the flowers swarm back in
It is you at grips with that too long hour never dim enough
until sleep
You as though you could be
The same except that I shall perhaps never meet you
You pretend not to know I am watching you
Marvelously I am no longer sure you know
Your idleness brings tears to my eyes
A swarm of interruptions surrounds each of your gestures
In a honeydew hunt
There are rocking chairs on a deck there are branches that
may well scratch you in the forest
There are in a shop window in the rue Notre-Dame-de Lorette
Two lovely crossed legs caught in long stockings
Flaring out in the center of a great white clover
There is a silken ladder rolled out over the ivy
There is
By my lening over the precipice
Of your presence and your absence in hopeless fusion
My finding the secret
Of loving you
Always for the very first time
André Breton (1934)
”
”
André Breton
“
Go outside. Frequently. Step outside anywhere and find a leaf and permit it to blow your mind. Check out its delta of veins. Run your finger on its underside. Taste it. Check if it has hair. Crumple it and smell it.
Go further, to a forest of any size, a forest clearing, a clump of trees, or even a spot under a single specimen—someplace where, even though you may hear cars and dogs in the distance, you can sit on soft, uneven ground, unseen. Consider the unspooling ribbon of human affairs that the surrounding trees have witnessed and with what interest or indifference they may have watched.
Inspect the ground and picture the interlaced fingers of mycelium and roots that swap sugar and water and carbon and data, a mushroom-assisted conversation that betrays care among trees. Notice the mosaic of leaves catching light or the weave of needles on the ground.
Be still and birds will invade your copse. Trees, even in small groups, exhale monoterpenes that reduce stress, lower blood pressure and heart rate, and perhaps even trigger dopamine. So stay long enough to feel your mood change, watch shadows shorten or stretch. Get caught by rain or snow or nightfall. Get a little lost.
”
”
John W. Reid (Ever Green: Saving Big Forests to Save the Planet)
“
I haven’t been drained that low in a long time. I shouldn’t have tried to take so much all at once,” I muttered, wanting to apologise but not quite finding the right words beyond that statement.
“Well feel free to just steal all of mine then,” Darcy spat icily, clutching her neck tighter. I had the urge to heal her, but knew if I tried to touch her again, she’d only recoil.
The ambulance pulled away and I glanced around, double checking Darius wasn’t here and I was glad to find he’d listened to me for once. That was something anyway.
“Come on, I can drive you girls back in my car,” I offered. I’d left my Faerrari parked at the Acrux Hotel when I’d last visited Tucana, opting to stardust home because I’d been too drunk to drive. But I hadn’t had any magical drinks tonight, so I’d healed myself of the effects of the whiskey I’d consumed before coming to get Darius from the nightclub.
Tory’s lip curled back as she glared at me with poison in her gaze.
“We’re not going anywhere alone with you,” Darcy said bitterly, distrust in her eyes.
“Don’t be ridiculous,” I snapped, stepping forward to get hold of her. I’d protect her tonight whether she liked it or not.
Tory moved to intercept me and Caleb joined her too like a prime asshole.
“You don’t fucking touch her again,” Tory growled.
I narrowed my eyes at her, about to object, but as my gaze slid to Darcy over her shoulder and I saw the wall in her eyes that told me to get fucked, I knew I wasn’t going to win this fight.
“Bastard,” Darcy hissed at me, looking woozy. Shit, I needed to heal her. And I could get her a blood replenishing potion back at the academy.
“Come on, girls. The bus is gonna leave soon,” Caleb said, tugging Tory after him but she dug her heels in, waiting for Darcy.
I opened my mouth to try and find the words that would convince Blue to stay with me, but she walked straight past me with her cheek turned and Tory threw me one more filthy look before they all headed down the street to the bus stop where mountains of students were gathering. Professors were among them and I knew they were safe enough in numbers, but my feet were still rooted to the pavement as I watched Darcy leave.
You drank way too much. You have to get a grip. How are you going to keep feeding from her if you act like a monster every time your teeth are in her?
I’d never had this problem before. The only thing I could compare it to was when my magic had been Awakened and my Order had Emerged. That first feed had made me feel like a ravenous beast with a bottomless stomach, and yet it still didn’t have a pinch on what it was like to feed from Blue.
Caleb led Tory and Darcy past the queue straight onto the bus and my hackles rose as they joined Max and Seth on the back seats. And as Seth pulled Darcy close to him and nuzzled against her cheek, that feral animal in me awoke once more.
I took out my Atlas and shot an update to Francesca, anxiously scoring my fingers through my hair.
Just as the bus pulled away and rounded a corner, the FIB appeared on the street and I was immediately surrounded by three agents with dark frowns on their faces.
“Lance Orion, you need to come down to the station and make a statement,” Captain Hoskins said and I sighed, knowing it was going to be a long ass night.
I agreed and as I was stardusted away to the precinct, my heart was tugged in another direction, nearly forcing the stars to guide me elsewhere. But the captain ensured I made it to where he wanted to take me and I made a silent prayer to the stars that Darcy wouldn’t end up in Seth Capella’s bed tonight. Because I wasn’t sure I could control the demon in me who’d want his head for that.
(ORION POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
Never forgotten
Never forgotten, not even for a while,
That laughter, that holding hands and that sudden smile,
Out to face the reality of a Sunny day,
With you it just seemed a lovely and a beautiful day,
As the day advanced and we walked unto a far away land,
Away from the town, away from every occupying bustle, feeling the touch of your hand,
I looked at you and then at our shadows,
Frolicking and walking past the happy meadows,
Then at the top of a hill as we rested,
I realised with you life’s every moment is so well spent and nothing is wasted,
As we watched the Sun set behind those ebbing and rising sequences of peaks,
We stood silent as we heard the voice of our hearts and we understood how love speaks,
Just like the Sun, silently perishing behind those mountains and hills,
It was then I realised Irma that your presence like this Sun, my landscape of life fills,
With brightness, with joys, with your beautiful memories,
Today, I remember the last kiss and I tell my still beating heart our love stories,
You holding my hand, the sky, the mountains, the hills and the Sun,
I still go the top of the hill, the sun still sets, the meadows look the same, but beside me there is no hand to hold. None,
And the horizon turns blood red seeing me there thinking of you,
Your hand, your smile, your kiss, everything else and you,
Then when the horizon turns dark and night falls,
I get up, take a long look at the once red sky and I ignore my heart’s calls,
I walk away, back to the town, to the bustle, to the place that was familiar but now appears unknown,
And I wait for the night to pass, so that I return again to the hill, to the meadow, to the setting sun, and once again feel the sensation of the only place that seems known,
To the old echoes of our heart beats, to the hand, to the surroundings, to everything,
It is this feeling of love, your memories, that for now is my world, my everything,
And whenever I am here Irma I feel certain you shall hold my hand someday,
And I hope the Sun, the mountains, the hills and the meadows last till that day!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
1. How much did you know about the culture Julia Haart grew up in before you read the book? What were some things that surprised you? 2. Religions come with many rules. What do you think religious rules provide for followers? 3. Talk about the role of women in the cloistered community. What are their responsibilities? Are the ideal standards to which they are held consistent with their realities? What other faiths tout similar views? 4. Julia has a very complicated view of her mother. How do you think that this informs her own role as a mother to four children? What example do you think her journey sets for them? 5. What traits from her upbringing, if any, do you think Julia has brought with her to her new life? 6. Have you ever experienced a situation in which you had to set boundaries or leave behind a group in order to be true to yourself? What feelings did you have surrounding that? What was the result? 7. Julia references many of the difficulties that some people who leave her former community face. How do you think her assertion that the community “forced them to be unprepared for modernity” ultimately serves to ensure its continuity? 8. Ultra-Orthodox Jews cite modesty and simplicity as the foundation of their values, yet Julia describes the high costs associated with following the community’s strict traditions and customs. How does this materialism conflict with the community’s values? How is it similar to materialism in the secular world? 9. Discuss your reaction to the fact that Julia was not born into ultra-Orthodox Judaism. How do you think her life might have been different if her mother and father had not converted? 10. Toward the end of the book, Julia states, “Every time I win, it makes me stronger and more able to handle the next attack that comes my way…. Now I listen to my own voice.” In what other ways has Julia demonstrated that same resolve throughout her life? 11. Seven years after leaving behind her community, Julia says she feels closer to a higher power than she ever did when she was religious. What does her memoir say about religion versus spirituality? 12. The memoir takes place in the period before My Unorthodox Life aired on Netflix in 2021. Did you watch the show before you read Brazen? What surprised you about Julia’s story that wasn’t addressed in the show? Did learning more of her backstory from the book change your understanding of Julia’s life on screen in any way? ABOUT THE AUTHOR Julia Haart is the CEO, co-owner, and chief creative officer of Elite World Group.
”
”
Julia Haart (Brazen: My Unorthodox Journey from Long Sleeves to Lingerie)
“
Reason 2: Laziness
Farmer Flaky is imprisoned by laziness.
The next verse describe this paralysis: "He sticks to his bed like a door to its hinges! He is too tired even to lift his food from his dish to his mouth!" (Proverbs 26:14-15, TLB).
Who says the Bible is boring? This verse is so funny. It gives you the height of laziness: There's already food on his plate, yet he's too tired to lift his spoon to his mouth. Absurd? Not really. Look around you. So many are surrounded by wonderful opportunities to grow themselves. Yet they don't life their spoon. Instead, they want to be spoon-fed like babies.
But we live in different times.
When my son was fourteen years old, he learned how to play the drums, how to edit videos, how to arrange songs, how to make websites. How? By watching YouTube videos. He also learned enough fashion sense to be my fashion stylist, so he can tell me what to wear on stage so I don't look like Mr. Bean. That's the kind of universe we live in. Because of the Internet, all the libraries of the world are now in your bedroom and you can access them by just one press of a button.
Yet people remain immobilized. Stuck. Frozen.
”
”
Bo Sánchez (Nothing Much Has Changed (7 Success Principles from the Ancient Book of Proverbs for Your Money, Work, and Life)
“
To hold on to a false model, such as a flat Earth, requires dismissing evidence that conflicts with your model. Flat-Earth believers say they distrust all evidence that they cannot directly sense. A picture can be fake. An explorer's account can be fabricated. Sending people to the moon in the 1960s could have been a Hollywood production. If you limit what you believe to only things you can directly experience, and you are not an astronaut, then a flat-Earth model is what you end up with. To maintain a false model, it also helps to surround yourself with other people who have the same false beliefs, thus making it more likely that the inputs you receive are consistent with your model. Historically, this entailed physically isolating yourself in a community of people with similar beliefs, but today you can achieve a similar result by selectively watching videos on the internet.
”
”
Jeff Hawkins (A Thousand Brains: A New Theory of Intelligence)
“
People outside the industry pruriently ask how he gets through sex scenes, nudity, baring it physically. They miss the point.
Sure, that takes some courage. But, man, it’s ALL like that.
Try crying in front of sixty-three people, most of whom are there to do jobs like lighting your face so the tears are in focus while the snot and spit fall behind — or surrounding you with mics to make sure the sound of your sobbing, disconsolate self falling apart is picked up cleanly, so you won’t have to dub over it in post six months later. That crew of people, expertly watching you turn feral with the grief that’s causing your character to make monumentally bad decisions leading to the epiphany that finally turns it around in the third act. Could anything be more naked, more intimate than tearing your soul inside out in service to the
story?
It’s tantric.
Visceral.
”
”
Laurie Perez (Unbraiding: Actor | Producer | Father: A Story in Three Strands)