Drummer Boy Quotes

He used to be a bad boy,” she said. “I looked him up on social media. Tattoos, always partying. And a musician.” That I hadn’t expected. “Really?” “He was a drummer before taking over his daddy’s empire. Very sexy.

The Little Drummer Boy" was playing in the background for what seemed like the third time in a row. I fought off an urge to beat that Little Drummer Boy seneless with his own drumsticks.

There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.

Are you gonna sit back there and whack off or are you gonna give us a count? It's me and you to start, drummer boy. I'm ready when you are.

I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.

Pa-rump, pa-rump, pa-rump. He's the Little Drummer Boy on speed.

It is true, however, that a dictator's problem is a self-fulfilling prophecy: precisely because he reserves the right of decision for himself, he soon finds himself required to decide everything.

A person can allow a tyrannical world to bully them. One can kowtow to the demands of petty tormentors; blithely accept being the drummer boy for other people’s private parade. Alternatively, a person can seek to obtain autonomy over their life.

Through the late afternoon and into the evening, there were more casualties those five hours at Franklin than in the nineteen hours of D-Day—and more than twice as many casualties as at Pearl Harbor. There were moments so bloody and overwhelming that even the enemy wept. When a fourteen-year-old Missouri drummer boy—a mascot of Cockrell’s Brigade—charged up to a loaded and primed Ohio cannon and shoved a fence rail into its mouth, witnesses said the child turned into what was described as the “mist of a ripe tomato.

Today Oskar says simply: The moth drummed. I have heard rabbits, foxes and dormice drumming. Frogs can drum up a storm. Woodpeckers are said to drum worms out of their hiding places. And men beat on basins, tin pans, bass drums, and kettle-drums. We speak of drumfire, drumhead courts; we drum up, drum out, drum into. There are drummer boys and drum majors. There are composers who write concerti for strings and percussion. I might even mention Oskar’s own efforts on the drum; but all this is nothing beside the orgy of drumming carried on by that moth in the hour of my birth, with no other instrument than two ordinary sixty-watt bulbs.

Can’t get that drummer boy out of my inner eye. He’s stuck in there like a floating thing. I guess he should a got more from living than he did. Brave lad out of Missouri and cheery and not expecting nothing. His head rolling about a lonesome meadow in Virginia. Bright eyes and now they put him in a hole. By God it wouldn’t even be good enough to weep for him.

Only a drummer-boy in a ballad or a story could have been so in the thick of the fight. She was taken into the confidence of passions on which she fixed just the stare she might have had for images bounding across the wall in the slide of a magic-lantern. Her little world was phantasmagoric—strange shadows dancing on a sheet. It was as if the whole performance had been given for her—a mite of a half-scared infant in a great dim theatre. She was in short introduced to life with a liberality in which the selfishness of others found its account, and there was nothing to avert the sacrifice but the modesty of her youth.

Listen, does your boy know how to work? Try to teach him to work, to sacrifice, to fight. He better learn now, because he’s going to have to do it some day. Lloyd Hale was a sophomore on that first team we took to Junction, and he asked me one time what I meant by “fight.” Well, I don’t mean fistfight, like we used to do back in Arkansas, I told him. I mean, some morning when you’ve been out of school twenty years and you wake up and your house has burned down and your mother is in the hospital and the kids are all sick and you’re overdrawn at the bank and your wife has run off with the drummer, what are you going to do? Throw in?

Charlotte was used to all the marks of war: the shabbiness of things, bad food, shop queues, posters about the war effort, people with worried faces, people dressed in black. She was used to seeing the wounded men from the hospital with their bright blue uniforms and bright red ties, the colours, she thought, if not the clothes of Arthur's soldiers. Such things did not disturb her, and the war seemed quite remote. But this disturbed her, the grotesque kind of circus that came now. It did not seem remote at all, nor did it fit with her vague ideas of war gained from those books of Arthur's she had read, with their flags and glory and brave drummer boys. How could you dare to become a soldier, knowing that you might end like this? There were men like clowns with white heads, white arms, white legs, men with crutches, slings, and bloodied bandages, and all so distressingly like men you would expect to see walking down the street, two armed, two legged, in hats instead of bandages and suits of black not battered khaki. Some came on stretchers borne by whole and ordinary men, some hobbled and leaned on whole ordinary arms. Most had mud dried thick across their clothes, and all came from the dark station's mouth with the spewings of trains behind, the clankings, thumpings, grindings, the sounds like great devils taking in breaths and blowing them out again.

Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain’t no Jez’bel, she screamed. In this way was Pearl’s decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke’s company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn’t but the drummer boy they saw.

Which homily brings me directly to a brace of the most finished little fiends that ever banged drum or tootled fife in the Band of a British Regiment. They ended their sinful career by open and flagrant mutiny and were shot for it. Their names were Jakin and Lew — Piggy Lew and they were bold, bad drummer-boys, both of them frequently birched by the Drum-Major of the Fore and Aft.

And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it. Nobody knows how to just shut the fuck up and look out the window anymore. The bathrooms are tiny and filthy and you have no choice but to piss all over yourself when the bus swerves, but the streetlights look like blurred stars exploding in the window when it rains at night, and you can sleep knowing that if there’s an accident and everyone on the bus dies it wasn’t your fault. Someone fat and snoring will sometimes sit beside you and sweat on your shoulder even though it’s twelve degrees outside, and someone else with a big head shaped like an onion and dirty hair that smells like fish sticks will sit in front of you and recline their seat into your lap. And you’ll be trapped and sleepless and sad for the entire ride. But then other times you get two whole seats to yourself, and when that becomes your idea of luxury you know you’ve found something that no one else is even looking for, and if you gave it to them for Christmas they’d return it the next morning as soon as the stores opened. And then you get to think of yourself like the little drummer boy, playing for Jesus even though he’s too young to understand, even though nobody in Bethlehem really likes percussion and they think you’re a cheap ass for not bringing gold or frankincense. And it’s a shame when you realize that you won’t get to be in the Bible, and it doesn’t seem right. But then nobody gets to be in the Bible anymore, no matter who they are or what they do, and the sooner you realize that the easier it all becomes. But it’s still a shame.

Inside McClintic Sphere was swinging his ass off. His skin was hard, as if it were part of the skull: every vein and whisker on that head stood out sharp and clear under the green baby spot: you could see the twin lines running down from either side of his lower lip, etched in by the force of his embouchure, looking like extensions of his mustache. He blew a hand-carved ivory alto saxophone with a 4 ½ reed and the sound was like nothing any of them had heard before. The usual divisions prevailed: collegians did not dig, and left after an average of 1 ½ sets. Personnel from other groups, either with a night off or taking a long break from somewhere crosstown or uptown, listened hard, trying to dig. 'I am still thinking,’ they would say if you asked. People at the bar all looked as if they did dig in the sense of understand, approve of, empathize with: but this was probably only because people who prefer to stand at the bar have, universally, an inscrutable look… …The group on the stand had no piano: it was bass, drums, McClintic and a boy he had found in the Ozarks who blew a natural horn in F. The drummer was a group man who avoided pyrotechnics, which may have irritated the college crowd. The bass was small and evil-looking and his eyes were yellow with pinpoints in the center. He talked to his instrument. It was taller than he was and didn’t seem to be listening. Horn and alto together favored sixths and minor fourths and when this happened it was like a knife fight or tug of war: the sound was consonant but as if cross-purposes were in the air. The solos of McClintic Sphere were something else. There were people around, mostly those who wrote for Downbeat magazine or the liners of LP records, who seemed to feel he played disregarding chord changes completely. They talked a great deal about soul and the anti-intellectual and the rising rhythms of African nationalism. It was a new conception, they said, and some of them said: Bird Lives. Since the soul of Charlie Parker had dissolved away into a hostile March wind nearly a year before, a great deal of nonsense had been spoken and written about him. Much more was to come, some is still being written today. He was the greatest alto on the postwar scene and when he left it some curious negative will–a reluctance and refusal to believe in the final, cold fact–possessed the lunatic fringe to scrawl in every subway station, on sidewalks, in pissoirs, the denial: Bird Lives. So that among the people in the V-Note that night were, at a conservative estimate, a dreamy 10 per cent who had not got the word, and saw in McClintic Sphere a kind of reincarnation.

Love at first sight. I don't believe in that shit. Weird, huh? Yeah, but the Little Drummer Boy has been fucked over too many times before. The fairytale only lasts so long as reality doesn't come stomping through to smash it.

I’m Zeke.” The golden-eyed-boy gracefully stood to his feet. His v-neck t-shirt revealed an array of knotted hemp necklaces, his black jeans stylishly ripped, black-on-black Converse on his feet. But it was his thick mess of black curls that had her gripping the side of her skirt to keep from touching him. He held out his hand. “Zeke D’Angelo. Drummer. And you are?” Dry-mouthed. Speechless. Yours?

On October 17, the day when Cornwallis, heralded by his little drummer boy, asked for terms, his would-be rescuers in New York, Graves and Clinton, setting a record for belated action in military history, finally fixed a time to leave on the mission that had been waiting ever since Clinton had acknowledged on September 2 that Cornwallis would have to be "saved." An army of 7,000 was boarded, sails were hoisted, Graves' fleet with Clinton on board moved slowly down the Hudson. They crossed the Hook on October 19, on the same day when, in Yorktown, Washington and Cornwallis signed and accepted the terms of surrender. Five days later, October 24, they were off Cape Charles without encountering the feared interference from de Grasse, who had no reason to risk battle for a cause already won. While small craft scuttled through the bay seeking news, a boat came out from the York to tell the tale. Time had not waited; the door was closed. All the expense and armed force exerted for nearly six years had gone for nothing. No victory, no glory, no restored rulership. As a war, it was the historic rebuke to complacency. The two masters of lethargy, Admiral and General, with their 35 ships and 7,000 men turned around and sailed back uselessly to New York.

Truth hurt, don’t it? I would’ve been gone by now but you just had to throw your two cents in. Save that for your pimp. Wouldn’t want to come up short now, would you?” “Look, little drummer boy, go on somewhere, alright? You’re not wanted.

War is not an art, boy. Send a hundred men over a hill and know that they won’t make it. Hold a drummer boy, cut open from groin to neck, guts spilling out as he cries for his mother, telling him it’s going to be all right. Make him believe you. Be his commanding officer, his god. Let him let his guard down and be kind enough to snap his neck. War is butchery. And I am the better butcher.

halfway through, George Martin had decided he didn’t want Ringo and had brought in a session drummer. The boys were upset and Ringo was devastated, but none of them dared say anything—George had already overstepped the mark when George Martin told them, “Let me know if there’s anything you don’t like,” and George quipped, “Well, for a start I don’t like your tie.” That remark, so typical of the boys’ humor, has been immortalized since, but at the time they were afraid they’d gone too far, that they’d better shut up and get on with the record.

They ignored her because of their headphones, a thousand people marching to fifteen hundred different drummers, effectively secluded but for a very basic instinct not to bump into one another. Those that were unplugged rushed from place to place and were never actually anywhere other than “somewhere else.

Denny Cordell and Leon Russell ran a record company much the way Russell put together Joe Cocker’s Mad Dogs and Englishmen tour, which was basically a hippie commune on wheels. The Mad Dogs and Englishmen experience would stand as a kind of summit of seventies excess, with three drummers and a choir and endless hangers-on. But Russell’s and Cordell’s careers started well before that. Leon Russell had been a member of the Wrecking Crew, playing on Phil Spector records, Beach Boys and Byrds records, Monkees and Paul Revere and the Raiders records. He’d been a member of the Shindogs, the house band on television’s Shindig! He’d had his own hits and seen his songs become hits for other artists, from Gary Lewis and the Playboys to the Carpenters. When George Harrison organized the Bangladesh concert, he called Russell, who helped put the band together. At those shows, Russell stood out like the natural star he was. Denny

You are American,” he says, as if I’m a mythical creature. I nod. “Yes. And, uh, we have different dances where I come from.” “Can you show us one?” The second boy, a dark-haired kid, steps forward, looking intrigued. I stifle a laugh. “Oh, uh, no. I’m a horrible dancer.” “Please?” the redheaded boy asks. “I have never seen an American dance.” I just laughed at them thirty seconds ago. Wouldn’t that make me mean if I just blow them off now? “I doubt you’d want to see these dances,” I say, stalling. I feel kind of bad. But I really can’t dance. I’ll make a fool of myself. “Oh, but I do. Most certainly.” “Oh.” Well, then. I could try, right? Just some tiny little thing? But what do I share? MC Hammer? The Running Man? The Electric Slide? A little Macarena? “Uh,” I say, stepping forward. “How about, um, the Robot?” “The Robot?” the two boys ask in unison. Did the word robot even exist in 1815? “Yeah. You, uh, hold your arms out like this,” I say, demonstrating the proper way to stand like a scarecrow. I can’t believe I’m doing this. “And then relax your elbows and let your hands swing. Like this.” I’m really not doing it well, but by the way their eyes widen, you’d think I just did a full-on pop-and-lock routine with Justin Timberlake. They mimic my maneuver, making it look effortless. The drummer guy stands up and gets in on the action, swinging his arms freely. The guy’s better than me after a two-second demo. Figures. “Okay, then, uh, you sort of walk and you try to make everything look stiff and, uh, unnatural. Like this.” I show him my best robotic walk, my arms mechanical in their movements. The two boys and the drummer immediately copy me, and by the time they’ve taken four or five steps, they seriously look like robots. In no time they’re improvising, and their laughter trickles up toward the rafters of the barn. Yeah. That’s my cue to leave before inspiration strikes and I try to show them how to break-dance but only succeed in breaking my neck. I slip out of the barn unnoticed, grinning to myself as I walk the gravel path back toward the house, my skirts brushing the dirt. At least somewhere, I’m not Callie the Klutz. Even if it’s just some smelly old barn. There’s hope for me after all.

Shortly before reaching it, some villagers tried to pick a quarrel with them for carrying flags. It was their invariable custom to make the drummer-boy, Majwara, march at their head, whilst the Union Jack and the red colours of Zanzibar were carried in a foremost place in the line. Fortunately a chief of some importance came up and stopped the discussion, or there might have been more mischief, for the men were in no temper to lower their flag, knowing their own strength pretty well by this time. Making their settlement close to Chiwaie's, they met with much kindness, and were visited by crowds of the inhabitants.

By Lawrence Van Alstyne December 24, 1863 As tomorrow is Christmas we went out and made such purchases of good things as our purses would allow, and these we turned over to George and Henry for safe keeping and for cooking on the morrow. After that we went across the street to see what was in a tent that had lately been put up there. We found it a sort of show. There was a big snake in a showcase filled with cheap looking jewelry, each piece having a number attached to it. Also, a dice cup and dice. For $1.00 one could throw once, and any number of spots that came up would entitle the thrower to the piece of jewelry with a corresponding number on it. Just as it had all been explained to us, a greenhorn-looking chap came in and, after the thing had been explained to him, said he was always unlucky with dice, but if one of us would throw for him he would risk a dollar just to see how the game worked. Gorton is such an accommodating fellow I expected he would offer to make the throw for him, but as he said nothing, I took the cup and threw seventeen. The proprietor said it was a very lucky number, and he would give the winner $12 in cash or the fine pin that had the seventeen on it. The fellow took the cash, like a sensible man. I thought there was a chance to make my fortune and was going right in to break the bank, when Gorton, who was wiser than I, took me to one side and told me not to be a fool; that the greenhorn was one of the gang, and that the money I won for him was already his own. Others had come by this time and I soon saw he was right, and I kept out. We watched the game a while, and then went back to Camp Dudley and to bed. Christmas, and I forgot to hang up my stocking. After getting something to eat, we took stock of our eatables and of our pocket books, and found we could afford a few things we lacked. Gorton said he would invite his horse jockey friend, James Buchanan, not the ex-President, but a little bit of a man who rode the races for a living. So taking Tony with me I went up to a nearby market and bought some oysters and some steak. This with what we had on hand made us a feast such as we had often wished for in vain. Buchanan came, with his saddle in his coat pocket, for he was due at the track in the afternoon. George and Henry outdid themselves in cooking, and we certainly had a feast. There was not much style about it, but it was satisfying. We had overestimated our capacity, and had enough left for the cooks and drummer boys. Buchanan went to the races, Gorton and I went to sleep, and so passed my second Christmas in Dixie. At night the regiment came back, hungry as wolves. The officers mostly went out for a supper, but Gorton and I had little use for supper. We had just begun to feel comfortable. The regiment had no adventures and saw no enemy. They stopped at Baton Rouge and gave the 128th a surprise. Found them well and hearty, and had a real good visit. I was dreadfully sorry I had missed that treat. I would rather have missed my Christmas dinner. They report that Colonel Smith and Adjutant Wilkinson have resigned to go into the cotton and sugar speculation. The 128th is having a free and easy time, and according to what I am told, discipline is rather slack. But the stuff is in them, and if called on every man will be found ready for duty. The loose discipline comes of having nothing to do. I don’t blame them for having their fun while they can, for there is no telling when they will have the other thing. From Diary of an Enlisted Man by Lawrence Van Alstyne. New Haven, Conn., 1910.

Glory and honor were found as much in defeat as in victory.

Well, who’s real? The living or the dead?

Time passes and human greed outlasts even the eternal.

Glory and honor were found as much in defeat as in victory. Maybe more so, when the war was senseless and never-ending.

I lit my last cigarette and said my little prayers. Clare, here’s one for you. Susan, here’s one for you. Jeanette, here’s one for you. Paula, they’re all for you. And the unborn. I sat there, singing along to The Little Drummer Boy, with those far off days, those days of grace, coming down. Waiting for the blue lights. Ninety miles an hour.

One night he had shared his quarters with a wounded drummer boy, protecting the child from cold.

After the show Humphrey Barclay, a highly talented Harrovian Head Boy who could act, direct, and draw cartoons, introduced me to John Cleese, a very tall man with black hair and piercing dark eyes. They were very complimentary and encouraged me to audition for the Footlights. I had never heard of this University Revue Club, founded in 1883 to perform sketches and comedy shows, but it seemed like a fun thing to do, and a month later Jonathan Lynn and I were voted in by the Committee, after performing to a packed crowd of comedy buffs in the Footlights’ Club Room. Jonathan, a talented actor, writer, and jazz drummer, would go on to direct Pass the Butler, my first play in the West End, and also write and direct Nuns on the Run, a movie with me and Robbie Coltrane. The audition sketch I had written for us played surprisingly well and, strange details, in the front row, lounging on a sofa, laughing with some Senior Fellows, was the author Kingsley Amis, next to the brother of the soon-to-be-infamous Guy Burgess, who would shortly flee the country, outed as perhaps the most flamboyant of all the Cambridge spies—for whenever he was outrageously drunk in Washington, which was every night, he would announce loudly to everybody that he was a KGB spy. Nobody believed him

Of the Palestinians, some are dead, others are taken prisoner, the rest presumably are for the most part homeless or dispersed. The fighting boys who looked after me in the upper flat in Sidon and chatted with me in the tangerine groves; the bombweary but indomitable refugees of the camps at Rashidiyeh and Nabatiyeh: from what I hear, their fate is little different from that of their reconstructed counterparts in this story.

Fascism in general was nationalist and authoritative; it evoked the supremacy of the State and those who serve it. National Socialism echoed these principles but saw the world, and history, ultimately as a fight between races.

When Hitler spoke, many people felt as if the daily shortages they experienced were not nuisances or danger but the proper fasting before the day of rapture.

It is a standard precaution in the religious leader business that the promises of salvation will find their proper fulfilment in the afterlife: neither prophets nor holy books come with a money-back guarantee.

It may be observed that Hitler always compared the crowd to a woman that needs, in his opinion, to be conquered, and in due time he became an expert in this form of seduction: a phantasmagorial Casanova for the previously abstemious - as far as politics were concerned - German Hausfrau.

Who was right?" Hitler asked at a rally in 1937. "The visionary or the others? - I was right.

History is philosophy teaching by examples.

An attentive observer of the drama that repeated itself every night might have spotted among the poor the gaunt figure of a pale, earnest young man, who, despite the easy sociability of Vienna's outcasts, wore his embitterment as if it were a precious decoration.

Thus we can say with some confidence that the breakthrough of the NSDAP in 1930 was less a result of the movement's inherent qualities, which until then seemed to have been a tough sell, but an expression of protest against the minority governments of late Weimar, which ruled, without the endorsement of parliamentary majorities, by presidential emergency decrees and responded to the economic crisis with ill-advised austerity measures that did little to alleviate economic progress but were guaranteed to raise ill will.

Many contemporary witnesses have pointed out Hitler's perhaps greatest talent - that of an actor - but his changeability has usually been depicted as a result of weakness instead of being understood as his main feature, the key to his character.

There has been - and remains - a discussion whether or not the war formed Hitler most, but there can be no doubt that without it, and the decorations he received in it and which gave him - the Austrian - as Joachim Fest remarked, a claim to front-line credibility, respect and authority in Bavaria, his political career, at least in Germany - a country whose citizenship he would not acquire until 1932 - was simply inconceivable. In this sense only the war made Hitler possible.

One fact, however, we may identify at once: in the grand theatre of European history, Adolf Hitler was, in a way, the last true protagonist, the last momentous ruler of the fair continent; for with him the power of European empires over the globe came to an end - the "Proud Tower" collapsed. Hitler took the last curtain call: after 1945, a new world order emerged, divided between Asia and America.

Once it comprises the report of war, the composition of history has the well-known tendency to reflect the interpretations of the winner.

You can be on a good path, but you’re never fully out of the woods, and you’re safer when you don’t forget it.